MUSIC

Re-release of the fourth full-length studio album by legendary American Psychedelic/Blues Rock band.
By mid-1968, The Doors had established themselves as one of the most popular bands in the US. The band's third studio album, "Waiting For The Sun", released in July of the same year, became The Doors' only number one hit on the Billboard 200 while also spawning "Hello, I Love You", their second number one Single. The album was the first commercial breakthrough for the band in the UK, reaching number 16 on the UK Albums Chart. After the release of "Waiting For The Sun", The Doors commanded substantial performance fees and played before large crowds in arenas such as the L.A. Forum, the Hollywood Bowl, and Madison Square Garden.
Most of the next album was recorded following a gruelling tour, during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output. Upon release, "The Soft Parade" was denounced by both music critics and the band's Underground music scene followers, who viewed the album as The Doors' trending into Pop music. Over time, historians have reassessed the album and its critical standing has slightly improved, but it is still widely considered to be the group's weakest effort with Morrison.
Three preceding Singles, "Touch Me", "Wishful Sinful", and "Tell All the People", were included on "The Soft Parade", with the former becoming another Top 10 hit for The Doors. Another single, "Runnin' Blue", also followed the album's release.
The album peaked at number six on the Billboard 200, but it failed to retain audiences in the UK and other European countries that their previous album, "Waiting For The Sun", had succeeded in engaging.
Elektra/WEA Musik GmbH, A Warner Communications Company, 1969/2016 (42079 (EKS 75005)). Made in Germany.


Tracklist:

Side One
1. Tell All The People 3:24
2. Touch Me 3:15
3. Shaman's Blues 4:45
4. Do It 3:01
5. Easy Ride 2:35

Side Two
1. Wild Child 2:36
2. Runnin' Blue 2:27
3. Wishful Sinful 2:56
4. The Soft Parade 8:40

Total playing time: 33:39 min.

Remastered re-release of the third full-length studio album by legendary American Psychedelic Rock band.
"Waiting For The Sun" became the band's only #1 album (topping the charts for four weeks) and included their second US #1 single, "Hello, I Love You" (for two weeks starting August 3, 1968). The first single released off the album was "The Unknown Soldier," which peaked at #39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at #16.
The song "Waiting for the Sun" was also recorded during the sessions for the album but was left off and later appeared on the album "Morrison Hotel" in 1970.
Elektra Records, A Warner Music Group Company, 1968/2018 (603497858996). Made in EU. 180g vinyl.


Tracklist:

Side One
1. Hello, I Love You 2:22
2. Love Street 3:06
3. Not To Touch The Earth 3:54
4. Summer's Almost Gone 3:20
5. Wintertime Love 1:52
6. The Unknown Soldier 3:10

Side Two
1. Spanish Caravan 2:58
2. My Wild Love 2:50
3. We Could Be So Good Together 2:20
4. Yes, The River Knows 2:35
5. Five To One 4:22

Total playing time: 32:49 min.

Re-release of the third full-length studio album by legendary American Psychedelic Rock band.
"Waiting For The Sun" became the band's only #1 album (topping the charts for four weeks) and included their second US #1 single, "Hello, I Love You" (for two weeks starting August 3, 1968). The first single released off the album was "The Unknown Soldier," which peaked at #39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at #16.
The song "Waiting for the Sun" was also recorded during the sessions for the album but was left off and later appeared on the album "Morrison Hotel" in 1970.
High quality 180 g vinyl.
WEA Musik GmbH, A Warner Communications Company, 1968/1973 (42 041 (EKS 74 024)). Made in Germany. Re-press.


Tracklist:

Side One
1. Hello, I Love You 2:22
2. Love Street 3:06
3. Not To Touch The Earth 3:54
4. Summer's Almost Gone 3:20
5. Wintertime Love 1:52
6. The Unknown Soldier 3:10

Side Two
1. Spanish Caravan 2:58
2. My Wild Love 2:50
3. We Could Be So Good Together 2:20
4. Yes, The River Knows 2:35
5. Five To One 4:22

Total playing time: 32:49 min.

