Особистий кабінет

Debut full-length album by Greek Death Metal band.
1000Dead’s music is an uncompromising fury of Thrash driven multi-flavoured Metal.
The whole album contains 11 songs mix of various styles - from Hardcore to Grind, Alternative Metal and to Thrash Metal again.
The band’s lyrical part is as important as the musical. Some of lyrics are straight outbursts of anger and hate and other tend to become more personally that dealing with our own fears.
Recommended for fans of: Hatebreed, Lamb of God, and The Dillinger Escape Plan!
Metal Scrap Records, 2017 (MSR135/CD). Made in Ukraine. First press.
 

Tracklist:
1. Lying Through Teeth 02.44
2. Unveil Hatred 04.13
3. Post-War Blues 03.58
4. Bring a Knife to a Gunfight 05.17
5. Noise / Pain 02.15
6. This Day We Fight 03.34
7. Unplug Me 02.48
8. The Oppressor Syndrome 03.36
9. Stonework 05.11
10. Cross Section 00.28
11. Dignity... A Dying Word 03.39
Total playing time: 38:09 min.

 

Re-release of the five classic studio albums, in one set, by the legendary Norwegian New Wave/Pop Rock/Synth-Pop band.
Includes the following albums: "Hunting High And Low", "Scoundrel Days", "Stay On These Roads", "East Of The Sun", "West Of The Moon" and "Memorial Beach".
100% musthave for every old school maniac!!
Rhino Entertainment Company, a Warner Music Group Company, 2011 (8122797694). Made in Germany. First press.

Tracklist:

CD 1 «Hunting High And Low»
1. Take On Me 3:48 
2. Train Of Thought 4:14 
3. Hunting High And Low 3:44 
4. The Blue Sky 2:36 
5. Living A Boy's Adventure Tale 5:02 
6. The Sun Always Shines On T.V. 5:08 
7. And You Tell Me 1:52 
8. Love Is Reason 3:06 
9. I Dream Myself Alive 3:10 
10. Here I Stand And Face The Rain 4:30

CD 2 «Scoundrel Days»
1. Scoundrel Days 4:01 
2. The Swing Of Things 4:14 
3. I've Been Losing You 4:23 
4. October 3:56 
5. Manhattan Skyline 4:52 
6. Cry Wolf 4:06 
7. We're Looking For The Whales 3:42 
8. The Weight Of The Wind 3:59 
9. Maybe, Maybe 2:36 
10. Soft Rains Of April 3:12

CD 3 «Stay On These Roads»
1. Stay On These Roads 4:45 
2. The Blood That Moves The Body 4:06 
3. Touchy! 4:33 
4. This Alone Is Love 5:15 
5. Hurry Home 4:37 
6. The Living Daylights 4:47 
7. There's Never A Forever Thing 2:51 
8. Out Of Blue Comes Green 6:41 
9. You Are The One 3:51 
10. You'll End Up Crying 2:07

CD 4 «East Of The Sun, West Of The Moon»
1. Crying In The Rain 4:24 
2. Early Morning 2:58 
3. I Call Your Name 4:53 
4. Slender Frame 3:41 
5. East Of The Sun 4:47 
6. Sycamore Leaves 5:21 
7. Waiting For Her 4:48 
8. Cold River 4:41 
9. The Way We Talk 1:31 
10. Rolling Thunder 5:42 
11. (Seemingly) Nonstop July 2:55

CD 5 «Memorial Beach»
1. Dark Is The Night For All 3:45 
2. Move To Memphis 4:21 
3. Cold As Stone 8:18 
4. Angel In The Snow 4:13 
5. Locust 5:08 
6. Lie Down In Darkness 4:31 
7. How Sweet It Was 6:01 
8. Lamb To The Slaughter 4:20 
9. Between Your Mama And Yourself 4:15 
10. Memorial Beach 4:35

Total playing time: 214:52 min.


