МУЗИКА

The third full-length studio album by Italian Melodic Death/Doom Metal band.
The band from Brescia, Lombardy, continues exploring dark fantasies of the talented musicians. Demonstrating significant progress and development, (EchO) created a mosaic canvas on a melodic Death Doom Metal base, filled with outstanding melodies and intersections with different styles, with a touch of psychedelia and a perfect combination of fragility and brutality (both in music and vocals).
Carefully crafted arrangements ensured by the coherence and skills of the musicians are the unique feature of (EchO), that was perfected by Greg Chandler (Esoteric), who performed mixing and mastering in Priory Recording Studio.
If you’re a fan of bands like My Dying Bride, Paradise Lost, Katatonia and Opeth, there’s something on this album for you, and you should definitely check it out!
BadMoodMan Music, 2019 (BMM. 088-19). First press.


Tracklist:
1. (Y)Our Warmth 11:05
2. Glimpses And Fear 8:45
3. Culmine 2.18 4:25
4. Blind Snow 8:50
5. My Burden 7:04
6. The Ferryman 8:16
7. Awakening 6:50
Total playing time: 55:17 min.


Samples:
https://badmoodmanmusic.bandcamp.com
https://echodoom.bandcamp.com

Debut full-length album by Greek Death Metal band.
1000Dead’s music is an uncompromising fury of Thrash driven multi-flavoured Metal.
The whole album contains 11 songs mix of various styles - from Hardcore to Grind, Alternative Metal and to Thrash Metal again.
The band’s lyrical part is as important as the musical. Some of lyrics are straight outbursts of anger and hate and other tend to become more personally that dealing with our own fears.
Recommended for fans of: Hatebreed, Lamb of God, and The Dillinger Escape Plan!
Metal Scrap Records, 2017 (MSR135). 
 

Tracklist:
1. Lying Through Teeth 02.44
2. Unveil Hatred 04.13
3. Post-War Blues 03.58
4. Bring a Knife to a Gunfight 05.17
5. Noise / Pain 02.15
6. This Day We Fight 03.34
7. Unplug Me 02.48
8. The Oppressor Syndrome 03.36
9. Stonework 05.11
10. Cross Section 00.28
11. Dignity... A Dying Word 03.39
Total playing time: 38:09 min.

 

Debut full-length album by Greek Death Metal band.
1000Dead’s music is an uncompromising fury of Thrash driven multi-flavoured Metal.
The whole album contains 11 songs mix of various styles - from Hardcore to Grind, Alternative Metal and to Thrash Metal again.
The band’s lyrical part is as important as the musical. Some of lyrics are straight outbursts of anger and hate and other tend to become more personally that dealing with our own fears.
Recommended for fans of: Hatebreed, Lamb of God, and The Dillinger Escape Plan!
Metal Scrap Records, 2017 (MSR135/CD). Made in Ukraine. First press.
 

Tracklist:
1. Lying Through Teeth 02.44
2. Unveil Hatred 04.13
3. Post-War Blues 03.58
4. Bring a Knife to a Gunfight 05.17
5. Noise / Pain 02.15
6. This Day We Fight 03.34
7. Unplug Me 02.48
8. The Oppressor Syndrome 03.36
9. Stonework 05.11
10. Cross Section 00.28
11. Dignity... A Dying Word 03.39
Total playing time: 38:09 min.

 

