CD

The twelfth full-length album by the legendary British Grindcore/Death Metal band.
When Napalm Death first hit the scene in the '80s, plenty of detractors must have thought that their brand of Extreme Metal was just a passing fad, and would soon go away. Now, 20 years later, guess who's having the last laugh (especially since the band has long been considered one of the first-ever Grindcore bands, and easily one of the most influential/copied Metal bands of the era)? And despite 2006's "Smear Campaign" being the band's umpteenth release, the band's assault-on-your-senses approach is still very much intact - particularly evident by singer Mark "Barney" Greenway, who still lives to scream his head off at every given opportunity (especially on such tracks as "Sink Fast, Let Go" and "Freedom Is the Wage of Sin"). Some artists enjoy reinventing themselves with each and every release. Not Napalm Death, which is reassuring in a way (you know exactly what lies therein with each successive brutal release) - and "Smear Campaign" certainly doesn't disappoint.
“Smear Campaign” shows Napalm Death from their probably most political side, attacking the re-born evangelic Christians in the US and all that falseness and fanaticism that comes with it. With “Smear Campaign” Napalm musically kept pretty much on track with “The Code is Red… Long Live the Code”, maybe a little bit more chunky Crust parts here, also production-wise this album is top notch and Grindcore hasn’t sounded better up until this stunning album. Just listen to “When All Is Said and Done” and you will immediately agree! The list of great albums Napalm Death created in their career so far is really impressive and hopefully will continue for many years to come. In my opinion they will always be leaders, not followers!!
Album features a guest appearance by Anneke van Giersbergen, ex-vocalist for the Dutch Rock band The Gathering.
Century Media Records Ltd., 2006 (77687-2). Made in Germany. First press.


Tracklist:
1. Weltschmerz 1:28
2. Sink Fast, Let Go 3:23
3. Fatalist 2:52
4. Puritanical Punishment Beating 3:26
5. When All Is Said And Done 3:02
6. Freedom Is The Wage Of Sin 3:09
7. In Deference 3:15
8. Short-Lived 3:06
9. Identity Crisis 2:44
10. Shattered Existence 3:12
11. Eyes Right Out 3:12
12. Warped Beyond Logic 2:01
13. Rabid Wolves (For Christ) 1:25
14. Deaf And Dumbstruck (Intelligent Design) 2:46
15. Persona Non Grata 2:47
16. Smear Campaign 3:21
Total playing time: 45:11 min.


Samples: http://www.last.fm

The twelfth full-length album by the legendary British Grindcore/Death Metal band.
When Napalm Death first hit the scene in the '80s, plenty of detractors must have thought that their brand of Extreme Metal was just a passing fad, and would soon go away. Now, 20 years later, guess who's having the last laugh (especially since the band has long been considered one of the first-ever Grindcore bands, and easily one of the most influential/copied Metal bands of the era)? And despite 2006's "Smear Campaign" being the band's umpteenth release, the band's assault-on-your-senses approach is still very much intact - particularly evident by singer Mark "Barney" Greenway, who still lives to scream his head off at every given opportunity (especially on such tracks as "Sink Fast, Let Go" and "Freedom Is the Wage of Sin"). Some artists enjoy reinventing themselves with each and every release. Not Napalm Death, which is reassuring in a way (you know exactly what lies therein with each successive brutal release) - and "Smear Campaign" certainly doesn't disappoint.
“Smear Campaign” shows Napalm Death from their probably most political side, attacking the re-born evangelic Christians in the US and all that falseness and fanaticism that comes with it. With “Smear Campaign” Napalm musically kept pretty much on track with “The Code is Red… Long Live the Code”, maybe a little bit more chunky Crust parts here, also production-wise this album is top notch and Grindcore hasn’t sounded better up until this stunning album. Just listen to “When All Is Said and Done” and you will immediately agree! The list of great albums Napalm Death created in their career so far is really impressive and hopefully will continue for many years to come. In my opinion they will always be leaders, not followers!!
Album features a guest appearance by Anneke van Giersbergen, ex-vocalist for the Dutch Rock band The Gathering.
Century Media Records Ltd./Punishment 18 Records, 2006/2020 (P18R 161). Made in Italy.


