12"

Legendary Rock Opera by Andrew Lloyd Webber with lyrics by Tim Rice.
The musical started off as a rock opera concept recording before its first staging on Broadway in 1971. The result was a chart-topping LP followed in short order by a Broadway production and, a little later, a multi-million-dollar movie (oddly enough, the original double LP created barely a ripple in England in 1970 and 1971, though there was eventually a British stage production that went on to become what was then the longest-running musical on London's West End).
More than 60 top-flight singers and musicians included (Chris Spedding, John Gustafson, Mike Vickers, P.P. Arnold, and members of Joe Cocker's Grease Band, not to mention Murray Head, Ian Gillan, and Yvonne Elliman in key singing roles).
The album reached #1 on the Billboard chart in 1971 and served as a launching pad for numerous stage productions on Broadway and in the West End! The original 1970 boxed-set issue of this 2-record set was packaged in the U.S. with a special thin brown cardboard outer box which contained the 2 vinyl records and a 28-page libretto. It is also the sixth most successful album of all time in Norway, peaking at #3 and staying on the charts for 87 weeks!!
The honor of every vinyl collector!!!
AnTrop, 1970/1991 (P91 00029). Unofficial release. Made in USSR. Used: like new.
 

Tracklist:

LP1
01.Overture
02.Heaven On Their Minds
03.What's The Buzz & Strange Thing Mystifying
04.Everything's Alright
05.This Jesus Must Die
06.Hosanna
07.Simon Zealotes & Poor Jerusalem
08.Pilates' Dream
09.The Temple
10.Everything's Alright
11.I Don't Know How To Love Him
12.Damned For All Time & Blood Money

LP2
01.The Last Supper
02.Gethsemane (I Only Want To Say)
03.The Arrest
04.Peter's Denial
05.Pilate And Christ
06.King Herod's Song (Try It And See)
07.Judas' Death
08.Trial Before Pilate (Incldunig The 39 Lashes)
09.Superstar
10.Crucifixion
11.John Nineteen Forty-One

Samples: http://www.lastfm

The third full-length studio album by Swedish Heavy Metal/Hard Rock band.
"Mind Over Muscle" is absolutely the first record anyone should listen to if you're interested in 220 Volt. Half the songs on this album are perfect for cruising with the top down, throwing horns on the highway or just razing your arms through the wind itself. Enthusiastic, powerful and impressive, it's a long hidden gem of a near forgotten period in one of the world's largest Metal markets!
CBS Songs Scandinavia AB/Tonpress, 1985/1986 (SX-T 117). Made in Poland. Used: NM-/NM-

Tracklist:

Side A
1. The Tower 4:11 
2. In The End 3:28 
3. Electric Messengers 3:49 
4. Power Games 3:36 
5. Blessed By Night 3:40 
6. Secret Dance (Hymania) 3:55

Side B 
7. It's Nice To Be King 3:52 
8. Mind Over Muscle 4:02 
9. Whiter Than White 3:50 
10. Touch Of Fire 4:02 
11. Halloween 2:59 
12. Pavement Song 3:46

Total playing time: 45:22 min.

 

The first official compilation album by legendary Norwegian New Wave band.
Originally, it was released on 4 November 1991 by Warner Bros. Records. It was re-released on 22 September 1998. The new song "Move to Memphis" is featured on this album, and was released as a single in 1991. "Move to Memphis" was later re-recorded for their fifth studio album, "Memorial Beach".
A-ha took "Take on Me" to the number one spot on Billboard's Top 40 in 1985, thanks to the award-winning animated video that accompanied it. Still, A-ha contributed rather accordingly to the '80s Pop sound, drenching their music with bouncy riffs and employing the keyboard as the foundation to their colorful formula. "Headlines And Deadlines: The Hits Of A-ha" assembles all of their singles together, a definite one-stop for all of their music.
Combining ballads and radiant '80s Pop, this set includes their most fervent offering in "The Sun Always Shines on T.V.", which hit number 20 in 1986 and originated from "Hunting High And Low", the same album that included "Take on Me". After this album, the band's next couple of releases, "East of the Sun, West Of The Moon" and "Memorial Beach", were total washouts, which makes this compilation all the more worthy. Other notables include remixed versions of "Hunting High and Low" and "You Are the One", as well as the theme song to "The Living Daylights".
Though comparisons to Duran Duran are difficult to avoid, A-ha did harbor some distinct qualities in their glossy sound, and quite a few of their songs still contain some redeeming factors, but are better appreciated when lined up in compilation form.
The album reached number 12 in the UK Albums Chart.
WEA International/Warner Bros. Records Inc/Rhino Entertainment Company, 1991/2018 ((R1-567323) 0603497860173). Made in Germany.


