МУЗИКА

Remastered re-release of the second full-length studio album by legendary British Hard Rock/Heavy Metal band.
The only album to feature drummer Alan Moore, "Sad Wings Of Destiny" is considered the album on which Judas Priest consolidated their sound and image, and songs from it such as "Victim of Changes" and "The Ripper" have since become live standards. Noted for its riff-driven Heavy Metal sound and the wide range of Rob Halford's vocals, the album displays a wide variety of styles, moods, and textures, inspired by an array of bands such as Queen, Deep Purple, and Black Sabbath. Building on the Hard/Prog of bands like Queen and Wishbone Ash, plus the twin-guitar innovations of the latter and Thin Lizzy, "Sad Wings Of Destiny" fused these new influences with the Gothic Doom of Black Sabbath, the classical precision of Deep Purple, and the tight riffery of the more compact Led Zeppelin tunes.
The centrepiece "Victim of Changes" is an eight-minute track featuring heavy riffing trading off with high-pitched vocals, extended guitar leads, and a slow, moody breakdown toward the end. "Tyrant" and "The Ripper" are short, dense, high-powered rockers with many parts and changes. Riffs and solos dominate "Genocide", "Island of Domination", and "Deceiver", and the band finds more laid-back moments in the crooning piano-backed "Epitaph" and the moody "Dreamer Deceiver".
"Sad Wings Of Destiny" had a positive reception but weak sales as it was released just as Punk Rock was dominating the spotlight in the UK. The band recorded their first two albums with the independent Gull label under tight budgets (the label provided a recording budget of £2000 for each of the band's first two albums). After living off a single meal per day while working side jobs to support themselves (Tipton as a gardener, Downing in a factory, and Hill driving a delivery van), the band grew frustrated with the financial situation and signed with CBS Records for their next album, "Sin After Sin" (1977). Breaking their contract resulted in the rights to "Sad Wings Of Destiny" and its demo recordings falling into Gull's hands.
Anyway, the year 1976 was crucial for the evolution of Heavy Metal, as landmark albums like Rainbow's "Rising" and Scorpions' "Virgin Killer" began to reshape the genre. Perhaps none was quite as important as Judas Priest's sophomore effort, "Sad Wings Of Destiny", which simultaneously took Heavy Metal to new depths of darkness and new heights of technical precision. More than any other Heavy Metal album of its time, "Sad Wings Of Destiny" offered the blueprint for the way forward. What's striking is how deeply this blueprint resonates through the years, from the Prog ambitions of Iron Maiden to the thematic echoes in a pair of '80s Thrash Metal masterpieces.
180g black vinyl in gatefold cover.
Gull Records/Back On Black, 1976/2010 (BOBV250LP). Made in UK. Pressed in Czech.


Tracklist:

Side A
1. Victim Of Changes 7:54
2. The Ripper 2:50
3. Dreamer Deceiver 5:54
4. Deceiver 2:42
5. Prelude 2:01

Side B
6. Tyrant 4:28
7. Genocide 5:46
8. Epitaph 3:07
9. Island Of Domination 4:28

Total playing time: 39:10 min.