Tracklist:
1. Weltschmerz 1:28
2. Sink Fast, Let Go 3:23
3. Fatalist 2:52
4. Puritanical Punishment Beating 3:26
5. When All Is Said And Done 3:02
6. Freedom Is The Wage Of Sin 3:09
7. In Deference 3:15
8. Short-Lived 3:06
9. Identity Crisis 2:44
10. Shattered Existence 3:12
11. Eyes Right Out 3:12
12. Warped Beyond Logic 2:01
13. Rabid Wolves (For Christ) 1:25
14. Deaf And Dumbstruck (Intelligent Design) 2:46
15. Persona Non Grata 2:47
16. Smear Campaign 3:21
Total playing time: 45:11 min.

The sixth full-length studio album by cult Swedish Glam Metal band.
Hailing from Sweden in the late 80s, Nasty Idols were the Scandinavian answer to Mötley Crüe, a no-holds-barred Sleaze Rock outfit that fit perfectly into the LA Sunset Strip vein.
Formed in Malmö in 1987 by vocalist Andy Pierce and bassist Dick Qwarfort, Nasty Idols released their first single, "Don't Walk From Love", the following year. The band's debut album, "Gigolos On Parole", came out in 1989, earning them the status of one of the hottest new Rock acts in Scandinavia. Their second album, "Cruel Intention", was recorded in 1990 between gigs and tours, just as the L.A Sleaze/Glam Rock scene was at its peak. Following the release of "Cruel Intention" in 1991, Nasty Idols became icons in the genre and their music videos for "Cool Way Of Living", "Can't Get Ya' Off My Mind" and "Trashed N' Dirty" were in rotation on MTV's "Headbangers Ball".
While other bands in the genre were breaking up in the wake of Grunge's rise and "Hair" Metal's loss of popularity, Nasty Idols carried on with their Rock 'n' Roll crusade and released "Vicious" in 1993. The album spawned two music videos, "Heads Down In Tinseltown" and "Ain't Got Nothing".
Nasty Idols disbanded in 1995, following the recording of their fourth album, "The Fourth Reich". The album was released only in 2002 by Perris Records, under the revised name "Heroes For Sale", as the band's original label (HSM) had gone bankrupt back in 1994.
The band eventually reunited in 2006 for the Rejects On The Road Tour and issued a comeback album, "Boys Town", in 2009. Their final studio album, "Kalifornia", came out in 2012. It was recorded at Los Angeles, California.
Vocalist Andy Pierce (real name: Anders Persson) died December 5, 2013, after suffering a brain hemorrhage, at the home of his girlfriend in Denmark. He was 45 years old.
"Kalifornia" brings a fresh sound with good memories from the Sunset Strip area, it has rudeness, uncompromised and with balls. "Kalifornia" is an album that every 80s/90s Mötley Crüe fan should own and enjoy!!
Perris Records, 2012 (PER4112). Made in USA. First press.


Tracklist:
1. No More Rules 4:27
2. Kalifornia 3:10
3. 1969 (This Ain't The Summer Of Love) 4:48
4. Night By Night 3:46
5. Nightstalkin' 5:13
6. Sister Sin 3:46
7. Pleasure Of The Pain 4:20
8. Roadtrip 4:13
9. Sweet Suicide 4:05
10. Jack In The Box 2:51
11. Since U Been Gone 6:04
Total playing time: 46:43 min.

The first European re-release of the second full-length studio album (1987), including the only EP (1988), by cult American Progressive Thrash Metal band.
Metal Blade Records, 1988/2016 (3984-14064-0). Made in Germany. Pressed in Austria.


Tracklist:
1. Stabbed In The Back 4:02
2. Divination 3:49
3. XXX 4:43
4. Indulgence 3:53
5. Inferno 4:11
6. Hypnotic Trance 4:40
7. Incursion Dementia 4:44
8. Distorted Fanatic 4:43
9. ? 3:51
10. Abstract Reality 4:42
11. Unchained Angel 3:03
12. Eromantic Vertigo 5:53
13. You Snooze, You Lose 5:52
Total playing time: 58:06 min.

