CD

Second European remastered re-release of the seventh full-length studio album by the legendary British Heavy/Speed Metal/Hard Rock band.
To this day, "Another Perfect Day" remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), "Another Perfect Day" would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. The album captures Motörhead mainstays Ian "Lemmy" Kilmister and Philthy "Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream Hard Rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, "Another Perfect Day" ranks among the band's best-sounding records ever. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out Blues exercises like "One Track Mind" and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter.
By extension, "Another Perfect Day" is doomed to be considered a curiosity to this very day.
The album reached number 20 in the UK charts.
Re-edition features three bonus tracks.
Sanctuary Midline Records/Sanctuary Records Group Ltd./Universal Music Group, 1983/1996/2004 (SMRCD065). Made in Germany.


Tracklist:
1. Back At The Funny Farm 4:12
2. Shine 3:10
3. Dancing On Your Grave 4:27
4. Rock It 3:55
5. One Track Mind 5:54
6. Another Perfect Day 5:26
7. Marching Off To War 4:10
8. I Got Mine 5:21
9. Tales Of Glory 2:54
10. Die You Bastard! 4:33
Bonus Tracks:
11. Turn You Round Again 3:56
12. (I'm Your) Hoochie Coochie Man 6:30
13. (Don't Need) Religion 2:52
Total playing time: 57:20


Samples: http://www.last.fm

Very rare compilation album by legendary British Heave Metal band.
The compilation includes tracks from "Dirty Love" and "Stone Dead Forever" compilations, rare never released before tracks, as well as well-known tracks in different versions than on studio albums.
Here we can find so rare tracks like "Treat Me Nice" (similar "Hoochie Coochie Man"), "Fun On The Farm" (instrumental), "Bastard", "You Ain't Gonna Live Forever" and "Godzilla Akimbo (rehearsal)". The track "Waltz Of The Vampire" is an alternative version of "Dance". Track "Louie, Louie" presented in other version than in "Overkill" album (the 3rd version of this track).
Rialto Records, 1997 (RMCD 221). Made in UK. First press.


Tracklist:
1.Treat Me Nice 03:55
2.Ace Of Spades (Rare Version) 03:04
3.Fire Fire 02:41
4.Fast And Loose 03:07
5.Sharpshooter 03:17
6.Waltz Of The Vampire 03:41
7.Fun On The Farm 03:00
8.Dirty Love 01:04
9.Bastard 03:03
10.You Ain't Gonna Live Forever 03:12
11.Step Down 03:29
12.Jailbait 03:33
13.Godzilla Akimbo 02:20
14.Louie, Louie (Richard Berry cover) 02:45
15.Bomber 03:36
16.The Road Crew 03:23
Total playing time: 49:10 min.

The tenth official live album by legendary British Heavy Metal band.
"We are Motörhead, and we're gonna kick your ass", bellows the inimitable Lemmy Kilmister at the beginning of this relentless live performance, and he means it.
"Everything Louder Than Everyone Else" was recorded at a show in Hamburg, Germany on 21 May 1998. Mixed unbelievably loud and in-your-face, it captures Motörhead's overwhelming live power in all its toothy glory and reflects a veteran band working at the peak of its skill. While much nostalgic mythologizing is made of Motörhead's classic early line-up (featuring Lemmy, "Fast" Eddie Clarke, and "Philthy Animal" Taylor), the fact is, the band has soldiered on since that incarnation and has gotten better along the way.
This double-disc set focuses mainly on Motörhead's '90s output, which is astoundingly strong (much better than the band's spotty work in the '80s). One glance at the track listing proves that the band is far from resting on past glories; only a handful of songs from the band's early years - like "Capricorn" and "Metropolis" - appear. Instead, blistering versions of latter-day classics like "Burner", "I'm So Bad, Baby I Don't Care" and "Love for Sale" make up the bulk of this devastating set. Fans who were disappointed by Motörhead's live album, the flat-sounding "Nö Sleep At All" (which was virtually disowned by the band), will be overjoyed with the uncompromised intensity of this album's ferocious production. Additionally, Motörhead's lineup, featuring the fast hands and feet of drummer Mikkey Dee and the pile-driving guitars of Phil Campbell, has been intact for longer than any other version of Motörhead, and the band's cohesion and enthusiasm is more than evident here. What's perhaps most amazing of all is that Lemmy's voice hasn't lost any of its jet-engine roar after many years' worth of use and abuse.
Great liner notes, including song-by-song comments by Lem himself, along with testimony by fans ranging from Joey Ramone to Tom Arnold, make this record even more entertaining and essential! No Motörhead-banger should be without!!
Steamhammer/SPV, 1999 (SPV 087-21142 DCD). Made in Germany.


