VINYL

The first re-release of the debut full-length studio album by legendary Dutch Thrash/Death Metal band.
“Malleus Maleficarum’s” history traces back to the beginnings of the genre; the album preceded Death’s “Leprosy” by a month, while Morbid Angel was yet to release its first album. The album was originally released on cassette by R/C Records (a sub-label of Roadracer Records, an American division of Roadrunner Records) and today, stands firmly as a monument of early-day Death Metal. 
Although the sound of this album is technically Death Metal, its direction is notably different from the band's subsequent work, leaning more towards the Thrash Metal genre with Punk influences, known as Crossover Thrash. Very Thrashy style with some hints to Possessed, Slayer and Infernal Majesty.
This is the only Pestilence album to include guitarist Randy Meinhard, who was replaced by Patrick Uterwijk prior to the making of their next album, "Consuming Impulse" (1989).
"Malleus Maleficarum" - is a band’s input, that stretches across nearly 40 years, blazed the trail for generations of Progressive Death Metal artists. A must-have for all Pestilence fans, and a perfect looking glass into the dawning of a legendary group!
Limited to 200 copies, Swamp in Coke Bottle Green vinyl, housed in cover with selective varnish print.
Hammerheart Records, 1988/2017/2022 (HHR2017-13). Made in Netherlands. Pressed in Czech.


Tracklist:

Side A
1. Malleus Maleficarum / Antropomorphia 4:10
2. Parricide 3:47
3. Subordinate To The Domination 4:14
4. Extreme Unction 1:28
5. Commandments 5:14

Side B
1. Chemo Therapy 4:46
2. Bacterial Surgery 5:01
3. Cycle Of Existance 3:15
4. Osculum Infame 1:50
5. Systematic Introduction 4:06

Total playing time: 37:51 min.



Samples: https://agoniarecords.bandcamp.com

The first re-release of the third full-length studio album by legendary Dutch Death Metal band.
After releasing the now-timeless classic “Consuming Impulse” in 1989, Pestilence was faced with the necessity of replacing a notable member, vocalist Martin van Drunen, following his departure to pursue a career with Asphyx. The band found themselves at the crossroads with an uneasy task, given the success brought about by “Consuming Impulse”. As it turns out, the decision to revert to Patrick Mameli as vocalist not only stood the test of time, but, in hindsight, gave birth to a trademark ingredient of Pestilence’s core sound formula. To make things even more interesting, Mameli stepped away from playing bass, from now on assuming the double role of guitarist/vocalist, and enlisted Tony Choy (of Cyinc at the time), adding another famed name to the line-up, and another anchor point for the band’s inventive nature. Alongside Patrick Uterwijk (guitars) and Marco Foddis (drums), they recorded "Testimony Of The Ancients" (1991) at the legendary Morrissound Studios, where it acquired a refined production, courtesy of Scott Burns.
"Testimony of the Ancients" is regarded as a Progressive Death Metal classic from the originators of the genre. In comparison with the first three Pestilence albums, the material wasn't as abrasive, the musicianship matured, and the band’s previously found innovate technical accretions, rose to new, ingenious levels. Mameli steered the band towards a more Melodic and Technical approach, expanding on the Death Metal sound of its predecessor, "Consuming Impulse". The resulting concept album, "Testimony Of The Ancients" contrasted Brutal Death Metal riffs with Melodic interludes. After each song on the album, there was an instrumental outro track. This attempt to push the boundaries of Death Metal, at a time when the scene was saturated with copycat "one track minded" bands, mirrored the efforts of fellow Progressive bands Atheist and Death, who released "Unquestionable Presence" and "Human" respectively in 1991, the same year as "Testimony Of The Ancients".
The album can also be seen as a stepping stone on the way to the following Pestilence album, "Spheres", which departed still further from traditional Death Metal and headed towards Jazz/Fusion.
At the time of the album’s release, the demand for Pestilence elevated as never before and entailed massive touring; noteworthy is the band’s lauded performance at the Dynamo Open Air Festival from that period.
Re-press 2022 on black vinyl with gold stamped cover and gatefold insert.
Hammerheart Records, 1991/2017/2022 (HHR 2017-15). Made in Netherlands. Pressed in Czech.


Tracklist:

Side A
1. The Secrecies of Horror 4:55
2. Bitterness 0:31
3. Twisted Truth 4:02
4. Darkening 0:30
5. Lost Souls 3:40
6. Blood 0:28
7. Land of Tears 4:47
8. Free Us Form Temptation 0:31

Side B
1. Prophetic Revelations 5:20
2. Impure 1:00
3. Testimony 3:51
4. Soulless 0:31
5. Presence of The Dead 5:50
6. Mindwarp 0:25
7. Stigmatized 5:25
8. In Sorrow 1:08

Total playing time: 42:54 min.


