12"

The only official live album by legendary British Pop/Rock band.
Recorded live at Hollywood Bowl on Aug. 23, 1964 & Aug. 30, 1965.
"The Beatles At The Hollywood Bowl" was voted the 26th best record of 1977 in the Pazz & Jop, an annual poll of American critics published by The Village Voice.
Comes with printed inner sleeve.
Parlophone/EMI Records Ltd., 1977 (EMTV 4 / 0C 062-06377). Made in England. First press. Used (cover/vinyl): NM/EX+.

Tracklist:

Side One
1. Twist And Shout 1:21
2. She's A Woman 2:47
3. Dizzy Miss Lizzy 3:00
4. Ticket To Ride 2:19
5. Can't Buy Me Love 2:08
6. Things We Said Today 2:08
7. Roll Over Beethoven 2:11

Side Two
1. Boys 1:58
2. A Hard Day's Night 2:30
3. Help 2:16
4. All My Loving 1:56
5. She Loves You 2:11
6. Long Tall Sally 1:55

Total playing time: 28:40 min.
 

The first proper studio recording session made under the name “The Beatles”, by legendary British Pop Rock/Beat band.
After Brian Epstein, former The Beatles manager, had meetings with both EMI and Decca at the start of December 1961, Decca A&R executive Mike Smith travelled to Liverpool to see The Beatles perform at The Cavern Club, and was impressed enough to ask Epstein to bring the band down to London for a test in Decca’s recording studios.
"The Decca Tapes" (also known as "The Decca Sessions", "The Decca Audition", "Silver Beatles" and under a lot of other different monikers) have been recorded  on January 1, 1962 at Decca Studios in West Hampstead, North London, when The Beatles auditioned for Decca Records. At the time, the standard procedure for a test of this type was to record between two and five songs and then quickly usher the artists out of the studio. However, Brian Epstein chose the repertoire of songs which contained 12 cover songs and 3 originals. The Beatles ended up recording fifteen songs, and the recording session was extended into the afternoon, broken by a lunch break. This could suggest that, if offered a deal, their first single and perhaps others would have been taken from the resulting tape. However, Dick Rowe, former CEO of Decca Records, wasn’t impressed by the quality and the song choices. About a month later, Decca famously rejected the Beatles, signed Brian Poole & The Tremeloes from London instead. The executives felt that “guitar groups are on the way out” and “The Beatles have no future in show business”.
The 1979 release of "Decca Tapes" seems to have come from a tape gifted to a third party in the 1960s by Brian Epstein. The Beatles have owned the tape since the 1980s and took legal action confirming that they owned the copyright in 1989. These recordings and the releases that contain them are thus unofficial under current copyright law.
This album comprises all fifteen songs performed by the band at the audition. These fabled tracks are presented here so fans can judge for themselves. This is a must for all Beatles enthusiasts!
Remastered re-release on 180g Picture Disc.
Second Records, 1979/2022/2024 (SRPD0011PD). Made in Austria. Pressed in Poland.


Tracklist:

Side A
1. Like Dreamers Do (The original The Beatles' song) 2:31
2. Money 2:20
3. Till There Was You 2:54
4. Sheik Of Araby 1:39
5. To Know Her Is To Love Her 2:32
6. Take Good Care Of My Baby 2:23
7. Memphis 2:17
8. Sure To Fall 2:01

Side B
1. Hello Little Girl (The original The Beatles' song) 1:37
2. Three Cool Cats 2:21
3. Crying, Waiting, Hoping 2:00
4. Love Of The Loved (The original The Beatles' song) 1:49
5. September In The Rain 1:52
6. Besame Mucho 2:36
7. Searchin' 3:00

Total playing time: 34:00 min.

