12"

The debut full-length solo album by the leader and vocalist of legendary American Soft Metal band Bon Jovi.
“Young Guns II” is a 1990 western film and the sequel to “Young Guns” (1988). It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, and features William Petersen as Pat Garrett. Jon Bon Jovi also made a cameo appearance in the film as one of the prisoners in the pit with Doc and Chavez.
This LP includes songs from and inspired by the movie “Young Guns II”. Emilio Estevez originally approached Bon Jovi to ask him for permission to include the song "Wanted Dead Or Alive" on the soundtrack. Bon Jovi did not feel the song’s lyrics were appropriate; however, he was inspired by the project and resolved to write a new song for the film that would be more in keeping with the period and setting. He quickly wrote the song "Blaze of Glory", and performed it on acoustic guitar in the New Mexico desert for Estevez and John Fusco. This was the first time that "Blaze of Glory" was heard.
Music videos were made for the first two singles, "Blaze of Glory" and "Miracle", and also the fourth (promo) single "Dyin' Ain't Much of a Livin", but not for the third single "Never Say Die".
The album featured guests such as Elton John, Little Richard, and Jeff Beck.
The album peaked at No. 3 on the Billboard 200 and No. 2 on the UK Albums Chart. “Blaze of Glory” was awarded a Golden Globe. It also received Academy Award and Grammy nominations.
PolyGram Records, Inc./Vertigo, 1990 (846 473-1). Made in Europe. OIS. First press. Used.


Tracklist:

Side 1:
1. Billy Get Your Guns 4:48
2. Miracle 5:08
3. Blaze Of Glory 5:44
4. Blood Money 2:34
5. Santa Fe 5:40
    
Side 2:   
6. Justice In The Barrel 6:47
7. Never Say Die 4:53
8. You Really Got Me Now 2:23
9. Bang A Drum 4:36
10. Dyin' Aint Much Of A Livin' 4:39
11. Guano City 1:00
    
Total playing time: 48:51 min.

Deluxe Edition re-release of the first full-length studio album by legendary Austrian Disco/Synth-Pop band.
Release supported by original Joy members, Andy Schweitzer and Michael Scheickl, using original audio and photo materials from the band's archive.
For first time, it includes full original version of “Hello!” (4:26) from original master tapes.
Deluxe Edition with the embossed in gold band's logo on the front cover (just like the first vinyl edition of this album in 1986) includes bonus track and 60 x 60 cm poster.
Maschina Records, 1986/2022 (MASHLP-108). Pressed in Estonia.


Trackllist:

Side A
1. Hello 4:26
2. Touch By Touch 3:50
3. Cheek To Cheek 3:44
4. Fire In The Night 4:13

Side B
1. Valerie 4:12
2. Night Of The Nights 4:33
3. Lost In Hong-Kong 3:03
4. Darling 3:35
5. Why Are You Hurtin’ Me So Much 3:29

Total playing time: 34:65 min.

First European re-release of the first full-length studio album by legendary Austrian Disco/Synth-Pop band.
Limited to 500 copies exclusive official re-edition with high sound quality!
Lastafroz Production, 1986/2016 (LSFZ RE001 LP). Made in Slovakia.


Trackllist:

Side A
1. Hello 4:16
2. Touch By Touch 3:50
3. Cheek To Cheek 3:49
4. Fire In The Night 4:13

Side B
5. Valerie 4:12
6. Night Of The Nights 4:33
7. Lost In Hong-Kong 3:03
8. Darling 3:38

Total playing time: 31:34 min.

The first re-release of the third full-length studio album by legendary Austrian Disco/Synth-Pop band.
The album includes Singles "She's Dancing Alone" and "Born to Sing a Love Song", which gained bigh popularity among listeners.
Premium Quality Heavyweight 200 g Audiophile Pressing Vinyl includes bonus track “Kissin' Like Friends”.
Maschina Records, 1989/2024 (LPMSCN201). Pressed in Estonia.