Tracklist:

Side A
1. Take On Me 3:46
2. Cry Wolf 4:05
3. Touchy 4:31
4. You Are The One (Remix) 3:45
5. Manhattan Skyline 4:52
6. The Blood That Moves The Body 4:05
7. Hunting High And Low (Remix) 3:38

Side B
8. Move To Memphis 4:15
9. I've Been Losing You 4:24
10. The Living Daylights 4:15
11. Crying In The Rain 4:25
12. I Call Your Name 4:51
13. Stay On These Roads 4:44
14. The Sun Always Shines On TV 5:06

Total playing time: 60:42 min.

Remastered re-release of the fourth full-length studio album by legendary Swedish Pop band.
Widely considered the Swedish foursome's first classic album (and historically important as the first to use the now-famous mirror-B logo), 1976's "Arrival" contains three huge hit singles: the dramatic "Money Money Money", the downcast "Knowing Me, Knowing You", and the absolutely perfect Pop classic "Dancing Queen" - a combination of Spector-ian grandeur, McCartney-esque melody, and the indescribable vocals of Agnetha Fältskog and Anni-Frid Lyngstad.
The rest of ABBA's fourth album is strikingly consistent and accomplished, from the sly, bouncy "When I Kissed the Teacher" to the atmospheric title track, making room in between for the three excellent singles and five other substantial Pop tunes.
The album became a major seller all over the world, becoming the top-selling album of 1977 in both the UK and West Germany for example. It was certified Gold by the Recording Industry Association of America. The "Arrival" was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. 
180 g vinyl comes with a printed inner sleeve and includes a voucher to download an MP3 version of the album.
Polar Music Production/Universal Music Group International, 1976/2011 (POLS 272). Made in Germany.

Tracklist:

Side 1
1. When I Kissed The Teacher 3:00
2. Dancing Queen 3:50
3. My Love, My Live 3:52
4. Dum Dum Diddle 2:53
5. Knowing Me, Knowing You 4:02

Side 2
1. Money, Money, Money 3:05
2. That's Me 3:15
3. Why Did It Have To Be Me 3:20
4. Tiger 2:55
5. Arrival 3:00

Total playing time: 33:12 miin.

Re-release on double vinyl of two live albums, "Alive... in Italy" (2005) and "Alive... in Thailand" (2006), by cult Japanese Black/Thrash Metal band.
Official live album of the cult long time running Japanese band. Features live shows from Italy & Thailand recorded, with a very good sound quality, between 2004 and 2005, released before on limited edition CDs only.
Italian shows features Joel Grind of Toxic Holocaust on guitars & vocals!!
Comes in a superb gatefold sleeves with exclusive cover artwork by Grimart.
Die Hard white vinyl with alternative red labels. Limited to 100 copies only!!
Agonia Records, 2012 (ARlp029). Made in Poland. Pressed in Czech. First press.

Tracklist:

LP 1

Side Italy 1:
1. Violence Kill And Destruction 
2. Hellfire And Damnation 
3. Bitch We Gonna Kill You 
4. Attack With Spell 
5. Ilona The Very Best (Bulldozer Cover) 
6. Atomik Destruktor (Toxic Holocaust Cover) 
7. Fall Out

Side Italy 2:
8. 666 
9. Warfare 
10. Outbreak Of Evil (Sodom Cover) 
11. Charge! 
12. Prophecy Of The Evening Star 
13. War 666 
14. Ilona The Very Best (Bulldozer Cover) 
15. Enemy Of Jesus

LP 2

Side Thailand 1:
1. Violence Kill And Destruction 
2. Hellfire And Damnation 
3. Bitch We Gonna Kill You 
4. Attack With Spell 
5. Satanik Metal Fucking Hell 
6. Hells Necromancer 
7. We're The Pussy Hunter

Side Thailand 2:
8. Black Metal Thunder 
9. Charge! 
10. Prophecy Of The Evening Star 
11. War 666 
12. Beer! Metal! Sex! 
13. Lethal Dose (Nme Cover)