Third full-length album by Dutch Dark Wave/Gothic Rock/Metal band.
This is heavenly wave Gothic masterpiece from the Dreamside. After the first two releases on Nuclear Blast Records, band explode new release on Serenades Records. “Mirror Moon” reflects timeless music delving into eroticism and mysticism, warm, melancholic atmosphere, Dark Electro beats and Metal elements by songwriter Roman Schoensee all matched with the charismatic, enchanting vocals of Italian-Dutch singer Kemi Vita.
Musical influences range from Dead Can Dance and The Gathering to Mephisto Waltz and Bjork! Diverse, fresh and very unique beautiful musical soundscapes!!
Serenades Records, 2001 (CD 5.2034.20.561). Made in Germany. First press.


Tracklist:
1. Mirror Moon
2. Above Below Around
3. Fairy Child
4. Get Away
5. Symbol
6. La Tempesta
7. Eurylheia
8. Wonders
9. Fallen Angel
10. Forever And A Day

Debut full-length album by the British Hardcore/Punk/Sludge/Stoner Rock/Metal band.
This English Heavy Rock'n'Roll quintet whose members have a remarkable pedigree rooted deeply in the 90's British Heavy Metal/Stoner Rock scene formed in 2001 consisting of Doug Dalziel and Dean Berry (both of Iron Monkey), Stuart O'Hara (guitarist of Acrimony), Chris Turner (drummer of Orange Goblin) as well as future Turbonegro singer Anthony Sylvester on the mic too boot!
Their band’s name is borrowed from an unrecorded Iron Monkey song and they are playing loud furious Sludge Rock with Tony delivering his distinctive gruff, hoarse vocals. Their sound is akin to Zeke or Motörhead to whom they also gained support slots for the UK in 2002.
Gauged by their debut album, comprising eighth songs lasting just over sixteen minutes, one could say the Dukes Of Nothing really stand behind their name... this truly qualifying as almost nothing. But the band makes a “whole lotta” something out of that "almost nothing", by taking the speed-addled minimalist Punk Metal of likeminded outfits Speedealer and Zeke and shrinking it even further into compact, one-minute bursts as irresistible as they are brief. These include nasty little zingers like "God vs. the Nudge", "31st Round" and "Don't Stop for Red", all of which equate to a musical sucker punch to the back of the head. The two-minute mark is only finally breached as they enter the album's second half, which includes a blitzkrieged cover of David Allan Coe's surprisingly suitable "Rock & Roll Fever", and eventually reaches a comparatively "epic" finale via the four-minute "White Damage".
For fans of: Orange Goblin, Integrity, Scissorfight, GG Allin, Acrimony and Motörhead!!
Eccentric Man Records, 2002 (ECC003CD). Made in UK. First press.


Tracklist:
1. War And Wine 1:22
2. God Vs The Nudge 1:46
3. 31st Round 1:24
4. Miss Fortune 1:54
5. Don't Stop For Red 1:03
6. Riding 1:55
7. 2 Grammes 2:59
8. White Damage 4:07
Total playing time: 16:30

The debut full-length album by Belgian Experimental Black Metal/Ambient one-man band.
Ecleclic and creative use of dramatic atmospheres and orchestration. Sometimes Doom-filled and moody, other times drifting then bombastic with martial overtones. Shamanic ritual singing, with Kargyraa vocals (traditional throat singing), describes the beauty and the balance of the Cosmos, the planets, the stars and of our Mother Earth. These messages and information are carried by Ritual Black Ambient atmospheres, regularly bordering on Black Metal terrain, combined with church organs, flutes, guitars and electronics… an intense journey! Beautiful and unique piece of art!!
Kristallblut Records, 2012 (KBR003). Made in Germany. First press.


Tracklist:
1. House of Shadows 09:33
2. Autumn Temple 06:41
3. Entering the Black Hole of Infinity 09:13
4. Doodstrotseerder 07:53
5. The End of Salve Mater 09:53
6. Cycling Between Sun and Moon 07:49
Total playing time: 50:56 min.