https://judaspriest.bandcamp.com/

Remastered re-release of the eighth full-length studio album by legendary British Heavy Metal band.
Judas Priest rebounded from the shaky "Point Of Entry" with "Screaming For Vengeance", arguably the strongest album of their early-'80s commercial period. Having moved a bit too far into simplistic Hard Rock, "Screaming For Vengeance" found the band refocusing on Heavy Metal, and achieving a greater balance between commercialism and creativity. The results were catchy and accessible, yet harder-hitting, and without the awkwardly apparent calculation that informed the weakest moments of the album's two predecessors. Ultimately, "Screaming For Vengeance" hangs together better than even the undeniable landmark "British Steel", both thematically and musically.
The album was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed at Beejay Recording Studios and Bayshore Recording Studios in Florida. It was first released on July 17, 1982. A re-mastered CD was released in May 2001 with two bonus-tracks.
Despite a one-album misstep in between, "Screaming For Vengeance" managed to capitalize on the commercial breakthrough of "British Steel", becoming the first Priest album to be certified double Platinum, and reaching the Top 20 in America and the U.K. alike. Along with "British Steel", it ranks as one of the best and most important mainstream Metal albums of the '80s!
The album reached #11 in the UK and #17 on Billboard 200 Pop Albums and made Judas Priest much more popular than they were after their “British Steel” album. It went Gold (RIAA) on October 29, 1982, Platinum on April 18, 1983 and Double Platinum on October 16, 2001, being their first album to achieve the two latter awards.
"Screaming For Vengeance" came 15th on IGN's 25 most influential Metal albums. It also came 10th on Metal-Rules.com's 100 Greatest Metal albums.
Sony Music Entertainment (UK) Ltd./Columbia, 1982/1985/2001 (502133 2) Made in Austria.


Tracklist:
1. The Hellion 00:42
2. Electric Eye 03:38
3. Riding on the Wind 03:10
4. Bloodstone 03:53
5. (Take These) Chains 03:07
6. Pain and Pleasure 04:18
7. Screaming for Vengeance 04:43
8. You've Got Another Thing Comin' 05:10
9. Fever 05:21
10. Devil's Child 04:48
Bonus Tracks:
11. Prisoner Of Poor Eyes
12. Devil’s Child (Live)
Total playing time: 40:01 min.

Remastered re-release of the eighth full-length studio album by legendary British Heavy Metal band.
Judas Priest rebounded from the shaky "Point Of Entry" with "Screaming For Vengeance", arguably the strongest album of their early-'80s commercial period. Having moved a bit too far into simplistic Hard Rock, "Screaming For Vengeance" found the band refocusing on Heavy Metal, and achieving a greater balance between commercialism and creativity. The results were catchy and accessible, yet harder-hitting, and without the awkwardly apparent calculation that informed the weakest moments of the album's two predecessors. Ultimately, "Screaming For Vengeance" hangs together better than even the undeniable landmark "British Steel", both thematically and musically.
The album was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed at Beejay Recording Studios and Bayshore Recording Studios in Florida. It was first released on July 17, 1982.
Despite a one-album misstep in between, "Screaming For Vengeance" managed to capitalize on the commercial breakthrough of "British Steel", becoming the first Priest album to be certified double Platinum, and reaching the Top 20 in America and the U.K. alike. Along with "British Steel", it ranks as one of the best and most important mainstream Metal albums of the '80s!
The album reached #11 in the UK and #17 on Billboard 200 Pop Albums and made Judas Priest much more popular than they were after their “British Steel” album. It went Gold (RIAA) on October 29, 1982, Platinum on April 18, 1983 and Double Platinum on October 16, 2001, being their first album to achieve the two latter awards.
"Screaming For Vengeance" came 15th on IGN's 25 most influential Metal albums. It also came 10th on Metal-Rules.com's 100 Greatest Metal albums.
180g vinyl with printed inner sleeve.
Columbia/Sony Music Entertainment UK Limited, 1982/2017 (88985390861). Made in Germany. Pressed in France.


Tracklist:

Side A
1. The Hellion 0:41
2. Electric Eye 3:39
3. Riding On The Wind 3:07
4. Bloodstone 3:51
5. (Take These) Chains 3:07
6. Pain And Pleasure 4:17

Side B
7. Screaming For Vengeance 4:43
8. You've Got Another Thing Comin' 5:09
9. Fever 5:20
10. Devil's Child 4:48

Total playing time: 38:42 min.