Tracklist:

CD 1:
1. Iron Fist 4:08
2. Stay Clean 2:48 
3. On Your Feet Or On Your Knees 3:20 
4. Over Your Shoulder 3:45 
5. Civil War 3:29 
6. Burner 3:23 
7. Metropolis 4:00 
8. Nothing Up My Sleeve 3:41 
9. I'm So Bad, Baby I Don't Care 3:21 
10. The Chase Is Better Than The Catch 5:28 
11. Take The Blame 4:20 
12. No Class 3:22 
13. Overnight Sensation 4:38
14. Sacrifice 3:40

CD 2:
1. Born To Raise Hell 5:41 
2. Lost In The Ozone 3:43 
3. The One To Sing The Blues 3:25 
4. Capricorn 4:58 
5. Love For Sale 5:04 
6. Orgasmatron 6:36 
7. Going To Brazil 2:52 
8. Killed By Death 6:27 
9. Bomber 5:52 
10. Ace Of Spades 4:49 
11. Overkill 7:34

Total playing time: 110:24 min.


Samples:  http://www.allmusic.com



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The seventeenth full-length studio album by legendary British Heavy Metal band.
Unlike many of the band's contemporaries, Motörhead manages to still release lean and mean Rock records, while keeping the songs simple rather than adding some electronic accompaniment or trying to be current or hip. Many of the other bands from Motörhead's era might still be worth checking out live (Iron Maiden, AC/DC), but each of those bands' new albums is almost always more forgettable than the last. In "Hammered"'s "Walk A Crooked Mile", Motörhead has written at least one more classic to add to the band's large number of hits, which could easily fill a double CD. Epic and with a cool bass line, courtesy of Motörhead main dude Lemmy Kilmister, "Walk A Crooked Mile" has a bit of a Punk edge to it, like a lot of Motörhead's tunes, but it also closes with a stylish 80s-style Metal guitar solo. The rest of the material does not veer from the usual Motörhead formula, but it's all played dirty and in the gutter, and will undoubtedly appeal to Motörhead's dedicated fan base!
This is yet again another solid release from Motörhead. While some songs might be below subpar, like "Voices from the War" and "Mine All Mine", others such as "Brave New World" and "Walk A Crooked Mile" more than outshine them. If you like these guys, you won't be disappointed with this album! And if you haven't heard them, this wouldn't be that bad of a place to start!!
Steamhammer/SPV, 2002 (SPV 085-74062 CD). Made in Germany. First press.


Tracklist:
1. Walk A Crooked Mile 5:53
2. Down The Line 4:23
3. Brave New World 4:03
4. Voices From The War 4:28
5. Mine All Mine 4:12
6. Shut Your Mouth 4:08
7. Kill The World 3:39 
8. Dr. Love 3:49
9. No Remorse 5:18
10. Red Raw 4:04
11. Serial Killer 1:45
Total playing time: 45:41 min.


Samples:  http://www.allmusic.com

The first re-release of compilation album by legendary British Heavy/Speed Metal band.
“Hellraiser: Best of the Epic Years” is spanning the Motörhead's two years at Epic Records. The compilation includes songs from the “1916” and “March or Die” albums, as well as two non-album tracks that had been on the Single "The One To Sing the Blues".
“Hellraiser” is a song written by Ozzy Osbourne, Zakk Wylde and Lemmy Kilmister. The song was written for Osbourne's “No More Tears” album, in 1991, being one of the most well known Ozzy Osbourne songs. Ozzy never released it as a Single, but Motörhead did, in 1992 as the A-side of the Single and as the 6th track on their “March or Die” album. Also, Motörhead's recording of the song was used in the movie "Hellraiser III: Hell on Earth". A video for "Hellraiser" was made, featuring Lemmy playing poker against Pinhead (Doug Bradley) from the "Hellraiser" movies. This version also has some minor lyrical alterations.
Sony Music Entertainment (UK) Ltd./Sony Music Entertainment Czech Republic s.r.o., 2003/2009 (8869745570224). Made in Czech.


Tracklist:
1. The One To Sing The Blues 03:08
2. Shut You Down 02:41
3. I Ain't No Nice Guy 04:16
4. Hellraiser 04:31
5. Asylum Choir 03:41
6. Bad Religion 05:02
7. Eagle Rock 03:09
8. You Better Run 04:51
9. Cat Scratch Fever 03:53
10. March Or Die 05:41
11. Angel City 03:58
12. 1916 03:45
13. Make My Day 04:25
14. Going To Brazil 02:30
15. Dead Man's Hand 03:31
16. Ramones 01:28
Total playing time: 60:30 min.

