ВІНІЛОВІ ПЛАТІВКИ

The first and the lead Single from the forthcoming fifth full-length studio album, "Seeds Of Heaven", by legendary German Pop/Disco project.
The Single debuted at number 91 in Germany for the week of April 15, 1991, re-entered at number 25 two weeks later and stayed there for one more week before dropping to number 26.
Hansa/BMG Ariola München GmbH, 1991 (614 115-213). Made in Germany. First press. Used (cover/disc): EX+ (cut-out)/EX+.



Tracklist:

Side A
1. Lucifer (Devil-Mix) 6:17

Side B
1. Lucifer 3:45
2. Lucifer (Instrumental) 3:45

Total playing time: 13:47 min.

The eighth Single by legendary German Pop/Disco band.
It’s a second Single from the third full-length studio album, “Twilight”.
Hansa/BMG Ariola München GmbH, 1989 (612 664). Made in Germany. First press. 45 RPM. Used.


Tracklist:

Side A
1. Magic Symphony (Long Version) 5:31

Side B
1. Magic Symphony (Radio Version) 3:35
2. Magic Symphony (Instrumental) 3:35

Total playing time: 12:43 min.

The fourth Single by legendary German Pop/Disco solo project of Dieter Bohlen (ex- Modern Talking).
It’s a first Single from Blue System’s second studio album, “Body Heat”. It was released on April 18, 1988.
The song was written, arranged and produced by Dieter Bohlen, and co-produced by Luis Rodríguez.
Hansa/BMG Ariola München GmbH, 1988 (609 918). Made in Germany. First press. 45 RPM. Used (cover/disc): EX+/EX+.



Tracklist:

Side A
My Bed Is Too Big (No Longer Too Big Bed Mix) 5:20

Side B
My Bed Is Too Big (Instrumental) 3:30
My Bed Is Too Big (Radio Version) 3:30

Total playing time: 12:22 min.
 

The fourth full-length studio album by legendary German Pop/Disco project.
Hansa/BMG Ariola München GmbH, 1990 (210 995). Made in Germany. First press. OIS. Used (cover/disc): EX+/EX+.


Tracklist:

Side 1
1. Love Is Such A Lonely Sword 4:12
2. When Sarah Smiles 3:45
3. Behind The Silence 3:33
4. 2000 Miles 3:50
5. Two Hearts Beat As One 3:44

Side 2
1. 48 Hours 3:53    
2. I'm Not That Kind Of Guy 3:28
3. Try The Impossible 3:25
4. Another Lonely Night 3:11
5. I'm The Pilot Of Your Love 3:22

Total playing time: 36:12 min.

The fifth full-length studio album by legendary German Pop/Disco project.
Hansa/BMG Ariola München GmbH, 1991 (211 411). Made in Germany. First press. Used.


Tracklist:

Side A
1. La Serenata (Overture) 1:36
2. Lucifer 3:46
3. Testamente D'amelia 5:35
4. Is She Really Going Out With Him? (Live recorded in Leningrad autumn 1990) 3:28
5. Read My Lips 4:05

Side B
1. Is It A Shame 3:38
2. Sad Girl In The Sunset 4:35
3. Lisa Said ... 5:05
4. The Wind Cries (Who Killed Norma Jean) 3:58
5. Don't Tell Me ... 3:55

Total playing time: 39:11 min.

The sixth Single by legendary German Pop/Disco solo project of Dieter Bohlen (ex- Modern Talking).
It’s a third Single from Blue System’s second studio album, “Body Heat”, and it was released in January 1989. The song was written, arranged and produced by Dieter Bohlen.
The Single debuted at number 13 in West Germany for the week of 16 January 1989. The song was the title song from episode "Moltke" the cult German television movie "Tatort".
BMG Ariola München GmbH/Hansa, 1989 (611 937). Made in Germany. First press. 45 RPM. Used (cover/disc): NM/NM.