The third full-length album by cult Greek Melodic Death/Black Metal.
This band makes interesting mix of Death Metal and Black Metal with symphonic elements. The musicianship is expert and can pull both Black Metal and Death Metal styles without any problems. Same goes for the faster blastbeat driven parts and calmer atmospheric parts. The vocals are the usual Black Metal bellowing save for some whispered parts and the spoken parts. The production is similar to Black Metal, not the primitive type though. It’s somewhat raw but at the same time clear and strong. The bass drum especially sounds good although it’s not that clear or strong but more like a muffled click which is typical for Black Metal and also some Brutal Death Metal production.
All in all “12 Ablaze” is a very interesting release. The mix of Death and Black Metal along with orchestral elements works surprisingly well. In fact so well, that the songs can get pretty progressive at times. 
Fans of Greek Dark Metal and Dark Metal in general should check this one out but there’s also something for those who grave for symphonic elements like violins, cello and piano in their Metal. Who knows you might just find a new hidden gem to add to your collection!!
Black Lotus Records, 2001 (BLR/CD 029). Made in Greece. First press.


Tracklist:
1. Enshield My Hate Eternal     4:50 
2. Of Dawns, Perished Tranquillity     4:19 
3. Rapture And The Mourning Virtue     5:20 
4. Weak We Stand Before Them     1:52 
5. Ablazing 12     5:00 
6. A Serenade Like Blood Caress     4:40 
7. Even If I Could Forgive     5:12 
8. The Entreaty Unsung     4:24 
9. As The Light Dissappears     5:30
Total playing time: 41:07

Double attack from cult Greek Melodic Death/Black Metal masters!
Re-release of their 2 last albums: The Death Metal classic "Suffering G.O.D. Almighty" remastered and with new added, fantastic extra Techno and Gothic keyboards, and the legendary Symphonic Metal album "12 Ablaze"!
Sleaszy Rider Rec., 2008 (SR-0094). Made in Greece. Used: good.


Tracklist:
1.Aeon's Unlight 01:35
2.I Am Your Willing Darkness 04:34
3.Suffering G.O.D. Almighty 04:59
4.Ravished With Thee Light 04:47
5.Unleashing the Propaganda 04:03
6.I See the Lie Behind All the Truths 04:48
7.An Overture of Sorrows Unfolding 03:33
8.All Those Tristful Winters 04:23
9.Anathema Unveiled 05:04
Total playing time: 37:46

Debut full-length album by old-fashioned melodic death/thrash metal band from Holland.
They hold about the middle-ground between bands like At The Gates and Gates Of Ishtar, even though approached from a slightly more violent and thrashy angle.
Is a highly listenable and highly recommended album.
Self-released, 2006


Tracklist:
1.Second Eleven 03:37
2.The Embodiment 03:10
3.Legeon 06:14
4.Blood Ritual 03:16
5.Dragonhunt 04:17
6.Y2K 03:41
7.I'm Despair 04:12
8.Careless 03:20
Total playing time: 31:47

Mini CD, released after the debut album, of British aggressive and Melodic Death/Thrash Metal band.
One of the UK's most exciting Metal bands return with their highly anticipated EP, which mixes Death and Thrash Metal in the way that will leave you banging your head from start to finish. With debut album "Trust In Death And Rebirth", The Enchanted showed they had potential, now they have come of age and are ready to shake your Bones 'til they break! High quality Viking Blackened Death Metal similar to Amon Amart.
Highly recommended for fans of: AMON AMARTH, DEATH, GOD DETHRONED and for all fans of extreme metal!
Golden Lake Productions, 2004 (GOLDCD017). Made in UK. Used (cover/disc): NM/EX.


Tracklist:
1. Where fires burn
2. The way of the Warrior
3. In a dream...
4. Under the hall of the Moon


Samples: https://www.reverbnation.com

Amazing 90s oldschool Death Metal band from Mexico.
Hiiiggly recommended in collection of any oldschool metal maniac!!
American Line Productions, 2008 (LA-102)


Track List:
1.Bred in Hate 04:39
2.Shared Thoughts 03:51
3.The Beggining of your End 04:36
4.I Refuse 03:44
5.My End 04:20
6.Hunter of Flesh 04:37
7.I Will Arise 04:25
8.Realms of Laments 04:56

Debut full-length album by Croatian oldschool Black Metal band.
After more demos, EPs and Splits, debut full-length from one of the leading metal acts from the Croatian underground scene finally was released.
For fans of anyone who like black metal with a raw sound to it.
Darzamadicus Records, 2012 (DR 009 CD)


