MUSIC

The first European re-release of the debut full-length studio album by cult Swedish Heavy Metal/Rock band.
Standing motionless and anonymous beneath the painted faces, hoods, and robes (which their sect demand), the six nameless ghouls of Ghost deliver litanies of sexually pulsating Heavy Rock music and romantic lyrics, which glorify and glamorize the disgusting and sacrilegious. The simple intention to communicate a message of pure evil via the most effective device they can find: Entertainment.  This is Black Metal at its most original and deceiving; compositions such as “Ritual” and “Death Knell” majestically weave their melodic spell of evil through the senses until the listener finds themselves utterly possessed and open to any diabolical suggestion.
A daringly beautiful combination of Satanic Rock music with an almost unthinkable Pop sensibility, "Opus Eponymous" is where it all began for this beautifully dark global phenomenon!
"Opus Eponymous" entered the Sverigetopplistan Albums Top 60 chart at No. 59, staying on the charts for 5 weeks and peaking at No. 50. The album was nominated for the 2011 Grammis Award (the Swedish equivalent to the Grammy Awards) in the "Best Hard Rock" category. In the June 2011 edition of Sweden Rock Magazine named it the third-best album in the past decade, with the first two being "The Final Frontier" and "A Matter of Life And Death" by Iron Maiden. The album's cover was declared the fourth best of 2010 by Revolver Magazine. Noisecreep listed Ghost's version of "Here Comes The Sun" at number six on their list of the 10 Best Metal Cover Songs. In their roundup of the 25 Best Metal Albums of 2010–2019, the music blog MetalSucks declared "Opus Eponymous" to be the 5th best Metal album of the 2010s. In 2015, PopMatters called "Opus Eponymous" a 21st-century classic.
For fans of early Mercyful Fate, Misfits, and Black Sabbath.
Rise Above Records, 2010/2025 (RISECD124). Made in UK. Pressed in Austria.


Tracklist:
1. Deus Culpa 1:34
2. Con Clavi Con Dio 3:34
3. Ritual 4:29
4. Elizabeth 4:01
5. Stand By Him 3:56
6. Satan Prayer 4:38
7. Death Knell 4:37
8. Prime Mover 3:53
9. Genesis 4:03
Total playing time: 34:45 min.

The debut full-length studio album by cult Swedish Heavy Metal/Rock band.
Standing motionless and anonymous beneath the painted faces, hoods, and robes (which their sect demand), the six nameless ghouls of Ghost deliver litanies of sexually pulsating Heavy Rock music and romantic lyrics, which glorify and glamorize the disgusting and sacrilegious. The simple intention to communicate a message of pure evil via the most effective device they can find: Entertainment.  This is Black Metal at its most original and deceiving; compositions such as “Ritual” and “Death Knell” majestically weave their melodic spell of evil through the senses until the listener finds themselves utterly possessed and open to any diabolical suggestion.
A daringly beautiful combination of Satanic Rock music with an almost unthinkable Pop sensibility, "Opus Eponymous" is where it all began for this beautifully dark global phenomenon!
"Opus Eponymous" entered the Sverigetopplistan Albums Top 60 chart at No. 59, staying on the charts for 5 weeks and peaking at No. 50. The album was nominated for the 2011 Grammis Award (the Swedish equivalent to the Grammy Awards) in the "Best Hard Rock" category. In the June 2011 edition of Sweden Rock Magazine named it the third-best album in the past decade, with the first two being "The Final Frontier" and "A Matter of Life And Death" by Iron Maiden. The album's cover was declared the fourth best of 2010 by Revolver Magazine. Noisecreep listed Ghost's version of "Here Comes The Sun" at number six on their list of the 10 Best Metal Cover Songs. In their roundup of the 25 Best Metal Albums of 2010–2019, the music blog MetalSucks declared "Opus Eponymous" to be the 5th best Metal album of the 2010s. In 2015, PopMatters called "Opus Eponymous" a 21st-century classic.
For fans of early Mercyful Fate, Misfits, and Black Sabbath.
Rise Above Records, 2010/2023 (RISELP124). Made in UK.