Compilation album by legendary British Heavy Metal band.
“Hellraiser: Best of the Epic Years” is spanning the Motörhead's two years at Epic Records. The compilation includes songs from the “1916” and “March or Die” albums, as well as two non-album tracks that had been on the Single "The One To Sing the Blues".
“Hellraiser” is a song written by Ozzy Osbourne, Zakk Wylde and Lemmy Kilmister. The song was written for Osbourne's “No More Tears” album, in 1991, being one of the most well known Ozzy Osbourne songs. Ozzy never released it as a Single, but Motörhead did, in 1992 as the A-side of the Single and as the 6th track on their “March or Die” album. Also, Motörhead's recording of the song was used in the movie "Hellraiser III: Hell on Earth". A video for "Hellraiser" was made, featuring Lemmy playing poker against Pinhead (Doug Bradley) from the "Hellraiser" movies. This version also has some minor lyrical alterations.
Sony Music Entertainment (UK) Ltd./Epic Records, 2003 (510825 2). Made in the UK. Pressed in Austria. First press.


Tracklist:
1. The One To Sing The Blues 03:08
2. Shut You Down 02:41
3. I Ain't No Nice Guy 04:16
4. Hellraiser 04:31
5. Asylum Choir 03:41
6. Bad Religion 05:02
7. Eagle Rock 03:09
8. You Better Run 04:51
9. Cat Scratch Fever 03:53
10. March Or Die 05:41
11. Angel City 03:58
12.1916 03:45
13. Make My Day 04:25
14. Going To Brazil 02:30
15. Dead Man's Hand 03:31
16. Ramones 01:28
Total playing time: 60:30 min.

The second re-release of the eighteenth full-length studio album by legendary British Hard Rock/Heavy Metal band.
The Motörhead's first album with Cameron Webb producing, and Motorhead's heaviest album in years. 
"Inferno" is a blast from start to finish. Its bottom-heavy, modern sound suited the songs perfectly; it almost as if, without realizing it, Motörhead had stamped their identity on the album more honestly than on any other album for at least a decade. Like AC/DC, Motörhead rarely stray from their niche, crafting reliable records from a Punk/Metal template, that began in 1977 with their self-titled debut. "Inferno" is no exception, as the sum of its parts does little to deviate from the formula. Song "Killers" is as catchy as anything in the band's vast catalogue. Guy Strachan praised Inferno in Terrorizer Magazine as "the best album that Motörhead have ever recorded".
A strident stand-out on one of the strongest albums they've done!
Murder One Records/ BMG Rights Management (UK) Limited, 2004/2019 (BMGCAT371CD). Made in EU. Pressed in Austria.


Tracklist:
1. Terminal Show 3:45
2. Killers 4:14
3. In The Name Of Tragedy 3:04
4. Suicide 5:08
5. Life's A Bitch 4:13
6. Down On Me 4:12
7. In The Black 4:32
8. Fight 3:43
9. In The Year Of The Wolf 4:18
10. Keys To The Kingdom 4:46
11. Smiling Like A Killer 2:45
12. Whorehouse Blues 3:53
Total playing time: 48:33 min.

Expanded Edition re-release of the sixth full-length studio album by legendary British Heavy Metal band.
Another first-rate Motörhead album, "Iron Fist" is the final one to feature the band's classic line-up: Lemmy, Eddie "Fast" Clarke and Phil "Philthy Animal" Taylor, as guitarist Eddie Clarke left the band on their second US tour due to a conflict with Lemmy.
Released in 1982, "Iron Fist" is mostly distinguished from its predecessors in terms of production, and not favourably. Clarke produced this album himself, whereas industry veterans Jimmy Miller and Vic Maile had respectively manned Motörhead's past four albums. Clarke's production is a bit sterile in comparison, with his guitar in the forefront, sounding slightly more polished than usual. These are minor points, however. "Iron Fist" is a fine Motörhead album, and there's not much at all to complain about here. As usual, the performance is ferocious and there are several standout songs ("Iron Fist", "Heart of Stone", "Speedfreak", "(Don't Let 'Em) Grind You Down") amid a strong selection overall. If "Iron Fist" falls a little short of its four-star predecessors, it's still in a class with those albums, at least relative to what would follow in the years to come. Sadly, it was downhill from here for Motörhead, slowly but steadily. Not until the '90s would they reach heights near this again.
The album peaked at No. 6 on the UK album charts. It was preceded by the release of the title track "Iron Fist" as a Single on 3 April, which peaked in the UK singles chart at #29.
The Expanded Edition includes second CD with bonus track and “Live In Toronto” concert.
Sanctuary Records Group Ltd., 1982/1987/1996/2004 (SMRCD042). Made in Germany.