The first proper studio recording session made under the name “The Beatles”, by legendary British Pop Rock/Beat band.
After Brian Epstein, former The Beatles manager, had meetings with both EMI and Decca at the start of December 1961, Decca A&R executive Mike Smith travelled to Liverpool to see The Beatles perform at The Cavern Club, and was impressed enough to ask Epstein to bring the band down to London for a test in Decca’s recording studios.
"The Decca Tapes" (also known as "The Decca Sessions", "The Decca Audition", "Silver Beatles" and under a lot of other different monikers) have been recorded  on January 1, 1962 at Decca Studios in West Hampstead, North London, when The Beatles auditioned for Decca Records. At the time, the standard procedure for a test of this type was to record between two and five songs and then quickly usher the artists out of the studio. However, Brian Epstein chose the repertoire of songs which contained 12 cover songs and 3 originals. The Beatles ended up recording fifteen songs, and the recording session was extended into the afternoon, broken by a lunch break. This could suggest that, if offered a deal, their first single and perhaps others would have been taken from the resulting tape. However, Dick Rowe, former CEO of Decca Records, wasn’t impressed by the quality and the song choices. About a month later, Decca famously rejected the Beatles, signed Brian Poole & The Tremeloes from London instead. The executives felt that “guitar groups are on the way out” and “The Beatles have no future in show business”.
The 1979 release of "Decca Tapes" seems to have come from a tape gifted to a third party in the 1960s by Brian Epstein. The Beatles have owned the tape since the 1980s and took legal action confirming that they owned the copyright in 1989. These recordings and the releases that contain them are thus unofficial under current copyright law.
This album comprises all fifteen songs performed by the band at the audition. These fabled tracks are presented here so fans can judge for themselves. This is a must for all Beatles enthusiasts!
Remastered re-release on Clear Vinyl.
Second Records, 1979/2022/2024 (SRPD0011CV). Made in Austria. Pressed in Poland.


Tracklist:

Side A
1. Like Dreamers Do (The original The Beatles' song) 2:31
2. Money 2:20
3. Till There Was You 2:54
4. Sheik Of Araby 1:39
5. To Know Her Is To Love Her 2:32
6. Take Good Care Of My Baby 2:23
7. Memphis 2:17
8. Sure To Fall 2:01

Side B
1. Hello Little Girl (The original The Beatles' song) 1:37
2. Three Cool Cats 2:21
3. Crying, Waiting, Hoping 2:00
4. Love Of The Loved (The original The Beatles' song) 1:49
5. September In The Rain 1:52
6. Besame Mucho 2:36
7. Searchin' 3:00

Total playing time: 34:00 min.

The second full-length studio album by legendary British Pop Rock/Beat band.
The album was released in the United Kingdom on 22 November 1963 on Parlophone, eight months after the band's debut "Please Please Me".
Produced by George Martin, it features eight original compositions (seven by Lennon–McCartney and "Don't Bother Me", George Harrison's first recorded solo composition and his first released on a Beatles album) and six covers (mostly of Rock and Roll and Motown R&B hits).
The sessions also yielded the non-album single, "I Want to Hold Your Hand" backed by "This Boy".
The cover photograph was taken by the fashion photographer Robert Freeman and has since been mimicked by several music groups. A different cover was used for the Australian release of the album, which the Beatles were displeased with.
In the United States, the album's tracks were unevenly split over the band's first two albums released on Capitol Records, "Meet The Beatles!" and "The Beatles' Second Album". It was also released in Canada under the name "Beatlemania! With the Beatles".
The album was ranked number 420 on Rolling Stone Magazine's list of the "500 Greatest Albums of All Time" in 2003, and was included in Robert Dimery's "1001 Albums You Must Hear Before You Die" (2010). It was also voted number 275 in the third edition of English writer Colin Larkin's "All Time Top 1000 Albums" (2000). It was rated the 29th greatest album in the book Paul Gambaccini "Presents the Top 100 Albums", which canvassed a panel of experts in seven countries" to determine the greatest albums.
This stereo remastered album has been prepared using the 2009 digital remasters, which had been created from the original stereo analogue master tapes. Heavyweight 180g vinyl.
Apple Corps Ltd./EMI Records, Ltd., 1963/2012/2022 (0094638242017 | PCS 3045). Made in the E.U.


Tracklist:

Side One
1. It Won't Be Long 2:11
2. All I've Got To Do 2:01
3. All My Loving 2:06
4. Don't Bother Me 2:26
5. Little Child 1:45
6. Till There Was You (Cover) 2:14
7. Please Mister Postman (Cover) 2:34

Side Two
1. Roll Over Beethoven (Cover) 2:44
2. Hold Me Tight 2:29
3. You Really Got A Hold On Me (Cover) 3:00
4. I Wanna Be Your Man 1:56
5. Devil In Her Heart (Cover) 2:25
6. Not A Second Time 2:05
7. Money 2:47

Total playing time: 32:43 min.