Tracklist:

Side A
1. Deus Culpa 1:34
2. Con Clavi Con Dio 3:34
3. Ritual 4:29
4. Elizabeth 4:01
5. Stand By Him 3:56

Side B
6. Satan Prayer 4:38
7. Death Knell 4:37
8. Prime Mover 3:53
9. Genesis 4:03

Total playing time: 34:45 min.

The second full-length studio album by British Extreme Symphonic Metal band.
Suffolk Symphonic Death Metal masters follow up their full-length debut with another journey to the faraway lands of myths and legend. A continuation of the events told on "3/6/2/4", "Riddles Of The Sycophants" finds the remaining Atlanteans having washed ashore, word soon spreading about their survival and apparent favour from the gods. Creating unrest, these stories cause the seal on Pandora’s Box to be removed, the greed and desire of mankind once again forcing the Ghosts Of Atlantis to intervene.
The album showcases the band's signature blend of Symphonic and Melodic Death Metal, delivering epic soundscapes and powerful storytelling rooted in mythological themes. Ghosts Of Atlantis have steadily risen within the metal scene since their formation. Their dynamic compositions and theatrical performances have garnered a dedicated fan base worldwide. “Riddles Of The Sycophants” weaves mythology, fantasy and modern struggles into a seamless, emotionally charged experience. A testament to their craft, this album pushes boundaries, delivering a unique brand of Metal.
Prepare for an evening of musical prowess and passion!
Hammerheart Records, 2023 (HHR 2023-39). Made in Netherlands. Pressed in Czech. First press.


Tracklist:
1. March Of The Titans 5:11
2. Lands Of Snow 5:04
3. Empires Burn At Dawn 4:30
4. The Lycaon King 5:59
5. The Alkonost 7:17
6. Sacramental 5:17
7. A Maiden's Scorn 4:38
8. Behind The Wall 5:19
9. Riddles Of The Sycophants 7:00
Total playing time: 50:15 min.


https://hammerheart.bandcamp.com/

The debut full-length album by Italian Brutal Death Metal band.
Evil perverse Brutal Technical Death Metal with the lyrics throughout are charged with sadism, sexual torture and voyeuristic murder.
From variating all time from fast attacks to even quite melodic parts, this is a solid and worthy album from a band with a colorful spin on their genre, and it's well worth your attention if you are a fan of sick and sadistic Death Metal.
For fans of: Suffocation, Origin, Deicide, Vital Remains and Morbid Angel!!
Despise The Sun Records, 2008 (DTSR 009). Made in Italy. Pressed in USA. First press.


Tracklist:
1. Menstrual Vaginal Cry 05:04
2. Endless Pleasure 04:25 
3. To Bitch or Not to Bitch 04:39 
4. Until It Bleeds 05:03 
5. The Messiah of Torture and Perversion 03:40 
6. Snuff Movie 03:55 
7. Chained to My Orgasm 04:30 
8. Tears of Pain 03:48
Total playing time: 35:04

The second full-length studio album by Italian Progressive Metal/Shred guitarist.
Gianluca Ferro is a guitarist from exemplary curriculum, involved from years in collaborations with such artists, as Andrè Matos (Angra, Shaman), Kiko Loureiro (Angra), Rafael Bittencourt (Angra) and Scott McGill (Michael Manring, Vic Stevens). At the present, he’s a guitar teacher in a known musical academy.
Active since the late '90s in the Italian Prog-Metal scene, with bands such as Time Machine, Doomsword and Arkhè, Gianluca recorded many albums and performed intensively in Italy and abroad. He plays at the legendary Gods Of Metal in Milan, in different occasions, sharing the stage with bands, such as Iron Maiden, Slayer, Slipknot, Dark Tranquillity, Testament, Rammstein, Manowar, Symphony X, Running Wild and many others. At the same time, he collaborates with Kiko Loureiro (Megadeth, Angra) and Rafael Bittencourt at the album "Reviviscence" by Time Machine. While devoting himself to guitar teaching, toward the beginning of 2000 Gianluca starts working on his solo debut album, "Involution" released in 2005 and worldwide distributed by Century Media.
His solo career marks an artistic transition, blending his Jazz-Fusion skills with modern Metal influences and complex harmonic and rhythmic textures, exploring polyrhythms and polymeters in a pristine, original vision. In 2008, he released a guitar trio album with Strings 24, with whom plays at the Peralta Auditorioum in Spain, together with Patrick Rondat and, with the same line-up, he performs at the Guitar Day 4 in Milan together with Paul Gilbert, Mattias Eklundh.
In February 2010, Gianluca takes part in OSV Project 3, a guitar-oriented instrumental album, featuring guitarists Achilleas Diamantis, Borge Olzen, Marcel Coenen, Jonas Tamas and Phy Yaan-Zek, which arouses the interest of the famous producer Mark Varney.
The 15 tracks of his second solo-album recorded with the collaboration of famous musicians.
People, who enjoy acts like Liquid Tension Experiment, Steve Vai, Scale The Summit, and other instrumental Progressive Metal acts, should enjoy Gianluca Ferro's solo efforts!
SG Records, 2010 (SGCD036). Made in Italy. First press.