Remastered from the original master tapes re-release of ninth Australian and eighth internationally released full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Followed the highly successful "Back In Black" and "For Those About To Rock" albums, "Flick Of The Switch" is the third AC/DC album to feature vocalist Brian Johnson. Recorded shortly after their 1982 European Tour at the beginning of 1983, the album was originally released with little promotion in the US on 15 August 1983.
When AC/DC first began to lay down plans for recording their ninth studio album, their career was at its absolute commercial peak, flying high on the world-beating success of 1980’s flawless "Back In Black" and its worthy successor, "For Those About To Rock". Both albums had kept the band touring and/or working for nearly two years straight (and the human toll would soon be felt in drummer Phil Rudd‘s sad exit), so once they finally found the time to reflect on their next move, the Australian Hard Rock heroes decided it was time to go back to basics.
Fatefully, after three albums working with studio perfectionist Robert John “Mutt” Lange, the band decided to produce "Flick Of The Switch" themselves in a concerted effort to strip their songs of any lingering studio polish. To that end, AC/DC spent less than a month recording 10 new songs, and later drove their point home with the help of a spartan, startlingly white cover art, featuring nothing but a pencil sketch of Angus Young preparing to flick that giant electric switch.
The best thing one could say in "Flick Of The Switch"‘s defense is its quasi-religious bid for simplicity makes it the Brian Johnson lineup’s equivalent of "Powerage". The final verdict on "Flick Of The Switch" was frankly handed down by AC/DC fans, who barely saw fit to nudge the album towards Platinum sales over many slow-selling years to come, thus falling well short of the multi-Platinum thresholds established by its predecessors.
The album reached #4 in UK and #15 in the US, and has been certified Platinum by the RIAA for a circulation of more than 1,000,000 copies.
Leidseplein Presse B.V./Columbia/Sony Music, 1983/2009 (5107671). Made in Germany.


Tracklist:
1. Rising Power
2. This House Is On Fire
3. Flick Of The Switch
4. Nervous Shakedown
5. Landslide
6. Guns For Hire
7. Deep In The Hole
8. Bedlam In Belgium
9. Badlands
10. Brain Shake

Remastered re-release of the first internationally-released full-length album by the legendary Australian Hard Rock band.
It contains tracks from their first two Australia-only issued albums, “High Voltage” and “T.N.T.” (both from 1975). Originally released on Atlantic Records, this edition of “High Voltage” has proven popular, selling three million units in the US alone. The international release included only two tracks from the original release, with the rest of its songs being pulled from AC/DC's second album “T.N.T.”. The international releases of “High Voltage” also had different album covers from the original: one features a picture of Angus Young as he appeared on the cover of the Australian single for "It's A Long Way To The Top (If You Wanna Rock 'n' Roll)". An alternative cover was used on the international version's European release. However, initially the album was panned by some critics upon its release, including a review by Rolling Stone magazine's Billy Altman that called it an "all-time low" for the Hard Rock genre. It was re-released in 2003 as part of the AC/DC Remasters series.
180 Gram Vinyl. Issued with colour printed inner sleeve.
Columbia/Sony Music, 1976/2009 (5107591). Made in Netherlands.


Tracklist:

SIDE ONE
1. It's A Long Way To The Top (If You Wanna Rock 'n' Roll) 05:17
2. Rock 'n' Roll Singer 05:06
3. The Jack 05:53
4. Live Wire 05:51

SIDE TWO
5. T.N.T. 03:36
6. Can I Sit Next To You Girl 04:12
7. Little Lover 05:47
8. She's Got Balls 04:53
9. High Voltage 04:20

Total playing time: 44:55 min.

The sixth Australian and the fifth internationally released full-length studio album by the legendary Australian Hard’n’Heavy band.
"Highway To Hell" is the final album of AC/DC recorded with Bon Scott, the lead singer who provided the band with a fair share of its signature sleaze. Just months after its release, Scott literally partied himself to death (the official cause cited as acute alcohol poisoning) after a night of drinking, a Rock & Roll fatality that took no imagination to predict. In light of his passing, it's hard not to see "Highway To Hell" as a last testament of sorts, being that it was his last work and all, and if Scott was going to go out in a blaze of glory, this certainly was the way to do it. It's tempting to say that Scott might have been prescient about his end - or to see the title track as ominous in the wake of his death - trying to spill it all out on paper, but it's more accurate to say that the ride had just gotten very fast and very wild for AC/DC, and he was simply flying high.
After all, it wasn't just Scott who reached a new peak on "Highway To Hell"; so did the Young brothers, crafting their monster riffs into full-fledged, undeniable songs. This is their best set of songs yet, from the incessant, intoxicating boogie of "Girls Got Rhythm" to "If You Want Blood (You've Got It)". Some of the credit should also go to Robert John "Mutt" Lange, who gives the album a precision and magnitude that the Vanda & Young LPs lacked in their grimy charm. Filtered through Mutt's mixing board, AC/DC has never sounded so enormous, and they've never had such great songs, and they had never delivered an album as singularly bone-crunching or classic as this until now.
Album was originally released by Albert Productions, who licensed the album to Atlantic Records for release outside of Australia. On 25 May 2006, “Highway to Hell” was certified 7x Platinum by the RIAA. In 2003, the album was ranked number 199 on Rolling Stone Magazine's list of the 500 greatest albums of all time.
Remastered re-release. 180 Gram Vinyl.
Columbia/Sony Music, 1979/2003/2009 (5107641). Made in Netherlands.