Tracklist:

CD 1:
1. Iron Fist 2:53
2. Heart Of Stone 3:02
3. I'm The Doctor 2:39
4. Go To Hell 3:07
5. Loser 3:51
6. Sex And Outrage 2:08
7. America 3:36
8. Shut It Down 2:28
9. Speedfreak 3:20
10. (Don't Let 'em) Grind Ya Down 3:06
11. (Don't Need) Religion 2:40
12. Bang To Rights 2:39

CD 2 (BONUS TRACKS):
1.Remember Me, I'm Gone 2:19
Live In Toronto (Maple leaf Gardens, May '82): 
2. Overkill 2:52
3. Heart Of Stone 3:07
4. Shoot You In The Back 3:10
5. The Hammer 3:19
6. Jailbait 3:56
7. America 3:23
8. (Don't Need) Religion 3:20
9. Capricorn 4:23
10. (Don't Let Them) Grind Ya Down 3:24
11. (We Are) The Roadcrew 3:08
12. No Class 2:32
13. Bite The Bullet 1:30
14. The Chase Is Better Than The Catch 5:13
15. Bomber 4:53

Total playing time: 85:58 min.


Samples: http://www.last.fm

The second re-release of the sixth full-length studio album by legendary British Heavy Metal band.
Another first-rate Motörhead album, "Iron Fist" is the final one to feature the band's classic line-up: Lemmy, Eddie "Fast" Clarke and Phil "Philthy Animal" Taylor, as guitarist Eddie Clarke left the band on their second US tour due to a conflict with Lemmy.
Released in 1982, "Iron Fist" is mostly distinguished from its predecessors in terms of production, and not favourably. Clarke produced this album himself, whereas industry veterans Jimmy Miller and Vic Maile had respectively manned Motörhead's past four albums. Clarke's production is a bit sterile in comparison, with his guitar in the forefront, sounding slightly more polished than usual. These are minor points, however. "Iron Fist" is a fine Motörhead album, and there's not much at all to complain about here. As usual, the performance is ferocious and there are several standout songs ("Iron Fist", "Heart of Stone", "Speedfreak", "(Don't Let 'Em) Grind You Down") amid a strong selection overall. If "Iron Fist" falls a little short of its four-star predecessors, it's still in a class with those albums, at least relative to what would follow in the years to come. Sadly, it was downhill from here for Motörhead, slowly but steadily. Not until the '90s would they reach heights near this again.
The album peaked at No. 6 on the UK album charts. It was preceded by the release of the title track "Iron Fist" as a Single on 3 April, which peaked in the UK singles chart at #29.
The re-edition contains five bonus tracks.
Sanctuary Records Group Ltd., 1982/1987/1996/2004 (SMRCD042). Made in Germany.


Tracklist:
1. Iron Fist 2:55
2. Heart Of Stone 3:05
3. I'm The Doctor 2:43
4. Go To Hell 3:10
5. Loser 3:57
6. Sex & Outrage 2:11
7. America 3:38
8. Shut It Down 2:42
9. Speedfreak 3:28
10. (Don't Let 'em) Grind Ya Down 3:08
11. (Don't Need) Religion 2:43
12. Bang To Rights 2:44
Bonus Tracks:
13. Remember Me, I`m Gone 2:18    
14. (Don't Let 'em) Grind Ya Down (Alternate Version) 3:10
15. Lemmy Goes To The Pub (Alternate Version Of Heart Of Stone) 3:02
16. Same Old Song, I'm Gone (Alternate Version Of Remember Me, I'm Gone) 2:21
17. Young And Crazy (Instrumental Version Of Sex And Outrage) 2:13
Total playing time: 49:28 min.