Tracklist:
1.Violent Ritual
2.Stopping The Wheel of Time
3.While Waiting For the Dawn
4.Escape Into Eternal Isolation
5....Of the Forest Unknown
6.Riding through the Smell of Plague
7.My Dark Night
Total playing time: 35:25

Black Metal from Croatian one-man band.
First two demos of this band.
Kerzakraum Records, 2006 (KZCD003)


Tracklist:
1. Under A Spell Of The Stellar Night 03:12
2. In The Name Of Eternal Darkness 05:00
3. Damned And Forgotten 03:42
4. Lost In The Valley Of Death 04:04
5. On The Winter Paths Of Solitude 09:12
Bonus Tracks:
6. Ravens On The Bloodred Sky 04:18
7. Through The Snowy Forests Of Old 05:03
8. ...Where The Wolves Paths Lead 07:39

Debut full-length album by Mexican Thrash Metal band.
37 minutes of intense murderous Thrash Metal! Dirty sound and aggressive vocal combined with catchy, light MDM melodies!!
F*****g buy or die release!!!
American Line Productions, 2011 (La-120). Made in Mexico.


Tracklist:
1.Rebellion (Intro) 01:59
2.Chaoslord 03:58
3.Wolves 04:07
4.Fuck the Boss 03:54
5.Sucubo 05:24
6."La Resistencia" 03:25
7.T4V (Time for Vengeance) 04:25
8.Strike of Evil 03:24
9.The Alpha Furious 02:50
10.The Fallen Commander 03:27
Total playing time: 36:53

The ninth full-length studio album by legendary Dutch Atmospheric Rock band.
The first album to feature new vocalist Silje Wergeland.
It goes without saying that this is a band that isn't afraid to push boundaries. From their roots all the way to the present, each album of theirs has been unique. Some have stylistic conventions in common, but each album has a distinct direction that keeps their listeners interested and intrigued.
“The West Pole” will undoubtedly remain a milestone in The Gathering's discography for a few reasons. The most obvious, of course, is the departure of former lead vocalist Anneke van Giersbergen. It's always a large deal when a vocalist leaves a large band, but for a band whose main focus is atmosphere, it would have been extremely easy for the band to pick someone who is completely unsuitable for their music. Thankfully, this isn't the case at all. The band chose Silje Wergeland (of Octavia Sperati fame) to take over the importance of replacing the void Anneke's departure left behind, and she does so very well. Fans of Anneke will be disappointed if they are still mourning for her departure - there is, simply, no way to replace her. What The Gathering did, however, is provide us with a vocalist who is technically proficient and can convey the meaning of the band's lyrics beautifully. To say she fits in with the tracks on “The West Pole” is an understatement.
The album itself is quite different from The Gathering's previous album, "Home". The use of electronics in the foreground is no more; this is perhaps the band's most Rock-oriented album to date. Sometimes albums like this tend to drag on too much, but at ten tracks, “The West Pole” has the perfect length to keep your attention.
The songwriting is strong in each individual track, and by the time "A Constant Run" ends, the only thing you'll be thinking about doing is listening through the album again.
Yes, Anneke will be missed, but “the show must go on”… “The West Pole” is hopefully only the beginning of a new and beautiful era for the band! Long live The Gathering!!
Psychonaut Records/Voice Music/Rock Machine Records/Die Hard Records/Rock Brigade Records/Overload Records, 2009/2011 (TG 001). Made in Brazil.


Tracklist:
1. When Trust Becomes Sound 03:53
2. Treasure 04:06
3. All You Are 04:34
4. The West Pole 06:35
5. No Bird Call 05:38
6. Capital Of Nowhere 06:35
7. You Promised Me A Symphony 02:54
8. Pale Traces 07:46
9. No One Spoke 04:32
10. A Constant Run 07:44
Total playing time: 54:17 min.

