CD

The eighth full-length studio album by legendary Symphonic Power Metal Opera all-star project of Tobias Sammet.
As with previous Avantasia projects, the album features extensive collaborations with returning and new guest vocalists. The album marks Hansi Kürsch's and Candice Night's first guest performances on an Avantasia album. Sammet first wanted to have Kürsch sing in The Metal Opera, but wasn't able to do so due to scheduling conflicts. When he wrote "Moonglow", he didn't initially have Night in mind, but when he tried to think of someone to sing on the track, she seemed the ideal name.
Inspiration for the album title came from Sammet's fascination for the Moon. The story follows a nocturnal creature struggling to cope with the reality of boldness and beauty and ends up resorting to the darkness of the moon glow to hide itself from the world. Lyrics deal with themes such as adjustment and non-adjustment, expectations, convictions and feeling out of place and fall within the Victorian gothic and dark romanticism genres. On “Moonglow” Sammet once again delves with the topic of being an outsider and not belonging in a glossy reality, something all of us are quite familiar with living in an era of polished Instagram selfies and superficial values. While the lyrics paint a picture of a Victorian setting, Sammet‘s thoughts and lyrics are timeless and applied to any era. At the same time, the grandiose compositions hide an intimate story of an outcast not afraid to turn his back on all things that glitter but aren’t gold, drawing inspiration from personal experience all listeners can undoubtedly relate to.
"Moonglow" is yet another strong album, with stellar guest performances and a top-notch production. It's perhaps one of the most varied Avantasia albums, and with every listen you will like it more and more, and put it on endless repeat. "Moonglow" will shine beautifully next to your Avantasia catalogue, and if you haven't listened to Tobias Sammet's project yet, then this will definitely be a good introduction into the discography. With stars on board of the ship such as Eric Martin (Mr. Big), Geoff Tate (Queensryche), Ronnie Atkins (Pretty Maids), Michael Kiske (Helloween), Jørn Lande (ex-Masterplan), Bob Catley (Magnum), Hansi Kürsch (Blind Guardian), Mille Petrozza (Kreator), and Candice Night (Blackmore's Night), "Moonglow" is a solid proof that Sammet’s Avantasia has grown from a passion-project into a fully-formed institution that constantly redefines how Epic Metal should sound like!
Nuclear Blast GmbH, 2019 (27361 45312 / 4531-2). Made in Germany. First press.


Tracklist:
1. Ghost In The Moon 9:52
2. Book Of Shallows 5:01
3. Moonglow 3:57
4. The Raven Child 11:15
5. Starlight 3:39
6. Invincible 3:08
7. Alchemy 7:29
8. The Piper At The Gates Of Dawn 7:21
9. Lavender 4:31
10. Requiem For A Dream 6:09
11. Maniac 4:27
Total playing time: 66:49 min.

Re-release of the first two full-length studio albums, in one set, by Tobias Sammet's (Edguy) Symphonic Power Metal project.
Tobias Sammet could be described as an adventurous person. After all, gathering a bunch of musicians within the Power Metal realm and making a huge epic spanning two albums while dubbing it "The Metal Opera" speaks to how motivated and how creative he is. The best part is he succeeded with the concept and the combination of a cool story, great cast, and memorable songs, making this a winner. The Golden Edition of these albums further adds to the aura of the epic.
The albums come in a set shaped like a book with a surface that is supposed to be weathered like one has just found a relic. Brushed, golden letters adorn the front, but on the inside is where the extras shine. Inside are a bunch of pages filled with Sammet's comments on all the songs found in the opera and both acts of the story written out. Furthermore, there are a bunch of pictures of Sammet’s mug, him with the band, and also an extensive interview with him talking about the guest musicians and the process of making the albums. The two extra tracks are a radio edit of “Avantasia”, and a cool live version of “Sign of the Cross”, performed by Shaman with Sammet.
With the packaging being exemplary, the songs have to match up with it. Thankfully, they do, as both albums bring strong Power Metal that will rattle you to the bone. The operas are full of twists and turns musically and this is essential for any Power Metal fan or anybody who enjoys a huge concept with thoughtful vocal lines to wrap their heads around. These records are certainly pompous, self-indulgent, and pretentious, but Sammet had a huge vision and it paid off. The mysticism is added with reading the “book” the albums come in and following along as the music plays. The extras added are worth the cost, plus it looks good. So sit back and go on an adventure to Avantasia!
AFM Records GmbH, 2001/2002/2008 (AFM 150-9). Made in Germany. Pressed in Austria.