Samples:  http://www.last.fm

The eleventh full-length studio album by the legendary British Heavy/Speed Metal/Hard Rock band.
Encouraged by a new distribution deal through Epic Records and his recent collaboration with old friend Ozzy Osbourne on his wildly successful "No More Tears" album, Lemmy set out to pursue commercial success like never before. Sure, Motörhead had flirted with accessibility before, but with 1992's "March Ör Die", the English legends shed much of their unbridled power and skull-crushing distortion in order to break down the radio barrier once and for all.
Needless to say, it didn't work in attracting new fans, and lukewarm material like "Hellraiser" (in a different version than on "No More Tears" - the song was originally co-written by Lemmy, Zakk Wylde and Ozzy Osbourne for Ozzy Osbourne's "No More Tears" album), the piano- and acoustic guitar-laced "I Ain't No Nice Guy" (a duet with the Ozzman featuring Slash), and a straightforward cover of Ted Nugent's "Cat Scratch Fever" ("Catch Scratch Fever" in original) had longtime fans gritting their teeth in frustration. Elsewhere, tracks like "Stand", "Bad Religion", and "Too Good to Be True" found Lemmy making a serious effort to transform his trademark croak into actual singing, and only a few numbers ("Name in Vain" or the title track) bear any vague resemblance to the Motörhead of old.
Three drummers participated in the making of this album: Phil Taylor, who was fired after "I Ain't No Nice Guy" was recorded (because he did not learn his drum tracks), Tommy Aldridge who recorded most of the material on this album on a sessional basis only, and Mikkey Dee, who recorded the "Hellraiser" single (the song "Hellraiser" was used as main theme in soundtrack to movie "Hellraiser III: Hell on Earth"; also video clip for this song was made with characters from movie). Another drummer, Garry Bowler (a.k.a. Magpie) worked on the drum track for the demo of "Stand" during a 1991 session in London with Würzel and Phil Campbell.
The album was produced by Peter Solley with the exception of "Hellraiser" which was produced by Billy Sherwood.
Motörhead have never just been the best Rock'n'Roll band in the world. They've never just been the loudest. Or the hardest. Or the toughest. Or the bad-ass-est. No... Motörhead are also a lifestyle! Motörhead are a mindset, a belief, a way to live your life, a way to both survive and beat a society that sometimes seems intent on grinding you down!!
WTG Records/Epic/Sony Music Entertainment Inc., 1992 (WTG 471723 2). Made in Austria.


Tracklist:
1. Stand 3:31 
2. Cat Scratch Fever 3:53
3. Bad Religion 5:02 
4. Jack The Ripper 4:39 
5. I Ain't No Nice Guy 4:16 
6. Hellraiser 4:37 
7. Asylum Choir 3:41 
8. Too Good To Be True 3:37 
9. You Better Run 4:51 
10. Name In Vain 3:06 
11. March Ör Die 5:42
Total playing time: 45:41 min.

First remastered re-release of the debut full-length studio album by legendary British Hard Rock/Heavy Metal band.
Before forming Motörhead, Ian "Lemmy" Kilmister could boast of having been a member of Space Rock cowboys Hawkwind and a career in horsebreaking. He was also, to top it all, the son of a vicar. Having been expelled from his former employers after a disagreement with border guards over the contents of his luggage (it was drugs), he took the name for his new band from the final song he'd written for Hawkwind.
Together with Larry Wallis of the Pink Fairies and drummer Philthy "Animal" Taylor, Motörhead recorded a debut album that was rejected by United Artists Records, though it was eventually released as "On Parole" in 1979. As a result, the band expanded with the addition of "Fast" Eddie Clarke on guitar. Wallis then left after just one rehearsal, leaving the classic Motörhead line-up in shape for their debut proper. Rock & Roll had never heard the like. Though only a minor chart success, Motörhead patented the band's style: Lemmy's rasping vocal over a speeding juggernaut of guitar, bass, and drums. Motörhead returned mainstream Rock to its most brutal base elements - no wonder the Punks liked them.
Certainly "Motörhead" and "Iron Horse" are considered Motörhead classics, while songs such as "Vibrator" and "Lost Johnny" are but two examples of how few have lived the sex, drugs, and Rock 'n' Roll lifestyle more than Lemmy. Both Punk and Metal camps embraced the band's ballsy, no holds barred brand of Rock 'n' Roll, but Lemmy would have none of that, as then and now, he catered to no camp and simply made Motörhead music, which nobody else makes.
Ace Records Ltd., 1977/1980/1988/2001 (CDWIKM 2). Made in UK.


Tracklist:
1. Motorhead 3:11
2. Vibrator 3:36
3. Lost Johnny 4:13
4. Iron Horse / Born To Lose 5:20
5. White Line Fever 2:37
6. Keep Us On The Road 5:55
7. The Watcher 4:26
8. The Train Kept A Rollin' 3:16
9. City Kids 3:23
Bonus Tracks:
10. Beer Drinkers And Hell Raisers 3:25 
11. On Parole 5:58
12. Instro 2:27
13. I'm Your Witch Doctor 3:01
Total playing time: 50:48 min.