Tracklist:
1. Olympia's Strangely Mechanical Actions 3:43
2. Accelerating Future 6:27
3. Moroccan Dilemma 2:45
4. Crimson Robotron 1:57
5. Solaris 5:37
6. Metanfenasia 6:08
7. Life In A Raindrop 2:00
8. Cyclopic Overtone 5:35
9. Overture 1089 X 9 2:24
10. Bipolar Zombie 6:35
11. Black Lydian 1:59
12. On A Day Like Today 4:46
13. Ulam Spiral Dysporia 5:24
14. City Rises 5:05
15. The Bunraku Puppet 7:17
Total playing time: 67:45 min.


Samples: https://gianlucaferro1.bandcamp.com

The fifth full-length studio album by legendary British Hard Rock band.
Album was released during the heyday for the New Wave Of British Heavy Metal, when Heavy Metal was seeing a resurgence especially in Gillan's homeland. Many, including Ian Gillan himself, rank "Double Trouble" as the band's pinnacle; their finest moment. On the studio tracks producer Steve Smith manages to capture the raw, heavy feel of the band that was sometimes missing in past albums. The studio album featured two hit singles, “Restless” and “Nightmare”, which were unfortunately only released in Europe.
The album is titled "Double Trouble" because originally this was released as a double LP set with one record being the new studio material and the rest being live material, mostly taken from England's 1981 Reading Festival. The one exception is "If You Believe Me" which was recorded at London's Rainbow Theatre, March 4, 1981.
It is the first album to feature Janick Gers, since Bernie Tormé left the band during the tour of Germany in 1981. In fact Tormé was fired because he did not want to participate in the playback TV performance of "No Laughing in Heaven" at "Top Of The Pops" on 24 June 1981. Janick Gers came in for the rest of the tour on 25 June 1981. Of course, Janick Gers went on to record with Bruce Dickinson and eventually joined Iron Maiden.
Album reached #12 in the UK charts.
In 1989, Virgin Records re-released the remastered version of album in CD format, with the same track listing.
Kingsway Recorders/Virgin Records Ltd., 1981/1989 (CDVM 3606). Made in UK. 


Tracklist:
1. I'll Rip Your Spine Out     4:30 
2. Restless     3:19 
3. Men Of War     4:31 
4. Sunbeam     5:11 
5. Nightmare     3:15 
6. Hadely Bop Bop     2:50 
7. Life Goes On     4:12 
8. Born To Kill     9:28
9. No Laughing In Heaven (Live)     6:26
10. No Easy Way (Live)     10:32
11. Trouble (Live)     3:04
12. Mutually Assured Destruction (Live)     5:13
13. If You Believe Me (Live)     8:26
14. New Orleans (Live)     6:04
Total playing time: 77:02 min.


