CD

The debut mini-album by Spanish Black/Speed Metal band.
An awesome mix of Black and Speed Metal with some touches of Punk and Thrash Metal.
Mini-album includes cover song on Venom’s “Black Metal”!
For fans of Midnight, Venom, Motörhead and more!!
Violence, leather and Hell!!!
Base Record Production, 2016 (BRP 062). Made in Spain. First press.


Tracklist:
1. 2410 Hz 01:30 
2. Fire 03:31 
3. Seven Nations Army 02:11 
4. Headbanger Bitch 03:03 
5. You Will Die 03:41 
6. Wastëland Riders 02:15 
7. Black Metal (Venom cover) 03:20 
8. 2912 Hz 00:50
Total playing time: 20:21


Samples: https://wastelandriders.bandcamp.com

Remastered re-release of the second full-length album by Swedish Black Metal band.
One of the decade's best Black Metal albums, no doubt. Watain's second full-length offers an atmosphere that reminds of Dissection meets Gorgoroth, but this is just a reference point. Watain offers their very own approach, bolstered by a professional production and a completely effective display of utter darkness.
Watain are a heavily Dissection influenced outfit. Without further examination, one might even call them Dissection clones; but Watain have surpassed the band that may have been their main inspiration. "Casus Luciferi" features eight long, mainly hell-paced and always break-laden songs with a multitude of layered guitar melodies and harmonic textures, more so than on their debut album, but still keep an impeccable balance between being melodic, raw, Black and heavy for the full length of this album. Although the truer than true crowd might not like to hear this, "Casus Luciferi", not as a whole, just in a couple of places, is not all too far away from some of the heavier and better moments on the latest Dimmu Borgir records as far as some melodies, bridge sections and build-ups go. However, the final result is far more convincing, because this band manages to sound fresh and preserve an underground feeling. They are able to write more interesting riffs, better and at the same time neither cheesy nor happy sounding melodic hooks, and songs that despite being no verse/chorus/verse affairs flow incredibly well and capture the listener's attention from start to finish. No keyboards, female vocals or fad-of-the-day gimmicks like an orchestra, cross dressing or other assorted faggottry. The enjoyment of the excellent musical content of album is enhanced by a natural sounding and nowhere overproduced production job and there's even a clearly audible bass which takes an active role in some of the compositions. For Ildjarn fanatics this might be way too commercial, for those with even the slightest interest in more melodic manifestations of Black Metal this is a Musthave!!
This second re-edition contains bonus track “Watain” (Von cover) and new liner notes.
Season Of Mist, 2003/2008 (SOM 185). Made in France. Pressed in Austria.


Tracklist:
1. Devil's Blood     5:49 
2. Black Salvation     6:45 
3. Opus Dei (The Morbid Angel)     5:33 
4. Puzzles Ov Flesh     5:39 
5. I Am The Earth     6:00 
6. The Golden Horns Of Darash     5:41 
7. From The Pulpits Of Abomination     6:34 
8. Casus Luciferi     8:32 
9. Watain (Von)     2:48
Total playing time: 53:21

Debut full-length album by International Progressive/Dark Metal band.
The new band of journalist and singer Arno Strobl (Carnival In Coal, 6:33) and multi-instrumentalist/vocalist Déhà (Coag, Yhdarl, Maladie). This French-Bulgarian duo have a lot on their twisted minds, so much they've compacted it all into an expressive and often anguished 33-minute composition constituting their debut release, "Thoughtscanning". We All Die (Laughing) shows remarkable aptitude for pulling off what they do on the album's focal track, "Thoughtscan". Not many artists can keep a single half hour song engaging, but Strobl and Deha do just that.
Frankly, it's the instrumentation (all fielded by Deha) over the singing that presents the most appeal here, albeit the exchanged vocal pitches are fun if occasionally unhinged and vexing in sections of "Thoughtscan". Of course, the intent of this project is to give voice to torment and dark emotions, so no matter how discordant and unnerving the wailing gets in spots, it's all part of the daunting journey. On the positive side, there are grizzled nudges toward Mike Patton, Ihsahn and King Diamond, and even the incremental tradeoff death yelps are well-executed. Altogether, the unpredictable nature of Strobl and Deha's scattershot vocal ranges adds creepy spontaneity throughout the spacious yet curving drive of "Thoughtscan".
Expect "Thoughtscan" to veer through many brackets of Metal ranging from Black to Power to Goth to Grind, exploding in spots with tight propulsions that are constantly pulled back no matter how fast We All Die (Laughing) gets at times. Deha impressively furnishes his guitar lines between ornate and grotesque, just like the vocal tracks in this piece. Manic reed squeaks poke in like provoking demoniacs and piano fragments serve as barely-grounded steps ushering the listener into the next successive plane of lunacy lying in wait. Feelings of paranoia are omnipresent, no matter when the throttles are eased by these guys.
What's most impressive about "Thoughtscan" is its resonant intro and outro that logically sustains a placid if ethereal spirit of continuum, no matter how many directions the composition darts in-between. Deha's sprawling and Funky bass plunks beneath his ghostly guitar lines are soon morphed into pleasing note dragging Rock distortion that feels like a Pink Floyd number you know is bound to be eviscerated in due time. The return of Deha's docile measures at the end shows the duo's muse returning to his wits after losing himself in madness, which gives "Thoughtscan" an appreciable sense of morality. No matter how messed-up, cruel and frightening "Thoughtscan" may get, there's these bookended moments of stability that holds the track (and its audience) in check and thankfully feels like much-needed relief. Then again, the endpoint to "Thoughtscan" comes with the eruptive interruption to the denouement, so let all suppositions of sanity be dismissed.
If you're one of the first 1000 to snag the first pressing of "Thoughtscanning", you'll get a gruesome bonus cover of Amy Winehouse's "Back to Black"!
Progressive Extreme Metal at its very best, for fans of: Shining, Opeth, Katatonia, Edge Of Sanity and Ihsahn!!
Kaotoxin Records, 2014 (TOX030CDLE). Made in France. First press.