Trackllist:

Side А
1. She's Dancing Alone 3:39
2. Candle In The Wind 4:10
3. Born To Sing A Lovesong 3:41
4. Dreams 3:25
5. Venus 4:14

Side В
1. Living On An Island 4:35
2. Shady Trees 3:54
3. Classical Lovesongs 3:25
4. Sing With Me 3:24
5. Everybody Cares For Love 3:54
6. Kissin' Like Friends (Special Bonus Track) 3:50

 

The sixth full-length studio album by legendary British Heavy Metal band.
Packed with strong melodic hooks, "British Steel" is a deliberate commercial move, forsaking the complexity of the band's early work in favor of a robust, AC/DC-flavored groove. It's a convincing transformation, as Priest prove equally adept at opening up their arrangements to let the rhythms breathe.
The album is built around the classic singles "Breaking The Law" and "Living After Midnight", both big hits in the U.K., which openly posit Judas Priest as a party band for the first time. But "British Steel" is hardly a complete break from the band's past. There are still uptempo slices of Metallic mayhem bookending the album in "Rapid Fire" and "Steeler", plus effective moodier pieces in "Metal Gods" and the crawling menace of "The Rage", which features arguably the best Rob Halford vocal on the album.
"British Steel" is an important album that sealed Judas Priest's status as genre icons, and kick-started Heavy Metal's glory days of the 1980s. It went Top Five in the U.K. and became their first Top 40 album in the U.S., going Platinum in the process and paving the way for countless imitators and innovators alike.
180g-vinyl 'We Are Vinyl' series release contains download code.
Columbia/Sony Music Entertainment UK Limited, 1980/2001/2017 (88985390951). Made in EU. Pressed in France. 


Tracklist:

Side A
1. Breaking The Law 2:35  
2. Rapid Fire 4:06  
3. Metal Gods 4:01  
4. Grinder 3:57  
5. United 3:34  

Side B
6. Living After Midnight 3:31  
7. You Don't Have To Be Old To Be Wise 5:04  
8. The Rage 4:45  
9. Steeler 4:29  

Total playing time: 36:02 min.

The fourth re-release of the ninth full-length studio album by legendary British Heavy/Speed Metal band.
Up until this point in the '80s, Judas Priest was sort of inconsistent with the first two albums in the decade for Priest, being nothing of goodness. They really made up for these of the decade, with this killer album that rocks you to the core, from beginning to end. Then after this, they put out "Turbo", which blew in every single way possible. In '88, they put out "Ram It Down" which was the prophecy of what was to come for Priest. The '80s was a very interesting decade for Judas Priest and this is by far their best work of not only the '80s, but ever.
This album is the quintessential Judas Priest album, and it definitely deserves more attention than it gets. Every single song on this album has a killer riff, great vocals, great lyrics and just greatness spread throughout! Everyone was on top of their game in this album and from the moment you start this album, it's greatness from beginning to end. Everything about this album is spot on and it really shows what Priest is all about. This album has the perfect blend of heaviness, melodicness, and Metal that only Priest can provide!
Highly recommend to any Metal fan out there that wants something that is old school, has killer riffs and just rocks everything on this Earth to its core. Not only is it the quintessential Judas Priest album, but the quintessential Metal album in general!!
Sony Music Entertainment Italy S.p.A./De Agostini Publishing S.p.A., 1984/2022 (DeAgostini 34). Made in Italy. Pressed in France.


Tracklist:

Side A
1. Freewheel Burning 4:25
2. Jawbreaker 3:27
3. Rock Hard Ride Free 5:35
4. The Sentinel 5:04

Side B
1. Love Bites 4:47
2. Eat Me Alive 3:35
3. Some Heads Are Gonna Roll 4:07
4. Night Comes Down 4:01
5. Heavy Duty 2:25
6. Defenders Of The Faith 1:28

Total playing time: 38:54 min.

