VINYL

The sixteenth full-length studio album by legendary British Heavy Metal band.
To say that Iron Maiden's "The Book Of Souls" was ardently anticipated would be a vast understatement. Though it was (mostly) finished in 2014, vocalist Bruce Dickinson's cancer diagnosis and treatment delayed its release until he was medically cleared.
While 2006's "A Matter Of Life And Death" and 2010's "The Final Frontier" showcased longer songs, "Book Of Souls" is epic by comparison.
This is band's first studio double album, and therefore also their longest to date, with a total length of 92 minutes. It has contains the band's longest song, "Empire of the Clouds", plus three of 11 tracks are over ten minutes. The album marks the longest gap between studio releases in the band's entire career, at five years.
Steve Harris contributed one solo composition, and co-wrote six tracks with various bandmates. Dickinson - for the first time since "Powerslave" - wrote two solo tunes, the album's bookends, and collaborated on two more. The music is cleanly divided between the two discs. The first is tight; it offers a bit of everything that makes Iron Maiden. It is seemingly self-contained.
Dickinson's "If Eternity Should Fail" is an impressive showcase for his voice. Its dark intro and atmospherics are eventually transformed into one of the heaviest tunes Maiden's recorded in a dig's age, but he climbs above the sonic mass. "Speed of Light" is a burner. Dickinson's fury is accompanied by a Rock'N'Rolling riff, soaring Metal guitar fills, and Nicko McBrain's grooving drums. Harris' 13-minute "The Red and the Black" has a martial tempo and chant that recalls "Rime Of The Ancient Mariner". It's followed by "When the River Runs Deep", a chugging Hard Rocker with all three guitarists challenging one another. The title cut is theatrical, as acoustic guitar and a sparse synth are filled out with a knotty riff and solo breaks, emerging as a slower, heavier headbanger.
By contrast, disc two is structured almost narratively; it slowly enlarges and expands to serve an unexpected conclusion. Opener "Death or Glory" is another crowd-catcher as Dickinson soars above thudding drums and guitar choruses redolent of Thin Lizzy. "Shadows of the Valley" is the only clunker. It's dull and predictable, a minor distraction that doesn't measure up to the set's ambition. "Tears of a Clown", written by Harris and Dave Murray, is for Robin Williams. It's a clamorous rocker, yet the lyrics and melody are simultaneously empathic and disconsolate. "The Man of Sorrows" follows expertly, progressing from meandering ballad to theatrical Hard Rock. Dickinson's 18-minute "Empire of the Clouds" is about the R101 airship disaster of 1930. It's Maiden's longest song, but a grand conclusion. He plays majestic classical piano throughout, as tasteful, biting guitars create a complementary melodic labyrinth amid swelling orchestral strings. They add texture while McBrain's swinging drums add drama. It's a Heavy Metal suite, unlike anything in their catalog!
Producer Kevin Shirley does a stellar job capturing an "in studio" sound that allows for spacious dynamics and warmth without artificial mass. Who would have thought that after decades Iron Maiden would have an album as fine (let alone as long) as "The Book Of Souls" in them? With repeated listening it earns shelf space with their finest records!!
"The Book Of Souls" topped the album charts in 24 countries. It earned the band their fifth (first consecutive) UK No. 1, following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son", 1992's "Fear Of The Dark" and 2010's "The Final Frontier". In the US, it matched "The Final Frontier"'s success on the Billboard 200, repeating the band's highest placement at no. 4. “The Book Of Souls” received the Album of the Year award at the 2015 Classic Rock Roll of Honour Awards, collected the 2016 Metal Hammer Golden Gold Award for Best Album, and won in the Best International Album category at the 2016 Bandit Rock Awards.
Triple 180g vinyl in trifold gatefold sleeve.
Iron Maiden LLP/Parlophone Records Limited, a Warner Music Group Company, 2015 (0825646089208). Made in Germany. First press. 