Tracklist:
1. Thoughtscan 33:09
- Initiation
- An Empty Shell
- Inner Jigsaw
- The Action Is Go
- La Question
- A World Of Circles
- Termination
- A Living Shell
2. Back To Black (cover Amy Winehouse) 4:27
Total playing time: 37:36


Samples: http://www.last.fm

The third full-length album by the Portuguese Death 'n' Roll/Crust band.
Finest pure Old School Metallic Punk!
"Holy Beast" delivers 14 relentless and savage tracks, the album bleeds and sweats the atmosphere of pure old school Metal, unleashing a new found ferocity, nihilistic rage and intensity!!
The band approaches a whole new concept on both Death Metal and Punk styles. The result is a vicious and shocking atmosphere that will sure appeal to fans of most genres.
We Are The Damned most vicious album to date will appeal to the indecent and obscene, a truly uncompromising album that explodes in the face of fashion!!!
Bastardized Recordings, 2011 (BE052). Made in Germany. First press.


Tracklist:
1. The Anti-Doctrine 2:22 
2. Serpent 3:35 
3. Throne Of Lies 2:54 
4. Devorador Dos Mordos 3:13 
5. Christian Orgy 2:05 
6. Diogo Alves 1841 3:46 
7. Atrocity Idol 2:44 
8. Summon The Black Earth 2:51 
9. Viral Oration 3:29 
10. The Glorious Grisly 2:51 
11. Vengeance Havoc 3:16 
12. Raping The Law Of The Land 3:40 
13. Lucifer Vip (Chapter II) 9:21
Bonus Track:
14. Neo Pigs 4:08
Total playing time: 50:15


Samples: https://wearethedamnedofficial.bandcamp.com

Third full-length album by Canadian Death/Black Metal band.
Сanada is rife with excellent Death and Black Metal acts right now, and Weapon can be counted among them. After two stellar albums of filthy Blackened Death Metal, band makes their blasphemous Relapse debut with "Embers and Revelations". Sounding like an unholy mutation of Bathory and Morbid Angel, Weapon plummet even further south of heaven with "Embers And Revelations", invoking aural images of the legends of the first wave of classic Black and Death Metal but with a uniquely Eastern slant. Not only does the band have peculiar origins (Canadian by way of Bangladesh), but Weapon continue to prove themselves a multifaceted musical beast that is Black Metal in concept, Death Metal in sound, and classic Heavy Metal in spirit.
They’re not as occult styled as their west coast brothers Mitochondrion or as disturbing and enigmatic as Antediluvian, they hold their own in a nice enclave they’ve carved for themselves within the crowded genre. "Embers And Revelations" arriving two years after "From The Devil’s Tomb" which was a hellish squall of riffs, mixing Raw Black energy and splashes of Melodic or Progressive Death. It was a big step up from their first record and showed that Weapon write strongly and has great promise, leaving room to grow with each release while laying down top notch Death Metal. "Embers And Revelations" takes the progress they made in "From The Devil’s Tomb" and refining it further to display 37 minutes of prime Black/Death Metal.
Whereas other bands that started out as Black Metal but then evolved into Death Metal (think Gehenna, Aeternus, and to a lesser extent Behemoth) lost a bit of "magic" along the way, Weapon just seems to keep on truckin’. Makes way for the new heathens of darkness, Weapon present to the hordes one gloriously punishing collection of instantly classic Blackened Death Metal with ‘Embers And Revelations’. “Embers And Revelations” is not their magnum opus - that honour still belongs to their debut - but it is a very worthy addition to their discography and recommended to fans of atmospheric/ritualistic Death Metal!
For fans of Vital Remains and Morbid Angel!!
Relapse Records/Mazzar Records, 2012 (MZR CD 570). Made in Russia. Used: very good.