The fifth full-length studio album, also known as “Hell Bent For Leather”, by the legendary British Heavy/Speed Metal band.
With its release, the album pushed Judas Priest towards a more commercial style; however, it still contained the dark lyrical themes of their previous albums. At about the same time, the band members adopted their now-famous "leather-and-studs" image. This is the first Judas Priest album where Glenn Tipton incorporated the guitar technique of tapping into his soloing style. This is also the final album for drummer Les Binks, who had joined the band in late 1977 for the recording of “Stained Class”; he is credited with helping develop the traditional Priest percussive sound.
“Killing Machine” was retitled “Hell Bent for Leather” for release in the United States, because the US branch of Columbia/CBS did not like the "murderous implications" of the album title and with "The Green Manalishi (With the Two-Pronged Crown)", an early Fleetwood Mac cover, being added to the recording.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Columbia/Sony Music Entertainment UK Ltd., 1978/2017 (88985390811). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Delivering The Goods 4:16
2. Rock Forever 3:19
3. Evening Star 4:04
4. Hell Bent For Leather 2:39
5. Take On The World 3:01

Side B (THIS SIDE)
6. Burnin' Up 4:00
7. The Green Manalishi (With The Two-Pronged Crown) 3:21
8. Killing Machine 3:02
9. Running Wild 2:57
10. Before The Dawn 3:21
11. Evil Fantasies 4:13

Total playing time: 38:13 min.

The fifth full-length studio album, also known as “Hell Bent For Leather”, by the legendary British Heavy/Speed Metal band.
CBS Records, 1978 (CBS 83135). Made in Holland. First press. Used (cover/disc): VG+/VG+.


Tracklist:

SIDE ONE
1. Delivering The Goods    4:15    
2. Rock Forever    3:18    
3. Evening Star    3:55    
4. Hell Bent For Leather 2:38    
5. Take On The World 2:58

SIDE TWO
6. Burnin Up 3:55    
7. Killing Machine 3:00    
8. Running Wild    2:51    
9. Before The Dawn 3:20    
10. Evil Fantasies 4:09

Total playing time: 34:19 min.

Second re-release of the seventh full-length studio album by legendary British Heavy/Speed Metal band.
Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio.
The album got Silver status in UK and Gold in USA.
Columbia, 1981/1991 (467829 1). Made in Holland. OIS. Used (cover/vinyl): EX/EX+.

Tracklist:

Side One
1. Heading Out To The Highway 3:44
2. Don't Go 3:17
3. Hot Rockin' 3:14
4. Turning Circles 3:39
5. Desert Plains 4:30

Side Two1. Solar Angels 4:02
2. You Say Yes 3:25
3. All The Way 3:47
4. Troubleshooter 3:57
5. On The Run 3:41

Total playing time: 37:12 min.

 

Re-release the seventh full-length studio album by legedary British Heavy/Speed Metal band.
Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio.
The album got Silver status in UK and Gold in USA.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Sony Music Entertainment UK Ltd./Columbia, 1981/2017 (88985390851). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Heading Out To The Highway 3:45
2. Don't Go 3:17
3. Hot Rockin' 3:13
4. Turning Circles 3:40
5. Desert Plains 4:36

Side B (THIS SIDE)
6. Solar Angels 4:02
7. You Say Yes 3:30
8. All The Way 3:40
9. Troubleshooter 3:47
10. On The Run 3:42

Total playing time: 37:12 min.

The second live album by the legendary British Heavy/Speed Metal band.
Recorded during the Judas Priest World Tour 1986.
CBS Records, 1987 (CBS 450639 1). Made in Holland. First press. 2x OIS. Used (cover/disc 1/disc 2): VG+/VG+/VG+


Tracklist:

SIDE 1
1. Out In The Cold 6:49
2. Heading Out To The Highway    4:56
3. Metal Gods    4:07
4. Breaking The Law 2:49

SIDE 2
5. Love Bites    5:27
6. Some Heads Are Gonna Roll 4:23
7. The Sentinel 5:07
8. Private Property 5:22

SIDE 3
1. Rock You All Around The World 4:44
2. Electric Eye 4:44
3. Turbo Lover 5:59
4. Freewheel Burning 4:48

SIDE 4
5. Parental Guidance 4:19
6. Living After Midnight 4:50
7. You've Got Another Thing Comin' 7:53

Total playing time: 76:17 min.