Samples: https://agoniarecords.bandcamp.com

The debut full-length studio album by legendary British Synth-Pop band.
Immaculately crafted and seamlessly produced synthesized Dance-Pop, "Please" sketches out the basic elements of the duo's sound. At first listen, most of the songs come off as mere excuses for the dance-floor, driven by cold, melodic keyboard riffs and pulsing drum machines. However, the songcraft that the beats support is surprisingly strong, featuring catchy melodies that appear slight because of Neil Tennant's thin voice.
Tennant's lyrics were still in their formative stages, with half of the record failing to transcend the formulaic constraints of Dance-Pop.
The songs that do break free, the intentionally crass "Opportunities (Let's Make Lots of Money)", the lulling "Suburbia", and the hypnotic "West End Girls", are not only classic Dance Singles, they're classic Pop Singles.
EMI Records Ltd./Parlophone/The Gramophone Company Of India Ltd., 1986 (PCS 7303). Made in India. First press. Used (cover/disc): G/VG+.


Tracklist:

Side 1
1. Two Divided By Zero  3:33
2. West End Girls  4:47
3. Opportunities (Let's Make Lots Of Money)  3:44
4. Love Comes Quickly  4:18
5. Suburbia  5:07

Side 2
6. Tonight Is Forever  5:04
7. Violence  4:28
8. I Want A Lover  4:05
9. Later Tonight  2:46
10. Why Don't We Live Together?  4:44

Total playing time: 42:36 min.

The fourth full-length studio album by legendary Dutch Progressive/Avant-garde Death/Doom Metal band.
If you are a Death Metal fan that still craves the 90s, you need “Clouds Of Confusion”! It does not get better than this if you love what Phlebotomized did in the past. At this album, you'll find some real Old School Death Metal. For those of you, who don't want just mindlessly bang their head, but also can allow things like atmosphere and intelligence to occasionally enter into your realm, you will really appreciate this just as well.
“Clouds Of Confusion” is something that is rare these days, an album that grows, an album that reveals something new with each spin. Perhaps it is again an album ahead of its time, although it is definitely looking back in time just as well.
Limited Edition to 150 copies, Coke Bottle Green vinyl in gatefold cover.
Hammerheart Records, 2023 (HHR 2023-18). Made in Netherlands. First press.


Tracklist:

Side A
1. Bury My Heart 02:15
2. Alternate Universe 04:42
3. Lachrimae 00:46
4. Desolate Wasteland 00:53
5. Destined to Be Killed 04:09
6. Pillar of Fire 06:00
7. Bury My Heart Reprise 04:19

Side B
8. Death Will Hunt You Down 04:55
9. A Unity Your Messiah Pre Claimed? 07:03
10. Dawn of Simplicity 05:47
11. Context Is for Kings (Stupidity and Mankind) 06:05

Total playing time: 46:54 min.


Samples: https://phlebotomizedhhr.bandcamp.com

The last Single by legendary British Progressive Rock band.
"Hey Hey Rise Up" is the first new track recorded by Pink Floyd since "Louder than Words" in 2014. The Single is based on a 1914 Ukrainian anthem, "Oh, the Red Viburnum in the Meadow", and features vocals in Ukrainian by Andriy Khlyvnyuk of the Boombox Band. The guitarist, David Gilmour, was inspired to record it in support of Ukraine during the 2022 russian invasion. Pink Floyd had been inactive for several years, and Gilmour had said several times that the band would not reunite; however, the war encouraged him to release the track as Pink Floyd.
The Single was released on 15 July 2022, alongside a new version of Pink Floyd's 1994 song "A Great Day for Freedom". All proceeds go to the Ukraine Humanitarian Relief Fund.
Pink Floyd (1987) Ltd./Parlophone Records Ltd., A Warner Music Group Company, 2022 (PFRS40/7 | 5054197152047). Made in Germany. First press. 45RPM.


Tracklist:

Side A
Hey, Hey, Rise Up! (Feat. Andriy Khlyvnyuk) 3:27

Side B
A Great Day For Freedom 2022 4:09

Total playing time: 7:36 min.

Remastered from the original mono mix, the second full-length studio album by legendary British Psychedelic/Space Rock band.
A transitional album on which the band moved from Syd Barrett's relatively concise and vivid songs to spacy, ethereal material with lengthy instrumental passages. The album was recorded before and after Syd Barrett's departure from the band. With Barrett's behaviour becoming increasingly unpredictable, David Gilmour was recruited to compliment Barrett, and eventually to replace him. As a result, "A Saucerful Of Secrets" became the only non-compilation Pink Floyd album on which all five band members appeared, the first for Gilmour (with him appearing on five songs), and the last for Barrett (with him on three). "Set the Controls for the Heart of the Sun" was the only song all five members appeared on together.
"Remember a Day" and "See Saw" are highlights; on "Set the Controls for the Heart of the Sun", "Let There Be More Light", and the lengthy instrumental title track, the band begin to map out the dark and repetitive pulses that would characterize their next few records.
Upon release, "A Saucerful Of Secrets" reached number nine in the UK charts, but failed to chart at all in the US until 2019, when it peaked at 158. However, when it was reissued as "A Nice Pair" with the original version of "The Piper At The Gates Of Dawn", after the success of "The Dark Side Of The Moon", the album did chart at number 36 on the Billboard 200.
Remastered from the original mono analogue tapes by James Guthrie, Joel Plante and Barnie Grundman in 2019, 180 g vinyl.
Pink Floyd Music Ltd./Columbia, Sony Music Entertainment/Parlophone Records Ltd. a Warner Music Group Company, 1968/2019/2022 (PFRLP30 / 0190295506889). Made in Holland.