Tracklist:

SIDE ONE
1. Highway To Hell 03:26
2. Girls Got Rhythm 03:23
3. Walk All Over You 05:08
4. Touch Two Much 04:24
5. Beating Around The Bush 03:55

SIDE TWO
6. Shot Down In Flames 05:21
7. Get It Hot 02:24
8. If You Want Blood (You've Got It) 04:32
9. Love Hungry Man 04:14
10. Night Prowler 06:13

Total playing time: 43:00 min.

First remastered re-release of the fifth Australian and fourth international full-length studio album by Australian Hard Rock band.
Powerage was a first in the sense that it debuted bassist Cliff Williams, but it really is more of a final curtain to the band's early years. It would be the last produced by Vanda & Young, the legendary Australian production team who also helmed hits by the Easybeats, and it was the last before AC/DC became superstars. As such, it's perhaps the most overlooked of their '70s records, also because, frankly, it is the most uneven of them. Not that it's a bad record - far from it, actually. There are a few genuine classics here, most notably "Down Payment Blues" and "Up to My Neck in You", and there's a real appeal in how Bon Scott's gutter poems of excess are reaching a mythic level; there's a real sense that he truly does believe that Rock & Roll leads straight to hell on "Rock 'n' Roll Damnation".
This is the first AC/DC album to be released nearly simultaneously in both Australian and international markets, and the first to use just one cover image for both. It was also the first to feature the same track listing on all versions, with the exception of the European vinyl edition (specifically, the first UK pressing of the LP). This version included "Cold Hearted Man", a song that was not previously released, and would not be released on any other AC/DC album until 2009's AC/DC “Backtracks” box set.
Album reached No. 133 on Billboard's Pop Albums chart in the US, eventually going Platinum there. In 2005, “Powerage” was ranked number 325 in Rock Hard magazine's book of “The 500 Greatest Rock & Metal Albums of All Time”. Kerrang! magazine listed the album at No. 26 among the "100 Greatest Heavy Metal Albums of All Time".
“Powerage” was re-released in 2003 as part of the AC/DC Remasters series.
Sony Music Entertainment/Columbia/J. Albert & Son (PTY) Ltd., 1978/2003/2009 (5107621). Made in EU. 180 gram vinyl.


Tracklist:

Side One:
1. Rock 'n' Roll Damnation 3:37 
2. Down Payment Blues 6:03 
3. Gimme A Bullet 3:21 
4. Riff Raff 5:11

Side Two:
5. Sin City 4:45 
6. What's Next To The Moon 3:31 
7. Gone Shootin' 5:05 
8. Up To My Neck In You 4:13 
9. Kicked In The Teeth 4:03

Total playing time: 39:49


Samples: http://www.last.fm

Remastered re-release of the third Australian and second international full-length studio album by legendary Australian Hard Rock band.
It was originally released in Australia on Albert Productions on 20 September, 1976 on vinyl. A modified international edition was later released on Atlantic Records on 17 December, 1976. The album was not released in the US until April 1981. On CD it was released in 1986. 
The album has been certified 6x Platinum in the US, selling at least 6 000 000 copies and becoming the third-highest selling album by AC/DC in the US, after “Highway to Hell” (7x Platinum) and “Back in Black” (22x Multi-Platinum).
J. Albert & Son (Pty) Ltd./Columbia/Sony Music Entertainment, 1976/2003/2009 (5107601). Made in Germany. 180 gram vinyl.


Tracklist:

Side A
1. Dirty Deeds Done Dirt Cheap 3:46
2. Love At First Feel 3:05
3. Big Balls 2:39
4. Rocker 2:46
5. Problem Child 5:43

Side B
6. There's Gonna Be Some Rockin' 3:14
7. Ain't No Fun (Waiting Round To Be A Millionaire) 6:57
8. Ride On 5:47
9. Squealer 5:12

Total playing time: 39:50 min.