Remastered re-release of the debut full-length studio album by legendary British Hard Rock/Heavy Metal band.
At that time, the band had not yet developed their signature look of leather and studs. They had appeared on British television show The Old Grey Whistle Test in 1975, performing "Rocka Rolla" and "Dreamer Deceiver", and their wardrobe was very "hippified". In addition, the album is more Blues/Hard Rock oriented than their later releases, and also has some slight Progressive Rock influences that would continue through to "Stained Class", but to a lesser extent, and would be abandoned in later releases. This makes the album's style virtually unrecognizable when compared with later Priest albums, although "Rocka Rolla" does feature dual guitars, and "Run of the Mill" is the first song that was explicitly designed for Halford's, rather than Atkins', vocal range.
The album produced by Rodger Bain, who had produced Black Sabbath's first three albums. The entire album was played live in the studio, rather than having individual musicians record alone. According to the band, there were technical problems in the studio, resulting in poor sound quality and a hiss through the album. It is the only album to feature drummer John Hinch - he was dismissed in 1975, before the next album recording. Tipton would later refer to him as being "musically inadequate" for the band's future plans. Guitarist Glenn Tipton had just joined when recording of "Rocka Rolla" began; his only songwriting contributions accepted by producer Rodger Bain were on the title track and "Run of the Mill". He did come up with the songs "Tyrant", "Epitaph", and "Ripper", but Bain considered them not commercial enough and rejected them. Bain also rejected the concert staple "Whiskey Woman" which later, with contributions from Tipton, morphed into "Victim of Changes". These songs were eventually all included on their next album, "Sad Wings Of Destiny". Several of the songs on the album feature contributions from the band's previous frontman Al Atkins and had been regular parts of their live performances in Manchester, where the band had achieved a cult following during the previous few years. The track "Caviar and Meths" was originally a 14-minute effort penned by Atkins, Downing, and Hill, but due to time constraints, only the intro was recorded for the album. A longer version of the song appears on Atkins's 1998 album "Victim Of Changes".
The album was released to very little reception, selling "only a few thousand copies". Because it flopped, the band found themselves in dire financial straits. In particular, the band talked of nights in which they were starving and didn't know when they were going to get their next meal.
While it was a sketchy and under-focused debut, "Rocka Rolla" nonetheless begins to delineate the musical territory Judas Priest would explore over the remainder of the decade: frighteningly dark in its effect, tight in its grooves, and capable of expanding to epic song lengths. Mostly a curiosity for hardcore fans, the album definitely hints at Judas Priest's potential and originality, but doesn't always suggest the quantum leap in vision that would occur with their very next record.
Heavyweight 180 g vinyl in gatefold cover.
Gull Records/Back On Black, a trademark of Plastic Head, 1974/2010 (BOBV251LP). Made in UK. Pressed in Czech.


Tracklist:

Side One
1. One For The Road 4:39
2. Rocka Rolla 3:05
3. Winter 3:02
4. Deep Freeze 1:56
5. Winter Retreat 1:31
6. Cheater 2:57
7. Never Satisfied 4:53

Side Two
8. Run Of The Mill 8:34
9. Dying To Meet You 6:18 
10. Caviar And Meths 2:05
11. Diamonds And Rust (Joan Baez cover) 3:13

Total playing time: 42:10 min.