50th Anniversary Edition re-release of the first compilation album by legendary American Psychedelic/Blues Rock band.
The title refers to the thirteen tracks included, which feature a variety of songs from their five studio albums released 1967 through 1970. It includes all six songs by the band that had reached the American Top 40 to this point, although not necessarily in their Single release version.
It is the band's only compilation album released while lead singer Jim Morrison was alive. The album reached No. 25 on the Billboard 200.
Re-released for the first time in 37 years!
Elektra/Rhino Entertainment Company, 1970/2020 (R1 60671 / 603497847044). Made in Germany.


Tracklist:

Side One
1. Light My Fire 6:50
2. People Are Strange 2:10
3. Back Door Man 3:30
4. Moonlight Drive 3:00
5. The Chrystal Ship 2:30
6. Roadhouse Blues 4:04

Side Two
1. Touch Me 3:15
2. Love Me Two Times 3:23
3. You're Lost, Little Girl 3:01
4. Hello, I Love You 2:22
5. Land Ho 4:08
6. Wild Child 2:36
7. The Unknown Soldier 3:10

Total playing time: 43:59 min.

The sixth full-length studio album by legendary American Psychedelic/Blues Rock band.
The last album to feature the band's lead singer, Jim Morrison, who died three months after the album's release. It was also recorded without record producer Paul A. Rothchild after he fell out with the group over the perceived lack of quality of their studio performances. Subsequently, the band co-produced the album with long-time sound engineer Bruce Botnick.
The album saw the band continue to integrate elements of Blues back into their music, a direction begun with their previous album, "Morrison Hotel". Actually, some of the straight Blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, Jazzy "Riders on the Storm", was the band's at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better, little-heeded album tracks. An uneven but worthy finale from the original quartet… Three months after release, on July 3, Morrison was found dead. 
"Love Her Madly" was released as a single in March 1971, preceding the album's release, and it reached the Top 20 in the Billboard Hot 100 for a stay of 11 weeks, but failed to chart in the UK. Upon release, the album peaked at number nine on the Billboard 200, remaining on the charts for 36 weeks, and reached number 28 in the UK, spending four weeks on the UK Albums Charts. An additional Single in support of the album, "Riders On The Storm", also achieved chart success on Billboard and in the UK. 
An additional Single, "Riders On The Storm", was released in June, and reached number 14 on the Billboard chart, while managing to peak at number 22 in the UK chart.
In 2003, "L.A. Woman" was ranked at 362 on Rolling Stone Magazine's list of The 500 Greatest Albums of All Time. When the list was revised in 2012, to accommodate a number of albums released since 2003, the album was repositioned at number 364.
Elektra Records, 1971/2020 (EKS-75011 | 7559-60328-1). Made in Germany. Re-press.


Tracklist:

Side One (24:17)
1. The Changeling 4:20
2. Love Her Madly 3:18
3. Been Down So Long 4:40
4. Cars Hiss By My Window 4:10
5. L.A. Woman 7:49

Side Two (24:08)
1. L'America 4:35
2. Hyacinth House 3:10
3. Crawling King Snake 4:57
4. The WASP (Texas Radio And The Big Beat) 4:12
5. Riders On The Storm 7:14

Total playing time: 48:25 min.

Re-release of the fifth full-length studio album by legendary American Psychedelic/Blues Rock band.
Following the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, "The Soft Parade", the band returned to their original Blues Rock style and was largely seen as a return to form for the band.
The Doors entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides: "Hard Rock Cafe" and "Morrison Hotel". The band included session bassists Lonnie Mack and Ray Neapolitan on the album's songs.
The album peaked at No. 4 on the Billboard 200, and performed better overseas than the preceding album. It was certified Gold by RIAA in February 1970. Additionally, it became the band's highest-charting studio album in the United Kingdom, where it peaked at No. 12.
Reissue on 180-gram HQ virgin vinyl housed in gatefold cover presents the original stereo mixes, artwork and a folded Elektra insert.
Elektra Records/Rhino Records, 1970/2009 (8122-79865-3). Made in EU.


Tracklist:

Side One: Hard Rock Cafe
1. Roadhouse Blues 4:04 
2. Waiting For The Sun 3:58 
3. You Make Me Real 2:50 
4. Peace Frog 2:52 
5. Blue Sunday 2:08 
6. Ship Of Fools 3:06

Side Two: Morrison Hotel
7. Land Ho! 4:08 
8. The Spy 4:15 
9. Queen Of The Highway 2:47 
10. Indian Summer 2:33 
11. Maggie M'gill 4:24

Total playing time: 37:05 min.