First remastered re-release of the eighth Australian and seventh international full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
The eighth Australian and seventh international full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Recorded in Paris, France, “For Those About To Rock (We Salute You)” was the third and final album produced for the band by Robert John "Mutt" Lange. The name of the album was inspired by a book Angus Young read, entitled “For Those About to Die, We Salute You”, about Roman gladiators. The album was a follow-up to their highly successful album “Back in Black”. While "Back In Black" was infused with the energy and spirit of paying tribute to Bon Scott, it became apparent on the follow-up that the band really did miss Scott more than it initially indicated. Brian Johnson's lyrics started to seem more calculated and a bit clichéd, lacking Scott's devil-may-care sense of humor. And the band itself slowed down the tempo frequently, sounding less aggressive and inspired.
On "For Those About to Rock We Salute You", the case for the band's talents is finally made with undeniable force and clarity. You want anthems? Here, they abound, from the title track's avalanche attack — complete with booming cannonades, of course — to "Night of the Long Knives". All ten tunes are aimed straight at the band's testosterone-plagued audience, but the music and lyrics transcend mere calculation. This marginally broader lyrical outlook may again be attributable to Brian Johnson, who writes the songs with band-leader-guitarists Angus and Malcolm Young.
“For Those About To Rock” has sold over 4.000.000 copies in the US. It would be AC/DC's first and only No.1 album in the US Billboard chart until the release of “Black Ice” in October 2008. In Australia, the album peaked at No. 3 on the Kent Music Report Albums Chart. The album has sold an estimated 7.000.000 copies worldwide, making it one of the highest sold AC/DC albums worldwide. In their original 1981 review, Rolling Stone Magazine declared it to be their best album.
The album was re-released in 2003 as part of the AC/DC remasters series.
180 g vinyl in gatfold сover with a printed cardboard inner sleeve, including liner notes and photos.
Columbia/Albert Production/Sony Music, 1981/2003/2009 (5107661). Made in Germany.


Tracklist:

Side One
1. For Those About To Rock (We Salute You) 5:43
2. I Put The Finger On You 3:26
3. Let's Get It Up 3:54
4. Inject The Venom 3:31
5. Snowballed 3:23

Side Two
1. Evil Walks 4:23
2. C.O.D. 3:20
3. Breaking The Rules 4:23
4. Night Of The Long Knives 3:25
5. Spellbound 4:30

Total playing time: 39:58 min.

The eighth Australian and seventh international full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
Recorded in Paris, France, “For Those About To Rock (We Salute You)” was the third and final album produced for the band by Robert John "Mutt" Lange. The name of the album was inspired by a book Angus Young read, entitled “For Those About to Die, We Salute You”, about Roman gladiators. The album was a follow-up to their highly successful album “Back in Black”. While "Back In Black" was infused with the energy and spirit of paying tribute to Bon Scott, it became apparent on the follow-up that the band really did miss Scott more than it initially indicated. Brian Johnson's lyrics started to seem more calculated and a bit clichéd, lacking Scott's devil-may-care sense of humor. And the band itself slowed down the tempo frequently, sounding less aggressive and inspired.
On "For Those About to Rock We Salute You", the case for the band's talents is finally made with undeniable force and clarity. You want anthems? Here, they abound, from the title track's avalanche attack — complete with booming cannonades, of course — to "Night of the Long Knives". All ten tunes are aimed straight at the band's testosterone-plagued audience, but the music and lyrics transcend mere calculation. This marginally broader lyrical outlook may again be attributable to Brian Johnson, who writes the songs with band-leader-guitarists Angus and Malcolm Young.
“For Those About To Rock” has sold over 4.000.000 copies in the US. It would be AC/DC's first and only No.1 album in the US Billboard chart until the release of “Black Ice” in October 2008. In Australia, the album peaked at No. 3 on the Kent Music Report Albums Chart. The album has sold an estimated 7.000.000 copies worldwide, making it one of the highest sold AC/DC albums worldwide. In their original 1981 review, Rolling Stone Magazine declared it to be their best album.
Atlantic Recording Corporation, 1981 (ATL K 50 851 (SD 19111)). Made in Germany. First press. Used (cover/disc): VG+/EX.


Tracklist:

Side 1
1. For Those About To Rock (We Salute You) 5:44
2. Put The Finger On You 3:26
3. Let's Get It Up 3:54
4. Inject The Venom 3:31
5. Snowballed 3:23

Side 2
6. Evil Walks 4:24
7. C.O.D. 3:19
8. Breaking The Rules 4:23
9. Night Of The Long Knives 3:26
10. Spellbound 4:30

Total playing time: 40:00 min.