The fourth full-length album by cult Canadian Power/Heavy Metal band.
Like oh so many Heavy Metal bands armed with a certain vision but no realistic commercial potential, 3 Inches of Blood's brush with the big time nearly killed them. After playing a vital but largely unacknowledged role in reinvigorating the art of traditional, non-ironic Heavy Metal and Thrash, replete with monster tales and battle lore, via their cult-approved independent 2002 debut, "Battlecry Under A Winter Sun", the Vancouver sextet was smartly snapped up by Roadrunner Records. There followed two creatively laudable but financially underperforming LPs, 2004's "Advance And Vanquish" and 2007's "Fire Up The Blades", at least in the eyes of the former Heavy Metal stronghold, since gone "corporate Rock crazy" due to the unprecedented success of Nickelback. In Roadrunner's defense, their efforts to "professionalize" 3 Inches Of Blood through grueling promotional campaigns and roadwork also exposed the inability of several bandmembers to "cut it", so after being dropped in 2008, it was an almost unrecognizable 3 Inches Of Blood that recorded this fourth long play, "Here Waits Thy Doom", for esteemed indie Metal label Century Media. Longtime fans will notice that the band's typically Thrash-infused war cries ("Battles and Brotherhood", "Call of the Hammer", "Execution Tank") and steroid-pumped modernizations of the Maiden/Priest dual-harmony gallop ("Silent Killer", "Fierce Defender", "All of Them Witches") are now making room for an increasing number of tunes steeped in a more traditional, Rock-based songwriting approach (e.g. "Rock in Hell", "Snake Fighter"). This trend had already been hinted at on 3IOB's previous album, but no one could have foreseen such a radical departure as the almost bluesy "Preacher's Daughter", which marries an unusually deliberate tempo to atypically "of this world" lyrics and eventually builds to an anthemic singalong chorus! Obviously, 3 Inches Of Blood are rolling with the changes and trying to evolve their sound, but the truth is that most all of their familiar sonic hallmarks are still delivered here with poise and power. And while there are several other quality bands competing in the same Extreme retro-Metal killing ground (Skeletonwitch, Black Cobra, etc.), 3 Inches Of Blood will always possess a certain advantage so long as Cam Pipes is the gladiator helming their chariot, with his as yet unchallenged Rob Halford-meets-Udo Dirkschneider vocals.
This is pure and unadulterated Metal for true Metalheads! Highly recommended for fans of: Judas Priest, Iron Maiden, and Accept!!
Century Media Records, 2009 (9979392). Used: very good.


Tracklist:
1. Battles And Brotherhood 4:52 
2. Rock In Hell 5:01 
3. Silent Killer 4:18 
4. Fierce Defender 5:18 
5. Preacher's Daughter 6:57 
6. Call Of The Hammer 3:02 
7. Snake Fighter 3:21 
8. At The Foot Of The Great Glacier 3:20 
9. All Of Them Witches 6:51 
10. 12:34 1:52 I
11. Execution Tank 7:34

Bonus Track:
12. Not Fragile 4:07
Total playing time: 56:33

The first Single from the debut full-length studio album, "The Void", by New Zealand Crossover/Thrash Metal band.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Total Metal Records, 2020 (TMR034-166/S1).
 

Tracklist:
1. 3000 A.D. 05:09
Total playing time: 05:09 min.

 

The second Single from the debut full-length studio album, "The Void", by New Zealand Crossover/Thrash Metal band.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Total Metal Records, 2020 (TMR034-166/S2).


Tracklist:
1. Cells 03:22
Total playing time: 03:22 min.

The first Single from the forthcoming second studio album by New Zealand Thrash Metal band.
3000AD return reenergised with their new song from the highly anticipated follow-up album to 2020s "The Void". "Ghettocide" continues the dystopian theme of the debut album while bringing fresh new sonic elements.
For fans of DRI, Exodus, Slayer, Municipal Waste, etc.
Total Metal Records, 2024 (TMR038-192/DS1).

Tracklist:
1. Ghettocide 3:46
 

The third Single by New Zealand Modern Thrash Metal band.
3000AD have released a cover version of the classic Black Sabbath tune "Hole in the Sky".
The iconic track was given a modern production refresh, mixed by Josh Middleton of The Architects / Sylosis in the UK, and mastered at the cult Sterling Sound studio in Nashville, USA.
Total Metal Records, 2021 (TMR34-176/DT).

Tracklist:
1. Hole In The Sky 03:42
Total playing time: 03:42 min.
 