Re-release of the second full-length studio album by legendary American Psychedelic Rock band.
Many of the songs on "Strange Days" had been written around the same time as the ones that appeared on "The Doors" (1967), and with hindsight one has the sense that the best of the batch had already been cherry-picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very successful continuation of the themes of their classic album. Besides the hit "Strange Days", highlights included the funky "Moonlight Drive", the eerie "You're Lost Little Girl", and the jerkily rhythmic "Love Me Two Times", which gave the band a small chart single. "My Eyes Have Seen You" and "I Can't See Your Face in My Mind" are minor but pleasing entries in the band's repertoire that share a subdued Eastern Psychedelic air. The 11-minute "When the Music's Over" would often be featured as a live showstopper, yet it also illustrated their tendency to occasionally slip into drawn-out bombast.
The album was a commercial success, reaching number 3 on the US Billboard 200 during a sixty-three-week chart stay in November 1967, and eventually earning RIAA Platinum certification. The album contains the Top 30 hit singles "People Are Strange" and "Love Me Two Times". In 2003, "Strange Days" was listed at No. 407 on Rolling Stone's list of the "500 Greatest Albums of All Time". In 2007, Rolling Stone included it on their list "The 40 Essential Albums of 1967".
Reissue on 180-gram HQ virgin presents the original stereo mixes, artwork and inner sleeves. Issued with a 4-page fold out lyric sheet.
Elektra Records/Rhino Records, 1967/2008 (8122-79865-1). Made in EU.


Tracklist:

Side One
1. Strange Days 3:05
2. You're Lost Little Girl 3:01
3. Love Me Two Times 3:23
4. Unhappy Girl 2:00
5. Horse Latitudes 1:30
6. Moonlight Drive 3:00

Side Two
1. People Are Strange 2:10
2. My Eyes Have Seen You 2:22
3. I Can't See Your Face In My Mind 3:18
4. When The Music's Over 11:00

Total playing time: 34:49 min.

Remastered re-release of the second full-length studio album by legendary American Psychedelic Rock band.
Many of the songs on "Strange Days" had been written around the same time as the ones that appeared on "The Doors" (1967), and with hindsight one has the sense that the best of the batch had already been cherry-picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very successful continuation of the themes of their classic album. Besides the hit "Strange Days", highlights included the funky "Moonlight Drive", the eerie "You're Lost Little Girl", and the jerkily rhythmic "Love Me Two Times", which gave the band a small chart single. "My Eyes Have Seen You" and "I Can't See Your Face in My Mind" are minor but pleasing entries in the band's repertoire that share a subdued Eastern Psychedelic air. The 11-minute "When the Music's Over" would often be featured as a live showstopper, yet it also illustrated their tendency to occasionally slip into drawn-out bombast.
The album was a commercial success, reaching number 3 on the US Billboard 200 during a sixty-three-week chart stay in November 1967, and eventually earning RIAA Platinum certification. The album contains the Top 30 hit singles "People Are Strange" and "Love Me Two Times". In 2003, "Strange Days" was listed at No. 407 on Rolling Stone's list of the "500 Greatest Albums of All Time". In 2007, Rolling Stone included it on their list "The 40 Essential Albums of 1967".
Remastered from the Original 1967 MONO MASTER 180-gram HQ virgin. Issued with a 4-page fold out lyric sheet.
Elektra Entertainment/Rhino Entertainment Company, a Warner Music Group Company, 1967/2017 (081227931810). Mono. Made in EU.


Tracklist:

Side One
1. Strange Days 3:05
2. You're Lost Little Girl 3:01
3. Love Me Two Times 3:23
4. Unhappy Girl 2:00
5. Horse Latitudes 1:30
6. Moonlight Drive 3:00

Side Two
1. People Are Strange 2:10
2. My Eyes Have Seen You 2:22
3. I Can't See Your Face In My Mind 3:18
4. When The Music's Over 11:00

Total playing time: 34:49 min.