Remastered re-release of the fourth Australian and third internationally released full-length studio album by the legendary Australian Hard Rock/Heavy Metal band.
This is the first album to see simultaneous international release. It also was the last AC/DC album to feature Mark Evans on bass.
The cover of the international version, released on 25 July 1977, marked the first appearance of the band's now iconic logo, designed by Gerard Huerta.
This high-voltage, brutal record has a bit of a Bluesier edge than previous AC/DC records, but this is truly the sound of the band reaching its peak. And that's AC/DC's allure in a nutshell - it's sweaty, dirty, nasty Rock, music that is played to the last call and beyond, and they've rarely done that kind of rock better than they did here!
The album got 4x Gold and 7x Platinum certifications.
Remastered from the original master tapes 180 vinyl issued with a printed cardboard inner sleeve including liner notes and photos.
Columbia Records/Sony Music Entertainment, 1977/2003/2009 (5107611). Made in EU.


Tracklist:

Side One
1. Go Down 5:30
2. Dog Eat Dog 3:34
3. Let There Be Rock 6:06
4. Bad Boy Boogie 4:26

Site Two
1. Problem Child 5:23
2. Overdose 6:07
3. Hell Ain't A Bad Place To Be 4:13
4. Whole Lotta Rosie 5:22

The 16th Australian and 15th international full-length studio album by the legendary Australian Hard Rock band.
It is the shortest studio album ever released by the band; at approximately 35 minutes, it is two minutes shorter than their previous shortest album, "Flick Of The Switch" (1983). "Rock Or Bust" also was the band's first album without founding member and rhythm guitarist Malcolm Young, who had retired from the band in 2014 due to health concerns, although he co-wrote every track on the album. Bass guitarist Cliff Williams has also retired since "Rock Or Bust" was released; drummer Phil Rudd was unable to participate in the supporting tour after being sentenced to house arrest; and vocalist Brian Johnson was forced to exit the band after the fifth leg of the album's supporting tour as a result of hearing loss.
Nothing can last forever. For a while in 2014, it looked as though AC/DC’s time might be up. Malcolm Young, who founded the band with brother and fellow guitarist Angus in 1973, was diagnosed with dementia and had retired from the band. It seemed unthinkable but, holed up with producer Brendan O’Brien in a Vancouver Studio, and with Young’s nephew Stevie filling in on rhythm, carry on they did. And how. "Rock Or Bust", the product of AC/DC’s own uncertain times, is a towering retort to any notion that they might be finished. As the name suggests, it’s an album that places its faith at the feet of Rock’N’Roll, both as a restorative force and also as a vaccine against all ills. Nowhere is this more explicitly stated than on the title track, which heaves along on the kind of monolithic riff Angus Young patented sometime around the Stone Age. Phil Rudd’s drums crash, Cliff Williams’ bass throbs and Johnson squeals out a defiant, ends-of-the-earth manifesto: "In Rock’N’Roll we trust / It’s rock or bust"!!
Upon its release, "Rock Or Bust" became the sixth most pre-ordered studio album of 2014 on Amazon UK. In the US, the album sold 172000 copies in its first week of release and debuted at #3 on the Billboard 200. As of January 2015, it has sold 500000 copies in the US leading to a Gold certification by the RIAA, the band's 22nd album to reach such status. In Canada, it debuted at #1 on the Canadian Albums Chart, selling 31000 copies in its first week of release. Worldwide, "Rock Or Bust" sold a total of 2.8 million copies in 2014. “Rock Or Bust” peaked at #1 in 12 countries, including Australia, Canada, Germany and Sweden. It reached the top 5 in a further 12 countries, including New Zealand, United Kingdom, United States and Italy. The album earned AC/DC a 2015 ECHO Award for Rock/Alternative (International).
Limited Edition set with 3D lenticular gatefold cover features original 180 g LP, CD with full album, as well as 12x12" 24-page photo booklet!
Columbia/Sony Music Entertainment, 2014 (8887503484 1). Made in EU. First press.


Tracklist:

LP

Side A
1. Rock Or Bust 3:03 
2. Play Ball 2:47 
3. Rock The Blues Away 3:24 
4. Miss Adventure 2:57 
5. Dogs Of War 3:35 
6. Got Some Rock & Roll Thunder 3:22

Side B
7. Hard Times 2:44 
8. Baptism By Fire 3:30 
9. Rock The House 2:42 
10. Sweet Candy 3:09 
11. Emission Control 3:41

CD
1. Rock Or Bust 3:03 
2. Play Ball 2:47 
3. Rock The Blues Away 3:24 
4. Miss Adventure 2:57 
5. Dogs Of War 3:35 
6. Got Some Rock & Roll Thunder 3:22 
7. Hard Times 2:44 
8. Baptism By Fire 3:30 
9. Rock The House 2:42 
10. Sweet Candy 3:09 
11. Emission Control 3:41

Total playing time: 69:48 min.


