VINYL

The first re-release of the sixth full-length studio album by cult German Thrash Metal band.
Necronomicon made an honest attempt at a comeback with 2004's "Construction Of Evil". But "Revenge Of The Beast" it's damned well the best album the band have whipped up since 20 years prior! “Revenge Of The Beast” marks the 25th anniversary of the band’s existence, and although only the forbidding voice and riffs of frontman, Volker "Freddy" Fredrich, remains of the original fold, you wouldn’t know it by how remarkably similar it sounds to the band’s renowned late 80s classics!
The band is still drawing from the same well as their more famous peers Sodom and Destruction, but they do so with enough finesse to get the blood circulating and the limbs thrashing out in anger. Tempos are kept high, the songs are characteristically evil yet sincere trip into a realm of unspeakable horror, rather than the homeboy driven nonsense that many American Thrashers can’t seem to pull themselves out of. The guitars are savage and powerful, they sound potent enough to grind meat with. Freddy likewise sounds great, like a cousin to both Schmier and Angelripper, his sneering giving the music below all the authentic character it needs to charm the German Thrash Metal diehard. Freddy’s vocals tend to maintain a sort of 2-dimensional affect here, going back and forth between his signature Punk inspired shouts and an occultist chant while making really odd metaphors lyrically pagan imagery right out of a shaman ritual.
Necronomicon stands as the flawless D’Artagnan that avoided the mistakes of the Teutonic 3 Musketeer, and thus perhaps worthy of a greater level of respect in some sense. “Revenge Of The Beast” is a worthy and consistent new addition to a brilliant discography of quasi-melodic, riff oriented Thrashing goodness that would fare well against many of the albums of the late 80s.
Crushing aggressive old school pure Teutonic Thrash Metal! Pure Necronomicon!!
2024 remastered, limited edition coloured vinyl in soft-touch laminated cover with embossed band logo, including completely renewed artwork and printed innersleeve with full lyrics restored for the first time.
Total Metal Records, 2008/2025 (TMR040-195/LP). Made in Ukraine. Pressed in Germany.


Tracklist:

Side A
1. Magic Forest 3:26
2. Haunted 3:23
3. Warfare 3:38
4. Blood Sky 4:21
5. Who Dies? 4:53
6. Skull & Bone 5:20
Playing time: 25:18 min.

Side B
1. Nightstalker 3:15
2. On Pain of Death 3:29
3. Refugee 3:45
4. Commit Suicide 4:35
5. War in the Cradle 5:05
6. One Universe 4:03
Playing time: 24:40 min.

Total playing time: 49:43 min.

First re-release of the second full-length album by the cult German Thrash Metal band.
Necronomicon were one of the many Underground Thrash bands that didn't gain the recognition or respect they truly deserved. Hailing from Germany, they never broke through and achieved the level of acclaim or renown as the 'Big Three' of German Thrash, those being Kreator, Destruction and Sodom.
"Apocalyptic Nightmare" originally was released in 1987 and shows a band capable to truly catch the dark and brutal German Thrash Metal spirit. The music on here is raw, straightforward Thrash Metal the way it used to be played in the early 80s. There is a big influence from Destruction present, and to a lesser extent from Sodom's first few records. A gritty production increases the intensity present on many of the songs, with simple yet effective, 'rough' sounding riffs played at a high pace driving them forward. Adding to this is the guitar tone, which is scratchy with a lot of treble present. The vocals are harsh yells that sound undeniably German, complimenting the style of riffing nicely.
Necronomicon are still active today after 30 years in the Underground and they are still playing Thrash Metal, so that should tell you enough about their credibility. If you're into obscure and evil Thrash Metal, you will definetely love this!!
Limited to 350 copies Purple Translucent vinyl with poster, insert and 425gsm heavy cardboard cover. 
High Roller Records, 1987/2014 (HRR 341). Made in Germany. Pressed in Czech.


Tracklist:

Side A
1. The Ancient Ones 6:40
2. Apocalyptic Nightmare 6:27
3. The Following Century (Darkland II) 6:20

Side B
4. Rhetorical Dictums 5:14
5. In Memory 5:49
6. Broken Illusions 5:36
7. Retributive Strike 5:55

Total playing time: 42:01 min.

 

