Picture LP

First release on Picture Disc of the debut full-length album by cult Finnish Melodic Black/Death Metal band.
The album presents a darker and generally more experimental sound than the one present in their later albums, and contributed most to the infamous genre controversy of their classification as a Death Metal or Black Metal band at the time. A fair helping of Black Metal was still present, due to Alexi Laiho's stint (as lead guitarist) in Impaled Nazarene and his self-professed "roots being in Black Metal".
This album was recorded under the moniker IneartheD. The band had to change its name to Children Of Bodom to get out of their rip-off record deal with a small Belgian label so Spinefarm could release "Something Wild".
The band's debut attracted much attention, as many listeners and critics marveled at the bandmembers' technical abilities. Ultimately, the Finnish band's success within the commercially limited confines of Progressive Black Metal quelled many naysayers, but not before the band received a few harsh reviews. With the huge amount of Metal being released in Europe and America and practically no radio outlets good critical response was essential for late-'90s artists like Children Of Bodom. And although some weren't impressed by the shifting arrangements and sparse keyboards of "Something Wild", others refused to deny the musical accomplishment of the debut. Later studio efforts benefited from superior production, but "Something Wild" contains plenty of essential material and performances.
"Something Wild" still contains more than its share of impressive Metal!
Limited edition of 2000 copies.
Spinefarm Records/Back On Black/PHD, 1997/2005 (BOBV012PD). Made in UK. First press on Picture Disc.


Tracklist:

Side 1 (other side):
1. Deadnight Warrior 
2. In The Shadow 
3. Red Light In My Eyes Pt.1 
4. Red Light In My Eyes Pt.2 

Side 2 (this side):
5. Lake Bodom 
6. The Nail 
7. Touch Like Angel Of Death

First re-release on Picture Disc of the third full-length studio album by the legendary Danish Heavy Metal band.
Following the incredible success of his second solo album, and first conceptual undertaking, "Abigail", King Diamond set to work almost immediately on his next extravagant adventure in gothic storytelling with "Them." This time, he inserts himself among the story's characters, which also includes his mother, little sister, a haunted house, and, more unexpectedly, a batty old grandmother whose return from a long stay at the insane asylum (famously announced by "Welcome Home" 's borderline hilarious opening shrieks of "Grandmaaaa!!!") precipitates the supernatural acts of possession, murder, and madness that move this tale forward.
It is the first of two fictional concept albums, the second of these being "Conspiracy".
Also worth noting are the new musical players who had joined the King Diamond band on this outing. After all, the replacement of guitarist Michael Denner and bassist Timi Hansen by Pete Blakk and Hal Patino, respectively, signaled the King's final break with his former band, Mercyful Fate. Tellingly, other than upping the overall camp factor just so, this development had no discernible effect on "Them" 's musical vision as compared to "Abigail", thereby confirming said vision as stemming from King Diamond himself.
Co-songwriter Andy LaRocque once again delivers distinctive, semi-Thrash riffs, majestic harmonies, and searing, inventive solo passages to standout moments like "The Invisible Guests", "Tea", and "Twilight Symphony", but it's small nuances such as the acoustic break in "A Broken Spell" and the oppressive synthesized clavichords heard on "The Accusation Chair" that lend "Them" 's story its satisfyingly complex personality. What's more, overly theatrical numbers like "Mother's Getting Weaker" and "Bye, Bye Missy" take a little more license with their arrangements when incorporating the key words, plot themes, and even distinct character voices necessary to advancing the story line, but usually do so with very little detriment to the musical flow, which is occasionally embellished further by short interludes such as the title cut's symphonic instrumental interlude, and the opening and closing vignettes, "Out from the Asylum" and "Coming Home". As for King Diamond, he takes full advantage of the story's various points of view to try on any number of vocal guises, but overall, he's employing spiraling vocal chorales built upon layers of his instantly recognizable shrill falsettos far more frequently than his lower-register growling style. Ultimately, pundits generally found "Them" just slightly lacking in the face of "Abigail" 's rarely challenged excellence, but consumers ultimately disagreed, buying more copies of "Them" that any other King Diamond album before or after. "Them" has sold over 200,000 copies in North America alone.
Strictly limited to 2000 copies Collector’s Edition 180 gram Picture Disc.
Metal Blade Records, 1988/2018 (3984-25056-1). Made in USA.


Tracklist:

Side A
1. Out From the Asylum 1:45
2. Welcome Home 4:36
3. The Invisible Guests 5:05
4. Tea 5:15
5. Mother's Getting Weaker 4:02

Side B
6. Bye, Bye, Missy 5:09
7. A Broken Spell 4:08
8. The Accusation Chair 4:21
9. Them 1:57
10. Twilight Symphony 4:09
11. Coming Home 1:12

Total playing time: 41:39 min.

First re-release on picture disc of the debut full-length solo album by the former lead guitarist and vocalist of legendary American Hard Rock/Glam Rock band Kiss.
It was one of four solo albums released by the members of Kiss on September 18, 1978. The album featured Anton Fig on drums, which later performed session work on the Kiss albums "Dynasty" and "Unmasked", as well as become a member of Ace Frehley’s band Frehley’s Comet. Fig along with Will Lee, who played bass on three tracks on the album, became permanent members of Paul Shaffer’s band on "Late Night" with David Letterman and "Late Show" with David Letterman.
Of the four Kiss solo albums released simultaneously in 1978, the best of the bunch is guitarist Ace Frehley's. Similar in approach to Paul Stanley's album, Frehley did not stray far from the expected heavy Kiss sound (like Gene Simmons and Peter Criss did with their releases), but Ace was equipped with better compositions than Stanley.
Frehley proved once and for all that he was not simply a backup musician to Kiss head honchos Simmons and Stanley. All of the tracks are strong, such as the venomous opener, "Rip It Out", as well as a few tracks that confirm how Frehley was indulging in alcohol and drugs a bit too much by the late '70s ("Snow Blind", "Ozone", and "Wiped Out"). You'll also find many underrated compositions ("Speedin' Back to My Baby", "What's on Your Mind?", "I'm in Need of Love"), a gorgeous instrumental ("Fractured Mirror"), and the Top 20 hit single "New York Groove". Unfortunately, when Ace left Kiss in 1982 (eventually forming Frehley's Comet), he never came close to topping this solid and inspired 1978 solo outing.
Casablanca/Lilith Ltd., 1978/2006 (LR114LPP). Manufactured in EU. 180g Picture Disc.