The first European release on CD of the debut full-length studio album by cult American Thrash Metal band.
Nasty Savage was formed in 1983 by vocalist "Nasty" Ronnie Galletti in Brandon, Florida. Their "Wage Of Mayhem" demo took the Underground by storm in 1984, prompting Brian Slagel to sign them to Metal Blade Records, and in 1985 they went into Morrisound Studios with Tom Morris and cut this Metal classic.
The band rose to popularity primarily due to Ronnie’s over-the-top stage show performances (in early shows, Ronnie would smash television sets over his head) and the band’s relentless efforts to keep its music as uncommon as possible. After releasing three albums and one EP, between 1985 and 1989 they broke up. After there had been speculation about a reunion for some time, their last studio album to date, "Psycho Psycho", was released in the spring of 2004, and the band played occasional live shows before disbanding for the second time in 2012. In January 2016, it was reported that Nasty Savage had once again reformed and were working on a new album, which has since been slowly in progress. The band has undergone various line-up changes, with Galletti and guitarist David Austin remaining the only constant members, until the latter's departure in 2022. Nasty Savage were extremely influential in the emergence of the Florida Death Metal scene, inspiring bands such as Death and Obituary.
For those unfamiliar with the band, they seem to defy categorization, as they incorporated elements of most prevailing styles at the time. Basically, if you're into the whole mid-80s scene, when genres didn't matter as much as whether the music rocked, you'll like this album, because it fucking rocks!
Metal Blade Records, 1985/1994/2016 (3984-14063-0). Made in Germany. Pressed in Austria.


Tracklist:
 (Savage)
1. No Sympathy 5:29
2. Gladiator 4:23
3. Fear Beyond The Vision 3:50
4. Metal Knights 2:42
5. Garden Of Temptation 1:40
6. Asmodeus 5:04
 (Nasty)
7. Dungeon Of Pleasure 3:16
8. The Morgue 5:38
9. Instigator 4:13
10. Psychopath 3:32
11. End Of Time 4:21
Total playing time: 44:08 min.



Samples: https://nastysavage.bandcamp.com

Debut full-length solo album by American Progressive Metal/Rock/Jazz-Fusion musician.
The brand new release from keyboard player/bassist/composer and video game developer Nathan Frost. Also on board for this wild Prog/Jazz-Fusion affair are: keyboardist Derek Sherinian (Dream Theater, Planet X, Yngwie Malmsteen), drummers Virgil Donati (PlanetX, Steve Vai, Allan Holdsworth) & Marco Minnemann (Tony MacAlpine, Kreator, Paul Gilbert, Mike Keneally), guitarists Marco Sfogli (James LaBrie, Creation's End, Jordan Rudess, Alex Argento) & Taka Minamino (Derek Sherinian) and violinist Rosemars Siemens.
Six tracks in total on "Synecron", and it's a high spirited, exciting ride from start to finish, as each song clocks in at over 6+ minutes and allows for plenty of sizzling performances from the players. The opening & closing "Empire Rising, 2000 AM" and "Empire Rising, 505 AD" are basically the same song, but with Donati on one and Minnemann on the other. Each track has subtle differences, but if it's a torrid ride through dazzling Heavy Fusion you are looking for, you've come to the right place. Frost, and even Sherinian on this one, deliver some stunning keyboard lines, and look for hot guitar licks from both Sfogli & Minamino plus plenty of drum acrobatics. "Singularity" is another winner, plenty melodic and complete with addicting keyboard hooks, scorching guitar, and impressive drum fills from Donati. Frost shows his prowess on the bass during the more atmospheric & majestic Prog Rock track "Empire Falling". This one also features some commanding Hammond organ, intricate drums courtesy of Minnemann, and Rosemars' haunting violin, not to mention some shredding guitar by Mr. Minamino. The lovely "Samsaara" is all Frost, who displays a deft touch on the piano, while "Consilience" is a crunchy, groove laden Progressive Metal juggernaut. Minamino's thick riffs play off some nimble synth melodies from Frost, until the guitarist unleashes and gets into a duel with the keyboard wiz as Minnemann lays down some jaw dropping fills underneath.
Pretty impressive stuff here from a guy we'll be hearing much more from in the very near future. Having such an all star cast around certainly doesn't hurt, but Nathan Frost has the musical chops as well as the songwriting skills to be a player on the instrumental Progressive Metal/Jazz-Fusion scene!
Selfreleased, 2013. Made in USA. First press.