Tracklist:

Side One
1. Let There Be More Light 5:30
2. Remember A Day 4:25
3. Set The Controls For The Heart Of The Sun 5:21
4. Corporal Clegg 4:06

Side Two
1. A Saucerful Of Secrets 11:43
2. See-Saw 4:29
3. Jugband Blues 2:57

Total playing time: 38:31 min.

Remastered re-release of the second full-length studio album by legendary British Psychedelic/Space Rock band.
A transitional album on which the band moved from Syd Barrett's relatively concise and vivid songs to spacy, ethereal material with lengthy instrumental passages. The album was recorded before and after Syd Barrett's departure from the band. With Barrett's behaviour becoming increasingly unpredictable, David Gilmour was recruited to compliment Barrett, and eventually to replace him. As a result, "A Saucerful Of Secrets" became the only non-compilation Pink Floyd album on which all five band members appeared, the first for Gilmour (with him appearing on five songs), and the last for Barrett (with him on three). "Set the Controls for the Heart of the Sun" was the only song all five members appeared on together.
"Remember a Day" and "See Saw" are highlights; on "Set the Controls for the Heart of the Sun", "Let There Be More Light", and the lengthy instrumental title track, the band begin to map out the dark and repetitive pulses that would characterize their next few records.
Upon release, "A Saucerful Of Secrets" reached number nine in the UK charts, but failed to chart at all in the US until 2019, when it peaked at 158. However, when it was reissued as "A Nice Pair" with the original version of "The Piper At The Gates Of Dawn", after the success of "The Dark Side Of The Moon", the album did chart at number 36 on the Billboard 200.
The stereo remastered from the original analogue tapes 180 g vinyl. Comes with a stickers on the front of the shrinkwrap.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1968/2016 (PFRLP2 / 0825646493180). Made in Germany.


Tracklist:

Side One
1. Let There Be More Light 5:38
2. Remember A Day 4:33
3. Set The Controls For The Heart Of The Sun 5:27
4. Corporal Clegg 4:12

Side Two
1. A Saucerful Of Secrets 11:59
2. See-Saw 4:36
3. Jugband Blues 3:01

Total playing time: 39:26 min.

​​​​​​

2018 remixed version of the tenth full-length studio album by legendary British Progressive Rock band.
The iconic 1977 Pink Floyd album has been remixed for the first time by James Guthrie. The album was recorded at the band's Britannia Row Studios in London throughout 1976, and was produced by the band.
Of all the classic-era Pink Floyd albums, "Animals" is the strangest and darkest, a record that's hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, "The Wall". Arriving after the warm-spirited (albeit melancholy) "Wish You Were Here", the shift in tone comes as a bit of a surprise, and there are even less proper songs here than on either "Wish You Were Here" or "Dark Side Of The Moon". "Animals" is all extended pieces, yet it never drifts - it slowly, ominously works its way toward its destination.
For an album that so clearly is Waters', David Gilmour's guitar dominates thoroughly, with Richard Wright's keyboards rarely rising above a mood-setting background (such as on the intro to "Sheep"). This gives the music, on occasion, immediacy and actually heightens the dark mood by giving it muscle. It also makes "Animals" as accessible as it possibly could be, since it surges with bold Blues Rock guitar lines and hypnotic Space Rock textures. Through it all, though, the utter blackness of Waters' spirit holds true, and since there are no vocal hooks or melodies, everything rests on the mood, the near-nihilistic lyrics, and Gilmour's guitar. These are the kinds of things that satisfy cultists, and it will reward their attention - there's just no way in for casual listeners.
"Animals" is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band's earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell's Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it's been a long time since 1977, the narrative of the album still resonates today, as our social and economic situation mirrors that of the time.
The album received positive reviews from critics and was commercially successful, reaching number two in the UK, and three in the US. number 2 and 3 in the UK and US, respectively. Thanks to the album and the band's back catalogue, noted The Guinness Book of British Hit Albums, "Pink Floyd bested ABBA for most weeks on the chart (in 1977), 108 to 106". Since its release, "Animals" has sold over 5 million copies worldwide.
180 g vinyl in gatefold cover with completely renewed artwork, includes 28-page booklet.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group company, 1977/2022 (PFRLP28 / 0190295600532). Made in the Netherlands.


Tracklist:

Side 1
1. Pigs On The Wing 1 1:25
2. Dogs 17:06

Side 2
3. Pigs (Three Different Ones) 11:26
4. Sheep 10:17
5. Pigs On The Wing 2 1:34

Total playing time: 41:48 min.