Tracklist:

Side One
1. Rip It Out 3:40
2. Speedin' Back To My Baby 3:37
3. Snow Blind 3:55
4. Ozone 4:40
5. What's On Your Mind? 3:27

Side Two
6. New York Groove 3:03
7. I'm In Need Of Love 4:37
8. Wiped-Out 4:13
9. Fractured Mirror 5:26

Total playing time: 36:38 min.

First re-release on picture disc of the debut full-length solo album by the rhythm guitarist and lead vocalist of legendary American Hard Rock/Glam Rock band Kiss.
It was one of four solo albums released by the members of Kiss on September 18, 1978. It is the only album of the four Kiss solo albums to feature all original songs, as Simmons, Criss and Frehley each recorded one cover song on their albums.
Paul Stanley's 1978 solo album was the most Kiss-like of the four, sounding more like an official band release rather than a solo outing. But this isn't necessarily a bad thing - Stanley had become a seasoned Hard Rock songwriter by this point, churning out some of Kiss' best material ("Love Gun", "Detroit Rock City", "I Want You" etc.), and wisely stuck to his winning formula on Paul Stanley. With the help of studio musicians, as well as guitarist Bob Kulick (who was almost an original member of Kiss, and brother of future Kiss replacement guitarist Bruce) and Rod Stewart/Vanilla Fudge drummer Carmine Appice, Stanley's album is on par with Ace Frehley's as far as consistency is concerned. A couple of epic compositions (by Kiss standards) are highlights: "Tonight You Belong to Me" and "Take Me Away (Together as One)", as are the more straightforward tracks "Ain't Quite Right", "Wouldn't You Like to Know Me?", "It's Alright" and "Goodbye". 
While his other Kiss bandmates took more chances with their solo records (with varying results), Stanley's album is more or less what a new Kiss album released in 1978 would have sounded like!
The album reached #40 on the US Billboard album chart. It was generally regarded as the second best of the solo albums, following Frehley's.
Casablanca/Lilith Ltd., 1978/2006 (LR116LPP). Manufactured in EU. 180g Picture Disc.


Tracklist:

Side One
1. Tonight You Belong To Me 4:40
2. Move On 3:11
3. Ain't Quite Right 3:35
4. Wouldn't You Like To Know Me? 3:18
5. Take Me Away (Together As One) 5:34
6. It's Alright 3:34

Side Two
7. Hold Me, Touch Me (Think Of Me When We're Apart) 3:40
8. Love In Chains 3:33
9. Goodbye 4:09

Total playing time: 35:14 min.

First re-release on picture disc of the debut full-length solo album the drummer of legendary American Hard Rock/Glam Rock band Kiss.
It was one of four solo albums released by the members of Kiss on September 18, 1978. The album was produced by Vini Poncia, who went on to produce the Kiss albums "Dynasty" (1979) and "Unmasked" (1980). Criss covered "Tossin' and Turnin'", which was a #1 hit for Bobby Lewis in the U.S. during the summer of 1961. The song was subsequently covered by Kiss on their 1979 tour. Much of the material on the album was originally written in 1971 for Criss's pre-Kiss band Lips.
At the peak of their popularity in 1978, Kiss decided to maximize their sales potential and exploit their loyal audience by having each member release a solo record on the same day. Instead of sending sales through the roof, it had the unexpected effect of stopping their momentum cold. It wasn't because the market was flooded with Kiss product - although it certainly was, since they released nine albums, including two double-live records and a compilation, in the course of four years - it was because the albums were, for the most part, terrible. Peter Criss' effort was one of the most undistinguished of the bunch, lacking hooks on the Pop-Metal rockers or the power ballads, as well as personality throughout. Even Kiss fans will have a hard time making their way through this record, or any of the other solo albums.
The album was the lowest charting of all the Kiss solo albums of 1978, reaching #43 on the US Billboard album chart. Of the four solo albums, "Peter Criss" was the only album to have two singles released from it: "Don't You Let Me Down" and "You Matter to Me".
Casablanca/Lilith Ltd., 1978/2006 (LR115LPP). Manufactured in EU. 180g Picture Disc.


Tracklist:

Side One
1. I'm Gonna Love You 3:19
2. You Matter To Me 3:17
3. Tossin' And Turnin' 4:01
4. Don't You Let Me Down 3:43
5. That's The Kind Of Sugar Papa Likes 3:01

Side Two
6. Easy Thing 3:54
7. Rock Me, Baby 2:53
8. Kiss The Girld Goodbye 2:46
9. Hooked On Rock 'n' Roll 3:37
10. I Can't Stop The Rain 4:26

Total playing time: 34:57 min.

The third full-length studio album by the American Progressive/Sludge Metal band.
After springing into existence fully formed with the fantastic Progressive Post-Sludge "Remission", Mastodon injected more melody and ambition into its accomplished and worthy follow-up, "Leviathan". Their Proggy tendencies became even more prominent on "Blood Mountain". The band's emphasis on clean, melodic vocals instead of the harsher vocals that the band used on their early work continues to grow on this album.
Like Mastodon's previous studio work "Leviathan", "Blood Mountain" is a concept album. According to bassist Troy Sanders, "It's about climbing up a mountain and the different things that can happen to you when you're stranded on a mountain, in the woods, and you're lost. You're starving, hallucinating, running into strange creatures. You're being hunted. It's about that whole struggle." Guitarist Bill Kelliher considers this album to represent the earth element. At the time, bassist Troy Sanders called it "sonically the best album we have done".
The album includes guest appearances by Scott Kelly of Neurosis on "Crystal Skull", Josh Homme of Queens Of The Stone Age on "Colony of Birchmen", as well as keyboard player Isaiah "Ikey" Owens of The Mars Volta and singer Cedric Bixler-Zavala of At The Drive-In and The Mars Volta on "Pendulous Skin" and "Siberian Divide", respectively.
"Blood Mountain" voted the best album of 2006 in the UK Metal Hammer Magazine end-of year polls, as well as top in Total Guitar Magazine's top 50 albums of 2006. It was also rated the 17th Greatest Metal Album of All Time by a countdown recently carried out by gaming website IGN. "Blood Mountain" entered the Billboard 200 bestselling album charts at No. 32, with 24 000 sold copies, marking it the third highest debut in the band's career before "Crack The Skye" and "The Hunter". The album is also one of the band's highest selling effort to date. By December 2006, the album had sold more than 65 000 copies in the U.S. alone according to the band's website. By March 2009, the album had sold 150 000 copies in the U.S. according to Nielsen Soundscan, and by September 2010 it had sold 176 000 copies.
Over the last fifteen years, Mastodon has grown into one of the leading lights in contemporary Heavy Metal. As intelligent as they are massive, they took a significant step forward with their third album and major label debut.
Release Relapse Music (BMI)/Reprise Records, A Warner Music Group Company, 2006/2017 (561699-1). Made in Czech. First time on Picture Disc.