Tracklist:

LP 1

Side A:
1. If Eternity Should Fail 8:28
2. Speed Of Light 5:01

Side B:
3. The Great Unknown 6:37
4. The Red And The Black 13:33

LP 2

Side A:
1. When The River Runs Deep 5:52
2. The Book Of Souls 10:27

Side B: 
3. Death Or Glory 5:13
4. Shadows Of The Valley 7:32

LP 3

Side A:
1. Tears Of A Clown 4:59
2. The Man Of Sorrows 6:28

Side B:
3. Empire Of The Clouds 18:01

Total playing time: 92:11 min.

First re-release of the eighteenth single by the legendary British Heavy Metal band.
It's the third single for the band's seventh full-length studio album, "Seventh Son Of A Seventh Son" (1988).
"The Clairvoyant" was the first track written for the album. According to Steve Harris, the song's lyrics were inspired by the death of psychic Doris Stokes, after which he wondered to himself whether "she could foresee her own death". The song starts in the first person, from the main character's point of view. Later, when he is dead it is in the third person. Harris then began to write the song "Seventh Son of a Seventh Son", which gave him the idea of turning the full album into a concept record given that the main character would also have the power of clairvoyance. The song's guitar solo is played by Dave Murray.
B-side contains live performance, “The Prisoner”, from Maiden's 1988 headlining at the Monsters of Rock festival in Donington Park, on August 20th.
The single debuted at number six in the British charts.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1988/2014 (2564624840). Made in UK.


Tracklist:

Side A:
1. The Clairvoyant 4:27

Side B:
2. The Prisoner (live) 6:07

Total playing time: 10:34

Samples: http://www.last.fm

First re-release of the seventeenth single by the legendary British Heavy Metal band.
It's the second single for the band's seventh full-length studio album, "Seventh Son Of A Seventh Son" (1988).
"Seventh Son Of A Seventh Son" is one of Iron Maiden's most acclaimed albums and with good reason. "The Evil that Men Do" has always been a standard track in and it makes for a great single with it's catchy feel. The song with an amazing harmony which stands out over virtually any other Iron Maiden song, from that opening few seconds you can tell you got an awesome song ahead.
The title of the song is taken from Marcus Antonius's speech while addressing the crowd of Romans after Caesar's murder (Act 3, scene 2, "The Forum") in William Shakespeare's Julius Caesar: "The evil that men do lives after them; The good is oft interred with their bones." Bruce Dickinson may sometimes repeat this before playing the song, but in reverse (as he did in Rock in Rio). However, the poetic lyrics of the song are unrelated to this.
The guitar solo in "The Evil That Men Do" is played by Adrian Smith while the guitar solo in "Prowler '88" is played by Dave Murray.
The single's B-side is re-recording of "Prowler" appears as tracks number one on the band's debut album Iron Maiden. "The Evil That Men Do" is definitely a Maiden classic and one of their best songs to date, however, the real reason to get this single is because of the B-Side - remake of classic from their debut album with Bruce Dickinson on vocals as opposed to Paul Di'Anno! Bruce Dickinson completely outclasses Paul Di'Anno classic, with a more aggressive voice. So, this is an awesome title song but the B-Sides are the real reason to buy this thing!!
The single debuted at number six in the UK charts and quickly rose to number five.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1988/2014 (2564624845). Made in UK.


Tracklist:

Side A:
1. The Evil That Men Do 4:33

Side B:
2. Prowler '88 4:06

Total playing time: 8:39

Samples: http://www.last.fm​​​​​​

Second re-release of the eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11-year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million marks. As of April 2009, "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 1998/2017 (0190295851996). Made in Germany. Remaster 2015. 180 g vinyl.


Tracklist:

Side One
1. Futureal 2:55
2. The Angel And The Gambler 9:53

Side Two
1. Lightning Strikes Twice 4:50
2. The Clansman 9:00

Side Three
1. When Two Worlds Collide 6:17
2. The Educated Fool 6:45

Side Four
1. Don't Look To The Eyes Of A Stranger 8:04
2. Como Estais Amigos 5:30

Total playing time: 53:14 min.