Tracklist:

Part One
1. Prelude 1:11
2. Reach Out for the Light 6:32
3. Serpents in Paradise 6:17
4. Malleus Maleficarum 1:42
5. Breaking Away 4:36
6. Farewell 6:33
7. The Glory of Rome (5:29
8. In Nomine Patris 1:04
9. Avantasia 5:32
10. A New Dimension 1:39
11. Inside 2:23
12. Sign of the Cross 6:26
13. The Tower 9:45
Exclusive Bonus Track:
14. Avantasia (Radio Single) 4:10
Running time: 63:26 min.

Part Two
1. The Seven Angels 14:18
2. No Return 4:30
3. The Looking Glass 4:53
4. In Quest For 3:56
5. The Final Sacrifice 5:03
6. Neverland 5:01
7. Anywhere 5:29
8. Chalice of Agony 6:02
9. Memory 5:44
10. Into the Unknown 4:30
Exclusive Bonus Track:
11. Sign of the Cross (live in São Paulo/Brazil) Performed by Shaman, feat. André Matos & Tobias Sammet 4:01
Exclusive Video:
12. Sign of the Cross (live in São Paulo/Brazil) Performed by Shaman, feat. André Matos & Tobias Sammet 
Running time: 65:58 min.

Total playing time: 126:39 min

The debut full-length studio album by Tobias Sammet's (Edguy) Symphonic Power Metal project.
A concept album and a Metal Opera, it's followed by the sequel "The Metal Opera, Part II". Both were written over the course of a year, starting in the last quarter of 1998, and both were produced from October 1999 to June 2000, with the works being interrupted for some weeks so Sammet could produce "The Savage Poetry" with his other band, Edguy.
The project claims that the album's title marked the first usage of the term "Metal Opera". Sammet also considers it his professional debut, since it marked the first time he actually made money from music, even though by that time he had already released three albums with Edguy.
According to Sammet, the album's plot is partly based on real witch trials in Fulda (his hometown) and Mainz held in the 16th and 17th centuries.
The list of singers speaks for itself: among others, Michael Kiske, Kai Hansen, David DeFeis, Andre Matos and Tobias Sammet himself.
In 2019, Metal Hammer ranked it as the 25th "Best Power Metal album of all time". In 2021, they ranked it as the 18th "Best Symphonic Metal album".
AFM Records, 2001 (AFM CD 040-2). Made in Germany. Repress.


Tracklist:
1. Prelude 1:11
2. Reach Out For The Light 6:33
3. Serpents In Paradise 6:15
4. Malleus Maleficarum 1:43
5. Breaking Away 4:34
6. Farewell 6:32
7. The Glory Of Rome 5:28
8. In Nomine Patris 1:04
9. Avantasia 5:32
10. A New Dimension 1:39
11. Inside 2:24
12. Sign Of The Cross 6:24
13. The Tower 9:43
Total playing time: 59:02 min.

The debut full-length album by German Black Metal band.
True Grim Raw German Black Metal with Eminenz and Krig members!!
Selfreleased/Distribution via Kristallblut Records, 2015. Made in Germany. Pressed in Poland.


Tracklist:
1. Einleitung 02:24
2. Der Krieg gegen das Kreuz 06:14
3. Rabenflug 02:48
4. Todgeweiht 03:30
5. Das Hühnengrab 02:10
6. Selbstmord 04:01
7. Inquisition 02:55
8. Herbstregen 02:55
9. Das Ende des Weges 03:43
10. Verwesung 03:08
Total playing time: 33:48 min.