The second full-length studio album by legendary American Psychedelic Rock band.
A tremendous debut album and indeed one of the best first-time outings in Rock history, introducing the band's fusion of Rock, Blues, Classical, Jazz, and poetry with a knockout punch.
Recorded in 1966 at Sunset Sound Recorders, Hollywood, California, it was produced by Paul A. Rothchild and released on January 4, 1967. The album features their breakthrough single "Light My Fire" and the lengthy song "The End" with its Oedipal spoken word section.
The Doors was central to the progression of Psychedelic Rock, and has been critically acclaimed. 
The original album has sold 20,000,000 copies, and has been inducted into the Grammy Hall of Fame. Song "Light My Fire" was also inducted into the Grammy Hall of Fame. It has since been frequently ranked by critics as one of the greatest albums of all time; according to Acclaimed Music, it is the 27th most ranked record on all-time lists.
In 2000, “The Doors” was voted number 46 in Colin Larkin's "All Time Top 1000 Albums". It’s also ranked No. 75 on Q Magazine's "100 Greatest Albums Ever" and No. 226 in NME Magazine's "500 Greatest Albums of All Time".
In 2007, Rolling Stone put “The Doors” on their list of the 40 essential albums of 1967. In 2012, the album was ranked No. 42 in Rolling Stone Magazine's list of "500 Greatest Albums of all Time". In 2015, the Library of Congress selected "The Doors" for inclusion in the National Recording Registry based on its cultural, artistic or historical significance.
Rhino Records, 1967/2009 ‎(8122-79865-0). Made in EU.


Tracklist:

Side One
1. Break On Through (To The Other Side) 2:25
2. Soul Kitchen 3:30
3. The Crystal Ship 2:30
4. Twentieth Century Fox 2:30
5. Alabama Song (Whisky Bar) 3:15
6. Light My Fire 6:50

Side Two
1. Back Door Man 3:30
2. I Looked At You 2:18
3. End Of The Night 2:49
4. Take It As It Comes 2:13
5. The End 11:35

Total playing time: 43:05 min.

Re-release of the second full-length studio album by legendary American Psychedelic Rock band.
A tremendous debut album and indeed one of the best first-time outings in Rock history, introducing the band's fusion of Rock, Blues, Classical, Jazz, and poetry with a knockout punch.
Recorded in 1966 at Sunset Sound Recorders, Hollywood, California, it was produced by Paul A. Rothchild and released on January 4, 1967. The album features their breakthrough single "Light My Fire" and the lengthy song "The End" with its Oedipal spoken word section.
The Doors was central to the progression of Psychedelic Rock, and has been critically acclaimed. 
The original album has sold 20,000,000 copies, and has been inducted into the Grammy Hall of Fame. Song "Light My Fire" was also inducted into the Grammy Hall of Fame. It has since been frequently ranked by critics as one of the greatest albums of all time; according to Acclaimed Music, it is the 27th most ranked record on all-time lists.
In 2000, “The Doors” was voted number 46 in Colin Larkin's "All Time Top 1000 Albums". It’s also ranked No. 75 on Q Magazine's "100 Greatest Albums Ever" and No. 226 in NME Magazine's "500 Greatest Albums of All Time".
In 2007, Rolling Stone put “The Doors” on their list of the 40 essential albums of 1967. In 2012, the album was ranked No. 42 in Rolling Stone Magazine's list of "500 Greatest Albums of all Time". In 2015, the Library of Congress selected "The Doors" for inclusion in the National Recording Registry based on its cultural, artistic or historical significance.
180g vinyl features The Original Mono Mixes.
Elektra Records/Rhyno Vinyl, 1967/2009 ‎(8122-79788-8). Made in Germany.


Tracklist:

Side One
1. Break On Through (To The Other Side) 2:25
2. Soul Kitchen 3:30
3. The Crystal Ship 2:30
4. Twentieth Century Fox 2:30
5. Alabama Song (Whisky Bar) 3:15
6. Light My Fire 6:50

Side Two
1. Back Door Man 3:30
2. I Looked At You 2:18
3. End Of The Night 2:49
4. Take It As It Comes 2:13
5. The End 11:35

Total playing time: 43:05 min.

50th Anniversary Edition remastered re-release of the fourth full-length studio album by legendary American Psychedelic/Blues Rock band.
By mid-1968, The Doors had established themselves as one of the most popular bands in the US. The band's third studio album, "Waiting For The Sun", released in July of the same year, became The Doors' only number one hit on the Billboard 200 while also spawning "Hello, I Love You", their second number one Single. The album was the first commercial breakthrough for the band in the UK, reaching number 16 on the UK Albums Chart. After the release of "Waiting For The Sun", The Doors commanded substantial performance fees and played before large crowds in arenas such as the L.A. Forum, the Hollywood Bowl, and Madison Square Garden.
Most of the next album was recorded following a gruelling tour, during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output. Upon release, "The Soft Parade" was denounced by both music critics and the band's Underground music scene followers, who viewed the album as The Doors' trending into Pop music. Over time, historians have reassessed the album and its critical standing has slightly improved, but it is still widely considered to be the group's weakest effort with Morrison.
Three preceding Singles, "Touch Me", "Wishful Sinful", and "Tell All the People", were included on "The Soft Parade", with the former becoming another Top 10 hit for The Doors. Another single, "Runnin' Blue", also followed the album's release.
The album peaked at number six on the Billboard 200, but it failed to retain audiences in the UK and other European countries that their previous album, "Waiting For The Sun", had succeeded in engaging.
Digitally remastered 180 g vinyl in gatefold cover.
Elektra/Rhino Entertainment Company, a Warner Music Group Company, 1969/2020 (R1 75005). Made in the E.U.


