VINYL

The fifth full-length solo studio album by legendary British guitarist and singer.
Top-notch Hard Rock album with non-oafish sound – complex and somewhat Proggy with synths, advanced solos and even soulful R'n'B snippets, "Run For Cover" took the Hard Rock ingredients of Gary Moore's previous two albums and added a little pop refinement to the mix. Thankfully, this did not compromise the overall heaviness of the record. Considered as Moore's breakthrough, the album includes the top 5 single "Out in the Fields" and a re-recording of the song "Empty Rooms", originally from Moore's previous album, "Victims Of The Future", which became one of Moore's biggest solo successes, reaching No. 23 on the UK charts.
The album features many of Moore's musical friends, including Paul Thompson of Roxy Music, Deep Purple bassist/vocalist Glenn Hughes on "Reach for the Sky" and "All Messed Up", and former Thin Lizzy leader and childhood friend Phil Lynott . Lynott and Moore trade lead vocals on "Out in the Fields", while Lynott sings alone on "Military Man", an old Grand Slam track. "Out in the Fields" is about the the religious turmoil in their native Ireland, it was actually Lynott's final recorded performance before his tragic death. It also presaged the musical and lyrical Irish themes which would dominate Moore's future work. Lynott also provided vocals for a re-recording of the Thin Lizzy classic "Still in Love with You", on which Moore originally played guitar; the track was initially issued as a B-side of "Out In The Fields", but is included on later remastered versions of the album.
Performance-wise, 'Run for Cover' might be Gary Moore's most well-rounded album. It has magnificant flow and never feels disjointed even with three lead vocalists. Of course, the guitar playing is absolutely stellar, but never at the expense of songwriting. Along with "Corridors Of Power" and "Victims Of The Future", "Run For Cover" represents the best in Moore's often over-looked Hard Rock period.
10 Records Ltd./Virgin Records Ltd., 1985 (207 283). Made in Germany. First press. OIS. Used.


Tracklist:

Side One
1. Run For Cover 4:10
2. Reach For The Sky 4:46
3. Military Man (Phil Lynott's Grand Slam cover) 5:40
4. Empty Rooms 4:20

Side Two
1. Out In The Fields 4:14
2. Nothing To Lose 4:42
3. Once In A Lifetime 4:20
4. All Messed Up 4:52
5. Listen To Your Heartbeat 4:34

Total playing time: 41:36 min.

The eighth full-length solo studio album by legendary British guitarist and singer.
The album marked a substantial change in style for Moore, who had been predominantly known for Rock and Hard Rock music with Skid Row, Thin Lizzy, G-Force and Greg Lake, and during his own extensive solo career, as well as his Jazz/Fusion work with Colosseum II. "Still Got The Blues" saw him delve into an Electric Blues style. The album features guest contributions from Albert King, Albert Collins and George Harrison.
The title track was released as a Single and reached No. 97 on the Billboard Hot 100 on 16 February 1991. It is the only Single of Moore's to chart on the Billboard Hot 100. The album reached No. 83 on the Billboard 200 on 16 February 1991, then was certified Gold by the RIAA in November 1995. This was Moore's most successful album both in terms of sales and chart position in the US.
Virgin Records Ltd., 1990 (V 2612 / 210 558). Made in Germany. First press. Used (cover/disc): NM-/NM-.


Tracklist:

Side One
1. Moving On 2:37
2. Oh Pretty Woman 4:23
3. Walking By Myself 2:54
4. Still Got The Blues 6:09
5. Texas Struit 4:46

Side Two
1. Too Tired 2:49
2. King Of The Blues 4:30
3. As The Years Go Passing By 7:43
4. Midnight Blues 4:58

Total playing time: 40:49 min.

The sixth full-length solo studio album by legendary British guitarist and singer.
His first studio effort after a 1985 trip back to his native Belfast, Northern Ireland, the album contains several songs about Ireland. The album is dedicated to the memory of Moore's close friend and former Thin Lizzy bandmate Phil Lynott, who died on 4 January 1986, with the words "For Philip" on the rear cover.
"Wild Frontier" contains the hit Single "Over the Hills and Far Away", which reached No. 20 in the UK, as well as a cover of the Easybeats' song "Friday on My Mind". The Max Middleton-penned "The Loner" was originally recorded by Cozy Powell for his "Over The Top" album in 1979 (on which Moore performed, albeit not on Powell's recording of "The Loner"). The track was substantially altered by Moore for his own recording, thus he is credited as a co-writer. The song "Crying in the Shadows", which was released as the B-side of the "Over the Hills and Far Away" Single in December 1986 and appears as a bonus track on the CD version of "Wild Frontier", was also recorded by Japanese singer Minako Honda, titled "The Cross (Ai No Jujika)", with Moore on guitar. Gary Moore was joined by The Chieftains on select tracks from this album.
This is a superb Rock guitar album with solid songwriting and some superb classics like “The Loner”. It would be worth buying just for that one track, but you get a lot more!
10 Records Ltd./Virgin Records Ltd., 1987 (208 183). Made in Germany. First press. OIS. Used (cover/disc): EX+/EX+.