First re-release of the fourteenth single by the legendary British Heavy Metal band.
It's the first single for the band's sixth full-length studio album, "Somewhere In Time" (1986). It was the first single solely written by guitarist Adrian Smith, who also sings backing vocals. Wasted Years" is the only song on the album that features no synthesizers.
The song deals with subject of homesickness and alienation, as well as the negative aspects of the band's nearly yearlong previous tour and personal problems that Smith and other band members were going through in that period. At the same time the chorus suggests the idea that one should move beyond past troubles and look forward. The original working title was "Golden Years", as can be heard on numerous "Somewhere On Tour" bootlegs. The song is composed in the key of E minor. Adrian Smith plays the guitar solo. The guitar line here is probably one of the most memorable in the realm of Metal, and is sort of a rite of passage for any lead guitar player who wishes to tear it up with a band in the Metal genre. The chorus is very easy to sing along to and is a regular favorite at live performances.
The b-side "Reach Out" was sung by Adrian Smith, with regular lead singer Bruce Dickinson providing backing vocals. This song was previously performed live by Nicko McBrain and Smith's side project The Entire Population Of Hackney. This track is another rare treat. Smith does an excellent job on the vocals, but his strength on this one is his catchy guitar riffs. This song has a solo that is so idiomatic that you could easily hum the tune along with it, something that Metal guitar solos are not often famous for. This single is probably a bit hard to come by at this point, but if you can find it - it's recommend it highly! It's a great song from Maiden's greatest album, and a pair of tracks that will make you smile and make you laugh, something that Metal is allowed to do to people, despite what the no-fun elitists of the darker scene.
“Wasted Years” reached number 18 in the UK Singles Charts and it’s one of those singles you just have to own when you’re into Maiden!!
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1986/2014 (2564624851). Made in UK.


Tracklist:

Side A:
1. Wasted Years 5:06

Side B:
2. Reach Out 3:25

Total playing time: 8:31

Samples: http://www.last.fm

A&M Records, 1984 (SP-4962). Made in USA. Used (cover/disc): EX+/EX.

 
Tracklist:

Side A:
1. Don't Stand Another Chance 4:14    
2. Two To The Power Of Love 3:06    
3. Pretty Boy 6:32    
4. Dream Street    3:52

Side B:
5. Communication 3:12    
6. Fast Girls 3:18    
7. Hold Back The Tears 3:14    
8. All My Love To You 5:44    
9. If It Takes All Night 4:09    

Total playing time: 37:21 min.

The second studio album by legendary British Jazz Fusion/Progressive Rock guitarist.
After the dissolution of the power trio Beck, Bogert & Appice (BBA) in spring 1974, Beck took time for session work with other bands. In December, a half-hearted "audition" for The Rolling Stones took place, Beck jamming Blues with the band for one day, before realizing their musical styles were not compatible. During this period, Beck decided to record an all-instrumental album, bringing back keyboardist Max Middleton from the second Jeff Beck Group. He hired George Martin to produce after hearing his work with the Mahavishnu Orchestra's 1974 album "Apocalypse". According to Carmine Appice, who played with Beck in BBA, he was involved in the writing and recording process of "Blow By Blow", but Appice's parts were edited out after a dispute with Beck's management. The fourth key contributor to "Blow By Blow" after Beck, Middleton, and Martin was Stevie Wonder, who gave Beck his songs "Cause We've Ended As Lovers" and "Thelonius", with Wonder playing clarinet on the latter uncredited. The former song appeared on Wonder's 1974 album "Stevie Wonder Presents: Syreeta", made with then-wife Syreeta Wright, while Wonder never recorded "Thelonius" himself. A cover of the Beatles song "She's a Woman" was selected, as well as the composition "Diamond Dust" by Bernie Holland of the band Hummingbird, consisting of musicians from the second Beck Group. The other five tracks were band originals with Beck and Middleton the main writers, and the last track on each side featured string arrangements by Martin. Beck dedicated "Cause We've Ended as Lovers" to fellow guitarist Roy Buchanan, with an acknowledgement to Wonder.
An instrumental album "Blow By Blow" was recorded in October 1974 and released via Epic Records in March 1975. It was a hit in the US, reaching No. 4 on the American Billboard 200 album charts, and was certified Platinum by the RIAA for a million copies sold. It remains Beck's highest-charting album.
A live version of the track "Scatterbrain" was featured in the video game Guitar Hero 5.
CBS Inc./Epic Records, 1975/1979 (PE 33409). Made in USA. Third press. Used (cover/disc): EX+/NM (looks EX, sounds M).


