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The eleventh official live album by legendary British Heavy Metal band.
When it comes to live Metal shows, it doesn't get much better than an Iron Maiden concert. They have released a ton of live albums, DVDs and even VHS tapes over the years. From 1981's "Live At The Rainbow" to 1985's "Live After Death" to 1993's "Live At Donington", every era of their storied career has been commemorated with a live release.
Recorded throughout their 2016 - 2017 The Book of Souls World Tour, “The Book Of Souls: Live Chapter” was released on 17 November 2017. Iron Maiden's tour in support of 2015's "The Book Of Souls" album spanned 39 countries and six continents. Instead of picking one show from that tour and featuring its complete setlist, nearly every song on the album is from a different show (two were recorded at Castle Donington, UK). It was produced by Tony Newton, with Steve Harris serving as co-producer. The album makes band's first live album since 2002's "Beast Over Hammersmith" not to be produced by Kevin Shirley.
Since the tour was in support of "The Book Of Souls", six tracks of "The Book Of Souls: Live Chapter" are from that album including the 13 minute-plus “The Red and the Black” and the nearly 11 minute “The Book of Souls.” The rest of the set includes hits from throughout their career. No matter where they were recorded, from San Salvador, El Salvador (“The Trooper”) to Wacken, Germany (“The Number of the Beast”) to Sydney, Australia (“If Eternity Should Fall”), the fans are equally enthusiastic. They don't just sing along to the lyrics, they sing along to guitar riffs and instrumental breaks with the same amount of gusto.
Frontman Bruce Dickinson battled cancer prior to this tour, with tumors on the back of his tongue and in his neck. He took some time off to recover, and his voice is back at full strength. His legendary pipes sound as good as ever, having no problem hitting the high notes when needed.
Maiden are such a well-oiled machine, with the triple guitar attack of Dave Murray, Adrian Smith and Janick Gers operating at maximum efficiency. The rhythm section of Steve Harris and Nicko McBrain keep everything anchored, with Harris also co-producing the album.
One thing that's extremely refreshing is that after all these years, Maiden are still having fun. To adapt a line from Bon Jovi, on The Book of Souls World Tour Maiden played in front of two million faces, and they rocked them all! You'll hear it in all its glory on "The Book Of Souls: Live Chapter"!!
Iron Maiden LLP/Parlophone Records Limited, A Warner Music Group Company, 2017 (0190295760885). Made in Germany. First press.


Tracklist:

Disc 1
1. If Eternity Should Fail (Qudos Bank Arena, Sydney, Australia, 6/5/16)    7:46
2. Speed of Light (Grand Arena, Grandwest, Cape Town, South Africa, 18/5/16)    5:08
3. Wrathchild (3Arena, Dublin, Ireland, 6/5/17)    2:59
4. Children of the Damned (Bell Centre, Montreal, Canada, 1/4/16)    5:14
5. Death or Glory (Wroclaw Stadium, Wroclaw, Poland, 3/7/16)    5:15
6. The Red and the Black (Ryogoku Kokugikan, Tokyo, Japan, 21/4/16)    13:17
7. The Trooper (Estadio Jorge Magico Gonzalez, San Salvador, El Salvador, 6/3/16)    4:05
8. Powerslave (Piazza Dell’unita D’Italia, Trieste, Italy, 26/7/16)    7:31
Running time: 51:16 min.

Disc 2
1. The Great Unknown (Metro Radio Arena, Newcastle, UK, 14/5/17)    6:50
2. The Book of Souls (Download Festival, Donington, UK, 12/6/16)    10:49
3. Fear of the Dark (Arena Castelao, Fortaleza, Brazil, 24/3/16)    7:34
4. Iron Maiden (Estadio Velez Sarsfield, Buenos Aires, Argentina, 15/3/16)    6:05
5. The Number of the Beast (Wacken Open Air, Wacken, Germany, 4/8/16)    5:06
6. Blood Brothers (Download Festival, Donington, UK, 12/6/16)    7:35
7. Wasted Years (HSBC Arena, Rio De Janeiro, Brazil, 17/3/16)    5:38
Running time: 49:37 min.

Total playing time: 100:53 min.



​​​​​​​

The eleventh official live album by the legendary British Heavy Metal band.
When it comes to live Metal shows, it doesn't get much better than an Iron Maiden concert. They have released a ton of live albums, DVDs and even VHS tapes over the years. From 1981's "Live At The Rainbow" to 1985's "Live After Death" to 1993's "Live At Donington", every era of their storied career has been commemorated with a live release.
Recorded throughout their 2016 - 2017 The Book of Souls World Tour, “The Book Of Souls: Live Chapter” was released on 17 November 2017. Iron Maiden's tour in support of 2015's "The Book Of Souls" album spanned 39 countries and six continents. Instead of picking one show from that tour and featuring its complete setlist, nearly every song on the album is from a different show (two were recorded at Castle Donington, UK). It was produced by Tony Newton, with Steve Harris serving as co-producer. The album makes band's first live album since 2002's "Beast Over Hammersmith" not to be produced by Kevin Shirley.
Since the tour was in support of "The Book Of Souls", six tracks of "The Book Of Souls: Live Chapter" are from that album including the 13 minute-plus “The Red and the Black” and the nearly 11 minute “The Book of Souls.” The rest of the set includes hits from throughout their career. No matter where they were recorded, from San Salvador, El Salvador (“The Trooper”) to Wacken, Germany (“The Number of the Beast”) to Sydney, Australia (“If Eternity Should Fall”), the fans are equally enthusiastic. They don't just sing along to the lyrics, they sing along to guitar riffs and instrumental breaks with the same amount of gusto.
Frontman Bruce Dickinson battled cancer prior to this tour, with tumors on the back of his tongue and in his neck. He took some time off to recover, and his voice is back at full strength. His legendary pipes sound as good as ever, having no problem hitting the high notes when needed.
Maiden are such a well-oiled machine, with the triple guitar attack of Dave Murray, Adrian Smith and Janick Gers operating at maximum efficiency. The rhythm section of Steve Harris and Nicko McBrain keep everything anchored, with Harris also co-producing the album.
One thing that's extremely refreshing is that after all these years, Maiden are still having fun. To adapt a line from Bon Jovi, on The Book of Souls World Tour Maiden played in front of two million faces, and they rocked them all! You'll hear it in all its glory on "The Book Of Souls: Live Chapter"!!
Triple 180g vinyl in trifold gatefold sleeve.
Iron Maiden LLP/Parlophone Records Limited, 2017 (0190295760878). Made in Germany. First press. 


