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The second full-length studio album by British Doom/Sludge Metal band.
One of the finest Progressive Sludge/Doom bands return. Three years after their crushing and harrowing debut, "Sanctum In The Light", Penance drops as an early Yule present and leaves a huge crater.
Of Spire & Throne have been chipping the same few down-tuned fragments of riff off the Doom coal-face at the end of the same dank and airless tunnel since 2009. And they have no plans to resurface. It’s generally hard to think of anything meaningful. They have a chosen broad area they explore, and they do it so damned well it hurts.
But if you don’t get on with the more Extreme edges of Sludge, then they are not for you. This is not easy music in the least. This will scrape out the insides of your brain. This echoes through bones and churns stomachs, and keeps sucking you down into the tar, and then sets you adrift only to crush you again. Capture and release. Mentally, this is tough. But so worth it. So very worth it! Again, just superb!!
Aesthetic Death, 2018 (ADCD 054). Made in UK. Pressed in Poland. First press.


Tracklist:
1. From Dust 07:24
2. Reliquary 13:04
3. Their Shadow Cast 14:04
4. Sorcerer 07:57
5. In the Wake 13:39
6. Dissident 07:31
Total playing time: 63:41 min.


Samples: https://ofspireandthrone.bandcamp.com

The first full-length studio album by British Doom/Sludge Metal band.
Atmospheric, discordant and bludgeoning Extreme Doom, centred on themes of vision, madness and self-destruction. Heavy rhythmic Doom intertwined with Deathly Sludge and Atmospheric Ambience. A Doom behemoth, mastered by James Plotkin.
This release coincides with the recent UK tour with Faal.
An incredible dose of Extreme, Death-tinged ultra-slow Doom Metal that is more than worth your time to explore its cavernous chasms and darkest dimensions. The punishing album from excellent UK Doom act!
Aesthetic Death, 2015 (ADCD 032). Made in UK. Pressed in Germany. First press.


Tracklist:
1. Carrier Remain 14:00
2. Fathom 8:22
3. Upon The Spine 13:12
4. Gallery of Masks 18:28
Total playing time: 54:04 min.


Samples: https://ofspireandthrone.bandcamp.com
https://tartarusrecords.com

The fourth album by legendary American composer and Jazz saxophonist.
Often named as one of the 100 best Jazz albums, it remains Nelson's most acclaimed album and features a line-up of notable musicians: Freddie Hubbard, Eric Dolphy (his second-to-last appearance on a Nelson album following a series of collaborations recorded for Prestige), Bill Evans (his only appearance with Nelson), Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicing of Nelson's arrangements.
Recorded during the course of a single day in February 1961 and released six months later, "The Blues And The Abstract Truth" is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career. The album includes the iconic version of Nelson's all-time classic "Stolen Moments", a 16-bar piece with solos in a conventional 12-bar minor Blues structure in C minor.
Nelson's later album, "More Blues And The Abstract Truth" (1964), features an entirely different (and larger) group of musicians and bears little resemblance to this record.
"The Blues And The Abstract Truth" was voted number 333 in the third edition of Colin Larkin's "All Time Top 1000 Albums" (2000).
Second Records, 1961/2022 (SRPD0020). Made in Austria. Pressed in Poland.


Tracklist:

Side One
1. Stolen Moments 8:45
2. Hoe-Down 4:43
3. Cascades 5:30

Side Two
1. Yearnin‘ 6:20
2. Butch And Butch 4:35
3. Teenie's Blues 6:31

The second full-length album by Hungarian Extreme Groove Metal band. 
Stirring the cauldron once more, the lads of the mighty Omega Diatribe face you hard with their brand new record, which has been finalized by the Danish producer Tue Madsen from Antfarm Studios. Band gives a massive dose of adrenaline by their ultra-heavy grooves mixed with polyrhytmic elements and in-your-face vocals with this record. 
The production is neat and the songs are crushing. This masterclass of mayhem hits you harder than ever before displaying the tightest performance yet as the boys go from strength to strength in their genre and the industry. 
If you're hungry for some top-notch Extreme Groove Metal, than you have to give a chance for this record! 
Highly recommended for fans of Meshuggah, Gojira, Machine Head, and Fear Factory!! 
Metal Scrap Records Inc., 2018 (MSR144/CD). Made in Ukraine. First press.
 

