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The first European re-release of the debut full-length studio album by cult Swedish Heavy Metal/Rock band.
Standing motionless and anonymous beneath the painted faces, hoods, and robes (which their sect demand), the six nameless ghouls of Ghost deliver litanies of sexually pulsating Heavy Rock music and romantic lyrics, which glorify and glamorize the disgusting and sacrilegious. The simple intention to communicate a message of pure evil via the most effective device they can find: Entertainment.  This is Black Metal at its most original and deceiving; compositions such as “Ritual” and “Death Knell” majestically weave their melodic spell of evil through the senses until the listener finds themselves utterly possessed and open to any diabolical suggestion.
A daringly beautiful combination of Satanic Rock music with an almost unthinkable Pop sensibility, "Opus Eponymous" is where it all began for this beautifully dark global phenomenon!
"Opus Eponymous" entered the Sverigetopplistan Albums Top 60 chart at No. 59, staying on the charts for 5 weeks and peaking at No. 50. The album was nominated for the 2011 Grammis Award (the Swedish equivalent to the Grammy Awards) in the "Best Hard Rock" category. In the June 2011 edition of Sweden Rock Magazine named it the third-best album in the past decade, with the first two being "The Final Frontier" and "A Matter of Life And Death" by Iron Maiden. The album's cover was declared the fourth best of 2010 by Revolver Magazine. Noisecreep listed Ghost's version of "Here Comes The Sun" at number six on their list of the 10 Best Metal Cover Songs. In their roundup of the 25 Best Metal Albums of 2010–2019, the music blog MetalSucks declared "Opus Eponymous" to be the 5th best Metal album of the 2010s. In 2015, PopMatters called "Opus Eponymous" a 21st-century classic.
For fans of early Mercyful Fate, Misfits, and Black Sabbath.
Rise Above Records, 2010/2025 (RISECD124). Made in UK. Pressed in Austria.


Tracklist:
1. Deus Culpa 1:34
2. Con Clavi Con Dio 3:34
3. Ritual 4:29
4. Elizabeth 4:01
5. Stand By Him 3:56
6. Satan Prayer 4:38
7. Death Knell 4:37
8. Prime Mover 3:53
9. Genesis 4:03
Total playing time: 34:45 min.

The second full-length studio album by British Extreme Symphonic Metal band.
Suffolk Symphonic Death Metal masters follow up their full-length debut with another journey to the faraway lands of myths and legend. A continuation of the events told on "3/6/2/4", "Riddles Of The Sycophants" finds the remaining Atlanteans having washed ashore, word soon spreading about their survival and apparent favour from the gods. Creating unrest, these stories cause the seal on Pandora’s Box to be removed, the greed and desire of mankind once again forcing the Ghosts Of Atlantis to intervene.
The album showcases the band's signature blend of Symphonic and Melodic Death Metal, delivering epic soundscapes and powerful storytelling rooted in mythological themes. Ghosts Of Atlantis have steadily risen within the metal scene since their formation. Their dynamic compositions and theatrical performances have garnered a dedicated fan base worldwide. “Riddles Of The Sycophants” weaves mythology, fantasy and modern struggles into a seamless, emotionally charged experience. A testament to their craft, this album pushes boundaries, delivering a unique brand of Metal.
Prepare for an evening of musical prowess and passion!
Hammerheart Records, 2023 (HHR 2023-39). Made in Netherlands. Pressed in Czech. First press.


Tracklist:
1. March Of The Titans 5:11
2. Lands Of Snow 5:04
3. Empires Burn At Dawn 4:30
4. The Lycaon King 5:59
5. The Alkonost 7:17
6. Sacramental 5:17
7. A Maiden's Scorn 4:38
8. Behind The Wall 5:19
9. Riddles Of The Sycophants 7:00
Total playing time: 50:15 min.


https://hammerheart.bandcamp.com/

The debut full-length album by Italian Brutal Death Metal band.
Evil perverse Brutal Technical Death Metal with the lyrics throughout are charged with sadism, sexual torture and voyeuristic murder.
From variating all time from fast attacks to even quite melodic parts, this is a solid and worthy album from a band with a colorful spin on their genre, and it's well worth your attention if you are a fan of sick and sadistic Death Metal.
For fans of: Suffocation, Origin, Deicide, Vital Remains and Morbid Angel!!
Despise The Sun Records, 2008 (DTSR 009). Made in Italy. Pressed in USA. First press.