The third full-length album by Italian Power/Neoclassical Metal band.
Bearing the name of a famous 17th century classical composer, and hailing from roughly the same region in Italy, Tommaso Vitali does not disappoint, as he is a virtuoso with the guitar, up to the talent of the aforementioned legends, if not exceeding.
The album opens on the title song, "Indivisible", which eases the listener into the album with a generic intro, making a sharp turn into brave originality about 45 seconds in. The song definitely grabs the attention and raises the expectations for the rest of the album. Very prominent guitars and vocals carry the song, however often overshadowing the very pleasant drumming. Carsten Schulz does a lovely job carrying the vocal duties. The backing vocals on the track add great depth, and combined with the tempo of the drums, constitute to creating the perfect opener for the album. "The Lodge" opens with an organ, immediately raising very pleasant associations with one of Hammerfall's songs, namely "Between Two Worlds". However, that's where the similarities end, as "The Lodge" is not a soft and melancholic ballad, but a pounding Metal epic with great heavy guitars and exceptionally pleasant vocals by Apollo Papathanasio, whose style of singing immediately transported us back to 1975, when Ronnie Dio left his mark on the legendary titular album for Rainbow.
"Duel" is an instrumental, and it's really classic similar to Manowar's "Today is a Good Day to Die". "Macabradanza" is a chemical perfection of so many distinct elements, that Tommy masterfully juggles with and manages to mix in an amazing melody and strong presence, further enhanced by the brilliant vocals of Roberto Tiranti and Chiara Manese. An amazing and memorable song with operatic elements and beautifully complementing voices. "Forever Lost" is slow and beautiful acoustic ballad, brilliant and emotional.
"Wings of Doom" is a typical fast Power Metal song, also heavily dominated by guitars, this time remembering early Rhapsody Of Fire. "Coraline" is a uniquely beautiful song, seemingly inspired by "Phantom of the Opera", among others. The song is rich and complex, moody like an Avantasia track, brilliantly performed by Jan Manenti, eerie, emotional and soaring - a true masterpiece, and the second song on this album after "Macabradanza" that any band would be proud to have. "La Bestia" is another instrumental, this time slower and more atmospheric at start, and more rhythmic and energetic later on, definitely giving off more pleasant vibes than "Duel". "Sinner" is a fast and hard Power Metal track, bearing the familiar voice of Fabio Lione. The final track on the album, "Joan of Arc", is an anthem for our favorite badass woman of history. Again, a very pleasant song, with just the right proportions of fast, epic, hard, and melodic. The back vocals reminds of 90's Iced Earth, while the very beginning bought to another great song - WASP's "Widowmaker". After an emotional mid-section, the song is very rhythmic and captivating.
"Indivisible" definitely is a very rich, very solid and complete release, that beams with inspiration, energy, complexity and emotion. "Indivisible", "Macabradanza" and "Coraline" are the high points of the album; they far surpass the quality of material we have come to expect from some previously legendary bands. The album plays around familiar Neoclassical and Symphonic Power Metal, and develops a new meaning, utilizing the talents of a small army of guest vocalists, each performing admirably!
SG Records, 2017 (SGCD102). Made in Italy. First press.


Tracklist:
1. Indivisible 06:06
2. The Lodge 06:24 
3. Duel 04:36
4. Macabradanza 05:06
5. Forever Lost (acoustic) 05:05
6. Wings of Doom 04:35
7. Coraline 06:04
8. La Bestia 04:14
9. Sinner 04:46 
10. Joan of Arc 07:21
Total playing time: 54:37 min.

The debut full-length album by Singaporean Thrash Metal band.
Old-school all-female band in vein of Sodom, early Kreator, and early Sepultura! Raw, harsh, fast, no frills!!
Active since 2006, now in 2014 we get their debut album that crosses a lot of Punk/Hardcore ethics with a savage Thrash style that is more European based than Bay Area oriented. Kreator, Sodom and others in that raw, mid 80’s Thrash mold come up frequently when taking in songs such as “Seven Feet Under”, the “Raining Blood” – like “Denied” or Crossover quickie “Materialistic War”. Neezie as a vocalist is not going to hit any Operatic or serene singing elements – her voice is very brutal, savage, and in line with the musical template her fellow musicians portray. The vocals are more along the lines of Max Cavalera‘s on Sepultura’s "Bestial Devastation" EP rather than later albums – quite guttural. Alongside a smattering of fairly predictable, though enjoyable, songs are a couple of absolute pearls: “Trash & Torment”, “Infinite Oneness”, “Why” and cover of Kreator’s “Tormentor” is a great homage to the original.
If you can’t get enough of Crossover Thrash, this could be a decent pick up. If there weren’t enough quality Thrash albums produced in the 80’s for you, then this will help make up the numbers!!
Infernö Records, 2014 (IR024CD). Made in France. First press.