First re-release of the twentieth full-length studio album by legendary British Hard Rock/Heavy Metal band.
The first Motörhead's album to chart in the US. As with all their albums since 2004's "Inferno", it was produced, mixed and engineered by Cameron Webb in California. Though the bands spend most of the year somewhere on tour together anyway, Philip and Mikkey have mostly recorded in the US when doing Motörhead albums, as Lemmy doesn't really travel unless touring since relocating. His age and health eventually made this the norm for the band, and so this album was done the same as the last few, with a few weeks over a few months practicing, then into the studio for recordings.
"Motorizer" never pretends to be groundbreaking, but it is an engagingly predictable album. "Motörizer" avoids the bland Hard Rock that larded up some of the band's recent records. Instead, its 11 tracks efficiently clock in at under 39 minutes. Lemmy turned 63 that year, but he still sounded half his age.
The album reached number 32 on the UK Albums Chart, making it the band's highest-charting album in the UK since "1916" in 1991. The album debuted on Billboard chart at No. 82. It peaked at No. 2 on the UK Rock & Metal chart, and at No. 5 on the German Offizielle Top 100 & US Independent charts. As with the band's last few albums, it did not make a massive impact on the public, but saw dedicated sales in markets where they had a strong following.
Murder One Records/ BMG Rights Management (UK) Limited, 2008/2019 (BMGCAT375CD). Made in EU. Pressed in Austria.


Tracklist:
1. Runaround Man 2:56
2. Teach You How To Sing The Blues 3:03
3. When The Eagle Screams 3:44
4. Rock Out 2:07
5. One Short Life 4:01
6. Buried Alive 3:13
7. English Rose 3:33
8. Back On The Chain 3:25
9. Heroes 4:55
10. Time Is Right 3:14
11. The Thousand Names Of God 4:35
Total playing time: 38:46 min.

The first re-release of the fourth full-length studio album by legendary British Hard Rock/Heavy Metal band.
Recorded by the original Motörhead line-up of Lemmy, Lucas Fox, and Larry Wallis, "On Parole" is famous as the debut album. In fact this album was recorded in September 1975, so technically this is the band's first album. It was supposed to be released in 1976, but the label refused to release it and it got shelved. The album was eventually released in 1979 to cash in on the band's success. Motörhead themselves have said that their 1977 self-titled album is their first official release. They have denied that "On Parole" was their debut album. Due to the record company's initial refusal to release this album, when a reconfigured Motörhead (featuring Eddie Clarke on guitar) were given studio time by Chiswick Records in 1977, they chose to re-record the album again in its entirety (only "Fools" and "Leaving Here" weren't re-recorded) leading to their self-titled release.
By 1978, Motörhead were arguably the biggest Heavy Metal band in the world. And "On Parole" didn't sound so distasteful any more. Countless reissues followed, and here is another one, released in 1997 as part of EMI's centenary celebrations.
No matter how well you think you know Motörhead, still it's nothing like you're expecting. The Motörhead that people know and love threatened to take on the world. The Motörhead here would simply have taken it over!
Remastered re-edition includes four bonus tracks.
EMI Records Ltd., 1979/1990/1997 (7243 8 54794 2 7). Made in UK. Pressed in Poland.


Tracklist:
1. Motörhead 2:49
2. On Parole 5:37
3. Vibrator 2:52
4. Iron Horse / Born To Lose 5:14
5. City Kids 3:43
6. The Watcher 4:46
7. Leaving Here 2:53
8. Lost Johnny 3:30
9. Fools 5:35
Bonus Tracks:
10. On Parole (Alternate Take) 6:57
11. City Kids (Alternate Take) 3:47
12. Motörhead (Alternate Take) 2:48
13. Leaving Here (Alternate Take) 3:01
Total playing time: 53:32 min.

The fourth re-release of the ninth full-length studio album by legendary British Heavy/Speed Metal band.
Though they are usually pegged as Heavy Metal, Motörhead are actually a Rock & Roll band in the purest sense. And this aptly titled release reminds you that despite their outrageous speed and ear-shattering distortion, Motörhead tunes have much more in common with Chuck Berry than Black Sabbath.
Rock 'n' Roll renewed commercial hope for Motörhead in the States, with Lemmy and company moving to Los Angeles. The fans in the States appeared willing to see this band live and buy their albums, whereas Britain is criticized as having lost interest in the band.
With the returned original drummer Philthy Taylor, the guys press the pedal to the Metal right at the beginning. The title song easily thrashes your brains out. Turned into a slavering beast, the following tracks sound even better. And they have quite something in them. The snottily thrashed out "Eat The Rich", which also was released as a Maxi-Single, more than convinces through an ultra fat lead guitar and the super great lyrics of Lemmy. Also, the rest of the songs provide you with a mega fat grin.
It was the first appearance of the band's four-piece line-up of: Lemmy, Phil "Philthy Animal" Taylor, Würzel and Phil Campbell, which lasted from 1987 until 1992.
There is a hidden track (01:02) before "The Wolf" where Monty Python legend Michael Palin provides some narration. Also, the re-edition includes two bonus tracks.
Total musthave for every Metalhead in the world!!
Sanctuary Midline/Sanctuary Records Group Ltd., 1987/1997/2004 (SMRCD067). Made in UK.