Tracklist:

Side 1
1. The Wolf Is Loose 3:34
2. Crystal Skull 3:27
3. Sleeping Giant 5:36
4. Capillarian Crest 4:25
5. Circle Of The Cysquatch 3:19
6. Bladecatcher 3:20

Side 2
7. Colony Of Birchmen 4:19
8. Hunters Of The Sky 3:52
9. Hand Of Stone 3:30
10. This Mortal Soil 5:00
11. Siberian Divide 5:32
12. Pendulous Skin 22:15

Total playing time: 68:09 min.

First re-release on Pic-Vinyl of the third full-length studio album by the legendary American Thrash Metal band.
A largely uninspired effort recorded with a new guitarist and drummer, "So Far, So Good...So What!" lacks the conceptual unity and musical bite of "Peace Sells...", which helps push much of its lyrical material into the realm of self-parody, as Mustaine rants about the PMRC, the apocalypse, ex-girlfriends, and other people he is angry with, while hinting at the depth of his substance abuse problem with "502", a paean to driving drunk. The album wants to sound threatening but mostly comes off as forced and somewhat juvenile; typical is the embarrassing cover of "Anarchy in the U.K.", which is played in Megadeth's tightly controlled riffing style and without the looseness of the original, making it sound stilted and stiff - and Mustaine doesn't even get the lyrics right. This one is for diehards only. 
It is the band's only album recorded with Chuck Behler and Jeff Young, who were fired immediately after the subsequent tour. This album features one of the first songs Dave Mustaine wrote for Megadeth, which was "Set The World Afire", being the first song he wrote after being fired from Metallica. He later admitted writing the lyrics during his journey home from the departure.
"So Far, So Good… So What!" sold 400000 copies one month after its release, becoming Megadeth's fastest selling album at that point. The record eventually went Platinum and indicated Megadeth's forthcoming emergence from the Underground scene.
Capitol Records, LLC/Universal International Music B.V., 1988/2014 (0602537976508). Made in Netherlands. 180 Gram Vinyl. Release includes a voucher to download MP3 version of the album.


Tracklist:

SIDE ONE:
1. Into The Lungs Of Hell 3:22
2. Set The World Afire 5:48
3. Anarchy In The U.K. 3:01
4. Mary Jane 4:24

SIDE TWO:
5. 502 3:29
6. In My Darkest Hour 6:26
7. Liar 3:20
8. Hook In Mouth 4:48

Total playing time: 34:38

30th Anniversary Limited Deluxe Edition remastered re-release of the fifth full-length studio album by legendary American Thrash/Heavy Metal band.
Metallica’s eponymous album, better known as "The Black Album", is remastered! This reissue is remastered for ultimate sound quality!! The standard album is remastered by Bob Ludwig at Gateway Mastering, and all other content is remastered by Reuben Cohen at Lurssen Mastering. All content was overseen by executive producer Greg Fidelman.
Released on August 13, 1991, “Metallica” was a departure from the Thrash Metal style of Metallica's previous four albums and saw the band moving towards a more commercial Heavy Metal sound. Many fans consider the album the initial turning point in their music, where "old" and "new" Metallica are distinguished from one another.
"The Black Album" is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, "Enter Sandman", "The Unforgiven", "Nothing Else Matters", "Wherever I May Roam", and "Sad But True". It debuted at number one in ten countries and spent four consecutive weeks at the top of the Billboard 200, making it Metallica's first album to top the album charts. "Metallica" is the band's best-selling album to date, with over 16 million copies sold in the United States. It is one of the best-selling albums worldwide, and also one of the best-selling albums in the United States since Nielsen SoundScan tracking began. Up to 2012, the album was certified 16× Platinum by the Recording Industry Association of America (RIAA). In 2020, the album was ranked number 235 on Rolling Stone's "The 500 Greatest Albums of All Time" list. In December 2019, "Metallica" became the fourth release in American history to enter the 550-week milestone on the Billboard 200. It also became the second longest-charting traditional title in history, and the second to spend 550 weeks on the album charts.
Limited Edition to 52 000 numbered copies, Deluxe Numbered Box Set (with magnetic flap) comes in custom packing box and outer cardboard sleeve, and includes the "Metallica" album remastered on 180-gram Double LP and CD, "Sad But True" 12" Picture EP, "Live At Wembley" 12" EP, "Live In Moscow" Double LP, 13 x Bonus CDs and 6 x DVDs (all DVDs are region-free), featuring unreleased content (live shows, rough mixes, demos, etc), MP3 download card of all audio, four tour laminates, lanyard, three lithos, three guitar picks, lyric folder and sheets, and a 120-page hard-cover book with never-before-seen photos + stories from those who were there.
Blackened Recordings, 1991/2021 (BLCKND008RD-1). Made in USA. Pressed in Germany.


Tracklist:


“Metallica” 2LP (Remastered)

Side 1
1. Enter Sandman 5:29    
2. Sad But True 5:24    
3. Holier Than Thou 3:47
Side 2
1. The Unforgiven    6:26    
2. Wherever I May Roam 6:42    
3. Don’t Tread On Me 3:59
Running time: 31:47 min.

