CD

The second full-length studio album by Polish Avant-garde Post-Black Metal band.
Two years after highly acclaimed debut album "Piekło.Labirynty.Diabły", it's time for another doom of Morowe, and it's deathly air!
Second album entitled "S" is a much more mature creation, on every level - when it comes to production, atmosphere and arrangements. Morowe has always transfixed with specific mood, evident lyrics and Avant-garde sounds.
Morowe is a deadly breath of melancholy and chaos. Morowe is a devil’s breath on your neck. In case of contact with blood – it burns and infects, when reaches the heart – it kills. Feeling of coldness and shivering, of fever, sluggishness, pain and dizziness, insanity, shortness of breath, thirst... Here is Morowe. Rediscovered in the early twenty-first century somewhere in the basement of Upper Silesia.
Witching Hour Productions, 2014 (EVIL 048 CD). Made in Poland. First press. Used (cover/disc): NM/NM.


Tracklist:
1. W 02:11
2. W pokoju magii 05:06
3. Wszechświat przyciąga 05:26
4. Ważne 08:48
5. Oni przyjdą 05:27
6. Nocna strawa 07:47
7. Z1 03:02
8. Muchy 05:12
9. Trzecia dłoń 06:31
10. Z2 02:27
Total playing time: 51:59 min.


Samples: https://witchinghourproductions.bandcamp.com

The second full-length album by Spanish Gothic/Death Metal band.
Morphiuma is a band with huge potential, which survives and persists in the shadows of the Underground to get this days as a leader in the national scene. Giving with an authentic Metal formula that has opened many doors coming to have a good number of followers in Latin America.
“Cronicas De Una Muerte Anunciada” style is quite difficult to define but can focus reminiscences of Melodic Death Metal with personality and originality. “Cronicas De Una Muerte Anunciada” gives Morphium detached enough to receive good response from the international press with phenomenal lyrics entirely in Castilian.
Good combination of guttural male and melodic female vocals. The mellow melancholy piano provides more mental passages. Atmospheric and Dark Metallic climate catches with first listen.
No bad pieces on the album. Every track is an exquisite and a great job! Great work from the great band!!
Mass Records, 2013. Made in Spain. First press.


Tracklist:
1. Vuelvo a Caer 05:21
2. En el Abismo 03:35
3. Liberame 04:42
4. Interludio 02:07
5. Crónica de una Muerte Anunciada 05:21
6. Fuego 04:45
7. Incomprendida 05:06
8. Vivo 04:32
9. Mi Anhelo 05:00
10. Tendencias Suicidas 03:27
11. Renacer 05:40
12. Bajo mi Piel 05:47
Total playing time: 55:23

Debut full-length album by Melodic Black/Death Metal band from Belgium.
Melodic Black/Death act, with a raw production and vicious female vocals. Morrigu's music is essentialy the Gothenburg style. Many instances from popular Gothenburg groups such as Dark Tranquillity and Arch Enemy (particularly the latter; vocalist Argwaen sounds almost exactly like Angela Gossow) occur, and familiar structures and techniques can be easily noted through cursory examination. However, the raw, buzzing black metal production is what belies this.
NephereX Records, 2005 (Neph 003). Light shabby on the disc surface.


Tracklist:
1. Intro 01:51
2. Bloodraven 02:43
3. Beyond Redemption 05:10
4. Koud Vlees 05:18
5. Kilte 03:32
6. Ignorance Is Piss 04:05
7. Deception 04:10
8. The Morrigu 06:02
9. Geschonden 04:20
10. Outro 02:21
11. Geschonden  (Bonus Track) 04:26
Total playing time: 43:58 

The third full-length studio album by Dutch Death/Thrash Metal band.
Mortal Form are back with an album able to join Metal of the past with Metal of the future for a music able to represent a pure sonorous massacre across melody and aggressivity.
“The Reckoning” music is powerful, aggressive, epic and at the same time very melodic enriching the classic and traditional Death Metal with a personal and modern approach to the typical European sound enriching it with Thrash and classic Heavy Metal passages.
Blasting drumbeats, authentic guitars riffs and howling Death grunts and screams provide the elements of this Metal grenade.
Inspired by bands like Death, Arch Enemy, Kreator, Overkill, Morbid Angel, In Flames and Iron Maiden, Mortal Form succeeded in creating an honest, diverse and well-produced Metal album that will appeal to many of you out there!
My Kingdom Music, 2013 (echo089). Made in Italy. First press.