Tracklist:
1. Intro 1:02
2. Denied 2:10
3. Mutilator 2:52
4. Thrash & Torment 4:43
5. The Great Oppression 3:19
6. Seven Feet Under 2:07
7. Infinite Oneness 2:28
8. Dead At 27 2:50
9. No Remorse 3:46
10. Materialistic War 2:10
11. Why 3:31
12. Tormentor (cover Kreator) 3:15
Total playing time: 34:13


Samples: https://soundcloud.com

The third full-length studio album by Spanish Doom/Sludge Metal band.
"Void Addiction" has a common denominator in its sound: density. Work of heavy rhythms and crushed, with a depth, anger and guturalism in the voices, which make the god of the earthquake tremble.
This album will make a drool of all lovers of Doom Metal and Sludge more intense and sick.
Violence In The Veins/Odio Sonoro/Discos Macarras/Música Híbrida, 2019 (Vio35 | ODIO-107 | DM-047-CD | MHR 041). Made in Spain. Pressed in France. First press.


Tracklist:
1. Imperium Diabolicus 11:53
2. Predominance 08:32
3. Pike, Darts & Chopper 05:50
4. Transmuted in Embers 12:39
5. Reborn in the Grave 13:22
Total playing time: 52:16 min.


https://odiosonoro.bandcamp.com/
https://tort.bandcamp.com/
https://violenceintheveins.bandcamp.com/
https://discosmacarras.bandcamp.com/

The ninth full-length studio album by Czech Death Metal band.
Tortharry are one of the longest running Czech Metal bands, founded back 1991, and almost iconic stalwarts of the Czech Death Metal scene. Their popularity in this country and abroad is based on their clearly defined style, their way above average musicianship, and on their undying enthusiasm for gigging and songwriting. 
They played a lot of live shows on the worldwide festivals and club stages and tours a lot, including gigs with the phenomenal cult band Death, the Brazilian icon Sepultura, as well as a South American tour with Gorgoroth and Belphegor.
Five years since the release of the “Follow” album, during band's 25th anniversary, one of the leading Brutal Death Metal bands from the Czech Republic reaching another milestone and opening a new chapter of its history.
Though Tortharry have now sufficient reputation to allow for experiments in their music, the band stays true to their long-term genre direction, whereby the new album once again offers a motherload of Technical Death Metal.
With "Sinister Species", the band goes around the whole of the country, and again takes part in a number of summer festivals (Kaltenbach Open Air, Gothoom Open Air, Czech Death Fest) and many others.
The album highly recommended for fans of Cannibal Corpse, Suffocation, Napalm Death, and Dying Fetus!
Metalgate Records, 2018 (MGR-24350). Made in Slovakia. First press.


Tracklist:
1. Intro 0:33
2. Odd Man Out 4:03
3. False Superiority 3:57
4. Crossroads 3:44
5. Without A Break 3:25
6. By Devil's Side 3:42
7. Self-Sale 4:02
8. Perpetual Delay 3:42
9. Deceitful Sermons 3:38
10. Sinister Species 4:20
Total playing time: 35:06 min.