Tracklist:

Side A
Silent Water (Long Version) 4:48

Side B
Body Heat (Long Version) 5:24
Silent Water (Radio Version) 3:24

Total playing time: 13:38 min.

The debut single by legendary German Pop/Disco solo project of Dieter Bohlen (ex- Modern Talking).
It's the first single from Blue System's debut album, “Walking On A Rainbow”, and it was released on September 7, 1987.
The song was written, arranged and produced by Dieter Bohlen, and co-produced by Luis Rodríguez. It has a strong Bossa Nova influence.
Dieter Bohlen said: "After Modern Talking, I thought for a long time what I could do now, and we never had a Samba hit in Germany. So it was for me a big challenge to write a Samba title".
BMG Ariola München GmbH/Hansa, 1987 (609 469). Made in Germany. First press. 45 RPM. Used.


Tracklist:

Side A
Sorry Little Sarah (Long Version) 5:12

Side B
Big Boys Don't Cry (Long Version) 5:24

Total playing time: 10:36 min.

The debut single by legendary German Pop/Disco solo project of Dieter Bohlen (ex- Modern Talking).
It's the first single from Blue System's debut album, “Walking On A Rainbow”, and it was released on September 7, 1987.
The song was written, arranged and produced by Dieter Bohlen, and co-produced by Luis Rodríguez. It has a strong Bossa Nova influence.
Dieter Bohlen said: "After Modern Talking, I thought for a long time what I could do now, and we never had a Samba hit in Germany. So it was for me a big challenge to write a Samba title".
BMG Ariola München GmbH/Hansa, 1987 (109 469). Made in Germany. First press. 45 RPM. Used (cover/disc): VG/VG+.



Tracklist:

Side 1
Sorry Little Sarah 3:35

Side 2
Big Boys Don't Cry 3:11

Total playing time: 6:46 min.

For the first time ever on vinyl, compilation album by legendary German Pop/Disco project.
All the greatest hits of the band on this LP!
Sony Music Entertainment, 2019 (19075952451). Made in Poland. First press.


Tracklist:

Side A
1. Sorry Little Sarah
2. My Bed Is Too Big
3. Under My Skin (Radio Version)
4. Silent Water
5. Love Suite
6. Magic Symphony
7. Deja Vu (Radio Mix)

Side B
1. Laila (Airplay Mix)
2. History
3. Big Boys Don't Cry (Maxi Version)
4. Love Me On The Rocks
5. She's A Lady (Maxi Version)
6. 48 Hours
 

The third full-length studio album by legendary German Pop/Disco project.
Hansa/BMG Ariola München GmbH, 1989 (210 295). Made in Germany. First press. Used.


Tracklist:

Side A
1. Magic Symphony 3:34
2. Love Me On The Rocks 3:27
3. Save Me 3:45
4. Nobody Makes Me Crazy (Like You Do) 3:27
5. Madonna Blue 3:40

Side B
1. Call Me Dr. Love (A New Dimension) 3:20
2. Little Jeannie 3:28
3. Carry Me Oh Carrie 3:15
4. Big Yellow Taxi 3:20
5. Everything I Own 3:10

Total playing time: 34:26 min.

The fifth Single by legendary German Pop/Disco solo project of Dieter Bohlen (ex- Modern Talking).
It’s a second Single from Blue System’s second studio album, “Body Heat”, and it was released in October 1988. The song was written, arranged and produced by Dieter Bohlen.
The Single debuted at number 57 in West Germany for the week of 24 October 1988, and peaked at number 6 three weeks later.
Hansa/BMG Ariola München GmbH, 1988 (611 699). Made in Germany. First press. 45 RPM. Used (cover/disc): NM (still in seal)/NM.


Tracklist:

Side A
Under My Skin 5:10

Side B
Under My Skin (Dubbing) 3:47
Under My Skin (Radio Version) 3:31

Total playing time: 12:30 min.