Tracklist:
1. The Reckoning 00:51
2. Storm Before Calm 05:33
3. Forsaken Graves 03:08
4. Dungeon 05:58
5. Apocalyptic Aftermath 03:51
6. As Nature Turns Evil (The Sleeper Awakes) 03:26
7. Miasma 04:47
8. At Fever Pitch 04:01
9. Radiation Breath 03:29
10. Sinners Repent 04:33
Total playing time: 39:39 min.


Samples: https://mortalformofficial.bandcamp.com

11 tracks of pure and honest old school death metal, plenty of power, melody and intensity.
With no doubt an album that shouldn’t be missed by any fan of the old European death metal sounds and bands such as Dismember, Unleashed, Centinex, Entombed, Gorefest or At The Gates.
Mondongo Canibale Records, 2008 (MCR-012)


Tracklist:
1.Remorse (Intro) 00:28
2.Arrival of Messiah 02:45
3.Illusion 03:04
4....And Mother Said 04:08
5.Embrace (In Cruel Arms) 03:20
6.Curces Century 02:52
7.Like a Beast 03:01
8.You Are My Death 03:34
9.Storm, Slaying, Misery, Fear 04:14
10.Downfall Up 03:31
11.Behind the Glassdoor 03:52

Brutal Death from Canada 
re-mastered & re-issued by CDN Records, 2009 (CDN021CD)


Tracklist:
1.Vile Blood 05:03
2.Compelled to Torture 03:46
3.Half Severed Cadaver 04:54
4.Miscalculated Judgement 04:32
5.Preliminary Hearing 03:39
6.Perplexity 03:35

The fourth full-length (and first officially released) album by the Polish Death Metal band.
Lasting 30 minutes eighth tracks + intro of fast forward going Death Metal music with a dose of melody. Modern, but raw sound, low, yet understandable vocal parts and some melodic guitar solos are perfectly combined in this promising release.
After twenty years of playing Death Metal Mortis Dei shows its new incarnation. “Salvation Never Comes” is a concept album, so get ready and beware of horrible Death story!
Check it out or your salvation will never come!!
Metal Scrap Records, 2014 (MSR076/CD) Made in Ukraine. First press.
 

Tracklist:
1. Origin 01:42
2. Lights End 03:37
3. Journey To The Dark 03:14
4. In Ruined World 04:00
5. Two Sides 03:29
6. Going Down 04:09
7. Nightmares Coming 01:59
8. Screams Of The Slave Soul 04:58
9. The Way To The Light 04:36
Total playing time: 31:44 min.

 

The second full-length studio album by American Glam Metal band.
Mother Mercy has been around since about 1993. They have gone through a myriad of lineup changes, and for now, have cemented a crew for long enough to release this CD. Maybe that’s why they don’t always stay in the same genre, but in the end, it’s Metal, and it’s all good!
Mother Mercy wallows in that ‘80s Metal vibe while somehow throwing in a bit of Godsmack right at the end of the album.
Perris Records, 2003 (PER0132). Made in USA. First press.


Tracklist:
1. The Thunder, Perfect Mind 01:13
2. Dancing with the Devil 03:38
3. Waste of Skin 04:04
4. Mercy's Law 04:41
5. Machine Gun 02:29
6. Blood 00:38
7. Creatures of the Night 03:17
8. Devil Child 05:00
9. The Sideshow 00:20
10. Ragman 06:01
11. Little Nikki 03:25
12. Chosen One 03:51
13. Invisible 04:19
14. Don't Bury Me 00:19
15. Kicking n' Screaming (Out of the Grave) 04:29
16. Mercy Killing 03:29
Total playing time: 51:15 min.