For the first time on vinyl, the fifth full-length studio album by cult German Thrash Metal band.
Necronomicon was perhaps sometimes known as a 'poor man's Destruction', but they had their moments, most notably 1988's "Escalation". There are still comparisons to be made to Destruction, especially as Volker's vocals still persist in their painful pinch a-la Schmier, but the riffs seem to have come into a life of their own. Much of "Construction Of Evil" has a tight, consistent flow to it, a steady violence, fun tracks like "Stormbringer", "Paralizer", "Bone Daddy" and "Hard Pain", loaded with well-meaning guitars, flighty leads and bitter, biting vocals.
The album adheres very strongly to the original mixture of aggressive vocal shouts and melodic riffing observed on their early albums, but with a much cleaner production and a bit of an awareness of the newer German Power Metal acts that came out of the mid to late 1990s such as Paragon and Iron Savior. This is particularly noticeable in the peculiar sound and character of the lead guitar tracks. Naturally, the mix here is far superior to what they've done before, from a technical standpoint. The instruments are very well-balanced, the vocals at the forefront without robbing the guitars of their power.
Likewise, the band’s mastery of the gang chorus is almost enough to put Anthrax and Overkill to shame. The lead and gang backup interchanges on the chorus sections of “Fiction” and “Paralizer” succeed in being twice as bombastic as what was heard on “Taking Over” or “Among The Living”, while being just a little too aggressive for much of the German Power Metal scene.
Stylistically, the variation in approach from song to song mostly hearkens back to the mid to late 80s approach, mostly being dominated by speed songs with the occasional slower rocker and token half-ballad. "Alight" and "Hills of Dead" have a lot of German pre-Thrash elements and NWOBHM leanings. “Terrorist Attack” definitely carries some heavy Accept influences, as well as a gloomy piano line which is fairly uncharacteristic for a straight Thrash Metal outfit. “Fireball” has this sombre acoustic line to it that meshes with some standard Power chord riffing to form a middle ground between Anthrax and Bad Religion. It’s certainly the catchiest and vocally melodic of what’s on here, but occasionally kicks in the speed to keep it from being a straight power ballad.
To the prospective shopper of faster Metal with a taste for the old school, this is something that can appeal equally to fans of Old-school Thrash Metal, early US Power Metal and early German Speed Metal. The only thing that the latter two groups of fans should consider is that Freddy Fredrich’s gravely vocal style is more akin to the semi-melodic shouts of Kreator and Destruction than the less dirty melodic vocal approach of Rolf Kasperek or Udo Dirkschneider. But for fans of German Thrash Metal, this is far superior to what most of their scene has been offering in the first decade of the current century.
2024 Remaster, Limited Edition Coloured Vinyl comes in cover with renewed artwork, soft-touch lamination, and embossed logo, including printed innersleeve with full lyrics, restored for the first time.
Total Metal Records, 2024 (TMR037-190/LP). Made in Ukraine. Pressed in Germany. First press.



Tracklist:

Side A
1. Stormbringer 3:41
2. Hard Pain 3:43
3. From Hell 4:06
4. Alight 2:38
5. Hills of Dead 4:32
6. Paralizer 3:18
Running time: 22:04 min.

Side B
1. Terrorist Attack 5:49
2. Fiction 3:47
3. Fireball 3:28
4. Bone Daddy 3:20
5. Insanity 1:24
6. Possessed Again 4:39
Running time: 22:33 min.

Total playing time: 44:37 min.


Samples: https://metalscraprecords.bandcamp.com/

First re-release of the third full-length album by the cult German Thrash Metal band.
Formed in 1984, the band from Lörrach, Baden-Württemberg, could have made it big, if only they hadn’t fallen prey to the wrong record label back in the days… be that as it may, Necronomicon never gave in, and they are still here today. “Escalation” certainly one of the most successful releases by Necronomicon and has reached cult status. It was recorded and mixed during the year 1987 at the Zuckerfabrik Studio, Stuttgart. When musicians wrote the songs, they wanted to leave the dark path of the two previous productions and musically to sound broader and more diverse… somehow more mature. And they must be very proud of the result. According to the reactions by fans & press, all these goals were met. The band had developed a much more focused approach to the songwriting, delivered a tighter and faster performance, and also Freddy’s vocals had changed. Compared to the former albums, they had become a lot harsher, and a lot more unique.
In general, this album is said to be the most convincing of Necronomicon’s first three outputs. The response was incredible, band gained worldwide attention and got a lot of great reviews. For the first time, Necronomicon earned a little money with one of their releases, because Gama Records held the exclusive rights only up to a certain sales volume... they simply had not reckoned with the success. The release of "Escalation" was followed by band's legendary East European tour that should herald the breakthrough for the band before then the big bang should follow. Necronomicon recorded “Escalation” as a three piece, as bassist Lars “Lala“ Honeck had left the band. But on the European tour, Michael Mörgelin came in as band's new bass player. 
“Escalation” comes with a bunch of great Thrash Metal tunes, some of which are even regarded as small classics, like the opener “Death Toll” and “Cold Ages (Dark Land 3)”. Only “Dirty Minds” is a bit unusual, being more classic Hard Rock than Thrash Metal. Memorable and razorblade-like riffs, galloping basslines and precise drumming are some of the qualities that can be found here. Everything sounds clear and no instrument overlaps the other. "Escalation" enjoys of a healthy wall of sound that would please any Thrash Metal fan! It's a highly recommended album for Thrash and classic Metal listeners!!
Limited to 350 copies, Mustard/Black Splatter vinyl with poster, 425 gsm heavy cardboard cover and insert.  
High Roller Records, 1988/2015 (HRR 433). Made in Germany. Pressed in Czech.