Tracklist:

Side 1
1. Over The Hills And Far Away 5:19
2. Wild Frontier 4:15
3. Take A Little Time 4:04
4. The Loner 5:52

Side 2
1. Friday On My Mind (Easybeats cover) 4:12
2. Strangers In The Darkness 4:37
3. Thunder Rising 5:40
4. Johnny Boy 3:11

Total playing time: 37:10 min.

The ninth full-length studio album by legendary British Art Rock/Progressive Rock band.
Charisma Records Ltd., 1978 (CDS 4010). Made in UK. Second press. Used (cover/disc): EX/EX.


Tracklist:

Side 1
1. Down And Out  5:13
2. Undertow  4:35
3. Ballad Of Big  4:37
4. Snowbound  4:20
5. Burning Rope  6:52

Side 2
6. Deep In The Motherlode  5:02
7. Many Too Many  3:22
8. Scenes From A Night`s Dream  3:21
9. Say It`s Alright Joe  4:09
10. The Lady Lies  5:53
11. Follow You Follow Me  3:51

Total playing time: 51:15 min.

The thirteenth full-length studio album by legendary British Art Rock/Progressive Rock band.
Virgin/Charisma Records Ltd., 1986 (207 750 | 207 750-630). Made in Germany. First press. OIS.



Tracklist:

Side One
1. Invisible Touch  3:29
2. Tonight, Tonight, Tonight  8:53
3. Land Of Confusion  4:46
4. In Too Deep  5:02

Side Two
5. Anything She Does  4:09
6. Domino [Part One - In The Glow Of The Night / Part Two - The Last Domino]  10:45
7. Throwing It All Away  3:51
8. The Brazilian  4:50

Total playing time: 45:45 min.

The debut full-length studio album by cult Swedish Heavy Metal/Rock band.
Standing motionless and anonymous beneath the painted faces, hoods, and robes (which their sect demand), the six nameless ghouls of Ghost deliver litanies of sexually pulsating Heavy Rock music and romantic lyrics, which glorify and glamorize the disgusting and sacrilegious. The simple intention to communicate a message of pure evil via the most effective device they can find: Entertainment.  This is Black Metal at its most original and deceiving; compositions such as “Ritual” and “Death Knell” majestically weave their melodic spell of evil through the senses until the listener finds themselves utterly possessed and open to any diabolical suggestion.
A daringly beautiful combination of Satanic Rock music with an almost unthinkable Pop sensibility, "Opus Eponymous" is where it all began for this beautifully dark global phenomenon!
"Opus Eponymous" entered the Sverigetopplistan Albums Top 60 chart at No. 59, staying on the charts for 5 weeks and peaking at No. 50. The album was nominated for the 2011 Grammis Award (the Swedish equivalent to the Grammy Awards) in the "Best Hard Rock" category. In the June 2011 edition of Sweden Rock Magazine named it the third-best album in the past decade, with the first two being "The Final Frontier" and "A Matter of Life And Death" by Iron Maiden. The album's cover was declared the fourth best of 2010 by Revolver Magazine. Noisecreep listed Ghost's version of "Here Comes The Sun" at number six on their list of the 10 Best Metal Cover Songs. In their roundup of the 25 Best Metal Albums of 2010–2019, the music blog MetalSucks declared "Opus Eponymous" to be the 5th best Metal album of the 2010s. In 2015, PopMatters called "Opus Eponymous" a 21st-century classic.
For fans of early Mercyful Fate, Misfits, and Black Sabbath.
Rise Above Records, 2010/2023 (RISELP124). Made in UK.


Tracklist:

Side A
1. Deus Culpa 1:34
2. Con Clavi Con Dio 3:34
3. Ritual 4:29
4. Elizabeth 4:01
5. Stand By Him 3:56

Side B
6. Satan Prayer 4:38
7. Death Knell 4:37
8. Prime Mover 3:53
9. Genesis 4:03

Total playing time: 34:45 min.