Remastered re-release of the tenth full-length studio album by legendary British Progressive Rock band.
The album was recorded at the band's Britannia Row Studios in London throughout 1976, and was produced by the band. It continues the longform compositions that made up their previous works, including "Wish You Were Here" (1975). 
Lyrically, "Animals" is a concept album that provides a scathing critique of the social-political conditions of late 1970s Britain, and presents a marked change in musical style from their earlier work. Its production was punctuated by early signs of tension within the band, which would later culminate in keyboardist Richard Wright leaving the band. 
Of all of the classic-era Pink Floyd albums, "Animals" is the strangest and darkest, a record that's hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, "The Wall". Arriving after the warm-spirited (albeit melancholy) "Wish You Were Here", the shift in tone comes as a bit of a surprise, and there are even less proper songs here than on either "Wish You Were Here" or "Dark Side Of The Moon". "Animals" is all extended pieces, yet it never drifts - it slowly, ominously works its way toward its destination.
For an album that so clearly is Waters', David Gilmour's guitar dominates thoroughly, with Richard Wright's keyboards rarely rising above a mood-setting background (such as on the intro to "Sheep"). This gives the music, on occasion, immediacy and actually heightens the dark mood by giving it muscle. It also makes "Animals" as accessible as it possibly could be, since it surges with bold Blues Rock guitar lines and hypnotic Space Rock textures. Through it all, though, the utter blackness of Waters' spirit holds true, and since there are no vocal hooks or melodies, everything rests on the mood, the near-nihilistic lyrics, and Gilmour's guitar. These are the kinds of things that satisfy cultists, and it will reward their attention - there's just no way in for casual listeners.
The album received positive reviews from critics and was commercially successful, reaching number two in the UK, and three in the US. number 2 and 3 in the UK and US, respectively. Thanks to the album and the band's back catalogue, noted The Guinness Book of British Hit Albums, "Pink Floyd bested ABBA for most weeks on chart (in 1977), 108 to 106". Since its release, "Animals" has sold over 5 million copies worldwide.
Remastered from the original analogue tapes 180 g vinyl, issued in a gatefold sleeve with a cardboard inner sleeve, which has rounded corners, printed with lyrics and details. 
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1977/2016 (PFRLP10 / 0190295996963). Made in Holland.


Tracklist:

Side 1
1. Pigs On The Wing 1 1:26
2. Dogs 17:05

Side 2
3. Pigs (Three Different Ones) 11:26
4. Sheep 10:19
5. Pigs On The Wing 2 1:29

Total playing time: 41:45 min.

Remastered re-release of the fifth full-length studio album by legendary British Psychedelic/Progressive Rock band.
Appearing after the sprawling, unfocused double-album set "Ummagumma" (1969), "Atom Heart Mother" may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era.
Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. Then, on the second side, Roger Waters, David Gilmour and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up. Of these, Waters begins developing the voice that made him the band's lead songwriter during their classic era with "If," while Wright has an appealingly mannered, very English psychedelic fantasia on "Summer '68", and Gilmour's "Fat Old Sun" meanders quietly before ending with a guitar workout. "Alan's Psychedelic Breakfast", the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving.
So, there are interesting moments scattered throughout the record, and the work that initially seems so impenetrable winds up being "Atom Heart Mother"'s strongest moment. That it lasts an entire side illustrates that Pink Floyd was getting better with the larger picture instead of the details, since the second side just winds up falling off the tracks, no matter how many good moments there are. This lack of focus means "Atom Heart Mother" will largely be for cultists, but its unevenness means there's also a lot to cherish here.
The "Atom Heart Mother" was recorded at Abbey Road Studios in London. It was the band's first album to reach number 1 in the UK, while it reached number 55 in the US, eventually going Gold there. It was released in the quadraphonic format in the UK, Germany and Australia. The album is ranked number 990 in All-Time Top 1000 Albums.
The stereo remastered from the original analogue tapes album on heavyweight 180ɢ vinyl in gatefold cover.
Pink Floyd Music Ltd./Parlophone Records Ltd., a Warner Music Group Company, 1970/2016 (PFRLP5/0190295997083). Made in EU. Pressed in Netherlands.


Tracklist:

Side 1:
1. Atom Heart Mother: 23:31
a) Father's Shout
b) Breast Milky
c) Mother Fore
d) Funky Dung
e) Mind Your Throats Please
f) Remergence

Side 2:
1. If 4:24 
2. Summer '68 5:26 
3. Fat Old Sun 5:17 
4. Alan's Psychedelic Breakfast: 12:56 
a) Rise And Shine
b) Sunny Side Up
c) Morning Glory

Total playing time: 51:34 min.

The fifth full-length studio album by legendary British Psychedelic/Progressive Rock band.
Harvest/Toshiba Musical Industries Ltd./Odeon, 1971 (OP-80102). Made in Japan. First press. Booklet, textured cover. Used (cover/disc): NM/EX.


Tracklist:

SIDE 1
1. Atom Heart Mother 23:36
a) Father's Shout
b) Breast Milky
c) Mother Fore
d) Funky Dung
e) Mind Your Throats Please
f) Remergence


SIDE 2
2. If 4:31
3. Summer 68 5:29
4. Fat Old Sun 5:24
5. Alan's Psychedelic Breakfast    13:01
a) Rise And Shine
b) Sunny Side Up
c) Morning Glory

Total playing time: 52:01 min.