Tracklist:
1. The First Witnesses Of Lucifer 4:48
2. Vanguard Of The Morning Star 4:19
3. Crepuscular Swamp, Unhinged Swine 5:14
4. Liber Lilith 4:58
5. Grotesque Carven Portal 2:28
6. Embers And Revelations 3:52
7. Disavoving Each In Aum 5:27
8. Shahenshah 6:07
Total playing time: 37:13


Samples: http://weaponchakra.bandcamp.com

The debut and only full-length studio album by Danish Doom/Sludge Metal band.
Since it's inception, the band have relentlessly pursued the darker side of the Metal genre, creating a crushing and devastatingly heavy music. Whelm's debut album is witness to a form of Doom Metal, influenced by early Black Metal, Oldschool Death and Post Rock. 
The album name derives from the 1919 WB Yeats poem "The Second Coming". The musical texture is further enriched with a wide selection of instruments rarely seen in the Metal genre.
The band create moments of beauty, darkness and brutality - pure bliss. In 55 minutes, band takes us down in utter darkness. The album is quite constant in its brutal, yet atmospherical sound, though now and again there are some differences that wake you up from a depressive slumber.
All in all, this is a great Doom/Sludge album with Progressive elements. The vocals are hauntingly pained, the music is solid. Enough songs though with lengthy and varied musical themes. Try them!
Aesthetic Death, 2015 (ADCD 029). Made in UK. Pressed in Germany. First press.


Tracklist:
1. Tann døkka jørð 02:23   
2. The Brazen Bull 04:40   
3. From the Trenches of Perception 07:30   
4. Perpetual Blindness 05:14   
5. Delphine La Laurie 12:05   
6. The Wrecked Orchestra 02:24   
7. Ghosts in the Undergrowth 08:43   
8. Event Horizon 11:54  
Total playing time: 54:53 min.


Samples: https://whelmdk.bandcamp.com

The second remastered re-release of the fourth full-length studio album by legendary British Hard Rock band. 
The album reached the 2nd position in the national charts, which was the highest achievement of the Chart's band at the time. Songs «Don't Break My Heart Again» and «Would I Lie to You» were released as Singles, and reached the UK Top 20.
This remastered edition includes 6 unreleased bonus tracks.
EMI Records Ltd., 1981/1988/2007 (0946 381958 2 5). Made in UK. Pressed in Czech.


Tracklist:
1. Come An' Get It 04:00
2. Hot Stuff 03:22
3. Don't Break My Heart Again 04:04
4. Lonely Days, Lonely Nights 04:17
5. Wine, Women An' Song 03:46
6. Child Of Babylon 04:49
7. Would I Lie To You 04:29
8. Girl 03:56
9. Hit An' Run 03:24
10. Till The Day I Die 04:34
Bonus Tracks:
11. Child Of Babylon 04:28
12. Girl 04:07
13. Come An' Get It 03:59
14. Lonely Days, Lonely Nights 04:13
15. Till The Day I Die 04:45
16. Hit An' Run 03:19
Total playing time: 65:32 min.

The second remastered re-release of the second full-length studio album by legendary British Hard Rock band.
The album was probably the first stepping-stone into making Whitesnake a major player in the field of Rock. It gave them a sure footing from which to build their international success. Commercially, the album had its high and lows and starts off with one of the best love songs of Whitesnake has ever penned, “Long Way From Home”.
The album was charted at #29 on the UK Albums Chart.
The re-edition contains four bonus tracks and 20-page booklet!
EMI Records, 1979/2006 (0946 359686 2 0). Made in EU. Pressed in Italy.


Tracklist:
1. Long Way From Home 04:56
2. Walking In The Shadow Of The Blues 04:23
3. Help Me Thro' The Day 04:39
4. Medicine Man 03:59
5. You'n'Me 03:29
6. Mean Business 03:48
7. Love Hunter 05:37
8. Outlaw 04:03
9. Rock'n'Roll Women 04:45
10. We Wish You Well 01:35
Bonus Tracks:
11. Belgium Tom's Hat Trick 03:40
12. Love To Keep You Warm 03:30
13. Ain't No Love In The Heart Of The City 04:54
14. Trouble 04:30
Total playing time: 57:48 min.

