МУЗИКА

The first official Single by Italian Symphonic Death/Black Metal band.
Single presents track from the upcoming debut full-length studio album of Ades Numen.
As a bonus track, here also we can find demo-version of one of the forthcoming album's tracks, that was released back in 2017 as YouTube only track.
Recommended for fans of bands like Flashgod Apocalypse and Septicflesh!
Another Side Records, 2019 (ASR25-156/DS).
 

Tracklist:
1. Breath of Phobetor 04:54
2. Medusa (demo version 2017) 04:00
Total playing time: 08:56

 

The debut full-length studio album by Italian Symphonic Death/Black Metal band.
The sound built around simple, but very direct rhythms, as well as classic Black/Death Metal riffs, composed in a modern way. The rhythms are very strong and often recall a certain Groove Metal, but with parts of classic blast-beats and fast double kick. The vocal parts are mainly classic growl, and a little bit of screams. The Symphonic parts in some places are only Ambient, to make the sound more homogeneous, however in other places are much present and Epic.
The themes dealt with in the lyrics are in a sense the various meanings, that can derive from "War": a real war, but also the inner war, that is present in the human being since the time of mythology. That's why some texts speak of the wickedness of the ancient deities ("Medusa" or "Breath of Phobetor"), up to the more inner, more personal war of each individual ("Revenge Doll" or "Destination Underworld").
Recommended for fans of Flashgod Apocalypse, Septicflesh and more!
Another Side Records, 2019 (ASR25-156). Made in Ukraine. First press.
 

Tracklist:
1. Primogenitus Ex Evil (Intro) 01:38
2. War 03:57
3. Destination Underworld 04:04
4. Rotten Blood 04:09
5. Breath of Phobetor 04:54
6. Revenge Doll 03:40
7. Medusa 04:00
8. Sin Son 05:47
9. Glory False 04:19
10. Ades Numen 05:33
Total playing time: 42:19 min.

 

The debut full-length studio album by Italian Symphonic Death/Black Metal band.
The sound built around simple, but very direct rhythms, as well as classic Black/Death Metal riffs, composed in a modern way. The rhythms are very strong and often recall a certain Groove Metal, but with parts of classic blast-beats and fast double kick. The vocal parts are mainly classic growl, and a little bit of screams. The Symphonic parts in some places are only Ambient, to make the sound more homogeneous, however in other places are much present and Epic.
The themes dealt with in the lyrics are in a sense the various meanings, that can derive from "War": a real war, but also the inner war, that is present in the human being since the time of mythology. That's why some texts speak of the wickedness of the ancient deities ("Medusa" or "Breath of Phobetor"), up to the more inner, more personal war of each individual ("Revenge Doll" or "Destination Underworld").
Recommended for fans of Flashgod Apocalypse, Septicflesh and more!
CD comes with limited embroidered patch and acryl magnet.
Another Side Records, 2019 (ASR25-156).
 

Tracklist:
1. Primogenitus Ex Evil (Intro) 01:38
2. War 03:57
3. Destination Underworld 04:04
4. Rotten Blood 04:09
5. Breath of Phobetor 04:54
6. Revenge Doll 03:40
7. Medusa 04:00
8. Sin Son 05:47
9. Glory False 04:19
10. Ades Numen 05:33
Total playing time: 42:19 min.

 

The debut full-length studio album by Italian Symphonic Death/Black Metal band.
The sound built around simple, but very direct rhythms, as well as classic Black/Death Metal riffs, composed in a modern way. The rhythms are very strong and often recall a certain Groove Metal, but with parts of classic blast-beats and fast double kick. The vocal parts are mainly classic growl, and a little bit of screams. The Symphonic parts in some places are only Ambient, to make the sound more homogeneous, however in other places are much present and Epic.
The themes dealt with in the lyrics are in a sense the various meanings, that can derive from "War": a real war, but also the inner war, that is present in the human being since the time of mythology. That's why some texts speak of the wickedness of the ancient deities ("Medusa" or "Breath of Phobetor"), up to the more inner, more personal war of each individual ("Revenge Doll" or "Destination Underworld").
Recommended for fans of Flashgod Apocalypse, Septicflesh and more!
Limited Edition features patch and magnet.
Another Side Records, 2019 (ASR25-156). Made in Ukraine. First press.

