Special Offers

The third full-length studio album by Swedish Heavy Metal/Hard Rock band.
"Mind Over Muscle" is absolutely the first record anyone should listen to if you're interested in 220 Volt. Half the songs on this album are perfect for cruising with the top down, throwing horns on the highway or just razing your arms through the wind itself. Enthusiastic, powerful and impressive, it's a long hidden gem of a near forgotten period in one of the world's largest Metal markets!
CBS Songs Scandinavia AB/Tonpress, 1985/1986 (SX-T 117). Made in Poland. Used: NM-/NM-

Tracklist:

Side A
1. The Tower 4:11 
2. In The End 3:28 
3. Electric Messengers 3:49 
4. Power Games 3:36 
5. Blessed By Night 3:40 
6. Secret Dance (Hymania) 3:55

Side B 
7. It's Nice To Be King 3:52 
8. Mind Over Muscle 4:02 
9. Whiter Than White 3:50 
10. Touch Of Fire 4:02 
11. Halloween 2:59 
12. Pavement Song 3:46

Total playing time: 45:22 min.

 

Re-release of the five classic studio albums, in one set, by the legendary Norwegian New Wave/Pop Rock/Synth-Pop band.
Includes the following albums: "Hunting High And Low", "Scoundrel Days", "Stay On These Roads", "East Of The Sun", "West Of The Moon" and "Memorial Beach".
100% musthave for every old school maniac!!
Rhino Entertainment Company, a Warner Music Group Company, 2011 (8122797694). Made in Germany. First press.

Tracklist:

CD 1 «Hunting High And Low»
1. Take On Me 3:48 
2. Train Of Thought 4:14 
3. Hunting High And Low 3:44 
4. The Blue Sky 2:36 
5. Living A Boy's Adventure Tale 5:02 
6. The Sun Always Shines On T.V. 5:08 
7. And You Tell Me 1:52 
8. Love Is Reason 3:06 
9. I Dream Myself Alive 3:10 
10. Here I Stand And Face The Rain 4:30

CD 2 «Scoundrel Days»
1. Scoundrel Days 4:01 
2. The Swing Of Things 4:14 
3. I've Been Losing You 4:23 
4. October 3:56 
5. Manhattan Skyline 4:52 
6. Cry Wolf 4:06 
7. We're Looking For The Whales 3:42 
8. The Weight Of The Wind 3:59 
9. Maybe, Maybe 2:36 
10. Soft Rains Of April 3:12

CD 3 «Stay On These Roads»
1. Stay On These Roads 4:45 
2. The Blood That Moves The Body 4:06 
3. Touchy! 4:33 
4. This Alone Is Love 5:15 
5. Hurry Home 4:37 
6. The Living Daylights 4:47 
7. There's Never A Forever Thing 2:51 
8. Out Of Blue Comes Green 6:41 
9. You Are The One 3:51 
10. You'll End Up Crying 2:07

CD 4 «East Of The Sun, West Of The Moon»
1. Crying In The Rain 4:24 
2. Early Morning 2:58 
3. I Call Your Name 4:53 
4. Slender Frame 3:41 
5. East Of The Sun 4:47 
6. Sycamore Leaves 5:21 
7. Waiting For Her 4:48 
8. Cold River 4:41 
9. The Way We Talk 1:31 
10. Rolling Thunder 5:42 
11. (Seemingly) Nonstop July 2:55

CD 5 «Memorial Beach»
1. Dark Is The Night For All 3:45 
2. Move To Memphis 4:21 
3. Cold As Stone 8:18 
4. Angel In The Snow 4:13 
5. Locust 5:08 
6. Lie Down In Darkness 4:31 
7. How Sweet It Was 6:01 
8. Lamb To The Slaughter 4:20 
9. Between Your Mama And Yourself 4:15 
10. Memorial Beach 4:35

Total playing time: 214:52 min.

Remastered re-release of the fourth full-length studio album by legendary Swedish Pop band.
Widely considered the Swedish foursome's first classic album (and historically important as the first to use the now-famous mirror-B logo), 1976's "Arrival" contains three huge hit singles: the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You", and the absolutely perfect Pop classic "Dancing Queen" - a combination of Spector-ian grandeur, McCartney-esque melody, and the indescribable vocals of Agnetha Fältskog and Anni-Frid Lyngstad.
The rest of ABBA's fourth album is strikingly consistent and accomplished, from the sly, bouncy "When I Kissed the Teacher" to the atmospheric title track, making room in between for the three excellent singles and five other substantial Pop tunes.
The album became a major seller all over the world, becoming the top-selling album of 1977 in both the UK and West Germany for example. It was certified Gold by the Recording Industry Association of America. The "Arrival" was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. 
180 g vinyl comes with a printed inner sleeve and includes a voucher to download an MP3 version of the album.
Polar Music Production/Universal Music Group International, 1976/2011 (POLS 272). Made in Germany.

Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 miin.

Collector’s Edition re-release of the debut full-length studio album by the cult American Death/Black Metal band.
If you are new to Absu, this is a great place to start and keep in mind that the band gets better with age. Strangely enough, most Black Metal specialist (or elitist, depending on your point of view) hold this release in very high regard.
For the casual or general Metal fan though, there are noticeable flaws, but they are overcome with a strong mix of very catchy traditional Black Metal parts and violent aggressive parts.
Osmose Productions, 1992/1993/1997 (OPCD 020 Ltd. / SPV 084-20302 CD). Made in France. Pressed in Austria. Re-press.


Tracklist:
1. An Involution Of Thorns 3:06 
2. Descent To Acheron/ Evolving Into The Progression Of Woe 4:33 
3. An Equinox Of Fathomless Disheartenment 3:15 
4. The Thrice Is Greatest To Ninnigal 5:00 
5. Infinite And Profane Thrones 6:21 
6. Fantasizing To The Third Of The Pagan Vision/ Quoth The Sky Nevermore/ Act II 5:29 
7. An Evolution Of Horns 3:12
Bonus Tracks: 
8. The Coming Of War (Live) 5:10
9. The Thrice Is Greatest To Ninnigal (Live) 5:10
10. Never Blow Out The Eastern Candle (Live) 5:32
Total playing time: 46:48 min.


Samples: https://osmoseproductions.bandcamp.com

The second full-length studio album by cult American Thrash/Black Metal band.
The overall sound and mixing is perfectly balanced. While the musicians are simply going insane, the producer is making sure that all instruments count. The medieval atmosphere captured perfectly as well. The Thrash Metal part is very much present as can be noticed by the 80s intensity displayed by the musicians.
This record has surpassed most Black Metal feats achieved by the famous Norwegian bands you started the genre with, and it is as enjoyable and aggressive as their best releases. A thrilling experience!!
Osmose Productions, 1995 (OPCD 029 / SPV 84-20482 CD). Made in France. Pressed in Austria. Re-press.


Tracklist:
1. Apzu 11:18
2. Feis Mor Tir Na N'og (Across The North Sea To Visnech) 8:05
3. Cyntefyn's Fountain 3:46
4. A Quest Into The 77th Novel 5:49
5. Our Lust For Lunar Plains (Nox Luna Inlustris) 1:49
6. The Coming Of War 5:16
7. The Sun Of Tiphareth 7:06
Total playing time: 43:09 min.


Samples: https://osmoseproductions.bandcamp.com

Remastered from the original master tapes re-release of ninth Australian and eighth internationally released full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Followed the highly successful "Back In Black" and "For Those About To Rock" albums, "Flick Of The Switch" is the third AC/DC album to feature vocalist Brian Johnson. Recorded shortly after their 1982 European Tour at the beginning of 1983, the album was originally released with little promotion in the US on 15 August 1983.
When AC/DC first began to lay down plans for recording their ninth studio album, their career was at its absolute commercial peak, flying high on the world-beating success of 1980’s flawless "Back In Black" and its worthy successor, "For Those About To Rock". Both albums had kept the band touring and/or working for nearly two years straight (and the human toll would soon be felt in drummer Phil Rudd‘s sad exit), so once they finally found the time to reflect on their next move, the Australian Hard Rock heroes decided it was time to go back to basics.
Fatefully, after three albums working with studio perfectionist Robert John “Mutt” Lange, the band decided to produce "Flick Of The Switch" themselves in a concerted effort to strip their songs of any lingering studio polish. To that end, AC/DC spent less than a month recording 10 new songs, and later drove their point home with the help of a spartan, startlingly white cover art, featuring nothing but a pencil sketch of Angus Young preparing to flick that giant electric switch.
The best thing one could say in "Flick Of The Switch"‘s defense is its quasi-religious bid for simplicity makes it the Brian Johnson lineup’s equivalent of "Powerage". The final verdict on "Flick Of The Switch" was frankly handed down by AC/DC fans, who barely saw fit to nudge the album towards Platinum sales over many slow-selling years to come, thus falling well short of the multi-Platinum thresholds established by its predecessors.
The album reached #4 in UK and #15 in the US, and has been certified Platinum by the RIAA for a circulation of more than 1,000,000 copies.
Leidseplein Presse B.V./Columbia/Sony Music, 1983/2009 (5107671). Made in Germany.