Tracklist: 
1. Souls Collide 04:51 
2. Filius Dei 04:50 
3. Trinity 04:28 
4. Spinal Cord Fusion 03:40 
5. Divine of Nature 03:27 
6. Replace Your Fear 06:18 
7. Oblation 01:44 
8. Chain Reaction 04:15 
9. Denying Our Reality 05:55 
10. Compulsion 05:33 
11. Wraith 04:34 
12. Tukdam 03:04 
Total playing time: 53:08 min.

 

Third full-length album by the Australian Extreme Metal/Crossover band.
One Step Beyond constructs a brand of Extreme Metal with no obvious parallels. They aim to craft each song to have its own identity.
Musically it draws from all elements of Extreme Metal and is constructed with utmost respect to the album format. It is intended to be more than a collection of the bands 11 best songs. Each moment is a reaction to what has come before it and is an instigator of what comes after it. One Step Beyond feels that all the songs stand strongly on their own, but are all enhanced by being played together.
The album has a recurring lyrical subtext, based on some of the ways chance impacts on day to day living. Examples range from gambling and drug abuse, to how a seemingly random event can shape an entire life.
The release includes 12-page booklet, made by famous Ukrainian designer Nurgeslag.
Recommended for fans of: Napalm Death, Macabre, Mr. Bungle, Enslaved.
Metal Scrap Records, 2015 (MSR089/CD). Made in Ukraine. First press.
 

Tracklist:
1. Hour of the Wolf 01:59
2. The Music of Chance 05:12
3. Hand That's Dealt 03:37
4. Decay 04:43
5. Up In Smoke 07:12
6. Faith 01:03
7. Planets Like Chess Pieces 04:50
8. Domino Architect 04:42
9. Good World Gone Bad 04:59
10. The Gamble 01:40
11. The Score 03:19
12. Snake Eyes 04:33
Total playing time: 47:54 min.

 

American Edition of the seventh full-length studio album by legendary British Thrash Metal band.
Onslaught, led by founding member Nige Rockett, is primed to set the world on fire once again with one of the most ferocious Thrash Metal albums ever made!
Onslaught have become one of the bands that are now synonymous with the brilliance and endurance of today’s Thrash Metal movement, and it is always to the delight of fans and critics around the world when the band announces the release of a new record. Time to prepare once again!!
All fans of classic and modern Thrash Metal are going to be truly impressed with the high quality of the music found in Onslaught’s new effort. “Generation Antichrist” is the most welcome case of unsolicited brutality. "Generation Antichrist" is a killer modern Thrash Metal album, refreshing to hear the band on top form, especially after seven years since the last album. The band is more energetic than ever, with a solid collection of slamming heavy songs. Theirs is a sound that could not exist were it not for their past, yet they still make sure to keep up with the times in terms of tone and production.
This is band's first album not to feature Sy Keeler on vocals since 1989's "In Search of Sanity", and the first one to feature new vocalist Dave Garnett, as well as two new members, James Perry (drums) and Wayne Dorman (guitar). The reinvigorated old school Thrash Metal platoon simply kicking some serious ass throughout the entire "Generation Antichrist", with newcomer David bringing a huge dosage of adrenaline to the band with his raspy vocals and, therefore, pointing to a bright future in their already awesome career.
If you like your Metal music brutal and extreme, then this is definitely the album for you!!
As well as for all fans of Slayer, Sodom, Kreator, Metallica, Annihilator, Suicidal Angels, Anthrax, Destruction, and Necronomicon!!!
Deluxe Edition includes mini-poster + sticker.
Metalized Records, 2020 (MRCD-001). Made in Mexico. First press.


Tracklist:
1. Rise Of Power 2:05
2. Strike Fast Strike Hard 4:38
3. Bow Down To The Clowns 4:51
4. Generation Antichrist 5:43
5. All Seeing Eye 3:50
6. Addicted To The Smell Of Death 3:55
7. Empires Fall 5:35
8. Religiousuicide 3:28
9. A Perfect Day To Die 3:51
Total playing time: 37:58 min.

The debut full-length studio album by British Black/Death/Doom Metal band.
After deme and 3-way split release, finally band released their debut album.
Dark, mysterious, horrific… and beautiful. Just check it out!
Selfreleased, 2021. Made in UK.


Tracklist:
1. The Storm 06:23
2. Skjalhaven 05:29
3. Aftermath 07:23
4. Journey 07:03
5. Hvalkeld 05:06
6. Into the Crypt 11:24
7. Birdwood 12:10
Total playing time: 55:00 min.