Tracklist:
1. Primogenitus Ex Evil (Intro) 01:38
2. War 03:57
3. Destination Underworld 04:04
4. Rotten Blood 04:09
5. Breath of Phobetor 04:54
6. Revenge Doll 03:40
7. Medusa 04:00
8. Sin Son 05:47
9. Glory False 04:19
10. Ades Numen 05:33
Total playing time: 42:19 min.

 

The third studio album by russian Doom/Death Metal band.
In this new mini-album, the progress of musical form of the band is well-heard. Massive and melodic sound, where the roaring of riffs and heaviness of meaning are mixed with the female operatic vocal, powerful growl and live & bearded viola.
The album is full of might, which you can hear in breathetaking solos of viola and guitar, simple rhythms and meaningful lyrics. Band really got a level-up with this release, and grows in content and musical variety. Every song is a genuine thing, and it is interesting to listen and follow. The track "Ode" based on John Keats poem "Bands Of Passion And Of Mirts", and "Escape" based on great Dante Alighieri's poetry "La Divinna Commedia".
The music of the band is a kind of mental pabulum and may fit to fans of such bands as Therion, Sirenia, Tristania, Septic Flesh, Draconian, Paradise Lost, My Dying Bride and more!
Another Side Records, 2018 (ASR21-146/DT).
 

Tracklist:
1. Ode 05:28
2. After Apostasy 04:39
3. Beautiful Dawn 03:36
4. Escape 03:08
5. I Am the Sun 04:29
6. Fairytale 03:46
7. Snow 03:54
Total playing time: 27:04 min.

 

Debut full-length album by the Polish Black Metal band.
Old school Black Metal from Poland with grim atmospheres.
Adhuk is a continuation of Polish band Algor. Orias and Ulfar played together under that name in late '90s.
Astral cold Black Metal in veins of early Emperor. Subtle atmospheric synth backgrounds with mostly mid-paced to fast mysterious and exotic melodies. A blackened barrage of powerful riffs, savage blast beats and a vocal style that rises from beneath the music in a grim, rasping growl of pure malevolence. An intense backdrop of wonderful, atmospheric icy fury that in feel is far heavier and oppressive than the faster more roaring riff-age style.
Through all eight tracks Adhuk are an engaging, bleak and above all else an enjoyable experience and a superb continuation of their work from almost two decades previous!
Features members of: Rarog'g, Algor, Blackhorned Saga, Lathspell and Ov Plagues!!
Black Metal at its best!!!
Metallic Media/Black Plague Records, 2014 (METALLIC 022 / BPR 029). Made in USA. First press.


Tracklist:
1. Intro     01:37 
2. Algor     04:06 
3. The Event Horizon     03:45 
4. Stride with the Shadows of Death     05:05 
5. Into the Gate of the Over Humanity     04:11 
6. In the Shackles of Dark Matter     04:27 
7. Broader Knowledge of Pagan Reality     03:22 
8. Outro     01:42
Total playing time: 28:15

The debut full-length album by Italian Progressive Thrash/Death Metal band.
"Burning Souls" has no particular influences from the Gothenburg genre or the Swedish Metal scene and that's why the album sounds so good. Adimiron is energetic as hell; this band knew how to play really tight Melodic Death Metal. They mixes frantic Death Metal with fast melodic picking patterns and the vocalist has an insane harsh scream. Band thrashes all over the place their Melodic Death Metal and they do it with ease. The guitar performance has a great deal of technical and fast picked riff lines. All the drum patterns are pretty neat as well, they basically follow the guitar melodies and they don't rush away in any strange direction. There are some blast-beats here and there; there are lots of rattling pedal work and other kinds of catchy and intense drum parts. Adimiron has a very good vocalist as well, he is not exactly gifted but his deep growls and intense screams sounds very good to the ferocious music.
The album doesn't suffer from any bigger flaws. "Burning Souls" is all about energy, speed, technique and ferocity, all in one package! People who enjoy speeded Death Metal and of course Melodic Death Metal should grab this CD, they will be satisfied for sure!!
Aggressive Thrash/Death Metal for fans of Kreator or The Crown!!!
Karmageddon Media, 2004 (KARMA053). Made in Netherlands. Pressed in UK. First press.