Tracklist:


Vinyl One

Side 1
1. If Eternity Should Fail 7:46
2. Speed Of Light 5:08
3. Wrathchild 3:00
4. Children Of The Damned 5:14
Running time: 20:53 min.

Side 2
5. Death Or Glory 5:15
6. The Red And The Black 13:17
Running time: 18:56 min.

Vinyl Two

Side 1
1. The Trooper 4:05
2. Powerslave 7:31
Running time: 11:29 min.

Side 2
3. The Great Unknown 6:50
4. The Book Of Souls 10:49
Running time: 17:32 min.

Vinyl Three

Side 1
1. Fear Of The Dark 7:34 
2. Iron Maiden 6:05
Running time: 13:21 min.

Side 2
3. The Number Of The Beast 5:06
4. Blood Brothers 7:35
5. Wasted Years 5:38
Running time: 18:18 min.

Total playing time: 100:53 min.

Deluxe Edition of the eleventh official live album by legendary British Heavy Metal band.
When it comes to live Metal shows, it doesn't get much better than an Iron Maiden concert. They have released a ton of live albums, DVDs and even VHS tapes over the years. From 1981's "Live At The Rainbow" to 1985's "Live After Death" to 1993's "Live At Donington", every era of their storied career has been commemorated with a live release.
Recorded throughout their 2016 - 2017 The Book of Souls World Tour, “The Book Of Souls: Live Chapter” was released on 17 November 2017. Iron Maiden's tour in support of 2015's "The Book Of Souls" album spanned 39 countries and six continents. Instead of picking one show from that tour and featuring its complete setlist, nearly every song on the album is from a different show (two were recorded at Castle Donington, UK). It was produced by Tony Newton, with Steve Harris serving as co-producer. The album makes band's first live album since 2002's "Beast Over Hammersmith" not to be produced by Kevin Shirley.
Since the tour was in support of "The Book Of Souls", six tracks of "The Book Of Souls: Live Chapter" are from that album including the 13 minute-plus “The Red and the Black” and the nearly 11 minute “The Book of Souls.” The rest of the set includes hits from throughout their career. No matter where they were recorded, from San Salvador, El Salvador (“The Trooper”) to Wacken, Germany (“The Number of the Beast”) to Sydney, Australia (“If Eternity Should Fall”), the fans are equally enthusiastic. They don't just sing along to the lyrics, they sing along to guitar riffs and instrumental breaks with the same amount of gusto.
Frontman Bruce Dickinson battled cancer prior to this tour, with tumors on the back of his tongue and in his neck. He took some time off to recover, and his voice is back at full strength. His legendary pipes sound as good as ever, having no problem hitting the high notes when needed.
Maiden are such a well-oiled machine, with the triple guitar attack of Dave Murray, Adrian Smith and Janick Gers operating at maximum efficiency. The rhythm section of Steve Harris and Nicko McBrain keep everything anchored, with Harris also co-producing the album.
One thing that's extremely refreshing is that after all these years, Maiden are still having fun. To adapt a line from Bon Jovi, on The Book of Souls World Tour Maiden played in front of two million faces, and they rocked them all! You'll hear it in all its glory on "The Book Of Souls: Live Chapter"!!
Iron Maiden LLP/Parlophone Records Limited, A Warner Music Group Company, 2017 (0190295760199). Made in Germany. First press.


Tracklist:

Disc 1
1. If Eternity Should Fail (Qudos Bank Arena, Sydney, Australia, 6/5/16)    7:46
2. Speed of Light (Grand Arena, Grandwest, Cape Town, South Africa, 18/5/16)    5:08
3. Wrathchild (3Arena, Dublin, Ireland, 6/5/17)    2:59
4. Children of the Damned (Bell Centre, Montreal, Canada, 1/4/16)    5:14
5. Death or Glory (Wroclaw Stadium, Wroclaw, Poland, 3/7/16)    5:15
6. The Red and the Black (Ryogoku Kokugikan, Tokyo, Japan, 21/4/16)    13:17
7. The Trooper (Estadio Jorge Magico Gonzalez, San Salvador, El Salvador, 6/3/16)    4:05
8. Powerslave (Piazza Dell’unita D’Italia, Trieste, Italy, 26/7/16)    7:31
Running time: 51:16 min.

Disc 2
1. The Great Unknown (Metro Radio Arena, Newcastle, UK, 14/5/17)    6:50
2. The Book of Souls (Download Festival, Donington, UK, 12/6/16)    10:49
3. Fear of the Dark (Arena Castelao, Fortaleza, Brazil, 24/3/16)    7:34
4. Iron Maiden (Estadio Velez Sarsfield, Buenos Aires, Argentina, 15/3/16)    6:05
5. The Number of the Beast (Wacken Open Air, Wacken, Germany, 4/8/16)    5:06
6. Blood Brothers (Download Festival, Donington, UK, 12/6/16)    7:35
7. Wasted Years (HSBC Arena, Rio De Janeiro, Brazil, 17/3/16)    5:38
Running time: 49:37 min.

Total playing time: 100:53 min.