Samples: https://ophiukhus.bandcamp.com

The debut full-length studio album by Spanish Atmospheric Funeral Doom Metal one-man-band.
The project of Angel Chicote, who has played or play in bands like Graveyard Of Souls, Mass Burial, Ad Nebula Nigra, Ultimo Gobierno, Sinergia, etc, all inside the Extreme music. Ornamentos del Miedo was born in mid-2017 as the need to strip the reality of all ornaments and mirages that we have built to adopt us, to a miserable existence across a deep and dark sound.
Ornamentos del Miedo, it is a trip to the depths of the subconscious, where truth exists naked and unpolluted by the ego and survival instinct. It is an oneiric experience where self-imposed reality fades it. Reflections on life and death. Dark and deep sound like the anguish of existing. For lovers of bands with their own sound.
The Spaniards sound very matured on this album. Nothing feels forced or rushed. Everything is patient, well-planned, and well-executed. There’s a great deal of beauty, emotion, sadness, and hatred in this music without there being too much overlap or there being chunky, awkward transitions. Musically speaking, this is a seriously impressive Funeral Doom release. The parallels that can be drawn from the subtle transitions from vulnerable to vengeful are entirely relatable in life, and the band has captured such effortlessly.
Great riffs, soaring solos, effortless control of songs, captivating atmosphere - Ornamentos Del Miedo attempt to bridge the gap between beautiful and terrifying. A must for any Funeral Doom fans out there!
Solitude Productions/Funere, 2019 (SP. 144-19 / FUNERE-03). First press.


Tracklist:
1. Este no es tu hogar 10:50
2. Ornamentos del miedo 10:27
3. Carne 10:41
4. Caminos perdidos 09:42
5. Raíces podridas 08:11
6. Frágil 12:32
Total playing time: 62:25 min.


Samples:
https://ornamentosdelmiedo.bandcamp.com
https://solitudeproductions.bandcamp.com

The first live album by legendary Israeli Middle Eastern Folk/Progressive Metal band.
"The Road To Or Shalem. Live At The Reading 3, Tel-Aviv" is a well-produced live album, which primarily features songs from their albums "Mabool – The Story Of The Three Sons Of Seven" and "The Never Ending Way Of ORwarriOR". It is also the last professional recording of the band to include both of their original guitarists, Yossi Sassi Sa'aron and Matti Svatizky, who helped shape the distinctive sound of Orphaned Land with their mastery of innovative oriental guitar riffs. This adds an extra level of significance to the release.
The production of this show is worth praising. In addition to the band, there are several special guests (including Steven Wilson of Porcupine Tree) and various session musicians playing a variety of instruments, such as percussion, flute, bouzouki, and more. These elements are all perfectly blended with the "traditional" Metal instrumentation of Orphaned Land, resulting in a rich and diverse sound that brings the songs to life.
"The Road To Or Shalem. Live At The Reading 3, Tel-Aviv" is a quality live album featuring some of the greatest songs Orphaned Land has written. Its performances and production are top-notch, capturing the atmosphere of a live show in an authentic yet highly professional way. If you are a fan of Orphaned Land, or simply someone looking to explore something original in the Metal world, you should definitely get this record!
Limited Edition Orange Crush vinyl.
Black Sleeves, 2011/2016 (Black 138LP). Made in Spain. First press.


Tracklist:

Side A
1. Halo Dies 7:39
2. Birth Of The Three 7:02
3. Olat Ha'tamid 2:28
4. The Kiss Of Babylon 6:02
Side B
5. A Never Ending Way 2:13
6. Bereft In The Abyss 2:51
7. The Storm Still Rages Inside 2:16
8. Sapari 4:05
9. From Broken Vessels 7:46

Side C
10. Bakapaim 6:02
11. Ocean Land 5:17
12. MI? 3:36
Side D
13. New Jerusalem 7:31
14. El Meod Na'ala 4:13
15. The Beloved's Cry 3:33
16. Norra El Norra 2:35
17. Ornaments Of Gold (Ending) 3:13

Total playing time: 78:22 min.