The first re-release of the debut full-length studio album by legendary German Pop/Disco project.
Hansa/BMG Ariola München GmbH, 1987/1989 (210 218). Made in Germany. Used (cover/disc): VG/VG.


Tracklist:

Side 1
1. Gangster Love (Maxi Version) 4:24
2. Sorry Little Sarah (Maxi Version) 5:12
3. She's A Lady (Maxi Version) 4:59
4. Voodoo Nights 3:23

Side 2
1. Love Me More (Maxi Version) 4:57
2. Emanuelle (Maxi Version) 4:19
3. Big Boys Don't Cry (Maxi Version) 5:05
4. G.T.O. 3:28

Total playing time: 35:47min.

Rhinoceros Records, 1983 (24-0256-1). Belgium. Used (cover/disc): EX+/NM.

 
Tracklist:

Side A:
1. Shout 4:23    
2. Battlefield 5:45    
3. Black Star Risin' 5:11    
4. Below The Belt    6:29
    
Side B:
5. The Force 6:30    
6. Hard Times 5:05    
7. Rampage    5:20    
8. Free Kick 3:56
    
Total playing time: 42:39 min.

The third re-release of the sixth full-length studio album by legendary British Death Metal band.
"Mercenary" is the first Bolt Thrower release to feature significant changes for the band. The music isn't anything new, but the English Grindcore outfit had an updated line-up that included long-time members Barry Thompson and Gavin Ward on guitar, Jo Bench on bass, vocalist Karl Willets, and rookie Alex Thomas on drums (the band's only album with him). Additionally, "Mercenary" is the first recording from the band to appear on Metal Blade Records.
These changes have little effect on Bolt Thrower's sound. The career-long pattern of ever-tightening performances is upheld, as all involved do a splendid job reproducing the band's trademark racket. Thomas' superior drumming is more impressive than his predecessor's; however, some would argue that Andy Whale's borderline sloppiness amounted to a sonic signature, so it's wash. 
"Mercenary" continues Bolt Thrower's long-standing tradition of war inspired Metallic themes, churning guitars and relentless double bass drum assaults.
The cover painting is titled "Contact – Wait Out", which is also the first track on the next album, "Honour – Valour – Pride". "Powder Burns" is a continuation of the song "Embers" from "The IVth Crusade", and leads into "The Killchain" on "Those Once Loyal".
Fans of the Metal act will approve of this 1998 offering, but new listeners might want to check out "For Victory" or "The IVth Crusade" before soldiering on to "Mercenary".
Collector’s Edition 180 gram Black Vinyl includes giant Poster.
Metal Blade Records, 1998/2021 (3984-14147-1). Made in Germany.


Tracklist:

Side A
1. Zeroed 5:46
2. Laid To Waste 4:40
3. Return From Chaos 5:04
4. Mercenary 5:54

Side B
5. To The Last... 5:24
6. Powder Burns 4:46
7. Behind Enemy Lines 5:18
8. No Guts, No Glory 4:07
9. Sixth Chapter 5:40

Total playing time: 46:39 min.