The sixteenth full-length studio album by legendary British Heavy Metal band.
To say that Iron Maiden's "The Book Of Souls" was ardently anticipated would be a vast understatement. Though it was (mostly) finished in 2014, vocalist Bruce Dickinson's cancer diagnosis and treatment delayed its release until he was medically cleared.
While 2006's "A Matter Of Life And Death" and 2010's "The Final Frontier" showcased longer songs, "Book Of Souls" is epic by comparison.
This is band's first studio double album, and therefore also their longest to date, with a total length of 92 minutes. It has contains the band's longest song, "Empire of the Clouds", plus three of 11 tracks are over ten minutes. The album marks the longest gap between studio releases in the band's entire career, at five years.
Steve Harris contributed one solo composition, and co-wrote six tracks with various bandmates. Dickinson - for the first time since “Powerslave” - wrote two solo tunes, the album's bookends, and collaborated on two more. The music is cleanly divided between the two discs. The first is tight; it offers a bit of everything that makes Iron Maiden. It is seemingly self-contained.
Dickinson's "If Eternity Should Fail" is an impressive showcase for his voice. Its dark intro and atmospherics are eventually transformed into one of the heaviest tunes Maiden's recorded in a dig's age, but he climbs above the sonic mass. "Speed of Light" is a burner. Dickinson's fury is accompanied by a Rock'N'Rolling riff, soaring Metal guitar fills, and Nicko McBrain's grooving drums. Harris' 13-minute "The Red and the Black" has a martial tempo and chant that recalls "Rime Of The Ancient Mariner". It's followed by "When the River Runs Deep", a chugging Hard Rocker with all three guitarists challenging one another. The title cut is theatrical, as acoustic guitar and a sparse synth are filled out with a knotty riff and solo breaks, emerging as a slower, heavier headbanger.
By contrast, disc two is structured almost narratively; it slowly enlarges and expands to serve an unexpected conclusion. Opener "Death or Glory" is another crowd-catcher as Dickinson soars above thudding drums and guitar choruses redolent of Thin Lizzy. "Shadows of the Valley" is the only clunker. It's dull and predictable, a minor distraction that doesn't measure up to the set's ambition. "Tears of a Clown", written by Harris and Dave Murray, is for Robin Williams. It's a clamorous rocker, yet the lyrics and melody are simultaneously empathic and disconsolate. "The Man of Sorrows" follows expertly, progressing from meandering ballad to theatrical Hard Rock. Dickinson's 18-minute "Empire of the Clouds" is about the R101 airship disaster of 1930. It's Maiden's longest song, but a grand conclusion. He plays majestic classical piano throughout, as tasteful, biting guitars create a complementary melodic labyrinth amid swelling orchestral strings. They add texture while McBrain's swinging drums add drama. It's a Heavy Metal suite, unlike anything in their catalog!
Producer Kevin Shirley does a stellar job capturing an "in studio" sound that allows for spacious dynamics and warmth without artificial mass. Who would have thought that after decades Iron Maiden would have an album as fine (let alone as long) as "The Book Of Souls" in them? With repeated listening it earns shelf space with their finest records!!
"The Book Of Souls" topped the album charts in 24 countries. It earned the band their fifth (first consecutive) UK No. 1, following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son", 1992's "Fear Of The Dark" and 2010's "The Final Frontier". In the US, it matched "The Final Frontier"'s success on the Billboard 200, repeating the band's highest placement at no. 4. “The Book Of Souls” received the Album of the Year award at the 2015 Classic Rock Roll of Honour Awards, collected the 2016 Metal Hammer Golden Gold Award for Best Album, and won in the Best International Album category at the 2016 Bandit Rock Awards.
Iron Maiden LLP/Parlophone Records Limited, a Warner Music Group Company, 2015 (0825646089246). Made in Germany. First press.


Tracklist:

CD 1
1. If Eternity Should Fail 8:27
2. Speed of Light 5:00
3. The Great Unknown 6:36
4. The Red and the Black 13:32
5. When the River Runs Deep 5:51
6. The Book of Souls 10:26

CD 2
1. Death or Glory 5:12 
2. Shadows of the Valley 7:31
3. Tears of A Clown 4:59
4. The Man of Sorrows 6:26
5. Empire of the Clouds 18:00

Total playing time: 92:00 min.

The sixteenth full-length studio album by legendary British Heavy Metal band.
To say that Iron Maiden's "The Book Of Souls" was ardently anticipated would be a vast understatement. Though it was (mostly) finished in 2014, vocalist Bruce Dickinson's cancer diagnosis and treatment delayed its release until he was medically cleared.
While 2006's "A Matter Of Life And Death" and 2010's "The Final Frontier" showcased longer songs, "Book Of Souls" is epic by comparison.
This is band's first studio double album, and therefore also their longest to date, with a total length of 92 minutes. It has contains the band's longest song, "Empire of the Clouds", plus three of 11 tracks are over ten minutes. The album marks the longest gap between studio releases in the band's entire career, at five years.
Steve Harris contributed one solo composition, and co-wrote six tracks with various bandmates. Dickinson - for the first time since "Powerslave" - wrote two solo tunes, the album's bookends, and collaborated on two more. The music is cleanly divided between the two discs. The first is tight; it offers a bit of everything that makes Iron Maiden. It is seemingly self-contained.
Dickinson's "If Eternity Should Fail" is an impressive showcase for his voice. Its dark intro and atmospherics are eventually transformed into one of the heaviest tunes Maiden's recorded in a dig's age, but he climbs above the sonic mass. "Speed of Light" is a burner. Dickinson's fury is accompanied by a Rock'N'Rolling riff, soaring Metal guitar fills, and Nicko McBrain's grooving drums. Harris' 13-minute "The Red and the Black" has a martial tempo and chant that recalls "Rime Of The Ancient Mariner". It's followed by "When the River Runs Deep", a chugging Hard Rocker with all three guitarists challenging one another. The title cut is theatrical, as acoustic guitar and a sparse synth are filled out with a knotty riff and solo breaks, emerging as a slower, heavier headbanger.
By contrast, disc two is structured almost narratively; it slowly enlarges and expands to serve an unexpected conclusion. Opener "Death or Glory" is another crowd-catcher as Dickinson soars above thudding drums and guitar choruses redolent of Thin Lizzy. "Shadows of the Valley" is the only clunker. It's dull and predictable, a minor distraction that doesn't measure up to the set's ambition. "Tears of a Clown", written by Harris and Dave Murray, is for Robin Williams. It's a clamorous rocker, yet the lyrics and melody are simultaneously empathic and disconsolate. "The Man of Sorrows" follows expertly, progressing from meandering ballad to theatrical Hard Rock. Dickinson's 18-minute "Empire of the Clouds" is about the R101 airship disaster of 1930. It's Maiden's longest song, but a grand conclusion. He plays majestic classical piano throughout, as tasteful, biting guitars create a complementary melodic labyrinth amid swelling orchestral strings. They add texture while McBrain's swinging drums add drama. It's a Heavy Metal suite, unlike anything in their catalog!
Producer Kevin Shirley does a stellar job capturing an "in studio" sound that allows for spacious dynamics and warmth without artificial mass. Who would have thought that after decades Iron Maiden would have an album as fine (let alone as long) as "The Book Of Souls" in them? With repeated listening it earns shelf space with their finest records!!
"The Book Of Souls" topped the album charts in 24 countries. It earned the band their fifth (first consecutive) UK No. 1, following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son", 1992's "Fear Of The Dark" and 2010's "The Final Frontier". In the US, it matched "The Final Frontier"'s success on the Billboard 200, repeating the band's highest placement at no. 4. “The Book Of Souls” received the Album of the Year award at the 2015 Classic Rock Roll of Honour Awards, collected the 2016 Metal Hammer Golden Gold Award for Best Album, and won in the Best International Album category at the 2016 Bandit Rock Awards.
Triple 180g vinyl in trifold gatefold sleeve.
Iron Maiden LLP/Parlophone Records Limited, a Warner Music Group Company, 2015 (0825646089208). Made in Germany. First press. 