The fourth full-length studio album by Polish Industrial Groove/Death Metal band.
Produced by Michał Grabowski (Vader, Marduk, Antigama, Batushka, etc.), "Humanufacture" is the new quality in Industrial Metal, redesigned to be based on atmosphere, heaviness, severity and interesting composition. 
The release spotlights the band's ultra-modern style and sound, with emphasis on 7-string guitars, groove drumming, concrete bass, challenging growls and screams, and a strong vibe of electronic ambience, inspired by video games such as "Deus Ex" or "Cyberpunk".
The conceptual layer showcases a metaphorical picture of recreating and reprogramming a human entity in modern society - human which turned to be a battery for GDP fed by fake news and social programs.
Recommended for fans of Meshuggah, Devin Townsend Project, Sybreed, Fear Factory, Gojira, Textures, Chimaira, Lamb of God, Thy Disease, Monuments, Periphery, Slipknot, Divine Heresy, Strapping Young Lad, Venom, and more.
Self-released/Distributed by Total Metal Distribution, 2021 (TMD08CD). Made in Poland. First press.


Tracklist:
1. Synthetic Entity 00:38
2. Tech-addict 04:42
3. Homo Globalis 04:32
4. GDP Serfdom 03:29
5. Social Credit System 05:53
6. Info Wars 02:56
7. Unperson 04:30
8. A Miracle of Life 01:06
9. Body Parts Reproduction Facility 09:28
10. Mass Murder Mechanism (Album Version) 03:48  
11. Deep State 02:49
Total playing time: 43:53 min.

Split release of four German Brutal Death Metal bands.
Torture The Mass - East German Slaming Death brutality.
Extinctionist - merciless Brutal Death machine.
No One Gets Out Alive - finest hillbilly Slam.
Sepulture Of Silence – Brutal Death massacre from hell.
This Ultra Brutal split release will rip up your soul!!
Siiiiccck!!!
Morbid Generation Records, 2013 (MGR 013). Made in Germany. First press.


Tracklist:

TORTURE THE MASS:
1. Cerebral Crowbar Penetration     03:43 
2. The Nympholepsy To Collect Distorted Limbs     03:04 
3. Human Flesh Pinata     03:10 

EXTINCTIONIST:
4. Dehumanize     02:32 
5. Burning Corpses     03:04 
6. New Breed     02:18 

NO ONE GETS OUT ALIVE: 
7. The Barnyard Massacre     03:35 
8. Human Fertilizer     02:46 
9. You Can't Escape The Crop Chopper     02:36 

SEPULTURE OF SILENCE: 
10. Cadaver Bigotry     03:21 
11. Collapse     04:17 
12. Rotten     04:49

Total playing time: 39:15

Second full-length album by Italian Thrash/Death Metal band.
Italy along with its neighboring countries, has become the new breed of quality Thrash Metal bands, like Irreverence, Blindeath, Sofisticator, etc. “The Pound Of Flesh” is a very 2015 style album, but is good enough to please even the Old School Thrash Metal conservatives.
Like many other modern Thrash Metal bands, Total Death depends heavily on the dream beats to sync the loudness with the guitars, which works really well, and great credit has to go to the man behind the drum kit - Alessandra Mossi. The band uses tempo building beautifully. The complex technical riffs demand more attention from the listener as many riffs are hard to comprehend and air-guitar to, and stretch the boundaries of Technical Thrash Metal, something not often off late. The picking and shredding is top notch and impeccable.
The music in this album tells that the band has been heavily influenced by Technical Death Metal and has tried to implement it here and has tried to make it sound like Thrash Metal, which they have nearly succeeded. The bass is excellently used and works great with the guitars. The dirty thick vocals of Paolo Azzimonti (who is also one of the two guitarists) is great on the ears.
The ability to bring both mid temp and high tempo together and shower it with plethora of crazy technical Thrash riffs make “The Pound Of Flesh” stand out among the crowd. While the album isn’t anything close to a classic, but this style of Thrash Metal becoming a trend, and this is actually good, for connoisseurs of riff based Thrash! This band can easily be the future face of Thrash Metal!!
Punishment 18 Records, 2015 (P18R 087). Made in Italy. First press.