Remastered re-release of the third full-length studio album by the legendary British Heavy/Speed Metal band.
This is one of the very first Heavy Metal albums and, on its own, isn't the most well-known of the Judas Priest releases. While it was well-received by critics at the time, it did not have the exact same response as "Sad Wings Of Destiny" did before it. Even though it has its flaws, "Sin After Sin" made a major contribution to the development of Heavy Metal and remains an important stepping-stone in the evolution of the genre.
"Sin After Sin" was the band's first album with Columbia Records after their contract with Gull Records was terminated; as a consequence of which they lost all rights to their first two albums "Rocka Rolla" and "Sad Wings Of Destiny", as well as any other demo recordings made during that timeframe. This was the band's last album to feature their original "gothic cursive font" logo, though it was used on later Gull Records reissues of their earlier material.
The album features session drummer Simon Phillips, as the band had recently parted ways with drummer Alan Moore. The album includes a cover of Joan Baez's "Diamonds & Rust", a decision that was encouraged by producer Roger Glover.
It is the first of eleven consecutive Judas Priest albums to be certified Gold by the RIAA.
For fans that grew up with "Painkiller", "Screaming For Vengeance" or even "British Steel", "Sin After Sin" is tough album to appreciate. Even if the songs don’t all stand the test of time, their significance to the development of Heavy Metal cannot be overstated. In 1977, there wasn’t a band out there that questioned the definition of Heavy Metal music like Judas Priest, and the daring and experimental tracks on "Sin After Sin" are the proof!
Re-edition includes two bonus tracks!
Columbia/Sony Music Entertainment (UK) Ltd., 1977/1987/2001 (502127 2). Made in Austria.


Tracklist:
1. Sinner     6:45 
2. Diamonds And Rust     3:27
3. Starbreaker     4:49 
4. Last Rose Of Summer     5:37 
5. Let Us Prey / Call For The Priest     6:13 
6. Raw Deal     6:00 
7. Here Come The Tears     4:36 
8. Dissident Aggressor     3:08 
Bonus Tracks:
9. Race With The Devil     3:07
10. Jawbreaker     4:02
Total playing time: 47:44

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Second re-release of the third full-length studio album by the legendary British Heavy/Speed Metal band.
This is one of the very first Heavy Metal albums and, on its own, isn't the most well-known of the Judas Priest releases. While it was well-received by critics at the time, it did not have the exact same response as "Sad Wings Of Destiny" did before it. Even though it has its flaws, "Sin After Sin" made a major contribution to the development of Heavy Metal and remains an important stepping-stone in the evolution of the genre.
"Sin After Sin" was the band's first album with Columbia Records after their contract with Gull Records was terminated; as a consequence of which they lost all rights to their first two albums "Rocka Rolla" and "Sad Wings Of Destiny", as well as any other demo recordings made during that timeframe. This was the band's last album to feature their original "gothic cursive font" logo, though it was used on later Gull Records reissues of their earlier material.
The album features session drummer Simon Phillips, as the band had recently parted ways with drummer Alan Moore. The album includes a cover of Joan Baez's "Diamonds & Rust", a decision that was encouraged by producer Roger Glover.
It is the first of eleven consecutive Judas Priest albums to be certified Gold by the RIAA.
For fans that grew up with "Painkiller", "Screaming For Vengeance" or even "British Steel", "Sin After Sin" is tough album to appreciate. Even if the songs don’t all stand the test of time, their significance to the development of Heavy Metal cannot be overstated. In 1977, there wasn’t a band out there that questioned the definition of Heavy Metal music like Judas Priest, and the daring and experimental tracks on "Sin After Sin" are the proof!
CBS, 1977/1986 (CBS32005). OIS. Made in Holland. Used (cover/vinyl): EX+/NM-.
 

Tracklist:
1. Sinner 6:42
2. Diamonds And Rust 3:24
3. Starbreaker 4:50
4. Last Rose Of Summer 5:39

1. Let Us Prey 6:13
2. Call For The Priest / Raw Deal 5:58
3. Here Come The Tears 4:23
4. Dissident Aggressor 3:19

Total playing time: 40:28 min.