 

Remastered re-release of the fourth full-length studio album by legendary Swedish Pop band.
Widely considered the Swedish foursome's first classic album (and historically important as the first to use the now-famous mirror-B logo), 1976's "Arrival" contains three huge hit singles: the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You", and the absolutely perfect Pop classic "Dancing Queen" - a combination of Spector-ian grandeur, McCartney-esque melody, and the indescribable vocals of Agnetha Fältskog and Anni-Frid Lyngstad.
The rest of ABBA's fourth album is strikingly consistent and accomplished, from the sly, bouncy "When I Kissed the Teacher" to the atmospheric title track, making room in between for the three excellent singles and five other substantial Pop tunes.
The album became a major seller all over the world, becoming the top-selling album of 1977 in both the UK and West Germany for example. It was certified Gold by the Recording Industry Association of America. The "Arrival" was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. 
180 g vinyl comes with a printed inner sleeve and includes a voucher to download an MP3 version of the album.
Polar Music Production/Universal Music Group International, 1976/2011 (POLS 272). Made in Germany.

Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 miin.

First official release on CD of the third compilation album by cult Japanese Black/Thrash Metal.
Great travel throughout the whole discography of the Japanese Yakuza Black Metal gods!
For fans of Bulldozer, Venom, Sabbat, Midnight, Toxic Holocaust and similar bands!!
Official re-edition features new artwork and five bonus tracks.
Bestial Invasion Records, 2009/2019 (BIR 035). Made in Sweden. Pressed in Poland. First press.


Tracklist:
1. A Witch Named Aspilcuetta 4:37
2. Confound Eternal 4:15
3. Attack With Spell 4:12
4. Hellfire And Damnation 2:58
5. Bloody Japanese Sword 4:32
6. Ilona The Very Best (Bulldozer Cover) 2:32
7. Violence, Kill And Destruction 3:34
8. Bitch We Gonna Kill You 2:32
9. We're The Pussy Hunter 2:03
10. War 666 2:35
11. Lethal Dose (N.M.E. Cover) 2:40
12. Satanik Metal Fucking Hell 3:40
13. Hells Necromancer 3:38
14. Nuclear Warheads 3:40
15. Beer! Metal! Sex! 3:09
Bonus Tracks:
16. Metal Evil Metal 4:41
17. Teenage Metal Fuck 3:57
18. Violent Force 2:36
19. Blasphemy Night 3:53
20. The Final Damnation 4:29
Total playing time: 70:16 min.

The eleventh full-length studio album by American Death Metal band.
The songs on "Napalm Reign" have a good amount of variety, pacing and structuring, within the framework the band have set themselves. The Classic/Power/Speed Metal influences (“Iron Clad” and “Scream in the Night”) help to add another aspect to their sound. It all adds up to something very special indeed. Leads and solos are all used well, and throughout the aggression and brutality the band infuse things with a sense of melody that shows off their songwriting skills to great effect. 
The band consists of all accomplished musicians, as they should be at this point in their career, and the songs on "Napalm Reign" are all performed as well as you would expect. Although it’s professionally delivered, the band still have a real passion for the material, that much is evident, which is great to hear after 23 years of existence.
Oh, and they really know how to play fast when they want to. Hold on to your hat when you listen to this!
Deathgasm Records, 2016 (DG-085). Made in USA. First press.


Tracklist:
1. No Peace 3:55
2. Reborn Through Bloodshed 4:18
3. Iron Clad 3:41
4. Hordes Of Desolation 5:20
5. Burning Hemispheres 4:16
6. The Watchers 3:48
7. Truth Beyond Belief 4:37
8. As Evil Rears Its Head 3:41
9. The Villains Veil 1:04
10. Out Of The Shadows 4:45
11. Scream In The Night 3:29
Total playing time: 42:56 min.

The ninth full-length studio album by American Death Metal band.
Kentucky's masters finally arrived with 8 tracks of pummelling Extreme Metal!
There is always something to be said for persistence, and perhaps Abominant are one of our most stalwart American lessons in this virtue, having released nine full-length albums, all but hidden from mainstream recognition, offering nothing more than the purest of Death Metal aesthetics that conjure up the Florida blasting of a Morbid Angel or Malevolent Creation, with a tinge of the good old Dutch style of Sinister and Pestilence.
Year after year and an album after another, Abominant has been cranking up new material since mid 90s and never reaching big fame. This is understandable in the context that the band most certainly aren’t innovating anything new, but on the other hand, their newest output "Where Demons Dwell" is a great listen. Perhaps the album serves as the proper catalyst to a re-evaluation of the veterans' backlog, because this is a well-written, mature album that clenches the attention span through most of its eight compositions.
Nothing could be sweeter than hearing a veteran band like this, far off the radars of most of the Nile, Suffocation and Cannibal Corpse worshipping Death Metal flock, create one of their most enduring pieces, and their long relationship with Deathgasm Records seems to have paid off. An American band, performing 90s style death metal without any trace of trendiness or bullshit...
"Where Demons Dwell" is the soundtrack to total nuclear fallout!!
Deathgasm Records, 2010 (DG 61). Made in USA. First press.