Tracklist:
1. Rising Power
2. This House Is On Fire
3. Flick Of The Switch
4. Nervous Shakedown
5. Landslide
6. Guns For Hire
7. Deep In The Hole
8. Bedlam In Belgium
9. Badlands
10. Brain Shake

Color: Black.
Official merch. 
Barcode: 0846556042558
Talent Distribution, WS103178ACD.
Made in China.

Remastered re-release of the third Australian and second international full-length studio album by legendary Australian Hard Rock band.
It was originally released in Australia on Albert Productions on 20 September, 1976 on vinyl. A modified international edition was later released on Atlantic Records on 17 December, 1976. The album was not released in the US until April 1981. On CD it was released in 1986. 
The album has been certified 6x Platinum in the US, selling at least 6 000 000 copies and becoming the third-highest selling album by AC/DC in the US, after “Highway to Hell” (7x Platinum) and “Back in Black” (22x Multi-Platinum).
J. Albert & Son (Pty) Ltd./Columbia/Sony Music Entertainment, 1976/2003/2009 (5107601). Made in Germany. 180 gram vinyl.


Tracklist:

Side A
1. Dirty Deeds Done Dirt Cheap 3:46
2. Love At First Feel 3:05
3. Big Balls 2:39
4. Rocker 2:46
5. Problem Child 5:43

Side B
6. There's Gonna Be Some Rockin' 3:14
7. Ain't No Fun (Waiting Round To Be A Millionaire) 6:57
8. Ride On 5:47
9. Squealer 5:12

Total playing time: 39:50 min.

The second European re-release of the fourth full-length studio album by the legendary German Heavy Metal band.
Accept had a run of superb albums in the ‘80s, beginning with this one, and including 1984’s "Balls To The Wall" and 1985’s "Metal Heart".
"Restless And Wild" was released in 1982 in Europe and in 1983 in the US and UK. It was the first Accept album to not be recorded at Delta-Studio - the band moving to Dieter Dierks' studio in Stommeln. It is also the first Accept album in which Udo Dirkschneider sings every track, as well as the first in which manager Gaby "Deaffy" Hauke gains credits for songwriting. Michael Wagener took engineering and mixing duties once again.
Versions of the album released outside Germany were issued with a different cover, replacing the picture of burning guitars with a shot of the band live in concert.
Like its successor, "Balls To The Wall", it is an essential Heavy Metal album, and any fan worth his salt should own them both. Whichever you chose, you can only win!
Brain/Metronome Musik GmbH, 1982/1992/2000 (810 987-2). Made in Germany.


Tracklist:
1. Fast As A Shark 3:48
2. Restless And Wild 4:10
3. Ahead Of The Pack 3:22
4. Shake Your Heads 4:00
5. Neon Nights 6:00
6. Get Ready 3:49
7. Demon's Night 4:34
8. Flash Rockin' Man 4:24
9. Don't Go Stealing My Soul Away 3:15
10. Princess Of The Dawn 6:15
Total playing time: 43:59 min.

The 13th full-length album by the German Heavy Metal legend.
Band’s second album since their 2009 reunion. Accept recently celebrated the biggest success in the band’s history with “Blood Of The Nation” in 2010 and 2011. During two world trips in these eventful times, Wolf Hoffmann & Co. still found time and inspiration to write songs for the new album. The pressure was tremendous, but as we all know – Accept love challenges and search for them! No distance too far, no burden too heavy for a perfect record, for the perfect show. And here comes “Stalingrad” – a statement for the iron will to succeed. Album shows the band returning to their classic 80's sound, with some clear modern touches. Songs forged in the sweat and haze of the concert halls and hardened in the fire of hundreds of thousands fans’ excitement. “Stalingrad” is a terrific performance from beginning to end with virtually no filler. Everything from the album's sound to the fantastic artwork cover is simply drenched in talent.  The entire album from start to finish is filled to the brim with terrific guitar playing, amazing vocals, and just pure talent!
"Stalingrad" is a constantly trilling return for the classic Heavy Metal band! The Mark Tornillo era of Accept is already an important chapter in the band’s legacy, and hopefully it’s going to be a long, long chapter indeed!! Now is a great time to be an Accept fan!!!
Nuclear Blast Records, 2012 (NB 2846-2). Made in Germany. First press.