Remastered re-release of the sixth full-length studio album by legendary British Psychedelic/Space/Progressive Rock band.
The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios (now Abbey Road Studios) and Morgan Studios. With no material to work with and no clear idea of the album's direction, the band devised a series of novel experiments which eventually inspired the album's signature track "Echoes". Although the band's later albums would be unified by a central theme with lyrics written entirely by Roger Waters, "Meddle" was a group effort with lyrics primarily by Waters, and is considered a transitional album between the Syd Barrett-influenced band of the late 1960s and the Waters-led era.
The album was well received by critics upon its release, and reached number three in the United Kingdom, but lacklustre publicity on the part of the band's American label Capitol Records led to poor sales there upon initial release. "Meddle" was later certified Gold by the RIAA on 29 October 1973 and then double Platinum on 11 March 1994, following the added attention garnered by the band's later successes in the United States.
The album was voted number 255 in the third edition of Colin Larkin's book "All Time Top 1000 Albums" (2000).
Remastered re-release on heavyweight 180g vinyl in gatefold textured cover.
Pink Floyd Music Ltd./Parlophone Records Ltd., a Warner Music Group Company, 1971/2016 (PFRLP6/0190295997076). Made in EU. Pressed in Netherlands.


Tracklist:

Side One
1. One Of These Days 5:56
2. A Pillow Of Winds 5:13
3. Fearless 6:08
4. San Tropez 3:43
5. Seamus 2:15

Side Two
1. Echoes 23:35

Total playing time: 46:50 min.

Remastered re-release of the third full-length studio album, and the first soundtrack album, by legendary British Psychedelic Rock band.
This is a soundtrack for the 1969 French hippie film "More", which was primarily filmed on location on Ibiza and was the directorial debut of Barbet Schroeder.
This is Pink Floyd's first full album without founding member Syd Barrett, who was ousted from the band in 1968, during the recording of "A Saucerful Of Secrets". It is one of only three Pink Floyd albums to feature David Gilmour as the sole lead vocalist, the others being 1987's "A Momentary Lapse Of Reason" and 2014's "The Endless River", and it is also the first album to be produced by Pink Floyd without assistance from Norman Smith. It is the only album in the band's discography not to have a lead vocal from Roger Waters during his tenure in the band (1964–1985).
The album contains some acoustic Folk ballads, a genre that appeared sparsely on Pink Floyd's later works. It also contains some of the band's "heaviest" recordings, such as "The Nile Song" and "Ibiza Bar", as well as several instrumental tracks, featuring their Experimental and Avant-garde approach.
More reached number 9 in the UK and, upon re-release in 1973, number 153 in the US.
Remastered from the original analogue tapes 180 g vinyl. 
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1969/2016 (PFRLP3 / 0825646493173). Made in Germany.


Tracklist:

Side 1
1. Cirrus Minor 5:09
2. The Nile Song 3:41
3. Crying Song 3:19
4. Up The Khyber 2:09
5. Green Is The Colour 2:59
6. Cymbaline 4:45
7. Party Sequence 1:09

Side 2
1. Main Theme 5:29
2. Ibiza Bar 3:15
3. More Blues 2:14
4. Quicksilver 7:09
5. A Spanish Piece 1:04
6. Dramatic Theme 2:13

Total playing time: 44:35 min.

For the first time on vinyl, the sixth compilation album by legendary British Progressive Rock band.
"The Best Of Pink Floyd – A Foot In The Door" is the greatest hits album, that was released on CD as part of the "Why Pink Floyd…?" 2011–12 remastering campaign. The career-spanning compilation features some best-known album tracks from across Pink Floyd's career, 1967 to 1994, as well as the UK Top 10 Single, "See Emily Play".
Newly mastered for vinyl in 2018 by longstanding Pink Floyd associate James Guthrie, with Joel Plante, and with lacquers cut by Bernie Grundman of Grundman Mastering in Los Angeles, California, the 2LP version features at least one difference from the CD version. Time is slightly longer, with the ringing alarm clocks at the start of the track reinstated.
The original artwork, art directed by the late Storm Thorgerson, has been amended by Pink Floyd Creative Director Aubrey Powell of Hipgnosis, with Peter Curzon, to include alternate versions of the photographs used in the CD version. The album package comes in a gatefold outer-sleeve, with two separate printed inner-sleeves, and is pressed on heavyweight 180 gram vinyl.
Pink Floyd Music Ltd./Pink Floyd (1987) Ltd./Pink Floyd Records/Parlophone Records Ltd., a Warner Music Group Company, 2011/2018 (PFRLP21 | 5099902896625 | 0190295624019). Made in Germany. First press.


Tracklist:

Side A
1. Hey You 4:41
2. See Emily Play 2:49
3. The Happiest Days Of Our Lives 1:33
4. Another Brick In The Wall, Part 2 3:49
5. Have A Cigar 5:09
Side B
1. Wish You Were Here 5:05
2. Time / Breathe (In The Air) 6:20
3. The Great Gig In The Sky 4:36
4. Money 6:34
Running time: 40:36 min.