Tracklist:
1. Rock'n'Roll 3:49
2. Eat the Rich 4:34
3. Blackheart 4:03
4. Stone Deaf in the USA 3:40
5. The Wolf 3:28
6. Traitor 3:17
7. Dogs 3:48
8. All for you 4:10
9. Boogeyman 3:07
Bonus Tracks:
10. Cradle to the Grave 4:05
11. Just 'cos you got the Power 7:30
Total playing time: 45:31 min.


Samples: http://www.lastfm

The thirteenth full-length studio album by legendary British Heavy Metal band.
Metal bands are supposed to lose their energy and power as they age, but Motörhead stubbornly refused to obey that rule, maintaining their string of tough, enjoyable albums into the mid-90s.
It is the second and last album to feature the four-man line-up of Lemmy, Phil "Wizzö" Campbell, Würzel, and Mikkey Dee, as Würzel left the band at the end of recording this album.
"Sacrifice" doesn't offer anything new, nor does it display a newfound subtlety. It's just straight-ahead, breakneck fast, ear-shatteringly loud Motörhead, with buzzing guitars, near-martial rhythms, and surprisingly catchy hooks.
The title track was used in the movie “Tromeo and Juliet”, a film in which Lemmy appears.
It's a thoroughly engaging and entertaining record from one of the most consistent Metal bands in history.
Steamhammer/SPV, 1995 (SPV 085-76942). Made in Germany.


Tracklist:
1. Sacrifice 3:16
2. Sex & Death 2:02
3. Over Your Shoulder 3:17
4. War For War 3:08
5. Order / Fade To Black 4:02
6. Dog - Face Boy 3:25
7. All Gone To Hell 3:41
8. Make 'em Blind 4:25
9. Don't Waste Your Time 2:32
10. In Another Time 3:09
11. Out Of The Sun 3:43
Total playing time: 36:40 min.

Compilation album by legendary British Hard Rock/Heavy Metal band.
A 35th Anniversary Collection purposely avoids the predictability of the chronological track-listing typical of so many other collections and presents a shuffle-ready program of the best of Motörhead's first ten years. From the irrepressible "Ace of Spades", their incarnation with ex-Thin Lizzy guitarist Brian Robertson for "Shine" and "I Got Mine" to the double-punch of "Overkill" and "Bomber" and the chart-scaling collaboration with those Rock chicks Girlschool for "Please Don't Touch"!
Listening to these songs is rather like walking your ears through a chamber of Rock iconography, showcasing priceless artifacts which make up that vital first decade in the evolution of heavy British music!!
Sanctuary Records Group Ltd./Universal Music Group, 2010 (2751738). Made in UK. First press.


Tracklist:
1. Ace Of Spades 2:49
2. Deaf Forever 4:28
3. Please Don't Touch 2:50
4. Eat The Rich 4:36
5. Metropolis 3:35
6. Orgasmatron 5:24
7. Just 'cos You Got The Power (“Eat The Rich” 12” EP B-Side) 7:32
8. Iron Horse - Born To Lose (Live in England 1981) 3:56
9. I Got Mine 5:24
10. (We Are) The Road Crew 3:11
11. The Chase Is Better Than The Catch 4:17
12. Louie Louie (Richard Berry cover / Alternate Version) 2:52
13. Damage Case 3:03
14. Shine 3:11
15. Bomber 3:42
16. Killed By Death 3:54
17. Iron Fist 2:53
18. Overkill 5:12
19. Motörhead (Hawkwind cover / Live in England 1981) 4:46
Total playing time: 77:35 min.

The fifth full-length studio album by Italian Gothic/Doom Metal band.
"Deathrising" is an album for all those of you, who hyped Paradise Lost's monumental album "Draconian Times", but productional wise it's maybe closer to "Paradise Lost" or even more to "In Requiem". 
With “Deathrising”, Motus Tenebrae succeed to present their most mature, powerful and obscure album of their 15 years career. It is a manifesto of heaviness, depth & atmosphere - everything into a magnificent Doom Gothic Metal. With these 11 new tracks, they create an opus of emotional sonorities ranging from different facets of music and firmly displaying Motus Tenebrae's broad range of influences like Paradise Lost & My Dying Bride, with elements of Type O Negative and with an already accomplished personality.
“Deathrising” pushes the band’s vision of dark music to the next level. And now, with the return of the historic singer Luis McFadden, Motus Tenebrae is ready to push themselves to a wider and international audience.
An excellent quality of recording that gives everything a powerful and monolithic sound, thanks also to the mastering realized by Colin Davis at Imperial Mastering Studio.
My Kingdom Music, 2016 (echo111). Made in Italy. First press.


