MUSIC

Second compilation album by legendary Belarusian Pagan/Folk/Doom Metal band.
CD contains five unreleased before tracks, three cover songs and bonus video "Beyond Praying", filmed in 1994.
Eternal Art/Metal Agen, 2001 (EA-06-01). Made in Russia. First press.


Tracklist:
1. Civilization 05:26
2. Abandon All Hope 07:52
3. Iron Man (Black Sabbath cover) 07:22
4. The Final Countdown (Europe cover) 04:51
5. Power & Reason (Aria cover) 04:23
6. When Life Ends (Unreleased 7"EP Version) 09:40
7. Reign Of Silence (Oversun Edit) 05:34
8. Civilization (Last World War Mix) 03:47
Total playing time: 48:57 min.

Bonus Video:
1. "Beyond Praying" (Demo-Version Video)

The third full-length studio album by legendary Belarusian Pagan/Folk/Doom Metal band.
Other than being the best Folk Metal album of the year, if not decade, "Steel Says Last" is also one of the most unexpected reunion stories. Initially slated for release in 2001, it got stuck in production limbo; Gods Tower disbanded, and in 2003, their guitarist and songwriter-in-residence, Alexander Urakov, drank himself to death. End of story. But as vocalist Lesley Knife admitted later, the idea of a reunion has been bouncing around since the day they split, and in 2010, they finally did it, recruiting Urakov's pupil Dmitry Lazarenko on the axe - and those were some big shoes to fill.
No bookmaker would have offered sensible odds that it all would work out -- but those who banked on it would have raked in a heap of cash, because the record is as unique as "The Turns" and "Ebony Birds", which made Gods Tower a cult band in Europe in the late '90s to early 2000s.
 The thing is, there's approximately a million bands that play Folk Metal by getting a dude with bagpipes or flute to toot over Hard Rock riffs, but with Gods Tower, the Ethnic elements are encoded right in the guitar work - in the genes. The music is based on melodies that sound at once traditional and devastating in the best Metal sense, and offers plenty of clever, also Folkish, licks backed by thundering bass. The midtempo rumbling, Knife's hoarse roar, and the meaty production seal the impression - this is really how Slavic tribes would have sounded on the march, if given guitars and Marshall amps. Between the you-have-to-hear-it guitar playing, the vaguely timeless melodies, and the monumental feel of an ancient legend made riff, these guys can induce battle trance like no other, and it's an experience not to miss out on!
Rok Music, 2011 ‎(MV 200). Made in Ukraine. First press.


Tracklist:
1. Intro / Steel Says Last 1:32
2. Earth Wind Fire & Blood 3:49
3. Rarog 7:19
4. Heroes Die Young 5:08
5. Evil 7:07
6. Civilization 4:54
7. Living Mirror 4:34
8. Abandon All Hope 6:44
9. Yesterday's Rivers 4:05
10. Poisonodog 4:47
11. People In The Swamp 7:15
Total playing time: 57:16 min.

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Second compilation album by Brithish Synth Pop project.
Goldfrapp have spent the past decade moving back and forth between icy Electro-Glam and Atmospheric balladry, delivering these extremes in tonally consistent albums that dare to alienate listeners who favor one style over the other. Despite this polarity, the duo has a remarkably consistent aesthetic, with a gloss of aloof sexiness and cinematic glamour connecting the sci-fi cabaret number "Utopia", the sinister S&M throbber "Strict Machine", the swelling ballad "Black Cherry", the Glam Rock stomp "Ooh La La", and the spacey yet pastoral Folk tune "A&E".
Following the duo's departure from EMI in August 2010, it was confirmed in April 2011 that Goldfrapp had begun work on their sixth studio album. In December 2011 Mute announced that a fourteen-track retrospective compilation titled "The Singles" would be released on 6 February 2012 by Mute and Parlophone, including the biggest singles from their five studio albums, as well as two brand-new songs, "Melancholy Sky" and "Yellow Halo". "Melancholy Sky" was released on 3 January 2012 as the compilation's lead single, while a video for "Yellow Halo" was directed by Lisa Gunning and entirely shot on Gunning's iPhone in South America. Both of the new cuts call back to their delicate, loungey debut, "Felt Mountain", but Gregory's approach has evolved with time, integrating elements of each record along the way. These songs may be a deliberate move to come full circle at the end of this retrospective set, but they could just as well point to a future in which the duo can comfortably let all aspects of its sound coexist on one record, as they do on this collection.
"The Singles" as a whole feels like a more complete and satisfying journey than either of Goldfrapp's last two albums, progressing confidently from crushing guitar-driven Boogie to weightless Space Pop!
Astralwerks/Mute Records Ltd., 2012 (509993 01167 2 6). Used: good.