The ninth full-length album by the legendary American Heavy/Glam Metal band.
It is the band's first studio album in eight years, and it marks the return of long-time drummer Tommy Lee since 1997's “Generation Swine”.
This is a concept album based off of the bestselling book “The Dirt”, which is the bands autobiography. The themes of the songs go right along with the book and tell tales of drug abuse, partying, getting signed to Elektra, the music industry, and simply f****ng shit up. The band also refunds the sound it helped invent on this album. Gone are the groove inspired tunes of the Crab era and the industrial dabbling of the late 90's. In its place are high octane rockers in the vein of “Dr. Feelgood”. This album is a return to form it sounds modern as well. Also almost every song on the album was co-written by Nikki's band mates in Sixx AM. This is probably what led it to sound more modern but Nikki can do that on his own, he is a master songwriter.
From start to finish this album rocks you to the ground and doesn't let up for a second. This is music to snort coke to, to bang girls to, and to crash your car to! If you’re a Motley fan and you don't enjoy this album from start to finish you just aren't a Motley fan and should go home now!!
Music videos for "Saints of Los Angeles", "Mutherfucker of the Year" and "White Trash Circus" have been made.
“Saints Of Los Angeles” debuted at #4 on the Billboard album charts, selling about 99,000 copies in its first week of release. It also debuted at #14 on the Australian ARIA album charts, #5 in Sweden, #3 in Canada, #47 in Italy and #9 in Finland (although it climbed to #6 in its second week). Though the band's first single, the title track "Saints of Los Angeles", was their second highest charting single in the US mainstream rock charts ever, peaking at number 5, subsequent singles fared less well. "Mutherfucker of the Year" peaked at number 29 and "White Trash Circus" peaked at number 37 on mainstream rock charts.
No doubts, this is the best band’s album to the date!!!
Mötley Records/EMI/Eleven Seven Music, 2008 (ESM/MR 240). Made in Germany. First press.


Tracklist:
1. L.A.M.F. 01:23
2. Face Down in the Dirt 3:44
3. What's It Gonna Take 3:45
4. Down at The Whisky  3:50
5. Saints of Los Angeles 3:40
6. Mutherfucker of the Year 3:55
7. The Animal in Me 4:16
8. Welcome to the Machine 3:00
9. Just Another Psycho 3:36
10. Chicks = Trouble 3:13
11. This Ain't a Love Song 3:25
12. White Trash Circus 2:51
13. Goin' Out Swingin' 3:27
Total playing time: 44:05 min.

Crücial Crüe special edition remastered re-release of the second full-length album by legendary American Heavy/Glam Metal band.
“Shout At The Devil” was band's breakthrough success, bringing them to international attention and establishing Mötley Crüe as one of the top selling Heavy Metal acts of the 1980s. The same time it was a textbook example of Heavy Metal as it existed in the 80s. Song topics included sex, violence, drugs and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair, makeup and tough, violent imagery contributed greatly to the visual aspects of Glam Metal.
"Shout At The Devil" displays Mötley Crüe's sleazy and notorious (yet quite entertaining) Metal at its best. When compared to its predecessor, "Too Fast For Love", one can see that the band's musical range certainly widened over the course of its first two albums; the record features catchy, Hard-Rocking songs, but also includes an instrumental ("God Bless the Children of the Beast") and a powerful cover of the Beatles' "Helter Skelter". While such later albums as "Dr. Feelgood" would achieve a higher amount of critical acclaim, no Mötley Crüe album surpasses the quality of "Shout At The Devil"!
"Looks That Kill" and "Too Young to Fall in Love" became huge hits and "Shout at the Devil" became very popular as well. “Shout At The Devil” is regarded as the heaviest sounding Mötley Crüe album by critics and fans alike. Album was placed at17 position in “The Billboard 200” and awarded 4x Platinum (reaching the four million mark in shipments) on May 15, 1997.
In 2003, the band re-issued their albums on their own label Mötley Records including added bonus tracks from each album's specific era.
Mötley Records/EMI/Eleven Seven Music, 1983/2011 (ESM 311). Made in Germany.