Samples: https://boltthrower.bandcamp.com

The third re-release of the third full-length studio album by legendary British Death Metal band.
Although it never appealed to mainstream Rock audiences, Bolt Thrower wasn't quite as extreme as some of the other bands on England's Metal-oriented Earache label (which signed a distribution deal with Combat in the early '90s). Compare "War Master" to Carcass' very Hardcore "Symphonies Of Sickness", and you'll see that this blistering Death Metal release is a bit more accessible. Whereas "Realm Of Chaos" was dominated by Grindcore based blasts and riffs, this album abandons most of the Grindcore influences for a sound that is more strictly Death Metal. Moreover, there is more melody in the music and the guitar solos, although some chaotic solos remain. This is also the final Bolt Thrower album to feature the blast beat style of drumming (which can be heard on three songs: "What Dwells Within", "War Master" and "Afterlife"), before it was abandoned and subsequently never used thereafter in the Bolt Thrower discography.
Lead singer Karl Willetts favors the type of choked, grunting vocals that underground Grindcore bands were known for, but unlike such bands, Bolt Thrower isn't always heard at breakneck speed. Bolt Thrower often slows down the tempo, making the morbid lyrics to "The Shreds of Sanity", "Destructive Infinity" and "Profane Creation" easier to understand.
"Cenotaph" is a thematic continuation of the song "World Eater" from the previous record. It shares the opening and ending riffs and it has some lyrical similarities as well.
The album was recorded at Slaughterhouse studios in September 1990. It was the last recording at Slaughterhouse Studios, which was destroyed in a fire.
Despite the slightly repetitive songwriting, "War Master" remains an excellent effort, based on interesting musical performance from a band that finally found its identity. As for the album itself, it still remains one of the most respectable Death Metal albums ever released. Despite Bolt Thrower's limitations, this is an album that seasoned Thrash fans will find invigorating!
This release has been cut by vinyl mastering engineer Noel Summerville, who also made the original 90's cut.
Pressed from original tapes, full dynamic range Yellow Transparent vinyl in gatefold cover.
Please, note! We can’t guarantee the colour of the vinyl, because all the versions of re-release has no colour identification. Ask us to check before the shipping, if you're not indifferent about the colour.
Earache Records, 1991/2023 (MOSH029FDRUS). Made in UK.


Tracklist:

Side One
1. Intro… Unleashed (Upon Mankind) 6:13
2. What Dwells Within 4:18
3. The Shreds Of Sanity 3:26
4. Profane Creation 5:32

Side Two
5. Final Revelation 3:55
6. Cenotaph 4:03
7. War Master 4:17
8. Rebirth Of Humanity 4:01
9. Afterlife 6:00

Total playing time: 45:58 min.



Samples: https://bolt-thrower.bandcamp.com

The fourth full-length album by the legendary American Hard Rock/Soft Metal band.
Bon Jovi had perfected a formula for Hard Pop/Rock by the time of "New Jersey", concentrating on sing-along choruses sung over and over again, frequently by a rough, extensively overdubbed chorus, producing an effect not unlike what these songs sounded like in the arenas and stadiums where they were most often heard. The lyrics had that typical Pop twist - although they nominally expressed romantic commitment, sentiments such as "Lay Your Hands on Me" and "I'll Be There for You" worked equally well as a means for the band and its audience to reaffirm their affection for each other. The only thing that marred the perfection of this communion was Jon Bon Jovi's continuing obsession with a certain predecessor from his home state; at times, he seemed to be trying to re-create Born to Run using cheaper materials.
The album was the follow-up to the band's 1986 breakthrough album, "Slippery When Wet", and reached No. 1 on the Billboard 200 chart in its second week of release after making its debut at No. 8. It remained at No. 1 for four consecutive weeks. It produced five Billboard Hot 100 top ten singles, the most top ten hits to date for any Hard Rock album, including "Bad Medicine" and "I'll Be There for You", which both reached No. 1. The album was certified seven times Platinum by the Recording Industry Association of America. The album also debuted at No. 1 in UK and was the band's first UK No. 1 album. "New Jersey" was released by the Soviet state-owned record company Melodiya, being the first American album ever released in USSR.
Rare Soviet Union 12-track vinyl, housed in a full-color sleeve, with a completely different back cover design to any other issue, including biographical text printed in Russian.
Polygram/Melodia, 1988/1989 (A60 00551 008). Made in USSR. First press. Used (cover/disc): EX/EX.

 
Tracklist:

Side A:
1. Lay Your Hands On Me    5:58
2. Bad Medicine    5:14
3. Born To Be My Baby    4:38
4. Living In Sin    4:36
5. Blood On Blood    6:14
    
Side B:   
6. Homebound Train    5:09
7. Wild Is The Wind    5:09
8. Ride Cowboy Ride    1:24
9. Stick To Your Guns    4:43
10. I'll Be There For You    5:43
11. 99 In The Shade    4:25
12. Love For Sale    3:56
    
Total playing time: 57:09 min.