Tracklist:

LP 1

Side A:
1. If Eternity Should Fail 8:28
2. Speed Of Light 5:01

Side B:
3. The Great Unknown 6:37
4. The Red And The Black 13:33

LP 2

Side A:
1. When The River Runs Deep 5:52
2. The Book Of Souls 10:27

Side B: 
3. Death Or Glory 5:13
4. Shadows Of The Valley 7:32

LP 3

Side A:
1. Tears Of A Clown 4:59
2. The Man Of Sorrows 6:28

Side B:
3. Empire Of The Clouds 18:01

Total playing time: 92:11 min.

Deluxe Edition of the sixteenth full-length studio album by legendary British Heavy Metal band.
To say that Iron Maiden's "The Book Of Souls" was ardently anticipated would be a vast understatement. Though it was (mostly) finished in 2014, vocalist Bruce Dickinson's cancer diagnosis and treatment delayed its release until he was medically cleared.
While 2006's "A Matter Of Life And Death" and 2010's "The Final Frontier" showcased longer songs, "Book Of Souls" is epic by comparison.
This is band's first studio double album, and therefore also their longest to date, with a total length of 92 minutes. It has contains the band's longest song, "Empire of the Clouds", plus three of 11 tracks are over ten minutes. The album marks the longest gap between studio releases in the band's entire career, at five years.
Steve Harris contributed one solo composition, and co-wrote six tracks with various bandmates. Dickinson - for the first time since "Powerslave" - wrote two solo tunes, the album's bookends, and collaborated on two more. The music is cleanly divided between the two discs. The first is tight; it offers a bit of everything that makes Iron Maiden. It is seemingly self-contained.
Dickinson's "If Eternity Should Fail" is an impressive showcase for his voice. Its dark intro and atmospherics are eventually transformed into one of the heaviest tunes Maiden's recorded in a dig's age, but he climbs above the sonic mass. "Speed of Light" is a burner. Dickinson's fury is accompanied by a Rock'N'Rolling riff, soaring Metal guitar fills, and Nicko McBrain's grooving drums. Harris' 13-minute "The Red and the Black" has a martial tempo and chant that recalls "Rime Of The Ancient Mariner". It's followed by "When the River Runs Deep", a chugging Hard Rocker with all three guitarists challenging one another. The title cut is theatrical, as acoustic guitar and a sparse synth are filled out with a knotty riff and solo breaks, emerging as a slower, heavier headbanger.
By contrast, disc two is structured almost narratively; it slowly enlarges and expands to serve an unexpected conclusion. Opener "Death or Glory" is another crowd-catcher as Dickinson soars above thudding drums and guitar choruses redolent of Thin Lizzy. "Shadows of the Valley" is the only clunker. It's dull and predictable, a minor distraction that doesn't measure up to the set's ambition. "Tears of a Clown", written by Harris and Dave Murray, is for Robin Williams. It's a clamorous rocker, yet the lyrics and melody are simultaneously empathic and disconsolate. "The Man of Sorrows" follows expertly, progressing from meandering ballad to theatrical Hard Rock. Dickinson's 18-minute "Empire of the Clouds" is about the R101 airship disaster of 1930. It's Maiden's longest song, but a grand conclusion. He plays majestic classical piano throughout, as tasteful, biting guitars create a complementary melodic labyrinth amid swelling orchestral strings. They add texture while McBrain's swinging drums add drama. It's a Heavy Metal suite, unlike anything in their catalog!
Producer Kevin Shirley does a stellar job capturing an "in studio" sound that allows for spacious dynamics and warmth without artificial mass. Who would have thought that after decades Iron Maiden would have an album as fine (let alone as long) as "The Book Of Souls" in them? With repeated listening it earns shelf space with their finest records!!
"The Book Of Souls" topped the album charts in 24 countries. It earned the band their fifth (first consecutive) UK No. 1, following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son", 1992's "Fear Of The Dark" and 2010's "The Final Frontier". In the US, it matched "The Final Frontier"'s success on the Billboard 200, repeating the band's highest placement at no. 4. “The Book Of Souls” received the Album of the Year award at the 2015 Classic Rock Roll of Honour Awards, collected the 2016 Metal Hammer Golden Gold Award for Best Album, and won in the Best International Album category at the 2016 Bandit Rock Awards.
Iron Maiden LLP/Parlophone Records Limited, a Warner Music Group Company, 2015 (0825646089239). Made in Germany. First press.


Tracklist:

CD 1
1. If Eternity Should Fail 8:27
2. Speed Of Light 5:00
3. The Great Unknown 6:36
4. The Red And The Black 13:32
5. When The River Runs Deep 5:51
6. The Book Of Souls 10:26

CD 2
1. Death Or Glory 5:12 
2. Shadows Of The Valley 7:31
3. Tears Of A Clown 4:59
4. The Man Of Sorrows 6:26
5. Empire Of The Clouds 18:00

Total playing time: 92:00

First re-release of the eighteenth single by the legendary British Heavy Metal band.
It's the third single for the band's seventh full-length studio album, "Seventh Son Of A Seventh Son" (1988).
"The Clairvoyant" was the first track written for the album. According to Steve Harris, the song's lyrics were inspired by the death of psychic Doris Stokes, after which he wondered to himself whether "she could foresee her own death". The song starts in the first person, from the main character's point of view. Later, when he is dead it is in the third person. Harris then began to write the song "Seventh Son of a Seventh Son", which gave him the idea of turning the full album into a concept record given that the main character would also have the power of clairvoyance. The song's guitar solo is played by Dave Murray.
B-side contains live performance, “The Prisoner”, from Maiden's 1988 headlining at the Monsters of Rock festival in Donington Park, on August 20th.
The single debuted at number six in the British charts.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1988/2014 (2564624840). Made in UK.