Single-disc version of the 26th compilation album by the legendary British Heavy Metal band.
Judas Priest is a landmark Heavy Metal band. Some regard them as part of the holy trinity of Metal bands along with Black Sabbath and Iron Maiden. Columbia Records celebrated the legacy of this band by releasing their single collection starting with “Sin After Sin” and ending at “Painkiller.”
There have indeed been countless Judas Priest compilations issued over the years, but the 2011 release "Single Cuts" has to be one of the most intriguing archival releases the band has ever issued. This compilation is band's complete U.K. Columbia 7" singles A-sides from 1977-1992, together on one CD. Includes the massive Metal anthems "Living After Midnight", "Breaking The Law", "You've Got Another Thing Coming" plus many more... "Before the Dawn", "Evening Star", "Don't Go", "(Take These) Chains" and "Some Heads Are Gonna Roll" are featured alongside the expected classics.
The single-disc version (only A-sides from 1977-1992 singles, not B-sides as in "Single Cuts" box set) of "Single Cuts" it's certainly one of the more interesting Priest compilations. Whether you're a longtime collector looking for a one-of-a-kind release, or a newcomer searching for a smartly assembled collection of Priest classics, you are both winners!!
Columbia/Sony Music Entertainment UK Limited, 2011 (88697946132). Made in . First press.


Tracklist:
1. Diamonds And Rust 03:23
2. Better By You, Better Than Me 03:22
3. Before The Dawn 03:23
4. Take On The World 03:00
5. Evening Star 02:50
6. Living After Midnight 03:30
7. Breaking The Law 02:33
8. United 03:32
9. Don't Go 03:15
10. Hot Rockin' 03:14
11. You've Got Another Thing Comin' 04:28
12. 405Allom, Tom 03:07
13. Freewheel Burning 04:23
14. Some Heads Are Gonna Roll 04:07
15. Turbo Lover 04:38
16. Locked In 03:52
17. Painkiller 06:05
18. A Touch Of Evil 04:15
19. Night Crawler 04:05

Remastered re-release of the fourth full-length studio album by the legendary British Heavy/Speed Metal band.
"Stained Class" is the only Judas Priest album to feature songwriting by all five members of the band. The alum showcased a more streamlined songwriting style while not compromising on the band's trademark Heavy Metal riffs. The production is crisper, clearer, and cleaner than any of their preceding albums. Following this album, the band broke its songwriting team down to Rob Halford, K.K. Downing and Glenn Tipton, with occasional contributions solely by Tipton.
Several years after its release, "Stained Class" was the subject of negative attention due to the infamous 1990 civil action brought against the band by the family of a teenager, James Vance, who entered into a suicide pact with his friend Ray Belknap after allegedly listening to "Better by You, Better Than Me" on December 23, 1985. Belknap succeeded in killing himself, and Vance was left critically injured after surviving a self-inflicted gunshot to the facial area. The suit alleged that Judas Priest recorded subliminal messages on the song that said "do it." The suit was eventually dismissed. The song was originally written and performed by the band Spooky Tooth.
In 2005, "Stained Class" was ranked number 307 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.
Re-edition includes two bonus tracks!
Columbia/Sony Music Entertainment (UK) Ltd., 1978/1987/2001 (502128 2). Made in Austria.


Tracklist:
1. Exciter     5:32 
2. White Heat, Red Hot     4:18 
3. Better By You, Better Than Me     3:22     
4. Stained Class     5:17 
5. Invader     4:09 
6. Saints In Hell     5:28 
7. Savage     3:27 
8. Beyond The Realms Of Death     6:49 
9. Heroes End     4:57 
Bonus tracks:
10. Fire Burns Below     6:58 
11. Better By You, Better Than Me     3:40
Total playing time: 53:57