Tracklist:
1. Ooh La La 3:26
2. Number 1 3:25
3. Strict Machine 3:43
4. Lovely Head 3:48
5. Utopia 3:51
6. A&E 3:19
7. Happiness 3:37
8. Train 4:11
9. Ride A White Horse 3:44
10. Rocket 3:52
11. Believer 3:44
12. Black Cherry 4:57
13. Yellow Halo 4:43
14. Melancholy Sky 4:27
Total playing time: 54:47


Samples: http://www.last.fm

The fifth studio album by famous pop punk band from USA. 
This album sees them moving away from the 'dancey' feel of 2007's 'Good Morning Revival' and back to their pop-punk roots. Singer Joel Madden says the album sounds 'a lot like Blink-182', with a more basic feel than the alternative rock of their recent records. After originally completing 'Cardiology' with producer Howard Benson, the band decided to completely scrap the album and start again with Don Gilmore, who also produced Good Charlotte's debut.
Capitol Record, 2010 (509999 07705 2 4). Pressed in Italy.


Tracklist:
1.Introduction To Cardiology 00:47
2.Let The Music Play 04:13
3.Counting The Days 02:51
4.Silver Screen Romance 03:10
5.Like It's Her Birthday 03:30
6.Last Night 03:41
7.Sex On The Radio 03:16
8.Alive 03:14
9.Standing Ovation 03:39
10.Harlow's Song (Can't Dream Without You) 03:33
11.Interlude: The Fifth Chamber 01:29
12.1979 02:59
13.There She Goes 03:21
14.Right Where I Belong 03:52
15.Cardiology 02:57
Total playing time: 46:32

The debut full-length album by Australian Thrash Metal band.
Unlike their local supreme Rock gods AC/DC, is a manifestation of old school Speed Metal, one of the truest forms of Metal music, you probably remember this orientation like the early version of Metallica, “Kill ‘Em All” era mainly,  old Anthrax, Exodus and some others.
This album is a killer Metal record; it brought back directly to 1983 with the first burst of old US Metal. The opening track, “Embrace”, opens with a classic acoustic part that can be found in many earlier platters of Thrash and Speed Metal tracks. Obviously, it roughly altered to a full assault of speed attack. Rapidly, this song immediately defined the album and the course of the band’s music in overall. Even with the final clincher, “As Dawn Bleeds The Sky”, which appeared to be at first as the album’s balladry moment, the entire release is a selection of Speed Metal prowess. “As Dawn Bleeds The Sky...” is a picture of raw mastery.
The music contained within  does not disappoint and really delivers one of hell of an energetic riff filled ride from beginning to end the riff-fest never lets up. The music reminds of all the classic proto-Thrash bands which emerged at the height of the NWOBHM with classic albums like Jaguar's "Power Games" and Savage's "Loose 'N' Lethal". The whole album is like a modern take on all the classic Metal produced in the 80's. The vocals are great and are not your typical Thrash vocals but fit more comfortably in the NWOBHM school of vocalists which adds so much to the album and songs. Take for example "Love thy enemy" which has such a classic feel and chorus that it feels like this song has already been the anthem to your life for the past 20 years. The album is a breath of fresh air with every riff packed full of youthful energy and enthusiasm.
The artwork which has just caused a blood clot to your brain due to the excessive shouting and throwing of the horns was done by none other than Andrei Bouzikov who has also done artwork for Toxic Holocaust, Violator and Skeletonwitch to name a few.
Without a doubt, this album is sure to get the band signed soon. Fresh, lively, funky, magical, fantastic, flexible, thrashing and heavy are some of the best choice words to sum up the content. A must hear for Thrash, Heavy and Power Metal lovers, as this album combines all three wonderfully! This album is a must hear vital and essential album for any self respecting Metal head!!
Selfreleased, 2013 (GORE-001). Made in Australia. Pressed in Taiwan. First press.