Tracklist:
1. Empire Rising, 2000ad     8:09 
2. Singularity     9:33 
3. Empire Falling     10:24 
4. Samsaara     8:56 
5. Consilience     6:43 
6. Empire Rising, 505ad     8:16
Total playing time: 52:01


Samples:  https://soundcloud.com

Devolution Of Species – third album of National Napalm Syndicate,
one of the oldest speed & thrash metal bands in Finland.
Violent Journey Records, 2009 (VJR021)


Tracklist:
1.Aching Hunger 03:35
2.Fist In The Air 05:20
3.Dancing Days 04:46
4.Funeral Pyre 04:11
5.Legion 06:05
6.Die My Bride 02:58
7.Bite The Bullet 04:15
8.According To You 05:23
9.Burden of Truth 03:01
10.The One You Warned Me Of 05:04
Bonus:
11.The Mob Rules

First EP by Finnish Thrash Metal band.
National Napalm Syndicate (or just N.N.S., as they were also known) was one of the first Finnish Speed/Thrash Metal bands to emerge in the first wave of this particular genre, back in 1986, along with A.R.G., Stone, Airdash, Warmath, Protected Illusion, Oppression, Terrific Verdict and a few others. With different line-ups, they have recorded three full-length studio albums, two split-releases as well as six demos!
Lex Talionis is a 5-track EP from these northernmost napalm syndicates and it introduces a new line-up and a couple of new cuts, plus a couple of cover songs and even an old song taken from the band's 1988 demo. Three of the original members remain: Aku Raaska on vocals, Jukka Kyrö on guitar and Pasi Pauanne on drums (who quit after the band's 1989 debut).
The boys in N.N.S. still know how to Thrash! The older they get, the angrier they become, it seems. "The Church of the Rat" is basically a straightforward, in-your-face Thrash Metal song, going for your throat like a vicious hungry beast after fresh meat. "Planet Satan" is clearly the better of the two new songs. It is more advanced and complex - and heavy as f**k. As for the covers, both bands Vivisektio and KTMK were popular Hardcore-Punk bands, back in the 80s, which came from the Northern part of Finland just like N.N.S. "My Pudasjärvi" (Pudasjärvi is the town where N.N.S. is from) is obviously Nuclear Assault's "My America" but just with a modified title. It's been recorded on a 4-track and it sounds like it.
Semi-legendary Finnish Thrashers N.N.S. are back and time will tell if the wait will be worth it. This EP has relatively optimistic!
Violent Journey Records, 2014 (SPR022). Made in Finland. First press.


Tracklist:
1. The Church of the Rat 02:53 
2. Planet Satan 05:43 
3. Oulu Palaa (Vivisektio Cover) 01:20 
4. Jeesus Oli Venäläinen Kantoraketti (KTMK Cover) 02:00 
5. My Pudasjärvi (Nuclear Assault Cover) (Demo 1988) 00:30
Total playing time: 12:28