Tracklist:

Side One
1. You Know What I Mean 4:02
2. She's A Woman 4:28
3. Constipated Duck 2:50
4. Air Blower 5:07
5. Scatterbrain 3:39

Side Two
1. Cause We've Ended As Lovers 5:51
2. Thelonius 3:17
3. Freeway Jam 4:57
4. Diamond Dust 8:24

Total playing time: 42:35 min.

The eighth full-length studio album by legendary British Progressive Rock band.
Chrysalis Records/Phonogram GmbH, 1975 (6307 559). First press. Germany. Used (cover/disc): EX+/EX+.


Tracklist:

Side A
1. Minstrel In The Gallery  8:09
2. Cold Wind To Valhalla  4:17
3. Black Satin Dancer  6:51
4. Requiem  3:41

Side B
5. One White Duck/0= Nothing At All  4:35
6. Baker St. Muse  16:40
7. Grace  0:37

Total playing time: 44:50 min.

The twelfth full-length studio album by legendary British Progressive Rock band.
Chrysalis/Tonpress, 1979 (SX-T7). Made in Poland. First press. Used (cover/disc): VG+/VG+.


Tracklist:

Strona 1
1. North Sea Oil  3:08
2. Orion  3:55
3. Home  2:44
4. Dark Ages  9:07
5. Warm Sporran  3:31

Strona 2
6. Something's On The Move  4:24
7. Old Ghosts  4:20
8. Dun Ringill  2:37
9. Flying Dutchman  7:42
10. Elegy  3:30

Total playing time: 44:58 min.

First American re-release of the seventh full-length studio album by legendary British Progressive Rock band.
After two single-song concept albums, "Thick As A Brick" and "A Passion Play", “War Child” was a return to the traditional format, and was one of those records that was a hit the day it was announced. The turmoil over criticism of the previous album surrounded the production of "War Child", which obliged the band to do press conferences and explain their plans for the future.
The album prominently features David Palmer's string orchestration across an eclectic musical set, with the band members, as the two predecessor albums, playing a multitude of instruments. The music is lighter and more whimsical than the dark "A Passion Play", with hints of comedy in the lyrics and the music' structure.
"War Child" went Gold in the U.S., where it peaked at No. 2 on the Billboard Pop albums chart. It was the last Jethro Tull album to earn Platinum record status.
Chrysalis, 1974/1983 (PV 41067). Made in U.S.A. Used: (cover/disc): NM- / NM-.

Tracklist:

Side One
1. WarChild 4:33
2. Queen and Country 2:59
3. Ladies 3:16
4. Back-Door Angels 5:30
5. SeaLion 3:35

Side Two
1. Skating Away on the Thin Ice of the New Day 4:02
2. Bungle in the Jungle 3:34
3. Only Solitaire 1:28
4. The Third Hoorah 4:47
5. Two Fingers 5:07

Total playing time: 38:51 min.

Compilation album of rare and unreleased before tracks by legendary British Progressive Rock band.
Additional "War Child" session tracks on vinyl!
"WarChild II" is a collection of a number of tracks recorded during the "War Child" sessions from late 1973 and early 1974. They have all been mixed by Steven Wilson and were for the first time released on CD 2 of the "War Child 40th Anniversary Theatre Edition" in 2014.
"WarChild II" not only gathers rare and previously scattered studio recordings from the "War Child" era, but also showcases them through modern, high-quality mixes by Steven Wilson, making it a polished and cohesive listening experience.
The album features Ian Anderson (vocals, flute, acoustic guitar, saxophones), Martin Barre (guitars), John Evan (keys), Jeffrey Hammond-Hammond (bass) and Barriemore Barlow (drums and percussion).
Now, these tracks are on vinyl for the very first time, with the running order chosen by Ian Anderson!
Chrysalis/Parlophone Records Ltd., A Warner Music Group Company, 2014/2023 (0190296762352). Made in Germany. First press.