Samples:  http://www.lastfm

The fourth full-length studio album by legendary British Hard Rock band.
This album belongs on the list "Top 100 Albums With the Most Ugly Covers", but let that not put you off: this one is almost as good as "Mr. Universe" and "Glory Road".
The title is taken from Alvin Toffler's book "Future Shock". There are a handful of classics, mixed with some mediocre fillers - but a Hard Rock fan should have this album, even if it was just for the 3 minutes of "The Ballad of the Lucitania Express", which is The Perfect Heavy Fast Rock song. This song steams like the overheated locomotive that it is about, is not a second too long and has everything perfectly in place. The real engine is John McCoy's bass, clearly audible under the brief guitar solo, pumping 8th notes at over 200 BPM. This band can inject you with pure adrenaline and crack you up at the same time!
On its release, the album reached number 2 in the UK chart; that remain the band's highest placing album.
In 2005, "Future Shock" was ranked number 467 in the German Rock Hard Magazine's book of "The 500 Greatest Rock & Metal Albums of All Time".
Kingsway Recorders Ltd/Virgin Records Ltd., 1981 (203 596-320). Made in Germany. First press. Used (cover/disc): EX/EX.


Tracklist:

Side One
1. Future Shock 3:06
2. Night Ride Out Of Phoenix 5:04
3. (The Ballad Of) The Lucitania Express 3:10
4. No Laughing In Heaven 4:56
5. Sacre Bleu 3:02
6. New Orleans 2:37

Side Two
1. Bite The Bullet 4:49
2. If I Sing Softly 6:09
3. Don't Want The Truth 5:40
4. For Your Dreams 5:04

Total playing time: 43:37 min.

Second DVD by legendary British Hard Rock band.
Gillan were a hugely successful Hard Rock band in the early eighties fronted by legendary Deep Purple vocalist Ian Gillan. Their career ran from 1979 to 1982 during which time they released 5 albums all of which charted Top 20 in the UK and had a string of successful singles.
The live concert on DVD was filmed as part of BBC's 'Rock Goes To College' series at Oxford Polytechnic on the 2nd February 1981, following their "Glory Road" album and just before the release of "Future Shock" album. DVD also consists of one of the band's guest performances on German TV (1981), four performances at BBC's TV chart show 'Top of the Pops' (1980/1981), as well as original promo video for “Sleeping On The Job”.
DVD 5 | PAL | Region: 0 | Dolby Digital Stereo 2.0 | DTS Digital Surround 5.1 | 4:3 | English | Approx. 60 min. | XBox and PS2 Compatible.
Thompson Music Pty Ltd./Eagle Rock Entertainment Ltd./Eagle Video Classics, 2008/2011 (EVDVD115). Made in Germany.


Tracklist:
1. Unchain Your Brain
2. Mr. Universe 04:30
3. No Easy Way 11:49
4. Trouble 20:33
5. Mutually Assured Destruction 23:50
6. On The Rocks 27:40
7. Vengeance 32:28
8. New Orleans 36:51
 Bonus Tracks:
9. Vengeance (Recorded Live On German TV) 41:37
10. Sleeping On The Job (Promo Clip) 45:15
11.  Trouble (Live on BBC's Top Of The Pops) 49:04
12. New Orleans (Live on BBC's Top Of The Pops) 51:52
13. No Laughing In Heaven (Live on BBC's Top Of The Pops) 54:41
14. M.A.D. Mutually Assured Destruction (Live on BBC's Top Of The Pops) 58:00
Total playing time: approx. 60 min.

The third re-release of the second full-length studio album by legendary British Heavy Metal band.
"Hit And Run", didn't have as many standout cuts as their debut, but it lost little in the way of intensity and raw aggression. Like its predecessor, "Demolition" (1980), it was recorded at Jackson's Studios, England. The band were in the studio from December 1980 to January 1981 with Vic Maile again serving as producer.
The car on the cover is a 1972 Buick Riviera.
"Hit And Run" is the most successful Girlschool album, having reached No. 5 in the UK Albums Chart, with the Single of the title track climbing to No. 32 in the UK Singles Chart. The band appeared on the BBC show Top of the Pops on April 16, 1981, miming to the hit song.
The 7-inch single had "Tonight" as B-side, with the 10-inch adding the cover version of the famous ZZ Top song "Tush". Lead track "C'mon Let's Go" was featured in the Gemini Award-winning 2005 documentary film "Metal: A Headbanger's Journey".
In 2005, "Hit And Run" was ranked number 289 in Rock Hard Magazine's book "The 500 Greatest Rock & Metal Albums of All Time".
180 gram Pink Vinyl in gatefold cover.
Renaissance Records, 1981/2022 (RDEG-LP-881). Made in USA.