The fourth full-length album by Swedish Atmospheric Folk/Viking/Black Metal one-man band.
Nattsmyg have changed their game with this album, the more rustic ventures that precede sound almost clumsy in comparison and in the event, categorization has become more difficult. The Folk/Viking influence of previous works is less obvious as “Fylgja” wafts across a number of borders, you'll need to sink all your darts in the genre dartboard to be able to put your finger anywhere near a definition of the sound. The vocals, both the dream state female and the snarling male that are pushed to the fore on this album. Linn Carlshaf stand for the beautiful female vocals and Dan Heikenberg for the raw vocals. The music itself tends to be a canvas upon which they paint their picture. The beastly side of the vocals aren't used as a counterpoint apart from when they join together, whereupon the juxtaposition works well, more usually they are separated by an instrumental bridge so that they stand on their own ground. There are sections of strong male clean singing too.
Whilst the music is used to carry the vocals, it is by no means buried; it just tends to flow below them. There are varying dynamics at play, at times progress is sprightly but more often the instrumentation ripples along like wheat in a breeze. The atmosphere conjured is one that suggests a fantasy film score, there is an epic nature to it and drama drips from most of these songs, pastoral pictures are painted and when the ordnance is brought out by way of thumping bass drum and juddering guitar, those rolling hills are broken by majestic mountains. The compositions sound quite simple at first listen but this is a foil, repetition quickly reveals an undercurrent eddying with embellishment. Often this comes courtesy of the keyboards that add in woodwind melodies that take you back to less complicate times and that add warmth to an album that already has a glow.
To remind you that this is a Metal album, the guitar maintains a presence. Whilst the drums never attempt to steal the show, they often introduce a persistent pummel, especially when accompanying the moments when the guitar becomes more insistent. Ultimately, the Metal is never far away.
A well-produced album that includes both English and Swedish lyrics. “Fylgja” has a magic of its own, it will certainly appeal to more than just Metalheads!
Unexploded Records, 2011 (UER040). Made in Sweden. First press.


Tracklist:
1. Älvadans 5:24 
2. Skuggfolket 6:31 
3. Dance The Mountain Halls 6:28 
4. Fjättrad 4:32 
5. Fylgja 6:23 
6. Irrblossens Sken 4:52 
7. I Skogens Hjärta 3:52 
8. Death Keeps Me Near 6:02 
9. Skepnaden Vid Sjön 8:01
Bonus Track:
10. Vålnaders Slagfält 6:02
Total playing time: 58:07

The third full-length album by Italian Modern Gothic Rock/Metal band.
This band has left behind the Glam Metal, and has started to mix something a little more strange, making a statement that they do not want to be classified in just one style, they want to be their own style, even when that is indeed the new fashion in music industry.
“Addicted To decadence” is a mixture of Metal, Gothic and Rock elements, not to mention that Scandinavian air the band has been breathing for years. The album was produced in Göteborg at the Arnold Lindberg's studio (In Flames, Hardcore Superstar, Evergrey). The production is perfect; all the instruments are heard in a spectacular way, the synthesizers are very well produced, making that Scandinavian atmosphere, with a little joy, catchiness and sometimes cheesy parts, the musical part, is normal, nothing to highlight, not because they do this bad, but the musical complex they choose is made for that: for a whole, not for parts, and even if it is very commercial, sounds good and is very well done.
This is an album you could prove, it may not be life changing, but surely will make you pass a good time, guaranteed!
SG Records, 2012 (SGCD058). Made in Italy. First press.


Tracklist:
1. Addicted To Decadence 0:55
2. Welcome To My Nightmare 3:51
3. Damned Scratch 4:14
4. Into My Blood 3:12
5. My Own Demise 3:43
6. Eternal Demon 4:17
7. Poison White 3:53
8. From Lust Till Death 3:02
9. Everything's Not Lost 3:25
10. Venom In Me 3:58
11. Borderline 3:58
12. (I Just) Died In Your Arms 4:21
Total playing time: 42:49


Samples: http://www.last.fm

Debut official stuff by Misanthropic Black Metal band from Czech.
Lord Morbivod From Trollech appears in record session.
Werewolf Productions, 2012 (WWP015)


Tracklist:
1.Kontaminace Lidstvem 02:54
2.Vykrik Nenarozeneho 03:28
3.Barcabel 04:02
4.Pod Opratkou 04:38
Total playing time: 15:02

The debut full-length album from Ukrainian Death Metal band.
Musically from the first track the listener grasps by brutal Death Metal tornado, which promises to keep it real hard tension throughout the album. Bright surround vocals, sharp as a razor guitar, virtuoso bass parts, high-speed but sustained drums - all of this is the debut album of band NAVALM.
Lyric of album - is first of all dipping into the whole history, in to a long psychological process of self-knowledge where the dirtiest, ingenious thoughts of our mind could not leave anyone indifferent, indifferent to the protest, aggression and fury against an unjust social structure of society, of the main character by the name Frank.
At the album "Recovery Of Sync" in addition to the main genre Death Metal you can also hear elements of such styles as: Punk Rock, Thrash Metal, Death'n'Roll and Grind Core.
Metal Scrap Records, 2013 (MSR062/CD). Made in Ukraine. First press.
 