Tracklist:
1.In the Beginning 01:13
2.Shout at the Devil 03:16
3.Looks That Kill 04:07
4.Bastard 02:54
5.God bless the Children of the Beast 01:33
6.Helter Skelter 03:09
7.Red Hot 03:22
8.Too Young to Fall in Love 03:34
9.Knock 'Em Dead, Kid 03:44
10.Ten Seconds to Love 04:17
11.Danger 03:51
Bonus Tracks:
12.Shout at the Devil [Demo] 03:15
13.Looks That Kill [Demo] 05:03
14.Hotter Than Hell [Demo] 02:49
15.I Will Survive 03:19
16.To Young to Fall in Love [Demo] 03:01
Total playing time: 52:28 min.

Crücial Crüe special edition re-release of the third full-length album by the legendary American Heavy/Glam Metal band Mötley Crüe.
Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge, the album marked a step away from the traditional Heavy Metal sound of “Shout at the Devil” towards a more Glam Metal influenced record, in both sound and image. “Theatre of Pain” is dedicated to Hanoi Rocks former member Nicholas "Razzle" Dingley, who was killed in the car crash that resulted in Vince Neil's arrest.
The album reached #6 in the US charts, and #36 in the UK. The album was certified quadruple platinum by the RIAA on June 5, 1995.
Mötley Records/EMI/Eleven Seven Mucic, 1985/2011 (ESM 321). Made in Germany.


Tracklist:
1. City Boy Blues 04:05
2. Smokin' In The Boys Room 03:22
3. Louder Than Hell 02:31
4. Keep Your Eye On The Money 04:31
5. Home Sweet Home 03:55
6. Tonight (We Need A Lover) 03:35
7. Use It Or Lose It 02:38
8. Save Our Souls 04:10
9. Raise Your Hands To Rock 02:49
10. Fight For Your Rights 03:40
Bonus Tracks:
11. Home Sweet Home [Demo Version] 04:23
12. Smokin' In The Boys Room [Alternate Guitar Solo - Rough Mix] 03:34
13. City Boy Blues [Demo Version] 04:28
14. Home Sweet Home [Instrumental Rough Mix] 02:57
15. Keep Your Eye On The Money [Demo Version] 03:49
16. Tommy`s Drum Piece From Cherokee Studios 03:49
Total playing time: 58:16 min.

Crücial Crüe special edition re-release of the debut full-length album by the legendary American Heavy/Glam Metal band.
This is really quite a shame, because as with the release of this album, Mötley opened the door for the entire Glam Metal genre. With this record, recorded in only about a week, the band not only turned the Metal scene on its ear, but did so pretty much on their own. They had no real major label backing, and gained popularity by word-of-mouth alone.
First press 900 copies were released on November 10, 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded. This re-release, with a different track listing and slightly different artwork (e.g., red lettering on the cover and a different interior photograph of the band), has become the standard version from which all later reissues derive.
On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the appeal of "Too Fast For Love", a chance to hear the band without the glossy production of their later, most popular work, showcasing their down-and-dirty roots. The fact that Pop-Metal songwriting was not really a consideration helps the album come off as more genuinely trashy and sleazy, celebrating its own grime with exuberant zest. This is the Crüe playing it lean and mean, effortlessly capturing the tough swagger that often came off a bit more calculated in later years, and it's one of their most invigorating records.
While the album only reached number 77 on the Billboard 200 album chart in the US, it would ultimately reach platinum status. What we have here, is a solid album from start to finish. There is not one bad track here, and at no point should anyone get bored and want to skip songs!
Re-edition features five bonus tracks!!
Mötley Records/EMI/Eleven Seven Music, 1981/1982/2011 (ESM 301). Made in Germany.