Tracklist:

Side A:
1. The Clairvoyant 4:27

Side B:
2. The Prisoner (live) 6:07

Total playing time: 10:34

Samples: http://www.last.fm

First re-release of the seventeenth single by the legendary British Heavy Metal band.
It's the second single for the band's seventh full-length studio album, "Seventh Son Of A Seventh Son" (1988).
"Seventh Son Of A Seventh Son" is one of Iron Maiden's most acclaimed albums and with good reason. "The Evil that Men Do" has always been a standard track in and it makes for a great single with it's catchy feel. The song with an amazing harmony which stands out over virtually any other Iron Maiden song, from that opening few seconds you can tell you got an awesome song ahead.
The title of the song is taken from Marcus Antonius's speech while addressing the crowd of Romans after Caesar's murder (Act 3, scene 2, "The Forum") in William Shakespeare's Julius Caesar: "The evil that men do lives after them; The good is oft interred with their bones." Bruce Dickinson may sometimes repeat this before playing the song, but in reverse (as he did in Rock in Rio). However, the poetic lyrics of the song are unrelated to this.
The guitar solo in "The Evil That Men Do" is played by Adrian Smith while the guitar solo in "Prowler '88" is played by Dave Murray.
The single's B-side is re-recording of "Prowler" appears as tracks number one on the band's debut album Iron Maiden. "The Evil That Men Do" is definitely a Maiden classic and one of their best songs to date, however, the real reason to get this single is because of the B-Side - remake of classic from their debut album with Bruce Dickinson on vocals as opposed to Paul Di'Anno! Bruce Dickinson completely outclasses Paul Di'Anno classic, with a more aggressive voice. So, this is an awesome title song but the B-Sides are the real reason to buy this thing!!
The single debuted at number six in the UK charts and quickly rose to number five.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1988/2014 (2564624845). Made in UK.


Tracklist:

Side A:
1. The Evil That Men Do 4:33

Side B:
2. Prowler '88 4:06

Total playing time: 8:39

Samples: http://www.last.fm​​​​​​

Re-release of the fifth DVD by the legendary British Heavy Metal band.
DVD features the first part of "The History Of Iron Maiden" series, a 90 minute documentary which describes band's beginnings in London's East End in 1975 through to the "Piece Of Mind" album and tour in 1983. The second part of the series was included on disc 2 of the "Live After Death" DVD release in 2008.
The set also features a large collection of rare videos and concert footage, as well as interviews with former members such as Paul Di'Anno, Clive Burr, Dennis Stratton, Dave Sullivan, Terry Rance, Doug Sampson, Ron Matthews, Terry Wapram and Bob Sawyer.
The DVD won a 2004 Metal Edge Readers' Choice Award for Home Video/DVD of the Year.
A great double-DVD set, essential for any Iron Maiden fan, and worthwhile for anybody interested in Heavy Metal. One of the best visual compilations ever done. Do you need more reasons to buy it?!
DVD 10 | Side 1 - 4:3; Side 2 - 16:9 | Dolby Digital 2.0 | PAL | Side 1 approx. 120 mins; Side 2 approx. 195 mins.
EMI Records Ltd., 2004 (7243 5 44317 9 1). Bootleg. Used (cover/disc): M/EX.

Tracklist:

DVD 1:
1. Ides Of March
2. Wrathchild
3. Killers
4. Remember Tomorrow
5. Transylvania
6. Phantom Of The Opera
7. Iron Maiden
8. Murders In The Rue Morgue
9. Run To The Hills
10. Children Of The Damned
11. The Number Of The Beast
12. 22 Acacia Avenue
13. Total Eclipse
14. The Prisoner
15. Hallowed Be Thy Name
16. Iron Maiden 
17. Sanctuary
18. The Trooper 
19. Revelations 
20. Flight Of Icarus
21. 22 Acacia Avenue
22. The Number Of The Beast
23. Run To The Hills

Tracks 1-7: "Live at the Rainbow", London, Dezember 1980 (30 min)
Tracks 8-16: "Beast Over Hammersmith", Hammersmith Odeon, London, März 1982 (45 min)
Tracks 17-23: "Live at Dortmund", Rock and Pop Festival, Westfalenhalle Dortmund, 1983 (45 min)

DVD 2:
1. The Early Days 
2. 20th Century Fox 
3. Running Free 
4. Women In Uniform 
5. Running Free
6. Sanctuary
7. Wrathchild
8. Prowler
9. Remember Tomorrow
10. Running Free
11. Transylvania
12. Another Life
13. Phantom Of The Opera
14. Charlotte The Harlot
15. Women In Uniform 
16. Run To The Hills
17. The Number Of The Beast 
18. Flight Of Icarus 
19. The Trooper

Track 1: "The Early Days", Dokumentation (90 min)
Track 2: TV-Doku (20 min)
Tracks 3-5: Fernsehauftritte bei Top Of The Pops und der Rock & Pop TV Show (ZDF)
Tracks 6-14: "Live at the Ruskin", Home Video filmed at The Ruskin Arms, 1980 (45 min)
Tracks 15-19: Videoclips (20 min)

First remastered re-release of the third full-length album by the legendary British Heavy Metal band
This was the debut of vocalist Bruce Dickinson in Iron Maiden and their last with drummer Clive Burr.
Routinely ranked among the greatest Heavy Metal albums of all time, "The Number Of The Beast" is the birth of Iron Maiden as we know it, a relentless Metal machine lifted to soaring new heights by the arrival of erstwhile Samson frontman Bruce Dickinson. Dickinson's operatic performance here made him an instant Metal icon, challenging even Rob Halford for bragging rights, and helped launch the band into the stratosphere.
The album's intensity never lets up, the musical technique is peerless for its time, and there isn't a truly unmemorable song in the bunch. Blessed with a singer who could drive home a melody in grandiose fashion, Steve Harris' writing gets more ambitious, largely abandoning the street violence of old in favor of fittingly epic themes drawn from history, science fiction, and horror. The exceptions are "22 Acacia Avenue", a sequel to "Charlotte the Harlot" that sounds written for Di'Anno's range, and the street-crime tale "Gangland", which Harris didn't write; though the Punk influences largely left with Di'Anno, these two definitely recall the Maiden of old. As for the new, two of the band's (and, for that matter, Heavy Metal's) all-time signature songs are here. The anthemic "Run to the Hills" dramatized the conquest of the Native Americans and became the band's first Top Ten U.K. single. It features Maiden's trademark galloping rhythm, which in this case serves to underscore the images of warriors on horseback. Meanwhile, the title track's odd-meter time signature keeps the listener just slightly off balance and unsettled, leading into the most blood-curdling Dickinson scream on record; the lyrics, based on nothing more than Harris' nightmare after watching a horror movie, naturally provoked hysterical accusations of Satan worship (which, in turn, naturally provoked sales). "Hallowed Be Thy Name" is perhaps the most celebrated of the band's extended epics; it's the tale of a prisoner about to be hanged, featuring some of Harris' most philosophical lyrics.
Though some moments on "The Number Of The Beast" are clearly stronger than others, the album as a whole represented a high-water mark for Heavy Metal, striking a balance between accessible melodicism and challenging technique and intensity. Everything fell into place for Iron Maiden here at exactly the right time, and the result certainly ranks among the top five most essential Heavy Metal albums ever recorded! A cornerstone of the genre!!
"The Number Of The Beast" become band’s first album to reach No. 1 in the UK Albums Chart, and be certified platinum in the US. It’s one of two Iron Maiden albums listed in “1001 Albums You Must Hear Before You Die” book.
CD includes special multimedia part with videos, exclusive band biographies, photo galleries, internet links and much more…
Iron Maiden Holdings Ltd./EMI Records Ltd., 1982/1998 (7243 4 96918 0 3). Made in Italy.