Second remastered re-edition of the third full-length album by the legendary Hard Rock band from UK.
Album peaked at #6 on the UK Albums Chart, it was also the band's first to chart outside of the UK reaching #32 in Norway and #90 in the US. Also album was peaked at #81 on the "100 Greatest Heavy Metal Albums Of All Time" by Kerrang! (1989).
 Re-release contains five tracks from Live At The Reading Festival '79 and 20-page booklet!!
EMI Records, 1979/1980/2006 (0946 359692 2 1). Made in EU. Pressed in Germany.


Tracklist:
1. Fool For Your Loving 04:18
2. Sweet Talker 03:39
3. Ready An' Willing 03:44
4. Carry Your Load 04:07
5. Blindman 05:10
6. Ain't Gonna Cry No More 05:52
7. Love Man 05:05
8. Black And Blue 04:06
9. She's A Woman 04:12
10. Love For Sale 03:06
11. Ain't No Love In The Heart Of The City (live) 06:55
12. Mistreated (live) 13:30
13. Love Hunter (live) 05:56
14. Breakdown (live) 05:38
Total playing time: 75:18

25th Anniversary Collectors Limited Edition remastered re-release of the sixth full-length studio album by the legendary British Hard Rock band.
 It was the first Whitesnake album to be released by Geffen Records in the US, but was remixed for the release there. Because of this, two different editions of the album exist, each with its own unique qualities. The European edition of the album contains the original mix. This mix features a stronger presence of keyboards by Jon Lord, and the bass is more noticeable. The track order is also different from the US mix. The US mix lowers the keyboards and bass in the mix, and is more orientated around the guitars and drums. The US version features some different guitar solos to the European edition, with the addition of John Sykes as a third guitarist layered on top of the original guitar parts recorded by Mel Galley and Micky Moody. The bass guitar parts which were originally recorded by Colin Hodgkinson were replaced by returning member Neil Murray's bass guitar parts. The US version also included some new keyboard parts by Bill Cuomo.
 It was their fourth top 10 album in the UK, peaking at number 9. In 1988 the album re-entered the US charts due to the success of the self-titled “Whitesnake” album (1987 in Europe), and is certified double Platinum. It was the final Whitesnake recording to use the band's original "snake" logo.
 In 2009, the album was re-issued as a 2-disc digipack to commemorate its 25th anniversary. On the first disc, the CD contains the entire US mix of the album and 8 of the original UK mixes digitally remastered, although the 1987 remixed version of "Need Your Love So Bad" is used on this release instead of the original version. The UK mixes of "Hungry for Love" or "Love Ain't No Stranger" are not included, but the acoustic version of "Love Ain't No Stranger" is featured (taken from “Starkers in Tokyo”). A DVD contains promo videos and live performances.
EMI Records, 1984/2009 (50999 698122 2 4). Made in EU. Pressed in Poland.


Tracklist:

CD:
1. Gambler 03:57
2. Slide It In 03:19
3. Slow & Easy 06:01
4. Love Ain't No Stranger 04:14
5. Give Me More Time 03:42
6. Standing In The Shadow 03:39
7. Hungry For Love 03:29
8. All Or Nothing 03:41
9. Spit It Out 04:28
10. Guilty Of Love 03:25
Bonus Tracks:
11. Need Your Love So Bad (45 B side) 03:16
12. Gambler (UK mix) 03:51
13. Slide It In (UK mix) 03:17
14. Standing In The Shadow (UK mix) 03:29
15. Give Me More Time (UK mix) 03:40
16. Slow & Easy (UK mix) 06:03
17. Spit It Out (UK mix) 04:10
18. All Or Nothing (UK mix) 03:32
19. Guilty Of Love (UK mix) 03:18
20. Love Ain't No Stranger (Starkers In Tokyo) 03:17

DVD:
1. Guilty Of Love (promo video) 03:15
2. Slow And Easy (promo video) 04:16
3. Love Ain't No Stranger (promo video) 04:20
4. Guilty Of Love (Donington 1983) 03:59
5. Love Ain't No Stranger (Starkers In Tokyo) 03:08
6. Give Me More Time 03:34 (Top Of The Pops 19th January 1984)
7. Love Ain't No Stranger (Live...In The Still Of The Night) 03:39