Tracklist:
1. Menstrual Vaginal Cry 05:04
2. Endless Pleasure 04:25 
3. To Bitch or Not to Bitch 04:39 
4. Until It Bleeds 05:03 
5. The Messiah of Torture and Perversion 03:40 
6. Snuff Movie 03:55 
7. Chained to My Orgasm 04:30 
8. Tears of Pain 03:48
Total playing time: 35:04

The second full-length studio album by Italian Progressive Metal/Shred guitarist.
Gianluca Ferro is a guitarist from exemplary curriculum, involved from years in collaborations with such artists, as Andrè Matos (Angra, Shaman), Kiko Loureiro (Angra), Rafael Bittencourt (Angra) and Scott McGill (Michael Manring, Vic Stevens). At the present, he’s a guitar teacher in a known musical academy.
Active since the late '90s in the Italian Prog-Metal scene, with bands such as Time Machine, Doomsword and Arkhè, Gianluca recorded many albums and performed intensively in Italy and abroad. He plays at the legendary Gods Of Metal in Milan, in different occasions, sharing the stage with bands, such as Iron Maiden, Slayer, Slipknot, Dark Tranquillity, Testament, Rammstein, Manowar, Symphony X, Running Wild and many others. At the same time, he collaborates with Kiko Loureiro (Megadeth, Angra) and Rafael Bittencourt at the album "Reviviscence" by Time Machine. While devoting himself to guitar teaching, toward the beginning of 2000 Gianluca starts working on his solo debut album, "Involution" released in 2005 and worldwide distributed by Century Media.
His solo career marks an artistic transition, blending his Jazz-Fusion skills with modern Metal influences and complex harmonic and rhythmic textures, exploring polyrhythms and polymeters in a pristine, original vision. In 2008, he released a guitar trio album with Strings 24, with whom plays at the Peralta Auditorioum in Spain, together with Patrick Rondat and, with the same line-up, he performs at the Guitar Day 4 in Milan together with Paul Gilbert, Mattias Eklundh.
In February 2010, Gianluca takes part in OSV Project 3, a guitar-oriented instrumental album, featuring guitarists Achilleas Diamantis, Borge Olzen, Marcel Coenen, Jonas Tamas and Phy Yaan-Zek, which arouses the interest of the famous producer Mark Varney.
The 15 tracks of his second solo-album recorded with the collaboration of famous musicians.
People, who enjoy acts like Liquid Tension Experiment, Steve Vai, Scale The Summit, and other instrumental Progressive Metal acts, should enjoy Gianluca Ferro's solo efforts!
SG Records, 2010 (SGCD036). Made in Italy. First press.


Tracklist:
1. Olympia's Strangely Mechanical Actions 3:43
2. Accelerating Future 6:27
3. Moroccan Dilemma 2:45
4. Crimson Robotron 1:57
5. Solaris 5:37
6. Metanfenasia 6:08
7. Life In A Raindrop 2:00
8. Cyclopic Overtone 5:35
9. Overture 1089 X 9 2:24
10. Bipolar Zombie 6:35
11. Black Lydian 1:59
12. On A Day Like Today 4:46
13. Ulam Spiral Dysporia 5:24
14. City Rises 5:05
15. The Bunraku Puppet 7:17
Total playing time: 67:45 min.