Expanded Edition remastered first re-release of the first compilation album by legendary Dutch Death/Doom Metal band.
Though Gathering are mostly known for the lushly recorded Goth Metal albums, this release reminds fans of the band’s rugged beginnings. Recorded long before vocalist Anneke van Giersbergen’s arrival, the songs on "Downfall" feature the Celtic Frost-like guttural growls of Bart Smits. Songs like the title track and “Subzero” still show traces of the Symphonic grandeur of later Gathering's material, but traffic in rougher guitars and pummelling drums. 
The record was first released in 2001 as "Downfall - The Early Years" CD + CD-R by Hammerheart Records, and includes the first demo and rehearsal, as well as a never released 7".
On 2008, an expanded version of the album was released as "Downfall" 2CD by Vic Records. The Expanded Edition includes an altered track list compared to the 2001 version, with some bonus tracks, as well as an alternative cover. Together with several live recordings, this release contains complete material from The Gathering’s early days (1989 - 1993). 27 songs with a total playing time of over 140 minutes, mastered and restored by Mike Wead (King Diamond/Mercyful Fate). The 16-page booklet includes liner notes and rare old pictures, provided by drummer Max.
CD 1:
Tracks 1-6 are taken from the "Promo '92".
Tracks 7-9 are taken from an unreleased 7". Recorded at Beaufort Studios.
Tracks 10-14 are taken from the demo "An Imaginary Symphony".
CD 2:
Track 1 is a previously unreleased Celtic Frost cover. Recorded live, October 18, 1990.
Tracks 2-6 are taken from the demo "Moonlight Archer".
Tracks 7-13 are assorted live recordings from 1991-1993 (including five tracks recorded at Huddinge Fest, Sweden, 1993).
VIC Records, 2001/2008 (VIC007). Made in Netherlands. Pressed in UK.


Tracklist:

DISK I
1. Heartbeat Amplifier 4:56
2. Her Last Flight 8:09
3. On A Wave 5:28
4. The Illusionist 4:30
5. Passage Of Desire 4:49
6. Of Pavilions And Fountains 3:33
7. In Sickness And Health 7:26
8. Gaya's Dream 6:23
9. Always… 2:29
10. Second Sunrise 6:49
11. Six Dead, Three To Go 4:05
12. Downfall (Demo Version) 5:20
13. Another Day 3:13
14. Share The Wisdom 4:12
Playing time: 71:22 min.

DISK II
1. Dethroned Emperor (Celtic Frost cover) 4:12
2. Subzero 6:21
3. Anthology In Black 3:53
4. Second Sunrise 6:51
5. Downfall 6:04
6. In Sickness And Health 6:42
7. Anthology In Black 3:02
8. Downfall 5:34
9. Subzero 6:45
10. Second Sunrise 7:07
11. Gaya's Dream 6:16
12. Stonegarden 4:59
13. Heartbeat Amplifier 5:11
Playing time: 72:57 min.

Total playing time: 144:19 min.

Debut full-length album from Italian Goth/Wave band.
The main attraction of The Ghost Effect is certainly Laura's voice which is by times so similar to Siouxsie Sioux it becomes kind of creepy. Anyone who is gifted with a voice like hers, would expect her to do some Banshees-like stuff but even if the influences are there, this Italian band from Turin is more like a gothband that uses coldwave-guitars.
For fans of Skeletal Family, The Fields Of The Nephilim, Siouxsie, Gitane Demone and The Cure.
Breakdown Records, 2011 (BR04)


Tracklist:
1.My Black Regrets
2.Korsakoff Syndrome
3.Submission
4.The Ghost Parade
5.THe Fall Of THe Man Of The Moment
6.The Dark Side
7.Say No
8.Friendly Fire
9.Notes For The End
10.Goodbye Tomorrow

The sixteenth EP by legendary American Speed/Thrash Metal/Shred guitarist and singer.
A thrilling fusion of Classical and Metal genres! Renowned for her virtuosic speed and fiery performances, the Great Kat reimagines Bach and other Baroque masterpieces with electrifying guitar riffs.
On this EP, The Great Kat features her trademark brutal Metal moshing, blistering Shred guitar whammy bars, Classical violin virtuosity, wailing Shred screams and lightning speed runs.
The Great Kat, Juilliard grad violin virtuoso and "Top 10 Fastest Shredders Of All Time" (Guitar One Mag) dominates Wagner, Chopin, Alard and all Metal and Classical with intensity, virtuosity, speed, and power all in one masterpiece.
This EP features meticulously selected tracks that showcase her technical prowess and unique interpretation, blending the elegance of Classical music with the intensity of Metal. Perfect for enthusiasts of both genres, this CD offers a captivating listening experience that highlights the extraordinary talents of one of the most innovative musicians in the industry.
You thought that The Great Kat's "Beethoven On Speed" was a Shred masterpiece? Just hear this brilliance, and you'll be declaring "The Great Kat is Shredderrific!"
Self-released, 2022. Made in the USA.