Debut full-length studio album by New Zealand Crossover/Thrash Metal band.
The core of the 3000AD writing philosophy is to create memorable and distinct songs as the Thrash masters of old so often did. Band aim to create album that allow you to identify the songs easily by ear rather than an album where all the songs sound very similar.
All three members take part in vocal duties, with drummer Hellmore accounting for the bulk of them. This allows for a chaotic multi-part vocal onslaught, that matches the intensity of the underlying music. The bass guitar also has its own unique voice and is often used almost as a second guitar would be.
“The Void” takes the listener on a journey through a bleak dystopian future. A vision of civilization on the brink of collapse in a desolate and hostile environment. Each subsequent song expands on this theme. From Old School Thrash anthems like “Cells” to the highly Progressive instrumental closer “Born Under a Black Sun”. 
The album recorded in studios in Hollywood, California and Auckland, New Zealand, and mastered at the iconic Sterling Sound in New York City. Award winning engineer and producer Clint Murphy mixed the album. The gatefold artwork painted by famed Berlin based artist Eliran Kantor and known for his works for Atheist, GWAR, Hatebreed, Iced Earth, Master, Mekong Delta, Satan, Sigh, Sodom, Testament, and more.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Total Metal Records, 2020 (TMR034-166). Made in Ukraine.
 

Tracklist:
1. 3000 A.D. 05:09
2. Cells 03:22
3. The Network 04:56
4. Who’s Watching? 05:51
5. These Fires 03:59
6. The World We Knew 04:41
7. Journeys 07:17
8. Born Under A Black Sun 07:17
Total playing time: 42:36 min.

 

Debut full-length studio album by New Zealand Crossover/Thrash Metal band.
The core of the 3000AD writing philosophy is to create memorable and distinct songs as the Thrash masters of old so often did. Band aim to create album that allow you to identify the songs easily by ear rather than an album where all the songs sound very similar.
All three members take part in vocal duties, with drummer Hellmore accounting for the bulk of them. This allows for a chaotic multi-part vocal onslaught, that matches the intensity of the underlying music. The bass guitar also has its own unique voice and is often used almost as a second guitar would be.
“The Void” takes the listener on a journey through a bleak dystopian future. A vision of civilization on the brink of collapse in a desolate and hostile environment. Each subsequent song expands on this theme. From Old School Thrash anthems like “Cells” to the highly Progressive instrumental closer “Born Under a Black Sun”. 
The album recorded in studios in Hollywood, California and Auckland, New Zealand, and mastered at the iconic Sterling Sound in New York City. Award winning engineer and producer Clint Murphy mixed the album. The gatefold artwork painted by famed Berlin based artist Eliran Kantor and known for his works for Atheist, GWAR, Hatebreed, Iced Earth, Master, Mekong Delta, Satan, Sigh, Sodom, Testament, and more.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Total Metal Records, 2020 (TMR034-166). 
 

Tracklist:
1. 3000 A.D. 05:09
2. Cells 03:22
3. The Network 04:56
4. Who’s Watching? 05:51
5. These Fires 03:59
6. The World We Knew 04:41
7. Journeys 07:17
8. Born Under A Black Sun 07:17
Total playing time: 42:36 min.
 

Debut full-length studio album by New Zealand Crossover/Thrash Metal band.
The core of the 3000AD writing philosophy is to create memorable and distinct songs as the Thrash masters of old so often did. Band aim to create album that allow you to identify the songs easily by ear rather than an album where all the songs sound very similar.
All three members take part in vocal duties, with drummer Hellmore accounting for the bulk of them. This allows for a chaotic multi-part vocal onslaught, that matches the intensity of the underlying music. The bass guitar also has its own unique voice and is often used almost as a second guitar would be.
“The Void” takes the listener on a journey through a bleak dystopian future. A vision of civilization on the brink of collapse in a desolate and hostile environment. Each subsequent song expands on this theme. From Old School Thrash anthems like “Cells” to the highly Progressive instrumental closer “Born Under a Black Sun”. 
The album recorded in studios in Hollywood, California and Auckland, New Zealand, and mastered at the iconic Sterling Sound in New York City. Award winning engineer and producer Clint Murphy mixed the album. The gatefold artwork painted by famed Berlin based artist Eliran Kantor and known for his works for Atheist, GWAR, Hatebreed, Iced Earth, Master, Mekong Delta, Satan, Sigh, Sodom, Testament, and more.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Total Metal Records, 2020 (TMR034-166). Made in Ukraine.
 