Tracklist:
1. Live Wire 03:16
2. Come On And Dance 02:48
3. Public Enemy #1 04:23
4. Merry-Go-Round 03:23
5. Take Me To The Top 03:45
6. Piece Of Your Action 04:41
7. Starry Eyes 04:30
8. Too Fast For Love 03:23
9. On With The Show 04:08
Bonus tracks:
10. Toast Of The Town 03:37
11. Tonight 04:28
12. Too Fast For Love (Alternate Intro) 04:21
13. Stick To Your Guns 04:24
14. Merry-Go-Round 03:54
Total playing time: 55:01 min.

The fifth European re-release of the fifth full-length studio album by legendary American Heavy/Glam Metal band.
The last album to feature Vince Neil until his return for their 1997 album “Generation Swine”. Produced by Bob Rock, which found the process of working with Mötley Crüe difficult, describing the band as "four L.A. bad asses who used to drink a bottle of wine and want to kill each other". In order to minimize conflict and allow production of the record to proceed smoothly, Rock had each member record their parts separately. Lars Ulrich of Metallica asked Bob Rock to produce their self titled album “Metallica”, after being impressed with Rock's production work on “Dr. Feelgood”.
"Dr. Feelgood" topped the Billboard 200 chart, being the first album Mötley Crüe had recorded after their quest for sobriety and rehabilitation in 1989. In addition to being Mötley Crüe's best selling album, it is widely regarded by music critics and fans as the band's best studio album. "Dr. Feelgood" and "Kickstart My Heart" were both nominated for Grammy awards for Best Hard Rock Performance, but lost twice to Living Colour.
"Dr. Feelgood" sold more than six million copies in the U.S. and went Gold in the U.K.
Limited Edition digitally remastered European only reissue in a miniaturized LP sleeve with inserts.
Mötley Records/ Masters 2000, Inc./EMI/Eleven Seven Music, 1989/2011 (ESM 958). Made in the Europe.


Tracklist:
1. T.N.T. (Terror 'n Tinseltown) 0:43
2. Dr. Feelgood 4:49
3. Slice Of Your Pie 4:31
4. Rattlesnake Shake 3:40
5. Kickstart My Heart 4:42
6. Without You 4:28
7. Same Ol' Situation (S.O.S.) 4:12
8. Sticky Sweet 3:51
9. She Goes Down 4:37
10. Don't Go Away Mad (Just Go Away) 4:39
11. Time For Change 4:58
Bonus Tracks:
12. Dr. Feelgood (Demo Version) 4:45
13. Without You (Demo Version) 4:15
14. Kickstart My Heart (Demo Version) 4:31
15. Get It For Free (Unreleased Track) 4:13
16. Time For Change (Demo Version) 4:09
Total playing time: 67:03 min.

Crücial Crüe special edition re-release of the seventh full-length album by the legendary American Glam/Heavy Metal/Hard Rock band.
The album marks the return of lead singer Vince Neil following his last appearance on 1989's "Dr. Feelgood" and the last album to include drummer Tommy Lee until his return for their 2008 album "Saints of Los Angeles".
"Generation Swine" debuted at #4 on the Billboard 200 and was certified Gold by the RIAA on August 27, 1997. Despite the strong charting debut, the album failed to return the band to the level of critical and commercial success that had been hoped for with the reunion, and according to Nielsen SoundScan the album has sold about 306000 copies in the U.S. to date.
Speaking of the album in 2008, singer Vince Neil states that the album was "terrible" due to "too much experimenting".
Generation Swine would be the band's final release on Elektra Records, as the label and Mötley Crüe would break their relationship off in early 1998. Future releases from the band would come from their own Mötley Records.
Re-edition contains five bonus tracks!
Mötley Records/EMI/Eleven Seven Music, 1997/2011 (ESM 361). Made in Germany.


Tracklist:
1. Find Myself     2:51 
2. Afraid     4:07 
3. Flush     5:02 
4. Generation Swine     4:39 
5. Confessions     4:20 
6. Beauty     3:47 
7. Glitter     5:00 
8. Anybody Out There     1:50 
9. Let Us Pray     4:22 
10. Rocketship     2:04 
11. A Rat Like Me     4:13 
12. Shout At The Devil '97     3:42 
13. Brandon     3:25 
Bonus Tracks:
14. Afraid (Spine Mix/Jimbo Mix)     3:57 
15. Wreck Me (Unreleased Track)     4:19 
16. Kiss The Sky (Unreleased Track)     1:37  
17. Rocketship (Early Demo)     4:46
18. Confessions (Demo-Tommy Vocal)     3:33
Total playing time: 67:34 min.