Samples: https://gianlucaferro1.bandcamp.com

The fifth full-length studio album by legendary British Hard Rock band.
Album was released during the heyday for the New Wave Of British Heavy Metal, when Heavy Metal was seeing a resurgence especially in Gillan's homeland. Many, including Ian Gillan himself, rank "Double Trouble" as the band's pinnacle; their finest moment. On the studio tracks producer Steve Smith manages to capture the raw, heavy feel of the band that was sometimes missing in past albums. The studio album featured two hit singles, “Restless” and “Nightmare”, which were unfortunately only released in Europe.
The album is titled "Double Trouble" because originally this was released as a double LP set with one record being the new studio material and the rest being live material, mostly taken from England's 1981 Reading Festival. The one exception is "If You Believe Me" which was recorded at London's Rainbow Theatre, March 4, 1981.
It is the first album to feature Janick Gers, since Bernie Tormé left the band during the tour of Germany in 1981. In fact Tormé was fired because he did not want to participate in the playback TV performance of "No Laughing in Heaven" at "Top Of The Pops" on 24 June 1981. Janick Gers came in for the rest of the tour on 25 June 1981. Of course, Janick Gers went on to record with Bruce Dickinson and eventually joined Iron Maiden.
Album reached #12 in the UK charts.
In 1989, Virgin Records re-released the remastered version of album in CD format, with the same track listing.
Kingsway Recorders/Virgin Records Ltd., 1981/1989 (CDVM 3606). Made in UK. 


Tracklist:
1. I'll Rip Your Spine Out     4:30 
2. Restless     3:19 
3. Men Of War     4:31 
4. Sunbeam     5:11 
5. Nightmare     3:15 
6. Hadely Bop Bop     2:50 
7. Life Goes On     4:12 
8. Born To Kill     9:28
9. No Laughing In Heaven (Live)     6:26
10. No Easy Way (Live)     10:32
11. Trouble (Live)     3:04
12. Mutually Assured Destruction (Live)     5:13
13. If You Believe Me (Live)     8:26
14. New Orleans (Live)     6:04
Total playing time: 77:02 min.


Samples:  http://www.lastfm


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Second full-length album by the Italian Neoclassical Progressive Metal/Shred guitarist-virtuoso.
The style of the album ranges from my favorite Neo-classical songs to Eastern-influenced tracks, mid-tempo pompous compositions and quite sentimental moments, so there’s plenty of variety for the listener to choose which songs fits his taste best. Giuseppe is totally enjoyable when he performs the songs: he uses catchy phrases which never produce a dull moment and this is the great advantage of his second effort!
Secret Port Records, 2008 (SPR 0020). Pressed in Germany.


Tracklist:
1. Inferno 04:07
2. Gates Of Passion 04:41
3. Black Venus 04:23
4. La Rosa Del Deserto 03:23
5. Garden Of Memories 04:28
6. Coral Castle 05:28
7. Portrait Of Isabel 02:56
8. Eternity 06:22
9. Redemption 07:03
10. Stregata 01:16
11. Les Fleurs Du Mal 03:25
12. La Ballerina Rusa 03:53
13. Daisy 03:50
Total playing time: 55:15

Debut full-length album by Viking Black Metal band from Russia.
Melodic and epic black metal for fans of modern folk metal bands from Europe and Russia like HOLY BLOOD, early ASHEN LIGHT or TURISAS.
Musica Production, 2011 (MP-54)


Tracklist:
1.Псы войны 03:11
2.Если б я был дождём 04:34
3.Убей мою плоть 05:30
4.Он жил среди асов 05:49
5.Лес – сердце земли 04:45
6.Поток могучей жизни 06:09
7.Фолькванг 05:47
Total playing time: 35:45

"Fetish Parade" is slow, progressively tinged thrash/death metal
with acoustic parts, keyboards, abstract female vocals, etc.
The sound reminds of the French progressive death metal band Symbyosis.
Negatron Records, 2000 (NEG004)


Tracklist:
1.The Fortress 03:50
2.Electronic N-ice Eyes 03:20
3.Alienatheist 04:14
4.Subhuman Mutation 04:01
5.Antartica 04:29
6.Misanthropic Hacker 04:00
7.Spacecraft 04:24
8.Installation Madness 04:07
9.Fetish Parade 03:33