The fourth full-length studio album by legendary British Hard Rock band.
This album belongs on the list "Top 100 Albums With the Most Ugly Covers", but let that not put you off: this one is almost as good as "Mr. Universe" and "Glory Road".
The title is taken from Alvin Toffler's book "Future Shock". There are a handful of classics, mixed with some mediocre fillers - but a Hard Rock fan should have this album, even if it was just for the 3 minutes of "The Ballad of the Lucitania Express", which is The Perfect Heavy Fast Rock song. This song steams like the overheated locomotive that it is about, is not a second too long and has everything perfectly in place. The real engine is John McCoy's bass, clearly audible under the brief guitar solo, pumping 8th notes at over 200 BPM. This band can inject you with pure adrenaline and crack you up at the same time!
On its release, the album reached number 2 in the UK chart; that remain the band's highest placing album.
In 2005, "Future Shock" was ranked number 467 in the German Rock Hard Magazine's book of "The 500 Greatest Rock & Metal Albums of All Time".
Kingsway Recorders Ltd/Virgin Records Ltd., 1981 (203 596-320). Made in Germany. First press. Used (cover/disc): EX/EX.


Tracklist:

Side One
1. Future Shock 3:06
2. Night Ride Out Of Phoenix 5:04
3. (The Ballad Of) The Lucitania Express 3:10
4. No Laughing In Heaven 4:56
5. Sacre Bleu 3:02
6. New Orleans 2:37

Side Two
1. Bite The Bullet 4:49
2. If I Sing Softly 6:09
3. Don't Want The Truth 5:40
4. For Your Dreams 5:04

Total playing time: 43:37 min.

The third re-release of the second full-length studio album by legendary British Heavy Metal band.
"Hit And Run", didn't have as many standout cuts as their debut, but it lost little in the way of intensity and raw aggression. Like its predecessor, "Demolition" (1980), it was recorded at Jackson's Studios, England. The band were in the studio from December 1980 to January 1981 with Vic Maile again serving as producer.
The car on the cover is a 1972 Buick Riviera.
"Hit And Run" is the most successful Girlschool album, having reached No. 5 in the UK Albums Chart, with the Single of the title track climbing to No. 32 in the UK Singles Chart. The band appeared on the BBC show Top of the Pops on April 16, 1981, miming to the hit song.
The 7-inch single had "Tonight" as B-side, with the 10-inch adding the cover version of the famous ZZ Top song "Tush". Lead track "C'mon Let's Go" was featured in the Gemini Award-winning 2005 documentary film "Metal: A Headbanger's Journey".
In 2005, "Hit And Run" was ranked number 289 in Rock Hard Magazine's book "The 500 Greatest Rock & Metal Albums of All Time".
180 gram Pink Vinyl in gatefold cover.
Renaissance Records, 1981/2022 (RDEG-LP-881). Made in USA.


Tracklist:

Seite 1
1. C'mon Let's Go 3:35
2. The Hunter 3:15
3. (I'm Your) Victim 2:42
4. Kick It Down 3:03
5. Following The Crowd 3:08
6. Tush 2:15

Seite 2
1. Hit And Run 3:08
2. Watch Your Step 3:20
3. Back To Start 3:32
4. Yeah Right 3:20
5. Future Flash 4:27

Total playing time: 35:51 min.

The second full-length studio album by legendary British Heavy Metal band.
"Hit And Run", didn't have as many standout cuts as their debut, but it lost little in the way of intensity and raw aggression. Like its predecessor, "Demolition" (1980), it was recorded at Jackson's Studios, England. The band were in the studio from December 1980 to January 1981 with Vic Maile again serving as producer.
The car on the cover is a 1972 Buick Riviera.
"Hit And Run" is the most successful Girlschool album, having reached No. 5 in the UK Albums Chart, with the Single of the title track climbing to No. 32 in the UK Singles Chart. The band appeared on the BBC show Top of the Pops on April 16, 1981, miming to the hit song.
The 7-inch single had "Tonight" as B-side, with the 10-inch adding the cover version of the famous ZZ Top song "Tush". Lead track "C'mon Let's Go" was featured in the Gemini Award-winning 2005 documentary film "Metal: A Headbanger's Journey".
In 2005, "Hit And Run" was ranked number 289 in Rock Hard Magazine's book "The 500 Greatest Rock & Metal Albums of All Time".
Bronze Records Ltd., 1981 (203 556-320). Made in Germany. First press. Used (cover/disc): EX+/EX+.


Tracklist:

Seite 1
1. C'mon Let's Go 3:35
2. The Hunter 3:15
3. (I'm Your) Victim 2:42
4. Kick It Down 3:03
5. Following The Crowd 3:08
6. Tush 2:15

Seite 2
1. Hit And Run 3:08
2. Watch Your Step 3:20
3. Back To Start 3:32
4. Yeah Right 3:20
5. Future Flash 4:27

Total playing time: 35:51 min.