Samples: https://judaspriest.bandcamp.com

Remastered re-release of the second full-length studio album by legendary British Hard Rock/Heavy Metal band.
The only album to feature drummer Alan Moore, "Sad Wings Of Destiny" is considered the album on which Judas Priest consolidated their sound and image, and songs from it such as "Victim of Changes" and "The Ripper" have since become live standards. Noted for its riff-driven Heavy Metal sound and the wide range of Rob Halford's vocals, the album displays a wide variety of styles, moods, and textures, inspired by an array of bands such as Queen, Deep Purple, and Black Sabbath. Building on the Hard/Prog of bands like Queen and Wishbone Ash, plus the twin-guitar innovations of the latter and Thin Lizzy, "Sad Wings Of Destiny" fused these new influences with the Gothic Doom of Black Sabbath, the classical precision of Deep Purple, and the tight riffery of the more compact Led Zeppelin tunes.
The centrepiece "Victim of Changes" is an eight-minute track featuring heavy riffing trading off with high-pitched vocals, extended guitar leads, and a slow, moody breakdown toward the end. "Tyrant" and "The Ripper" are short, dense, high-powered rockers with many parts and changes. Riffs and solos dominate "Genocide", "Island of Domination", and "Deceiver", and the band finds more laid-back moments in the crooning piano-backed "Epitaph" and the moody "Dreamer Deceiver".
"Sad Wings Of Destiny" had a positive reception but weak sales as it was released just as Punk Rock was dominating the spotlight in the UK. The band recorded their first two albums with the independent Gull label under tight budgets (the label provided a recording budget of £2000 for each of the band's first two albums). After living off a single meal per day while working side jobs to support themselves (Tipton as a gardener, Downing in a factory, and Hill driving a delivery van), the band grew frustrated with the financial situation and signed with CBS Records for their next album, "Sin After Sin" (1977). Breaking their contract resulted in the rights to "Sad Wings Of Destiny" and its demo recordings falling into Gull's hands.
Anyway, the year 1976 was crucial for the evolution of Heavy Metal, as landmark albums like Rainbow's "Rising" and Scorpions' "Virgin Killer" began to reshape the genre. Perhaps none was quite as important as Judas Priest's sophomore effort, "Sad Wings Of Destiny", which simultaneously took Heavy Metal to new depths of darkness and new heights of technical precision. More than any other Heavy Metal album of its time, "Sad Wings Of Destiny" offered the blueprint for the way forward. What's striking is how deeply this blueprint resonates through the years, from the Prog ambitions of Iron Maiden to the thematic echoes in a pair of '80s Thrash Metal masterpieces.
180g black vinyl in gatefold cover.
Gull Records/Back On Black, 1976/2010 (BOBV250LP). Made in UK. Pressed in Czech.


Tracklist:

Side A
1. Victim Of Changes 7:54
2. The Ripper 2:50
3. Dreamer Deceiver 5:54
4. Deceiver 2:42
5. Prelude 2:01

Side B
6. Tyrant 4:28
7. Genocide 5:46
8. Epitaph 3:07
9. Island Of Domination 4:28

Total playing time: 39:10 min.


https://judaspriest.bandcamp.com/

Remastered re-release of the eighth full-length studio album by legendary British Heavy Metal band.
Judas Priest rebounded from the shaky "Point Of Entry" with "Screaming For Vengeance", arguably the strongest album of their early-'80s commercial period. Having moved a bit too far into simplistic Hard Rock, "Screaming For Vengeance" found the band refocusing on Heavy Metal, and achieving a greater balance between commercialism and creativity. The results were catchy and accessible, yet harder-hitting, and without the awkwardly apparent calculation that informed the weakest moments of the album's two predecessors. Ultimately, "Screaming For Vengeance" hangs together better than even the undeniable landmark "British Steel", both thematically and musically.
The album was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed at Beejay Recording Studios and Bayshore Recording Studios in Florida. It was first released on July 17, 1982.
Despite a one-album misstep in between, "Screaming For Vengeance" managed to capitalize on the commercial breakthrough of "British Steel", becoming the first Priest album to be certified double Platinum, and reaching the Top 20 in America and the U.K. alike. Along with "British Steel", it ranks as one of the best and most important mainstream Metal albums of the '80s!
The album reached #11 in the UK and #17 on Billboard 200 Pop Albums and made Judas Priest much more popular than they were after their “British Steel” album. It went Gold (RIAA) on October 29, 1982, Platinum on April 18, 1983 and Double Platinum on October 16, 2001, being their first album to achieve the two latter awards.
"Screaming For Vengeance" came 15th on IGN's 25 most influential Metal albums. It also came 10th on Metal-Rules.com's 100 Greatest Metal albums.
180g vinyl with printed inner sleeve.
Columbia/Sony Music Entertainment UK Limited, 1982/2017 (88985390861). Made in Germany. Pressed in France.


Tracklist:

Side A
1. The Hellion 0:41
2. Electric Eye 3:39
3. Riding On The Wind 3:07
4. Bloodstone 3:51
5. (Take These) Chains 3:07
6. Pain And Pleasure 4:17

Side B
7. Screaming For Vengeance 4:43
8. You've Got Another Thing Comin' 5:09
9. Fever 5:20
10. Devil's Child 4:48

Total playing time: 38:42 min.