Tracklist:

Side One
1. Paradise Steakhouse 4:01
2. SeaLion II 3:20
3. Saturation 4:20
4. Quartet 2:43
5. Good Godmother 4:27
6. WarChild II 3:14

Side Two
1. Tomorrow Was Today 3:54
2. Glory Row 3:35
3. March, The Mad Scientist 1:49
4. Pan Dance 3:37
5. Rainbow Blues 3:38

Total playing time: 38:38 min.

Мелодия, 1987 (С60 26419 000). Made in USSR. Used (cover/disc): VG+/EX. 

 
Tracklist:

Side A:
1. Living In The Past    3:16
2. Aqualung    6:32
3. Too Old To Rock'N'Roll, Too Young To Die    5:27
4. Locomotive Breath    4:20
5. Skating Away On The Thin Ice Of The New Day    4:26
6. Bungle In The Jungle    4:23

Side B:
7. Sweet Dream    3:58
8. Songs From The Wood    4:51
9. Witches Promise    3:46
10. Thick As A Brick    2:58
11. Minstrel In The Gallery    7:48
12. Life's A Long Song    3:05

Total playing time: 42:42 min.

The first full-length studio album by legendary American Hard Rock songwriter.
Cleveland International Records/CBS Inc./Epic , 1981 (EPC 84361). Made in UK. First press. Insert. Used (cover/disc): EX+/NM.


Tracklist:

Side 1
1. Bad For Good  8:44
2. Lost Boys And Golden Girls  4:37
3. Love And Death And An American Guitar  2:39
4. Stark Ravin Love  7:21

Side 2
5. Out Of The Frying Pan (And Into The Fire)  6:09
6. Surf's Up  5:22
7. Dance In My Pants  7:54
8. Left In The Dark  7:58

The ninth full-length studio album by legendary American–French French pop singer-songwriter.
CBS Inc., 1975 (CBS 81147). Made in Holland. First press. OIS. Used (cover/disc): EX/VG+.


Tracklist:

Side 1
1. Et Si Tu N'existais Pas
2. Il Faut Naitre A Monaco
3. Chanson Triste
4. Le Costume Blanc
5. L'albatros
6. Alors Qu'est-ce Que C'est? (Harm Our Love)

Side 2
7. Ça Va Pas Changer Le Monde
8. Salut
9. Carolina (Sad Sweet Dreamer)
10. C'est La Nuit (Dance With Me)
11. Ma Musique (Sailing)
12. Piano Mecanique

The debut full-length studio album by American guitarist.
Shrapnel Records, Inc./Roadrunner Records, 1987 (RR 9573). Made in Holland. First press. Used (cover/disc): NM/NM.


Tracklist:

Side 1
1. Eternity's End  5:55
2. Out Of The Sun  4:20
3. Zero Hour  2:54
4. Summon  6:08

Side 2
5. Stalingrad  3:47
6. Truce With Kings  3:04
7. Fire In The Lake  4:06
8. Samurai  3:35
9. Nine Tomorrows  4:06

Total playing time: 37:55 min.

The Single from the debut full-length studio album, “Total Control”, by Norwegian-born Swedish guitarist and one of the founders of the legendary Soft/Glam Metal band Europe.
It was released after Norum left Europe following the release of 1986's "The Final Countdown" and the tour that followed.
CBS Records AB, 1987 (CBS 651187 7). Made in Holland for Scandinavia. First press. Used (cover/disc): EX+/NM).


Tracklist:

Side 1
Let Me Love You 3:21

Side 2
Wild One (Thin Lizzy cover) 4:18

Total playing time: 7:39 min.

The first full-length studio album by Norwegian-born Swedish guitarist and one of the founders of the legendary Soft/Glam Metal band Europe.
It was released after Norum left Europe following the release of 1986's "The Final Countdown" and the tour that followed.
CBS Records AB, 1987 (CBS 460203 1). Made in Holland. First press. OIS. Used (cover/disc): EX/VG.