Tracklist:

Side One
1. Tell All The People 3:24
2. Touch Me 3:15
3. Shaman's Blues 4:45
4. Do It 3:01
5. Easy Ride 2:35

Side Two
1. Wild Child 2:36
2. Runnin' Blue 2:27
3. Wishful Sinful 2:56
4. The Soft Parade 8:40

Total playing time: 33:39 min.

Re-release of the fourth full-length studio album by legendary American Psychedelic/Blues Rock band.
By mid-1968, The Doors had established themselves as one of the most popular bands in the US. The band's third studio album, "Waiting For The Sun", released in July of the same year, became The Doors' only number one hit on the Billboard 200 while also spawning "Hello, I Love You", their second number one Single. The album was the first commercial breakthrough for the band in the UK, reaching number 16 on the UK Albums Chart. After the release of "Waiting For The Sun", The Doors commanded substantial performance fees and played before large crowds in arenas such as the L.A. Forum, the Hollywood Bowl, and Madison Square Garden.
Most of the next album was recorded following a gruelling tour, during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output. Upon release, "The Soft Parade" was denounced by both music critics and the band's Underground music scene followers, who viewed the album as The Doors' trending into Pop music. Over time, historians have reassessed the album and its critical standing has slightly improved, but it is still widely considered to be the group's weakest effort with Morrison.
Three preceding Singles, "Touch Me", "Wishful Sinful", and "Tell All the People", were included on "The Soft Parade", with the former becoming another Top 10 hit for The Doors. Another single, "Runnin' Blue", also followed the album's release.
The album peaked at number six on the Billboard 200, but it failed to retain audiences in the UK and other European countries that their previous album, "Waiting For The Sun", had succeeded in engaging.
Elektra/WEA Musik GmbH, A Warner Communications Company, 1969/2016 (42079 (EKS 75005)). Made in Germany.


Tracklist:

Side One
1. Tell All The People 3:24
2. Touch Me 3:15
3. Shaman's Blues 4:45
4. Do It 3:01
5. Easy Ride 2:35

Side Two
1. Wild Child 2:36
2. Runnin' Blue 2:27
3. Wishful Sinful 2:56
4. The Soft Parade 8:40

Total playing time: 33:39 min.

Remastered re-release of the third full-length studio album by legendary American Psychedelic Rock band.
"Waiting For The Sun" became the band's only #1 album (topping the charts for four weeks) and included their second US #1 single, "Hello, I Love You" (for two weeks starting August 3, 1968). The first single released off the album was "The Unknown Soldier," which peaked at #39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at #16.
The song "Waiting for the Sun" was also recorded during the sessions for the album but was left off and later appeared on the album "Morrison Hotel" in 1970.
Elektra Records, A Warner Music Group Company, 1968/2018 (603497858996). Made in EU. 180g vinyl.


Tracklist:

Side One
1. Hello, I Love You 2:22
2. Love Street 3:06
3. Not To Touch The Earth 3:54
4. Summer's Almost Gone 3:20
5. Wintertime Love 1:52
6. The Unknown Soldier 3:10

Side Two
1. Spanish Caravan 2:58
2. My Wild Love 2:50
3. We Could Be So Good Together 2:20
4. Yes, The River Knows 2:35
5. Five To One 4:22

Total playing time: 32:49 min.

Re-release of the third full-length studio album by legendary American Psychedelic Rock band.
"Waiting For The Sun" became the band's only #1 album (topping the charts for four weeks) and included their second US #1 single, "Hello, I Love You" (for two weeks starting August 3, 1968). The first single released off the album was "The Unknown Soldier," which peaked at #39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at #16.
The song "Waiting for the Sun" was also recorded during the sessions for the album but was left off and later appeared on the album "Morrison Hotel" in 1970.
High quality 180 g vinyl.
WEA Musik GmbH, A Warner Communications Company, 1968/1973 (42 041 (EKS 74 024)). Made in Germany. Re-press.