Tracklist:
1. Baptized by Steel 05:52   
2. Bloodland 03:48   
3. Firestorm 04:22   
4. Rain of Ash 04:36   
5. After the Fallout 05:42   
6. The Wolves of Hate 03:54   
7. Blackened Earth 04:33   
8. Where Demons Dwell 06:07  
Total playing time: 38:56 min.


Samples: https://deathgasmrecords.bandcamp.com

Collector’s Edition re-release of the debut full-length studio album by the cult American Death/Black Metal band.
If you are new to Absu, this is a great place to start and keep in mind that the band gets better with age. Strangely enough, most Black Metal specialist (or elitist, depending on your point of view) hold this release in very high regard.
For the casual or general Metal fan though, there are noticeable flaws, but they are overcome with a strong mix of very catchy traditional Black Metal parts and violent aggressive parts.
Osmose Productions, 1992/1993/1997 (OPCD 020 Ltd. / SPV 084-20302 CD). Made in France. Pressed in Austria. Re-press.


Tracklist:
1. An Involution Of Thorns 3:06 
2. Descent To Acheron/ Evolving Into The Progression Of Woe 4:33 
3. An Equinox Of Fathomless Disheartenment 3:15 
4. The Thrice Is Greatest To Ninnigal 5:00 
5. Infinite And Profane Thrones 6:21 
6. Fantasizing To The Third Of The Pagan Vision/ Quoth The Sky Nevermore/ Act II 5:29 
7. An Evolution Of Horns 3:12
Bonus Tracks: 
8. The Coming Of War (Live) 5:10
9. The Thrice Is Greatest To Ninnigal (Live) 5:10
10. Never Blow Out The Eastern Candle (Live) 5:32
Total playing time: 46:48 min.


Samples: https://osmoseproductions.bandcamp.com

First official re-release of the 13th Australian and 12th international full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
It was the band's first studio album in five years, since “The Razors Edge”, and is also the band's final album of the 20th century. The album featured the return of former drummer Phil Rudd, who had been fired from the band in 1983 as a result of drinking and drug problems and a fight with founding rhythm guitarist Malcolm Young.
In over 20 years, AC/DC never changed their minimalist, bone-crunching Hard Rock. During their first ten years, that wasn't a problem, since they were still finding ways to expand and subvert the pattern, but ever since "For Those About to Rock", they had trouble coming up with consistent material. Consequently, their performances tended to be a little lazy and their records didn't deliver a reliable knockout punch. Released in 1990, "The Razor's Edge" showed some signs of life, and their comeback culminated in the Rick Rubin-produced "Ballbreaker". What makes "Ballbreaker" different than the albums AC/DC churned out during the '80s is simple, it's a matter of focus. Although "Hard as a Rock" comes close, there aren't any songs as immediately memorable as any of their '70s classics, or even "Moneytalks". However, unlike any record since "Back In Black", there are no bad songs on the album. Surprisingly, Rubin's production is a bit too dry, lacking the muscle needed to make the riffs sound truly earthshaking. Nevertheless, Angus Young's riffs are powerful and catchy, showcasing every element that makes him one of Hard Rock and Heavy Metal's greatest guitarists. Throughout the album, the band sounds committed and professional, making "Ballbreaker" the best late-period AC/DC album to date!
The album placed #1 in Australian ARIA Albums Chart, #4 in Billboard 200 and #6 in UK Albums Chart, and currently certified 2x platinum by the RIAA in the US, for sales in excess of 2000000 copies.
Remastered re-release on 180 g vinyl.
Columbia/Sony Music Entertainment, 1995/2014 (88843049291). Made in EU. Pressed in France.


Tracklist:

Side One
1. Hard As A Rock 4:27 
2. Cover You In Oil 4:33 
3. The Furor 4:10 
4. Boogie Man 4:07 
5. The Honey Roll 5:35 
6. Burnin´ Alive 5:06

Side Two
1. Hail Caesar 5:14 
2. Love Bomb 3:14 
3. Caught With Your Rants Down 4:15 
4. Whiskey On The Rocks 4:35 
5. Ballbreaker 4:31

Total playing time: 49:47 min.