Re-release of the fourth full-length studio album by the legendary British Heavy/Speed Metal band.
"Stained Class" is the only Judas Priest album to feature songwriting by all five members of the band. The alum showcased a more streamlined songwriting style while not compromising on the band's trademark Heavy Metal riffs. The production is crisper, clearer, and cleaner than any of their preceding albums. Following this album, the band broke its songwriting team down to Rob Halford, K.K. Downing and Glenn Tipton, with occasional contributions solely by Tipton.
Several years after its release, "Stained Class" was the subject of negative attention due to the infamous 1990 civil action brought against the band by the family of a teenager, James Vance, who entered into a suicide pact with his friend Ray Belknap after allegedly listening to "Better by You, Better Than Me" on December 23, 1985. Belknap succeeded in killing himself, and Vance was left critically injured after surviving a self-inflicted gunshot to the facial area. The suit alleged that Judas Priest recorded subliminal messages on the song that said "do it." The suit was eventually dismissed. The song was originally written and performed by the band Spooky Tooth.
In 2005, "Stained Class" was ranked number 307 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Sony Music Entertainment UK Ltd./Columbia, 1978/2017 (88985390791). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Exciter 5:30
2. White Heat, Red Hot 4:30
3. Better By You, Better Than Me 3:22
4. Stained Class 5:20
5. Invader 4:00

Side B (THIS SIDE)
6. Saints In Hell 5:30
7. Savage 3:26
8. Beyond The Realms Of Death 6:55
9. Heroes End 5:05

Total playing time: 43:38 min.

30th Anniversary Edition, first remastered re-release of the tenth full-length album by legendary British Heavy/Speed Metal band.
British Metal legends Judas Priest for a second time reissued "Turbo" album, originally released in 1986. Always believing that Metal should have no boundaries, Priest challenged themselves, taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal styling ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven lead-off track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!
Columbia/Sony Music Entertainment UK Ltd., 1986/2017 (88875183272). Made in the EU.


Tracklist:

CD1 “Turbo 30”
1. Turbo Lover 5:33
2. Locked In 4:19
3. Private Proberty 4:29
4. Parental Guidance 3:26
5. Rock You All Around The World 3:36
6. Out In The Cold 6:27
7. Wild Nights, Hot & Crazy Days 4:39
8. Hot For Love 4:11
9. Reckless 4:20
Running time: 41:00 min.

CD2 “Recorded Live On The Fuel For Life Tour, Kansas City - 22nd May 1986”
1. Out In The Cold 6:35
2. Locked In 4:21
3. Heading Out To The Highway 4:53
4. Metal Gods 4:03
5. Breaking The Law 2:43
6. Love Bites 5:19
7. Some Heads Are Gonna Roll 4:25
8. The Sentinel 5:02
9. Private Property 5:11
10. Desert Plains 4:55
11. Rock You All Around The World 5:02
Running time: 52:29 min.

CD3 “Recorded Live On The Fuel For Life Tour, Kansas City - 22nd May 1986”
1. The Hellion 0:40
2. Electric Eye 3:37
3. Turbo Lover 6:03
4. Freewheel Burning 5:03
5. Victim Of Changes 8:55
6. The Green Manalishi (With The Two-Pronged Crown) 5:19
7. Living After Midnight 4:35
8. You've Got Another Thing Coming 9:01
9. Hell Bent For Leather 5:53
Running time: 49:06 min.

Total playing time: 142:35 min.

30th Anniversary Edition, first remastered re-release of the tenth full-length album by legendary British Heavy/Speed Metal band.
British Metal legends Judas Priest for a second time reissued "Turbo" album, originally released in 1986. Always believing that Metal should have no boundaries, Priest challenged themselves, taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal styling ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven lead-off track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!
Sony Music Entertainment UK Ltd./Columbia, 1986/2017 (88875183271). Made in Germany. Pressed in France. 180 g vinyl.


Tracklist:

Side 1
1. Turbo Lover 5:33
2. Locked In 4:19
3. Private Proberty 4:29
4. Parental Guidance 3:26
5. Rock You All Around The World 3:36

Side 2
6. Out In The Cold 6:27
7. Wild Nights, Hot & Crazy Days 4:39
8. Hot For Love 4:11
9. Reckless 4:20

Total playing time: 41:00 min.