The second full-length studio album by cult Brazilian Heavy Metal band.
One of the first real Metal bands from the south of Brazil. They were founded in 1986, but started with playing covers, before recorded a demo in Portuguese in 1988. This demo includes also the song "Orquídea Negra", which they never released again, as it is a cover song from the Folk Brazilian singer Zé Ramalho, and they never got the permission to use it officially.
After many line-up changes, only singer Andreé Graebin was left from the original line-up. Only in 1992 they managed to release their first album, "Who's Dead?", now in English. It was released by small label Krig-há-Bandôlo Records, with a bad distribution.
In 1994, band recorded the second album, but did not find a company. In 1995 the singer, which was the last original member of the band, leaves the band. Orquídea Negra finally self-released their second album in 1996.
The third album, "Blood Of The Gods", was released by Secret Service Records and Metal Soldiers Records with various bonus tracks.
Metal Soldiers Records, 2014 (MSR 029). Made in Portugal. Pressed in Spain. First press.


Trackllist:
1. Intro/Blood Of The Gods 6:56
2. True Soldier 7:02
3. Idea 136 4:19
4. Understand 3:41
5. The Secret Of Life 5:33
6. Anne's Song 4:16
7. The Darkness 4:16
8. They Call Me Insane 5:39
9. Rainbow In The Dark 4:54
Bonus Tracks:
10. Hunting Devil 5:41
11. Wonderful And Lost 5:21
12. Surrender (Acoustic Version) 4:15
13. Flodoardo 2:23
14. Orquídea Negra 5:47
Total playing time: 70:05 min.

Re-release of the debut full-length album by the Dutch Doom/Sludge Metal band.
Ortega is a four-piece Sludge/Doom band from the north of The Netherlands. Four men telling a tale of the sea, musically depicted in a broad and visual manner. Ortega's sound is best described as Doom Metal balanced with spherical soundscapes, brought together with slow and heavy riffs.
Everything flows smoothly, and sounds great. It's a mix of a variety of styles, but one they've managed to master and make their own.
It’s rare to find a truly immersive experience in music that strikes a balance between credible musical longevity and pure entertainment. "1634" – it's a Post Doom, with mildly Gothic influences and maybe some Sludgy Rock elements. The end product is a hypnotic opus with using of other musical instruments like the drifting violins and plenty of repetition feeds into the feeling of undulating waves and the endless sea. 
"1634" was originally released by band in 2010 as a concept-album, packaged in a handmade cover CD limited to 100 copies. The album is now released for the first time on CD limited to 1000 copies in a spot-varnished digipack.
Either way "1634" is all too good to miss, superb, and strongly recommend! Suggest a double dose of brandy, rum or whatever else takes your fancy, settle yourself in a quiet room with the lights turned down low and prepare for the voyage!!
Aesthetic Death Records, 2010/2012 (ADCD 024). Made in UK. Pressed in Austria. First press.


Tracklist:
1. Still     2:45 
2. Into The Waves     7:36 
3. Shipwrecked     6:22 
4. The Siren     7:09 
5. Octagon     6:03 
6. Chaser     5:39 
7. The Oracle     7:59
Total playing time: 43:33


Samples:  http://ortegaband.bandcamp.com​​​​​​

The second re-release of the third full-length studio album by legendary British Heavy Metal/Hard Rock band.
The album features former Mickey Ratt and Rough Cutt guitarist Jake E. Lee, who replaced guitarist Randy Rhoads who had been killed a year earlier in a plane crash.
The album peaked at number 19 on the Billboard 200 album chart and within several weeks of release was certified Gold for over 500.000 sales in the United States. To date, it has sold over 3.000.000 copies in the US In the UK, it was the third of four Osbourne albums to attain Silver certification (60.000 units sold) by the British Phonographic Industry, achieving this in January 1984.
Record Store Day Essential series edition, American edition Blue Cobalt Translucent vinyl.
Epic Records, a division of Sony Music Entertainment/Legacy, 1983/2023 (19658740851). Made in the EU for the USA. Pressed in Czech.


Tracklist:

Side 1
1. Bark at the Moon 4:16
2. You're No Different 5:00
3. Now You See It (Now You Don't) 5:04
4. Rock 'n' Roll Rebel 5:26

Side 2
1. Centre of Eternity 5:24
2. So Tired 3:57
3. Slow Down 4:19
4. Waiting for Darkness 5:14

Total playing time: 38:40 min.