Tracklist:

Seite 1
1. C'mon Let's Go 3:35
2. The Hunter 3:15
3. (I'm Your) Victim 2:42
4. Kick It Down 3:03
5. Following The Crowd 3:08
6. Tush 2:15

Seite 2
1. Hit And Run 3:08
2. Watch Your Step 3:20
3. Back To Start 3:32
4. Yeah Right 3:20
5. Future Flash 4:27

Total playing time: 35:51 min.

The second full-length studio album by legendary British Heavy Metal band.
"Hit And Run", didn't have as many standout cuts as their debut, but it lost little in the way of intensity and raw aggression. Like its predecessor, "Demolition" (1980), it was recorded at Jackson's Studios, England. The band were in the studio from December 1980 to January 1981 with Vic Maile again serving as producer.
The car on the cover is a 1972 Buick Riviera.
"Hit And Run" is the most successful Girlschool album, having reached No. 5 in the UK Albums Chart, with the Single of the title track climbing to No. 32 in the UK Singles Chart. The band appeared on the BBC show Top of the Pops on April 16, 1981, miming to the hit song.
The 7-inch single had "Tonight" as B-side, with the 10-inch adding the cover version of the famous ZZ Top song "Tush". Lead track "C'mon Let's Go" was featured in the Gemini Award-winning 2005 documentary film "Metal: A Headbanger's Journey".
In 2005, "Hit And Run" was ranked number 289 in Rock Hard Magazine's book "The 500 Greatest Rock & Metal Albums of All Time".
Bronze Records Ltd., 1981 (203 556-320). Made in Germany. First press. Used (cover/disc): EX+/EX+.


Tracklist:

Seite 1
1. C'mon Let's Go 3:35
2. The Hunter 3:15
3. (I'm Your) Victim 2:42
4. Kick It Down 3:03
5. Following The Crowd 3:08
6. Tush 2:15

Seite 2
1. Hit And Run 3:08
2. Watch Your Step 3:20
3. Back To Start 3:32
4. Yeah Right 3:20
5. Future Flash 4:27

Total playing time: 35:51 min.

First re-release of the third full-length studio album by legendary British Heavy Metal band.
Girlschool take their place in British Rock history by being, without doubt, the most successful all female Hard Rock band - a fact witnessed by the band being the constant yardstick to which all other girl bands have been measured up to. Like their eager mentors and frequent partners Motörhead, Girlschool had parlayed the New Wave Of British Heavy Metal’s brief heyday from 1979-1981 into numerous magazine covers, sold-out tours, and a string of hit albums and singles. But change was in store for all, come 1982. The success began to decline for both bands, along with other NWOBHM bands...
The album didn’t live up to the high expectations of the first two albums, but were reasonably successful. It featured one line-up change in bassist Ghislaine 'Gil' Weston, formerly of The Killjoys, replacing the recently departed founding member Enid Williams. The album includes hits "Don't Call It Love" and "Wildlife". The album still got them out on their first Japan tour and gave them support slots on both, the Rainbow tour and the Mercyful Fate tour - a tour that could have been the end for the band, when at the band’s last Danish show in Copenhagen, Kim was severely electrocuted from her microphone and came close to being killed. King Diamond endeavored to secure promotion from this by saying he was sorry for summoning the demon that did it ㋡.
"Screaming Blue Murder” is proof alone that Girlschool weren’t just four pretty bimbos, who decided to take up instruments. They could play them, and very well indeed! Each song is a true Metal tune, and each contains something of the basic elements to be a true Metal song. The album is fierce and fun, and full of high energy - everything a Metal album should be. If you’re looking for kick-ass women creating kick-ass Metal - this is an album you need to check out!!
Limited Edition Remastered album on 180g Blue Vinyl in Gatefold cover features bonus track “Don’t Stop”.
Sanctuary Records Group Ltd., a BMG Company/Back On Black, a division of Plastic Head Distribution, 1982/2017 (LETV194LP). Made in UK.