First re-release of the third full-length studio album by legendary British Heavy Metal band.
Girlschool take their place in British Rock history by being, without doubt, the most successful all female Hard Rock band - a fact witnessed by the band being the constant yardstick to which all other girl bands have been measured up to. Like their eager mentors and frequent partners Motörhead, Girlschool had parlayed the New Wave Of British Heavy Metal’s brief heyday from 1979-1981 into numerous magazine covers, sold-out tours, and a string of hit albums and singles. But change was in store for all, come 1982. The success began to decline for both bands, along with other NWOBHM bands...
The album didn’t live up to the high expectations of the first two albums, but were reasonably successful. It featured one line-up change in bassist Ghislaine 'Gil' Weston, formerly of The Killjoys, replacing the recently departed founding member Enid Williams. The album includes hits "Don't Call It Love" and "Wildlife". The album still got them out on their first Japan tour and gave them support slots on both, the Rainbow tour and the Mercyful Fate tour - a tour that could have been the end for the band, when at the band’s last Danish show in Copenhagen, Kim was severely electrocuted from her microphone and came close to being killed. King Diamond endeavored to secure promotion from this by saying he was sorry for summoning the demon that did it ㋡.
"Screaming Blue Murder” is proof alone that Girlschool weren’t just four pretty bimbos, who decided to take up instruments. They could play them, and very well indeed! Each song is a true Metal tune, and each contains something of the basic elements to be a true Metal song. The album is fierce and fun, and full of high energy - everything a Metal album should be. If you’re looking for kick-ass women creating kick-ass Metal - this is an album you need to check out!!
Limited Edition Remastered album on 180g Blue Vinyl in Gatefold cover features bonus track “Don’t Stop”.
Sanctuary Records Group Ltd., a BMG Company/Back On Black, a division of Plastic Head Distribution, 1982/2017 (LETV194LP). Made in UK.


Tracklist:

Side One
1. Screaming Blue Murder 3:34
2. Live With Me 3:21
3. Take It From Me 2:51
4. Wildlife 2:48
5. It Turns Your Head Around 3:08

Side Two
1. Don’t Call It Love 3:43
2. Hellrazor 2:38
3. When Your Blood Runs Cold 3:23
4. You Got Me 3:16
5. Flesh And Blood 2:28
6. Don’t Stop (Live) 2:44

Total playing time: 33:54 min.

For the first time on vinyl, the first mini-album by legendary German Heavy/Speed Metal band.
The beginnings of Grave Digger date back to 1980. In 1983, they released their debut album “Heavy Metal Breakdown”, and the second album, “Witch Hunter”, in 1985. Festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween followed before the release of the third album “War Games” in January 1986, all on Noise Records. Then Uwe Lulis on guitar joined in 1987 and the band's name was changed to Digger, under which they released the album “Stronger Than Ever”. This album had anything in common with the earlier music of Grave Digger, and it was not accepted by fans. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987…
…However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true Heavy Metal roots of Grave Digger. While most fans look to The Reaper as the archetypical return to form release, that wasn't necessarily the case regarding Grave Digger. While it conclusively swept the infamous Digger debacle under the rug, it actually consisted largely of past material previously composed for the "Hawaii Demo Bottles And Four Coconuts." The form had already been returned to some years earlier, it just took the band several years to effectively regroup. Through "The Reaper", the band exorcized the few demons that remained, and effectively wiped the slate clean to usher in a new, grand period. To Grave Digger's credit, a bevy of quality material still remained locked in "The Reaper"'s vault, and they amalgamated the remaining past cuts with the first throes of the modern Grave Digger formula we are familiar with today to bring us "Symphony of Death". “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. As per it's place in the timeline, this obscure MLP bridges the incendiary Speed Metal architecture of "The Reaper" with the Epic, forward-thinking songwriting present on "Heart Of Darkness". Grave Digger's line-up around this period is certainly one to envy, as Michael is far and away the best technician on the kit that they have ever boasted amongst their nefarious ranks. Even without Becker, these guys have no problem shifting between riff-driven fist pounders to darker, more atmospheric romps that came to define the band proper.
This is one of the greatest MLPs ever. Fast, catchy, powerful, everything you'd want in German Speed Metal. Check it out for sure, if you're a fan of the genre, and if you're just getting into Grave Digger - this is the best place to start! Amazing piece of music, kindly licensed by Sony Music, available for the very first time on vinyl!
Limited to 100 copies Yellow Vinyl.
GUN Records/Sony Music Entertainment Italy spa/Jolly Roger Records/Blackbeard, 2021 (JRR-BB003R). Made in Italy. Pressed in Germany. Second press.


Tracklist:

Side A
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Side B
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Total playing time: 48:50 min.