The second re-release of the third full-length studio album by legendary British Heavy Metal/Hard Rock band.
The album features former Mickey Ratt and Rough Cutt guitarist Jake E. Lee, who replaced guitarist Randy Rhoads who had been killed a year earlier in a plane crash.
The album peaked at number 19 on the Billboard 200 album chart and within several weeks of release was certified Gold for over 500.000 sales in the United States. To date, it has sold over 3.000.000 copies in the US In the UK, it was the third of four Osbourne albums to attain Silver certification (60.000 units sold) by the British Phonographic Industry, achieving this in January 1984.
Epic Records, a division of Sony Music Entertainment/Legacy, 1983/2023 (19658740831). Made in the EU. Pressed in Czech.


Tracklist:

Side 1
1. Bark at the Moon 4:16
2. You're No Different 5:00
3. Now You See It (Now You Don't) 5:04
4. Rock 'n' Roll Rebel 5:26

Side 2
1. Centre of Eternity 5:24
2. So Tired 3:57
3. Slow Down 4:19
4. Waiting for Darkness 5:14

Total playing time: 38:40 min.

The first live audio recording by legendary British Heavy Metal/Hard Rock band.
After been out of Black Sabbath a couple of years, his ongoing cocaine use, and supported only by his future wife, Sharon (the daughter of Sabbath manager Don Arden), Ozzy was essentially broke, and had to start from the ground up when launching his newfound solo career. Unlike most lead singers who go solo in order to distance themselves artistically from the band they had just left, Ozzy stuck with the type of music he knew: deep, heavy, slow moving Rock with lyrical themes centered around Satan, the Occult, the presence of evil in the world and drug use. Needless to say, Osbourne with the "Blizzard Of Oz" simply picked up where the Osbourne-led Sabbath left off. Ozzy had success when he formed his now legendary solo band, and embarked on the controversial Blizzard Of Oz Tour.
On July 28th, 1981, the appearance was recorded live at Théâtre St-Denis, Montreal, Canada, and broadcast on the KROQ “King Biscuit Flower Hour” radio show. What makes this performance particularly special, is that it is one of the few professional live recordings made of Ozzy and Randy Rhoads on stage together prior to his tragic death in February 1982. The rhythm section of bassist Rudy Sarzo and drummer Tommy Aldridge was rock solid, but it was the innovative and fluid guitar work of the mighty Randy Rhoads that made this period in Osbourne's career so important. While he was alive, critics and fans were saying Rhoads was as good as Eddie Van Halen; who knows what great music he could have made had he not died so early in life.
Consisting mostly of material from his first LP, "Blizzard Of Oz", and what was to become his second album, "Diary Of A Madman", these shows clearly demonstrated the excitement Osbourne was creating with his newfound solo project. Ozzy and Sabbath fans alike will love this recording, even though he only does one song from his Sabbath days, the set-closing "Paranoid".
Limited Edition 180 gram Blue Marbled vinyl.
Second Records, 2024 (SRFM0044CV). Made in Austria. Pressed in Poland. First press.


Tracklist:

Side One
1. Flyin’ High Again 4:24
2. I Don't Know 5:00
3. Crazy Train 5:38
4. Believer 5:38
5. Mr. Crowley 5:51

Side Two
1. Suicide Solution / Guitar Solo 8:49
2. Revelation (Mother Earth) 6:11
3. Steal Away (The Night) 3:31
4. The Drum Solo 2:15
5. Paranoid 3:07

Total playing time: 50:42 min.

The first live audio recording by legendary British Heavy Metal/Hard Rock band.
After been out of Black Sabbath a couple of years, his ongoing cocaine use, and supported only by his future wife, Sharon (the daughter of Sabbath manager Don Arden), Ozzy was essentially broke, and had to start from the ground up when launching his newfound solo career. Unlike most lead singers who go solo in order to distance themselves artistically from the band they had just left, Ozzy stuck with the type of music he knew: deep, heavy, slow moving Rock with lyrical themes centered around Satan, the Occult, the presence of evil in the world and drug use. Needless to say, Osbourne with the "Blizzard Of Oz" simply picked up where the Osbourne-led Sabbath left off. Ozzy had success when he formed his now legendary solo band, and embarked on the controversial Blizzard Of Oz Tour.
On July 28th, 1981, the appearance was recorded live at Théâtre St-Denis, Montreal, Canada, and broadcast on the KROQ “King Biscuit Flower Hour” radio show. What makes this performance particularly special, is that it is one of the few professional live recordings made of Ozzy and Randy Rhoads on stage together prior to his tragic death in February 1982. The rhythm section of bassist Rudy Sarzo and drummer Tommy Aldridge was rock solid, but it was the innovative and fluid guitar work of the mighty Randy Rhoads that made this period in Osbourne's career so important. While he was alive, critics and fans were saying Rhoads was as good as Eddie Van Halen; who knows what great music he could have made had he not died so early in life.
Consisting mostly of material from his first LP, "Blizzard Of Oz", and what was to become his second album, "Diary Of A Madman", these shows clearly demonstrated the excitement Osbourne was creating with his newfound solo project. Ozzy and Sabbath fans alike will love this recording, even though he only does one song from his Sabbath days, the set-closing "Paranoid".
Limited Edition 180 gram Red vinyl.
Second Records, 2024 (SRFM0044CV). Made in Austria. Pressed in Poland. First press.