Tracklist:

Side One
1. Screaming Blue Murder 3:34
2. Live With Me 3:21
3. Take It From Me 2:51
4. Wildlife 2:48
5. It Turns Your Head Around 3:08

Side Two
1. Don’t Call It Love 3:43
2. Hellrazor 2:38
3. When Your Blood Runs Cold 3:23
4. You Got Me 3:16
5. Flesh And Blood 2:28
6. Don’t Stop (Live) 2:44

Total playing time: 33:54 min.

Second full-length album by the Italian Neoclassical Progressive Metal/Shred guitarist-virtuoso.
The style of the album ranges from my favorite Neo-classical songs to Eastern-influenced tracks, mid-tempo pompous compositions and quite sentimental moments, so there’s plenty of variety for the listener to choose which songs fits his taste best. Giuseppe is totally enjoyable when he performs the songs: he uses catchy phrases which never produce a dull moment and this is the great advantage of his second effort!
Secret Port Records, 2008 (SPR 0020). Pressed in Germany.


Tracklist:
1. Inferno 04:07
2. Gates Of Passion 04:41
3. Black Venus 04:23
4. La Rosa Del Deserto 03:23
5. Garden Of Memories 04:28
6. Coral Castle 05:28
7. Portrait Of Isabel 02:56
8. Eternity 06:22
9. Redemption 07:03
10. Stregata 01:16
11. Les Fleurs Du Mal 03:25
12. La Ballerina Rusa 03:53
13. Daisy 03:50
Total playing time: 55:15

Debut full-length album by Viking Black Metal band from Russia.
Melodic and epic black metal for fans of modern folk metal bands from Europe and Russia like HOLY BLOOD, early ASHEN LIGHT or TURISAS.
Musica Production, 2011 (MP-54)


Tracklist:
1.Псы войны 03:11
2.Если б я был дождём 04:34
3.Убей мою плоть 05:30
4.Он жил среди асов 05:49
5.Лес – сердце земли 04:45
6.Поток могучей жизни 06:09
7.Фолькванг 05:47
Total playing time: 35:45

"Fetish Parade" is slow, progressively tinged thrash/death metal
with acoustic parts, keyboards, abstract female vocals, etc.
The sound reminds of the French progressive death metal band Symbyosis.
Negatron Records, 2000 (NEG004)


Tracklist:
1.The Fortress 03:50
2.Electronic N-ice Eyes 03:20
3.Alienatheist 04:14
4.Subhuman Mutation 04:01
5.Antartica 04:29
6.Misanthropic Hacker 04:00
7.Spacecraft 04:24
8.Installation Madness 04:07
9.Fetish Parade 03:33

The only full-length studio album by British AOR/Heavy Metal band.
"Zero Four One" title is actually the dialling code for Glasgow, Scotland, where the band from, and the band could almost have been sponsored by the Scottish tourist board as they most definitely flew the flag for this proud and most beautiful of countries. Sadly, the band was a short-lived affair but quite a few years of development went into getting the band to the stage where they released this album, and then they eventually folded in the early ’90s, although there have been several resurrections and there is a new, current version of the band alive and well north of the border, we all wish them well. It is a real pity that this was not the springboard from them to go on to a great career, as this is a most assured debut with some fabulous songs and great performances.
Michael Boyle has a great voice and drives the band forward with authority, with Archie Dickson playing quite splendid solos and riffs to die for. Then, of course, is the drumming of Paul McManus, as good a drummer as there has ever been, and he is more than ably supported by the bass work of Neil Russell. The keyboards are understated and used for effect as this is a traditional, straight forward Hard Rock band, with Melodic Rock tendencies, so all songs have great hooks and lots of vocal harmonies to make this a most easy listening album indeed. Of course, it is ’80s Scottish rock so if you were into bands like Heavy Pettin then you will love this and there are even passages that hint at the heavier work of Pallas too. 
A great Rocking album of inspired ’80s Hard Rock with plenty of melody and great songs from a band that really should have been huge! If ever a band deserved a little luck, then it is Glasgow!!
Sonet Publishing Ltd., 1987/2009 (SNTCD 041). Bootlegged replica. Used (cover/disc): EX+/EX+.