Remastered re-release of the tenth full-length studio album by the legendary British Heavy/Speed Metal band.
Following the success of their previous album, "Defenders Of The Faith", Judas Priest initially recorded a double album which was intended to be released under the title "Twin Turbos". This idea was scrapped. Instead, the material was split up, with the more commercial songs appearing as the album "Turbo".
Always believing that Metal should have no boundaries, Priest challenged themselves taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal stylings ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven leadoff track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
The album marked the band's first use of guitar synthesizers, and the introduction of hints of Glam Metal into their image were particularly unpopular with the band's fan base at the time. Anyway, the album was ranked No. 39 on Metal-Rules.com list over the 50 Greatest Glam Metal albums. Moreover, "Turbo" goes Gold by RIAA on 10 June 1986 and Platinum on 24 July 1987, and reaching No. 33 in the UK and No. 17 on Billboard 200.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!!
Re-edition includes two bonus tracks.
Columbia/Sony Music Entertainment (UK) Ltd., 1986/2002 (502135 2). Made in Austria.


Tracklist:
1. Turbo Lover     5:33 
2. Locked In     4:19 
3. Private Property     4:29 
4. Parental Guidance     3:26 
5. Rock You All Around The Workd     3:36 
6. Out In The Cold     6:27 
7. Wild Nights, Hot & Crazy Days     4:39 
8. Hot For Love     4:11 
9.Reckless     4:20 
Bonus tracks:
10. All Fired Up     4:45
11. Locked In     4:24
Total playing time: 50:09

Debut EP by Serbian Heavy Thrash Metal band.
First selftitled work of Judgement is a combination of classic Heavy Metal with Thrash Metal and Progressive elements. The songs contain dark and heavy riffs, melodic solos and clean but at the same time powerful vocals. The lyrics are about Technology, mysterious human personality, Bible stories and prophecies.
Thematics of the songs and combination of Various Metal and Progressive music elements create band's unique style. What makes this EP unique is the powerful sound! So, take a chance to check it out!!
For fans of Iron Maiden, Iced Earth, Rage, Annihilator, Control Denied, King Diamond, and Death!!!
Total Metal Records, 2018 (TMR032-145/DT).
 

Tracklist:
1. Slaves of Technology 02:52
2. Behind the Mask 03:59
3. Destroyer of Human Souls 03:20
4. Stormrider 03:47
5. Metal Warriors 04:52
Total playing time: 18:50

 

The debut full-length studio album by ruzzian Oriental Metal band.
Whaler Records, 2009 (WR 002-09). First press.


Tracklist:
1. Ящик Пандоры / Box Of Pandora (Intro)
2. Спираль времени / The Spiral Of Time
3. Война / War
4. Город во мне / City In Me
5. Яд, порох и мёд / Poison, Gunpowder & Honey
6. Альтаир / Al'tair
7. Отражение / Reflection
8. Шёпот ветра / Wind's Whisper
9. Чёрный алмаз / Black Diamond
10. Точка обмана / Point Of Deception
11. JuggerNaut
12. The Spiral Of Time (Bonus Track)

The first European re-release of the third full-length studio album by American Brutal Death Metal band.
Jungle Rot known for their aggressive and intense sound. Released in 2001, "Dead And Buried" is a prime example of their merciless approach to Death Metal. As on the previous album, there is Old-school Death Metal with a pinch of Thrash, which is mainly midtempo, in vein of Massacre or even old Cannibal Corpse.
The album features a relentless barrage of heavy riffs, pummelling drums, and guttural vocals, creating a sonic onslaught that’s sure to satisfy fans of Old-school Death Metal.
While "Dead And Buried" doesn’t reinvent the Death Metal wheel, it stays true to the genre’s roots and offers a solid listening experience for those who crave unadulterated aggression.
If you’re a fan of classic Death Metal, this album is a brutal trip down memory lane that’s well worth a listen!
Century Media Records, Ltd./Animate Records, 2001/2022 (AR120). Made in Germany. Pressed in Poland.