Tracklist:
1. Delirium Tremehens 2:32 
2. New Day Denied 6:25 
3. Cold Anxiety 5:37 
4. Forgotten Memories 5:24 
5. Suffering Voices 7:07 
6. Obsessive Insanity 6:11 
7. Endless Worlds 7:19 
8. Unexpected Life 4:12
Total playing time: 44:47


Samples: http://www.last.fm

The debut full-length album by American Hard Rock/Glam Metal band.
Are you AC/DC fan? It’s for you! Adrenaline Factor is another band who shows that it is okay to play the music in the same way as your heroes. The riffs, the chords, the solos and the song writing, you know exactly where they all took it from. But… there is something more going on this time. Adrenaline Factor has written songs that have got 'face of their own' feeling. These ten tracks contain a certain "Adrenaline Factor" touch, they are not just some copied AC/DC riffs glued together, and this is the bonus of the album. And then there is also this singer Lee Scott. He does not only have the name Scott, he also sounds like him!
Albums like these will please the AC/DC fan who is tired of waiting for that new Angus and Co. album, as well as some fans of Mötley Crüe. So, all of you who are into AC/DC styled Hard Rock please pay attention: Adrenaline Factor released an album with honest, well played, a little predictable but also straight from the heart Hard Rock with balls! Get the adrenaline started!!
Perris Records, 2007 (PER1872). Made in USA. First press.


Tracklist:
1. Ride 
2. Wrong Number 
3. Boozin' Susan 
4. Your Side 
5. Bad Habit 
6. Seven Beer Bitch 
7. No Warning 
8. Bet Your Life 
9. Hook Slide 
10. Goin' Nowhere
Total playing time: 40:02


Samples: http://www.allmusic.com

The third full-length studio album by Swedish Death Metal band.
This is probably Aeon's best; they've really reached their peak and the line-up is just superb. The raw and intense vocals, the dirty and distorted guitars and bass, and then the most killer drum tracks – this is a Metalheads' heaven!
Metal Blade Records, 2010 (3984-14901-2). Made in Germany.


Tracklist:
1. Forgiveness Denied 4:06
2. Kill Them All 3:12
3. Inheritance 3:41
4. Abomination To God 3:45
5. Total Kristus Inversus 1:38
6. Of Fire 4:05
7. I Will Burn 3:14
8. Suffer The Soul 3:35
9. The Sacrament 4:22
10. Liar In The Name Of God 4:16
11. God Of War 5:53
Total playing time: 41:47 min.


Samples: https://aeon666.bandcamp.com/

“Best Of” compilation album by legendary American Hard Rock/Blues Rock band.
After the hiatus late 70s with Joe Perry leaving the band, Aerosmith was not finished and would make a remarkable comeback in the 80s. With some successful albums and chart topping songs, Aerosmith was back in action to retake the crown as the greatest Rock and Roll band in America.
In 1994, "Big Ones" was released and is a definitive compilation of Aerosmith's greatest songs of the 80s and early 90s. The album featured 12 hits from the band's three consecutive multi-Platinum albums, "Permanent Vacation" (1987), "Pump" (1989), and "Get A Grip" (1993), as well as the hit, "Deuces are Wild" from "The Beavis and Butt-Head Experience" (1993), and two new songs, "Blind Man" and "Walk on Water", which were recorded during a break in the band's Get a Grip Tour. These songs were also included on the band's 2001 compilation album, "Young Lust: The Aerosmith Anthology".
"Big Ones" is the band's second best-selling compilation album, reaching #6 on the Billboard charts, and selling four million copies in the United States alone. The album quickly became a worldwide hit, reaching the Top 10 in nine countries before the end of the year.
From head rockers to power ballads and everything in between, this compilation should suit any fan looking' for the hits!
Geffen Records, Inc./Universal Music Australia, 1994 (GEFD-24546). Made in Australia. First press.


Tracklist:
1. Walk On Water 4:55
2. Love In An Elevator 5:21
3. Rag Doll 4:24
4. What It Takes 5:10
5. Dude (Looks Like A Lady) 4:24
6. Janie's Got A Gun 5:30
7. Cryin' 5:09
8. Amazing 5:56
9. Blind Man 4:00
10. Deuces Are Wild 3:35
11. The Other Side 4:04
12. Crazy 5:16
13. Eat The Rich 4:10
14. Angel 5:07
15. Livin' On The Edge 6:23
Total playing time: 73:27 min.