Tracklist:

Side One
1. Hello, I Love You 2:22
2. Love Street 3:06
3. Not To Touch The Earth 3:54
4. Summer's Almost Gone 3:20
5. Wintertime Love 1:52
6. The Unknown Soldier 3:10

Side Two
1. Spanish Caravan 2:58
2. My Wild Love 2:50
3. We Could Be So Good Together 2:20
4. Yes, The River Knows 2:35
5. Five To One 4:22

Total playing time: 32:49 min.

The debut full-length studio album by legendary British Blues Rock/Hard Rock band.
It's the second studio album by English guitarist Jeff Beck, which was released in June 1969 by Epic Records in the United States and the following August by Columbia Records in the United Kingdom.
Jack Beck and his band released their first album, "Truth", during 1968 and by the end of the year drummer Micky Waller was replaced by Tony Newman, as Beck wanted to take the music in a heavier direction, and he viewed Waller as more of a finesse drummer in the style of Motown. Pianist Nicky Hopkins, who had also played on "Truth", was asked to join the band full-time for his work in the studio.
Recording sessions for the "Back-Ola" took place over six days in April 1969. Two covers of Elvis Presley tunes were chosen, "All Shook Up" and "Jailhouse Rock", as well as "Girl From Mill Valley", an instrumental by and prominently featuring Hopkins. The remaining four tracks consist of band originals, with the instrumental "Rice Pudding" ending the album dramatically cold.
Following the sessions for this album, the Jeff Beck Group toured the United States. They were scheduled to play Woodstock and are listed on posters promoting the festival, but by then internal friction had reached the breaking point and both Ronnie Wood and Rod Stewart were out of the band. Stewart and Wood would form the Faces with members of the Small Faces in 1969, while Hopkins played Woodstock with Jefferson Airplane, joined Quicksilver Messenger Service, and toured the world with the Rolling Stones in 1971, 1972 and 1973. Beck himself would be out of action by December due to an automobile accident.
The album peaked at No. 15 on the Billboard 200, and at No. 39 on the UK Albums Chart. The album's title puns on the name of the Rock-Ola jukebox company.
Although a short album at half an hour, it is regarded, along with its predecessor, as a seminal work of Heavy Metal due to its use of Blues toward a Hard Rock approach and the squaring off of Beck's guitar against Stewart's vocals, duplicated the same year by Beck's good friend Jimmy Page with his singer Robert Plant in Led Zeppelin.
Epic Records, 1969/1987 (PE 26478). Made in USA. Used (cover/disc): NM/NM.

 
Tracklist:

Side A:
1. All Shook Up 4:53
2. Spanish Boots 3:35
3. Girl From Mill Valley 3:48
4. Jailhouse Rock 3:16    
    
Side B:
5. Plynth (Water Down The Drain) 3:07
6. The Hangman's Knee 4:48
7. Rice Pudding 7:28        
    
Total playing time: 30:55 min.

Compilation album by legendary British Rock band.
Rare compilation album with old tracks (1964-65) of legendary Rock band.
Melodija, 1988 (M60 48371 000). Unofficial release. Made in USSR. Used (cover/disc): EX-/EX+.
 

Tracklist:
1. I'm A King Bee 02:34
2. Honest I Do 02:07
3. Carol 02:31
4. Route 66 02:19
5. You Can Make It If You Try 02:00
6. Congratulations 02:26
7. If You Need Me 02:02
8. It's All Over Now 03:25
9. Time Is On My Side 02:57
10. Confessin' The Blues 02:47
11. Under The Boardwalk 02:44
12. Around And Around 03:03
13. As Tears Go By 02:42
14. Play With Fire 02:11
15. The Last Time 03:39 
Total playing time: 39:27 min.

Compilation album by legendary British Philharmonic Orchestra.
The Royal Philharmonic Orchestra, incl. The Royal Choral Society and guests, performing cover songs of The Beatles, Queen, ABBA, and The Police.
Shermon/Bellevue Publishing UK Ltd., 2020 (02134-VB). Made in the E.U. First press.