Tracklist:
1. Hung, Drawn And Quartered     4:40 
2. Stalingrad     6:01 
3. Hellfire     6:13 
4. Flash To Bang Time     4:10 
5. Shadow Soldiers     5:51 
6. Revolution     4:14 
7. Against The World     3:39 
8. Twist Of Fate     5:43 
9. The Quick And The Dead     4:27 
10. The Galley     7:22
Total playing time: 52:20

The debut full-length studio album by legendary German Hard’n’Heavy band.
The band’s eponymous debut album was a brand of Deep Purple-like Hard Rock that was virtually indistinguishable from anything that was coming in Britain at the start of the famous NWOBHM movement. The vocals were still sung in lower register, the riffs consist almost all minor-key power-chording or melancholic ballads, with only rare tribal up-tempo show-stoppers.
"Accept" was released at 1979 in Germany and 1984 in US. On Accept's first album, these Teutonic Headbangers still standing under the Scorpions' shadow have yet to find their voice. There are small glimmers of future promise here, namely in Wolf Hoffmann's very capable guitar work. The main problem here is that the band are still in the process of building their own musical identity. The songs vary from the charging Metal rhythms of "Lady Lou" to the smoky, balladry of "Seawinds" (sung by bassist Peter Baltes). Much of the material is of reminiscent of Uli Jon Roth era Scorpions Hard'n'Heavy, but their ideas aren't yet so potent.
Guitarist Wolf Hoffmann later remembered the debut as simply a collection of songs the band had worked up over their formative years, with no real focus: "We were just playing songs that we had always played. It was material that had gathered up over the first few months and years of our existence and it was a mixture of all kinds of stuff." 
Accept are probably the most influential and most important German Heavy Metal band. They would gain better production values and a more cohesive direction on future releases, but the debut was an important early step that gained them the ability to play the neighboring countries of Belgium, the Netherlands and France for the first time.
Metronome GmbH/JEM Records Inc./PVC Records, ‎1979/1984 (PVC 6904). Made in US. First American press. Still sealed vinyl!


Tracklist:

Side 1
1. Lady Lou 3:03
2. Tired of Me 3:14
3. Seawinds 4:29
4. Take Him in My Heart 3:29
5. Sounds of War 4:35

Side 2
1. Free Me Now 3:00
2. Glad to Be Alone 5:12
3. That's Rock'n Roll 2:53
4. Helldriver 2:40
5. Street Fighter 3:28

Total playing time: 36:03 min.

Re-mastered re-release of fifth full-length studio album by legendary German Heavy Metal band.
Accept's most notorious album, "Balls To The Wall", was also their biggest commercial success. This is the best-selling album of the band that sold in an amount of about two 2.000.000 copies worldwide and received Gold status in the U.S.
Most fans of Accept perceive this album as the best in the discography of the band. Following hot upon the heels of their creative breakthrough, "Restless And Wild", you'd also be hard-pressed to find a more sexually charged record in any musical genre.
Like its predecessor, "Balls To The Wall" is an essential Heavy Metal album, and any fan worth his salt should own them both. But, for the sake of first-time visitors, "Balls To The Wall" is the slightly more melodic, less gritty of the two. Whichever you chose, you can only win!
The digitally remastered re-edition includes live versions of "Metal Heart" and "Screaming For A Love-Bite" as bonus tracks, taken from the “Kaizoku-Ban” album!
RCA/BMG, 1983/1985/2002 (74321 93214 2). Made in Germany.


Tracklist:
1. Balls to the Wall (5:50)
2. London Leather Boys (3:57)
3. Fight It Back (3:30)
4. Head Over Heels (4:19)
5. Losing More Than You’ve Ever Had (5:04)
6. Love Child (3:35)
7. Turn Me On (5:12)
8. Losers and Winners (4:19)
9. Guardian of the Night (4:25)
10. Winter Dreams (4:45)
Bonus tracks:
11. Up To The Limit (live) 4:53
12. Head over Heels (live) 5:58
Total playing time: 56:13 min.