The only full-length studio album by British AOR/Heavy Metal band.
"Zero Four One" title is actually the dialling code for Glasgow, Scotland, where the band from, and the band could almost have been sponsored by the Scottish tourist board as they most definitely flew the flag for this proud and most beautiful of countries. Sadly, the band was a short-lived affair but quite a few years of development went into getting the band to the stage where they released this album, and then they eventually folded in the early ’90s, although there have been several resurrections and there is a new, current version of the band alive and well north of the border, we all wish them well. It is a real pity that this was not the springboard from them to go on to a great career, as this is a most assured debut with some fabulous songs and great performances.
Michael Boyle has a great voice and drives the band forward with authority, with Archie Dickson playing quite splendid solos and riffs to die for. Then, of course, is the drumming of Paul McManus, as good a drummer as there has ever been, and he is more than ably supported by the bass work of Neil Russell. The keyboards are understated and used for effect as this is a traditional, straight forward Hard Rock band, with Melodic Rock tendencies, so all songs have great hooks and lots of vocal harmonies to make this a most easy listening album indeed. Of course, it is ’80s Scottish rock so if you were into bands like Heavy Pettin then you will love this and there are even passages that hint at the heavier work of Pallas too. 
A great Rocking album of inspired ’80s Hard Rock with plenty of melody and great songs from a band that really should have been huge! If ever a band deserved a little luck, then it is Glasgow!!
Sonet Publishing Ltd., 1987/2009 (SNTCD 041). Bootlegged replica. Used (cover/disc): EX+/EX+.


Tracklist:
1. We Will Rock 5:39
2. Secrets In The Dark (Chris Thompson cover) 4:19
3. Back On The Run 6:19
4. My Heart Is Running With The Night 4:06
5. Meet Me Halfway 3:27
6. Under The Lights 5:25
7. No More Lonely Nights 6:51
8. Breakout 4:50
Total playing time: 40:56 min.

The debut full-length studio album by Italian Thrash/Death Metal band.
Amazing Old School Death Metal, which brings back the days of the old Masters.
Fans of early Morbid Angel, Sadistic Intent, Sarcofago, etc... take a notice! This will be a Classic!!
Butchered Records/United Underground/Sevared Records/Old Cemetery Records, 2013 (BR 44 | UU 5 | OCR 53). Made in USA. First press.


Tracklist:
1. Introphilia 0:33
2. Necrolust 3:43
3. Death By Deformity 3:51
4. Magic Death 4:54
5. Mass Slaughter 2:41
6. Infestation Of Worms 4:48
7. Fucken Evoked 3:06
8. Impossible, Horrific Creatures 4:01
9. Evilized Remains 5:39
Total playing time: 33:19 min.

The third full-length studio album by Dark Ambient/Funeral Doom Metal band.
While the band’s sound has been, and remains, rooted within the dark and maleficent realms of Dark Ambient and Industrialized soundscapes, the band has often toyed and teased with uncounted styles and subgenres in their quest. Once again, Goatpsalm brings an album full of misery, but the band’s path of achieving that goal is much different from the trails they’ve trod during prior outings. The band has always said that their line-up, aside from the core duo, has flowed as freely as their music. Downstream sees the addition of Vaarwel, the force behind the eclectic Russian project Frozen Ocean, which sees another left turn for Goatpsalm.
Despite the grand scale of Goatpsalm’s writing, "Downstream" is anything but an easy listen. The band is constantly teetering on the edge between shamanistic Ambient musings, crushing dirges and jarring, Industrialized movements. It’s as if the band wanted to imbue the listener with a sense of wonder and amazement, then quickly remove any sign of hope with an iron fist. The sparing vocals further in the removal of anything that might glimmer, utilizing a multifaceted approach, with each vocalist sounding just as dreadful and miserable as the next.
Moments of bewitching charm are surrounded by sepulchral slabs of Funeral-tinged Doom Metal and unsettling Industrialism. Repeated listens allow "Downstream" to become the earworm that it was meant to be, even if it invokes a fair amount of dread. This is not an album to sit passively in the background, but if you consider yourself up for a challenge, "Downstream" will be lurking in the dark.
Haunting passages of rustic Ambient noise, primal Paganism and slow dirgeful dread. Wonderfully atmospheric for fans of Blood Of The Black Owl!
Aesthetic Death, 2016 (ADCD 035). Made in UK. Pressed in Germany. First press.