Total playing time: 103:59

Second remastered re-release of the debut full-length studio album by legendary British Hard Rock band.
"Trouble" was album that setting the template for virtually all of the band's ensuing career, pre-1987 American sellout. This followed the 4-track EP "Snakebite", later available in the US as an import album from continental Europe.
"Trouble" was a band made up of seasoned veterans after all, and they knew exactly what it was they wanted: edgy Hard Rock based on R&B. They also knew who was boss: Coverdale, who after enduring a minority stake in the mighty Deep Purple, was now clearly established as top dog and de facto leader of the new outfit. And what a slick, powerful outfit it was, too, with guitarists Marsden and Micky Moody compensating whatever visual shortcomings they may have had with their rock-solid six-string partnership, and former Deep Purple organist Jon Lord (for the first time in Whitesnake line-up) holding it all together in the back.
The album reached No. 50 on the UK Albums Chart when it was released in October 1978. 
"Trouble" turned out to be the first step in a long, and very successful career.
CD includes “Snakebite” EP 1978 as a bonus. This EP was the first official release by Whitesnake. EP unto itself would not be released in the U.S. The EP initially featured four tracks but was then re-released in September 1978 as a 2EP containing four extra studio tracks from David Coverdale's second solo LP “Northwinds” all under the title “Snakebite”. This EP sleeve is entitled David Coverdale's Whitesnake and features photographs of the live band in concert.
Re-edition contains 20-page booklet.
EMI Records Ltd./Sunburst Records Ltd., 1978/2006 (0946 359688 2 8). Made in EU. Pressed in Germany.


Tracklist:
1. Take Me With You 04:47
2. Love To Keep You Warm 03:45
3. Lie Down (A Modern Love Song) 03:15
4. Day Tripper 03:48
5. Nighthawk (Vampire Blues) 03:38
6. The Time Is Right For Love 03:29
7. Trouble 04:48
8. Belgian Tom's Hat Trick 03:26
9. Free Flight 04:05
10. Don't Mess With Me 03:18
Snakebit EP: 
11. Come On 03:32
12. Bloody Mary 03:21
13. Steal Away 04:19
14. Ain't No Love In The Heart Of The City 05:06
Total playing time: 54:37 min.

The seventh full-length studio album by legendary British Hard Rock/Glam Metal band.
Also known as “Whitesnake” or “Snake Album” (released in Europe as “1987” and as “Serpens Albus” in Japan and USA). The differences are small, but they are enough to make it interesting. The first difference is the track order, which is very different. The album seems to flow a little better the way it is presented here, especially when utilizing "Still of the Night" as the opening track. This has always been one of their best songs, and by far one of the best Led Zeppelin rip-offs to ever be written. There are also two more songs than on the American release, making it that much more essential to fans. Of the two, "Looking for Love" is the standout; a nice slow build to a blustery chorus makes this a classic David Coverdale ballad. "You're Gonna Break My Heart Again" is the hard rocker, and though it isn't exactly the holy grail of Hard Rock, it is a decent song that fits nicely with the other material here. If the option is presented, this is the superior edition and should be purchased above the edited American version. Fans will need the two extra songs, while anyone looking to hear their best album should hunt this down for the superior track order!
The album aimed for more of a Heavy Metal sound than the previous ones but still managed to produce a major Soft Rock hit, "Is This Love". David Coverdale built Whitesnake's commercial breakthrough on a collection of loud, polished Hard Rockers, plus the band's best set of Pop hooks. The Led Zeppelin-ish "Still of the Night" offered headbanger appeal, but it was the big chorus of "Here I Go Again" - one of the very small number of non-power ballad '80s Hard Rock singles to actually top the Pop charts, and the quiet ballad "Is This Love" that really sold the album in spades. The rest of the album generally holds interest as well, and it's easily the band's best!!
The album was a major crossover hit eventually selling over eight million copies in the US (and thus going 8 times Platinum). The album peaked at #2 on US Billboard 200, and #8 on the UK Albums Chart. Its success in the US boosted its predecessor, "Slide It In", from Gold to double Platinum status.
EMI Records Ltd., 1987 (CDP 7 46702 2). Made in UK. First press. Used.


Tracklist:
1. Still Of The Night     6:36 
2. Bad Boys     4:06 
3. Give Me All Your Love     3:31 
4. Looking For Love     6:38 
5. Crying In The Rain     5:37 
6. Is This Love     4:43 
7. Straight For The Heart     3:39 
8. Don't Turn Away     5:10 
9. Children Of The Night     4:24 
10. Here I Go Again     4:34 
11. You're Gonna Break My Heart Again     4:11
Total playing time: 53:09