Tracklist:

Side One
1. Flyin’ High Again 4:24
2. I Don't Know 5:00
3. Crazy Train 5:38
4. Believer 5:38
5. Mr. Crowley 5:51

Side Two
1. Suicide Solution / Guitar Solo 8:49
2. Revelation (Mother Earth) 6:11
3. Steal Away (The Night) 3:31
4. The Drum Solo 2:15
5. Paranoid 3:07

Total playing time: 50:42 min.
 

The thirteenth full-length studio album by legendary Heavy Metal singer.
Once again produced by Andrew Watt, this 13-track project has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone, “Patient Number 9”, “Degradation Rules”, and “One of Those Days”, feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins among others.
The lead Single and title track, "Patient Number 9", was released along with an accompanying music video. The clip is the first-ever video to incorporate Osbourne's hand-drawn artwork. "My demons were animated and can be seen during the Jeff Beck guitar solo in the song", wrote Osbourne on Twitter. The track subsequently debuted at No. 1 on Billboard's Hot Hard Rock Songs chart, while concurrently achieving debuts of numbers 17 and 22 on Billboard's Hot Rock Songs and Hot Rock & Alternative Songs, respectively.
At the 65th Annual Grammy Awards, "Patient Number 9" received a total of four nominations, including Best Rock Album. The title track "Patient Number 9" received nominations for Best Rock Song and Best Rock Performance, and "Degradation Rules" was nominated for Best Metal Performance. The album would go on to win two Grammys, including Best Rock Album and Best Metal Performance for "Degradation Rules". This win makes it the third Grammy Award that Ozzy Osbourne and Tony Iommi won together, after previously winning two as members of Black Sabbath.
Partial proceeds from sales of this album will be donated to Ukraine/US Special Needs Orphans through Third Wave Volunteers. “In February, my son, Jack, worked with Third Wave Volunteers to evacuate special needs orphaned children out of Ukraine.  Right now, Ukraine is in desperate need of help, especially since the war started, so it feels right to work with such an important cause.” - Ozzy Osbourne.
Double Black Vinyl.
Epic Records, a division of Sony Music Entertainment, 2022 (19658729281 / 19439939231). Made in Europe. Pressed in Czech. First press.


Tracklist:

Side A
1. Immortal (feat. Mike Mccready) 3:04
2. Patient Number 9 (feat. Jeff Beck) 7:22
3. Parasite (feat. Zakk Wylde) 4:06
Side B
4. No Escape From Now (feat. Tony Iommi) 6:46
5. One Of These Days (feat. Eric Clapton) 4:40
6. A Thousand Shades (feat. Jeff Beck) 4:26
Running time: 30:24 min.

Side C
1. Mr. Darkness (feat. Zakk Wylde) 5:35
2. Nothing Feels Right (feat. Zakk Wylde) 5:35
3. Evil Shuffle (feat. Zakk Wylde) 4:11
Side D
4. Degradation Rules (feat. Tony Iommi) 4:10
5. Dead And Gone 4:32
6. God Only Knows 5:01
7. Darkside Blues 1:50
Running time: 30:54 min.

Total playing time: 61:18 min.