Tracklist:
1. Embers     4:24 
2. Love Thy Enemy     4:20
3. Those Who Say Never     3:48
4. Apathy     4:01
5. Playing With Fire     5:15
6. End Of The Night     4:05
7. As Dawn Bleeds The Sky...     5:02
Total playing time: 30:55

The second full-length album by the Norwegian Industrial Metal band.
The second album took Gothminister to a totally new level. In Norway the band became historic by being the very first Gothic Industrial band to be sponsored by Rikskonsertene to do a nightliner tour in the biggest cities. Support on the tour were Tristania. Even Bylarm (“Norwegian Popcomm”) organized a dark Rock/Gothic event in connection with the release. In Europe, Gothminister played more than 100 shows in over 20 countries to promote “Empire Of Dark Salvation”, touring with bands like Lacuna Coil, Theatre Of Tragedy and Mortiis.
The smash hit “Monsters” reached no.11 on the German Alternative Charts, and big success also overseas led to Gothministers’s first U.S headliner tour, taking on New York to Hollywood.
Tatra Productions/Art Music Group, 2005 (AMG 254). Made in ruzzia. Used (cover/disc): EX+/VG+.


Tracklist:
1. Dark Salvation 4:05
2. Welcome 0:41
3. Monsters 3:12
4. The Calling 3:36
5. Daughter Of S 0:34
6. Forgotten 3:59
7. Nachtzehrer 5:33
8. Leviathan 4:25
9. Swallowed By The Earth 4:53
10. We Die In Dreams 3:19
11. Gates Of Salvation 0:20
12. Happiness In Darkness 5:23
Total playing time: 40:00


Samples: http://www.last.fm

The second and the final full-length album by Spanish Symphonic Black Metal band.
When Gothmog’s debut album “A Step In The Dark” was released back in 2009, it appeared there was a new standard bearer for the Symphonic Black Metal scene, combining the high quality sound of the big names with the underground credibility of an unknown act.
Gothmog went through lineup changes galore in the intervening years between albums, with a new vocalist and keyboardist taking the reins for “Aeons Of Deception.” The sound quality has changed, becoming fuzzier and less sharp this time around, with more of an old-school feel where the vocals are a bit buried under the rest of the sound.
Songs like “…And I Shall Be Reborn” are fairly standard Symphonic Black Metal, and perhaps a little generic even. All the standards are lined up and counted off, with blast beats, cold riffs, and some atmospheric synths in the background throughout the track. The album isn’t entirely by the numbers however, with more of the unique Gothmog sound peeking out in many of the songs and emerging more fully in tracks such as “The Bargain Struck.”
When Gothmog does the evil-yet-melodic sound right, the band really knocks it out of the park, with atmospheric growled voice overs and a gothic and macabre feeling inundating the Extreme Metal aspects. Unfortunately this album feels a little more phoned in and less inspired the stunning debut “A Step in the Dark,” although it’s still easily worth the time of Black Metal fans who have already fully explored the likes of Dimmu Borgir. It has a lot of atmospheric keyboard work counterbalanced by cold Black Metal riffs and screams.
A worthwhile release for fans of Symphonic Black Metal!!
Spain Death Metal Records, 2012 (SDMR001). Made in Spain. First press.


Tracklist:
1. Solve Et Coagula 5:27
2. Escape To Nowhere 5:04
3. Beyond The Mist Of Time 6:21
4. Deathbringer 5:14
5. Aeons Of Deception 5:08
6. The Bargain Struck 4:30
7. The Age Of Thought 4:20
8. Nirnaeth Arnoediad 6:41
9. ... And I Shall Be Reborn 4:55
10. The Blackest Of The Paths 4:42
Total playing time: 52:22


Samples: http://www.last.fm

The tenth full-length album by the Swiss Hard Rock band.
The first album with singer Nic Maeder after Steve Lee's death (died in a motorcycle accident).
This Swiss Hard Rockers return and go back to their roots with a totally passionate, ass-kicking album. Nick Maeder reminds of Steve Lee in some ways, but not too much. But if we put the vocals aside and focus on the music and the lyrics we will find out that Gotthard is still Gotthard, only with different vocals.
The album begins with "Starlight" which kicks off this album with an explosive start, and continue with other great songs like "Remember It's Me" and "Shine", "Fight", and of course "Where Are You?" (dedicated to Steve Lee). If we start talking about the music and the songs themselves, we will find a very good album that continues what the guys did before.
The new album is good and it's really worth a listening!!
Nuclear Blast GmbH/G Records, 2012 (NB 2874-0). Used: good.