The fourteenth full-length studio album by legendary American Melodic Rock/Hard Rock band.
Band's first studio album with Phil X on lead guitar, who replaced longtime member Richie Sambora in 2013. It's also the first album where bassist Hugh McDonald officially replaces original bassist Alec John Such, who left the band in 1994.
Musically, this is a throwback - not to the '80s, but to 2005's "Have A Nice Day", which is the first album Bon Jovi recorded with producer John Shanks. Often, "This House Is Not for Sale", which is the sixth album Shanks has recorded with Bon Jovi, recalls the exuberant singalongs from "Have A Nice Day" ("God Bless This Mess" is a kissing cousin to "Who Says You Can't Go Home"), but where that 2005 album felt joyful, this 2016 album is driven in part by spite. Thirty years into his career and Jon Bon Jovi still acts like the underdog, and he still sings like he has scores to settle. Presumably, some of these outstanding debts may be with Sambora, who did not leave on good terms, but Jon Bon Jovi is determined that "This isn't how the story ends, my friends, it's just a fork along the road," which goes a long way toward explaining how muscular "This House Is Not for Sale" is. Bon Jovi and Shanks may not have done much to freshen up the band's sound, but that simmering defiance does mean this is the band's liveliest album in years!
Music videos were released for every track of the standard album version.
It is Bon Jovi's sixth US number-one album and it also became their fourth album in a row to hit No. 1 in the US after What About Now, The Circle and Lost Highway. "This House Is Not for Sale" debuted at number one on the Billboard 200 with 129000 album-equivalent units, of which 128000 were pure album sales. In the United Kingdom, the album debuted at number five on the UK Albums Chart, selling 21448 units in its first week. As of January 2017, the album had sold 174000 copies in the United States. As of March 2018, the album has sold 326000 pure copies in the US.
Captain Kidd Corp./Island Records, a division of UMG Recordings Inc., 2016 (00602557072228). Made in the EU. First press.

 

Tracklist:

Side 1
1. This House Is Not For Sale 3:36 
2. Living With The Ghost 4:44 
3. Knockout 3:30 
4. Labor Of Love 5:03 
5. Born Again Tomorrow 3:33 
6. Roller Coaster 3:40

Side 2
7. New Year's Day 4:27 
8. The Devil's In The Temple 3:19 
9. Scars On This Guitar 5:05 
10. God Bless This Mess 3:22 
11. Reunion 4:14 
12. Come On Up To Our House 4:34

Total playing time: 49:07 min.