Tracklist:
1. Let Others Pray 03:17
2. Sign 02:09
3. Cemetery Administration 03:04
4. Unnecessary 01:22
5. An Evil Time 03:31
6. Steps In The Void 02:33
7. Recovery Of Sync 03:04
8. Frank Decomposition 01:58
9. Tomb In The Arctic 03:31
10. Slut Hanging On Hooks 01:36
11. To Parcel Up Meat 01:30
12. Worse Than Any Murderer 02:34
13. Revenge 02:13
14. Strain Of Mind 02:48
15. The Prophecy 03:23

 

Amazing debut full-length album by Melodic Progressive Heavy/Thrash Metal band from Italy.
Thrash, death, power and heavy metal blended together into powerful rhythms or moody spheres.
Special guests: Emil Bandera from Death SS and Gianluca Ferro from Time Machine!!
Orion Music/Furias Records, 2008 (OME005)


Tracklist:
1.Suffering First 01:53
2.Paintherapy 03:55
3.Threshold Of Consciousness 04:27
4.Building Ruins 05:37
5.Dressed Of Darkness 01:02
6.At The Mountains Of Madness 04:52
7.E.S.P. 04:43
8.Clepsydra 04:52
9.Wall Of Sleep 04:04
10.Night Ocean 03:37
Total playing time: 39:02

The second full-length solo album by the German Ambient/Folk/Electro/Post Rock singer.
Andrea Nebel (born Andrea Meyer), known under her artist name of Nebelhexë, is a recording artist, writer, actress and model. Her artistic expressions are of a dark and psychological nature. She has mesmerized the Alternative music scene since 1994. Her early love for British Gothic, New Wave and underground music brought her to London in 1990 where she soon became part of the subculture scenes. Always searching, and always having had a fascination for the supernatural, life’s mysteries and animals, she connected with various magic / pagan / witch circles. Seeking to explore and upgrade the understanding for the shadow side of the self, Andrea was soon involved with notorious magical and artistic performances.
“Essensual”, like the extravagant title, this is a unique album with new and fresh sounds. With an almost Pop like production, this album will surely attract a broader audience. With this album she tries to express hidden feelings, various thoughts within the psyche, the bad experiences that shape us, thoughts about our real being, thus the title "Essensual". The essence of sensuality. Exposing both a glossy 'model' side and the darker real side within, reflecting the diversity of Andrea’s inner self. Along with the album, Andrea has fashioned her own perfume, Nebelhexë “Essensual” which she already has been selling bottles of at her concerts in the past. “I don’t want to follow a path. I want to create my own and leave a trail.”
Candlelight Records/Mazzar Records/Mystic Empire, 2007 (MYST CD 259). Made in Russia. Used: very good.


Tracklist:
1. Underworld 4:00
2. Invisible Entity 4:04
3. Their Dead Poetry 3:31
4. Sun God 3:18
5. Erzulie's Charm 3:34
6. Purple Nightshades 4:38
7. Living Trash 4:37
8. The Figurehead 6:02
9. The Wish 3:50
10. Dreams Of Little Girls 3:45
Total playing time: 41:19

The debut full-length studio album by Italian Black/Doom Metal band.
Formed in 2007, started as a Black Metal project, soon the band added different influences to its sound, merging some Doom patterns to its already decadent experimentalism. It took the project ten long years before a debut could be pressed.
“Da’at” one of the true gems the Italian Underground has generated in 2017. “Da’at” is absolutely one of a kind. An album able to re-interpret the output of seminal acts such as Dolorian into a more personal and obscure way.
Convey an imaginary ranging from silence to darkness, touching the concept of non-existence. A constant evolution made of inner research and experimental waves of sound!
Vacula Productions, 2017 (VP 044). Made in Ukraine. First press.