Tracklist:
1. Starlight 4:28
2. Give Me Real 3:39
3. Remember It's Me 3:29
4. Fight 3:27
5. Yippie Aye Yay 4:40
6. Tell Me 3:17
7. Shine 3:49
8. The Story's Over 4:10
9. Right On 3:54
10. S. O. S. 3:23
11. Take It All Back 3:17
12. I Can 3:13
13. Where Are You 4:20
14. Starlight (Acoustic Version) 3:57
Total playing time: 53:03


Samples: http://www.last.fm

The eighth full-length studio album by Swiss Hard Rock band.
The new masterpiece of the Swiss legend is fully packed with emotional ballads, cool Rock songs and grandiose singalongs. Like a specter of '80s Rock & Roll coming back to haunt you, Swiss veterans Gotthard keep teasing their hair, waxing their leather chaps, and pumping out glossy, commercial Heavy Rock as though the '90s and Grunge never even happened. To each his own, though, and 2007's refreshingly unapologetic "Domino Effect" taps into the familiar qualities of the Euro-Metal circa 1988, when dinosaurs like the Scorpions, Sinner, and Krokus (whose bassist actually produced Gotthard's early efforts) roamed the landscape unchallenged.
On "Domino Effect", Gotthard sounds perfectly at ease whether they are uncorking darker, heavier offerings like "Gone Too Far" and "The Cruiser" (which recall glory period Savatage); finely crafted power ballads like "Falling", "The Call", "Tomorrow's Just Begun", and "Letter to a Friend" (which they have no qualms about sequencing "Back To Back"!); or more rhythmic, arena-suited anthems like the title track, "Heal Me", and "Come Alive", which remind us of Bon Jovi in their prime.
In retrospect, Gotthard's forceful delivery amid abundant melodicism feels like the natural progression of AOR, with guitars and keyboards sharing almost equal space behind the raspy vocals of frontman Steve Lee on most of the above, plus standouts like "Master of Illusion", "Now", and the clever "The Oscar Goes To...". Closing number "Where Is Love When It's Gone" finally pushes the Pop envelope a tad too far, but with a generous 14 cuts to choose from, Gotthard will surely get plenty of understanding from all fans of accessible Heavy Rock!
The album peaked at #1 on the Swiss charts and was certified as Platinum for exceeding 30000 sales.
The limited edition Digipack comes with the bonus track "Can´t Be The Real Thing".
G.Records/Nuclear Blast GmbH, 2007 (NB 1816-0). Made in Germany. First press.


Tracklist:
1. Master Of Illusion 3:56 
2. Gone Too Far 3:55 
3. Domino Effect 3:48 
4. Falling 3:35 
5. The Call 3:55 
6. The Oscar Goes To... 4:21 
7. The Cruiser (Judgement Day) 4:28 
8. Heal Me 3:47 
9. Letter To A Friend 3:54 
10. Tomorrow's Just Begun 4:03 
11. Come Alive 2:52 
12. Bad To The Bone 3:40 
13. Now 4:12 
14. Where Is Love When It's Gone 4:09 
15. Can't Be The Real Thing 3:41
Total playing time: 58:16 min.

The debut full-length studio album by Ukrainian Pagan/Folk Metal band.
"Hurtovyna" presents itself as a competent and enjoyable Slavic Folk Metal entity, professional production and playing intact.
First track (folksy, neo-classical intro "Ceremony" notwithstanding) "Hymn to Strybog" is seemingly assembled from pre-manufactured parts like a model construction. The usual, heroic and clean-sung, East Slavic folk harmonies are backed by easily approachable riff set, sympho-keyboard lining and generously fumigated with gleeful pipe melodies. Fans of Arkona (Rus) will be all over this. "Snowstorm" employs a distinctly Ukrainian and, by extension, Transcarpathian Folk fusion via vocal harmonies and pipe melodies, with straightforward (including small traces of Black/Thrash) riffing that can easily be found in many a Pagan band, no matter the country of origin, yet the ornamental folksiest make it worthwhile. "In Memory of Quorthon" obviously had to live up to its title, so this track, the longest on the whole record, is the band's allusion to Nordic Black Metal with a bit of Epic pretension. They are clearly more comfortable with their exuberant Folk fusions, which is exactly what they go back to immediately on "In the Premonition of Inevitable Events" and "Justice", where choruses soar, riffs gallop, keyboards throw open their embellishing quills and the pipes hover above like a fresh flock of swallows. Then, cue in to the adorable ballad "Way to Another World" and make sure to put your sensitive side on display, for this could very well be the only window of opportunity, because afterwards, another smarmy, Neo-Classical outro "Funeral Feast" will courteously escort you out, back to your urban landscape.
For fans of early Nokturnal Mortum!
Wroth Emitter Productions, 2010 (W.E. 027). Made in Russia. First press.


Tracklist:
1. Обряд 03:15
2. Гімн Стрибогу 04:37
3. Хуртовина 04:59
4. Пам'яті Квортона 07:21
5. У передчутті неминучих подій 05:02
6. Правосуддя 04:35
7. Шлях в потойбіччя 06:45
8. Тризна 04:18
Total playing time: 40:52

MOTORHEAD inspired Hard Rock / Rock'n'Roll / Glam Rock from Italy.
Bacio Records, 2010 (BaCio 01). Used (cover/disc): EX/NM.