Tracklist:

Side One
1. Eleanor Rigby (The Beatles cover) 3:31
2. Bohemian Rhapsody (Queen cover) 6:18
3. Mamma Mia (ABBA cover) 3:11
4. Message In A Bottle (The Police) 3:52
5. All You Need Is Love (The Beatles cover) 2:47
6. Don't Stop Me Now (Queen cover) 4:52

Side Two
1. Killer Queen (Queen cover) 5:12
2. Knowing Me, Knowing You (ABBA cover) 5:29
3. Roxanne (The Police) 4:20
4. The Long And Winding Road (The Beatles cover) 2:59
5. Chiquitita (ABBA cover) 2:54
6. Walking On The Moon (The Police) 3:48

The second full-length studio album by legendary British Dark Wave/Gothic Rock band.
While the goth scene in England was picking up commercial steam in the mid-'80s, the Sisters Of Mercy may have seemed quiet, but they roared back with 1987's "Floodland". Andrew Eldritch (along with bassist Patricia Morrison) creates a black soundscape that is majestic and vast. While the earlier Sisters releases were noisy, sometimes harsh affairs, "Floodland" is filled with lush production (thanks to Meat Loaf writer/producer Jim Steinman and the New York Choral Society) and lyric imagery that is both scary and glorious. The slower tracks, like "Flood" and "1959", are some of the best ethereal sounds Goth has to offer, and the downright regal "This Corrosion" is one of the best songs of the genre. Being close to an Andrew Eldritch solo album, "Floodland"’s ultimate place in The Sisters Of Mercy’s discography may be unclear to some. The album considered by many to be a step sideways in the band’s musical direction, but it’s definitely a nice wandering off the beaten path of Dr. Avalanche.
"Floodland" and its singles had a positive commercial performance. The album debuted in the United Kingdom at number 9. Its pre-orders assured it Silver certification status from the BPI on the day of its release. The three singles released to support the album were "This Corrosion", "Dominion", and "Lucretia My Reflection". In the UK, "This Corrosion" peaked at number 7, "Dominion" peaked at number 13, and "Lucretia My Reflection" peaked at number 20. In Germany, "Floodland" entered the top 100 albums chart on 14 December 1987, staying there for twenty weeks and reaching number 32. In 1988, the album was certified Gold by the BPI for selling 100,000 copies in the UK. The album also peaked within the top 40 in other European countries. It reached number 101 in the Billboard 200 on 12 March 1988. In 1993 "Floodland" went Gold, with 250,000 sold units.
A definite milestone!!
Re-release includes fold out 12x24" poster/lyric sheet.
Merciful Release/Warner Music UK Ltd., 1987/2015 (0825646077038 / 1). Made in EU.


Tracklist:

Side One
1. Dominion
2. Mother Russia 6:49
3. Flood I 6:02
4. Lucretia 4:43
5. 1959 4:00

Side Two
1. This Corrosion 8:56
2. Flood II 6:01
3. Driven Like The Snow 4:26
4. Neverland 2:37

Total playing time: 43:34 min.

The seventeenth full-length studio album by legendary Swedish Symphonic Metal band.
With defiant determination rarely found in a metal band, Therion have always and exclusively done what they deemed right. Never did they stick to a successful formula, never did they give in to fickle friends like expectation, commercial aspects or trends. Now, more than three decades into their storied career, they actually do something every fan had hoped for but never actually thought possible. “We wanted to give fans what they want this time,” is how musical mastermind Christofer Johnsson describes the second part in a trilogy.
According to Christofer Johnsson, this second part of the trilogy attempts aimed towards a "more moody and melancholic" sound, that rekindles the "mystic, melancholic aura" of their groundbreaking work "Vovin".
“Leviathan II” is a mystic, melancholic, epic, heavy, orchestral, catchy and atmospheric sonic feast, distilling the essence of Therion in magnificent songs!
Strictly limited to 500 copies, Orange with Black/White Splatter Vinyl in Gatefold Cover.
(6124 | NB 6124-1). Made in Germany. Pressed in France. First press.


Tracklist:

Side I
1. Aeon Of Maat 2:37
2. Litany Of The Fallen 4:11
3. Alchemy Of The Soul 4:11
4. Lunar Coloured Fields 5:40
5. Lucifuge Rofocale 4:43
6. Marijin Min Nar 5:46

Side II
7. Hades And Elysium 4:23
8. Midnight Star 4:43
9. Cavern Cold As Ice 3:26
10. Codex Gigas 4:07
11. Pazuzu 4:28

Total playing time: 48:15 min.