Tracklist:
1. Intro 
2. Downers 
3. Vhemt 
4. Morphine 
5. Haunted 
6. Four Walls - The Perfection Of Black 
7. Synthesis Of Human Failure 
8. Hybris 
9. Forced Path 
10. No Last Bullet 
11. The Pound Of Flesh
Total playing time: 45:20 

Progressive Stoner/Sludge/Southern Metal band from Italy.
Total Empty provide mix of Hardcore, Sludge, Alternative, Grunge, Rock to Thrash Metal , the whole style of the nineties . Almost continuously settled in the mid-tempo, with thousands of included riffs, Rock the Italians will kick your ass! The songs are now not even poorly recorded or arranged, with clear and powerful production. The material lies somewhere between the 90's Metallica , Staind and Soil.
Recording, mixing and mastering by Tommy Talamanca (Sadist) at Nadir Music Studios in Genoa, Italy.
Live Tribe Music/Nadir Music, 2013 (NDR_0018). Made in Italy. First press.


Tracklist:
1. Soldier 
2. The One
3. Outside 
4. Wonderland 
5. Total Empty 
6. The Punisher 
7. Watch Out 
8. Father 
9. You Lose


Samples:  http://www.lastfm

The third full-length album by Italian Gothic/Progressive Metal band.
Hailing from Brescia, Italy, long running Epic/Progressive Metal band Tragodia strikes back with it's 3rd full-length album, a brand new episode of challenging musicianship.
Hitting harder than on the very well-received "Theomachy", released in 2012, on "Mythmaker" the band embarks on an exciting trip into the realms of Epic, merging the most diverse musical influences in what sounds like a companion to modern Heavy Metal. Building on classic Metal twin guitars attack and relentlessly pounding rhythmic structures, as well on a vocally inspired performance and haunting almost Space Rock-driven melodies, Tragodia crafts its most convincing opus so far.
"Mythmaker", contains almost all of the great qualities of such an album: it's heavy, it's melodic, it's progressive, it's catchy, it's heavy, it's groovy. Heavy. It is by no means calm and Jazzy, such as some of the work from the penultimate Dream Theater. In the mixing, the heavily over-driven guitars, and the drums, are at the forefront, adding vertebrae to the heavyweight backbone that drives this album.
Step forward into the realms of obscure myths and shining musical heights, follow the path of the Mythmaker!!
Kolony Records, 2013 (KR016CDL). Made in Italy. First press.


Tracklist:
1. Cry Among The Stars 
2. The Oracle And The Muse
3. A Temple In Time
4. Wisdom In The Meadows Of Sorrow 
5. Tidal Waves Of Greatness
6. Once In Arcadia
7. The Stone And The Idol
8. Born Under Niobe
9. Mythmaker
10. The Weeping Rock Of Seriphus 
11. Downfall Of The Ancients (2013)
Total playing time: 40:56


Samples: http://www.last.fm

Third full-length album by Norwegian Symphonic Gothic/Black Metal band.
The previous TRAIL OF TEARS album "Profoundemonium" was accompanied by much negativity, with female vocalist Helena Iren Michaelsen as the centre of these disturbances. Now they are back with a vengeance, having found Cathrine Paulsen to take care of the vocal duties along with Ronny Thorsen. The result has been called "A New Dimension Of Might". And result sounds angry! Compared to their previous album they have gained a lot of aggression in their music, sometimes sounding more like Black Metal than their previous Dark Gothic Metal categorisation. However, they have not entirely thrown away their old concepts, but rather added a new twist to their sound. And hey, it worked!
"A New Dimension Of Might" is best described as a perfect equilibrium between Dark Gothic Beauty and Black Metal aggression. This record is one of the most pleasant surprises of the 2002 Metal year!
Napalm Records, 2002 (NPR 108). Made in Germany.