Tracklist:
1.Valtellina Boyz
2.La Frangia Dei Cattivi
3.Una Birra Al Nait
4.Ancora Al Braccio
5.Gradinata Rock
6.Valley Sleazy Girls
7.Palla Al Centro
8.Sciatera Beach Nightmare
9.R.S.Army

Debut full-length album by Norwegian Black Metal band.
Gravdal is a new Black Metal band from the legendary Norwegian Bergen scene, with bands like Gorgoroth, Trelldom, Enslaved, Immortal and many others reside. Gravdal consist of among others of Aeternus and Malsain members.
The band performs "straight in the face" Black Metal. The sound, the tunes, the vocals… Everything just reeks of Norway, and not in a bad way. Galge’s vocal efforts are magnificent, as he carries that harsh and grim scream that sounds oh-so-brutal when in his native tongue. And fortunately, it’s all in their native tongue. The riffing carries a certain amount of melody, while remaining within the old school aura. It’s harsh and raw, yet still melodic. There’s a great deal of tempo changes to keep things interesting, as blasting and brutality can be vigilant one moment, only to be replaced by a slow and agonized section of dissonant (in a good way) strings and marvelous melody up the yin yang. There are tons of twists and turns that keeps you on your feet, but they never step too far off the platform to stumble into the swamp of Progressiveness. Both guitars and bass are fully audible, and interact perfectly with the great drumming. And sound-wise it fits like a tailor-made glove; remaining cold and grim but with a good sound quality.
The lyrical theme is based on proclaiming the tragedy of humans with weak will and to that extent lead their conceited misconceptions of self into despair.
The album was mixed and mastered by Herbrand Larsen from Enslaved at Earshot Studio who is also known for his work with Gorgoroth and Octavia Sperati to name a few.
Fans of the old school Norwegian Black Metal sound will probably get a kick, as well as fans of Craft and the likes. If Gravdal keeps this up, they are on to greatness!
Unexploded Records, 2008 (UER027). Made in Sweden. First press.


Tracklist:
1. Intro 2:00
2. Tomhet 3:46
3. Angst 2:30
4. Sadist 3:57
5. Lidelse 5:18
6. Selvmord 3:31
7. Den Kalde Marsjen Hjem 4:00
8. Til Helvete 3:49
Total playing time: 28:51

The thirteenth full-length studio album by legendary German Heavy/Power Metal band.
During their career, Grave Digger have made a lot of excellent albums and always sounded like traditional Heavy Metal, but still managed to variated their albums quite good. The almost Speed metal albums of the 80s, epic and melodic albums with big choirs on. But the bottom line in the music has always been and felt like nothing but true Heavy Metal, and it’s the same deal with this album.
This is the first Grave Digger album to feature two guitarists, the only one to feature Thilo Hermann, who co-wrote the album but was asked to leave soon after its release, and also the last one with Manni Schmidt, who left the band in October 2009, due to personal differences with Chris Boltendahl. The guys are spitting out classic, 80s Heavy Metal riffs throughout the whole album, and the sound of them guitars is pretty old-school too.
It is the best album this band has done since 2003’s “Rheingold”, and absolutely better than 1999’s “Excalibur”. Grave Digger still delivers, even if it’s quite far from their best album. Should please any fan of the genre!
Napalm Records Handels GmbH, 2009 (NPR 271). Made in Austria. Pressed in Germany. First press.


Tracklist:
1. The Gallows Pole (Intro) 0:48
2. Ballad of a Hangman 4:45
3. Hell of Disillusion 3:56
4. Sorrow of the Dead 3:36
5. Grave of the Addicted 3:34
6. Lonely the Innocence Dies (ft. Veronica Freeman) 5:46
7. Into the War 3:32
8. The Shadow of Your Soul 4:15
9. Funeral for a Fallen Angel 4:31
10. Stormrider 3:17
11. Pray 3:36
Total playing time: 41:36 min.