Remastered from the original master tapes re-release of ninth Australian and eighth internationally released full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Followed the highly successful "Back In Black" and "For Those About To Rock" albums, "Flick Of The Switch" is the third AC/DC album to feature vocalist Brian Johnson. Recorded shortly after their 1982 European Tour at the beginning of 1983, the album was originally released with little promotion in the US on 15 August 1983.
When AC/DC first began to lay down plans for recording their ninth studio album, their career was at its absolute commercial peak, flying high on the world-beating success of 1980’s flawless "Back In Black" and its worthy successor, "For Those About To Rock". Both albums had kept the band touring and/or working for nearly two years straight (and the human toll would soon be felt in drummer Phil Rudd‘s sad exit), so once they finally found the time to reflect on their next move, the Australian Hard Rock heroes decided it was time to go back to basics.
Fatefully, after three albums working with studio perfectionist Robert John “Mutt” Lange, the band decided to produce "Flick Of The Switch" themselves in a concerted effort to strip their songs of any lingering studio polish. To that end, AC/DC spent less than a month recording 10 new songs, and later drove their point home with the help of a spartan, startlingly white cover art, featuring nothing but a pencil sketch of Angus Young preparing to flick that giant electric switch.
The best thing one could say in "Flick Of The Switch"‘s defense is its quasi-religious bid for simplicity makes it the Brian Johnson lineup’s equivalent of "Powerage". The final verdict on "Flick Of The Switch" was frankly handed down by AC/DC fans, who barely saw fit to nudge the album towards Platinum sales over many slow-selling years to come, thus falling well short of the multi-Platinum thresholds established by its predecessors.
The album reached #4 in UK and #15 in the US, and has been certified Platinum by the RIAA for a circulation of more than 1,000,000 copies.
Leidseplein Presse B.V./Columbia/Sony Music, 1983/2009 (5107671). Made in Germany.


Tracklist:
1. Rising Power
2. This House Is On Fire
3. Flick Of The Switch
4. Nervous Shakedown
5. Landslide
6. Guns For Hire
7. Deep In The Hole
8. Bedlam In Belgium
9. Badlands
10. Brain Shake

AC/DC logo women's black sandal.

Color: Black.

Leidseplein Presses B.V./Anthill Trading LLC/Bioworld Merchandising, 2006 (WS103178ACD). Made in China for UK. Official merch.

Second remastered re-release of the eighth Australian and seventh international full-length studio album by the legendary Australian Hard Rock band.
The eighth Australian and seventh international full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Recorded in Paris, France, “For Those About To Rock (We Salute You)” was the third and final album produced for the band by Robert John "Mutt" Lange. The name of the album was inspired by a book Angus Young read, entitled “For Those About to Die, We Salute You”, about Roman gladiators. The album was a follow-up to their highly successful album “Back in Black”. While "Back In Black" was infused with the energy and spirit of paying tribute to Bon Scott, it became apparent on the follow-up that the band really did miss Scott more than it initially indicated. Brian Johnson's lyrics started to seem more calculated and a bit clichéd, lacking Scott's devil-may-care sense of humor. And the band itself slowed down the tempo frequently, sounding less aggressive and inspired.
On "For Those About to Rock We Salute You", the case for the band's talents is finally made with undeniable force and clarity. You want anthems? Here, they abound, from the title track's avalanche attack — complete with booming cannonades, of course — to "Night of the Long Knives". All ten tunes are aimed straight at the band's testosterone-plagued audience, but the music and lyrics transcend mere calculation. This marginally broader lyrical outlook may again be attributable to Brian Johnson, who writes the songs with band-leader-guitarists Angus and Malcolm Young.
“For Those About To Rock” has sold over 4.000.000 copies in the US. It would be AC/DC's first and only No.1 album in the US Billboard chart until the release of “Black Ice” in October 2008. In Australia, the album peaked at No. 3 on the Kent Music Report Albums Chart. The album has sold an estimated 7.000.000 copies worldwide, making it one of the highest sold AC/DC albums worldwide. In their original 1981 review, Rolling Stone Magazine declared it to be their best album.
The album was re-released in 2003 as part of the AC/DC remasters series.
Columbia/Sony Music Entertainment, 1981/2003 (510766 2). Made in Austria.