Tracklist:

Side 1
1. Let Me Love You  3:21
2. Love Is Meant To Last Forever  3:39
3. Too Many Hearts  3:11
4. Someone Else Here  4:11
5. Eternal Flame  3:12

Side 2
6. Back On The Streets  4:09
7. Blind  3:51
8. Law Of Life  4:20
9. We'll Do What It Takes Together  3:23
10. In Chase Of The Wind  3:00

Total playing time: 36:17 min.

The debut full-length solo album by the leader and vocalist of legendary American Soft Metal band Bon Jovi.
“Young Guns II” is a 1990 western film and the sequel to “Young Guns” (1988). It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, and features William Petersen as Pat Garrett. Jon Bon Jovi also made a cameo appearance in the film as one of the prisoners in the pit with Doc and Chavez.
This LP includes songs from and inspired by the movie “Young Guns II”. Emilio Estevez originally approached Bon Jovi to ask him for permission to include the song "Wanted Dead Or Alive" on the soundtrack. Bon Jovi did not feel the song’s lyrics were appropriate; however, he was inspired by the project and resolved to write a new song for the film that would be more in keeping with the period and setting. He quickly wrote the song "Blaze of Glory", and performed it on acoustic guitar in the New Mexico desert for Estevez and John Fusco. This was the first time that "Blaze of Glory" was heard.
Music videos were made for the first two singles, "Blaze of Glory" and "Miracle", and also the fourth (promo) single "Dyin' Ain't Much of a Livin", but not for the third single "Never Say Die".
The album featured guests such as Elton John, Little Richard, and Jeff Beck.
The album peaked at No. 3 on the Billboard 200 and No. 2 on the UK Albums Chart. “Blaze of Glory” was awarded a Golden Globe. It also received Academy Award and Grammy nominations.
PolyGram Records, Inc./Vertigo, 1990 (846 473-1). Made in Europe. OIS. First press. Used.


Tracklist:

Side 1:
1. Billy Get Your Guns 4:48
2. Miracle 5:08
3. Blaze Of Glory 5:44
4. Blood Money 2:34
5. Santa Fe 5:40
    
Side 2:   
6. Justice In The Barrel 6:47
7. Never Say Die 4:53
8. You Really Got Me Now 2:23
9. Bang A Drum 4:36
10. Dyin' Aint Much Of A Livin' 4:39
11. Guano City 1:00
    
Total playing time: 48:51 min.

Deluxe Edition re-release of the first full-length studio album by legendary Austrian Disco/Synth-Pop band.
Release supported by original Joy members, Andy Schweitzer and Michael Scheickl, using original audio and photo materials from the band's archive.
For first time, it includes full original version of “Hello!” (4:26) from original master tapes.
Deluxe Edition with the embossed in gold band's logo on the front cover (just like the first vinyl edition of this album in 1986) includes bonus track and 60 x 60 cm poster.
Maschina Records, 1986/2022 (MASHLP-108). Pressed in Estonia.


Trackllist:

Side A
1. Hello 4:26
2. Touch By Touch 3:50
3. Cheek To Cheek 3:44
4. Fire In The Night 4:13

Side B
1. Valerie 4:12
2. Night Of The Nights 4:33
3. Lost In Hong-Kong 3:03
4. Darling 3:35
5. Why Are You Hurtin’ Me So Much 3:29

Total playing time: 34:65 min.

First European re-release of the first full-length studio album by legendary Austrian Disco/Synth-Pop band.
Limited to 500 copies exclusive official re-edition with high sound quality!
Lastafroz Production, 1986/2016 (LSFZ RE001 LP). Made in Slovakia.


Trackllist:

Side A
1. Hello 4:16
2. Touch By Touch 3:50
3. Cheek To Cheek 3:49
4. Fire In The Night 4:13

Side B
5. Valerie 4:12
6. Night Of The Nights 4:33
7. Lost In Hong-Kong 3:03
8. Darling 3:38

Total playing time: 31:34 min.