Tracklist:
1. 3000 A.D. 05:09
2. Cells 03:22
3. The Network 04:56
4. Who’s Watching? 05:51
5. These Fires 03:59
6. The World We Knew 04:41
7. Journeys 07:17
8. Born Under A Black Sun 07:17
Total playing time: 42:36 min.
 

Debut full-length studio album by New Zealand Crossover/Thrash Metal band.
The core of the 3000AD writing philosophy is to create memorable and distinct songs as the Thrash masters of old so often did. Band aim to create album that allow you to identify the songs easily by ear rather than an album where all the songs sound very similar.
All three members take part in vocal duties, with drummer Hellmore accounting for the bulk of them. This allows for a chaotic multi-part vocal onslaught, that matches the intensity of the underlying music. The bass guitar also has its own unique voice and is often used almost as a second guitar would be.
“The Void” takes the listener on a journey through a bleak dystopian future. A vision of civilization on the brink of collapse in a desolate and hostile environment. Each subsequent song expands on this theme. From Old School Thrash anthems like “Cells” to the highly Progressive instrumental closer “Born Under a Black Sun”. 
The album recorded in studios in Hollywood, California and Auckland, New Zealand, and mastered at the iconic Sterling Sound in New York City. Award winning engineer and producer Clint Murphy mixed the album. The gatefold artwork painted by famed Berlin based artist Eliran Kantor and known for his works for Atheist, GWAR, Hatebreed, Iced Earth, Master, Mekong Delta, Satan, Sigh, Sodom, Testament, and more.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Strictly Limited Edition numbered heavyweight 180g Solid Old Purple Vinyl. The last copy in the world comes with two Original Plastic Tour Badges, Guitar Pick, CD and Patch of the band!
Total Metal Records, 2020 (TMR034-166/LP). Made in UK. First press.


Tracklist:

Side A
1. 3000 A.D. 05:09
2. Cells 03:22
3. The Network 04:56
4. Who’s Watching? 05:51

Side B
5. These Fires 03:59
6. The World We Knew 04:41
7. Journeys 07:17
8. Born Under A Black Sun 07:17

Total playing time: 42:36 min.

Special Tour Edition re-release of the debut full-length studio album by New Zealand Crossover/Thrash Metal band.
The core of the 3000AD writing philosophy is to create memorable and distinct songs as the Thrash masters of old so often did. Band aim to create album that allow you to identify the songs easily by ear rather than an album where all the songs sound very similar.
All three members take part in vocal duties, with drummer Hellmore accounting for the bulk of them. This allows for a chaotic multi-part vocal onslaught, that matches the intensity of the underlying music. The bass guitar also has its own unique voice and is often used almost as a second guitar would be.
“The Void” takes the listener on a journey through a bleak dystopian future. A vision of civilization on the brink of collapse in a desolate and hostile environment. Each subsequent song expands on this theme. From Old School Thrash anthems like “Cells” to the highly Progressive instrumental closer “Born Under a Black Sun”. 
The album recorded in studios in Hollywood, California and Auckland, New Zealand, and mastered at the iconic Sterling Sound in New York City. Award winning engineer and producer Clint Murphy mixed the album. The gatefold artwork painted by famed Berlin based artist Eliran Kantor and known for his works for Atheist, GWAR, Hatebreed, Iced Earth, Master, Mekong Delta, Satan, Sigh, Sodom, Testament, and more.
Recommended for fans of Slayer, 80’s Metallica, Exodus, Anthrax, S.O.D, Municipal Waste, Power Trip, Toxic Holocaust and more.
Limited Tour Edition numbered heavyweight 180g Black Vinyl in Gatefold 350gsm cover-sleeve includes Original Plastic Tour Badge.
Total Metal Records, 2020/2022 (TMR034-166/GLP). Made in UK.


Tracklist:

Side A
1. 3000 A.D. 05:09
2. Cells 03:22
3. The Network 04:56
4. Who’s Watching? 05:51

Side B
5. These Fires 03:59
6. The World We Knew 04:41
7. Journeys 07:17
8. Born Under A Black Sun 07:17

Total playing time: 42:36 min.