Tracklist:
1. For Those About To Rock (We Salute You)     5:44 
2. I Put The Finger On You     3:25 
3. Let's Get It Up     3:54 
4. Inject The Venom     3:30 
5. Snowballed     3:23 
6. Evil Walks     4:23 
7. C.O.D.     3:19 
8. Breaking The Rules     4:23 
9. Night Of The Long Knives     3:25 
10. Spellbound     4:39
Total playing time: 40:05


Samples: http://www.last.fm

First remastered re-release of the first official live album by Australian Hard Rock legend.
While most other rock bands of the era were busy experimenting with Disco or creating studio-perfected epics, AC/DC was one of the few specializing in raw and Bluesy Hard Rock, as evidenced by 1978's live set, "If You Want Blood (You've Got It)".
The album was recorded live during the 1978 Powerage Tour and contains live versions of songs from "T.N.T.", "Dirty Deeds Done Dirt Cheap", "Let There Be Rock", and "Powerage". It is the last Bon Scott-era AC/DC album produced by Harry Vanda and George Young, who also produced the band's first five studio releases. AC/DC's concert at the Apollo Theatre in Glasgow, Scotland on 30 April 1978, was used for the bulk of the recorded material that appeared on the album. It can be clearly heard during "The Jack" when Scott exclaimed "Any virgins in Glasgow?". This concert will also be remembered for the encore when AC/DC came back on stage dressed in the Scottish Football strip. The songs "Dog Eat Dog", the encore "Fling Thing" and the final part of the concert (the reprise of "Rocker") were also performed during the night of the concert but eventually removed from the album. The live rendition of "Dog Eat Dog" was released as the B-side of the single "Whole Lotta Rosie/Dog Eat Dog" in November 1978. It was later released worldwide on the 2009 Box Set "Backtracks". The songs "Fling Thing" and "Rocker" (with its complete guitar solo) appeared only on video releases.
A song with the same title, "If You Want Blood (You've Got It)", appeared on AC/DC's next album, "Highway To Hell".
The album was listed at #2 on Classic Rock magazine's readers' poll of "50 Greatest Live Albums Ever".
“If You Want Blood (You've Got It)” captures the band at the height of their powers with Bon Scott at the helm. This is a great straight ahead Rock album that features some of the best songs from the bands early years, played at maximum volume and energy. Great live album!!
Remastered from the Original Master Tapes.
Sony Music Entertainment/Columbia/J. Albert & Son (PTY) Ltd., 1978/2009 (5107631). Made in EU. 180 gram vinyl.


Tracklist:

Side One:
1. Riff Raff 5:58
2. Hell Ain't A Bad Place To Be 4:10
3. Bad Boy Boogie 7:29
4. The Jack 5:48
5. Problem Child 4:40

Side Two:
1. Whole Lotta Rosie 4:05
2. Rock 'n' Roll Damnation 3:41 
3. High Voltage 5:05
4. Let There Be Rock 8:33
5. Rocker 3:14

Total playing time: 52:54

 

Remastered re-release of the fourth Australian and third internationally released full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
This is the first album to see simultaneous international release. It also was the last AC/DC album to feature Mark Evans on bass.
The cover of the international version, released on 25 July 1977, marked the first appearance of the band's now iconic logo, designed by Gerard Huerta.
This high-voltage, brutal record has a bit of a Bluesier edge than previous AC/DC records, but this is truly the sound of the band reaching its peak. And that's AC/DC's allure in a nutshell - it's sweaty, dirty, nasty Rock, music that is played to the last call and beyond, and they've rarely done that kind of rock better than they did here!
The album got 4x Gold and 7x Platinum certifications.
Remastered from the original master tapes 180 vinyl issued with a printed cardboard inner sleeve including liner notes and photos.
Columbia Records/Sony Music Entertainment, 1977/2003/2009 (5107611). Made in EU.


Tracklist:

Side One
1. Go Down 5:30
2. Dog Eat Dog 3:34
3. Let There Be Rock 6:06
4. Bad Boy Boogie 4:26

Site Two
1. Problem Child 5:23
2. Overdose 6:07
3. Hell Ain't A Bad Place To Be 4:13
4. Whole Lotta Rosie 5:22

AC/DC logo women's light blue sandal.