Tracklist:
1. Memento 08:16
2. The Faceless Sculpture 08:10
3. The Fifth Dimension 03:47
4. Desolation of the Ocean After the Storm 04:01
5. Through Deep Waters 17:17
Total playing time: 41:31 min.


Samples: https://vaculaproductions.bandcamp.com

Debut full-length album by Argentinean Thrash Metal band.
One of the most representative bands from the Argentinean Metal scene!
Modern choppy Thrash mixing heavy and faster passages in almost equal dozes, but the attempts to blend both styles into one song, ruins the energetic tone of some of them.
In the 2nd half the guys apparently get tired and slide down to more repetitive, mid-paced formulas. "Marcado En Tu Piel" would be a rude awakening being a much more energetic thrasher, except for the balladic stretch in the middle; which carries the force after it sweeping the next "Gran Herida", another vigorous piece, and partially the closing "Penumbras" which at some point introduces the characteristic pounding riffage of late-80's Slayer before the infectious galloping riffs wrap it up nicely later on.
The classic shadow of Thrash is felt here and there, apparently provided by Fabian Ruiz, the Paganos guitarist, who may bring more retro moments for the future, if staying longer with the band.
100% recommended for fans of: Sepultura, Pantera and Lamb of God!!
Pacheco Records, 2011. Made in Argentina. First press.


Tracklist:
1. Intro  01:01
2. Caceria  03:30
3. Insano  04:56
4. Siete  03:47
5. Cadenas  03:25
6. Poseido  02:54
7. Morir Asi  04:16
8. Marcado en tu Piel  03:57
9. Gran Herida  03:17
10. Extincion  04:00
11.Penumbras  04:20
Total playing time:  39:23

The third full-length album by Swedish Gothic Extreme Metal band.
Gothic Melodic Death Metal with Doom, Folk, and Black touch!
Necroart are an Avant-Garde Extreme Metal outfit hailing from Pauia. They aim to infuse Swedish Death Metal with some old-school Black Metal sounds.
The album is set out from a horror story, an idea that occurred to Necroart several years ago as a good topic on which to write an album.
The album begins at the outset with the title track “Lamma Sabactani” which starts with a dark, eerie tone set by a deep, low drumming and something that sounds like keys rattling in the background. The storyline begins sounding like something like the Creation story from the Bible. “On the first day…” and then “On the second day”… but the Creation events are replaced with dark, creepy events that happen as the story begins. Combined with the creepy events, the music is a terrifying sound that sounds like something out of a horror novel. This is a theme continues throughout the album.
The second track on the album titled “Magma Flows” is an introduction to the idea of magma overflowing on to the planet, and destroying everything in its path. This track sounds very similar to the Metal outfit hailing from Olso, Norway called Dimmu Borgir’s 2010 release “Abrahadabra”, and the vocals of Max sounds similar to that of Shagrath. Both have similar, crushing Black Metal sounds that have been heard for decades around the world, while sparing no ears with crushing riffs and bone-crunching drumbeats.
Crushing drumbeats and smashing guitar riffs continue with songs including “The Demiurge” and “Agnus Dei”, as it talks about the person who created this entire “game” that is part of this story, and how he is the one controlling all of these various mechanisms that control how the “game” comes out. No one is innocent in this game, and no one hides from the destruction that befalls mankind in this game...
The album closes with the final track “Cyanide & Mephisto” which ends the entire thing as there are screams echoing in the background while the announcer states that there is no hope for the world it get out of the mess it is in now.
All in all, very positive album in musical and other specters and its recommended for fans of Gothic, Doom and Melodic Death Metal fans!
Beyond... Productions, 2014 (BEY.1449). Made in Italy. First press.