The 14th full-length album by the legendary German Heavy Metal band.
In the history of Heavy Metal not many bands can claim to be able to celebrate their breakthrough twice. Accept managed this four years ago, as, with their reunion record "Blood Of The Nations", returning with a vengeance by charting all over the World and topping critics’s and fan polls in the process. In their home country, Germany, Accept charted at an incredible #4 in the Media Control Charts, making this highest position in the band’s career to date.
Built around the nucleus of band colleagues Wolf Hoffmann (guitars) and Peter Baltes (bass), with new vocalist Mark Tornillo as well as Hermann Frank (guitars) and Stefan Schwarzmann (drums), Accept completed a global march of victory, peaking in a sold out tour and outstanding festival shows.
The successor "Stalingrad" maintained the high level with (yet again) over 100.000 records sold, followed by numerous nominations as “record of the year”, a completely sold out world tour and overwhelming chart entries (#5 in Hungary, #6 in Germany, #8 in Finland, #16 in the UK Rock Charts, #17 in Switzerland and #22 in Norway, to name but a few).
Now "Blind Rage", the latest installment in this amazing return, is ready to write history once more. The band’s creative streak has delivered a thunderstorm of riffs, only one Wolf Hoffmann is able to set aflame. Besides the “red Accept-line”, as the band likes to call it, the only goal was to “remain interesting”. Another factor that has turned into an Accept trademark is the voice of singer Mark Tornillo. The New Jersey born musician has been the man behind the microphone since the Accept reunion took off in 2009. Within the course of the three albums, he has grown into his role as frontman of these “teutonic terrors”. Wolf Hoffmann, who likes to call himself a “naturally born perfectionist”, praises his band colleague and states that “his accomplishment is outstanding”.
While Accept like to get newly inspired as far as the creative aspect is concerned, they put the fine tuning of "Blind Rage" into the most capable hands of producer Andy Sneap (Megadeth, Exodus, Five Finger Death Punch). After the two previous records, "Stalingrad" and "Blood Of The Nations", the decision to work with Sneap again was far more than a “never change a winning team”-situation. The sound couldn’t be better: homogenous and authentic, dynamic yet versatile! And you can hear the musical wrath that gets Accept going and also led to the album title!!

Limited to 3500 Box Set includes:
1) Box packaging;
2) “Blind Rage” CD + “Live In Chile 2013” Blu-Ray Disc Slipcase Digipack;
3) “Live In Chile 2013” Cardboard DVD;
4) “Stampede” Picture 7” EP;
5) “Final Journey” Picture 7” EP;
6) Poster-Flag (100 x 150 cm);
7) Metal Pin;
8) 5x Photo Cards.

1080p; Full HD (Blu-Ray Disc) / 16:9 PAL (DVD) | PCM Stereo | All | Approx. 121 min. (Blu-Ray Disc) / approx. 59 min. (CD) / approx. 116 min. (DVD).

Nuclear Blast Records, 2014 (NB 3195-3). Made in Germany. First press.

Tracklist:

 “Blind Rage” CD:
1. Stampede 5:14
2. Dying Breed 5:21
3. Dark Side Of My Heart 4:37
4. Fall Of The Empire 5:45
5. Trail Of Tears 4:08
6. Wanna Be Free 5:37
7. 200 Years 4:30
8. Bloodbath Mastermind 5:59
9. From The Ashes We Rise 5:54
10. The Curse 6:29
11. Final Journey 5:02

"Live In Chile 2013" Blu-Ray Disc:
1. Intro 0:57
2. Hung, Drawn And Quartered 4:32
3. Hellfire 5:28
4. Restless And Wild 4:22
5. Losers And Winners 4:21
6. Stalingrad 6:01
7. Breaker 4:20
8. Bucket Full Of Hate 4:49
9. Monsterman 2:54
10. Shadow Soldiers 6:03
11. Amamos La Vida 4:19
12. Guitar Solo Wolf 3:20
13. Neon Nights 6:16
14. Bulletproof 7:45
15. Aiming High 4:09
16. Princess Of The Dawn 7:49
17. Up To The Limit 4:31
18. No Shelter 5:43
19. Pandemic 5:21
20. Fast As A Shark 4:04
21. Metal Heart 5:12
22. Teutonic Terror 5:12
23. Balls To The Wall 7:25

"Live In Chile 2013" DVD:
1. Intro 0:57
2. Hung, Drawn And Quartered 4:32
3. Hellfire 5:28
4. Restless And Wild 4:22
5. Losers And Winners 4:21
6. Stalingrad 6:01
7. Breaker 4:20
8. Bucket Full Of Hate 4:49
9. Monsterman 2:54
10. Shadow Soldiers 6:03
11. Amamos La Vida 4:19
12. Guitar Solo Wolf 3:20
13. Neon Nights 6:16
14. Bulletproof 7:45
15. Aiming High 4:09
16. Princess Of The Dawn 7:49
17. Up To The Limit 4:31
18. No Shelter 5:43
19. Pandemic 5:21
20. Fast As A Shark 4:04
21. Metal Heart 5:12
22. Teutonic Terror 5:12
23. Balls To The Wall 7:25