Tracklist:
1.Invaders 03:22
2.Children Of The Damned 04:33
3.The Prisoner 06:00
4.22 Acacia Avenue 04:49
5.The Number Of The Beast 04:50 
6.Run To The Hills 03:50
7.Gangland 03:47
8.Total Eclipse 04:28
9.Hallowed Be Thy Name 07:10
Total playing time: 42:48


Samples: http://www.last.fm

First remastered re-release of the third full-length album by the legendary British Heavy Metal band.
This was the debut of vocalist Bruce Dickinson in Iron Maiden and their last with drummer Clive Burr.
Routinely ranked among the greatest Heavy Metal albums of all time, "The Number Of The Beast" is the birth of Iron Maiden as we know it, a relentless Metal machine lifted to soaring new heights by the arrival of erstwhile Samson frontman Bruce Dickinson. Dickinson's operatic performance here made him an instant Metal icon, challenging even Rob Halford for bragging rights, and helped launch the band into the stratosphere.
The album's intensity never lets up, the musical technique is peerless for its time, and there isn't a truly unmemorable song in the bunch. Blessed with a singer who could drive home a melody in grandiose fashion, Steve Harris' writing gets more ambitious, largely abandoning the street violence of old in favor of fittingly epic themes drawn from history, science fiction, and horror. The exceptions are "22 Acacia Avenue", a sequel to "Charlotte the Harlot" that sounds written for Di'Anno's range, and the street-crime tale "Gangland", which Harris didn't write; though the Punk influences largely left with Di'Anno, these two definitely recall the Maiden of old. As for the new, two of the band's (and, for that matter, Heavy Metal's) all-time signature songs are here. The anthemic "Run to the Hills" dramatized the conquest of the Native Americans and became the band's first Top Ten U.K. single. It features Maiden's trademark galloping rhythm, which in this case serves to underscore the images of warriors on horseback. Meanwhile, the title track's odd-meter time signature keeps the listener just slightly off balance and unsettled, leading into the most blood-curdling Dickinson scream on record; the lyrics, based on nothing more than Harris' nightmare after watching a horror movie, naturally provoked hysterical accusations of Satan worship (which, in turn, naturally provoked sales). "Hallowed Be Thy Name" is perhaps the most celebrated of the band's extended epics; it's the tale of a prisoner about to be hanged, featuring some of Harris' most philosophical lyrics.
Though some moments on "The Number Of The Beast" are clearly stronger than others, the album as a whole represented a high-water mark for Heavy Metal, striking a balance between accessible melodicism and challenging technique and intensity. Everything fell into place for Iron Maiden here at exactly the right time, and the result certainly ranks among the top five most essential Heavy Metal albums ever recorded! A cornerstone of the genre!!
"The Number Of The Beast" become band’s first album to reach No. 1 in the UK Albums Chart, and be certified platinum in the US. It’s one of two Iron Maiden albums listed in “1001 Albums You Must Hear Before You Die” book.
CD includes special multimedia part with videos, exclusive band biographies, photo galleries, internet links and much more…
Iron Maiden Holdings Ltd./EMI Records Ltd., 1982/1998 (7243 4 96918 0 3). Made in Germany.


Tracklist:
1.Invaders 03:22
2.Children Of The Damned 04:33
3.The Prisoner 06:00
4.22 Acacia Avenue 04:49
5.The Number Of The Beast 04:50 
6.Run To The Hills 03:50
7.Gangland 03:47
8.Total Eclipse 04:28
9.Hallowed Be Thy Name 07:10
Total playing time: 42:48


Samples: http://www.last.fm

Remastered re-release of the third full-length album by the legendary British Heavy Metal band
This was the debut of vocalist Bruce Dickinson in Iron Maiden and their last with drummer Clive Burr.
Routinely ranked among the greatest Heavy Metal albums of all time, "The Number Of The Beast" is the birth of Iron Maiden as we know it, a relentless Metal machine lifted to soaring new heights by the arrival of erstwhile Samson frontman Bruce Dickinson. Dickinson's operatic performance here made him an instant Metal icon, challenging even Rob Halford for bragging rights, and helped launch the band into the stratosphere.
The album's intensity never lets up, the musical technique is peerless for its time, and there isn't a truly unmemorable song in the bunch. Blessed with a singer who could drive home a melody in grandiose fashion, Steve Harris' writing gets more ambitious, largely abandoning the street violence of old in favor of fittingly epic themes drawn from history, science fiction, and horror. The exceptions are "22 Acacia Avenue", a sequel to "Charlotte the Harlot" that sounds written for Di'Anno's range, and the street-crime tale "Gangland", which Harris didn't write; though the Punk influences largely left with Di'Anno, these two definitely recall the Maiden of old. As for the new, two of the band's (and, for that matter, Heavy Metal's) all-time signature songs are here. The anthemic "Run to the Hills" dramatized the conquest of the Native Americans and became the band's first Top Ten U.K. single. It features Maiden's trademark galloping rhythm, which in this case serves to underscore the images of warriors on horseback. Meanwhile, the title track's odd-meter time signature keeps the listener just slightly off balance and unsettled, leading into the most blood-curdling Dickinson scream on record; the lyrics, based on nothing more than Harris' nightmare after watching a horror movie, naturally provoked hysterical accusations of Satan worship (which, in turn, naturally provoked sales). "Hallowed Be Thy Name" is perhaps the most celebrated of the band's extended epics; it's the tale of a prisoner about to be hanged, featuring some of Harris' most philosophical lyrics.
Though some moments on "The Number Of The Beast" are clearly stronger than others, the album as a whole represented a high-water mark for Heavy Metal, striking a balance between accessible melodicism and challenging technique and intensity. Everything fell into place for Iron Maiden here at exactly the right time, and the result certainly ranks among the top five most essential Heavy Metal albums ever recorded! A cornerstone of the genre!!
"The Number Of The Beast" become band’s first album to reach No. 1 in the UK Albums Chart, and be certified platinum in the US. It’s one of two Iron Maiden albums listed in “1001 Albums You Must Hear Before You Die” book.
CD includes special multimedia part with videos, exclusive band biographies, photo galleries, internet links and much more…
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1982/1998/2014 (7243 4 96918 0 3). Made in EU.