Side 3
1. Through The Never 4:01    
2. Nothing Else Matters    6:29    
3. Of Wolf And Man 4:16
Side 4
1. The God That Failed 5:05    
2. My Friend Of Misery 6:47    
3. The Struggle Within 3:51
Running time:  30:29 min.


“Sad But True” Picture LP (45RPM)

Side 1
1. Sad But True 5:28    
2. Nothing Else Matters (Elevator Version) 6:32
Side 2
1. Creeping Death (Live at Tushino Airfield, Moscow, Russia – September 28th, 1991) 8:02
2. Sad But True (Demo) 4:54
Running time: 24:56 min.


“Live At Wembley Stadium, London, England - April 20th, 1992” LP (45RPM)

Side 1
1. Enter Sandman (Live) 5:39
Side 2
1. Sad But True (Live) 5:30
2. Nothing Else Matters (Live) 6:17
Running time: 17:26 min.


“Live At Tushino Airfield, Moscow, Russia - September 28th, 1991” 2LP 

Side 1
1. The Ecstasy Of Gold (Ennio Morricone cover) 1:45    
2. Enter Sandman (Live)    5:22
3. Creeping Death (Live) 7:40
4. Harvester Of Sorrow (Live)    6:56
Side 2
1. Fade To Black (Live) 7:17
2. Sad But True (Live) 5:19
3. Master Of Puppets (Live) 4:26
Running time: 38:45 min.

Side 3
1. Seek & Destroy (Live) 6:35
2. For Whom The Bell Tolls (Live) 5:48
3. One (Live) 8:00
Side 4
1. Whiplash (Live) 4:17
2. Symptom Of The Universe / Back In Black Jam (Encore Jam) (Live) 2:49
3. Last Caress (Live) (The Misfits cover)    1:29
4. Am I Evil? (Live) (Diamond Head cover)    3:14
5. Battery (Live) 5:00
Running time: 37:12 min.


“Metallica” CD (Remastered)

1. Enter Sandman 5:32
2. Sad But True 5:25
3. Holier Than Thou 3:48    
4. The Unforgiven    6:27
5. Wherever I May Roam 6:44
6. Don’t Tread On Me 4:00
7. Through The Never 4:03
8. Nothing Else Matters    6:29
9. Of Wolf And Man 4:17
10. The God That Failed    5:09
11. My Friend Of Misery    6:50
12. The Struggle Within    3:55
Running time: 62:39 min.


“Interviews: The David Fricke Tapes” CD 

1. Kirk (Interview) 15:35
2. Jason (Interview) 16:48
3. Lars (Interview) 19:43
4. James (Interview) 22:43
Running time: 74:49 min.


“Interviews: The Steffan Chirazi Tapes” CD

1. Lars (Interview) 43:27    
2. Jason (Interview) 8:20    
3. Kirk (Interview) 10:59    
4. James (Interview) 17:09
Running time: 79:55 min.


“Riffs & Demos” 2CD

Disc 1
1. The Unforgiven (James’ Riff Tapes) 1:08
2. Nothing Else Matters (James’ Riff Tapes) 4:55
3. Sad But True (James’ Riff Tapes) 0:56
4. Holier Than Thou (James’ Riff Tapes) 1:48
5. Don’t Tread On Me (James’ Riff Tapes) 1:13
6. The Unforgiven (James’ Riff Tapes II) 0:22
7. The Struggle Within (James’ Riff Tapes) 1:32
8. The Unforgiven (James’ Riff Tapes III) 2:10
9. The God That Failed (James’ Riff Tapes) 0:43
10. Wherever I May Roam (James’ Riff Tapes) 0:25
11. Enter Sandman (Kirk’s Riff Tapes) 1:12
12. Through The Never (Kirk’s Riff Tapes) 1:27
13. Of Wolf And Man (Kirk’s Riff Tapes) 0:30
14. Enter Sandman (Kirk’s Riff Tapes II) 0:40
15. My Friend Of Misery (Jason’s Riff Tapes) 4:38
16. Enter Sandman (July 6th, 1990, Writing In Progress) 1:34
17. Sad But True (July 6th, 1990, Writing In Progress) 2:00
18. The God That Failed (July 6th, 1990, Writing In Progress) 1:16
19. Don’t Tread On Me (July 6th, 1990, Writing In Progress) 1:05
20. The Struggle Within (July 6th, 1990, Writing In Progress) 0:42
21. Holier Than Thou (July 6th, 1990, Writing In Progress) 1:40
22. Sad But True (July 6th, 1990, Writing In Progress) 0:53
23. Sad But True (July 12th, 1990 Demo) 5:12
24. Don’t Tread On Me (July 12th, 1990 Demo) 4:09
25. Enter Sandman (July 12th, 1990 Demo) 4:50
26. Nothing Else Matters (July 12th, 1990 Demo) 6:04
27. Of Wolf And Man (July 12th, 1990, Writing In Progress) 2:21
28. Through The Never (July 12th, 1990, Writing In Progress) 3:00
29. The Struggle Within (July 24th, 1990, Writing In Progress) 1:24
30. Wherever I May Roam (July 24th, 1990, Writing In Progress) 2:17
31. Wherever I May Roam (July 30th, 1990, Writing In Progress) 6:05
32. The Struggle Within (July 30th, 1990, Writing In Progress) 3:47
Running time: 71:58 min.

Disc 2
1. Enter Sandman (August 13th, 1990 Demo) 5:04
2. Sad But True (August 13th, 1990 Demo) 4:54
3. Don’t Tread On Me (August 13th, 1990 Demo) 3:59
4. Nothing Else Matters (August 13th, 1990 Demo) 5:54
5. Holier Than Thou (August 13th, 1990 Demo) 3:48
6. Wherever I May Roam (August 13th, 1990 Demo) 5:35
7. The Struggle Within (August 13th, 1990 Demo) 3:45
8. The God That Failed (August 22nd, 1990, Writing in Progress) 1:20
9. Of Wolf And Man (August 22nd, 1990, Writing in Progress) 1:01
10. My Friend Of Misery (August 29th, 1990, Writing in Progress) 4:05
11. The Unforgiven (August 29th, 1990, Writing in Progress) 3:44
12. Through The Never (August 31st, 1990 Demo) 3:39
13. Of Wolf And Man (August 31st, 1990 Demo) 4:05
14. The God That Failed (August 31st, 1990 Demo) 4:45
15. The Unforgiven (September 3rd, 1990, Writing in Progress) 5:44
16. My Friend Of Misery (September 3rd, 1990, Writing in Progress) 1:47
Running time: 63:09 min.