Debut full-length album by French Stoner Metal band.
"All Channels Off" is the fairly straight-forward Rock-solid kind of debut album, with a not-so-subtle dirty (Stoner) undertone. One thrilling sequence follows right after the other... And before you know it, you'll find yourself driving a pickup truck down a dusty desert highway, giving this tasty album yet another spin.
Already from the first split seconds there's an unmistakable Queens Of The Stone Age, and - to a lesser extent - Kyuss, vibe going on, so you know what you're up for from the start, no surprises. Although...
There are some oddities though. For one, the song "Whisper (And Dig The Ground)" reminds a bit too much to Soundgarden long after their glory years. Anyway, the track feels a bit out of place.
As it turns out, these French "rawkers" make an old formula appear fresh - and they do so with flying colors. 7 Weeks isn't as exactly cutting-edge as far as this particular (niche) genre goes. And it's nothing overly inspiring either. But! Due to the high level of reasonable radio friendliness, the songs do entertain. Plus they keep sticking, y'know - a blessing not given to everyone. If anything else, 7 Weeks will be gettin' your groove on, and that's what matters!
F2M Planet, 2009 (F2M003D/1). Made in France. Pressed in Germany.


Tracklist:
1. All Channels Off 3:40
2. Loaded (Burnt) 3:59
3. Submarine 4:30
4. Dust And Rust 3:02
5. Crash 3:37
6. Deadloss 3:08
7. The Wait 4:07
8. On The Run 4:15
9. Whisper (And Dig The Ground) 6:53
10. 600 Miles 4:05
Total playing time: 41:16


Samples: https://7weeks.bandcamp.com

The second Single from the debut full-length studio album, "Hunting High And Low", by legendary Norwegian Synth-Pop band.
The original version of the song, recorded in 1984 and released in October of that year, was produced by Tony Mansfield and remixed by John Ratcliff. This one is re-recorded version 1985, produced by Alan Tarney for the band's debut studio album, which becames international hit. The recording combines Synth-Pop with a varied instrumentation, including acoustic guitars, keyboards, and drums.
The original 1984 version "Take On Me" failed to chart in the United Kingdom, as did the second version in the first of its two 1985 releases. The second of those 1985 releases charted in September 1985, reaching number two on the UK Singles Chart in October. In the United States in October 1985, the single topped Billboard's Hot 100, bolstered by the wide exposure on MTV of director Steve Barron's innovative music video featuring the band in a live-action pencil-sketch animation sequence. The video won six awards and was nominated for two others at the 1986 MTV Video Music Awards.
Warner Bros. Records/WEA Musik GmbH, 1985 (920 336-0). Made in Germany. First press. Used (cover/disc): EX/EX+.


Tracklist:

Side A
Take On Me (Extended Version) 4:45

Side B
1. Love Is Reason 3:01
2. Take On Me (Single Version) 3:31

Total playing time: 11:17 min.
 

Remastered re-release of the third full-length studio album by legendary Swedish Pop band.
Following the Eurovision success of "Waterloo", ABBA saw the band gaining worldwide recognition. The Eurovision Song Contest winner "Waterloo" had been a major international hit.
ABBA's self-titled album was the one that really broke the band on a worldwide basis. The "Abba" album saw ABBA dabble with Reggae on "Tropical Loveland" and includes a grand, Pseudo-Classical keyboard instrumental in the traditions of Keith Emerson and Rick Wakeman with "Intermezzo No. 1" (early working title: "Mama"). "I Do, I Do, I Do, I Do, I Do" topped the charts in Australia, as did "Mamma Mia" shortly after. "SOS" and "Mamma Mia" became hits in both the United States and the United Kingdom.
"I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first Single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing Pop/Rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe. "Bang-A-Boomerang," another big production, was less memorable and had less of an impact, but "S.O.S." brought ABBA back to big success in the U.S. and the U.K., pulling along the first two Singles. Beyond these tracks, the LP-only songs showed off the group's eclecticism, from the crunchy Hard Rock guitar riff that propelled "Hey, Hey Helen" to the ambitious instrumental "Intermezzo No. 1," which showed off Benny Andersson and Björn Ulvaeus' classical leanings and foreshadowed their bigger composing projects of the 1980s. "Abba" was a surprisingly effective synthesis of Pop and Rock styles, surprising because the non-English-speaking world had not produced such effective Anglo-American-style contemporary music before, at least for more than a song or two!
Re-release includes a color 24-page booklet and two bonus tracks.
Polar Music International AB. A Universal Music Company, 1975/2001 (549 952-2). Made in the EU.