Tracklist:
1. We Will Rock 5:39
2. Secrets In The Dark (Chris Thompson cover) 4:19
3. Back On The Run 6:19
4. My Heart Is Running With The Night 4:06
5. Meet Me Halfway 3:27
6. Under The Lights 5:25
7. No More Lonely Nights 6:51
8. Breakout 4:50
Total playing time: 40:56 min.

The debut full-length studio album by Italian Thrash/Death Metal band.
Amazing Old School Death Metal, which brings back the days of the old Masters.
Fans of early Morbid Angel, Sadistic Intent, Sarcofago, etc... take a notice! This will be a Classic!!
Butchered Records/United Underground/Sevared Records/Old Cemetery Records, 2013 (BR 44 | UU 5 | OCR 53). Made in USA. First press.


Tracklist:
1. Introphilia 0:33
2. Necrolust 3:43
3. Death By Deformity 3:51
4. Magic Death 4:54
5. Mass Slaughter 2:41
6. Infestation Of Worms 4:48
7. Fucken Evoked 3:06
8. Impossible, Horrific Creatures 4:01
9. Evilized Remains 5:39
Total playing time: 33:19 min.

The third full-length studio album by Dark Ambient/Funeral Doom Metal band.
While the band’s sound has been, and remains, rooted within the dark and maleficent realms of Dark Ambient and Industrialized soundscapes, the band has often toyed and teased with uncounted styles and subgenres in their quest. Once again, Goatpsalm brings an album full of misery, but the band’s path of achieving that goal is much different from the trails they’ve trod during prior outings. The band has always said that their line-up, aside from the core duo, has flowed as freely as their music. Downstream sees the addition of Vaarwel, the force behind the eclectic Russian project Frozen Ocean, which sees another left turn for Goatpsalm.
Despite the grand scale of Goatpsalm’s writing, "Downstream" is anything but an easy listen. The band is constantly teetering on the edge between shamanistic Ambient musings, crushing dirges and jarring, Industrialized movements. It’s as if the band wanted to imbue the listener with a sense of wonder and amazement, then quickly remove any sign of hope with an iron fist. The sparing vocals further in the removal of anything that might glimmer, utilizing a multifaceted approach, with each vocalist sounding just as dreadful and miserable as the next.
Moments of bewitching charm are surrounded by sepulchral slabs of Funeral-tinged Doom Metal and unsettling Industrialism. Repeated listens allow "Downstream" to become the earworm that it was meant to be, even if it invokes a fair amount of dread. This is not an album to sit passively in the background, but if you consider yourself up for a challenge, "Downstream" will be lurking in the dark.
Haunting passages of rustic Ambient noise, primal Paganism and slow dirgeful dread. Wonderfully atmospheric for fans of Blood Of The Black Owl!
Aesthetic Death, 2016 (ADCD 035). Made in UK. Pressed in Germany. First press.


Tracklist:
1. Grey Rocks 10:50  
2. Flowers Of The Underworld 14:05  
3. White Sea 4:55  
4. Orphan 5:56  
5. Of Bone And Sinew 4:23  
6. The Waylayer (A Great Spring Hunger) 8:26  
7. Downstream 9:59
Total playing time: 58:36 min.


Samples: https://goatpsalm.bandcamp.com

Second compilation album by legendary Belarusian Pagan/Folk/Doom Metal band.
CD contains five unreleased before tracks, three cover songs and bonus video "Beyond Praying", filmed in 1994.
Eternal Art/Metal Agen, 2001 (EA-06-01). Made in Russia. First press.


Tracklist:
1. Civilization 05:26
2. Abandon All Hope 07:52
3. Iron Man (Black Sabbath cover) 07:22
4. The Final Countdown (Europe cover) 04:51
5. Power & Reason (Aria cover) 04:23
6. When Life Ends (Unreleased 7"EP Version) 09:40
7. Reign Of Silence (Oversun Edit) 05:34
8. Civilization (Last World War Mix) 03:47
Total playing time: 48:57 min.