Tracklist:
1.Invaders 03:22
2.Children Of The Damned 04:33
3.The Prisoner 06:00
4.22 Acacia Avenue 04:49
5.The Number Of The Beast 04:50 
6.Run To The Hills 03:50
7.Gangland 03:47
8.Total Eclipse 04:28
9.Hallowed Be Thy Name 07:10
Total playing time: 42:48


Samples: http://www.last.fm

Remastered re-release of the third full-length album by the legendary British Heavy Metal band
This was the debut of vocalist Bruce Dickinson in Iron Maiden and their last with drummer Clive Burr.
Routinely ranked among the greatest Heavy Metal albums of all time, "The Number Of The Beast" is the birth of Iron Maiden as we know it, a relentless Metal machine lifted to soaring new heights by the arrival of erstwhile Samson frontman Bruce Dickinson. Dickinson's operatic performance here made him an instant Metal icon, challenging even Rob Halford for bragging rights, and helped launch the band into the stratosphere.
The album's intensity never lets up, the musical technique is peerless for its time, and there isn't a truly unmemorable song in the bunch. Blessed with a singer who could drive home a melody in grandiose fashion, Steve Harris' writing gets more ambitious, largely abandoning the street violence of old in favor of fittingly epic themes drawn from history, science fiction, and horror. The exceptions are "22 Acacia Avenue", a sequel to "Charlotte the Harlot" that sounds written for Di'Anno's range, and the street-crime tale "Gangland", which Harris didn't write; though the Punk influences largely left with Di'Anno, these two definitely recall the Maiden of old. As for the new, two of the band's (and, for that matter, Heavy Metal's) all-time signature songs are here. The anthemic "Run to the Hills" dramatized the conquest of the Native Americans and became the band's first Top Ten U.K. single. It features Maiden's trademark galloping rhythm, which in this case serves to underscore the images of warriors on horseback. Meanwhile, the title track's odd-meter time signature keeps the listener just slightly off balance and unsettled, leading into the most blood-curdling Dickinson scream on record; the lyrics, based on nothing more than Harris' nightmare after watching a horror movie, naturally provoked hysterical accusations of Satan worship (which, in turn, naturally provoked sales). "Hallowed Be Thy Name" is perhaps the most celebrated of the band's extended epics; it's the tale of a prisoner about to be hanged, featuring some of Harris' most philosophical lyrics.
Though some moments on "The Number Of The Beast" are clearly stronger than others, the album as a whole represented a high-water mark for Heavy Metal, striking a balance between accessible melodicism and challenging technique and intensity. Everything fell into place for Iron Maiden here at exactly the right time, and the result certainly ranks among the top five most essential Heavy Metal albums ever recorded! A cornerstone of the genre!!
"The Number Of The Beast" become band’s first album to reach No. 1 in the UK Albums Chart, and be certified platinum in the US. It’s one of two Iron Maiden albums listed in “1001 Albums You Must Hear Before You Die” book.
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1982/1998/2014 (4969180). Made in EU.


Tracklist:
1.Invaders 03:22
2.Children Of The Damned 04:33
3.The Prisoner 06:00
4.22 Acacia Avenue 04:49
5.The Number Of The Beast 04:50 
6.Run To The Hills 03:50
7.Gangland 03:47
8.Total Eclipse 04:28
9.Hallowed Be Thy Name 07:10
Total playing time: 42:48


Samples: http://www.last.fm

Second re-release of the eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11-year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million marks. As of April 2009, "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 1998/2017 (0190295851996). Made in Germany. Remaster 2015. 180 g vinyl.


Tracklist:

Side One
1. Futureal 2:55
2. The Angel And The Gambler 9:53

Side Two
1. Lightning Strikes Twice 4:50
2. The Clansman 9:00

Side Three
1. When Two Worlds Collide 6:17
2. The Educated Fool 6:45

Side Four
1. Don't Look To The Eyes Of A Stranger 8:04
2. Como Estais Amigos 5:30

Total playing time: 53:14 min.

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1998/2014 (7243 4 93915 2 9) Made in EU.


Tracklist:
1. Futureal
2. The Angel And The Gambler
3. Lightning Strikes Twice
4. The Clansman
5. When Two Worlds Collide
6. The Educated Fool
7. Don't Look To The Eyes Of A Stranger
8. Como Estais Amigos
Total playing time: 53:20 min.

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93915 2 9) Made in UK. First press. Used (cover/disc): M-/M.


Tracklist:
1. Futureal
2. The Angel And The Gambler
3. Lightning Strikes Twice
4. The Clansman
5. When Two Worlds Collide
6. The Educated Fool
7. Don't Look To The Eyes Of A Stranger
8. Como Estais Amigos
Total playing time: 53:20


Samles: http://www.lastfm

Re-release of the fourth DVD by the legendary British Heavy Metal band.
A release that all Iron Maiden fans have been asking for is here at last! "Visions Of The Beast" is a massive two disc DVD set that is over three hours long and contains every single Iron Maiden video ever made, from "Women in Uniform" to live cuts from "Rock In Rio", this has it all. It is basically an updated version of "The First Ten Years: The Videos and From There to Eternity". It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras!
If you are an Iron Maiden fan and have always wanted their videos for your own viewing pleasure then by all means pick this up!!
4:3 | Dolby Digital 2.0 | PAL | Disc 1 approx. 75 mins; Disc 2 approx. 79 mins.
Parlophone Records Ltd., A Warner Music Group Company, 2003/2014 (648 6139). Made in Germany.


Tracklist:

DVD 1:
1. Women In Uniform
2. Wrathchild
3. Run To The Hills
4. The Number Of The Beast
5. Flight Of Icarus
6. The Trooper
7. 2 Minutes To Midnight
8. Aces High
9. Wasted Years 
10. Stranger In A Strange Land
11. Can I Play With Madness
12. The Evil That Men Do 
13. The Clairvoyant
14. Infinite Dreams
15. Holy Smoke
16. Tailgunner

track 2 recorded live on December 21st, 1980 in London, United Kingdom.
track 10 recorded live on October 15th, 1986 in Sheffield, United Kingdom.
track 12 recorded live on June 12th, 1988 in Inglewood, California, United States.
track 13 recorded live on August 20th, 1988 in Castle Donington, United Kingdom.
track 14 recorded live on November 27th, 1988 in Birmingham, United Kingdom.
track 16 recorded live in September, 1990.