Color: Blue.

Leidseplein Presses B.V./Anthill Trading LLC/Bioworld Merchandising, 2006 (WS0001ACDC). Made in China for UK. Official merch.

The 17th Australian and 16th international full-length studio album by legendary Australian Hard Rock band.
"Power Up" marks the return of vocalist Brian Johnson, drummer Phil Rudd and bassist Cliff Williams, all of whom left AC/DC before, during, or after the supporting tour for their previous album "Rock Or Bust" (2014). This is also the band's first album since the death of co-founder and rhythm guitarist Malcolm Young in 2017, and it serves as a tribute to him. Malcolm Young is credited as a songwriter on every single song on "Power Up".
Even with the tragic loss of the man with the heaviest right hand in all of Rock’n’Roll, AC/DC have made an album that is a high-voltage celebration of life, the best of times, and the absolutely indomitable, boundless power of a couple of chords and a four-four beat.
It’s never been the point for AC/DC to do anything ‘new’, just to do more of it. That’s why they do it, and that’s why they’re the best at it. And that’s why we love them! But more than ever, "Power Up" is a reminder that this music has a power that belies its apparent simplicity. It's everything you want from music that categorically doesn't 'do' sad. It's just AC/DC being f***ing brilliant!!
The album reached number one in 21 countries. Worldwide, it was the 6th best-selling album of 2020 with 1.37 million copies sold.
At the 2021 ARIA Music Awards, the album was nominated for Best Rock Album and the band were nominated for Best Group. For the upcoming 64th Grammy Awards, the album was nominated for Best Rock Album, and "Shot In The Dark" was nominated for Best Rock Performance and Best Music Video.
Columbia Records/Sony Music Entertainment, 2020 (19439744632). Made in Germany. First press.


Tracklist:
1. Realize 3:37
2. Rejection 4:06
3. Shot In The Dark 3:04
4. Through The Mists Of Time 3:32
5. Kick You When You're Down 3:10
6. Witch's Spell 3:42
7. Demon Fire 3:30
8. Wild Reputation 2:54
9. No Man's Land 3:39
10. Systems Down 3:12
11. Money Shot 3:04
12. Code Red 3:30
Total playing time: 41:03 min.

First remastered re-release of the 12th Australian and 11th international full-length studio album by the legendary Australian Hard Rock band.
It is the only studio album to feature drummer Chris Slade, and includes "Thunderstruck" and "Moneytalks," which are among AC/DC's most well-known tracks. Malcolm Young, having completed his rehabilitation for alcoholism, once again played rhythm guitar and co-wrote (with his brother Angus) all the songs on the album.
The album reached #2 on the US Billboard 200 and #4 in the UK, a smash commercial success that returned the band to the popularity of its glory years of the late 1970s and early 1980s. The album has been certified 5x platinum (5 million copies sold) in the US, and was re-released in 2003 as part of the AC/DC Remasters series.
180 Gram Vinyl. Issued with colour printed inner sleeve.
Columbia Records/Sony Music, 1990/2003/2009 (5107711). Made in EU.


Tracklist:

SIDE ONE
1. Thunderstruck 4:52
2. Fire Your Guns 2:53
3. Moneytalks 3:45
4. The Razors Edge 4:22
5. Mistress For Christmas 3:58
6. Rock Your Heart Out 4:06

SIDE TWO
7. Are You Ready 4:10
8. Got You By The Balls 4:29 
9. Shot Of Love 3:57
10. Let's Make It 3:32
11. Goodbye & Good Riddance To Bad Luck 3:14 
12. If You Dare 3:11

Total playing time: 46:29 min.

AC/DC logo women's pink sandal.

Color: Pink.

Leidseplein Presses B.V./Anthill Trading LLC/Bioworld Merchandising, 2006 (WS103181ACD). Made in China for UK. Official merch.