The eleventh full-length album by the legendary British Hard Rock band.
Three years ago, Whitesnake released "Good To Be Bad", a comeback album that reached the U.K.’s Top 5. It walked the line between their brand of U.K. Hard Rock and ‘80s Glam Metal. On "Forevermore", David Coverdale polishes the production - a tad - focuses the guitars more, and successfully fuses Whitesnake's various eras, and succeeds in spades. There is a new rhythm section with drummer Brian Tichy and bassist Michael Devlin.
"Forevermore" commences with “Steal Your Heart Away”, an oldschool, nasty, slide guitar workout with a harmonica solo, that revs into a full-blown Blues-rocker with a killer chorus. Guitarists Doug Aldrich and Reb Beach shine on the instrumental bridge. The album's first single, "Love Will Set You Free", is top-notch Whitesnake that nods back to the early years while grounding itself in the present. "All Out of Luck" and "Tell Me How" measure up in the same way. "I Need You (Shine a Light)" is an enormous surprise; its hook is so infectious it sounds like Coverdale's been listening to Cheap Trick's earliest records. The acoustic midtempo ballad "One Of These Days" carries a trace of country in its melody, hearkening back to the "Restless Heart" era. Coverdale reveals he's more than competent to write a fine, lyrically savvy love song, when he’s not thinking with his dick. "Fare Thee Well", another acoustic number, showcases Coverdale at his most intimate. "Whipping Boy Blues” is a dirty slide rocker that reconciles both sides of the band. "My Evil Ways", with its calamitous drum intro, is punishing; Coverdale pulls out all the stops to deliver his finest vocal performance on the set. The album's true highlight, however, is in the closing title track. Over seven minutes, it begins as an acoustic number before morphing into a stellar Whitesnake power ballad. After a two-and-a-half minute acoustic guitar/vocal intro, the band enters with a "Kashmir"-like chord sequence; they keep it slow but increase the drama; it eventually explodes into a bone crusher with killer guitar solos and a gorgeous melody.
"Forevermore", despite its tighter arrangements and more polished production is Whitesnake at its Brit Hard Rock best!!
Limited Edition includes three bonus tracks and bonus DVD!
Frontiers Records, 2011 (FR CDVD 509). Made in Italy. First press. Used: very good.


Tracklist:

CD:
1. Steal Your Heart Away 5:18
2. All Out Of Luck 5:28
3. Love Will Set You Free 3:52
4. Easier Said Than Done 5:12
5. Tell Me How 4:41
6. I Need You (Shine A Light) 3:49
7. One Of These Days 4:53
8. Love & Treat Me Right 4:14
9. Dogs In The Street 3:48
10. Fare Thee Well 5:18
11. Whipping Boy Blues 5:01
12. My Evil Ways 4:33
13. Forevermore 7:22

Bonus Tracks:
14. Love Will Set You Free (Alt Mix) 4:09
15. Forevermore (Acoustic Version) 4:42
16. My Evil Ways (My Evil Drums Mix) 4:51

DVD:
1. Making Of Forevermore 11:20
2. Forevermore: Track By Track 8:34
3. Love Will Set You Free (Music Video) 3:56
4. Making Of Love Will Set You Free 10:43

Total playing time: 111:44​​​​​​​

The tenth full-length album by the legendary British Hard Rock/Heavy Metal band.
This is the first album of new studio material in a decade, since 1997's "Restless Heart", not including the four new tracks recorded for the 2006 live album "Live: In the Shadow Of The Blues".
"Good To Be Bad" marks Whitesnake's 30th anniversary as a band, though frontman David Coverdale is the only original member.
David Coverdale has spent the last few years touring with his latest band line-up, yet another chapter in the evolving story of Whitesnake. The band is as tight and as ready as they are ever going to be and that translates into the recording here.
While the line-up features the dual guitar attack of Doug Aldrich and Reb Beach, the absolute star of this album is Doug Aldrich. His writing partnership with David Coverdale has reaped rich rewards for fans. This duo has brought the very best out of each other and "Good To Be Bad" represents a broad cross section of all the previous Whitesnake incarnations.
A number of other fans have been taken by surprise at the ferocity of this album after the relatively lackluster new studio tracks added to the live release from 2006 and Coverdale's increasingly mellow output in recent years.
The simply massive production delivers a wall of sound and in your face guitars reminiscent of the band's biggest selling album ever, "Whitesnake" (1987); but not to be outdone, Doug's Bluesy riffs and David's warm and raspy vocal brings back memories of "Slide It In" and even 70's Whitesnake.
Drummer Chris Frasier makes an immediate impact in the band with a powerhouse performance and bassist Uriah Duffy simply hammers that rhythm section home.
Sonically bombastic and pompous in all its glory, the opening Hard Rocker Best Years blasts through the speakers like no other Whitesnake album has opened since 1987. Filled with thumping basslines, wailing guitar solos and a Coverdale vocal unrivaled since Coverdale/Page, this really kicks off the album fine style.
"Can You Hear The Wind Blow" is similarly in your face and establishes a fresh sound for the band today. "All For Love" and "A Fool In Love" further carve out the new band's sound in a Hard Rocking way.
There are a few tracks that head back to the Coverdale Page/Zeppelin influenced sound and "Call On Me" is the first track to do that. The title track “Good To Be Bad” even more so. It has a real Zeppelin feel to it and the guitar work is simply fantastic. "Lay Down Your Love" is the most obvious of all the Zeppelinesque tracks, but when it is done so well, who is to argue?
"All I Want All I Need" is the first ballad of the album and again is one of the best ballads from Coverdale in years. The other ballads both offer different textures. "Summer Rain" is smooth, acoustic and sultry, while "Til The End Of Time" is darker.
"Got What You Need" is a frantic Hard Rocker that defies the age of vocalist Coverdale, with a truly energetic blast.
Coverdale's voice may not quite be what it was, but the job of any band in the studio is to produce the very best sounding record possible and on "Good To Be Bad", Coverdale sounds better than he has in years. How these vocals were achieved is irrelevant, the fact is they have been delivered and sound great.
The songs may not quite have that magic originality or chorus strength that the tracks of 1987 had, but this has to be the band and David Coverdale's best effort since that album. Doug's Bluesy Hard Rock injection is a shot in the arm for this band and a perfect match it seems. It is the band's best album in some 20 years! Nobody of fans being disappointed with this release!! It's a hell of a comeback and ranks right near the top of the Whitesnake's catalog!!!
The album charted at number 8 on the Top Independent albums, number 23 on the Top Canadian albums, number 62 on The Billboard 200 and number 7 on the UK Albums Chart.
Steamhammer/SPV, 2008 (SPV 98132 CD). Made in Germany. First press.