Samples: https://images-na.ssl-images-amazon.com
https://images-na.ssl-images-amazon.com

First remastered re-release of the 12th Australian and 11th international full-length studio album by the legendary Australian Hard Rock band.
It is the only studio album to feature drummer Chris Slade, and includes "Thunderstruck" and "Moneytalks," which are among AC/DC's most well-known tracks. Malcolm Young, having completed his rehabilitation for alcoholism, once again played rhythm guitar and co-wrote (with his brother Angus) all the songs on the album.
The album reached #2 on the US Billboard 200 and #4 in the UK, a smash commercial success that returned the band to the popularity of its glory years of the late 1970s and early 1980s. The album has been certified 5x platinum (5 million copies sold) in the US, and was re-released in 2003 as part of the AC/DC Remasters series.
180 Gram Vinyl. Issued with colour printed inner sleeve.
Columbia Records/Sony Music, 1990/2003/2009 (5107711). Made in EU.


Tracklist:

SIDE ONE
1. Thunderstruck 4:52
2. Fire Your Guns 2:53
3. Moneytalks 3:45
4. The Razors Edge 4:22
5. Mistress For Christmas 3:58
6. Rock Your Heart Out 4:06

SIDE TWO
7. Are You Ready 4:10
8. Got You By The Balls 4:29 
9. Shot Of Love 3:57
10. Let's Make It 3:32
11. Goodbye & Good Riddance To Bad Luck 3:14 
12. If You Dare 3:11

Total playing time: 46:29 min.

The third full-lenth studio album by legendary German Heavy Metal band.
Brain/Polystar Co., Ltd., 1981 (25S-30). Made in Japan. First press. Used (cover/disc): M/M.


Tracklist:

Side 1
1. Starlight  3:45
2. Breaker  3:31
3. Run If You Can  4:43
4. Can't Stand The Night  5:17
5. Son of A Bitch (Born To Be Whipped)  3:43

Side 2
1. Burning  5:06
2. Feelings  4:42
3. Midnight Highway  3:54
4. Breaking Up Again  4:33
5. Down And Out  3:39

The debut full-length studio album by legendary German Hard’n’Heavy band.
The band’s eponymous debut album was a brand of Deep Purple-like Hard Rock that was virtually indistinguishable from anything that was coming in Britain at the start of the famous NWOBHM movement. The vocals were still sung in lower register, the riffs consist almost all minor-key power-chording or melancholic ballads, with only rare tribal up-tempo show-stoppers.
"Accept" was released at 1979 in Germany and 1984 in US. On Accept's first album, these Teutonic Headbangers still standing under the Scorpions' shadow have yet to find their voice. There are small glimmers of future promise here, namely in Wolf Hoffmann's very capable guitar work. The main problem here is that the band are still in the process of building their own musical identity. The songs vary from the charging Metal rhythms of "Lady Lou" to the smoky, balladry of "Seawinds" (sung by bassist Peter Baltes). Much of the material is of reminiscent of Uli Jon Roth era Scorpions Hard'n'Heavy, but their ideas aren't yet so potent.
Guitarist Wolf Hoffmann later remembered the debut as simply a collection of songs the band had worked up over their formative years, with no real focus: "We were just playing songs that we had always played. It was material that had gathered up over the first few months and years of our existence and it was a mixture of all kinds of stuff." 
Accept are probably the most influential and most important German Heavy Metal band. They would gain better production values and a more cohesive direction on future releases, but the debut was an important early step that gained them the ability to play the neighboring countries of Belgium, the Netherlands and France for the first time.
Metronome GmbH/JEM Records Inc./PVC Records, ‎1979/1984 (PVC 6904). Made in US. First American press. Still sealed vinyl!


Tracklist:

Side 1
1. Lady Lou 3:03
2. Tired of Me 3:14
3. Seawinds 4:29
4. Take Him in My Heart 3:29
5. Sounds of War 4:35

Side 2
1. Free Me Now 3:00
2. Glad to Be Alone 5:12
3. That's Rock'n Roll 2:53
4. Helldriver 2:40
5. Street Fighter 3:28

Total playing time: 36:03 min.

Third re-release of fifth full-length studio album by legendary German Heavy Metal band.
Accept's most notorious album, "Balls To The Wall", was also their biggest commercial success. This is the best-selling album of the band that sold in an amount of about two 2.000.000 copies worldwide and received Gold status in the U.S.
Most fans of Accept perceive this album as the best in the discography of the band. Following hot upon the heels of their creative breakthrough, "Restless And Wild", you'd also be hard-pressed to find a more sexually charged record in any musical genre.
Like its predecessor, "Balls To The Wall" is an essential Heavy Metal album, and any fan worth his salt should own them both. But, for the sake of first-time visitors, "Balls To The Wall" is the slightly more melodic, less gritty of the two. Whichever you chose, you can only win!
Limited Edition of 3000 numbered 180g Audiophile Silver-Metal Marbled Vinyl includes 4-page booklet-poster with band picture and lyrics.
RCA/BMG/Sony Music Entertainment/Music On Vinyl, 1983/2019 (MOVLP2435). Made in Netherlands.