Bonus Video:
1. "Beyond Praying" (Demo-Version Video)

The third full-length studio album by legendary Belarusian Pagan/Folk/Doom Metal band.
Other than being the best Folk Metal album of the year, if not decade, "Steel Says Last" is also one of the most unexpected reunion stories. Initially slated for release in 2001, it got stuck in production limbo; Gods Tower disbanded, and in 2003, their guitarist and songwriter-in-residence, Alexander Urakov, drank himself to death. End of story. But as vocalist Lesley Knife admitted later, the idea of a reunion has been bouncing around since the day they split, and in 2010, they finally did it, recruiting Urakov's pupil Dmitry Lazarenko on the axe - and those were some big shoes to fill.
No bookmaker would have offered sensible odds that it all would work out -- but those who banked on it would have raked in a heap of cash, because the record is as unique as "The Turns" and "Ebony Birds", which made Gods Tower a cult band in Europe in the late '90s to early 2000s.
 The thing is, there's approximately a million bands that play Folk Metal by getting a dude with bagpipes or flute to toot over Hard Rock riffs, but with Gods Tower, the Ethnic elements are encoded right in the guitar work - in the genes. The music is based on melodies that sound at once traditional and devastating in the best Metal sense, and offers plenty of clever, also Folkish, licks backed by thundering bass. The midtempo rumbling, Knife's hoarse roar, and the meaty production seal the impression - this is really how Slavic tribes would have sounded on the march, if given guitars and Marshall amps. Between the you-have-to-hear-it guitar playing, the vaguely timeless melodies, and the monumental feel of an ancient legend made riff, these guys can induce battle trance like no other, and it's an experience not to miss out on!
Rok Music, 2011 ‎(MV 200). Made in Ukraine. First press.


Tracklist:
1. Intro / Steel Says Last 1:32
2. Earth Wind Fire & Blood 3:49
3. Rarog 7:19
4. Heroes Die Young 5:08
5. Evil 7:07
6. Civilization 4:54
7. Living Mirror 4:34
8. Abandon All Hope 6:44
9. Yesterday's Rivers 4:05
10. Poisonodog 4:47
11. People In The Swamp 7:15
Total playing time: 57:16 min.

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Second compilation album by Brithish Synth Pop project.
Goldfrapp have spent the past decade moving back and forth between icy Electro-Glam and Atmospheric balladry, delivering these extremes in tonally consistent albums that dare to alienate listeners who favor one style over the other. Despite this polarity, the duo has a remarkably consistent aesthetic, with a gloss of aloof sexiness and cinematic glamour connecting the sci-fi cabaret number "Utopia", the sinister S&M throbber "Strict Machine", the swelling ballad "Black Cherry", the Glam Rock stomp "Ooh La La", and the spacey yet pastoral Folk tune "A&E".
Following the duo's departure from EMI in August 2010, it was confirmed in April 2011 that Goldfrapp had begun work on their sixth studio album. In December 2011 Mute announced that a fourteen-track retrospective compilation titled "The Singles" would be released on 6 February 2012 by Mute and Parlophone, including the biggest singles from their five studio albums, as well as two brand-new songs, "Melancholy Sky" and "Yellow Halo". "Melancholy Sky" was released on 3 January 2012 as the compilation's lead single, while a video for "Yellow Halo" was directed by Lisa Gunning and entirely shot on Gunning's iPhone in South America. Both of the new cuts call back to their delicate, loungey debut, "Felt Mountain", but Gregory's approach has evolved with time, integrating elements of each record along the way. These songs may be a deliberate move to come full circle at the end of this retrospective set, but they could just as well point to a future in which the duo can comfortably let all aspects of its sound coexist on one record, as they do on this collection.
"The Singles" as a whole feels like a more complete and satisfying journey than either of Goldfrapp's last two albums, progressing confidently from crushing guitar-driven Boogie to weightless Space Pop!
Astralwerks/Mute Records Ltd., 2012 (509993 01167 2 6). Used: good.


Tracklist:
1. Ooh La La 3:26
2. Number 1 3:25
3. Strict Machine 3:43
4. Lovely Head 3:48
5. Utopia 3:51
6. A&E 3:19
7. Happiness 3:37
8. Train 4:11
9. Ride A White Horse 3:44
10. Rocket 3:52
11. Believer 3:44
12. Black Cherry 4:57
13. Yellow Halo 4:43
14. Melancholy Sky 4:27
Total playing time: 54:47


Samples: http://www.last.fm