Tracklist:
1. Ecstatic 05:49
2. A Fate Sealed In Red 06:11
3. Crashing Down 04:24
4. Obedience In The Absence Of Logic 06:37
5. Liquid View 06:21
6. Denial And Pride 04:09
7. The Call Of Lust 05:29
8. Splendid Coma Visions 03:35
9. Bloodred Trance 07:18
Total playing time: 49:53

Debut full-length album by Spanish Thrash Metal band.
Trio from the Balearic Islands, more precisely from the city of Palma de Mallorca. A band that has been playing an energetic and elaborate classic Thrash Metal, strongly influenced by the sound of the old Metallica, Overkill, old Megadetu, Testament, Heathen and the essence of the San Francisco Bay Area scene, plus some elements of European Thrash Metal in the vein of Kreator.
The influence of the band by Lars Ulrich and James Hetfield overflies from time to time, so no surprise when that Trallery began his career as a Metallica tribute band, which played under the name of White Shadow.
Beautiful harmonies and guitar solos by Biel Gayà that remind a little of Megadeth's "Rust in Peace" golden era combined with catchy riffs from the Bay Area's school, combining acute yells with rotten voices, noticing the influence of the current sound of Kreator. Interesting marshes and changes of rhythm, where the drummer Sebas Barceló shines, various technical shades. Catchy, melodic stuff, with Heavy Metal vibe, with memorable backing vocals and slow passages of very good musical taste.
Trallery has a promising career ahead, besides his debut with this exceptional "Catalepsy", they was the Spanish representatives in the of the Wacken Open Air festival in Germany, after winning in their country the "Metal Battle Spain 2013". If you like good classic Thrash Metal, do not miss this album!!
Xtreem Records, 2013 (XM 127 CD). Made in Spain.


Tracklist:
1. Collateral Damage     5:02 
2. Pluralized Chaos     2:48 
3. White Shadow     5:49 
4. Catalepsy     4:56 
5. Assassin Introspection     2:16
6. Disease     4:18 
7. Dissipated By Oblivion     5:11 
8. In The Wings Of The Night     4:52 
9. The Secret Trial     3:03 
10. Path Of Life     7:14
Total playing time: 45:29


Samples:  http://trallery.bandcamp.com

The debut full-length album by Italian Thrash Metal band.
Modern Thrash Metal to the American way, with studied melodies and Groove to burn.
The band was born in 2008 and create an original and personal sound that they called “Stun Metal”.
Tony De Marco utilizes a fairly harsh vocal style, somewhere in between the typical Thrash vocals and a Death growl, but not quite one or the other. On a couple of songs (most notably the opener), he makes a sort of grunt sound at the end of sentences, similar to what Disturbed frontman David Draiman often does, which adds a bit of fun and energy. He even does clean vocals once in a while, and he’s surprisingly good at them.
The album was welcomed with great enthusiasm by most critics in the European Metal industry and declared as one of the best Metal albums of 2012.
New take on Thrash Metal with aggressive duality to the vocals, some blast beats and some serious Groove. Those who enjoy this slower, more crushing kind of Thrash Metal could find some enjoyment here!
SG Records, 2012 (SGCD048). Made in Italy. First press.


Tracklist:
1. Dust 00:57 
2. 1936 06:27 
3. Earth Attack 02:42 
4. World of Fashion 05:15 
5. Morrow 05:46 
6. Face to Face 07:53 
7. Deep Forest Night 07:33 
8. Blood Buster 05:31 
9. Bad News, Good Stuff 00:51 
10. Scoop! 05:56 
11. Enigma 09:02 
Total playing time: 57:53 min.

Debut album by Symphonic Folk Viking Metal band from Russia.
In their works the musicians often use elements of Finnish dance humppa (a kind of variety of polka) played on the accordion (the band line-up includes accordionist). The band has already managed to play at the same stage with such bands as: Kivimetsan Druidi, Moonsorrow, Korpiklaani, Norther, Arkona, Troll Gnet El, North Gate, Nevid and many others.
Stygian Crypt Productions, 2010 (SCP 056)


Tracklist:
1.Entering the Lands 01:35
2.Gunbjorn (Birth of Skerriz) 06:34
3.Against the Winds 08:40
4.Born Under Sign 03:38
5.Metsanhumppa 04:07
6.At The Last 04:39
7.Sudden Arise 05:08
8.From the Seas 05:16
9.Spellful Cup 03:33
10.Tale of the Immortals 09:10
11.Birth of Skerriz 07:57
Total playing time: 60:17 