The second full-length studio album by the legendary American Hard Rock/Soft Metal band.
Bon Jovi's sophomore release found the New Jersey band continuing with its engaging mix of Hard Rock dynamics and blatant Pop-Metal overtones, and primed the pump for the coming popular explosion of "Slippery When Wet". Ever since the keyboard call to arms of the breakthrough "Runaway", Bon Jovi had understood that real success lay in a billowing smoke, soft-focus derivation of true Metal, where Journey-style synthesizers and Soft Rock chorus vocals were the name of the game. To that end, "7800° Fahrenheit" tempered its black-leather Rock & Roll with a rudimentary form of the sound that would make Bon Jovi superstars. They puffed out their chests for the groupie-groping, Mötley Crüe-style catcalls of "In and Out of Love" and made sure "King of the Mountain" rumbled with boys-night-out bravado. But they seemed much more comfortable with the twittering ballad "Silent Night" or "Price of Love," where arena-ready riffing met smoke machine keys and vocal trills. There was even "Tokyo Road", a valiant attempt at the epic scope of Springsteen that featured a Japanese-language intro and full-on character development. It was in these moments - when the tenets of Metal tried on the hairstyles of Pop - that "7800° Fahrenheit" burned its brightest; the professional songwriting and increased cash flow of "Slippery When Wet" just made the existing mercury burst.
The album's title was a reference to the supposed melting point of rock. It's marked the final collaboration between Bon Jovi and producer Lance Quinn. It is also the only Bon Jovi album to feature songwriting contributions from four of the band members, with "Secret Dreams" being the only Bon Jovi song to-date for which drummer Tico Torres receives a songwriting credit. Despite being a fan favorite, the band was unsatisfied with the sound of the album and essentially disowned it once they had solidified their status as Major Rock Stars with the albums "Slippery When Wet" and "New Jersey" a few years later. It is the least represented album in their setlists over the course of the career and excluding extremely rare performances of the song "Tokyo Road" in Japan once every few years and "Only Lonely" a few times during The Circle Tour in 2010, nothing from this album has been performed live since the late 1980s.
"7800° Fahrenheit" reached #37 on the Billboard 200 albums chart and was the band's first record to be certified Gold in the US. It remained charted for 85 weeks and was certified Platinum on February 19, 1987. The singles "In and Out of Love" and "Only Lonely" both charted on the Billboard Hot 100.
PolyGram Records, Inc./Mercury, 1985 (SRM 1 4107). Made in Canada. First press. OIS. Used (cover/disc): NM/EX.


Tracklist:

Side A
1. In And Out Of Love 4:25
2. The Price Of Love 4:13
3. Only Lonely 4:57
4. King Of The Mountain 3:51
5. Silent Night 4:56

Side B
6. Tokyo Road 5:41
7. Hardest Part Is The Night 4:23
8. Always Run To You 5:00
9. (I Don't Wanna Fall) To The Fire 4:22
10. Secret Dreams 4:53

Total playing time: 46:41 min.

The second full-length studio album by the legendary American Hard Rock/Soft Metal band.
Bon Jovi's sophomore release found the New Jersey band continuing with its engaging mix of Hard Rock dynamics and blatant Pop-Metal overtones, and primed the pump for the coming popular explosion of "Slippery When Wet". Ever since the keyboard call to arms of the breakthrough "Runaway", Bon Jovi had understood that real success lay in a billowing smoke, soft-focus derivation of true Metal, where Journey-style synthesizers and Soft Rock chorus vocals were the name of the game. To that end, "7800° Fahrenheit" tempered its black-leather Rock & Roll with a rudimentary form of the sound that would make Bon Jovi superstars. They puffed out their chests for the groupie-groping, Mötley Crüe-style catcalls of "In and Out of Love" and made sure "King of the Mountain" rumbled with boys-night-out bravado. But they seemed much more comfortable with the twittering ballad "Silent Night" or "Price of Love," where arena-ready riffing met smoke machine keys and vocal trills. There was even "Tokyo Road", a valiant attempt at the epic scope of Springsteen that featured a Japanese-language intro and full-on character development. It was in these moments - when the tenets of Metal tried on the hairstyles of Pop - that "7800° Fahrenheit" burned its brightest; the professional songwriting and increased cash flow of "Slippery When Wet" just made the existing mercury burst.
The album's title was a reference to the supposed melting point of rock. It's marked the final collaboration between Bon Jovi and producer Lance Quinn. It is also the only Bon Jovi album to feature songwriting contributions from four of the band members, with "Secret Dreams" being the only Bon Jovi song to-date for which drummer Tico Torres receives a songwriting credit. Despite being a fan favorite, the band was unsatisfied with the sound of the album and essentially disowned it once they had solidified their status as Major Rock Stars with the albums "Slippery When Wet" and "New Jersey" a few years later. It is the least represented album in their setlists over the course of the career and excluding extremely rare performances of the song "Tokyo Road" in Japan once every few years and "Only Lonely" a few times during The Circle Tour in 2010, nothing from this album has been performed live since the late 1980s.
"7800° Fahrenheit" reached #37 on the Billboard 200 albums chart and was the band's first record to be certified Gold in the US. It remained charted for 85 weeks and was certified Platinum on February 19, 1987. The singles "In and Out of Love" and "Only Lonely" both charted on the Billboard Hot 100.
PolyGram Records, Inc./Mercury, 1985 (824 509-1 M-1 | 422-824 509-1 M-1). Made in USA. First press. OIS. Still in shrink. Used (cover/disc): NM-/NM+.