The eighth  full-length studio album by legendary American Hard Rock Rock band.
The band's first album on Geffen Records, "Done With Mirrors" was intended as their ‘comeback’, marked the return to the band of guitarists Joe Perry, who left in 1979, and Brad Whitford, who departed in 1981. However, the record failed to live up to commercial expectations despite positive reviews. Rocking too Hard for AOR, the album died on the charts, and the band got scared, leading to their commercial reinvention on "Permanent Vacation" (1987).
In 1991, "Done With Mirrors" ranked at number 409 in list of the "500 Best Heavy Metal Albums". 
Geffen Records, 1985 (GEF 26695). Made in Germany. Cover taken of the same US release. Used (cover/disc): EX+/EX+. OIS. Insert.

 
Tracklist:

Side A:
1. Let The Music Do The Talking    3:44
2. My Fist Your Face 4:21
3. Shame On You    3:38
4. The Reason A Dog 4:11

Side B:
5. Shela 4:32
6. Gypsy Boots 4:13
7. She's On Fire 3:44
8. The Hop 3:39

Total playing time: 32:02 min.

The fifth full-length studio album by legendary American Hard Rock/Blues Rock band.
The last Aerosmith album for eight years to feature Joe Perry for the entire recording (he left halfway through the recording of their next album, "Night in the Ruts").
It was recorded in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.
As the band began recording "Draw The Line", their excessive lifestyle, combined with constant touring and drug use, began to take its toll. Although the LP would sell well more than a million copies in fewer than six weeks after its release, in 2014 Perry would refer to it as "the beginning of the end" and "the decay of our artistry". It marks the band's first slowdown in album sales of their 1970s era, after their initial rise with the albums "Toys In The Attic" and "Rocks". The album was less successful than their previous albums, selling only 2 million copies ("Toys In The Attic" sold 8 million, "Rocks" sold 4 million).
Kerrang! Magazine listed the album at No. 37 among the "100 Greatest Heavy Metal Albums of All Time" for its "high energy", although it never touches Heavy Metal as a genre, concluding with the comment "sleaze was never so classy".
"Draw The Line" went Platinum in its first month of release, entering the music charts on December 24, 1977, peaking at No. 11 on the US Billboard 200, and eventually being certified 2x multi-Platinum nearly a decade later.
CBS Records, 1977 (466729 1). Made in Holland. Used (cover/disc): EX+/EX.


Tracklist:

Side 1
1. Draw The Line 3:21
2. I Wanna Know Why 3:08
3. Critical Mass 4:50
4. Get It Up 4:01
5. Bright Light Fright 2:18

Side 2
6. Kings And Queens 4:54
7. The Hand That Feeds 4:22
8. Sight For Sore Eyes 3:51
9. Milk Cow Blues 4:10

Total playing time: 34:55 min.

The thirteenth full-length studio album by legendary American Hard Rock/Blues Rock band.
Despite the fact that many consider this album to be the wayward point in the band’s career, "Just Push Play" is the most coherent output since 1989’s "Pump". The previous records, "Get A Grip" and "Nine Lives", struggled to balance out the band’s roots and a modern Hard Rock approach, especially when it comes to the former. On the other hand, "Just Push Play" fully embraced the current trends and a strong Pop feel, almost entirely drowning the Blues touch the band known for. The album dominated by modern Rock tracks, but band also experimented with some symphonic elements.
Another strong point of this album is the production handled by Steven Tyler and Joe Perry themselves, with the help of Mark Hudson and Marti Fredriksen. Although they still included outside producers, this album sounds a lot like their classic efforts, more so than any album recorded during the 90’s most likely due to input by the band members themselves.
The band were inducted into the Rock And Roll Hall Of Fame, making them the first band to be inducted while their song was still in the charts.
"Just Push Play" might have seemed like a risky step at the time, but listening to it today, we can freely say that this is just another classic Aerosmith record, which showcases their ability to adapt and survive in the ever-shifting music industry! "Just Push Play" was a great way to kick off the new millennium for Aerosmith and solidified their position as one of the most popular hard rock bands to this day!!
"Just Push Play" debuted at No. 2 within the Billboard 200, selling over 240,000 copies in its first week. The album's first single, "Jaded", became a Top 10 hit in the US and around the world. As a result, "Just Push Play" was certified Platinum within a month of its release. Subsequent singles "Fly Away from Here", "Sunshine", and "Just Push Play", though garnering some airplay, failed to impact the Hot 100, although the latter two reached the US Mainstream Rock chart and the former appeared within the Adult Top 40.
The album nominated for three Grammy Awards in 2001, including Best Rock Album, Best Rock Performance by a Duo or Group ("Jaded"), and Best Short Form Music Video ("Fly Away from Here").
Enhanced CD features multimedia.
Sony Music Entertainment Inc./Columbia, 2001 (501535 2). Made in Austria. First press.