Tracklist:
1. Grey Rocks 10:50  
2. Flowers Of The Underworld 14:05  
3. White Sea 4:55  
4. Orphan 5:56  
5. Of Bone And Sinew 4:23  
6. The Waylayer (A Great Spring Hunger) 8:26  
7. Downstream 9:59
Total playing time: 58:36 min.


Samples: https://goatpsalm.bandcamp.com

Second compilation album by legendary Belarusian Pagan/Folk/Doom Metal band.
CD contains five unreleased before tracks, three cover songs and bonus video "Beyond Praying", filmed in 1994.
Eternal Art/Metal Agen, 2001 (EA-06-01). Made in Russia. First press.


Tracklist:
1. Civilization 05:26
2. Abandon All Hope 07:52
3. Iron Man (Black Sabbath cover) 07:22
4. The Final Countdown (Europe cover) 04:51
5. Power & Reason (Aria cover) 04:23
6. When Life Ends (Unreleased 7"EP Version) 09:40
7. Reign Of Silence (Oversun Edit) 05:34
8. Civilization (Last World War Mix) 03:47
Total playing time: 48:57 min.

Bonus Video:
1. "Beyond Praying" (Demo-Version Video)

The third full-length studio album by legendary Belarusian Pagan/Folk/Doom Metal band.
Other than being the best Folk Metal album of the year, if not decade, "Steel Says Last" is also one of the most unexpected reunion stories. Initially slated for release in 2001, it got stuck in production limbo; Gods Tower disbanded, and in 2003, their guitarist and songwriter-in-residence, Alexander Urakov, drank himself to death. End of story. But as vocalist Lesley Knife admitted later, the idea of a reunion has been bouncing around since the day they split, and in 2010, they finally did it, recruiting Urakov's pupil Dmitry Lazarenko on the axe - and those were some big shoes to fill.
No bookmaker would have offered sensible odds that it all would work out -- but those who banked on it would have raked in a heap of cash, because the record is as unique as "The Turns" and "Ebony Birds", which made Gods Tower a cult band in Europe in the late '90s to early 2000s.
 The thing is, there's approximately a million bands that play Folk Metal by getting a dude with bagpipes or flute to toot over Hard Rock riffs, but with Gods Tower, the Ethnic elements are encoded right in the guitar work - in the genes. The music is based on melodies that sound at once traditional and devastating in the best Metal sense, and offers plenty of clever, also Folkish, licks backed by thundering bass. The midtempo rumbling, Knife's hoarse roar, and the meaty production seal the impression - this is really how Slavic tribes would have sounded on the march, if given guitars and Marshall amps. Between the you-have-to-hear-it guitar playing, the vaguely timeless melodies, and the monumental feel of an ancient legend made riff, these guys can induce battle trance like no other, and it's an experience not to miss out on!
Rok Music, 2011 ‎(MV 200). Made in Ukraine. First press.


Tracklist:
1. Intro / Steel Says Last 1:32
2. Earth Wind Fire & Blood 3:49
3. Rarog 7:19
4. Heroes Die Young 5:08
5. Evil 7:07
6. Civilization 4:54
7. Living Mirror 4:34
8. Abandon All Hope 6:44
9. Yesterday's Rivers 4:05
10. Poisonodog 4:47
11. People In The Swamp 7:15
Total playing time: 57:16 min.

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Second compilation album by Brithish Synth Pop project.
Goldfrapp have spent the past decade moving back and forth between icy Electro-Glam and Atmospheric balladry, delivering these extremes in tonally consistent albums that dare to alienate listeners who favor one style over the other. Despite this polarity, the duo has a remarkably consistent aesthetic, with a gloss of aloof sexiness and cinematic glamour connecting the sci-fi cabaret number "Utopia", the sinister S&M throbber "Strict Machine", the swelling ballad "Black Cherry", the Glam Rock stomp "Ooh La La", and the spacey yet pastoral Folk tune "A&E".
Following the duo's departure from EMI in August 2010, it was confirmed in April 2011 that Goldfrapp had begun work on their sixth studio album. In December 2011 Mute announced that a fourteen-track retrospective compilation titled "The Singles" would be released on 6 February 2012 by Mute and Parlophone, including the biggest singles from their five studio albums, as well as two brand-new songs, "Melancholy Sky" and "Yellow Halo". "Melancholy Sky" was released on 3 January 2012 as the compilation's lead single, while a video for "Yellow Halo" was directed by Lisa Gunning and entirely shot on Gunning's iPhone in South America. Both of the new cuts call back to their delicate, loungey debut, "Felt Mountain", but Gregory's approach has evolved with time, integrating elements of each record along the way. These songs may be a deliberate move to come full circle at the end of this retrospective set, but they could just as well point to a future in which the duo can comfortably let all aspects of its sound coexist on one record, as they do on this collection.
"The Singles" as a whole feels like a more complete and satisfying journey than either of Goldfrapp's last two albums, progressing confidently from crushing guitar-driven Boogie to weightless Space Pop!
Astralwerks/Mute Records Ltd., 2012 (509993 01167 2 6). Used: good.