DVD 2:
1. Bring Your Daughter To The Slaughter 
2. Be Quick Or Be Dead
3. From Here To Eternity
4. Wasting Love 
5. Fear Of The Dark
6. Hallowed Be Thy Name
7. Man On The Edge
8. Afraid To Shoot Strangers
9. Lord Of The Flies
10. Virus
11. The Angel & The Gambler
12. Futureal
13. The Wicker Man
14. Out Of The Silent Planet
15. Brave New World

tracks 5, 6 recorded live on August 22nd, 1992 in Castle Donington, United Kingdom.
track 8 recorded live on November 1st, 1995 in Gothenburg, Sweden.
track 9 recorded live in November, 1995.
track 12 recorded live in May, 1995.
track 15 recorded live on January 19th, 2001 in Rio De Janeiro, Brazil.

To access hidden Easter Egg track 21 on disc 1, play track 6 3 times to form 666.
To access hidden Easter Egg track 20 on disc 2, play track 6 2 times and then track 4 to form 664, however playing track 6 3 times will also give access to hidden video, but with more funny passage.
http://www.eeggs.com/items/43310.html

Re-release of the fourth DVD by the legendary British Heavy Metal band.
A release that all Iron Maiden fans have been asking for is here at last! "Visions Of The Beast" is a massive two disc DVD set that is over three hours long and contains every single Iron Maiden video ever made, from "Women in Uniform" to live cuts from "Rock In Rio", this has it all. It is basically an updated version of "The First Ten Years: The Videos and From There to Eternity". It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras!
If you are an Iron Maiden fan and have always wanted their videos for your own viewing pleasure then by all means pick this up!!
4:3 | Dolby Digital 2.0 | PAL | Disc 1 approx. 75 mins; Disc 2 approx. 79 mins.
EMI Records Limited, 2003/2010 (648 6139). Made in Germany.


Tracklist:

DVD 1:
1. Women In Uniform
2. Wrathchild
3. Run To The Hills
4. The Number Of The Beast
5. Flight Of Icarus
6. The Trooper
7. 2 Minutes To Midnight
8. Aces High
9. Wasted Years 
10. Stranger In A Strange Land
11. Can I Play With Madness
12. The Evil That Men Do 
13. The Clairvoyant
14. Infinite Dreams
15. Holy Smoke
16. Tailgunner

track 2 recorded live on December 21st, 1980 in London, United Kingdom.
track 10 recorded live on October 15th, 1986 in Sheffield, United Kingdom.
track 12 recorded live on June 12th, 1988 in Inglewood, California, United States.
track 13 recorded live on August 20th, 1988 in Castle Donington, United Kingdom.
track 14 recorded live on November 27th, 1988 in Birmingham, United Kingdom.
track 16 recorded live in September, 1990.

DVD 2:
1. Bring Your Daughter To The Slaughter 
2. Be Quick Or Be Dead
3. From Here To Eternity
4. Wasting Love 
5. Fear Of The Dark
6. Hallowed Be Thy Name
7. Man On The Edge
8. Afraid To Shoot Strangers
9. Lord Of The Flies
10. Virus
11. The Angel & The Gambler
12. Futureal
13. The Wicker Man
14. Out Of The Silent Planet
15. Brave New World

tracks 5, 6 recorded live on August 22nd, 1992 in Castle Donington, United Kingdom.
track 8 recorded live on November 1st, 1995 in Gothenburg, Sweden.
track 9 recorded live in November, 1995.
track 12 recorded live in May, 1995.
track 15 recorded live on January 19th, 2001 in Rio De Janeiro, Brazil.

To access hidden Easter Egg track 21 on disc 1, play track 6 3 times to form 666.
To access hidden Easter Egg track 20 on disc 2, play track 6 2 times and then track 4 to form 664, however playing track 6 3 times will also give access to hidden video, but with more funny passage.
http://www.eeggs.com/items/43310.html

First re-release of the fourteenth single by the legendary British Heavy Metal band.
It's the first single for the band's sixth full-length studio album, "Somewhere In Time" (1986). It was the first single solely written by guitarist Adrian Smith, who also sings backing vocals. Wasted Years" is the only song on the album that features no synthesizers.
The song deals with subject of homesickness and alienation, as well as the negative aspects of the band's nearly yearlong previous tour and personal problems that Smith and other band members were going through in that period. At the same time the chorus suggests the idea that one should move beyond past troubles and look forward. The original working title was "Golden Years", as can be heard on numerous "Somewhere On Tour" bootlegs. The song is composed in the key of E minor. Adrian Smith plays the guitar solo. The guitar line here is probably one of the most memorable in the realm of Metal, and is sort of a rite of passage for any lead guitar player who wishes to tear it up with a band in the Metal genre. The chorus is very easy to sing along to and is a regular favorite at live performances.
The b-side "Reach Out" was sung by Adrian Smith, with regular lead singer Bruce Dickinson providing backing vocals. This song was previously performed live by Nicko McBrain and Smith's side project The Entire Population Of Hackney. This track is another rare treat. Smith does an excellent job on the vocals, but his strength on this one is his catchy guitar riffs. This song has a solo that is so idiomatic that you could easily hum the tune along with it, something that Metal guitar solos are not often famous for. This single is probably a bit hard to come by at this point, but if you can find it - it's recommend it highly! It's a great song from Maiden's greatest album, and a pair of tracks that will make you smile and make you laugh, something that Metal is allowed to do to people, despite what the no-fun elitists of the darker scene.
“Wasted Years” reached number 18 in the UK Singles Charts and it’s one of those singles you just have to own when you’re into Maiden!!
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1986/2014 (2564624851). Made in UK.


Tracklist:

Side A:
1. Wasted Years 5:06

Side B:
2. Reach Out 3:25

Total playing time: 8:31

Samples: http://www.last.fm

Second single from the German Speed/Power Metal band.
This single for upcoming "Dark Assault" album features two exclusive b-sides and re-working of two songs. The Iron Savior songs "I've Been To Hell" and "Never Say Die" feature the already traditional band-style: powerful, fast, with Piet Sielck's characteristic voice. Single version of song "I've Been to Hell" misses some lyrics parts (before solo), Edit version of song "Never Say Die" misses intro part. Both songs have slightly different mix than on album "Dark Assault".
The two cover-versions are good ones, too, Judas Priest's "The Hellion - Electric Eye" and Krokus' "Headhunter" (where bassist Jan-S. Eckert has taken over a good part of the vocals).
The gem for every fan of band and Power Metal in general!
Noise Records, 2000 (N 0339-3). Made in France. First press.


Tracklist:
1. I've Been to Hell (single version)     04:04 
2. Never Say Die (Edit)     04:24 
3. The Hellion / Electric Eye (Judas Priest cover)     04:19 
4. Headhunter (Krokus cover)     04:16 
Total playing time: 17:03 min.