Tracklist:
1. Beyond Beautiful 4:45
2. Just Push Play 3:51
3. Jaded 3:35
4. Fly Away From Here 5:02
5. Trip Hoppin' 4:27
6. Sunshine 3:37
7. Under My Skin 3:47
8. Luv Lies 4:27
9. Outta Your Head 3:22
10. Drop Dead Gorgeous 3:43
11. Light Inside 3:35
12. Avant Garden 4:53
13. Face (Bonus Track) + Under My Skin (Reprise) (Hidden Track) 7:11
Total playing time: 56:17 min.

The fifteenth full-length studio album by legendary American Hard Rock/Blues Rock band.
This is band's first studio album in eight years, since 2004's "Honkin' On Bobo", and the first in eleven years to feature all-new material, since 2001's "Just Push Play", marking the longest gap between Aerosmith's studio albums.
Aerosmith truly show their age by the very nature of the album itself. Simply put, nobody makes albums like this anymore. Nobody breaks the bank attempting to make a Rock album that's everything to everyone, and Aerosmith sound entirely oblivious to this state of affairs, carrying on like it was 1997. And, in a sense, as an overall piece of product, "Music From Another Dimension!" is no worse than "Nine Lives". It's faithfully follows Aerosmith's '90s blueprint, getting nothing wrong but never quite feeling right. 
The album includes the singles: "Legendary Child", "Lover Alot", "What Could Have Been Love", and "Can't Stop Lovin' You".
“Music From Another Dimension!” debuted at #5 on the Billboard 200 selling just 63000 copies its first week, a sharp contrast to previous debuts. The album received mostly mixed reviews from music critics, with online review site Metacritic calculating an aggregate score of 54/100 based on 22 reviews.
Columbia Records, a Division of Sony Music Entertainment, 2012 (88725 44281 2). Made in Germany.


Tracklist:
1. Luv XXX 5:18 
2. Oh Yeah 3:40 
3. Beautiful 3:04 
4. Tell Me 3:45 
5. Out Go The Lights 6:55 
6. Legendary Child 4:13 
7. What Could Have Been Love [Feat. Carrie Underwood] 3:44 
8. Street Jesus 6:43 
9. Can't Stop Lovin' You 4:04 
10. Lover Alot 3:35 
11. We All Fall Down 5:13 
12. Freedom Fighter 3:20 
13. Closer 4:04 
14. Something 4:37 
15. Another Last Goodbye 5:46
Total playing time: 68:06 min.

The ninth full-length studio album by legendary American Hard Rock/Blues Rock band.
The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by Heavy Music Video airplay on MTV.
Though "Done With Mirrors" was intended to mark Aerosmith's comeback, "Permanent Vacation" is often considered their true comeback album, as it was the band's first truly popular album since their reunion.
The album features cover of "I'm Down", a piano-driven Beatles song that appeared as a b-side to their single "Help" in 1965. This was Aerosmith's second commercially released Beatles cover, after "Come Together". "Rag Doll", "Dude (Looks Like a Lady)" and "Angel" all became major hit singles (all three songs charted in the Top 20) and helped "Permanent Vacation" become the band's most successful album in a decade.
Permanent Vacation has sold over 5000000 copies in the U.S.
In the UK, it was the first Aerosmith album to attain both Silver (60000 units sold) and Gold (100000 units sold) certification by the British Phonographic Industry, achieving these in July 1989 and March 1990 respectively.
CD comes with OBI.
The David Geffen Company/Victor Musical Industries, Inc., 1987 (MVCG-10 / GEF-D-24162). Made in Japan. First press. Used: like new.