The eighth compilation in the first Box Set by legendary British Heavy Metal singer.
The four disc Box Set with some unreleased live cuts, demos, B-sides, collaborations with other artists.
An entire release dedicated to the Ozzy's take on some of his favorite tunes of the past. On top of all that you get musically with this one, you also get some great liner notes. An intro letter, as well as some brief comments about each selection from the man himself, makes this a real introspective look into the career of a Heavy Metal legend.
The first two CDs are Osbourne's solo work containing various studio recordings, live tracks, B-sides, demos and outtakes. The third CD contains collaborations with other artists. And the fourth CD features cover songs. The cover versions were specially recorded for this Box Set compilation, but were released on a stand-alone album entitled "Under Cover" later in the year.
Released nearly three decades after Ozzy Osbourne departed Black Sabbath, 2005's “Prince Of Darkness” is the most extensive & revealing collection marking the incredible career of one of Rocks living legends! Over 50 tracks, with 15 previously unreleased, including 10 newly recorded covers of some of Ozzy's favourite & most influential songs,13 collaborations between Ozzy & artists ranging from Motörhead and Black Sabbath to DMX & Wu-Tang!
Deluxe Box Set features 60 page hardback booklet, filled with rare photos, memorabilia plus notes and reflecrions written by Ozzy!!
Epic Records/Sony BMG Music Entertainment, 2005 (E4K 92960). Made in USA. First press. Please note: sealed item with broken tray. New tray will be added. So You can change it by yourself after unsealing. Discounted product.

Tracklist:

Disc 1: Remasters (1981–1983):
1. I Don't Know (live)
2. Mr. Crowley
3. Crazy Train
4. Goodbye To Romance (live)
5. Suicide Solution (live)
6. Over The Mountain
7. Flying High Again (live)
8. You Can't Kill Rock And Roll
9. Diary Of A Madman
10. Bark At The Moon (live)
11. Spiders
12. Rock 'N' Roll Rebel
13. You're No Different

Disc 2: Remasters (1986–2001):
1. Ultimate Sin (live)
2. Never Know Why (live)
3. Thank God For The Bomb (live)
4. Crazy Babies
5. Breakin' All The Rules
6. I Don't Want To Change The World (demo)
7. Mama, I'm Coming Home (demo)
8. Desire (demo)
9. No More Tears
10. Won't Be Coming Home (S.I.N.) (demo)
11. Perry Mason (live)
12. See You On The Other Side (demo)*
13. Walk On Water (demo)
14. Gets Me Through (live)
15. Bang Bang (You're Dead) *
16. Dreamer

Disc 3: With Friends (compilation of collaborations):
1. Iron Man (with Therapy?)
2. N.I.B. (with Primus)
3. Purple Haze (with Zakk Wylde, Randy Castillo & Geezer Butler)
4. Pictures Of Matchstick Men (with Type O Negative)
5. Shake Your Head - (Let's Go To Bed) (with Was Not Was)
6. Born To Be Wild (with Miss Piggy)
7. Nowhere To Run (Vapor Trail) (with Crystal Method/DMX/'Ol Dirty Bastard/Fuzzbubble)
8. Psycho Man (with Black Sabbath
9. For Heaven's Sake 2000 (with Tony Iommi & Wu-Tang Clan)
10. I Ain't No Nice Guy (with Motorhead)
11. Therapy (with Infectious Grooves)
12. Stayin' Alive (with Dweezil Zappa) *
13. Dog, The Bounty Hunter *

Disc 4: Under Covers (Cover songs):
1. 21st Century Schizoid Man (King Crimson cover) *
2. Mississippi Queen (Mountain cover) *
3. All The Young Dudes (Mott the Hoople cover) *
4. In My Life (The Beatles cover) *
5. Fire (The Crazy World of Arthur Brown cover) *
6. For What It's Worth (Buffalo Springfield cover) *
7. Sympathy For The Devil (The Rolling Stones cover) *
8. Working Class Hero (John Lennon cover) *
9. Good Times (Eric Burdon & The Animals cover) *
10. Changes (with Kelly Osbourne)

Total playing time: 248:55 min.

* - previously unreleased tracks.

The eighth full-length studio album by legendary Swedish Industrial Metal band.
Peter Tägtgren has long been hailed as one of the most talented Metal musicians and producers around, working together with a slew of bands, all the way from Sabaton to Children Of Bodom, all whilst playing in numerous other projects such as Hypocrisy and Lindemann. Despite this daunting schedule, and a full two decades after its inception, Peter's hobby project Pain, is back five years after its predecessor “You Only Live Twice”.
From the get-go, “Coming Home” treats us to an explosion of experimental elements, featuring facets that have as yet not been explored before. As to the production of this album, it's Peter Tägtgren's work, needing nothing further said to attest to its excellence. Granted, this release is not exactly groundbreaking or boundary defying, and may follow a pretty scattered lyrical theme, but who the hell cares? Peter has once again managed to weave together a catchy blend of styles that really shouldn't be mixed, resulting in a fresh, well-thought-out opus that is one of the crowning jewels of Pain's discography!
Limited Edition Digibook includes Bonus Disc “Live In Vienna”.
Nuclear Blast GmbH, 2016 (27361 32120 | NB 3212-0). Made in Germany. First press.