Tracklist:
1. Ooh La La 3:26
2. Number 1 3:25
3. Strict Machine 3:43
4. Lovely Head 3:48
5. Utopia 3:51
6. A&E 3:19
7. Happiness 3:37
8. Train 4:11
9. Ride A White Horse 3:44
10. Rocket 3:52
11. Believer 3:44
12. Black Cherry 4:57
13. Yellow Halo 4:43
14. Melancholy Sky 4:27
Total playing time: 54:47


Samples: http://www.last.fm

The fifth studio album by famous pop punk band from USA. 
This album sees them moving away from the 'dancey' feel of 2007's 'Good Morning Revival' and back to their pop-punk roots. Singer Joel Madden says the album sounds 'a lot like Blink-182', with a more basic feel than the alternative rock of their recent records. After originally completing 'Cardiology' with producer Howard Benson, the band decided to completely scrap the album and start again with Don Gilmore, who also produced Good Charlotte's debut.
Capitol Record, 2010 (509999 07705 2 4). Pressed in Italy.


Tracklist:
1.Introduction To Cardiology 00:47
2.Let The Music Play 04:13
3.Counting The Days 02:51
4.Silver Screen Romance 03:10
5.Like It's Her Birthday 03:30
6.Last Night 03:41
7.Sex On The Radio 03:16
8.Alive 03:14
9.Standing Ovation 03:39
10.Harlow's Song (Can't Dream Without You) 03:33
11.Interlude: The Fifth Chamber 01:29
12.1979 02:59
13.There She Goes 03:21
14.Right Where I Belong 03:52
15.Cardiology 02:57
Total playing time: 46:32

The debut full-length album by Australian Thrash Metal band.
Unlike their local supreme Rock gods AC/DC, is a manifestation of old school Speed Metal, one of the truest forms of Metal music, you probably remember this orientation like the early version of Metallica, “Kill ‘Em All” era mainly,  old Anthrax, Exodus and some others.
This album is a killer Metal record; it brought back directly to 1983 with the first burst of old US Metal. The opening track, “Embrace”, opens with a classic acoustic part that can be found in many earlier platters of Thrash and Speed Metal tracks. Obviously, it roughly altered to a full assault of speed attack. Rapidly, this song immediately defined the album and the course of the band’s music in overall. Even with the final clincher, “As Dawn Bleeds The Sky”, which appeared to be at first as the album’s balladry moment, the entire release is a selection of Speed Metal prowess. “As Dawn Bleeds The Sky...” is a picture of raw mastery.
The music contained within  does not disappoint and really delivers one of hell of an energetic riff filled ride from beginning to end the riff-fest never lets up. The music reminds of all the classic proto-Thrash bands which emerged at the height of the NWOBHM with classic albums like Jaguar's "Power Games" and Savage's "Loose 'N' Lethal". The whole album is like a modern take on all the classic Metal produced in the 80's. The vocals are great and are not your typical Thrash vocals but fit more comfortably in the NWOBHM school of vocalists which adds so much to the album and songs. Take for example "Love thy enemy" which has such a classic feel and chorus that it feels like this song has already been the anthem to your life for the past 20 years. The album is a breath of fresh air with every riff packed full of youthful energy and enthusiasm.
The artwork which has just caused a blood clot to your brain due to the excessive shouting and throwing of the horns was done by none other than Andrei Bouzikov who has also done artwork for Toxic Holocaust, Violator and Skeletonwitch to name a few.
Without a doubt, this album is sure to get the band signed soon. Fresh, lively, funky, magical, fantastic, flexible, thrashing and heavy are some of the best choice words to sum up the content. A must hear for Thrash, Heavy and Power Metal lovers, as this album combines all three wonderfully! This album is a must hear vital and essential album for any self respecting Metal head!!
Selfreleased, 2013 (GORE-001). Made in Australia. Pressed in Taiwan. First press.