Side C
1. Comfortably Numb 6:19
2. High Hopes 6:55
3. Learning To Fly 4:50
Side D
1. The Fletcher Memorial Home 4:11
2. Shine On You Crazy Diamond Parts 1-5 (Edit) 11:06
3. Brain Damage 3:47
4. Eclipse 1:54
Running time: 39:02 min.

Total playing time: 79:38 min.
 

Remastered for the 50th Anniversary, the eighth full-length studio album by legendary British Progressive Rock band.
Primarily developed during live performances, the band premiered an early version of the record several months before recording began. New material was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The band used advanced recording techniques at the time, including multitrack recording, tape loops, and analogue synthesizers. Snippets from interviews with the band's road crew, as well as philosophical quotations, were also used. Engineer Alan Parsons was responsible for many sonic aspects and the recruitment of singer Clare Torry, who appears on "The Great Gig in the Sky".
The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised their earlier work. A concept album, its themes explore conflict, greed, time, death, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who departed the band in 1968.
The iconic sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson, following keyboardist Richard Wright's request for a "simple and bold" design, representing the band's lighting and the record's themes.
"The Dark Side Of The Moon" helped to propel Pink Floyd to international fame, bringing wealth and recognition to all four of its members. It has been hailed by critics as one of the greatest albums of all time. 
In the UK, it is the seventh-best-selling album of all time and the highest selling album never to reach number one.
In the US the LP was released before the introduction of Platinum awards in 1976. It therefore held only a Gold disc until 16 February 1990, when it was certified 11× Platinum. On 4 June 1998 the Recording Industry Association of America (RIAA) certified the album 15× Platinum, denoting sales of 15,000,000 in the United States – making it their biggest-selling work there ("The Wall" is 23× Platinum, but as a double album this signifies sales of 11,500,000).
The record reached number one on the US Billboard Top LPs & Tape chart (now known as the Billboard 200). Although it held the number one spot in the US for only a week, it remained in the Billboard album chart for 741 weeks from 1973 to 1988. The album re-appeared on the Billboard charts with the introduction of the Top Pop Catalog Albums chart in May 1991, and has been a perennial feature since then. On the week of 5 May 2006, "The Dark Side Of The Moon" achieved a combined total of 1,716 weeks on the Billboard 200 and Pop Catalog charts. Upon a change in methodology in 2009 allowing catalogue titles to be included in the Billboard 200, "The Dark Side Of The Moon" returned to the chart at number 189 on 12 December of that year for its 742nd charting week. It has continued to sporadically appear on the Billboard 200 since then, with the total at 943 weeks on the chart as of June 2019.
With estimated sales of over 45,000,000 copies, "The Dark Side Of The Moon" became one of the best-selling albums worldwide of all time and is in the top 25 of a list of best-selling albums in the United States.
"The Dark Side Of The Moon" has frequently appeared on rankings of the greatest albums of all-time. In 1987, Rolling Stone listed the record 35th on its "Top 100 Albums of the Last 20 Years", and sixteen years later, in 2003, the album polled in 43rd position on the magazine's list of the "500 Greatest Albums of All Time", and was voted 43rd again on the magazine's 2012 list. It came 29th in The Observer's 2006 list of "The 50 Albums That Changed Music", and 37th in The Guardian's 1997 list of the "100 Best Albums Ever", as voted for by a panel of artists and music critics. In 2013, "The Dark Side Of The Moon" was selected for preservation in the United States National Recording Registry by the Library of Congress for being deemed "culturally, historically, or aesthetically significant".
2023 remaster, heavyweight 180 g vinyl. Comes with a sticker on the front of the shrinkwrap, two original posters and two stickers.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1973/2023 (PFR50LP1 / 5054197141478). Made in Netherlands.


Tracklist:

Side One
1. Speak To Me 1:30
2. Breathe (In The Air) 2:43
3. On The Run 3:30
4. Time 6:53
5. The Great Gig In The Sky 4:15

Side Two
1. Money 6:30
2. Us And Them 7:51
3. Any Colour You Like 3:24
4. Brain Damage 3:50
5. Eclipse 1:45

Total playing time: 42:59 min.

The fifteenth full-length studio album by legendary British Psychedelic/Ambient/Progressive Rock band.
The third Pink Floyd album recorded under the leadership of guitarist David Gilmour, after the departure of bassist Roger Waters in 1985, and the first following the death of keyboardist Richard Wright in 2008, who appears posthumously. Gilmour said it would be the final Pink Floyd album.
"The Endless River" comprises Instrumental and Ambient music based on material recorded during sessions for the band's previous album, "The Division Bell" (1994). Additional material was recorded in 2013 and 2014 on Gilmour's Astoria boat studio and in Medina Studios in Hove, England. Only one track, "Louder than Words", has lead vocals.
The Endless River was promoted with the "Louder than Words" single and artwork installations in cities around the world. It became the most pre-ordered album of all time on Amazon UK, and debuted at number one in several countries. The vinyl edition was the fastest-selling UK vinyl release since 1997. The album received mixed reviews; some critics praised the nostalgic mood, while others found it unambitious or meandering.
Heavyweight double 180 gram vinyl in gatefold cover features 16-page 275mm x 275mm booklet with unseen photographs from 1993 sessions.
Pink Floyd (1987) Ltd./Parlophone Records Ltd., a Warner Music Group Company, 2014 (825646215478). Made in Netherlands. First press.