The fifteenth full-length studio album by legendary German Heavy/Power Metal band.
After exploring Scottish motifs on their last few albums, Grave Digger turned toward Ancient Greece on "Clash Of The Gods", an opus filled with Gods, heroes and legends. While the lyrics revolve around mythical figures such as Odysseus, Hades, and Medusa, the album's music eschews world music elements and sticks to the band's trademark Power Metal.
The tales are clad in sweeping Power Metal compositions, filled with powerful riffing and catchy choruses. The songs range from fast and driving double bass tracks, anthemic mid-tempo compositions, up to rousing and simply beautiful Power Metal ballads. Crowned by Chris Boltdendahl's charismatic vocals, the new album offers everything a true Metal heart desires!
The magnificent artwork provides the finishing touches and, together with the compositions, brings the legendary figures of Ancient Greek to life. "Clash Of The Gods" is an unbelievable compact and energy driven opus and will grant Grave Digger themselves a warm welcome into the pantheon of the gods!!
In Extremo frontman, Michael Rhein, guests on the album's first track, a spoken word intro called "Charon (Fährmann des Todes)".
Clash of the Gods entered the German charts at number 29.
Napalm Records Handels GmbH, 2012 (NPR 449). Made in Germany. First press.


Tracklist:
1. Charon (Fährmann Des Todes) 2:19
2. God Of Terror 4:19
3. Hell Dog 4:27
4. Medusa 5:38
5. Clash Of The Gods 4:53
6. Death Angel & The Grave Digger 4:22
7. Walls Of Sorrow 4:43
8. Call Of The Sirens 5:30
9. Warriors Revenge 4:00
10. ...With The Wind 0:48
11. Home At Last 3:56
Total playing time: 44:55 min.

The seventeenth full-length studio album by legendary German Heavy/Speed Metal band.
Thirteen re-recorded songs from the three first albums of band's career, with modern elements, and without forgetting their roots in Traditional Heavy Metal. And two new songs added as well.
Tracks 1 to 4 and 6 to 13 are re-recorded songs from their first three albums and the "Shoot Her Down" EP.
Track 5 is a song from the Digger album "Stronger than Ever". As Grave Digger split up, the band members formed Digger and commercialized their sound. Although the band members are the same, this song does not belong to the official Grave Digger catalogue.
Tracks 14 and 15 are new songs.
Boltendahl’s voice is better than the early years because it’s lower than he was young and keeps unmistakable, like always. The riffs and solos made by Axel Ritt are better than Masson and would be a great progress when Ritt joined the band. They refreshed their melodies making it current, despite they’re old songs. Another important point is the technology (now, with money, a big label, and musical cutting edge-technology), that helped the band making these songs to sound better than the original.
As a stop-gap and fun way for the band to revisit their roots, "Exhumation (The Early Years)" works well. New fans would be wise to get this, not because Grave Digger's first three albums are anything particularly special, but because to fully appreciate their domination of the '90s (and later), you have to be conscious of their rough and ragged starting point! A nice way to stoke flames long-starved of attention, and give the better cuts from their infancy a chance to crack skulls once again!!
Napalm Records Handels GmbH, 2015 (NPR 626 DP). Made in Germany. First press.


Tracklist:
1. Headbanging Man 3:31
2. Fire In Your Eyes 3:24
3. Witch Hunter 3:18
4. Shoot Her Down 3:32
5. Stand Up And Rock 3:07
6. Heavy Metal Breakdown 3:50
7. Enola Gay - Drop The Bomb 3:36
8. Get Away 3:04
9. We Wanna Rock You 4:14
10. Playing Fools 3:51
11. Here I Stand 4:44
12. Tyrant 3:29
13. Paradise 3:50
Bonus:
14. My Private Morning Hell 3:19
15. Young And Dangerous 4:34
Total playing time: 55:23 min.

The eighteenth full-length studio album by legendary German Heavy/Power Metal band.
This is the first album to feature new keyboardist Marcus Kniep as The Reaper since H.P. Katzenburg's departure in 2014.
The boys still sound fairly spry for their age and as always, you can imagine these songs going over pretty well live. At this point in their lengthy career, Grave Digger are writing from a template older than many of our readers, and though it makes for painfully familiar song craft, it still works to some extent. Cuts like “Lawbreaker” and “Free Forever” approximate a merger of "Painkiller" era Priest with recent U.D.O. material, and that’ll always get a little blood pumping in Metallic fossils. The same goes for straight-ahead mouth breathers like “Call for War” and “Hallelujah” which put the boot to you without subtlety in classic Teutonic style. Wisely, the band keeps the adrenaline level pretty high throughout, which is when they’re at their troglodyte best. The riffing is in-your-face, the solos are out of hand, and the songs hits like a sucker punch in church.
After 37 years of metallic rabble-rousing, neither time nor tide seem able to silence these grave robbing fiends. These Heavy Metal legends will snap your neck, all while healing you with epic melodies and anthems!
Napalm Records Handels GmbH, 2017 (NPR 696 DP). Made in Germany. First press.