For the first time on vinyl, the first mini-album by legendary German Heavy/Speed Metal band.
The beginnings of Grave Digger date back to 1980. In 1983, they released their debut album “Heavy Metal Breakdown”, and the second album, “Witch Hunter”, in 1985. Festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween followed before the release of the third album “War Games” in January 1986, all on Noise Records. Then Uwe Lulis on guitar joined in 1987 and the band's name was changed to Digger, under which they released the album “Stronger Than Ever”. This album had anything in common with the earlier music of Grave Digger, and it was not accepted by fans. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987…
…However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true Heavy Metal roots of Grave Digger. While most fans look to The Reaper as the archetypical return to form release, that wasn't necessarily the case regarding Grave Digger. While it conclusively swept the infamous Digger debacle under the rug, it actually consisted largely of past material previously composed for the "Hawaii Demo Bottles And Four Coconuts." The form had already been returned to some years earlier, it just took the band several years to effectively regroup. Through "The Reaper", the band exorcized the few demons that remained, and effectively wiped the slate clean to usher in a new, grand period. To Grave Digger's credit, a bevy of quality material still remained locked in "The Reaper"'s vault, and they amalgamated the remaining past cuts with the first throes of the modern Grave Digger formula we are familiar with today to bring us "Symphony of Death". “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. As per it's place in the timeline, this obscure MLP bridges the incendiary Speed Metal architecture of "The Reaper" with the Epic, forward-thinking songwriting present on "Heart Of Darkness". Grave Digger's line-up around this period is certainly one to envy, as Michael is far and away the best technician on the kit that they have ever boasted amongst their nefarious ranks. Even without Becker, these guys have no problem shifting between riff-driven fist pounders to darker, more atmospheric romps that came to define the band proper.
This is one of the greatest MLPs ever. Fast, catchy, powerful, everything you'd want in German Speed Metal. Check it out for sure, if you're a fan of the genre, and if you're just getting into Grave Digger - this is the best place to start! Amazing piece of music, kindly licensed by Sony Music, available for the very first time on vinyl!
Limited to 150 copies Black Vinyl.
GUN Records/Sony Music Entertainment Italy spa/Jolly Roger Records/Blackbeard, 2021 (JRR-BB003R). Made in Italy. Pressed in Germany. Second press.


Tracklist:

Side A
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Side B
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Total playing time: 48:50 min.

The eighth compilation album by legendary German Heavy/Power Metal band.
Grave Digger played Teutonic Speed Metal band in their first few years, but then slow down a bit and start making traditional Heavy Metal with a few Speed elements. They split up and then became Digger (1986-1987) and then Hawaii (1988-1991), before reforming as Grave Digger in 1991.
Vinyl version of this compilation contains material from these 90’s reformation years: "Return Of The Reaper" Demo (1991), and "For Promotion Only!!" EP (1992). Line-up features Uwe Lullis (Accept). Remastered & restored by Achilleas Kalantzis (Varathron, Possesed, Sacramentum).
Unsurprisingly, most songs sound like the Grave Digger of the '80s, a more basic and straightforward, catchy style of Heavy Metal than what they've been doing since the '90s with various concept albums. If you're expecting some horrific material here, you'll don't hear anything that put you off on this compilation. Surprisingly, everything flows rather well and doesn't sound disjointed!
Vic Records, 2023 (VIC298LP-b). Made in Netherlands. First press.


Tracklist:

Side A
1. Ride On 3:48
2. Shadows of a Moonless Night 3:47
3. Spy of Mas'On 3:57
4. Fight the Fight 3:01

Side B
1. Ruler Mr. H 3:40
2. And the Devil Plays Piano 4:01
3. Fight the Fight 2:46
4. Wedding Day 3:54

Total playing time: 28:54 min.