Tracklist:

Side A
1. Death Toll 6:09 
2. Black Forest 2:21 
3. Dirty Minds 3:40 
4. Skeletal Remains 3:27

Side B
1. Murder Of Profit 3:55 
2. ...And The Night Will Be Silent 4:29 
3. Mosh The Abc 2:14 
4. Cold Ages (Darkland III) 6:40

Total playing time: 32:55 min.

First time on vinyl, the seventh full-length studio album by legendary German Thrash Metal band.
Old-school Thrash Metal with a modern production! Band got a hell of a lot more pedigree than a lot of people realize. After hitting the scene during the first wave of Teutonic Thrash Metal, alongside their more famous contemporaries Destruction and Kreator, these guys seemed to fade very quickly into near-total obscurity. It wasn’t for a lack of output, rather it was a lack of the luck. They’ve been nothing if not persistent though, because aside from a hiatus at the latter end of the 90s, Necronomicon have diligently plugged away at supplying a steady string of always respectable releases over the years. Amongst them, this 2012 effort ranks quite highly indeed.
What becomes quickly evident when listening to "Invictus" is how much more refined the new Necronomicon's approach is. This album certainly represents the zenith of the progression they have undergone over the years. Gone is the rough appeal, and in its place you'll find first-rate songwriting and a highly professional, up-to-date production style. What’s impressive is that in the process, they have managed to retain most of the manic energy that German Thrash Metal is so renowned for, even if it has become a little watered down by influences from the American Bay Area scene. The trade-off actually results in a much more interesting album. Stylistically speaking, this is straight-up Thrash Metal!!
"Invictus" is the album that manages to hold its own against some of the best Thrash Metal releases of the past years!!!
Pressed on Black (200 copies), Blue Translucent (200 copies) and Surprise-Colored (100 copies) Vinyl. Comes in Gatefold cover, with a hard-paper colour innersleeve and A2 Poster.
Total Metal Records/G.U.C. Records, 2022 (TMR035-167/LP | G.U.C. 040-21). Made in Germany. First press.


Tracklist:

Side A
1. Invictus 06:46
2. Unleashed 04:07
3. Bloody Bastards 04:05
4. Thoughts Running Free 05:51
5. Unconquered 05:58
Running time: 26:48 min.

Side B
6. Upon Black Wings 04:42
7. Face to the Wall 05:18
8. Pandora’s Box 04:05
9. Before the Curtain Falls 04:44
10. Possessed by Evil 2011 05:02
Running time: 23:52 min.

Total playing time:  50:40 min.



 

First re-release of the debut full-length album by the cult German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 366 copies double black vinyls with 7 bonus tracks, including "Blind Destruction" demo (1985), housed in gatefold embossed  425 gsm heavy cardboard cover with insert.
High Roller Records, 1986/2010 (HRR 115). Made in Germany. Pressed in Czech. Black vinyl.


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Side C
9. Iron Charm
10. Possessed By Evil
11. Insanity
12. Blind Destruction

Side D
13. Bloody Revenge
14. Possessed By Evil
15. Blind Destruction

Tracks A1-B4 taken from "Necronomicon" LP 1986;

Tracks C1-D1 taken from "Blind Destruction" Demo 1985, remastered;
Tracks D2-D3 taken from "Break Out - German Metal Tracks No. 2" compilation LP 1986.

 

First re-release of the debut full-length album by the cult German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 100 copies double Gold Vinyls with 7 bonus tracks, including "Blind Destruction" demo (1985), housed in gatefold embossed  425 gsm heavy cardboard cover with insert.
High Roller Records, 1986/2010 (HRR 115). Made in Germany. Pressed in Czech. Gold vinyl.


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Side C
9. Iron Charm
10. Possessed By Evil
11. Insanity
12. Blind Destruction

Side D
13. Bloody Revenge
14. Possessed By Evil
15. Blind Destruction

Tracks A1-B4 taken from "Necronomicon" LP 1986;

Tracks C1-D1 taken from "Blind Destruction" Demo 1985, remastered;
Tracks D2-D3 taken from "Break Out - German Metal Tracks No. 2" compilation LP 1986.

 

Second re-release of the debut full-length album by the cult German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 150 copies black vinyl with poster, 425 gsm heavy cardboard cover and insert.
High Roller Records, 1986/2014 (HRR 340). Made in Germany. Pressed in Czech. 


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Total playing time: 37:13 min.

 

Third re-release of the debut full-length album by legendary German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 250 copies, Transparent Ultra-Clear Vinyl with poster, insert and 425gsm heavy cardboard cover.
High Roller Records, 1986/2018 (HRR 340). Made in Germany.


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Total playing time: 37:13 min.
 