“Pre-Production Rehearsals + Radio Edits” CD

1. Enter Sandman (Pre-Production Rehearsal) 4:59
2. Sad But True (Pre-Production Rehearsal) 5:18
3. Holier Than Thou (Pre-Production Rehearsal) 3:47
4. Nothing Else Matters (Pre-Production Rehearsal) 6:11
5. Wherever I May Roam (Pre-Production Rehearsal) 6:07
6. Don’t Tread On Me (Pre-Production Rehearsal) 4:08
7. Through The Never (Pre-Production Rehearsal) 3:50
8. The Unforgiven (Pre-Production Rehearsal) 6:43
9. Of Wolf And Man (Pre-Production Rehearsal) 4:16
10. The God That Failed (Pre-Production Rehearsal) 5:11
11. My Friend Of Misery (Pre-Production Rehearsal) 6:24
12. The Struggle Within (Pre-Production Rehearsal) 3:59
13. Enter Sandman (Radio Edit) 4:02
14. The Unforgiven (Radio Edit) 5:01
15. Nothing Else Matters (Radio Edit) 5:01
16. Wherever I May Roam (Radio Edit) 5:00
Running time: 79:57 min.


“Rough & Alternate Mixes” 2CD

Disc 1
1. So What (Early Take - October 12th, 1990) (Anti-Nowhere League cover) 3:02
2. Killing Time (Take 18 - October 12th, 1990) (Sweet Savage cover) 3:09
3. Through The Never (Take 53 - October 22nd, 1990) 4:14
4. Holier Than Thou (Take 9 - October 27th, 1990) 4:01
5. My Friend Of Misery (Take 4 - October 27th, 1990) 6:38
6. The Struggle Within (Take 12 - November 10th, 1990) 3:26
7. Of Wolf And Man (Take 2 - December 6th, 1990) 4:30
8. The God That Failed (Take 26 - December 6th, 1990) 5:04
9. Don’t Tread On Me  (Take 6 - December 15th, 1990) 4:02
10. Enter Sandman (Take 15 - January 21st, 1991) 3:37
11. Enter Sandman (Take 35 - January 21st, 1991) 1:30
12. Late Night Skynyrd Jam : Free Bird (January 23rd, 1991 (Lynyrd Skynyrd cover) 4:09
13. The Unforgiven (139 BPM Take - January 29th, 1991) 5:19
14. Nothing Else Matters (Take 19 - January 29th, 1991) 4:56
15. Sad But True (Take 36 - February 5th, 1991) 5:18
16. Wherever I May Roam (Take 3 - February 5th, 1991) 4:59
Running time: 67:54 min.

Disc 2
1. Enter Sandman  (May 13th, 1991 Rough Mix) 5:35
2. The God That Failed  (May 13th, 1991 Rough Mix) 5:02
3. The Struggle Within  (May 13th, 1991 Rough Mix) 3:55
4. The Unforgiven (May 14th, 1991 Rough Mix) 6:21
5. Wherever I May Roam (May 14th, 1991 Rough Mix) 6:22
6. Don’t Tread On Me (May 14th, 1991 Rough Mix) 4:08
7. Through The Never (May 14th, 1991 Rough Mix) 4:03
8. Sad But True (May 23rd, 1991 Rough Mix) 5:24
9. Of Wolf And Man (June 2nd, 1991 Rough Mix) 4:19
10. My Friend Of Misery (June 2nd, 1991 Rough Mix) 6:43
11. Holier Than Thou (June 2nd, 1991 Rough Mix) 3:48
12. Nothing Else Matters (Orchestra/Clean Guitar/Vocal Mix - July 8th, 1991) 6:41
13. Nothing Else Matters [Orchestra/Clean Guitar/Vocal Mix – July 8th, 1991] 6:46
14. Nothing Else Matters (Elevator Version) 6:31
Running time: 75:38 min.


“Some Shit From Day On The Green, Oakland, CA - October 12th, 1991” CD

1. Creeping Death (Live) 3:32
2. Harvester Of Sorrow (Live) 7:02
3. Welcome Home (Sanitarium) (Live) 7:10
4. Sad But True (Live) 5:39
5. Wherever I May Roam (Live) 6:58
6. Bass Solo (Live) 4:27
7. Through The Never (Live) 4:40
8. The Unforgiven (Live) 7:47
9. Master Of Puppets (Live) 4:03
10. Seek & Destroy (Live) 7:33
11. For Whom The Bell Tolls (Live) 5:59
12. Fade To Black (Live) 7:34
13. Whiplash (Live) 4:52
Running time: 77:16 min.


“Live At Arco Arena, Sacramento, CA - January 11th, 1992 + Covers + B-Sides” 3CD

Disc 1
1. The Ecstasy Of Gold (Ennio Morricone) 1:45
2. Enter Sandman (Live) 5:28
3. Creeping Death (Live) 8:04
4. Harvester Of Sorrow (Live) 6:25
5. Welcome Home (Sanitarium) (Live) 7:45
6. Sad But True (Live) 5:24
7. Wherever I May Roam (Live) 6:27
8. The Four Horsemen (Live) 7:28
9. Bass Solo (Live) 8:17
10. Through The Never (Live) 4:23
11. The Unforgiven (Live) 7:31
12. Justice Medley : Eye Of The Beholder / Blackened / The Frayed Ends Of Sanity / And Justice For All (Live) 9:31
Running time: 78:28 min.

Disc 2
1. Drum Solo (Live) 12:52
2. Guitar Solo (Live) 5:51
3. For Whom The Bell Tolls (Live) 5:28
4. Fade To Black (Live) 7:54
5. Whiplash (Live) 4:51
6. Encore Jam (Live) 1:09
7. Master Of Puppets (Live) 4:05
8. Seek & Destroy (Live) 12:47
Running time: 54:57 min.