The second European re-release of the fourth full-length studio album by the legendary German Heavy Metal band.
Accept had a run of superb albums in the ‘80s, beginning with this one, and including 1984’s "Balls To The Wall" and 1985’s "Metal Heart".
"Restless And Wild" was released in 1982 in Europe and in 1983 in the US and UK. It was the first Accept album to not be recorded at Delta-Studio - the band moving to Dieter Dierks' studio in Stommeln. It is also the first Accept album in which Udo Dirkschneider sings every track, as well as the first in which manager Gaby "Deaffy" Hauke gains credits for songwriting. Michael Wagener took engineering and mixing duties once again.
Versions of the album released outside Germany were issued with a different cover, replacing the picture of burning guitars with a shot of the band live in concert.
Like its successor, "Balls To The Wall", it is an essential Heavy Metal album, and any fan worth his salt should own them both. Whichever you chose, you can only win!
Brain/Metronome Musik GmbH, 1982/1992/2000 (810 987-2). Made in Germany.


Tracklist:
1. Fast As A Shark 3:48
2. Restless And Wild 4:10
3. Ahead Of The Pack 3:22
4. Shake Your Heads 4:00
5. Neon Nights 6:00
6. Get Ready 3:49
7. Demon's Night 4:34
8. Flash Rockin' Man 4:24
9. Don't Go Stealing My Soul Away 3:15
10. Princess Of The Dawn 6:15
Total playing time: 43:59 min.

The 13th full-length album by the German Heavy Metal legend.
Band’s second album since their 2009 reunion. Accept recently celebrated the biggest success in the band’s history with “Blood Of The Nation” in 2010 and 2011. During two world trips in these eventful times, Wolf Hoffmann & Co. still found time and inspiration to write songs for the new album. The pressure was tremendous, but as we all know – Accept love challenges and search for them! No distance too far, no burden too heavy for a perfect record, for the perfect show. And here comes “Stalingrad” – a statement for the iron will to succeed. Album shows the band returning to their classic 80's sound, with some clear modern touches. Songs forged in the sweat and haze of the concert halls and hardened in the fire of hundreds of thousands fans’ excitement. “Stalingrad” is a terrific performance from beginning to end with virtually no filler. Everything from the album's sound to the fantastic artwork cover is simply drenched in talent.  The entire album from start to finish is filled to the brim with terrific guitar playing, amazing vocals, and just pure talent!
"Stalingrad" is a constantly trilling return for the classic Heavy Metal band! The Mark Tornillo era of Accept is already an important chapter in the band’s legacy, and hopefully it’s going to be a long, long chapter indeed!! Now is a great time to be an Accept fan!!!
Nuclear Blast Records, 2012 (NB 2846-2). Made in Germany. First press.


Tracklist:
1. Hung, Drawn And Quartered     4:40 
2. Stalingrad     6:01 
3. Hellfire     6:13 
4. Flash To Bang Time     4:10 
5. Shadow Soldiers     5:51 
6. Revolution     4:14 
7. Against The World     3:39 
8. Twist Of Fate     5:43 
9. The Quick And The Dead     4:27 
10. The Galley     7:22
Total playing time: 52:20



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Re-mastered re-release of fifth full-length studio album by legendary German Heavy Metal band.
Accept's most notorious album, "Balls To The Wall", was also their biggest commercial success. This is the best-selling album of the band that sold in an amount of about two 2.000.000 copies worldwide and received Gold status in the U.S.
Most fans of Accept perceive this album as the best in the discography of the band. Following hot upon the heels of their creative breakthrough, "Restless And Wild", you'd also be hard-pressed to find a more sexually charged record in any musical genre.
Like its predecessor, "Balls To The Wall" is an essential Heavy Metal album, and any fan worth his salt should own them both. But, for the sake of first-time visitors, "Balls To The Wall" is the slightly more melodic, less gritty of the two. Whichever you chose, you can only win!
The digitally remastered re-edition includes live versions of "Metal Heart" and "Screaming For A Love-Bite" as bonus tracks, taken from the “Kaizoku-Ban” album!
RCA/BMG, 1983/1985/2002 (74321 93214 2). Made in Germany.


Tracklist:
1. Balls to the Wall (5:50)
2. London Leather Boys (3:57)
3. Fight It Back (3:30)
4. Head Over Heels (4:19)
5. Losing More Than You’ve Ever Had (5:04)
6. Love Child (3:35)
7. Turn Me On (5:12)
8. Losers and Winners (4:19)
9. Guardian of the Night (4:25)
10. Winter Dreams (4:45)
Bonus tracks:
11. Up To The Limit (live) 4:53
12. Head over Heels (live) 5:58
Total playing time: 56:13 min.