The first compilation album by cult German Thrash Metal band.
Among the earliest pioneers of German Extreme Metal, Necronomicon presents their foundational works in this collection, which features two demos from 1985, "Total Rejection" and "Blind Destruction", and two tracks from the 5-way Split-LP "Break Out - German Metal Tracks No. 2" (1986).
The cover is a creation of the Brazilian artist Thomas Machado Pinheiro, who tried to get a feeling of those days in the past. And Steven Willems (editor of the fanzine Sleepless, writer for magazines as Rock Tribune and Voices from the Darkside, and author of the book “Streams of Ancient Wisdom” about the Dutch Death Metal scene) wrote the liner notes, based on an in-depth interview with founding member Freddy (guitars and vocals), placed at nice 12-page booklet.
Restored and remastered by Patrick W. Engel at Temple of Disharmony (noted for work with Vio-Lence, Sodom, Destruction), these recordings capture the raw intensity that marked Necronomicon’s legacy – aggressive Old-school Thrash Metal in the vein of Kreator, Destruction and Sodom!
Vic Records, 2024 (VIC275CD). Made in Netherlands. Pressed in Poland. First press.


Tracklist:

Side A - Demo 1: 1985
"Total Rejection"
1. Genocide 4:07
2. Total Rejection 3:20
3. Rebel 3:35
4. Woman 3:06
5. Danger 3:11
6. Wehrt Euch 3:19
7. Blind Destruction* 4:09
*Taken from "Break Out - German Metal Tracks No. 2" (5-way Split-LP; 1986).

Side B - Demo 2: 1985
"Blind Destruction"
1. Intro 0:27
2. Iron Charm 4:11
3. Possessed By Evil 4:02
4. Insanity 2:26
5. Blind Destruction 5:11
6. Bloody Revenge 3:45
7. Possessed By Evil* 4:15
*Taken from "Break Out - German Metal Tracks No. 2" (5-way Split-LP; 1986).

Total playing time: 49:10 min.


https://vicrecords1.bandcamp.com/

The debut full-length studio album by Serbian Melodic Death Metal band.
If you’re a fan of female-fronted Melodic Death Metal and old school Death Metal bands the likes of Arch Enemy, The Agonist, Nervosa and Abnormality, you’ll undoubtedly have an absolute blast with Belgrade-based all-female Melodic Death Metal unity Nemesis!
"The War Is On" offers us all a superb balance between sheer brutality and melodious passages, captivating our senses from start to finish and presenting all the ability and passion for heavy music by frontwoman Sanja Drča, guitarists Aleksandra Petrović and Tijana Milivojević, bassist Biljana Sovilj and drummer Selena Simić, therefore proving it might have taken a while for those unrelenting women to release their first album since their inception in 2013, but the final result is grandiose, vibrant and absolutely honest and fresh.
The girls pulverize everything and everyone with their endless groove, aggressiveness and dexterity, with Selena dictating the pace with her vicious beats while the guitars sound truly venomous and piercing.
Metalheads will all have some awesome reasons to smile and bang their heads to the sound of band's sensational creations, just like what we can find in one of the best underground albums of the year, the breathtaking "The War Is On"! You should obviously grab a copy of this precious gem of contemporary Extreme music made in Serbia!!
Limited Edition to 300 copies, Black Vinyl.
SoulPeddler GmbH, 2020 (SP150). Made in Germany. First press.


Tracklist:

Side A
1. Wake Up 03:07
2. Uprising 03:22
3. Oppression 03:28
4. Divine Retribution 03:55
5. Living Dead People 05:37

Side B
6. Savages 03:36
7. Dead End 03:51
8. Pandemonium 03:26 
9. Born Worthless 03:52
10. The War Is On 04:06

Total playing time: 38:20 min.

MCA Records, 1987 (MCA-5839). Made in USA. Used (cover/disc): EX/EX+. OIS.

 
Tracklist:

Side A:
1. Big Life 5:16
2. Color Of Your Smile 4:13
3. Love Is Standing Near 4:24
4. Rain Comes Crashing Down 5:56

Side B:
5. The Secret Of My Succsess 4:26
6. Carry On 4:19
7. Better Let It Go 4:40
8. I Know Tonight 4:03
9. Hearts Away 4:58

Total playing time: 42:15 min.