Disc 3
1. One (Live) 9:30
2. Last Caress (Live) (The Misfits cover) 1:30
3. Am I Evil? (Live) (Diamond Head cover) 4:52
4. Battery (Live) 5:16
5. Encore Jam #2 (Live) 1:45
6. Breadfan (Live) (Budgie cover) 4:11
7. Stone Cold Crazy (Remastered) (Queen cover) 2:19
8. So What (Remastered) (Anti-Nowhere League cover) 3:09
9. Killing Time (Remastered) (Sweet Savage cover) 3:05
10. Stone Cold Crazy (Live At Wembley Stadium, London – 1992) (Queen cover) (James Hetfield & Queen) 3:03
11. Harvester Of Sorrow (Live at The Liebenau, Graz, Austria - September 11th, 1991) 6:01
12. Nothing Else Matters (Live at Aggie Memorial Stadium, Las Cruces, NM - August 27th, 1992)
Running time: 50:52 min.


“Live At Maimarktgelände, Mannheim, Germany - May 22nd, 1993” 2CD

Disc 1
1. The Ecstasy Of Gold (Ennio Morricone) 1:40
2. Creeping Death (Live) 7:07
3. Harvester Of Sorrow (Live) 7:02
4. Welcome Home (Sanitarium) (Live) 6:51
5. Of Wolf And Man (Live) 4:17
6. Wherever I May Roam (Live) 6:53
7. The Thing That Should Not Be (Live) 8:25
8. The Unforgiven (Live) 7:04
9. Disposable Heroes (Live) 8:58
10. Bass Solo (Live) 7:43
11. Instrumental Medley : Orion / To Live Is To Die / The Call Of Ktulu (Live) 6:48
12. Guitar Solo (Live) 1:16
13. The Four Horsemen (Live) 5:03
Running time: 79:07 min.

Disc 2
1. For Whom The Bell Tolls (Live) 5:58
2. Fade To Black (Live) 7:08
3. Master Of Puppets (Live) 4:23
4. Seek & Destroy (Live) 17:35
5. Battery (Live) 5:42
6. Nothing Else Matters (Live) 6:30
7. Sad But True (Live) 6:03
8. Last Caress (Live) (The Misfits cover) 1:25
9. One (Live) 10:15
10. Enter Sandman (Live) 6:14
11. So What (Live) (Anti-Nowhere League cover) 3:31
Running time: 74:44 min.


“A Year And A Half In The Life Of Metallica Outtakes” DVD

1. The Making Of “Don’t Tread On Me” 6:19    
2. The Making Of “Sad But True” 15:07
3. The Making Of “Enter Sandman” 16:43
4. Enter Cameraman 11:56
5. The Making Of “The Unforgiven” 10:42
6. The Making Of “Nothing Else Matters” 10:26
7. Rehearsal Day With Queen    6:00
8. Metallica Play the Freddie Mercury Tribute Concert for AIDS Awareness - April 20th, 1992: Stone Cold Crazy (James Hetfield & Queen) (Live) 4:10
Hidden Videos
9. Enter Sandman (Live at Wembley Stadium, London, England, April 20th, 1992)    4:10
10. Sad But True (Live at Wembley Stadium, London, England, April 20th, 1992)    4:22
11. Nothing Else Matters (Live at Wembley Stadium, London, England, April 20th, 1992) 7:52
12. Stone Cold Crazy (Live at Wembley Stadium, London, England, April 20th, 1992) (Queen cover) 3:32
Running time: 101:19 min.


“Live At Gentofte Stadion, Copenhagen, Denmark - August 10th, 1991 + Bonus Shit” DVD

1. The Ecstasy Of Gold (Ennio Morricone) 1:37
2. Enter Sandman (Live) 5:17
3. Creeping Death (Live) 7:54
4. Harvester Of Sorrow (Live) 6:30
5. Fade To Black (Live) 8:04
6. Sad But True (Live) 5:53
7. Master Of Puppets (Live) 4:00
8. Seek & Destroy (Live) 7:33
9. For Whom The Bell Tolls (Live) 5:22
10. One (Live) 7:55
11. Whiplash (Live) 5:23
12. Encore Jam (Live) 1:17
13. Last Caress (Live) (The Misfits cover) 1:21
14. Am I Evil? (Live) (Diamond Head cover) 4:34
15. Battery (Live) 7:24
Bonus Shit
16. Holier Than Thou (Live at L.C. Walker Arena, Muskegon, Mi, November 1th, 1991) 3:58
17. Blitzkrieg (Live at MC Njchols Sports Arena, Denver, Co, February 8th, 1992) (Blitzkrieg cover) 4:00
18. Leper Messiah (Live at Great Western Forum, Los Angeles, Ca, February 13th, 1992) 6:03
19. Master Of Puppets (Live at Great Western Forum, Los Angeles, Ca, February 13th, 1992) 8:57
20. Am I Evil? (Live at Great Western Forum, Los Angeles, Ca, February 13th, 1992) (Diamond Head cover) 7:25
21. Breadfan (Live at Cow Palace, San Francisco, Ca, May 10th, 1992) (Budgie cover) 4:13
22. So What (Live at Wembley Arena, London, England, October 25th, 1992) (feat. Animal from Anti-Nowhere League) (Anti-Nowhere League cover) 5:18
23. Stone Cold Crazy (Live at Wembley Arena, London, England, October 25th, 1992, Shit) (Queen cover) 2:54
24. Am I Evil? (Live at Nec Arena, Birmingham, England, November 5th, 1992) (feat. Diamond Head) (Diamond Head cover) 6:00
25. Helpless (Live at Nec Arena, Birmingham, England, November 5th, 1992) (feat. Diamond Head) (Diamond Head cover) 4:08
Running time: 133:00 min.