Tracklist:
1. Embers     4:24 
2. Love Thy Enemy     4:20
3. Those Who Say Never     3:48
4. Apathy     4:01
5. Playing With Fire     5:15
6. End Of The Night     4:05
7. As Dawn Bleeds The Sky...     5:02
Total playing time: 30:55

The second full-length album by the Norwegian Industrial Metal band.
The second album took Gothminister to a totally new level. In Norway the band became historic by being the very first Gothic Industrial band to be sponsored by Rikskonsertene to do a nightliner tour in the biggest cities. Support on the tour were Tristania. Even Bylarm (“Norwegian Popcomm”) organized a dark Rock/Gothic event in connection with the release. In Europe, Gothminister played more than 100 shows in over 20 countries to promote “Empire Of Dark Salvation”, touring with bands like Lacuna Coil, Theatre Of Tragedy and Mortiis.
The smash hit “Monsters” reached no.11 on the German Alternative Charts, and big success also overseas led to Gothministers’s first U.S headliner tour, taking on New York to Hollywood.
Tatra Productions/Art Music Group, 2005 (AMG 254). Made in ruzzia. Used (cover/disc): EX+/VG+.


Tracklist:
1. Dark Salvation 4:05
2. Welcome 0:41
3. Monsters 3:12
4. The Calling 3:36
5. Daughter Of S 0:34
6. Forgotten 3:59
7. Nachtzehrer 5:33
8. Leviathan 4:25
9. Swallowed By The Earth 4:53
10. We Die In Dreams 3:19
11. Gates Of Salvation 0:20
12. Happiness In Darkness 5:23
Total playing time: 40:00


Samples: http://www.last.fm

The second and the final full-length album by Spanish Symphonic Black Metal band.
When Gothmog’s debut album “A Step In The Dark” was released back in 2009, it appeared there was a new standard bearer for the Symphonic Black Metal scene, combining the high quality sound of the big names with the underground credibility of an unknown act.
Gothmog went through lineup changes galore in the intervening years between albums, with a new vocalist and keyboardist taking the reins for “Aeons Of Deception.” The sound quality has changed, becoming fuzzier and less sharp this time around, with more of an old-school feel where the vocals are a bit buried under the rest of the sound.
Songs like “…And I Shall Be Reborn” are fairly standard Symphonic Black Metal, and perhaps a little generic even. All the standards are lined up and counted off, with blast beats, cold riffs, and some atmospheric synths in the background throughout the track. The album isn’t entirely by the numbers however, with more of the unique Gothmog sound peeking out in many of the songs and emerging more fully in tracks such as “The Bargain Struck.”
When Gothmog does the evil-yet-melodic sound right, the band really knocks it out of the park, with atmospheric growled voice overs and a gothic and macabre feeling inundating the Extreme Metal aspects. Unfortunately this album feels a little more phoned in and less inspired the stunning debut “A Step in the Dark,” although it’s still easily worth the time of Black Metal fans who have already fully explored the likes of Dimmu Borgir. It has a lot of atmospheric keyboard work counterbalanced by cold Black Metal riffs and screams.
A worthwhile release for fans of Symphonic Black Metal!!
Spain Death Metal Records, 2012 (SDMR001). Made in Spain. First press.