Tracklist:
1. Our Weakness 04:42
2. Black Sun 04:51
3. For a Change 03:59
4. Light That We Are 04:51
5. Faded 06:31
6. Deathrising 04:39
7. Haunt Me 04:19
8. Grace 04:44
9. Cold World 04:53
10. Cherish My Pain 04:12
11. Desolation 05:13
Total playing time: 52:56 min.


Samples: https://mykingdommusic.bandcamp.com

Polish DEATH METAL in the brutal vein of AVULSED and GROG.
Deus Mortuus Productions, 2006 (DMP-009)


Tracklist:
1.Use and Abuse    04:23
2.Thriving Scum    04:43
3.Afterlife Obsession (Sacrificial Credo)    02:54
4.I Don't Need You    04:00
5.Mental Dead End    03:45
6.Spoilt for Scorn    03:30
7.Free Reign    04:00
8.Brutal Judgement (Sraj Sie)    03:21

Re-issue of the legendary album of Ukrainian gothic doom death metal band! The album material is fully remastered and is supplemented with a bonus CD containing demo of 2006 “The Frankness Eve”, cover versions of Mournful Gust songs by invited musicians and “With Every Suffering” video from the actual album. Enforced by new power “She’s My Grief” album proves to be still state-of-the-art piece of music.
Solitude Prod./BadMoodMan Music, 2008 (BMM 033-10)


Tracklist:

CD1 “She’s My Grief”
1.The First Spring Without You 03:36
2.Path Of My Tears 08:13
3.Once We Were Happy 08:49
4.Sweet Embrace Of Scarlet Twilight 07:49
5.I Saw Her Sad Eyes 10:26
6.As A Wingless Bird 07:50
7....And We Shall Die Together 09:41

CD2 “…Decade”:
1.A Pain To Remember (demo version) 09:15
2.It's Our Own Tragedy (demo version) 04:48
3.To Your Deceits... Again (demo version) 04:46
4.The First Spring Without You (Somnolent version) 06:02
5.I Saw Her Sad Eyes (Stas Mischenko version) 04:51
6.The Cold Solitude (Soundform & Practical Senses version) 02:50
7.The Cold Solitude (Alexander Naydenov version) 05:54
8.The Cold Solitude (demo version) 06:46
9.With Every Suffering (Video Clip) 05:47

The debut full-length studio album by British Thrash Metal band.
Mpire Of Evil is a band composed of former Venom members, the most notable of which is Jeff “Mantas” Dunn, Venom’s founding guitarist, who has been off the Metal radar since leaving that band over a decade ago. Filling out the trio are Tony “Demolition Man” Dolan — who did an admirable (if thankless) job fronting Venom during original bassist/vocalist Cronos’ absence in the late eighties and early nineties, and drummer Antton (Cronos’s brother), who manned the kit for Venom from 2000 to 2009.
Regarding the band’s unusual name, the band was originally called Prime Evil, after the title of Dolan’s first album with Venom. However, the name was already in use by another band, so the trio scrambled some letters and re-christened itself Mpire of Evil.
The band play tunes somewhere between Motörhead, Venom, harder-edged Euro-Traditional/Power Metal and Thrash Metal, of course. The album boasts 10 brand-new tracks displaying the band’s infectious and groovy Heavy Metal assault, conveying Mantas’ thunderous riffs, a huge rhythm section and Dolan’s abrasive vocals into a monstrous musical holocaust, which will appeal to both, old school and modern Metal fans.
"Hell To The Holy" is a great start for this veteran crew. The band is tight, the production is punchy and Mantas turns in some particularly fine work. Mantas is a legend, and it is good to hear that he can still crank out some Metal. They showed that no matter the age, they can still kick ass and obliterate most of the acts of core lying around today.
Produced by Mantas himself and featuring stunning cover artwork by Gyula Havancsák (Annihilator, Destruction, Grave Digger), "Hell To The Holy" is without any doubts a “must have” album for 2012!
Scarlet Records, 2012 (SC 217-0). Made in Italy. First press.


Tracklist:
1. Hellspawn 3:58
2. Metal Messiah 5:15
3. Waking Up Dead 4:21
4. Hell To The Holy 8:01
5. Snake Pit 4:12
6. All Hail 4:12
7. Devil 6:16
8. Shockwave 4:54
9. The 8th Gate 8:14
10. M-Pire (Prelude) 3:27
Total playing time: 52:50 min.