Tracklist:

Side A
1. In And Out Of Love 4:25
2. The Price Of Love 4:13
3. Only Lonely 4:57
4. King Of The Mountain 3:51
5. Silent Night 4:56

Side B
6. Tokyo Road 5:41
7. Hardest Part Is The Night 4:23
8. Always Run To You 5:00
9. (I Don't Wanna Fall) To The Fire 4:22
10. Secret Dreams 4:53

Total playing time: 46:41 min.

First re-release of the second full-length studio album by the legendary American Hard Rock/Soft Metal band.
Bon Jovi's sophomore release found the New Jersey band continuing with its engaging mix of Hard Rock dynamics and blatant Pop-Metal overtones, and primed the pump for the coming popular explosion of "Slippery When Wet". Ever since the keyboard call to arms of the breakthrough "Runaway", Bon Jovi had understood that real success lay in a billowing smoke, soft-focus derivation of true Metal, where Journey-style synthesizers and Soft Rock chorus vocals were the name of the game. To that end, "7800° Fahrenheit" tempered its black-leather Rock & Roll with a rudimentary form of the sound that would make Bon Jovi superstars. They puffed out their chests for the groupie-groping, Mötley Crüe-style catcalls of "In and Out of Love" and made sure "King of the Mountain" rumbled with boys-night-out bravado. But they seemed much more comfortable with the twittering ballad "Silent Night" or "Price of Love," where arena-ready riffing met smoke machine keys and vocal trills. There was even "Tokyo Road", a valiant attempt at the epic scope of Springsteen that featured a Japanese-language intro and full-on character development. It was in these moments - when the tenets of Metal tried on the hairstyles of Pop - that "7800° Fahrenheit" burned its brightest; the professional songwriting and increased cash flow of "Slippery When Wet" just made the existing mercury burst.
The album's title was a reference to the supposed melting point of rock. It's marked the final collaboration between Bon Jovi and producer Lance Quinn. It is also the only Bon Jovi album to feature songwriting contributions from four of the band members, with "Secret Dreams" being the only Bon Jovi song to-date for which drummer Tico Torres receives a songwriting credit. Despite being a fan favorite, the band was unsatisfied with the sound of the album and essentially disowned it once they had solidified their status as Major Rock Stars with the albums "Slippery When Wet" and "New Jersey" a few years later. It is the least represented album in their setlists over the course of the career and excluding extremely rare performances of the song "Tokyo Road" in Japan once every few years and "Only Lonely" a few times during The Circle Tour in 2010, nothing from this album has been performed live since the late 1980s.
"7800° Fahrenheit" reached #37 on the Billboard 200 albums chart and was the band's first record to be certified Gold in the US. It remained charted for 85 weeks and was certified Platinum on February 19, 1987. The singles "In and Out of Love" and "Only Lonely" both charted on the Billboard Hot 100.
180g heavyweight vinyl includes download voucher.
Mercury Records Ltd., a division of UMG Recordings Inc. /Universal Music Group, 1985/2016 (06025 470 292-0 (1)). Made in Netherlands.


Tracklist:

Side A
1. In And Out Of Love 4:26
2. The Price Of Love 4:14
3. Only Lonely 4:57
4. King Of The Mountain 3:52
5. Silent Night 5:05

Side B
6. Tokyo Road 5:40
7. Hardest Part Is The Night 4:22
8. Always Run To You 4:59
9. (I Don't Wanna Fall) To The Fire 4:25
10. Secret Dreams 4:52

Total playing time: 46:52 min.