https://vicrecords1.bandcamp.com/

First European re-release of the third full-length studio album by legedary American Punk Rock band.
Green Day couldn't have had a blockbuster without Nirvana, but "Dookie" wound up being nearly as revolutionary as "Nevermind", sending a wave of imitators up the charts and setting the tone for the mainstream Rock of the mid-'90s. Like "Nevermind", this was accidental success, the sound of a promising Underground band suddenly hitting its stride just as they got their first professional, big-budget, big-label production. Really, that's where the similarities end, since if Nirvana were indebted to the weirdness of Indie Rock, Green Day were straight-ahead Punk revivalists through and through. They were products of the Underground Pop scene kept alive by such protagonists as All, yet what they really loved was the original Punk, particularly such British Punkers as the Jam And Buzzcocks. On their first couple records, they showed promise, but with "Dookie", they delivered a record that found Billie Joe Armstrong bursting into full flower as a songwriter, spitting out melodic ravers that could have comfortably sat alongside Singles Going Steady, but infused with an ironic self-loathing popularized by Nirvana, whose clean sound on "Nevermind" is also emulated here. Where Nirvana had weight, Green Day are deliberately adolescent here, treating nearly everything as joke and having as much fun as snotty Punkers should. They demonstrate a bit of depth with "When I Come Around", but that just varies the pace slightly, since the key to this is their flippant, infectious attitude - something they maintain throughout the record, making "Dookie" a stellar piece of modern punk that many tried to emulate but nobody bettered.
The band's first collaboration with producer Rob Cavallo and its major record label debut, "Dookie" became a worldwide commercial success, peaking at number two on the US Billboard 200 and charting in seven countries. Along with The Offspring's Smash, "Dookie" has been credited for helping bring Punk Rock back into mainstream music culture.
"Dookie" was certified Diamond by the Recording Industry Association of America for the shipments of 10 million copies. 
The album has garnered considerable acclaim, from its release to present day, winning a Grammy Award for Best Alternative Music Album in 1995 and being ranked No. 193 on Rolling Stone's list of The 500 Greatest Albums of All Time. In April 2014, Rolling Stone placed the album at No. 1 on its "1994: The 40 Best Records From Mainstream Alternative's Greatest Year" list. A month later, Loudwire placed Dookie at No. 1 on its "10 Best Hard Rock Albums of 1994" list.Guitar World ranked Dookie at number thirteen in their list "Superunknown: 50 Iconic Albums That Defined 1994".
As of 2014, "Dookie" is the band's best-selling album with more than 20 million copies sold worldwide.
Re-edition includes inner sleeve with lyrics, photos and credits.
Reprise Records, a Warner Music Group Company, 1994/2009 (9362-49869-5). Made in EU.


Tracklist:

Side One
1. Burnout 2:07
2. Having A Blast 2:44
3. Chump 2:54
4. Longview 3:59
5. Welcome To Paradise 3:44
6. Pulling Teeth 2:30
7. Basket Case 3:03

Side Two
8. She 2:14
9. Sassafras Roots 2:37
10. When I Come Around 2:58
11. Coming Clean 1:34
12. Emenius Sleepus 1:43
13. In The End 1:46

Total playing time: 33:53 min.

First re-release of the fourth full-length studio album by legendary American Alternative/Punk Rock band.
Band's third best-selling album, behind “Dookie” and “American Idiot”, with sales of over 8 million worldwide and 2,076,000 copies in the US alone.
Album peaked at number two in the United States and went double Platinum by the RIAA in 1996.
Reprise Records, 1995/2009 (9362-46046-1). Made in Germany.


Tracklist:

Side A
1. Armatage Shanks 2:16
2. Brat 1:43
3. Stuck with Me 2:15
4. Geek Stink Breath 2:15
5. No Pride 2:19
6. Bab's Uvula Who? 2:08
7. 86 2:47

Side B
8. Panic Song 3:35
9. Stuart and the Ave. 2:03
10. Brain Stew 3:12
11. Jaded 1:30
12. Westbound Sign 2:13
13. Tight Wad Hill 2:01
14. Walking Contradiction 2:31

Total playing time: 32:48 min.

The seventh full-length studio album by legendary American Alternative Rock/Pop Punk band.
Green Day first achieved popularity in the 1990s with a string of successful albums. Following disappointing sales of their sixth album, "Warning" (2000), the band took a break before recording their next album, titled "Cigarettes And Valentines". The recording process was cut short when the album's master tapes were stolen. Rather than re-record that material, the group decided to start over.
A concept album dubbed a "Punk Rock Opera" by the band members, "American Idiot" follows the story of Jesus of Suburbia, a lower-middle-class American adolescent anti-hero. Through its plot, the album expresses the disillusionment and dissent of a generation that came of age in a period shaped by many tumultuous events like the Iraq War. The album was inspired by several musicals and the work of The Who.
American Idiot marked a career comeback for Green Day following a period of decreased success. It charted in 27 countries, peaking at number one in 19, and eventually sold 16 million copies worldwide. 
Its success inspired a Broadway musical and a planned feature film adaptation. It has been praised in the years following its release, appearing on several year-end and decade-end lists.
In 2005, "American Idiot" won a Grammy Award for Best Rock Album and was nominated in six other categories including Album of the Year. The album helped Green Day win seven of the eight awards it was nominated for at the 2005 MTV Video Music Awards; the "Boulevard of Broken Dreams" video won six of those awards. A year later, "Boulevard of Broken Dreams" won a Grammy Award for Record of the Year. In 2009, Kerrang! named "American Idiot" the best album of the decade, NME ranked it number 60 in a similar list, and Rolling Stone ranked it 22nd. Rolling Stone also listed "Boulevard of Broken Dreams" and "American Idiot" among the 100 best songs of the 2000s, at number 65 and 47 respectively. In 2005, the album was ranked number 420 in Rock Hard Magazine's book of The 500 Greatest Rock & Metal Albums of All Time. In 2012, the album was ranked number 225 on Rolling Stone's list of the 500 Greatest Albums of All Time.
Reprise Records, A Warner Music Group Company, 2004 (9362-48777-1). Made in EU. First press.