Tracklist:
1. Heart's Done Time 4:42
2. Magic Touch 4:37
3. Rag Doll 4:24
4. Simoriah 3:21
5. Dude (Looks Like A Lady) 4:25
6. St. John 4:10
7. Hangman Jury 5:31
8. Girl Keeps Coming Apart 4:13
9. Angel 5:09
10. Permanent Vacation 4:48
11. I'm Down 2:19
12. The Movie 3:59
Total playing time: 51:38


Samples: http://www.last.fm/music/Aerosmith

First European re-release of the tenth full-length studio album by legendary American Hard Rock/Blues Rock band.
Aerosmith continued its winning streak. "Pump", the follow-up to 1987’s "Permanent Vacation", slams one point home with particular force: that the renewed vigor displayed by the band on "Permanent Vacation" wasn’t just a fluke. While "Permanent Vacation" was a major comeback for Aerosmith, it was also somewhat of a stylistic departure. Songs like “Dude (Looks Like a Lady)” and “Angel” may have echoed the band’s signature style, but they represented a slicker, glossier version of the ragtag Rockers so many of us grew up with. "Pump", however, transports the listener right back to the gilt-edged Grunge of Aerosmith’s wonder years. More than anything else, the album recalls Aerosmith circa "Toys In The Attic", the period just before substance abuse and Tyler-Perry bickering sapped the band of its creative energy.
"Pump" is the second of three sequentially recorded Aerosmith albums to feature producer Bruce Fairbairn and engineers Mike Fraser and Ken Lomas at Little Mountain Sound Studios. On the "Pump", songs show an older, wiser Aerosmith traipsing boldly into the nineties, but between the lines lurk the bombastic bandits of the seventies. Where "Permanent Vacation" seemed a little overwhelmed by its Pop concessions, "Pump" revels in them without ever losing sight of Aerosmith's dirty Hard Rock core. Which doesn't mean the record is a sellout - "What It Takes" has more emotion and grit than any of their other power ballads; "Janie's Got a Gun" tackles more complex territory than most previous songs; and "The Other Side" and "Love in an Elevator" Rock relentlessly, no matter how many horns and synths fight with the guitars. Such ambition and successful musical eclecticism make "Pump" rank with "Rocks" and "Toys In The Attic".
The album has certified sales of 7 000 000 copies in the U.S. to date, and is tied with its successor "Get A Grip" as Aerosmith's second best-selling studio album in the U.S. ("Toys In The Attic" leads with eight million). It produced a variety of successes and "firsts" for the band including their first Grammy Award ("Janie's Got a Gun"). "Love in an Elevator" became the first Aerosmith song to hit #1 on the Mainstream Rock Tracks chart. Additionally, it is the only Aerosmith album to date to have three Top 10 singles on the Billboard Hot 100 and three number one singles on the Mainstream Rock Tracks chart. The album was also the fourth bestselling album of the year 1990.
In the UK, it was the second Aerosmith album to be certified Silver (60 000 units sold) by the British Phonographic Industry, achieving this in September 1989.
Re-release on heavyweight 180g vinyl includes a voucher to download MP3 version of album.
Geffen Records/Universal International Music B.V., 1989/2016 (00602547954381). Made in EU.


Tracklist:

Side One
1. Young Lust 4:19  
2. F.I.N.E. 4:10  
3. Love In An Elevator 5:39  
4. Monkey On My Back 3:57  
5. Janie's Got A Gun 5:33  

Side Two
6. The Other Side 4:57  
7. My Girl 3:10  
8. Don't Get Mad, Get Even 4:50  
9. Voodoo Medicine Man 4:39  
10. What It Takes 6:29

Total playing time: 47:43 min.

The seventh full-length studio album by legendary American Hard Rock/Blues Rock band.
The only Aerosmith album not to feature lead guitarist Joe Perry, following his departure from the band in 1979. Rhythm guitarist Brad Whitford also left during the recording in 1981.
The band spent $1.5 million on the recording of this album, which saw them reunited with producer Jack Douglas.
The album certified Gold on November 10, 1989. 
First European release on CD. Remastered.
Sony Music Entertainment Inc./Columbia, 1982/1993 (474970 2). Made in Austria. First press.


Tracklist:
1. Jailbait 4:38
2. Lightning Strikes 4:27
3. Bitch's Brew 4:13
4. Bolivian Ragamuffin 3:32
5. Cry Me A River 4:07
6. Prelude To Joanie 1:20
7. Joanie's Butterfly 5:35
8. Rock In A Hard Place (Cheshire Cat) 4:46
9. Jig Is Up 3:10
10. Push Comes To Shove 4:29
Total playing time: 40:19 min.