The third European re-release of the sixth full-length studio album by legendary Finnish Symphonic Metal band.
It was released on 26 September 2007 by Spinefarm Records in Finland, 28 September by Nuclear Blast in Europe and 2 October 2007 by Roadrunner Records in the US. It is the first album without original vocalist Tarja Turunen, who was dismissed in 2005, as well as the first album involving future member Troy Donockley on uilleann pipes and tin whistle. It is the first of only two albums with vocalist Anette Olzon, who was eventually dismissed in 2012 after the release of the band's subsequent album, "Imaginaerum". Tuomas Holopainen has referred to this album as the "album that saved his life".
The song "Eva" was leaked on the Internet six days before its official release, prompting the band to release it earlier as a promotional Single, to boost downloads. Several other versions of the song were posted on YouTube and torrent sites a month later; the entire album with record label voice-overs had been leaked on the Internet by 2 August. The full album (without voice-overs) was leaked on 21 September, as a result of several stores in Mexico selling the retail album much prior to the worldwide release date.
On 22 September 2007, the band hosted a secret concert at Rock Café in Tallinn, Estonia, disguising itself as a Nightwish cover band called Nachtwasser. Their first official concert with the new singer was in Tel Aviv, Israel on 6 October 2007. The Dark Passion Play Tour thus started, visiting the United States, Canada, most of Europe, Asia, and Australia. In 2008, the band played over 100 shows, with dates in Oceania, Europe and Asia. In November, the band played in South America, and before this leg they took a three-month break; Nightwish began the third leg in 2009, with dates in North America and Europe, and also playing in several summer Metal festivals, including Graspop Metal Meeting and Masters of Rock. The last show was played in Helsinki, Finland, in front of 10,000 fans.
Pre-orders for "Dark Passion Play" had it certified Gold in Finland before it had even been released. The album debuted at number one in 6 European countries, selling over 100 000 copies in Finland (triple Platinum). In February 2008, the album was certified quadruple-Platinum in Finland, after having sold over 130 000 copies, and placing 26th on the list of best-selling Finnish albums ever released. Worldwide, it has sold over 700 000 copies by the end of 2007 and about 2 million copies to date. It has been certified as Platinum in Germany and Hungary, and Gold in Austria, Poland, Sweden and Switzerland; "Dark Passion Play" is also the most successful Nightwish album in UK and USA, with sales in the United States of over 134 000 copies.
The instrumental version of "Whoever Brings the Night" is used in the 2011 puzzle-platform game, "LittleBigPlanet 2". In November 2014, the NHL hockey team Minnesota Wild featured the album's first track "The Poet and the Pendulum" in their season trailer. In 2016, an article by Teamrock considers "Dark Passion Play" as one of the "best albums of this century", ranking it at number 60 on their countdown of the "21st century's greatest albums".
Remastered 180g double vinyl in gatefold cover.
Nuclear Blast Records, 2007/2013/2023 (NB 1923-9 | 27361 19239). Made in the EU.


Tracklist:

Side A:
01. The Poet And The Pendulum 13:54
02. Bye Bye Beautiful 4:14
03. Amaranth 3:51
Side B:
01. Cadence Of Her Last Breath 4:14
02. Master Passion Greed 6:02
03. Eva 4:25
04. Sahara 5:47
Running time: 42:27 min.

Side C:
01. Whoever Brings The Night 4:17
02. For The Heart I Once Had 3:55
03. The Islander 5:05
04. Last Of The Wilds 5:40
Side D:
01. 7 Days To The Wolves 7:03
02. Meadows Of Heaven 7:10
Running time: 33:10 min.

Total playing time: 75:37 min.

The second live album by legendary Finnish Symphonic Power Metal band.
Recorded live at the Hartwall Arena in Helsinki, Finland, on 21 October 2005, it's the final concert of a long worldwide tour for their album "Once", and the last with former vocalist Tarja Turunen.
There's an element of Zen that's involved when listening to Nightwish - you don't question the pageantry or analyse the music; you just let go and enjoy the experience. Perhaps it's no surprise then that "End Of An Era" beings with "Red Warrior" from The Last Samurai booming over arena speakers while thousands of fans roar their approval. It's a dramatic introduction for a band that specializes in theatrics, all of which are captured on the album. There's the crowd, the blast of pyrotechnics, the echo of the music filling a cavernous arena.
Recording a band this layered (guitars, drums, vocals, keyboards, backing tracks) in a setting like this is always a risky venture, but the sound quality on "End Of An Era" is exceptional; it manages to capture the vastness of both the venue and the act, without being marred by reverberation or uneven tone. Vocalists Tarja Turunen and Marco Hietala soar above it all, their delivery all the more impressive considering that this would be their last concert together - Turunen was dismissed from the band after the show, by a letter. Fortunately, Nightwish don't appear to have brought their internal tensions on-stage. The band is in its element here, and its energy doesn't diminish a bit over the course of the whole concert.
The biggest strength of "End Of An Era" is its ability to re-create the concert experience; the band is at the forefront, but the cheering, clapping, and chanting of the crowd are included as an integral element of the music, not a separate entity.
During the concert, the band was joined on-stage by John Two-Hawks, who performed "Stone People" from his album, "Honor", as an introduction to "Creek Mary's Blood", which featured his voice and cedar flutes. In addition to original Nightwish songs, three significant covers appear: their known cover of Gary Moore's "Over the Hills and Far Away", Andrew Lloyd Webber's "The Phantom of the Opera", and a cover of Pink Floyd's "High Hopes".
"End Of An Era" is a satisfying ending for a Symphonic Metal extravaganza, but the real pleasure comes in knowing that it can be experienced all over again.
36-page Earbook includes 3 LP on black vinyl, 2CD and Blu-Ray Disc.
CD 1 contains the Nightwish player software for windows PC. It also includes "Nemo" video.
Blu-Ray Disc: 16:9 | Dolby Digital 5.1 & 2.0 | Reg. 0 | Approx. 160 min.
CD 1 + CD 2: approx. 103 min. | 3LP: approx. 103 min.
Nuclear Blast GmbH, 2006/2018 (27361 45974). Made in Germany.