Second re-release of the third full-length studio album by the legendary British Heavy/Speed Metal band.
This is one of the very first Heavy Metal albums and, on its own, isn't the most well-known of the Judas Priest releases. While it was well-received by critics at the time, it did not have the exact same response as "Sad Wings Of Destiny" did before it. Even though it has its flaws, "Sin After Sin" made a major contribution to the development of Heavy Metal and remains an important stepping-stone in the evolution of the genre.
"Sin After Sin" was the band's first album with Columbia Records after their contract with Gull Records was terminated; as a consequence of which they lost all rights to their first two albums "Rocka Rolla" and "Sad Wings Of Destiny", as well as any other demo recordings made during that timeframe. This was the band's last album to feature their original "gothic cursive font" logo, though it was used on later Gull Records reissues of their earlier material.
The album features session drummer Simon Phillips, as the band had recently parted ways with drummer Alan Moore. The album includes a cover of Joan Baez's "Diamonds & Rust", a decision that was encouraged by producer Roger Glover.
It is the first of eleven consecutive Judas Priest albums to be certified Gold by the RIAA.
For fans that grew up with "Painkiller", "Screaming For Vengeance" or even "British Steel", "Sin After Sin" is tough album to appreciate. Even if the songs don’t all stand the test of time, their significance to the development of Heavy Metal cannot be overstated. In 1977, there wasn’t a band out there that questioned the definition of Heavy Metal music like Judas Priest, and the daring and experimental tracks on "Sin After Sin" are the proof!
CBS, 1977/1986 (CBS32005). OIS. Made in Holland. Used (cover/vinyl): EX+/NM-.
 

Tracklist:
1. Sinner 6:42
2. Diamonds And Rust 3:24
3. Starbreaker 4:50
4. Last Rose Of Summer 5:39

1. Let Us Prey 6:13
2. Call For The Priest / Raw Deal 5:58
3. Here Come The Tears 4:23
4. Dissident Aggressor 3:19

Total playing time: 40:28 min.

Re-release of the fourth full-length studio album by the legendary British Heavy/Speed Metal band.
"Stained Class" is the only Judas Priest album to feature songwriting by all five members of the band. The alum showcased a more streamlined songwriting style while not compromising on the band's trademark Heavy Metal riffs. The production is crisper, clearer, and cleaner than any of their preceding albums. Following this album, the band broke its songwriting team down to Rob Halford, K.K. Downing and Glenn Tipton, with occasional contributions solely by Tipton.
Several years after its release, "Stained Class" was the subject of negative attention due to the infamous 1990 civil action brought against the band by the family of a teenager, James Vance, who entered into a suicide pact with his friend Ray Belknap after allegedly listening to "Better by You, Better Than Me" on December 23, 1985. Belknap succeeded in killing himself, and Vance was left critically injured after surviving a self-inflicted gunshot to the facial area. The suit alleged that Judas Priest recorded subliminal messages on the song that said "do it." The suit was eventually dismissed. The song was originally written and performed by the band Spooky Tooth.
In 2005, "Stained Class" was ranked number 307 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Sony Music Entertainment UK Ltd./Columbia, 1978/2017 (88985390791). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Exciter 5:30
2. White Heat, Red Hot 4:30
3. Better By You, Better Than Me 3:22
4. Stained Class 5:20
5. Invader 4:00

Side B (THIS SIDE)
6. Saints In Hell 5:30
7. Savage 3:26
8. Beyond The Realms Of Death 6:55
9. Heroes End 5:05

Total playing time: 43:38 min.

30th Anniversary Edition, first remastered re-release of the tenth full-length album by legendary British Heavy/Speed Metal band.
British Metal legends Judas Priest for a second time reissued "Turbo" album, originally released in 1986. Always believing that Metal should have no boundaries, Priest challenged themselves, taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal styling ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven lead-off track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!
Sony Music Entertainment UK Ltd./Columbia, 1986/2017 (88875183271). Made in Germany. Pressed in France. 180 g vinyl.