Crücial Crüe special edition re-release of the fourth full-length album by the legendary American Glam Metal band.
"Girls, Girls, Girls" continued Mötley Crüe's commercial hot streak. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled "Too Fast for Love". The production is too polished to really give the record a raw, dirty feel, but the raunchiness comes through all the same. Again, there's a bit of filler, as though the band knew they didn't have to make a completely consistent record to maintain their popularity, but there are enough high points along the way to make "Girls, Girls, Girls" an entertaining Party-Metal platter.
The album features a more Blues-influenced sound than their previous albums. The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, drug use, life on the Sunset Strip, and spending nights at strip clubs. However, there are darker sides to the album as well, notably Nikki Sixx's song "Dancing on Glass", about his addiction to heroin, and "Wild Side", which tells of destructive lifestyles and the pitfalls of decadence. Members of the band have stated that if they hadn't managed to write two successful songs that this album would have been the end of their careers. This is because they were all fighting addictions to drugs and alcohol.
The song "Nona" is a tribute to Nikki Sixx' grandmother, who died during the recording of the album.
The album peaked at No. 2 on the Billboard charts. On the week it might have reached No. 1, Whitney Houston's second album, "Whitney", debuted at the top of the charts. The album was also the band's third straight album to go 4x Platinum, after "Shout At The Devil" and "Theatre Of Pain".
Re-edition contains five bonus tracks!
Mötley Records/EMI/Masters 2000, Inc./Eleven Seven Music, 1987/2011 (ESM 331). Made in Germany.


Tracklist:
1. Wild Side     4:40
2. Girls, Girls, Girls     4:30 
3. Dancing On Glass     4:18
4. Bad Boy Boogie     3:27 
5. Nona     1:27
6. Five Years Dead     3:50 
7. All In The Name Of..     3:39
8. Sumthin' For Nuthin'     4:41
9. You're All I Need     4:33
10. Jailhouse Rock (Live)    4:39
Bonus Tracks:
11. Wild Side Instrumental (Rough Mix Of Instrumental Track)     4:08 
12. Rodeo (Unreleased Track)     4:11
13. Nona Instrumental Demo Idea     2:42 
14. Girls, Girls, Girls Tom Werman and Band Intro - Rough     5:36
15. All In The Name Off... (Live In Moscow)     5:02
Total playing time: 61:48 min.

Special Edition European only fifth re-release of the fourth full-length album by the legendary American Glam Metal band.
"Girls, Girls, Girls" continued Mötley Crüe's commercial hot streak. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled "Too Fast for Love". The production is too polished to really give the record a raw, dirty feel, but the raunchiness comes through all the same. Again, there's a bit of filler, as though the band knew they didn't have to make a completely consistent record to maintain their popularity, but there are enough high points along the way to make "Girls, Girls, Girls" an entertaining Party-Metal platter.
The album features a more Blues-influenced sound than their previous albums. The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, drug use, life on the Sunset Strip, and spending nights at strip clubs. However, there are darker sides to the album as well, notably Nikki Sixx's song "Dancing on Glass", about his addiction to heroin, and "Wild Side", which tells of destructive lifestyles and the pitfalls of decadence. Members of the band have stated that if they hadn't managed to write two successful songs that this album would have been the end of their careers. This is because they were all fighting addictions to drugs and alcohol.
The song "Nona" is a tribute to Nikki Sixx' grandmother, who died during the recording of the album.
The album peaked at No. 2 on the Billboard charts. On the week it might have reached No. 1, Whitney Houston's second album, "Whitney", debuted at the top of the charts. The album was also the band's third straight album to go 4x Platinum, after "Shout At The Devil" and "Theatre Of Pain".
Re-edition contains five bonus tracks!
Limited Edition digitally remastered European reissue in a miniaturized LP sleeve with inserts.
Mötley Records/Masters 2000, Inc./EMI/Eleven Seven Music, 1987/2011 (ESM 956). Made in Europe.