Tracklist:
1. Best Years     5:15 
2. Can You Hear The Wind Blow     5:04 
3. Call On Me     5:02 
4. All I Want All I Need     5:41 
5. Good To Be Bad     5:14 
6. All For Love     5:13 
7. Summer Rain     6:11 
8. Lay Down Your Love     6:01 
9. A Fool In Love     5:50 
10. Got What You Need     4:16 
11. 'til The End Of Time     5:35
Total playing time: 59:22

The sixth full-length studio album by legendary British Hard Rock band.
The album peaked at number 9 on the UK Albums Chart. Two of the tracks, "Crying in the Rain" and "Here I Go Again", were later re-recorded on their 1987 album “Whitesnake”.
Geffen Records, 1982/1988 (9 24173-2).


Tracklist:
1. Young Blood 03:30
2. Rough An' Ready 02:50
3. Bloody Luxury 03:24
4. Victim Of Love 03:34
5. Crying In The Rain 05:58
6. Here I Go Again 05:08
7. Love An' Affection 03:03
8. Rock An' Roll Angels 04:07
9. Dancing Girls 03:09
10. Saints An' Sinners 04:22

The thirteenth full-length studio album by the legendary British Hard Rock band.
It was the Hard Rocking sound of hits like “Still Of The Night” and “Give Me All Your Love Tonight” that brought Whitesnake worldwide, multi-Platinum success. Even so, the band’s founder and lead singer, David Coverdale has never been a stranger to the occasional ballad, going back to his early days with Deep Purple on “Soldier Of Fortune” and, most famously, with Whitesnake on the 1987 No. 1 smash, “Here I Go Again”.
The band revisits some of its best acoustic performances with "Unzipped", mixes rare and unreleased versions of songs like “Summer Rain” and “Forevermore” from the band’s recent studio albums "Good To Be Bad" (2008) and "Forevermore" (2011). Also included are songs like “Love Is Blind” from Coverdale’s solo album, "Into The Light" (2000), and a previously unreleased song, “All The Time In The World”.
Saltburn, LLC/Rhino Entertainment Company, a Warner Music Group Company, 2018 (603497856800). Made in Germany. First press.


Tracklist:
1. Love Is Blind 5:44
2. One Of These Days 3:56
3. All The Time In The World 6:34
4. Wherever You May Go 3:57
5. Easier Said Than Done 4:44
6. Fare Thee Well 4:53
7. Summer Rain 5:20
8. Forevermore 4:40
9. 'Till The End Of Time 5:36
Bonus Tracks:
10. Wherever You May Go (Instrumental - strings only version) 1:15
11. Love Is Blind (Instrumental - strings only version) 3:29
Total playing time: 50:10 min.