Tracklist:

LP 1
Side A
1. Dark Chest of Wonders 05:08
2. Planet Hell 04:44
3. Ever Dream 05:27
Side B
1. The Kinslayer 04:08
2. Phantom of the Opera (Andrew Lloyd Webber cover) 05:11
3. The Siren 04:52
Running time: 29:30 min.

LP 2
Side C
1. Sleeping Sun 04:55
2. High Hopes (Pink Floyd cover) 06:54
3. Bless the Child 06:24
Side D
1. Wishmaster 04:43
3. Slaying the Dreamer 05:04
4. Kuolema Tekee Taiteilijan 04:13
Running time: 32:13 min.

LP 3
Side E
1. Nemo 04:46
2. Ghost Love Score 10:29
3. Stone People 04:08
Side F
1. Creek Mary's Blood    08:39
2. Over the Hills and Far Away (Gary Moore cover) 05:26
3. Wish I Had an Angel 07:52
Running time: 41:20 min.

Total playing time: 103:13 min.

CD 1
1. Dark Chest of Wonders 05:08
2. Planet Hell 04:45
3. Ever Dream 05:27
4. The Kinslayer 04:09
5. Phantom of the Opera (Andrew Lloyd Webber cover) 05:12
6. The Siren 04:53
7. Sleeping Sun 04:55
8. High Hopes (Pink Floyd cover) 06:54
9. Bless the Child 06:25
10. Wishmaster 04:43
Running time: 52:31 min.

CD 2
1. Slaying the Dreamer 05:05
2. Kuolema Tekee Taiteilijan 04:13
3. Nemo 04:46
4. Ghost Love Score 10:29
5. Stone People 04:09
6. Creek Mary's Blood 08:39
7. Over the Hills and Far Away (Gary Moore cover) 05:26
8. Wish I Had an Angel 07:52
Running time: 50:39 min.
Total playing time: 103:12 min.

BRD
1. Dark Chest of Wonders 05:12
2. Planet Hell 04:41
3. Ever Dream 05:28
4. The Kinslayer 04:11
5. Phantom of the Opera (Andrew Lloyd Webber cover) 05:00
6. The Siren 05:12
7. Sleeping Sun 04:43
8. High Hopes (Pink Floyd cover) 06:58
9. Bless the Child 06:23
10. Wishmaster 04:49
11. Slaying the Dreamer 04:48
12. Kuolema Tekee Taiteilijan 03:44
13. Nemo 05:20
14. Ghost Love Score 10:31
15. Stone People / Creek Mary's Blood 12:43
16. Over the Hills and Far Away (Gary Moore cover) 05:26
17. Wish I Had an Angel 07:47
18. A Day Before Tomorrow (55-minute documentary about the fifteen days prior to the concert) 55:35
+ Photo Gallery
Running time: 158:31 min.

First re-release of the eighth full-length studio album by legendary Finnish Symphonic Metal band.
Unlike its predecessor, "Imaginaerum", which has themes of imagination and fantasy, "Endless Forms Most Beautiful" addresses science and reason. Focusing on the evolutionary theories of Charles Darwin and Richard Dawkins, the latter part of the album cites passages from their books. Both authors influenced album tracks; 'The Ancestor's Tale' inspired "Endless Forms Most Beautiful", and by 'The Greatest Show on Earth: The Evidence for Evolution' inspired "The Greatest Show on Earth". Some songs, such as "Edema Ruh" (inspired by Patrick Rothfuss' novel 'The Name of the Wind'), still have fanciful themes.
The album is the band's first featuring singer Floor Jansen (After Forever, Revamp) who joined the group on the road in 2012 after the mid-tour departure of Anette Olzen. Also it's the first album with Troy Donockley as a full-time member. It was recorded without drummer Jukka Nevalainen, who took a break from the band due to severe insomnia. Drumming was by Kai Hahto (Wintersun, Swallow The Sun, Dreams Of Eternity). The album includes only five Nightwish members, despite its being their first album release as a sextet.
Nightwish has endured numerous lineup changes throughout its nearly 20-year career, but the band's sound has remained remarkably consistent, due in large part to the stabilizing presence of project founder and chief songwriter Tuomas Holopainen, whose overall vision for the band remains unchanged. 
"Endless Forms Most Beautiful" is probably the most accomplished Nightwish album so far. It's succeeds despite its strict adherence to the Nightwish formula. It's a well-oiled machine firing on all cylinders, both expansive and familiar, and it's arguably the band's most immediate-sounding record in years!
Double 180g vinyl in gatefold cover.
Nuclear Blast GmbH, 2015/2023 (NB 3464-1 | 27361 34641). Made in the EU.


Tracklist:

Side A
1. Shudder Before The Beautiful 6:29
2. Weak Fantasy 5:25
3. Élan 4:47
Side B
1. Yours Is An Empty Hope 5:39
2. Our Decades In The Sun 6:39
3. My Walden 4:39
Running time: 33:38 min.