Tracklist:
1. Lamma sabactani 06:53
2. Magma Flows 05:06
3. The Demiurge 06:10
4. Agnus Dei 05:56
5. Redemption 06:49
6. Joining the Maelstrom 06:59
7. Stabat mater 05:30
8. Of Ghouls, Maggots and Werewolves 05:11
9. Cyanide and Mephisto 02:50
Total playing time: 51:24

Remastered re-release of the debut full-length studio album by legendary Greek Black Metal band.
There are good reasons why record companies gamble on re-releases, and Black Lotus Records hit the jackpot with this one! This is Necromantia's early work in an album that can only be described as a point of reference for the Greek Black Metal scene.
In the year of their lord, 1993, Necromantia hit the streets with their debut album. What was astonishing back then as it is now is the fact that they use 8-string bass instead of electric guitars, which makes their sound unique and immediately recognizable. Having said that, their sound is let down by production by means of timing and quality output leading to a mediocre result.
Necromantia's use of keyboards and spoken parts come to their rescue as they add to the atmosphere, making the production's defects non-important. Tracks like "Lord of the Abyss", "The Warlock" and "Last Song for Valderie" will make the hair on your backbone rise, even though at some parts this seems to take place in expense of technique and variety.
"Crossing The Fiery Path" is an album that is definitely worth your attention! Check out also the bonus track which is a cover of Omen's "Death Rider"!!
First re-release of the album comes as limited to 1000 copies Digipack CD with remastered version of the album, complete new artwork, one bonus track and one hidden track!
Black Lotus Records, 2005 (BLRCD103). Made in Greece.


Tracklist:
1. The Vampire Lord Speaks... 1:44 
2. The Warlock 13:35 
3. Last Song For Valdezie 5:11 
4. Unchaining The Wolf (At War...) 5:05 
5. Les Litanies De Satan 10:01 
6. Lord Of The Abyss 7:27 
7. Tribes Of The Moon 4:14 
8. Death Rider (Bonust track / Oment cover) 3:51
9. Les Litanies De Satan, pt. 2 (Hidden track) 3:30 
Total playing time: 54:38 min.


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The second re-release of the debut full-length studio album by cult Greek Black Metal band.
In the year of their lord, 1993, Necromantia hit the streets with their debut album. This Necromantia's early work is an album that can only be described as a point of reference for the Greek Black Metal scene.
What was astonishing back then as it is now is the fact that they use 8-string bass instead of electric guitars, which makes their sound unique and immediately recognizable. Having said that, their sound is let down by production by means of timing and quality output, leading to a mediocre result. Necromantia's use of keyboards and spoken parts come to their rescue as they add to the atmosphere, making the production's defects non-important. Tracks like "Lord of the Abyss", "The Warlock" and "Last Song for Valderie" will make the hair on your backbone rise, even though at some parts this seems to take place in expense of technique and variety. "Crossing The Fiery Path" is an album that is definitely worth your attention.
Complete new layout on high quality paper booklet in red jewel case, with original sound recording.
Osmose Productions, 1993/2014 (OPCD021). Made in France. Pressed in Austria.


Tracklist:
1. The Vampire Lord Speaks... 1:44
2. The Warlock 13:35
3. Last Song For Valdezie 5:11
4. Unchaining The Wolf (At War...) 5:01
5. Les Litanies De Satan 10:01
6. Lord Of The Abyss 7:27
7. Tribes Of The Moon 4:14
Total playing time: 47:13 min.

The second re-release of the third full-length studio album by cult Greek Black Metal band.
For some particular reason, "IV: Malice" finds Necromantia departing from their previous style and attempting to try to uniform it with the contemporary Black Metal style of many bands. Anyway, unique individual sound with the use of 4 and 8-string bass never gone!
Probably the best album of one of the most influential bands of the Greek Black Metal scene, "IV: Malice" is exactly pure wrath and hatred!!
Re-issue with original sound recording, as well as completely new layout and cover.
Osmose Productions, 2000/2018 (OPCD318). Made in France. Pressed in Austria.


Tracklist:
1. The Blair Witch Cult 04:12
2. Those Who Never Sleep 06:25
3. Disciples of Sophia (The Templars) 05:55
4. Murder, Magic and Tears 05:03
5. Invictus 07:38
6. Malice 08:07
7. Circle of Burned Doves 05:48
Total playing time: 43:08 min.