Tracklist:
1. Intro 00:40
2. Immersed in Pain 02:33
3. Virus 02:32
4. Misplaced Anger 03:32
5. Humans Shall Pay 03:15
6. Strangulation Mutilation 04:15
7. Red Skies 03:22
8. The Killing Machine 02:43
9. Dead and Buried 04:27
10. Psychotic Cremation 01:25
11. Afterlife 03:10
12. Circle of Death / Jungle Rot 03:29
13. Another Fix 02:10
Total playing time: 37:33 min.

The first re-release of the fourth full-length studio album by American Death Metal band.
Twelve Groovy Oldschool Death Metal tracks in the intersection of Six Feet Under, Suffocation and even some Scandinavian Death Metal bands such as Dismember or Obituary.
The sound is a little more polished than the predecessors, but is still straightforward and heavy. Primitive, groovy guitar riffs, raw foot work on the drums and deep guttural grunt vocals are the ingredients for the vicious brutality and aggression of Jungle Rot.
Jungle Rot is occasionally accused of releasing the same album over and over again. But hey, who cares? Let’s headbang to 30 minutes of traditional, mainly midpaced tracks and enjoy the very good production!
Century Media Records Ltd./Animate Records, 2004/2022 (AR112). Made in Germany.


Tracklist:
1. Intro 00:53
2. Face Down 03:44
3. Let Them Die 02:29
4. Fractured 03:10
5. Gain Control 02:12
6. Gasping for Air 02:44
7. Low Life 03:07
8. Scars of the Suffering 01:11
9. Symbols of Hate 03:03
10. No Surrender 02:20
11. Habit Fulfilled 02:42
12. More Demon Souls 02:49
Total playing time: 30:24 min.

For the first time on vinyl, the fourth full-length studio album by American Death Metal band.
Twelve Groovy Oldschool Death Metal tracks in the intersection of Six Feet Under, Suffocation and even some Scandinavian Death Metal bands such as Dismember or Obituary.
The sound is a little more polished than the predecessors, but is still straightforward and heavy. Primitive, groovy guitar riffs, raw foot work on the drums and deep guttural grunt vocals are the ingredients for the vicious brutality and aggression of Jungle Rot.
Jungle Rot is occasionally accused of releasing the same album over and over again. But hey, who cares? Let’s headbang to 30 minutes of traditional, mainly midpaced tracks and enjoy the very good production!
Limited Edition to 300 copies black vinyl in gatefold cover. 45 RPM.
Century Media Records Ltd./Animate Records, 2004/2022 (AR 114). Made in Germany. First press.


Tracklist:

Side A
1. Intro 00:53
2. Face Down 03:44
3. Let Them Die 02:29
4. Fractured 03:10
5. Gain Control 02:12
6. Gasping for Air 02:44

Side B
7. Low Life 03:07
8. Scars of the Suffering 01:11
9. Symbols of Hate 03:03
10. No Surrender 02:20
11. Habit Fulfilled 02:42
12. More Demon Souls 02:49

Total playing time: 30:24 min.

First EP by Czech Thrash Metal band.
One of the best young Czech Thrash Metal attacks from Prague.
Kaar is very good firing pin piece, and is not afraid the jagged edge of a sharp knife to carve hearts of orthodoxies at all four tracks of this EP. And the whole is great to listen to!!
Selfreleased, 2014. Made in Czech. First press.


Tracklist:
1. Psychotik 02:42 
2. Úder z nitra města 03:36 
3. Smlouva s Bohem 03:56 
4. Rozkradlá zem 03:44
Total playing time: 13:58


Samples: https://kaarthrash.bandcamp.com

The second mini-album by Progressive Melodic Death/Thrash Metal band from Kazakhstan.
"Essence" - is the portion of the bright, technical, Progressive music. Progressive Melodic Death Metal with appreciable influence of Jazz, Thrash, Heavy and Groove Metal. Unconventional tunes intertwined with an unusual atmosphere, provoking a headbandging drive. Catchy riffs and an abundance of beautiful guitar solos will pleasure maniacs of "intelligent" music.
Recommended for fans of: Testament, Carcass, Death, as well as just lovers of good, hard, uncompromising and "intelligent" music!
Metal Scrap Records, 2015 (MSR115/DT).
 