Side C
1. Endless Forms Most Beautiful 5:08
2. Edema Ruh 5:16
3. Alpenglow 4:49
4. The Eyes Of Sharbat Gula 6:04
Side D
1. The Greatest Show On Earth 24:01
    Chapter I) Four Point Six
    Chapter II) Life
    Chapter III) The Toolmaker
    Chapter IV) The Understanding
    Chapter V) Sea-Worn Driftwood
Running time: 45:18 min.

Total playing time: 78:56 min.

First re-release of the ninth full-length studio album by legendary Finnish Symphonic Metal band.
Band's first double album, with the second part complete with orchestral music rather than Metal.
The band managed to do something different and still stay true to a lot of the elements that define them, and the album really gives a more natural, organic, almost humble approach. It’s still properly bombastic at times, but it seems like after they sealed their name as gods of Symphonic Metal, they wanted to go back to just being human. It’s fresh and beautiful, calming at times, and it somehow just sounds healthy. Unfortunately underrated in the community, the album full of varied and entertaining songs and great musical performances from a band that has changed but evolved positively over the years. After Tarja, this is a great discovery. This album is, at last, the best since Tarja's departure. Good for Tuomas. Great album. The new Nightwish album is a good thing, and you should definitely check it out.
It is the sixth and final album to feature bassist/vocalist Marko Hietala, before his departure in January 2021. Following the departure of original drummer Jukka Nevalainen the previous year, this is the first album to feature Kai Hahto as an official band member, although he had already acted as Nevalainen's replacement on the band's previous album, "Endless Forms Most Beautiful".
The album became the band's seventh consecutive album to top the Official Finnish Albums Chart.
Definitely recommended for anyone who likes Epic and heavy bombast with cheese on top, for everyone who gave up on post-Tarja-Nightwish and for everyone who does not care for Trve Metäl credibility when it comes to melody!
Triple heavyweight 180g Opaque Marbled Eco Vinyl with one silk printed vinyl side & 12-page booklet.
Nuclear Blast GmbH, 2020/2022 (54031). Made in the EU.


Tracklist:

          VINYL I
          Side A
1. Music 7:23
2. Noise 5:40
3. Shoemaker 5:19
          Side B
4. Harvest 5:13
5. Pan 5:18
6. How's The Heart? 5:02
Running time: 33:55 min.

          VINYL II
          Side A
7. Procession 5:31
8. Tribal 3:56
9. Endlessness 7:11
Running time: 16:38 min.

          VINYL III
10. All The Works Of Nature Which Adorn The World
          Side A
     I. Vista 3:59
     II. The Blue 3:35
     III. The Green 4:42
     IV. Moors 4:44
          Side B
     V. Aurorae 2:07
     VI. Quiet As The Snow 4:05
     VII. Anthropocene (Incl. "Hurrian Hymn To Nikkal") 3:05    
     VIII. Ad Astra 4:41
Running time: 30:58 min.

Total playing time: 81:31 min.

The second re-release of the seventh full-length studio album by legendary Finnish Symphonic Metal band.
Finish Symphonic Metal titans return with their new epic masterpiece. Four years has passed since the release of their previous album “Dark Passion Play” which continued the change that had been in progress ever since “Century Child”, the movement to a more theatrical, more Symphonic Nightwish. “Imaginaerum” continues that trend and takes it to a whole new level backed by The Looking Glass Orchestra (The London Philharmonic Orchestra) creating Nightwishs most orchestral and epic album yet. The highly anticipated release is more than a new album but the inspiration and soundtrack to the upcoming full-length fantasy movie, “Imaginaerum”. The musical style of the songs on the album are diverse but the album never feels sprawling, they blend together in an exceptional way making the listening feel fresh during the entire duration of the album (74 minutes). It is strong, incredibly strong, every track, feels like they contribute with something on the album and every single song stands out; there are not two songs that sounds alike, they are remarkably well crafted and clear evidence of the mastermind Tuomas Holopainen’s ability to compose music.
This album is one of the best-crafted musical pieces ever! It displays the reason for why Nightwish is The Giant within the Symphonic Metal genre. They are simply so much better than anything else, the band is so tight and this set-up composes fantastic music no matter who sings in Nightwish, it may be Tarja Turunen, it may be Anette Olzon, the music holds a so high level of craftsmanship that it turns Golden independently of the singer!!
Double 180g vinyl in gatefold cover.
Nuclear Blast GmbH, 2011/2023 (NB 2789-1 | 27361 27891). Made in the EU.


Tracklist:

Side A
I. Taikatalvi 2:35
II. Storytime 5:22
III. Ghost River 5:24
IV. Slow, Love, Slow 5:50
Side B
I. I Want My Tears Back 5:07
II. Scaretale 7:32
III. Arabesque 2:52
IV. Turn Loose The Mermaids 4:18
Running time: 39:00 min.

Side C
I. Rest Calm 6:59
II. The Crow, The Owl And The Dove 4:08
III. Last Ride Of The Day 4:31
Side D
I. Song Of Myself 13:30
    1: From A Dusty Bookshelf
    2: All That Great Heart Lying Still
    3: Piano Black
    4: Love
II. Imaginaerum 6:18
Running time: 35:26 min.

Total playing time: 74:26 min.