“Live At Frankenhalle, Nuremberg, Germany - November 29th, 1992” DVD

1. The Ecstasy Of Gold (Ennio Morricone) 1:59
2. Of Wolf And Man (Live) 4:14
3. Creeping Death (Live) 7:47
4. Harvester Of Sorrow (Live) 6:56
5. Welcome Home (Sanitarium) (Live) 7:21
6. Sad But True (Live) 5:34
7. Wherever I May Roam (Live) 8:29
8. The Unforgiven (Live) 7:14
9. Justice Medley (Live) 9:36
10. Solos (Bass & Guitar) (Live) 14:13
11. Through The Never (Live) 2:44
12. For Whom The Bell Tolls (Live) 5:54
13. Fade To Black (Live) 7:43
14. Master Of Puppets (Live) 3:58
15. Seek & Destroy (Live) 16:15
16. Whiplash (Live) 4:53
17. Nothing Else Matters (Live) 6:04
18. Am I Evil? (Live) (Diamond Head cover) 5:39
19. Last Caress (Live) (The Misfists cover) 1:18
20. One (Live) 8:41
21. Damage, Inc. (Live) 5:20
22. Enter Sandman (Live) 6:32
Running time: 148:24 min.


“Live At FestivalPark, Werchter, Belgium - July 4th, 1993” DVD

1. The Ecstasy Of Gold (Ennio Morricone) 1:50    
2. Creeping Death (Live) 7:04
3. Harvester Of Sorrow (Live) 6:35
4. Welcome Home (Sanitarium) (Live) 6:45
5. Of Wolf And Man (Live) 4:05
6. Wherever I May Roam (Live) 7:08
7. Disposable Heroes (Live) 9:34
8. The Unforgiven (Live) 6:32
9. Bass Solo (Live) 2:22
10. Instrumental Medley (Live) 4:12
11. Guitar Solo (Live) 0:46
12. For Whom The Bell Tolls (Live) 5:41
13. Fade To Black (Live) 8:18
14. Master Of Puppets (Live) 3:50
15. Seek & Destroy (Live) 18:40
16. Battery (Live) 5:45
17. Nothing Else Matters (Live) 6:16
18. Sad But True (Live) 5:39
19. One (Live) 9:53
20. Enter Sandman (Live) 6:54
21. So What (Live) (Anti-Nowhere cover) 8:43
Running time: 136:32 min.


“Music Videos + Halfin's Home Movies” DVD

Music Videos
1. Enter Sandman 5:33
2. The Unforgiven 6:24
3. Nothing Else Matters 6:26
4. Wherever I May Roam 6:08
5. Sad But True 5:28
6. The Unforgiven (Theatrical Version) 11:32
Behind The Videos
7. Enter Sandman (Psycho Band Pass) 5:32    
8. Enter Sandman (Hetfield) 5:32    
9. Enter Sandman (Ulrich) 5:29    
10. Enter Sandman (Hammett) 5:28    
11. Enter Sandman (Newsted) 5:33    
12. Enter Sandman (Final Concept) 5:36    
13. The Unforgiven (B-Roll) 6:14
Halfin's Home Movies
14. Los Angeles, Ca 3:40
15. Moscow, Russia 2:58
16. Oakland, Ca : Sad But True / Wherever I May Roam (Live) 2:36
17. Oakland, Ca II : Enter Sandman / Creeping Death / Sad But True / Master Of Puppets/Seek & Destroy/Whiplash/One/Holier Than Thou (Live) 6:29
18. Miami, Fl : Stone Cold Crazy (Live) (Queen cover) 3:37
19. Perth, Australia 0:59
20. Jakarta, Indonesia 6:28
21. Bangkok, Thailand 6:16
Running time: 113:58 min.


“Wherever We May Roam” DVD

1. Enter Sandman (Live At Goffertstadion, Nijmegen, Netherlands, September 1th, 1991) 5:36
2. Creeping Death (Live At Estadio Olimpico De Montjuic, Barcelona, Spain, September 24th, 1991) 8:01
3. Holier Than Thou (Live At L.C. Walker Arena, Muskegon, Mi, November 1th, 1991) 4:08
4. Harvester Of Sorrow (Live At Centrum, Worcester, Ma, December 22th, 1991) 7:01
5. Welcome Home (Sanitarium) (Live At Cumberland County CIVIC Center, Portland, Me, February 27th, 1992) 6:42
6. Sad But True (Live At Casper Events Center, Casper, Wy, June 5th, 1992) 6:23
7. The Four Horsemen (Live At Lsu Assembly Center, Baton Rouge, La, June 15th, 1992) 5:23
8. Of Wolf And Man (Live At Walnut Creek, Amphitheatre, Raleigh, Nc, June 25th, 1992) 4:15
9. For Whom The Bell Tolls (Live At Giants Stadium, East Rutherford, Nj, July 18th, 1992) 5:43
10. The Unforgiven (Live At Aggie Memorial Stadium, Las Cruces, Nm, August 27th, 1992) 6:42
11. The Shortest Straw (Live At Rose Bowl, Pasadena, Ca, October 3th, 1992) 6:47
12. Damage, Inc. (Live At Wembley Arena, London, England, October 25th, 1992) 5:24
13. Through The Never (Live At Palaghiaccio Di Marino, Rome, Italy, November 16th, 1992) 3:39
14. Fade To Black (Live At Forum Kobenhavn, Copenhagen, Denmark, December 9th, 1992) 7:20
15. Whiplash (Live At Metro Centre, Rockford, Il, January 31th, 1993) 5:09
16. Master Of Puppets (Live At Forum De Montreal, Montreal, Qc, Canada, February 13th, 1993 4:27
17. Seek & Destroy (Live At Palacio De Los Deportes, Mexico City, Mexico, February 25th, 1993) 16:36
18. Motorbreath (Live At Palacio De Los Deportes, Mexico City, Mexico, March 2th, 1993) 3:25
19. Nothing Else Matters (Live At Lebak Bulus Stadium, Jakarta, Indonesia, April 11th, 1993) 6:14
20. Wherever I May Roam (Live At Estadio Palestra Italia, Sao Paulo, Brazil, May 2th, 1993) 6:36
21. Last Caress (Live At Estadio Velez Sarsfield, Buenos Aires, Argentina, May 8th, 1993) (The Misfists cover) 1:35
22. One (Live At Rheinstadion, Düsseldorf, Germany, May 20th, 1993) 9:50
23. Disposable Heroes (Live At Milton Keynes National Bowl, Milton Keynes, England, June 5th, 1993) 8:30
24. The Thing That Should Not Be (Live At Mtk Stadion, Budapest, Hungary, June 9th, 1993) 8:42
25. Battery (Live At Ha Yarkon Park, Tel Aviv, Israel, June 30th, 1993) 5:03
26. So What (Live At Festivalpark, Werchter, Belgium, July 4th, 1993) (Anti-Nowhere League cover) 6:32
Running time: 165:43 min.