Tracklist:
1. Wild Side 4:43
2. Girls, Girls, Girls 4:30
3. Dancing On Glass 4:20
4. Bad Boy Boogie 3:28
5. Nona 1:26
6. Five Years Dead 3:50
7. All In The Name Of.. 3:40
8. Sumthin' For Nuthin' 4:49
9. You're All I Need 4:35
10. Jailhouse Rock 4:43
Bonus Tracks:
11. Girls, Girls, Girls (T Werman & Band Intro, Rough Mix Instrumental Track) 5:38 
12. Wild Side (Instrumental-Rough Mix Of Instrumental Track) 4:08
13. Rodeo (Unreleased Track) 4:14
14. Nona (Instrumental Demo Idea) 2:42
15. All In The Name Off... (Live In Moscow) 5:02
Total playing time: 61:48 min.



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The debut and only full-length studio album by Slovenian Heavy Metal band.
NWOBHM is back, and it's a strong! 
MotorFire are bringing back the 80s with their debut album.
If you grow up in the 80s, you’ll love this album. "Rising Fire" a very solid 80s album, and maybe band missed about 30 years to release it, it’s a great album nonetheless!!
Metal Tank Records, 2014 (MTR004). Made in Slovenia. Pressed in Poland. First press.


Tracklist:
1. Rising Fire 1:58
2. Burnout 3:15
3. Metropolis Of Dreams 6:19
4. The Pride 3:37
5. Ghost Rider 4:18
6. Claws'n'fangs 3:47
7. Miss You 4:12
8. Night Version 4:10
9. Demoni 5:04
10. Motorfire 4:44
11. Feel Your Burning Heart 0:46
Total playing time: 42:12 min.


Samples: https://motorfireband.bandcamp.com

The tenth full-length studio album by legendary British Heavy/Speed Metal/Hard Rock band.
"1916" was Motörhead's first studio album in nearly four years, and their first release on WTG Records after their legal battle with GWR Records was resolved.
This is a little different from other Motörhead releases. For one thing, Motörhead has four members on this recording rather than the usual three. For another, this CD is loaded with emotion of all kinds, not just the hellbent-for-leather attitude of previous Motörhead releases. It was an angle the band would continue to use on each album even through today.
Everything about this CD screams vintage Motörhead, and that means vintage Lemmy: raging music, killer lyrics and attitude in spades. The extra guitar adds a Judas Priest type resonance to the classic Motörhead sound, which worked perfectly with Lemmy, Metal's venerable frontman, at the mic.
"1916" is loaded with power-packed tunes that would make any Motörheader stand up and shout. A few of the surprises herein include some unprecedented, backwards effects and a song dedicated to the legendary Punk band, The Ramones.
The CD's last track is the title song, "1916." Not only does this track show Lemmy's love of history, it also introduced us to a whole another side of Lemmy: a sensitive side. "1916" is the story of a 16-year-old lad who lies about this age in order to enter WWI and the entire ugly mess that is war and its effect on everybody, from the viewpoint of this young soldier. Lemmy Kilmister is simply the best musical storyteller in Rock'n'Roll today, and "1916" is still more proof that Motörhead is one of the greatest bands ever!
"1916" reached number 24 in the UK charts and number 142 in the US. It was nominated for the Grammy Award for Best Metal Performance at the 1992 Grammys, but lost to Metallica's "Metallica", which was released approximately six months later.
Sony Music Entertainment Inc./Epic/CBS Records/WTG Records, 1991 (467481 2). Made in Austria.


Tracklist:
1. The One to Sing the Blues 03:07
2. I'm So Bad (Baby I Don't Care) 03:13 
3. No Voices in the Sky 04:12
4. Going to Brazil 02:30 
5. Nightmare - The Dreamtime 04:40 
6. Love Me Forever 05:27 
7. Angel City 03:57 
8. Make My Day 04:24 
9. Ramones 01:26 
10. Shut You Down 02:41 
11. 1916 03:45
Total playing time: 39:22 min.