“Stampede” Picture 7” EP:
Side A:
1. Stampede

Side B:
2. Teutonic Terror

“Final Journey” Picture 7” EP:
Side A:
1. Final Journey

Side B: 
2. Stalingrad
 

The sixth full-length studio album by legendary German Heavy Metal band.
With "Metal Heart", Accept attempted to add catchier choruses and melodies to their high-octane guitar riffing in a clear ploy to crack the American market. Not that this move in any way upset the balance of their thus-far smooth-running Metal machine, which had been gaining momentum with every release since the start of the decade. "Metal Heart" was certainly a step toward accessibility, but a cautious one at that. You gotta hand it to Accept, they sure knew how to make an entrance by now, and the apocalyptic title track is about as dramatic as it gets, with guitarist Wolf Hoffman taking the helm on a long, mid-song solo excursion containing equal nods to Beethoven and Edward Van Halen. First single "Midnight Mover" is next, and along with the even more melodic "Screaming for a Love-Bite", it places obvious emphasis on hooks and melodies (and proved to be the toughest to stomach for the band's more hardcore fans). But despite another strange detour into Jazz territory with the bizarre "Teach Us to Survive," Accept still packed amazing power, heaping on their Teutonic background vocals for the ultraheavy "Dogs on Leads" and gleefully pile-driving their way through relentless moshers like "Up to the Limit" and "Wrong Is Right". The brilliantly over-the-top "Too High to Get It Right" finds Dirkschneider screeching like never before, and to cap things off, the band really cooks on "Living for Tonight" - arguably the best track all around. A winning set!
Album was the first album produced by Dieter Dierks himself. The title track contains two classical themes: Tchaikovsky's "Slavonic March" in the intro, and Beethoven's "Fur Elise" in the guitar solo.
“Metal Heart” considered by fans as one of the band's best records.
CBS Inc./Portrait Records, 1985 (BFR 39974). Made in USA. First press. Used (cover/disc): EX+/EX.


Tracklist:

A-Side
1. Metal Heart     5:19 
2. Midnight Mover     3:05 
3. Up To The Limit     3:47 
4. Wrong Is Right     3:08 
5. Screaming For A Love-Bite     4:06 

B-Side
6. Too High To Get It Right     3:47 
7. Dogs On Leads     4:23 
8. Teach Us To Survive     3:32 
9. Living For Tonite     3:33 
10. Bound To Fail     4:58 

Total playing time: 39:38 min.

First re-release of the fourth full-length album by the band of cult American Glam/Hard Rock guitarist and singer Adam "Bomb" Brenner.
Originally it was released in 1999 as “Get Animal” – the debut album by Get Animal, a new band of Adam "Bomb" Brenner (this time his stage name was “Pink Gibson”).
Get Animal play catchy tunes with excellent guitar work. Adam‘s guitar playing is a cross of Ted Nugent and Eddie Van Halen on acid. All the songs on this release are pure dirty and catchy chorus Rock And Roll. The Van Halen-ized “D.W.I.” and the Grand Funk-esque opening riff of “Je T’aime Bebe” highlight Adam‘s blazing fretwork. Adam shows his influences on the AC/DC/Buckcherry sounding “Better Red Than Dead”, and proves that older artists still know how to throw down, without sounding dated.
This great Hard Rocking album features some of the greatest recorded guitar work of Adam Bomb! If you love Rock 'n' Roll, then this is the disc for you!!
Coalition Records, 1999/2003 (90909). Made in Canada. 


Tracklist:
1. I'm On It 3:16
2. Swingin' On A Star (Bing Crosby Cover) 2:59
3. Bought The Farm 4:05
4. Hey Hey Nothin' 4:03
5. Might Makes Right 3:35
6. Miracle 4:08
7. Shake The Earth 4:04
8. Shotgun (Saturday Night) 3:20
9. Crash Boom Bam 4:26
10. SST 3:04
11. Countdown 3:53
12. Leader Of The Gang / Bloodbath (Gary Glitter Cover) 2:03
Total playing time: 42:56 min.