Debut album by Symphonic Folk Viking Metal band from Russia.
In their works the musicians often use elements of Finnish dance humppa (a kind of variety of polka) played on the accordion (the band line-up includes accordionist). The band has already managed to play at the same stage with such bands as: Kivimetsan Druidi, Moonsorrow, Korpiklaani, Norther, Arkona, Troll Gnet El, North Gate, Nevid and many others.
Perechrestok Records, 2010 (PR 32 CD)


Tracklist:
1.Entering the Lands 01:35
2.Gunbjorn (Birth of Skerriz) 06:34
3.Against the Winds 08:40
4.Born Under Sign 03:38
5.Metsanhumppa 04:07
6.At The Last 04:39
7.Sudden Arise 05:08
8.From the Seas 05:16
9.Spellful Cup 03:33
10.Tale of the Immortals 09:10
11.Birth of Skerriz 07:57
Total playing time: 60:17 

Intense Progressive Metal with nods to Slayer and Opeth.
Their debut album has some nice surprises, like the epic "Purgatory," which spotlights drummer James (all the Triplever boys are uni-monikered) as their secret weapon.
Crush Music/Vibe Merchant Records, 2006


Tracklist:
1. Bloodshed 03:58
2. Purgatory 06:39
3. Beyond The Grave 04:30
4. A Better Way To Die 04:15
5. Wasted 03:41
6. Militia 03:41
7. Jackhammer 03:37
8. Punk With A Gun 03:29
9. Merchants Of Chaos 04:41
10. Firebomb 04:18
11. Without Warning 05:22
12. Nameless 05:06
13. Aftermath 02:19
Total playing time: 55:36 min.

The sixth full-length album by the cult American Metalcore band.
With this album, Trivium opted to go for a more direct, stripped down approach. Some people find David Draiman’s influence on the album to be disturbing (that pun was worth it), however, the big picture is Draiman did a damn good job with the production of this album and he really helped Matt Heafy improve his vocals and as a result, there is more singing on this record than the previous Trivium records.
The actual album aims to appeal to a wider range of people, yet it’s not a sellout by any means. Trivium is a risk-taking band; they experiment with their sound and deliver a unique experience with each new album. People complain that this one sounds strangely like Disturbed meets Trivium, but in real it does have a more Alternative Metal approach in some of the riffing, but at the core of the sound, it’s still 100% Trivium. Tracks like “Strife” and “No Way to Heal” are classic Trivium songs all the way while “Brave This Storm” and the title track have that Alternative Metal vibe mixed in with Trivium’s sound.
Leads and solos are very well done and very effective. In fact, “Strife” and “No Way to Heal” have some killer lead guitar parts and feature some of the album’s best solos. “Wake” is a great ending to the album and showcases Matt’s lower vocal range. That being said there are some fantastic standout tracks to be found here. “Strife” is a fantastic song and it’s amazing live! “No Way to Heal” is the heaviest song on the record by far and would be a great live song. “Wake (The End is Nigh)” is an amazing closer and it shows musical growth for the band.
The riffs may not be as complex as they once were and Matt may not be screaming as much as before, but everything that made it onto this record is strong, quality material. And while this does sound like Trivium meets Disturbed, everything on this record is still way more complex than Disturbed has ever been. If you enjoyed "In Waves", then you’ll likely enjoy this album!
It is the last album to feature second drummer Nick Augusto before he had departed from the band in May 2014.
The album debuted at No. 27 on the Billboard 200 albums chart on its release, selling 15 000 copies in the United States in its first week. It also debuted at No. 6 on Billboard's Top Rock Albums, and No. 2 on Hard Rock Albums. The album has sold 69 000 copies in the United States as of September 2015.
Roadrunner Records/Warner Music Australia, 2013 (1686176012). Made in Australia. First press.


Tracklist:
1. Brave This Storm 4:29
2. Vengeance Falls 4:14
3. Strife 4:29
4. No Way To Heal 4:05
5. To Believe 4:33
6. At The End Of This War 4:48
7. Through Blood And Dirt And Bone 4:26
8. Villainy Thrives 4:55
9. Incineration: The Broken World 5:52
10. Wake [The End Is Nigh] 5:58
Total playing time: 47:51 min.