Tracklist:

Side 1
1. Things Left Unsaid 4:25
2. It's What We Do 6:22
3. Ebb And Flow 1:51
Side 2
1. Sum 4:50
2. Skins 2:38
3. Unsung 1:07
4. Anisina 3:16

Side 3
1. The Lost Art Of Conversation 1:44
2. On Noodle Street 1:43
3. Night Light 1:43
4. Allons-Y (1) 1:57
5. Autumn '68 1:36
6. Allons-Y (2) 1:36
7. Talkin' Hawkin' 3:26
Side 4
1. Calling 3:39
2. Eyes To Pearls 1:52
3. Surfacing 2:47
4. Louder Than Words 6:32

Total playing time: 53:06 min.

Remastered re-release of the twelfth full-length studio album by legendary British Art Rock band.
The last Pink Floyd album to feature founding member Roger Waters, who departed in 1985. It is also the only Pink Floyd album not to feature founding member and keyboardist Richard Wright, whom Waters fired during "The Wall" sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. Drummer Nick Mason's contributions were mostly limited to sound effects.
Waters planned the album as a soundtrack for the 1982 film adaptation of "The Wall". The album contains unused material from the previous Pink Floyd record, "The Wall" (1979), alongside new material recorded throughout 1982. "The Final Cut" is an anti-war concept album that explores what Waters regards as the betrayal of fallen British servicemen—such as his father—who during the Second World War sacrificed their lives in the spirit of a post-war dream. Waters provided lead vocals for all but one track, and he is credited for all songwriting. The album was accompanied by a short film, also titled "The Final Cut", released in the same year.
"The Final Cut" was a commercial success, reaching number one in the UK, surpassing "The Dark Side Of The Moon" and "The Wall". It was less successful in US, peaking at number six on the Billboard album charts.
With over 1,000,000 units shipped in the United States, the Recording Industry Association of America certified "The Final Cut" Platinum in May 1983. It was given double Platinum certification in 1997. "The Final Cut" has sold over 2 million copies, however, it was the lowest-selling Pink Floyd studio album in the United States and worldwide since "Meddle". 
Remastered from the original analogue tapes 180 g vinyl, issued in a gatefold sleeve. During the original release, "When the Tigers Broke Free" did not appear on this album.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1983/2017 (PFRLP12 / 0190295996956). Made in Holland.


Tracklist:

Side 1
1. The Post War Dream 3:01
2. Your Possible Pasts 4:26
3. One Of The Few 1:14
4. When The Tigers Broke Free 3:15
5. The Hero's Return 2:43
6. The Gunner's Dream 5:18
7. Paranoid Eyes 3:42

Side 2
1. Get Your Filthy Hands Off My Desert 1:17
2. The Fletcher Memorial Home 4:11
3. Southampton Dock 2:12
4. The Final Cut 4:42
5. Not Now John 5:01
6. Two Suns In The Sunset 5:19

Total playing time: 46:21 min.

Remastered re-release of the debut full-length studio album by legendary British Psychedelic/Space Rock band.
The album, named after the title of chapter seven of Kenneth Grahame's "The Wind in the Willows" (Syd Barrett's favorite children's book), and featuring a kaleidoscopic cover photo of the band taken by Vic Singh, is the only one album made under founding member Syd Barrett's leadership. 
Since its release, the album has been hailed a pivotal Psychedelic Rock album, with the embryonic elements of what was to become Progressive rock. Lyrical imagery of "The Piper At The Gates Of Dawn" is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic Acid Pop songs are balanced with longer, more Experimental pieces showcasing the band's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences. But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments - in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. "The Piper At The Gates Of Dawn" successfully captures both sides of Psychedelic experimentation - the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes "The Piper At The Gates Of Dawn" all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best Psychedelic albums of all time! The album is hailed not only as a Psychedelic masterpiece but LSD is named as a direct influence...
The album was ranked 40th in Mojo Magazine's "The 50 Most Out There Albums of All Time" list. In 2000, Q Magazine placed "The Piper At The Gates Of Dawn" at the Gates of Dawn at number 55 in its list of the 100 greatest British albums ever. In July 2006, Billboard described "The Piper At The Gates Of Dawn" as "one of the best Psychedelic Rock albums ever". In 2012, "The Piper At The Gates Of Dawn" was voted 347th on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".
Remastered in 2017 from the original 1967 mono analogue tapes by James Guthrie, Joel Plante and Bernie Grundman, heavyweight 180-gram vinyl. Previously available only as a 2018 Record Store Day exclusive. This re-release was sourced from the very same Optimal Media GmbH stampers, whose lacquers were cut by Bernie Grundman. Comes with a sticker on the front of the shrinkwrap.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1967/2018/2022 (PFRLP38 / 0190295024406). Made in Germany.