Tracklist:
1. Solve Et Coagula 5:27
2. Escape To Nowhere 5:04
3. Beyond The Mist Of Time 6:21
4. Deathbringer 5:14
5. Aeons Of Deception 5:08
6. The Bargain Struck 4:30
7. The Age Of Thought 4:20
8. Nirnaeth Arnoediad 6:41
9. ... And I Shall Be Reborn 4:55
10. The Blackest Of The Paths 4:42
Total playing time: 52:22


Samples: http://www.last.fm

The tenth full-length album by the Swiss Hard Rock band.
The first album with singer Nic Maeder after Steve Lee's death (died in a motorcycle accident).
This Swiss Hard Rockers return and go back to their roots with a totally passionate, ass-kicking album. Nick Maeder reminds of Steve Lee in some ways, but not too much. But if we put the vocals aside and focus on the music and the lyrics we will find out that Gotthard is still Gotthard, only with different vocals.
The album begins with "Starlight" which kicks off this album with an explosive start, and continue with other great songs like "Remember It's Me" and "Shine", "Fight", and of course "Where Are You?" (dedicated to Steve Lee). If we start talking about the music and the songs themselves, we will find a very good album that continues what the guys did before.
The new album is good and it's really worth a listening!!
Nuclear Blast GmbH/G Records, 2012 (NB 2874-0). Used: good.


Tracklist:
1. Starlight 4:28
2. Give Me Real 3:39
3. Remember It's Me 3:29
4. Fight 3:27
5. Yippie Aye Yay 4:40
6. Tell Me 3:17
7. Shine 3:49
8. The Story's Over 4:10
9. Right On 3:54
10. S. O. S. 3:23
11. Take It All Back 3:17
12. I Can 3:13
13. Where Are You 4:20
14. Starlight (Acoustic Version) 3:57
Total playing time: 53:03


Samples: http://www.last.fm

The eighth full-length studio album by Swiss Hard Rock band.
The new masterpiece of the Swiss legend is fully packed with emotional ballads, cool Rock songs and grandiose singalongs. Like a specter of '80s Rock & Roll coming back to haunt you, Swiss veterans Gotthard keep teasing their hair, waxing their leather chaps, and pumping out glossy, commercial Heavy Rock as though the '90s and Grunge never even happened. To each his own, though, and 2007's refreshingly unapologetic "Domino Effect" taps into the familiar qualities of the Euro-Metal circa 1988, when dinosaurs like the Scorpions, Sinner, and Krokus (whose bassist actually produced Gotthard's early efforts) roamed the landscape unchallenged.
On "Domino Effect", Gotthard sounds perfectly at ease whether they are uncorking darker, heavier offerings like "Gone Too Far" and "The Cruiser" (which recall glory period Savatage); finely crafted power ballads like "Falling", "The Call", "Tomorrow's Just Begun", and "Letter to a Friend" (which they have no qualms about sequencing "Back To Back"!); or more rhythmic, arena-suited anthems like the title track, "Heal Me", and "Come Alive", which remind us of Bon Jovi in their prime.
In retrospect, Gotthard's forceful delivery amid abundant melodicism feels like the natural progression of AOR, with guitars and keyboards sharing almost equal space behind the raspy vocals of frontman Steve Lee on most of the above, plus standouts like "Master of Illusion", "Now", and the clever "The Oscar Goes To...". Closing number "Where Is Love When It's Gone" finally pushes the Pop envelope a tad too far, but with a generous 14 cuts to choose from, Gotthard will surely get plenty of understanding from all fans of accessible Heavy Rock!
The album peaked at #1 on the Swiss charts and was certified as Platinum for exceeding 30000 sales.
The limited edition Digipack comes with the bonus track "Can´t Be The Real Thing".
G.Records/Nuclear Blast GmbH, 2007 (NB 1816-0). Made in Germany. First press.


Tracklist:
1. Master Of Illusion 3:56 
2. Gone Too Far 3:55 
3. Domino Effect 3:48 
4. Falling 3:35 
5. The Call 3:55 
6. The Oscar Goes To... 4:21 
7. The Cruiser (Judgement Day) 4:28 
8. Heal Me 3:47 
9. Letter To A Friend 3:54 
10. Tomorrow's Just Begun 4:03 
11. Come Alive 2:52 
12. Bad To The Bone 3:40 
13. Now 4:12 
14. Where Is Love When It's Gone 4:09 
15. Can't Be The Real Thing 3:41
Total playing time: 58:16 min.