Tracklist:
1. Intro (instrumental) 01:12
2. The Night 03:13
3. Spider Moves 04:22
4. Essence 05:00
5. Alexandria 04:43
6. Paranoia 04:58
7. Black Train 04:26
8. Outro (instrumental) 01:14
Total playing time: 29:25 min.

 

The debut mini-album by Progressive Death Metal band from Kazakhstan.
“Infidel” - is explosive and unpredictable mixture of everything with everything. Yes, You heard right! Here You will hear the fusion of high-speed and very heavy Thrash and Death Metal, Heavy Metal and Jazz, as well as many other styles. The album has everything to catch every listener! Speed blast beats, bright and melodic solos, heavy and technical riffs and atypical for modern Metal musical twists.
Album is sure will impress fans of furious Thrash and Death Metal, and definitely will please fans of Melodic and Progressive directions. Strongly recommended for fans of: Pantera, Testament, Carcass, Death and simply delicious, tough, uncompromising and intelligent music!
Metal Scrap Records, 2014 (MSR084/DT).
 

Tracklist:
1. Гордыня 03:59
2. I Am Infidel 03:51
3. С Улыбкой На Лице 03:29
4. The God’s Fault 03:11
5. Звёздный Свет 03:18
6. Child of Salvation 02:48
7. Outro 02:25
Total playing time: 23:05 min.

 

The eighth full-length studio album by Belarusian Symphonic Pagan Groove Metal band.
Female fronted band Kaira was founded by Pavel Drozdov and Kaira back in 1999 and since 2006 they started a steady activity in releasing a new album almost every other year. For the first three years, Kaira and Pavel worked only with session musicians, both in studio and at concerts, releasing albums only in Russian. Three albums were released in Symphonic Power Metal style. With a new lineup, in 2009 the style of music and its sound radically changed. The following album, "Child Of Fire", sounded like Industrial Symphonic Metal. In 2012, the band’s style started to sound more extreme and enriched the lineup with the second vocalist. The band began Groove/Metalcore style with their next album, "Not For Angels".
With the "Roots Of Veles" album, we find Kaira in a new, Symphonic Groove Pagan Metal style. Ancient Old Slavonic sagas, embodied in a Heavy Groove Pagan Metal style pushed forward a new sound for Kaira. Thanks to the added aggression of the Groove Metal, their classic Pagan Metal has garnered new forms with bright, vivid images and a powerful heavy sound. The pearl of the album is the title track, song "Roots of Veles". It’s charged with a powerful energy and brings a fresh perspective to the band.
Getting to the music on it, Keira presents us 8 new tracks in 40 minutes playing time, a mix of Symphonic and Groovy Modern Metal complete with catchy and inventive guitar riffs, epic keyboards, Industrial/Electro effects, a powerful rhythm section and a very capable and versatile female vocalist that leads the band not only through her sex-appeal but also through a dominant atitude that captures the listener's attention and keeps it on a leash the whole time. In simply words, "Roots Of Veles" is a mix of Heavy Metal, Thrash Metal, Groove Metal, Symphonic and even Goth Metal, and even a hint of Power Metal here and there, a modern release capable of pushing the band towards higher peaks in this scene! And they deserve it after almost two decades of playing music!!
Sliptrick Records, 2015 (SLP.015.0132). Made in USA. Pressed in Italy. First press.


Tracklist:
1. Roots of Veles 6:04 
2. Cry of Pagan Gods 4:28 
3. The Ingling Saga 4:15 
4. Revolution 4:44 
5. Lost Past 5:01 
6. Bleeding Spirit 4:27 
7. Sin Price 4:29 
8. No More 5:37
Total playing time: 39:07 min.