The eighth full-length album by the band of cult American Glam Metal/Hard Rock guitarist and singer Adam "Bomb" Brenner.
In 1979, when Adam Bomb was 16 years old, he and Geoff Tate (later former vocalist of Queensrÿche) started a cover band called Tyrant. Later he joined the cult band TKO, with whom he recorded legendary album "In Your Face". In 1980, Bomb auditioned for Kiss. He flew to Los Angeles and played three songs with them, but was not invited to join the band. Instead, he moved to Hollywood and shared an apartment with Jeffrey Isbelle, better known as Izzy Stradlin. Bomb quickly became friends with Tommy Thayer, a neighbor and guitarist for the Rock band Black N' Blue (now guitarist in KISS), who suggested Adam should do his own project and call it Adam Bomb. Tommy Thayer's band Movie Star opened for TKO at The Showbox in 1981. In 1983, Adam recorded his first demos with producer Rick Keefer. He also played two gigs with Steeler as a replacement for Yngwie Malmsteen. One year later, Adam recorded more songs with the aid of drummer Chuck Ruff of Montrose and bassist Cliff Williams of AC/DC and finalized his first album, "Fatal Attraction".
Adam Bomb isn’t just one of the hardest working men in the world of music, he also lives and breathes Rock ‘n’ Roll 24/7. So when he screams “I Live For Rock ‘n Roll” in the opening bars of his personal tribute to AC/DC “I Want My Heavy Metal”, you better believe he isn’t kidding.
Adam Bomb's sound is Hard Rock with a Glam Rock edge and some Heavy Metal posturing. Your appetite for this one is going to depend on your love for all things '80s Rock. Adam Bomb definitely fits in to that Glam/Hair Metal style!
Coalition Records, 2005 (90777). Made in Canada. First press.


Tracklist:
1. The Big Event 3:09 
2. Life's A Bitch 'n' Then You Live 5:43 
3. Stranded 3:39 
4. Shattered Smile 3:08 
5. If This Is Love I Want My Money Back 3:36 
6. Jimmy Brown 4:15
7. I Wanna Forget You (Just The Way You Are) 4:02
8. Backbiter / S.U.S 6:20
9. Lie Down & Die 2:22
10. Mess Around 4:52 
11. Rock Like Fuck 4:29
Total playing time: 45:35

The seventh full-length album by the band of cult American Glam/Hard Rock guitarist and singer Adam "Bomb" Brenner.
The tragedy of September 11th effected many people, especially New Yorkers. Since then, artists have been grappling with how to voice their emotions about the subject, to get their feelings off their chest. Bon Jovi's "Bounce" and Bruce Springsteen's "The Rising" are the most successful musical reactions of this event. But Hard Rockers who want something with a bit more, shall we say, musical muscle on the subject, would be wise to turn to Adam Bomb's "Third World Roar".
A New York Hard Rock veteran, Bomb has been kicking out albums since the early '80s, first with Seattle's TKO, then on his own, then with Get Animal, and later in Michael Monroe's band. However, this solo effort is by far his most bold and personal endeavor, hitting home on many levels.
On the surface, "Third World Roar" is simply a butt-kicking Rock n' Roll record about the end of the world but in a party sense, like we're gonna Rock till the world explodes. A closer listen will reveal that Bomb is indeed wrestling with the current events and the shape of the world.
"The Beginning of the End" starts things off with a power chord bang, complete with apocalyptic lyrics and an earth shattering solo. "Are You A Target" musically recalls Bomb's Aero-boogie sound of his "Fatal Attraction" era, while "Get Your Guard Up" is just pure Punk, Bop n' Roll, and "Rocket" sidesteps into Rockabilly territory. "The Field of Bad Dreams" gets even rootsier, sounding like Marc Bolan covering ZZ Top.
Things get a bit more stark on acoustic numbers such as "Time Flies" and the Beatles-esque "Willful Blindness", but pick right back up with the Enuff Z'Nuff-like power popper "I Believe" and the blistering "Bio-Strike".
By the time we get to two bone crunching closers, "Prayer For Destruction" and "Rebirth of the Earth" (which segues into the "Star Spangled Banner"), two things are clear: 1. Bomb is one pissed off dude, and 2. this motherfucker can sure play the guitar!!
Coalition Records, 2003 (90911). Made in Canada. First press.