 
Tracklist:
1. Mamma Mia 3:33
2. Hey, Hey Helen 3:15
3. Tropical Loveland 3:03
4. S.O.S. 3:22
5. Man In The Middle 3:00
6. Bang-A-Boomerang 3:02
7. I Do, I Do, I Do, I Do, I Do 3:15
8. Rock Me 3:04
9. Intermezzo No.1 3:44
10. I've Been Waiting For You 3:40
11. So Long 3:05
12. Crazy World (Bonus Track) 3:46
13. Pick A Bale Of Cotton / On Top Of Old Smokey / Midnight Special (Medley) 4:21
Total playing time: 44:10 min.

Remastered re-release of the fourth full-length studio album by legendary Swedish Pop band.
Widely considered the Swedish foursome's first classic album (and historically important as the first to use the now-famous mirror-B logo), 1976's "Arrival" contains three huge hit singles: the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You", and the absolutely perfect Pop classic "Dancing Queen" - a combination of Spector-ian grandeur, McCartney-esque melody, and the indescribable vocals of Agnetha Fältskog and Anni-Frid Lyngstad.
The rest of ABBA's fourth album is strikingly consistent and accomplished, from the sly, bouncy "When I Kissed the Teacher" to the atmospheric title track, making room in between for the three excellent singles and five other substantial Pop tunes.
The album became a major seller all over the world, becoming the top-selling album of 1977 in both the UK and West Germany for example. It was certified Gold by the Recording Industry Association of America. The "Arrival" was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. 
Re-release includes a color 24-page booklet.
Polar Music International AB/Universal Music Australia, 1976/1977/2001 (549 953-2). Made in Australia.


Tracklist:
01. When I Kissed The Teacher 3:01
02. Dancing Queen 3:50
03. My Love, My Life 3:51
04. Dum Dum Diddle 2:53
05. Knowing Me, Knowing You 4:01
06. Money, Money, Money 3:06
07. That's Me 3:15
08. Why Did It Have To Be Me 3:20
09. Tiger 2:55
10. Arrival 3:00
Bonus Tracks:
11. Fernando 4:12
12. Happy Hawaii 4:25
Total playing time: 41:49 min.

Remastered re-release of the fourth full-length studio album by legendary Swedish Pop band.
Widely considered the Swedish foursome's first classic album (and historically important as the first to use the now-famous mirror-B logo), 1976's "Arrival" contains three huge hit singles: the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You", and the absolutely perfect Pop classic "Dancing Queen" - a combination of Spector-ian grandeur, McCartney-esque melody, and the indescribable vocals of Agnetha Fältskog and Anni-Frid Lyngstad.
The rest of ABBA's fourth album is strikingly consistent and accomplished, from the sly, bouncy "When I Kissed the Teacher" to the atmospheric title track, making room in between for the three excellent singles and five other substantial Pop tunes.
The album became a major seller all over the world, becoming the top-selling album of 1977 in both the UK and West Germany for example. It was certified Gold by the Recording Industry Association of America. The "Arrival" was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. 
Polar Music Production/Universal Music Group International, 1976/2011 (POLS272 / 00602527346502). Made in Germany.

Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 miin.

Polydor Records, 1976 (2344 058). Made in Germany. Used (cover/disc): EX/EX. Glossy cover. Insert.

 
Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 min.

Polydor Records, 1976 (2344 058). Made in Germany. Used (cover/disc): EX/EX. Glossy cover. Insert. Sticker.

 
Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 min.