Tracklist:

Side One
1. American Idiot 2:54
2. Jesus Of Suburbia 9:07
I. Jesus Of Suburbia
II. City Of The Damned
III. I Don't Care
IV. Dearly Beloved
V. Tales Of Another Broken Home

Side Two
3. Holiday 3:52
4. Boulevard Of Broken Dreams 4:20
5. Are We The Waiting 2:42
6. St. Jimmy 2:54

Side Three
1. Give Me Novacaine 3:25
2. She's A Rebel 2:00
3. Extraordinary Girl 3:34
4. Letterbomb 4:06
5. Wake Me Up When September Ends 4:44

Side Four
6. Homecoming 9:18
I. The Death Of St. Jimmy
II. East 12th St.
III. Nobody Likes You
IV. Rock And Roll Girlfriend
V. We're Coming Home Again
7. Whatsername 4:12

Total playing time: 57:02 min.

The second re-release of the seventh full-length studio album by legendary American Alternative Rock/Pop Punk band.
Green Day first achieved popularity in the 1990s with a string of successful albums. Following disappointing sales of their sixth album, "Warning" (2000), the band took a break before recording their next album, titled "Cigarettes And Valentines". The recording process was cut short when the album's master tapes were stolen. Rather than re-record that material, the group decided to start over.
A concept album dubbed a "Punk Rock Opera" by the band members, "American Idiot" follows the story of Jesus of Suburbia, a lower-middle-class American adolescent anti-hero. Through its plot, the album expresses the disillusionment and dissent of a generation that came of age in a period shaped by many tumultuous events like the Iraq War. The album was inspired by several musicals and the work of The Who.
American Idiot marked a career comeback for Green Day following a period of decreased success. It charted in 27 countries, peaking at number one in 19, and eventually sold 16 million copies worldwide. 
Its success inspired a Broadway musical and a planned feature film adaptation. It has been praised in the years following its release, appearing on several year-end and decade-end lists.
In 2005, "American Idiot" won a Grammy Award for Best Rock Album and was nominated in six other categories including Album of the Year. The album helped Green Day win seven of the eight awards it was nominated for at the 2005 MTV Video Music Awards; the "Boulevard of Broken Dreams" video won six of those awards. A year later, "Boulevard of Broken Dreams" won a Grammy Award for Record of the Year. In 2009, Kerrang! named "American Idiot" the best album of the decade, NME ranked it number 60 in a similar list, and Rolling Stone ranked it 22nd. Rolling Stone also listed "Boulevard of Broken Dreams" and "American Idiot" among the 100 best songs of the 2000s, at number 65 and 47 respectively. In 2005, the album was ranked number 420 in Rock Hard Magazine's book of The 500 Greatest Rock & Metal Albums of All Time. In 2012, the album was ranked number 225 on Rolling Stone's list of the 500 Greatest Albums of All Time.
Special Limited Edition Red, White and Black Marbled Vinyl.
Reprise Records, A Warner Music Group Company, 2004/2015 (9362-49228-1). Made in Germany.


Tracklist:

Side One
1. American Idiot 2:54
2. Jesus Of Suburbia 9:07
I. Jesus Of Suburbia
II. City Of The Damned
III. I Don't Care
IV. Dearly Beloved
V. Tales Of Another Broken Home

Side Two
3. Holiday 3:52
4. Boulevard Of Broken Dreams 4:20
5. Are We The Waiting 2:42
6. St. Jimmy 2:54

Side Three
7. Give Me Novacaine 3:25
8. She's A Rebel 2:00
9. Extraordinary Girl 3:34
10. Letterbomb 4:06
11. Wake Me Up When September Ends 4:44

Side Four
12. Homecoming 9:18
I. The Death Of St. Jimmy
II. East 12th St.
III. Nobody Likes You
IV. Rock And Roll Girlfriend
V. We're Coming Home Again
13. Whatsername 4:12

Total playing time: 57:02 min.