Tracklist:
1. 911
2. The Beginning of the End
3. Are You A Target?
4. Rocket
5. The Field of Bad Dreams
6. Time Flies
7. Willful Blindness
8. I Believe
9. Get Your Guard Up / Guitarmaggedon
10. Bio-Strike / Epilogue
11. DT6
12. Prayer for Destruction
13. Rebirth of the Earth / Star Spangled Banner

The debut full-length studio album by Italian Symphonic Death/Black Metal band.
The sound built around simple, but very direct rhythms, as well as classic Black/Death Metal riffs, composed in a modern way. The rhythms are very strong and often recall a certain Groove Metal, but with parts of classic blast-beats and fast double kick. The vocal parts are mainly classic growl, and a little bit of screams. The Symphonic parts in some places are only Ambient, to make the sound more homogeneous, however in other places are much present and Epic.
The themes dealt with in the lyrics are in a sense the various meanings, that can derive from "War": a real war, but also the inner war, that is present in the human being since the time of mythology. That's why some texts speak of the wickedness of the ancient deities ("Medusa" or "Breath of Phobetor"), up to the more inner, more personal war of each individual ("Revenge Doll" or "Destination Underworld").
Recommended for fans of Flashgod Apocalypse, Septicflesh and more!
Another Side Records, 2019 (ASR25-156). Made in Ukraine. First press.
 

Tracklist:
1. Primogenitus Ex Evil (Intro) 01:38
2. War 03:57
3. Destination Underworld 04:04
4. Rotten Blood 04:09
5. Breath of Phobetor 04:54
6. Revenge Doll 03:40
7. Medusa 04:00
8. Sin Son 05:47
9. Glory False 04:19
10. Ades Numen 05:33
Total playing time: 42:19 min.

 

The debut full-length studio album by Italian Symphonic Death/Black Metal band.
The sound built around simple, but very direct rhythms, as well as classic Black/Death Metal riffs, composed in a modern way. The rhythms are very strong and often recall a certain Groove Metal, but with parts of classic blast-beats and fast double kick. The vocal parts are mainly classic growl, and a little bit of screams. The Symphonic parts in some places are only Ambient, to make the sound more homogeneous, however in other places are much present and Epic.
The themes dealt with in the lyrics are in a sense the various meanings, that can derive from "War": a real war, but also the inner war, that is present in the human being since the time of mythology. That's why some texts speak of the wickedness of the ancient deities ("Medusa" or "Breath of Phobetor"), up to the more inner, more personal war of each individual ("Revenge Doll" or "Destination Underworld").
Recommended for fans of Flashgod Apocalypse, Septicflesh and more!
Limited Edition features patch and magnet.
Another Side Records, 2019 (ASR25-156). Made in Ukraine. First press.

Tracklist:
1. Primogenitus Ex Evil (Intro) 01:38
2. War 03:57
3. Destination Underworld 04:04
4. Rotten Blood 04:09
5. Breath of Phobetor 04:54
6. Revenge Doll 03:40
7. Medusa 04:00
8. Sin Son 05:47
9. Glory False 04:19
10. Ades Numen 05:33
Total playing time: 42:19 min.

 

The fifteenth full-length studio album by legendary American Hard Rock/Blues Rock band.
This is band's first studio album in eight years, since 2004's "Honkin' On Bobo", and the first in eleven years to feature all-new material, since 2001's "Just Push Play", marking the longest gap between Aerosmith's studio albums.
Aerosmith truly show their age by the very nature of the album itself. Simply put, nobody makes albums like this anymore. Nobody breaks the bank attempting to make a Rock album that's everything to everyone, and Aerosmith sound entirely oblivious to this state of affairs, carrying on like it was 1997. And, in a sense, as an overall piece of product, "Music From Another Dimension!" is no worse than "Nine Lives". It's faithfully follows Aerosmith's '90s blueprint, getting nothing wrong but never quite feeling right. 
The album includes the singles: "Legendary Child", "Lover Alot", "What Could Have Been Love", and "Can't Stop Lovin' You".
“Music From Another Dimension!” debuted at #5 on the Billboard 200 selling just 63000 copies its first week, a sharp contrast to previous debuts. The album received mostly mixed reviews from music critics, with online review site Metacritic calculating an aggregate score of 54/100 based on 22 reviews.
Columbia Records, a Division of Sony Music Entertainment, 2012 (88725 44281 2). Made in Germany.


Tracklist:
1. Luv XXX 5:18 
2. Oh Yeah 3:40 
3. Beautiful 3:04 
4. Tell Me 3:45 
5. Out Go The Lights 6:55 
6. Legendary Child 4:13 
7. What Could Have Been Love [Feat. Carrie Underwood] 3:44 
8. Street Jesus 6:43 
9. Can't Stop Lovin' You 4:04 
10. Lover Alot 3:35 
11. We All Fall Down 5:13 
12. Freedom Fighter 3:20 
13. Closer 4:04 
14. Something 4:37 
15. Another Last Goodbye 5:46
Total playing time: 68:06 min.