The second full-length album by American Operatic Symphonic Metal band.
"The Eros Of Frigid Beauty" displays a change of style for Aesma Daeva.
This album isn't easy to handle. Progressive song forms, and lengthy compositions, made this an album the band promised its fans would have absolutely "No Hit Potential". "The Eros..." is a vibrant piece of art. Sinister, powerful and a great step in the evolution of the band. When the first album had the tender voice of Rebecca Cords, "The Eros..." features a whole charming ensemble of three lead singers: Adena Brumer, Sara Williamson and beautiful Melissa Ferlaak, who later became the face of the band until her departure in 2005. The three muses of John Prassas make the album most graceful.
The album continues the Medieval, ancient style of the first album. A medieval introduction bursts into a harsh and violent operatic storm of sounds and the voice of Sara Williamson will sound as a call of a siren tempting the ignorant seamen. The female supporting vocals do create the atmosphere of a wild hunt where no man can hide from the fury of crazy valkyrs. You find yourself in a chamber of a medieval building listening to the calming solo of the lute when all of a sudden you'll be torn into a hellish environment where the dark sounds of synthesizers and the most haunting female vocals govern the world of gloom.
The album features two main tracks in its core. "In My Holy Time" and the title track. Both having the length of around fifteen minutes. These are the first ones where Melissa Ferlaak sings the lead vocals with her tender and dark voice. A sad and thoughtful journey in a forest, a death and once again the haunting choirs.
"The Eros..." is a strong album with symphonic structures and use of modern, dark electronic music in some parts. This release is an important step for the band since you meet its influences on all the later albums. The band determines their style and the dark medieval path of the first album continues to future through this album. Fans of Symphonic and Atmospheric music should try this one.
The Root Of All Evil Records, 2002 (ROE-033). Made in USA. Pressed in Canada.


Tracklist:
1. Lysander 
2. Devotion 
3. In My Holy Time 
4. The Eros Of The Frigid Beauty 
5. Overature 
6. The Mistrel Song 
7. Lysander II

The second full-length album by Ukrainian Oldschool Raw Black/Death Metal band.
Rude groove riffs with black & dark parts mixed with Doom Metal moods.
Vocals has become rougher, a lower impaling to the very viscera growl has appeared.
The lyrics written in Ukrainian draw you into the atmosphere of struggle, unrelenting hatred of the reckless activities of certain social sectors and let you think about what your life depends on your own, without strong desire to develop, and without pushing for action - it will remain useless and pathetic.
Recommended for fans of such bands as: Novembers Doom, Rotting Christ, Sceptic Flesh, Belphegor, and Behemoth.
Metal Scrap Records, 2016 (MSR122). 
 

Tracklist:
1. Вийняті очі / Removed Eyes 05:51
2. Тотальне домінування / Total Dominance 05:35
3. Діапауза розумових процесів / Diapause of Thought Processes 04:32
4. Хворе бачення / Sick Vision 07:06
5. Виключення недомінантного матеріалу / Exclusion of Non-Dominated Material 03:34
6. Одвічне злотворення / Uncaused Defacement 04:31
7. Доля буде чекати до смерті твоєї... / Fate Will Expect Your Death... 05:46
8. Зобов'язані жити - Obliged to Live 05:15
9. Зітри з себе мітку - Wipe off the Mark 06:02
10. Погляд у вічність - A Look into Eternity 04:24
Total playing time: 53:04 min.

 

The seventh full-length studio album by Hungarian Black Metal band.
Once again, Aetherius Obscuritas stays true to the Black Metal they wish to express.
Spiritual Atmospheric Black Metal for fans of Taake, Ragnarok, and old Dissection!
Paragon Records, 2015 (PRG-33059). Made in USA. First press.


Tracklist:
1. Nesztelen jön az éj 04:20
2. Tiszta ruhákat szennyező korom 03:38
3. Csorba 04:24
4. Méreg 04:03
5. Bezárt világ 03:47
6. Truth is liar 03:19
7. Térképet rajzol az idő tolla 03:22
8. Az utolsó hangos ének 04:08
Total playing time: 31:03 min.


Samples: https://metalhit.bandcamp.com