Tracklist:

DISC I “Coming Home”
1. Designed To Piss You Off 3:54
2. Call Me 4:13
3. A Wannabe 4:15
4. Pain In The Ass 4:06
5. Black Knight Satellite 3:41
6. Coming Home 4:40
7. Absinthe - Phoenix Rising 3:40
8. Final Crusade 3:54
9. Natural Born Idiot 4:16
10. Starseed 4:44
Running time: 41:23 min.

DISC II “Live In Vienna – June 3, 2016”
1. Same Old Song 4:04
2. Zombie Slam 3:38
3. Suicide Machine 4:30
4. I'm Going In 3:25
5. End Of The Line 4:54
6. It's Only Them 5:03
7. The Great Pretender 4:59
8. Dirty Woman 4:38
9. Monkey Business 4:31
10. Shut Your Mouth 5:21
Running time: 45:03 min.

Total playing time: 86:26 min.

The debut full-length studio album by Polish Doom/Death Metal band.
The album has been recorded after many years of professional activity and a number of gigs. Although having been active since 2014, it took four more years for these brave Polish warriors to release their full length debut.
Music on the album is a verified Depressive Doom/Death Metal in veins of the golden age of the 1990s style. The original combination of depressive mood with catchy melodies and heaviness. The music creates a bleak atmosphere and offers a certain kind of melancholic beauty. Symphonic elements are always present in the background, giving the whole affair an epic character.
The maturity and quality of this record is more than impressive. The songs feature arrangements that flow and evolve as each riff closes. Each transition marks an indistinguishable final chapter in a song segment. This album is mostly composed of pieces, not standard songs. However, it is the way how those pieces have been put together that makes this album stand out from most of its peers.
The production is powerful, with the mix perfectly balancing a certain rawness and much needed clarity. The guitars are crunchy without burying the symphonic details. While the growls are deep and beastly, each word can be perfectly understood.
Rounded off by an atmospheric and mystic cover artwork made by Michal "Xaay" Loranc (known for working with the Nile, Behemoth and other bands), this album should be worth a look for any fan of dark and crawling Metal!
Solitude Productions, 2018 (SP. 139-18). First press.


Tracklist:
1. Between 08:27
2. Widow and the King 07:37
3. Buzz and Madness 06:51
4. The Shell I Live in 07:58
5. Psychosis 4:48 07:51
6. Only Death Will Divide Us 05:59
7. To Live is to Fight 07:53
8. So Be It 03:42
Total playing time: 56:20 min.


Samples: https://painthing.bandcamp.com

The third official compilation album by legendary American Groove Metal band.
While the tragic 2004 death of Pantera guitarist "Dimebag" Darrell Abbott will prevent a full reunion from ever taking place, the Texan cowboys from hell are back with a pair of history-scouring releases. First of them is "History Of Hostility". 
"History Of Hostility" is a nine-track compilation that provides is one of the best possible primers for those looking to learn about Pantera. It features inclusions from all five of Pantera's studio albums, so you can tell that there's been a concerted effort to cover the band's career in as even-handed a fashion as possible: you'll get material from "Cowboys From Hell", "Vulgar Display Of Power", "Far Beyond Driven", "The Great Southern Trendkill", and "Reinventing The Steel".
If you've never delved into the Pantera catalog, then "History Of Hostility" is definitely a much better place to start!
ATCO Records/Rhino Entertainment Company, a Warner Music Group Company, 2015 (801227953751). Made in Germany. First press.


Tracklist:
1. Cowboys from Hell 04:08 
2. Cemetery Gates (Demon Knight Edit) 05:48 
3. Mouth for War 03:57 
4. Walk 05:17
5. Fucking Hostile 02:49
6. I’m Broken 04:25
7. 5 Minutes Alone 05:49
8. Drag the Waters 04:52
9. Revolution Is My Name 05:20
Total playing time: 45:25 min.