Deluxe Edition of the thirteenth full-length album by the legendary British Hard Rock band.
It was the Hard Rocking sound of hits like “Still Of The Night” and “Give Me All Your Love Tonight” that brought Whitesnake worldwide, multi-Platinum success. Even so, the band’s founder and lead singer, David Coverdale has never been a stranger to the occasional ballad, going back to his early days with Deep Purple on “Soldier Of Fortune” and, most famously, with Whitesnake on the 1987 No. 1 smash, “Here I Go Again”. The band revisits some of its best acoustic performances with "Unzipped", includes previously unreleased studio recordings & live unplugged and acoustic-based performances, recorded over the past 20+ years.
The first CD mixes rare and unreleased versions of songs like “Summer Rain” and “Forevermore” from the band’s recent studio albums, "Good To Be Bad" (2008) and "Forevermore" (2011). Also included are songs like “Love Is Blind” from Coverdale’s solo album, "Into The Light" (2000) and a previously unreleased song, “All The Time In The World”.
In 1997, Coverdale and guitarist Adrian Vandenberg played an unplugged concert in Tokyo, that was recorded and initially released exclusively in Japan as "Starkers In Tokyo". That recording has been remixed and now released as a second CD of "Unzipped". Also, here we can find bonus tracks from a concert in New York in 2008.
Saltburn, LLC/Rhino Entertainment Company, a Warner Music Group Company, 2018 (603497856787 / R2 573091). Made in Germany. First press.


Tracklist

CD1: Unzipped… In The Studio: The Love Songs
1. Love Is Blind 5:44
2. One Of These Days 3:56
3. All The Time In The World 6:34
4. Wherever You May Go 3:57
5. Easier Said Than Done 4:44
6. Fare Thee Well 4:53
7. Summer Rain 5:20
8. Forevermore 4:40
9. 'Till The End Of Time 5:36
Bonus Tracks:
10. Wherever You May Go (Instrumental) 1:15
11. Love Is Blind (Instrumental) 3:29
Playing time: 50:10 min.

CD2: Starkers In Tokyo (1997)
1. Sailing Ships 4:43
2. Too Many Tears 4:06
3. The Deeper The Love 4:00
4. Love Ain't No Stranger 3:23
5. Can't Go On 3:53
6. Give Me All Your Love 3:17
7. Don't Fade Away 4:33
8. Is This Love 3:09
9. Here I Go Again 5:03
10. Soldier Of Fortune 3:54
11. Only My Soul (A Cappella) 1:01
12. Fool For Your Loving (Excerpt) 1:46
Bonus Tracks: Starkers In New York (2008)
13. Give Me All Your Love 2:37
14. Can You Hear The Wind Blow 5:04
15. All I Want All I Need 4:26
16. Lay Down Your Love 3:37
17. Fool For Your Loving 1:47
18. The Deeper The Love 3:13
19. Ain't No Love In The Heart Of The City 2:32
20. Here I Go Again 4:39
Playing time: 70:43 min.

Total playing time: 120:55 min.

Second release from Old School Death Metal veterans from USA.
For fans of Autopsy, Death and Morbid Angel.
Rotting Corpse Records, 2009 (RCR 014)


Tracklist:
1.Infecting the Soul 05:45
2.Pain Within 04:40
3.American Graveyard 06:18
4.Evil Thoughts 05:01
5.How Does It Feel? 04:35
6.Society 03:13
7.Loving Memory 06:42
8.Worst of Times 02:31
9.Left for Dead 07:34
10.Lap Dance 04:16

The third full-length studio album by French Progressive Symphonic Metal band.
After two successful albums, relying on the power of Symphonic Orchestra and Metal riffing, as well as on the beauty of female voices, they push their own Philharmonic Metal concept one step further, adding an even more cinematic edge to their songs.
Orchestra has never been so powerful. Choirs have never been so haunting. Riffs have never been so compelling. And vocals have never been so intense, ranging from pure and fragile melodies to harsh growls, all provided by mezzo-soprano Marie Rouyer.
Scarlet Records, 2015 (SC 275-0). Made in Italy. Pressed in Poland. First press.


Tracklist:
1. While The Witches Burn 6:50
2. Tears Of A Hopeless God 6:4
3. Let's Play With Fire 5:51
4. Eve's Last Daughter 5:46
5. Don't Try To Blind Me 4:02
6. The Mask 6:27
7. Asylum Of Eden 6:09
8. Waking Up The Titans 7:15
9. Theory Of Life 5:18
10. Where Are The Angels 5:17
11. Pandora's Tears 6:41
Total playing time: 66:16 min.

The debut full-length studio album by Italian Hard Rock/Heavy Metal band.
Excellent melodic Metal for all lovers of this genre!!
My Graveyard Productions, 2011 (MGP-074). Made in Italy. First press.


Tracklist:
1. Sirrush The Return (Intro) 1:18
2. F.Y.A.D. 4:09
3. Broken Mirrors 3:57
4. Butterflies In The Stomach 3:04
5. I'll Bury Your Screams 3:57
6. New Man 2:53
7. 69 4:18
8. I'll Be There 4:43
9. Raw 'n True 4:19
10. Rock Light 4:27
11. Love Action 4:17
12. Rain 4:51
13. Shiva (Outro) 1:27
14. Take My Life (The Trooper) (Iron Maiden Cover) 4:55
Total playing time: 52:37 min.


Samples: https://soundcloud.com