Tracklist:

Side 1
1. Astronomy Dominé 4:11
2. Lucifer Sam 3:07
3. Matilda Mother 3:08
4. Flaming 2:46
5. Pow R. Toc H. 4:26
6. Take Up Thy Stethoscope And Walk 3:06

Side 2
1. Interstellar Overdrive 9:40
2. The Gnome 2:13
3. Chapter 24 3:42
4. Scarecrow 2:11
5. Bike 3:21

Total playing time: 41:56 min.

Remastered re-release of the debut full-length studio album by legendary British Psychedelic/Space Rock band.
The album, named after the title of chapter seven of Kenneth Grahame's "The Wind in the Willows" (Syd Barrett's favorite children's book), and featuring a kaleidoscopic cover photo of the band taken by Vic Singh, is the only one album made under founding member Syd Barrett's leadership. 
Since its release, the album has been hailed a pivotal Psychedelic Rock album, with the embryonic elements of what was to become Progressive rock. Lyrical imagery of "The Piper At The Gates Of Dawn" is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic Acid Pop songs are balanced with longer, more Experimental pieces showcasing the band's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences. But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments - in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. "The Piper At The Gates Of Dawn" successfully captures both sides of Psychedelic experimentation - the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes "The Piper At The Gates Of Dawn" all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best Psychedelic albums of all time! The album is hailed not only as a Psychedelic masterpiece but LSD is named as a direct influence...
The album was ranked 40th in Mojo Magazine's "The 50 Most Out There Albums of All Time" list. In 2000, Q Magazine placed "The Piper At The Gates Of Dawn" at the Gates of Dawn at number 55 in its list of the 100 greatest British albums ever. In July 2006, Billboard described "The Piper At The Gates Of Dawn" as "one of the best Psychedelic Rock albums ever". In 2012, "The Piper At The Gates Of Dawn" was voted 347th on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".
The stereo remastered from the original analogue tapes 180 g vinyl. Comes with a stickers on the front of the shrinkwrap.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1967/2016 (PFRLP1 / 0825646493197). Made in Germany.


Tracklist:

Side 1
1. Astronomy Domine 4:10
2. Lucifer Sam 3:04
3. Matilda Mother 3:05
4. Flaming 2:43
5. Pow R. Toc H. 4:24
6. Take Up Thy Stethoscope And Walk 3:04

Side 2
1. Interstellar Overdrive 9:41
2. The Gnome 2:11
3. Chapter 24 3:38
4. Scarecrow 2:08
5. Bike 3:24

Total playing time: 41:32 min.

Remastered re-release of the fourth full-length studio album by legendary British Psychedelic/Space Rock band.
The first album by the band released on the Harvest label. It's a double album and contains two discs. The first one consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list at the time, while the second contains solo compositions by each member of the band recorded at EMI Studios (now Abbey Road Studios).
The album's title supposedly comes from Cambridge slang for sex, commonly used by Pink Floyd friend and occasional roadie, Iain "Emo" Moore, who would say, "I'm going back to the house for some ummagumma". According to Moore, he made up the term himself.
Although the album was well received at the time of release, and was a top five hit in the UK album charts, it has since been looked upon unfavourably by the band, who have expressed negative opinions about it in interviews.
The album reached number 5 on the UK albums chart and number 74 in the US, marking the first time the band reached the top 100 there. Similarly, in Canada it was their first appearance on the charts, reaching number 78. The album was certified Gold in the US in February 1974 and Platinum in March 1994.
For many years, this double-LP was one of the most popular albums in Pink Floyd's pre-"Dark Side Of The Moon" output.
Remastered re-release on heavyweight 180g vinyl.
Pink Floyd Music Ltd./Parlophone Records Ltd. a Warner Music Group Company, 1969/2016 (PFRLP4 | 0825646493166). Made in the EU. Pressed in Germany.


Tracklist:


LIVE ALBUM (LP 1) Recorded at MOTHERS Birmingham & Manchester College of Commerce, June 1969

Side One
1. Astronomy Domine 8:33
2. Careful With That Axe, Eugene 8:49

Side Two
1. Set the Controls for the Heart of the Sun 9:27
2. A Saucerful Of Secrets 12:51

Running time: 39:11 min.



STUDIO ALBUM (LP 2)

Side Three
1. Sysyphus
    Part One 1:09
    Part Two 3:30
    Part Three 1:50
    Part Four 7:00
2. Grandchester Meadows 7:28
3. Several Species of Small Furry Animals Gathered Together In A Cave And Growing With A Pict Gathered Together In A Cave And Grooving With A Pict 4:59

Side Four
1. The Narrow Way
    Part One 3:29
    Part Two 2:53
    Part Three 5:58
2. The Grand Vizier's Garden Party
    Part One - Entrance 1:00
    Part Two - Entertainment 7:06
    Part Three - Exit 0:42

Running time: 46:42 min.


Total playing time: 85:53 min.