Total playing time: 1970:54 min.


13 sleeves for CDs and DVDs, divided as follows:
1) CD 1 in a gatefold with a 12-panel foldout booklet;
2) CD 2 & 3 in a gatefold;
3) CD 4 & 5 in a gatefold;
4) CD 6 in a cardboard sleeve;
5) CD 7 & 8 in a gatefold;
6) CD 9 in a cardboard sleeve;
7) CD 10, 11 & 12 in a gatefold;
8) CD 13 & 14 in a gatefold;
9) DVD 1 in a cardboard sleeve;
10) DVD 2 in a cardboard sleeve;
11) DVD 3 in a cardboard sleeve;
12) DVD 4 & 5 in a gatefold;
13) DVD 6 in a cardboard sleeve.
Each CD and DVD is housed in its own printed inner sleeve. Each DVD is also held in an additional poly sleeve inside this inner sleeve.

The sixth full-length studio album by legendary American Funk/Soul/Pop singer.
It’s hard to believe now, but when Michael Jackson’s "Thriller" was released in the UK in time for Christmas 1982, there was an initial sense of misfire. In choosing the album's most lacklustre track, "The Girl Is Mine", as its lead single, the postcard delivered was mildly disappointing. The playful duet with Paul McCartney, chosen no doubt to emulate the success McCartney had had earlier the same year with Stevie Wonder on "Ebony And Ivory", was simply not what the listeners were expecting... It reached number eight on the UK chart, and the album sold well, but certainly not in the manner that the man who’d delivered "Off The Wall" should have done.
"Off The Wall" was a massive success, spawning four top ten hits (two of them number ones), but nothing could have prepared Michael Jackson for "Thriller". Nobody could have prepared anybody for the success of "Thriller", since the magnitude of its success was simply unimaginable - an album that sold 40 million copies in its initial chart run, with seven of its nine tracks reaching the Top Ten. This was a record that had something for everybody, building on the basic blueprint of "Off The Wall" by adding harder Funk, Hard Rock, softer ballads, and smoother Soul - expanding the approach to have something for every audience. That alone would have given the album a good shot at a huge audience, but it also arrived precisely when MTV was reaching its ascendancy, and Jackson helped the network by being not just its first superstar, but first black star as much as the network helped him. This all would have made it a success (and its success, in turn, served as a new standard for success), but it stayed on the charts, turning out singles, for nearly two years because it was really, really good!
By the following Christmas, "Thriller" had become the phenomenon it remains to this day. Singles kept dropping off the album like golden fruit from a platinum bough: the precision snap of that snare on UK number one "Billie Jean"; the raucous Eddie Van Halen guitar on "Beat It"; the groove-driven frenzy of "Wanna Be Startin' Something". It became apparent that this was a remarkable, ever-yielding Pop jukebox.
By 1984, the album got an extension on its lifecycle with the John Landis-directed video for "Thriller", which took the album from successful Pop record to cultural icon. Casting the then-clean cut, scandal-free singer as a werewolf in a 15-rated short film was a risk, but one that truly paid off! Soon enough "Thriller" had become a greatest hits package – seven of its nine tracks were issued as singles.
Love it or hate it, "Thriller" is Pop's great, immovable Everest. Marketing departments realised that more and more singles could be pulled from a record to prolong its shelf life, and Michael Jackson became the King of Pop with the whole of the recording industry at his investiture!!
Dedicated to the 60-year date after the Michael Jackson's birthday, 180-gram Picture Disc.
MJJ Productions Inc./Legacy Recordings/Epic Records, 1982/2008/2018 (1907586642111). Made in EU.


Tracklist:

Side A
1. Wanna Be Starting' Somethin' 6:02
2. Baby Be Mine 4:20
3. The Girl Is Mine 3:42
4. Thriller 5:57

Side B
5. Beat It 4:17
6. Billie Jean 4:57
7. Human Nature 4:05
8. P.Y.T. (Pretty Young Thing) 3:58
9. The Lady In My Life 4:57

Total playing time: 42:15 min.

The second re-release on vinyl of the twelfth full-length studio album, also known as a “Death Or Glory”, by the legendary British Hard Rock/Heavy Metal band.
For fans who had been disappointed for earlier Motörhead releases, “Bastards” came as welcome return to the band’s roots in the loudest and hardest-driving kind of Rock’n’Roll.
Into the early 90’s, Motörhead’s influence had spread. Terms like “Speed Metal” were being used to describe not only Motörhead’s own style but also that of other bands playing in a similar vein. Thus “Bastards”, whose tracks are featured here, seemed too many to present to a return to hard-core form. By the time Motörhead began recording “Bastards”, the band was essentially a quartet, consisting in this case of Lemmy, Mikkey Dee, Phil Campbell and Michael Burston, who was known as Würzel.
“Bastards” mixed band’s characteristically angry and intense Hard Rock – songs like “On Your Feet”, “Burner”, “Born To Rise Hell” and “Liar” – with powerful, more acoustic ballads like “Lost In The Ozone” and the thoughtful and painful child-abuse number “Don’t Let Daddy Kiss Me”. Many fans have ranked “Bastards” among the best of Motörhead’s many albums.
In the many years since “Bastards” was released, Lemmy has kept up his relentless approach to touring and recording with various iterations of Motörhead. The tracks offered here provide the fine example of the band’s staying power and commitment to its founding ethos!
Golden Core/ZYX Music, 1993/2007 (GCR 20002-1). Made in Germany. 180 gram vinyl.


Tracklist:

SIDE A
1. On Your Feet Or On Your Knees 2:33 
2. Burner 2:52
3. Death Or Glory 4:50
4. I Am The Sword 4:28
5. Born To Raise Hell 4:57
6. Don't Let Daddy Kiss Me 4:05

SIDE B
7. Bad Woman 3:16 
8. Liar 4:10
9. Lost In The Ozone 3:26
10. I'm Your Man 3:46
11. We Bring The Shake 3:46
12. Devils 5:59

Total playing time: 48:58 min.