Tracklist:
1. Healed By Metal 3:45    
2. When Night Falls 3:56
3. Lawbreaker 3:08
4. Free Forever 3:23
5. Call For War 3:21
6. Ten Commandments Of Metal 3:28
7. The Hangman's Eye 3:08
8. Kill Ritual 3:44
9. Hallelujah 3:31
10. Laughing With The Dead 5:17
Bonus:
11. Kingdom Of The Night 4:07
12. Bucket List 3:03
Total playing time: 43:51 min.

The seventh EP of legendary German Heavy/Power Metal band.
Finally, a new release from Grave Digger. It’s been awhile since “Liberty or Death” and it’s time for us to feast once again! What special on this EP is the cover of Motorhead’s “Overkill”. It's unbelievable! It’s safe to say this is the best Motorhead cover!! To be honest, it actually seems faster. Boltendahl’s vocal style fits perfectly with the song, although no one can beat Lemmy, he’s pretty damn close. Yes, it’s that good. The solos are performed perfectly, the bass sounds like Lemmey’s only much better produced, and the drums are furiously played. 
The production on EP is neat. Very crystal clear, raw guitar sound, and Boltendahl’s vocals lies perfectly in there. Band have here concentrated on good, rocking songs instead of the a bit softer material on the last EP. The band has found new life with the addition of a new guitarist. This EP has served its purpose, to be a good warm-up for the upcoming full-length album “Ballads Of A Hangman”. If you’ve never heard the band this is a good start!!
Napalm Records Handels GmbH, 2008 (NPR 270). Made in Germany. First press.


Tracklist:
1. Pray 04:01
2. Overkill 04:33
3. My Blood Will Live Forever 04:02
4. When The Sun Goes Down 03:51
Total playing time: 16:27

For the first time on vinyl, the first mini-album by legendary German Heavy/Speed Metal band.
The beginnings of Grave Digger date back to 1980. In 1983, they released their debut album “Heavy Metal Breakdown”, and the second album, “Witch Hunter”, in 1985. Festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween followed before the release of the third album “War Games” in January 1986, all on Noise Records. Then Uwe Lulis on guitar joined in 1987 and the band's name was changed to Digger, under which they released the album “Stronger Than Ever”. This album had anything in common with the earlier music of Grave Digger, and it was not accepted by fans. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987…
…However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true Heavy Metal roots of Grave Digger. While most fans look to The Reaper as the archetypical return to form release, that wasn't necessarily the case regarding Grave Digger. While it conclusively swept the infamous Digger debacle under the rug, it actually consisted largely of past material previously composed for the "Hawaii Demo Bottles And Four Coconuts." The form had already been returned to some years earlier, it just took the band several years to effectively regroup. Through "The Reaper", the band exorcized the few demons that remained, and effectively wiped the slate clean to usher in a new, grand period. To Grave Digger's credit, a bevy of quality material still remained locked in "The Reaper"'s vault, and they amalgamated the remaining past cuts with the first throes of the modern Grave Digger formula we are familiar with today to bring us "Symphony of Death". “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. As per it's place in the timeline, this obscure MLP bridges the incendiary Speed Metal architecture of "The Reaper" with the Epic, forward-thinking songwriting present on "Heart Of Darkness". Grave Digger's line-up around this period is certainly one to envy, as Michael is far and away the best technician on the kit that they have ever boasted amongst their nefarious ranks. Even without Becker, these guys have no problem shifting between riff-driven fist pounders to darker, more atmospheric romps that came to define the band proper.
This is one of the greatest MLPs ever. Fast, catchy, powerful, everything you'd want in German Speed Metal. Check it out for sure, if you're a fan of the genre, and if you're just getting into Grave Digger - this is the best place to start! Amazing piece of music, kindly licensed by Sony Music, available for the very first time on vinyl!
Limited to 150 copies Black Vinyl.
GUN Records/Sony Music Entertainment Italy spa/Jolly Roger Records/Blackbeard, 2021 (JRR-BB003R). Made in Italy. Pressed in Germany. Second press.


Tracklist:

Side A
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Side B
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Total playing time: 48:50 min.