The twenty-second full-length studio album by legendary British Heavy Metal band.
In the history of music, there are few true mavericks on the level of the legendary Lemmy, a man who seems to do his own thing without any concern for what anyone else thinks about it. This level of confidence has made Motörhead a timeless institution in the world of Rock & Roll, and on "Aftershock" it's clear they're not even close to running out of gas.
While the band's elemental sound doesn't show much in the way of innovation, the spirit of true Rock is so strong within it that it doesn't really matter. These guys aren't influenced so much as they are influences, and as the elder statesmen of being badass, Motörhead deliver yet another show of strength, putting on a master class in the sort of down-and-dirty grit and grime that most other bands can only summon ironically. Although "Aftershock" probably won't go down in history as one of the band's great albums, it serves as a reminder of Motörhead's, and by that virtue Lemmy's, status as true originals who play by a set of rules that only they seem privy to.
Fans of the band, or really anyone who has ever dared to cut the sleeves off of a jean jacket or carved a skull into a desk with a knife, would do well to pay tribute by checking this one out, lest they incur the wrath of Kilmister!!
UDR GmbH, 2013 (UDR 0177 CD). Made in Germany. First press.


Tracklist:
1. Heartbreaker 3:05
2. Coup De Grace 3:45
3. Lost Woman Blues 4:09
4. End Of Time 3:17
5. Do You Believe 2:59
6. Death Machine 2:37
7. Dust And Glass 2:51
8. Going To Mexico 2:51
9. Silence When You Speak To Me 4:30
10. Crying Shame 4:28
11. Queen Of The Damned 2:40
12. Knife 2:57
13. Keep Your Powder Dry 3:54
14. Paralyzed 2:52
Total playing time: 46:55 min.

Expanded Edition re-release of the seventh full-length studio album by the legendary British Heavy/Speed Metal/Hard Rock band.
To this day, "Another Perfect Day" remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), "Another Perfect Day" would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. The album captures Motörhead mainstays Ian "Lemmy" Kilmister and Philthy "Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream Hard Rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, "Another Perfect Day" ranks among the band's best-sounding records ever. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out Blues exercises like "One Track Mind" and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter.
By extension, "Another Perfect Day" is doomed to be considered a curiosity to this very day.
The album reached number 20 in the UK charts.
Expanded Edition remastered re-release includes bonus disc “Live At Manchester Apollo, 10h June 1983”.
Sanctuary Records Group Ltd., a BMG Company, 1983/2006/2010 (2748844). Made in Germany.


Tracklist:

CD “Another Perfect Day”
1. Back At The Funny Farm 4:11
2. Shine 3:08
3. Dancing On Your Grave 4:26
4. Rock It 3:52
5. One Track Mind 5:52
6. Another Perfect Day 5:26
7. Marching Off To War 4:09
8. I Got Mine 5:21
9. Tales Of Glory 2:53
10. Die You Bastard! 4:22
Bonus Track:
11. Turn You Round Again (Single B-Side) 3:55

Bonus CD “Live At Manchester Apollo, 10h June 1983”
1. Back At The Funny Farm 4:06
2. Tales Of Glory 3:40
3. Heart Of Stone 3:11
4. Shoot You In The Back 2:43
5. Marching Off To War 4:48
6. Iron Horse 3:45
7. Another Perfect Day 5:38
8. (I'm Your) Hoochie Coochie Man 6:39
9. (Don't Need) Religion 2:43
10. One Track Mind 6:12
11. Go To Hell 2:59
12. America 4:25
13. Shine 3:08
14. Dancing On Your Grave 5:42
15. Rock It 4:38
16. I Got Mine 5:36
17. Bite The Bullet 1:34
18. The Chase Is Better Than The Catch 5:42

Total playing time: 124:44 min.


Samples: http://www.last.fm