Tracklist:
1. Bach's Jesu Joy Mosh 01:17
2. Bach's Brandenburg Concerto no. 3 02:40
3. Bach's Toccata and Fugue: Terror 01:22
4. Bach's Air on the G String 01:42
5. Bach's the Art of the Fugue 01:03
6. Bach's Jesu Joy for Classical Violin 02:17
7. Shredacious 01:18
Total playing time: 11:39 min.

The second mini-album by legendary American Speed/Thrash Metal/Shred violinist/guitarist.
"I was born listening to Beethoven – history’s most powerful Classical composer. After hearing Beethoven’s genius music since birth, I realized that my mission in life was to continue Beethoven’s brilliant legacy and bring his music to the entire world!", - The Great Kat.
Self-released, 2022. Made in the USA.


Tracklist:
1. DJ L.V. Beethoven 01:06
2. Amazing Grace
3. Metalhead Disco
4. Mozart A Go-Go
5. Disco van Beethoven 01:07
6. Bach Boogie
7. Brindisi Strut
8. Pachelbel’s Canon Dance 01:20
9. Beethoven's Lust Tango
10. Strauss’ The Blue Danube Waltz 01:25
11. Ave Maria Disco 01:09
12. Schubert Shuffle 01:05
13. Chopin's Minute Waltz 01:00
14. Ravel’s Bolero Hustle 01:16
15. Do the Can-Can! 01:03
Total playing time: 17:20 min.

The third EP by legendary American Speed/Thrash Metal/Shred guitarist and singer.
The Great Kat is guitar virtuoso and Neoclassical Metal reject extraordinaire.
"Classical music is dead!" proclaims the latest "self-anointed genius" of the next musical era. It might seem like an unlikely combination, but she brings these facets of Classic and Metal music together into a ferocious blitz of dense sound released to the public in small doses. And she actually kinda gets this one right!
What sets these pieces apart from ordinary Heavy Metal, however, is the fact that they are not approximations of the original pieces. They are recordings of the actual music transcribed and re-arranged. The Great Kat had to study the original scores and carefully consider how to distribute the notes to her ensemble. Unlike that of her anarchist Heavy Metal peers, her treatment of the music is clever and , in fact, very Classical.
The Great Kat’s own songs (there are two on this CD) are not as well conceived. Her lyrics border on the ridiculous, spewing violence, blood and sado-masochism. Her vocals are snarled, screamed and whooped, and her guitar tracks are so thick that it is hard to hear anything else over them. The brevity of her songs is part of a cyber-based philosophy that the human attention span is diminishing. It also could be that beyond sensationalism she has little to say.
The Great Kat is an unfortunate hostage of her unabashed self-promotion and hype. "The world’s fastest guitarist", "genius personality", "the High Priestess of Guitar Shred", and "systematically changing the face of classical music", shout her press releases. The reality of the Great Kat’s music is far less outrageous. In the early 1980s, The New York Times reviewed her debut recital while she was still Kathy Thomas -- a violin student at the Juilliard School. The reviewer, after praising her strong technique and ideas, mentioned her "overstated" performance of the Carmen Fantasy. On this new CD, she overstates this same piece, only now in a different milieu.
Still, The Great Kat has created an unmistakable sound, and her intimidating personality reaches for the jugular of any concert-goer or listener. This CD, although short, is a valid musical statement from one of the stranger characters on the Heavy ,etal scene. It would be to her musical advantage if she calmed down her own hype. But as one of the very few women in Heavy Metal, maybe she has to make the most noise in order to be noticed.
TPR Music, 1998/2011. Made in the USA.


Tracklist:
1. Vivaldi's "The Four Seasons" For Violin, Chamber Orchestra & Band 2:12
2. Torture Chamber 2:28
3. Blood 0:39
4. Sarasate's "Carmen Fantasy'" For Violin & Band 2:04
Total playing time: 7:22 min.