For the first time on vinyl, the first mini-album by legendary German Heavy/Speed Metal band.
The beginnings of Grave Digger date back to 1980. In 1983, they released their debut album “Heavy Metal Breakdown”, and the second album, “Witch Hunter”, in 1985. Festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween followed before the release of the third album “War Games” in January 1986, all on Noise Records. Then Uwe Lulis on guitar joined in 1987 and the band's name was changed to Digger, under which they released the album “Stronger Than Ever”. This album had anything in common with the earlier music of Grave Digger, and it was not accepted by fans. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987…
…However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true Heavy Metal roots of Grave Digger. While most fans look to The Reaper as the archetypical return to form release, that wasn't necessarily the case regarding Grave Digger. While it conclusively swept the infamous Digger debacle under the rug, it actually consisted largely of past material previously composed for the "Hawaii Demo Bottles And Four Coconuts." The form had already been returned to some years earlier, it just took the band several years to effectively regroup. Through "The Reaper", the band exorcized the few demons that remained, and effectively wiped the slate clean to usher in a new, grand period. To Grave Digger's credit, a bevy of quality material still remained locked in "The Reaper"'s vault, and they amalgamated the remaining past cuts with the first throes of the modern Grave Digger formula we are familiar with today to bring us "Symphony of Death". “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. As per it's place in the timeline, this obscure MLP bridges the incendiary Speed Metal architecture of "The Reaper" with the Epic, forward-thinking songwriting present on "Heart Of Darkness". Grave Digger's line-up around this period is certainly one to envy, as Michael is far and away the best technician on the kit that they have ever boasted amongst their nefarious ranks. Even without Becker, these guys have no problem shifting between riff-driven fist pounders to darker, more atmospheric romps that came to define the band proper.
This is one of the greatest MLPs ever. Fast, catchy, powerful, everything you'd want in German Speed Metal. Check it out for sure, if you're a fan of the genre, and if you're just getting into Grave Digger - this is the best place to start! Amazing piece of music, kindly licensed by Sony Music, available for the very first time on vinyl!
Limited to 100 copies Yellow Vinyl.
GUN Records/Sony Music Entertainment Italy spa/Jolly Roger Records/Blackbeard, 2021 (JRR-BB003R). Made in Italy. Pressed in Germany. Second press.


Tracklist:

Side A
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Side B
1. Intro 0:57
2. Symphony of Death 4:26
3. Back to the Roots 4:27
4. House of Horror 3:36
5. Shout It Out 3:09
6. World of Fools 5:05
7. Wild And Dangerous 2:45
Running time: 24:25 min.

Total playing time: 48:50 min.

The fourteenth full-length studio album by legendary German Heavy/Power Metal band.
Grave Digger’s name is already written in Gold in the book of Heavy Metal. Be it the German Metal band’s presence for more than 25 years, enough classic Metal hymns they’ve contributed to the majesty of our music or the non-stop quality of their honest Metallic releases, it’s no news the world of Heavy/Power Metal owes a lot to the clan surrounding the fine figure of Chris Boltendahl.
The first album to feature guitarist Axel Ritt (from Domain), "The Clans Will Rise Again" is a "loose sequel" to their "Tunes Of War" album (1996), but this time not a concept album about the Scottish history, rather a work about Scotland, its mysticism and its people. 
“The Clans Will Rise Again” smells like it’s going to turn out to be another moment of musical clarity for one of the godfathers of real Heavy/Speed Metal made in Germany and Central Europe in general. It’s classic post-“Tunes Of War” Speed/Heavy Metal with its epic/heroic moments, and you should certainly have no fear thinking of how shall Chris Boltendahl sing on this album. Chris is quite an experienced vocalist and has no difficulty in dressing each song with the harmonies needed, and it’s quite significant to mention here that he ties really well with some solo leads Axel delivers in certain parts.
It’s pretty much an even contest between this album and the last one, and in the case of both, arguably the best work put out by the band since the late 90s. The union of Grave Digger and Alex Ritt has a lot of potential for future fits of studio produced glory, and just as likely also a riveting live album.
In the absence of Running Wild and Metal Church from the dwindling ranks of 80s Power Metal mainstays, this is one of the few remnants that has basically maintained their sound and kept it free from modern influences. It has all the charm of a grand tail from the Highlands, and the bombastic bagpipes to match!
Napalm Records Handels GmbH, 2010 (NPR 349). Made in Germany. First press.


Tracklist:
1. Days Of Revenge 1:58
2. Paid In Blood 3:57
3. Hammer Of The Scots 4:01
4. Highland Farewell 4:07
5. The Clans Will Rise Again 5:01
6. Rebels 4:40
7. Valley Of Tears 4:09
8. Execution 4:45
9. Whom The Gods Love Die Young 6:11
10. Spider 3:19
11. The Piper Mcleod 0:49
12. Coming Home 4:22
13. When Rain Turns To Blood 6:08
Total playing time: 53:27 min.