30th years Anniversary remastered re-release of the first live album by legendary American Grunge band.
“MTV Unplugged In New York” was the first Nirvana album released in the wake of the death of singer/guitarist Kurt Cobain. It features a performance taped at Sony Music Studios in New York City on November 18, 1993 for the television series MTV Unplugged. The show was first aired on the cable television network MTV on December 14, 1993. As opposed to traditional practice on the television series, Nirvana played a set list composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the band onstage), and Lead Belly.
The album debuted at number one on the Billboard 200, and has become the band's most successful posthumous release, having been certified 5x Platinum in the United States by 1997. It also won the Grammy for Best Alternative Music Album in 1996. The performance was released on DVD in 2007.
“MTV Unplugged In New York” is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly.
Geffen Records Inc., an MCA Company, 1994/2024 (0720642472712). Made in France.


Tracklist:

1
1. About A Girl 3:37
2. Come As You Are 4:14
3. Jesus Doesn't Want Me For A Sunbeam 4:37
4. The Man Who Sold The World 4:20
5. Pennyroyal Tea 4:40
6. Dumb 2:52
7. Polly 3:16

2
1. On A Plain 3:44
2. Something In The Way 4:01
3. Plateau 3:38
4. Oh, Me 3:26
5. Lake Of Fire 2:56
6. All Apologies 4:23
7. Where Did You Sleep Last Night? 5:07

Total playing time: 54:20 min.

First re-release of the second full-length studio album by cult Swedish Power Metal band.
Nocturnal Rites are something of an amazing band -- amazing in the sense that they couldn't care less that it's no longer the early '80s. "Tales Of Mystery And Imagination" recalls the tightly riffed, classically tinged twin-guitar interplay of bands like Helloween and especially Iron Maiden, in the sci-fi/fantasy lyrics as well as the music.
It's a carefully crafted effort that will appeal strongly to fans who, like Nocturnal Rites, still love this particular style of Metal regardless of trends.
Limited to 150 copies Black Vinyl.
Century Media Records/Jolly Roger Records/Blackbeard, 1997/2021 (JRR-BB017). Made in Italy. Pressed in Germany.


Tracklist:

Side A
1. Ring of Steel 06:42
2. Dark Secret 05:04
3. Test of Time 05:01
4. Lost in Time 03:01
5. The Vision 04:21
6. Warrior's Return 04:43

Side B
1. Change the World 03:46
2. Pentagram 03:48
3. Eye of the Demon 04:42
4. End of the World 03:24
5. The Curse 04:03
6. Burn in Hell 03:38

Total playing time: 52:13 min.

First re-release of the debut full-length album by legendary Ukrainian Pagan/Folk/Symphonic Black Metal band.
Originally released in 1996 on MC and considered by most as a demo-album, it's a professionally recorded full-length album and highly anticipated cult release requested by fans of elite Slavonic Black Metal, that was reissued on CD for a several times.
"Lunar Poetry" is steeped in moonlight mystery and timeless Slavonic ritualism. This is Black Metal with highly expressive Folk sorrowful melodies. It delivers soaring guitars and apocalyptic keyboard passages. It offers a wide variance in vocals, from screams to whispers and narration, and it breathes the air of originality that Nokturnal Mortum is famous for.
Similar to Limbonic Art in their reliance on rumbling rhythm patterns and keyboard usage, Nokturnal Mortum did a fine job of capturing both - the bleakness of Black Metal, as well as a more ethnic representation of their native Ukrainian Folk music. The music is extremely fluid and tends to lean towards a more majestic and beautiful sound than harshness of Black Metal.
The band also covers Celtic Frost's "Sorrows of the Moon" with a nice degree of skill.
"Lunar Poetry" was way ahead of its time, and even today, it sounds fresh and inspiring. In fact, the result is so startling - it is hard to imagine that this is only Nokturnal Mortum's very first journey into the dark, the ancient and the extreme... Regardless of occasional inexperience that is typical for a demo, "Lunar Poetry" is a beautiful, stirring and impressive album that utterly requires your attention if you have any liking for a keyboard laden Black Metal assault! Without a doubt, "Lunar Poetry" is one of the best Black Metal albums ever!!
Specially mastered for vinyl, Limited Edition to 400 copies 140g Dark Blue Vinyl in Gatefold 350g cover, with 220g printed inner sleeve, all assembled in PVC overbag.
Autographed by Knjaz Varggoth especially for Total Metal Shop customers!
Osmose Productions/Only Vinyl Is Real, 1996/2004/2020 (OVIR04). Made in France.


Tracklist:

Side A
1. Tears Of Paganism 01:07
2. Lunar Poetry 04:52
3. Perun's Celestial Silver 07:08
4. Carpathian Mysteries 05:13
5. ...And Winter Becomes 04:52

Side B
6. Ancient Nation 05:10
7. The Grief Of Oriana 05:33
8. Sorrows Of The Moon (Celtic Frost cover) 03:46
9. Autodafe / Barbarian Dreams 07:53

Total playing time: 45:34 min.