Tracklist:

Side 1
1. Turbo Lover 5:33
2. Locked In 4:19
3. Private Proberty 4:29
4. Parental Guidance 3:26
5. Rock You All Around The World 3:36

Side 2
6. Out In The Cold 6:27
7. Wild Nights, Hot & Crazy Days 4:39
8. Hot For Love 4:11
9. Reckless 4:20

Total playing time: 41:00 min.

For the first time on vinyl, the fourth full-length studio album by American Death Metal band.
Twelve Groovy Oldschool Death Metal tracks in the intersection of Six Feet Under, Suffocation and even some Scandinavian Death Metal bands such as Dismember or Obituary.
The sound is a little more polished than the predecessors, but is still straightforward and heavy. Primitive, groovy guitar riffs, raw foot work on the drums and deep guttural grunt vocals are the ingredients for the vicious brutality and aggression of Jungle Rot.
Jungle Rot is occasionally accused of releasing the same album over and over again. But hey, who cares? Let’s headbang to 30 minutes of traditional, mainly midpaced tracks and enjoy the very good production!
Limited Edition to 300 copies black vinyl in gatefold cover. 45 RPM.
Century Media Records Ltd./Animate Records, 2004/2022 (AR 114). Made in Germany. First press.


Tracklist:

Side A
1. Intro 00:53
2. Face Down 03:44
3. Let Them Die 02:29
4. Fractured 03:10
5. Gain Control 02:12
6. Gasping for Air 02:44

Side B
7. Low Life 03:07
8. Scars of the Suffering 01:11
9. Symbols of Hate 03:03
10. No Surrender 02:20
11. Habit Fulfilled 02:42
12. More Demon Souls 02:49

Total playing time: 30:24 min.

The tenth full-length studio album by legendary American Progressive/Art/Hard Rock band.
The band's first studio album for MCA Records. It featured a new lineup, as the band reformed after a period of hiatus.
Kansas took a dramatic change in musical viewpoints with the "Power", becoming more Hard Rock and Pop than Prog Rock, which"probably surprised longtime Kansas fans, but gave the band an interesting, if ultimately short-lived, new direction.
MCA Records, 1986 (MCA-5838). Made in the USA. First press. OIS. Still in seal with the sticker. Cut-out. Used (cover/disc): EX+/EX+.


Tracklist:

Side One
1. Silhouettes In Disguise 4:26    
2. Power 4:25    
3. All I Wanted 3:20    
4. Secret Service 4:42    
5. We're Not Alone Anymore 4:16

Side Two
1. Musicatto 3:30
2. Taking In The View 3:06
3. Three Pretenders 3:50
4. Tomb 19 3:46
5. Can't Cry Anymore 4:01

Total playing time: 39:22 min.

The sixth full-length studio album by legendary British Synth-Pop singer.
The final album on which Marty Wilde had co-writer credits. The album is widely perceived by fans and critics (and Kim herself) as Wilde's most well-balanced, with many kinds of Pop represented: Dance, Ballad, Rock and Midtempo.
The album's lead Single was "Hey Mister Heartache", featuring backing vocals from Junior Giscombe – but its success was dwarfed by the follow-up Single, "You Came", which hit the Top 10 in many countries and just missed the US Top 40.
"Never Trust a Stranger" and "Four Letter Word" also reached the UK Top 10, although a fifth Single, "Love in the Natural Way", was less successful. Attention for the album was bolstered by Kim's support slot on Michael Jackson's European tour.
"Close" reached the Top 10 in the UK, almost all Scandinavian countries, Austria and Germany and went on to become Wilde's biggest selling album, being certified Platinum in the UK. In Australia, the album was less successful, peaking at #82 on the ARIA albums chart.
MCA Records/WEA Musik GmbH, 1988, 255 588-1 (MCG 6030). Made in Germany. First press. OIS.


Tracklist:

Side 1
1. Hey Mister Heartache  4:34
2. You Came  4:33
3. Four Letter Word  4:02
4. Love In The Natural Way  4:07
5. Love's A No  4:16

Side 2
6. Never Trust A Stranger  4:04
7. You'll Be The One Who´ll Lose  4:32
8. European Soul  5:20
9. Stone  4:41
10. Lucky Guy  2:38

Total playing time: 42:47 min.