Tracklist:

Side 1
1. Balls To The Wall 5:41
2. London Leatherboys 3:57
3. Fight It Back 3:30
4. Head Over Heels 4:19
5. Losing More Than You've Ever Had 5:04

Side 2
1. Love Child 3:35
2. Turn Me On 5:12
3. Losers And Winners 4:19
4. Guardian Of The Night 4:25
5. Winter Dreams 4:45

Total playing time: 44:47 min.

First compilation album by legendary German Heavy Metal band.
“Best Of Accept” is a compilation with the songs from band’s earliest four albums, namely "Accept", "I'm A Rebel", "Breaker", and "Restless And Wild".
Only spanning Accept's early years, this collection omits important songs from the German band's peak years! A must for every Accept collector!!
Metronome Music GmbH, 1983 (811 994-1 ME). Made in Germany. First press. Used (cover/disc): EX/EX.

Tracklist:

Side 1
1. Burning 5:15
2. Restless And Wild 4:10
3. Son Of A Bitch 3:55
4. Breaker 3:35
5. Do It 4:11

Side 2
6. I'm A Rebel 3:57
7. China Lady 3:56
8. No Time To Lose 4:35
9. Princess Of The Dawn 6:15
10. Lady Lou 3:03
Total playing time: 42:52
 

Samples: https://www.last.fm

The fourteenth full-length studio album by legendary German Heavy Metal band.
In the history of Heavy Metal, not many bands can claim to be able to celebrate their breakthrough twice. Accept managed this four years ago, as, with their reunion record "Blood Of The Nations", returning with a vengeance by charting all over the World and topping critics’s and fan polls in the process. In their home country, Germany, Accept charted at an incredible #4 in the Media Control Charts, making this highest position in the band’s career to date.
Built around the nucleus of band colleagues Wolf Hoffmann (guitars) and Peter Baltes (bass), with new vocalist Mark Tornillo as well as Hermann Frank (guitars) and Stefan Schwarzmann (drums), Accept completed a global march of victory, peaking in a sold out tour and outstanding festival shows.
The successor "Stalingrad" maintained the high level with (yet again) over 100.000 records sold, followed by numerous nominations as “record of the year”, a completely sold out world tour and overwhelming chart entries (#5 in Hungary, #6 in Germany, #8 in Finland, #16 in the UK Rock Charts, #17 in Switzerland and #22 in Norway, to name but a few).
Now "Blind Rage", the latest installment in this amazing return, is ready to write history once more. The band’s creative streak has delivered a thunderstorm of riffs, only one Wolf Hoffmann is able to set aflame. Besides the “red Accept-line”, as the band likes to call it, the only goal was to “remain interesting”. Another factor that has turned into an Accept trademark is the voice of singer Mark Tornillo. The New Jersey born musician has been the man behind the microphone since the Accept reunion took off in 2009. Within the course of the three albums, he has grown into his role as frontmen of these “Teutonic terrors”. Wolf Hoffmann, who likes to call himself a “naturally born perfectionist”, praises his band colleague and states that “his accomplishment is outstanding”.
While Accept like to get newly inspired as far as the creative aspect is concerned, they put the fine-tuning of "Blind Rage" into the most capable hands of producer Andy Sneap (Megadeth, Exodus, Five Finger Death Punch). After the two previous records, "Stalingrad" and "Blood Of The Nations", the decision to work with Sneap again was far more than a “never change a winning team”-situation. The sound couldn’t be better: homogenous and authentic, dynamic yet versatile! And you can hear the musical wrath that gets Accept going and also led to the album title!!
Double gatefold black vinyl.
Nuclear Blast Records, 2014 (NB 3195-1). Made in Germany. First press.


Tracklist:

Side A
1. Stampede 5:14
2. Dying Breed 5:21
3. Dark Side Of My Heart 4:36

Side B
4. Fall Of The Empire 5:45
5. Trail Of Tears 4:08
6. Wanna Be Free 5:37

Side C
1. 200 Years 4:30
2. Bloodbath Mastermind 5:59
3. From The Ashes We Rise 5:53

Side D
4. The Curse 6:28
5. Final Journey 5:02

Total playing time: 58:33 min.