The fourth live album by legendary American Alternative/Punk Rock band.
Between 1994 and 2001, Green Day would visit the BBC’s Maida Vale Studios in London four times and record live sessions for Radio 1’s “Evening Show” and its popular DJ Steve Lamacq. This compilation documents those sessions, and includes many of the band’s hits including “When I Come Around”, “Basket Case”, “Brain Stew/Jaded” and “Minority”.
The first dates from June 1994, just after the band released "Dookie". Here, the trio sound loud, precise, and slightly polite; it's as if they're still getting used to operating on a larger stage. By the time they held their second BBC Session in November 1996, nearly a year after the release of "Insomniac", they sound rougher and wilder, particularly on the "Brain Stew/Jaded" performance. That attitude carries over to the third session, given in February 1998, a few months after "Nimrod" hit the stores. The 1998 set finds Green Day honing their precision attack, then the last session, given in August 2001, nearly a year after the release of "Warning", captures a band in the thick of rethinking their approach; they retain their power but sharpen their songwriting chops.
Taken together, the "BBC Sessions" emphasizes both the connective threads and creative evolution of Green Day during the first act of their career, which makes it a worthy historical document in addition to a first-rate live album.
Reprise Records, a Warner Music Group/BBC, 2021 (093624881278). Made in the EU. Pressed in Czech. First press.



Tracklist:

June 8, 1994    
1. She 2:12
2. When I Come Around 2:53
3. Basket Case 2:57
4. 2000 Light Years Away 2:36

November 3, 1996        
1. Geek Stink Breath 2:06
2. Brain Stew/Jaded 4:33
3. Walking Contradiction 2:34
4. Stuck With Me 2:17

February 2, 1998        
1. Hitchin’ A Ride 2:50
2. Nice Guys Finish Last 2:56
3. Prosthetic Head 3:21
4. Redundant 3:17

August 28, 2001
1. Castaway 3:49
2. Church On Sunday 3:14
3. Minority 3:17
4. Waiting 3:19

Total playing time: 48:33 min.

The thirteenth full-length studio album by legendary American Alternative/Punk Rock band.
Green Day's final album to be released by Reprise Records, it marks a slight change in style from the band's usual sound, incorporating Garage Rock elements similar to that of their tenth studio album, "¡Dos!".
The album was preceded by four Singles: "Father of All...", "Fire, Ready, Aim", "Oh Yeah!" and "Meet Me on the Roof".
"Father Of All Motherfuckers" debuted at number four on the US Billboard 200 with 48,000 album-equivalent units, including 42,000 pure album sales. It is Green Day's 11th US top-10 album.  It also debuted atop the UK Albums Chart and Australian ARIA Albums Chart, among others.
Limited Edition “Cloudy” Red Splatter Vinyl.
Reprise Records, 2020 (093624897644). Made in Europe. Pressed in Czech.


Tracklist:

Side One
1. Father of All... 2:31
2. Fire, Ready, Aim 1:53
3. Oh Yeah! 2:52
4. Meet Me on the Roof 2:40
5. I Was A Teenage Teenager 3:45

Side Two
1. Stab You in the Heart 2:10
2. Sugar Youth 1:54
3. Junkies On A High 3:06
4. Take the Money And Crawl 2:09
5. Graffitia 3:18

Total playing time: 26:14 min.

The fifth full-length studio album by legendary American Alternative/Punk Rock band.
"Nimrod." is noted for its musical diversity and experimentation, containing elements of Folk, Hardcore, Surf Rock, and Ska. Lyrical themes discussed include maturity, personal reflection, and fatherhood.
"Nimrod." debuted at number ten on the Billboard 200, selling 81,000 copies in its first week of release, and remained on the chart for 70 weeks. On March 16, 2000, "Nimrod." was certified double Platinum by the Recording Industry Association of America (RIAA) for shipments of over two million copies. In Canada, the album peaked at number four, remaining on the chart for four weeks. On July 6, 1998, the record was certified double Platinum by the Canadian Recording Industry Association for shipments of over 200,000 copies. In Australia, the album debuted at number twelve and later peaked at number three on the country's chart. The record was later certified triple Platinum in Australia.
Etched double black vinyl in gatefold cover.
Reprise Records, A Warner Music Group Company, 1997/2017/2021 (093624912231). Made in Netherlands.


Tracklist:

Side 1
1. Nice Guys Finish Last
2. Hitchin' A Ride
3. The Grouch
4. Redundant
5. Scattered
6. All The Time

Side 2
7. Worry Rock
8. Platypus (I Hate You)
9. Uptight
10. Last Ride In
11. Jinx
12. Haushinka

Side 3
13. Walking Alone
14. Reject
15. Take Back
16. Kind For A Day
17. Good Riddance (Time Of Your Life)
18. Prosthetic Head