CD

Deluxe Edition re-release of the third full-length studio album by legendary Swedish Atmospheric Death/Doom Metal band.
"Clouds" was another major step in the quick sonic evolution of Tiamat, as the band continued to scale back their Death Metal roots while pursuing more conventional song structures. The album is still predominately fixated in the Death/Doom Metal genre.
Instrumentally, “Clouds” combine delicate acoustic guitars with crushing riffs and atmospheric keyboards. Johan Edlund's voice mixes Death growls with a clean, Gothic moaning-type voice. Songwriting contributions from new bassist Johnny Hagel take some load off vocalist Johan Edlund, whose improving English-speaking skills, and raspy but clear intonations, finally let listeners appreciate his esoteric lyrics.
"Clouds" was only the first step for Tiamat into Gothic Metal/Rock. The band is best remembered for the "Clouds" and "Wildhoney" albums, which are more widespread and Psychedelic/Progressive influenced. "Clouds" would be the last album where the Death Metal grasp was strong, and it’s a telling sign of what the band would discover in themselves two years later. For stepping away from pure Death/Black Metal and laying the groundwork for "Wildhoney", "Clouds" is a historically important record that helped to shape the booming Doom Death Metal scene of the decade.
Remastered re-release includes “The Sleeping Beauty - Live in Israel” mini-album (1994), recorded live in Tel Aviv, Israel in June 3rd 1993.  
Limited Edition Deluxe 24-kt Gold Translucent CD, housed in luxury Digibook with selective varnish and silver foil stamping.
First 50 copies include exclusive Patch and available with orders via Total Metal Shop only.
Century Media Records/Metal Scrap Records, 1992/1994/2024 (MSR189DB). Made in Europe for the world.


Tracklist:

“Clouds”
1. In A Dream 5:12
2. Clouds 3:40
3. Smell of Incense 4:29
4. A Caress of Stars 5:26
5. The Sleeping Beauty 4:10
6. Forever Burning Flames 4:22
7. The Scapegoat 4:56
8. Undressed 7:08
“The Sleeping Beauty - Live In Israel”
9. In A Dream (Live) 5:01
10. Ancient Entity (Live) 6:32
11. The Sleeping Beauty (Live) 4:30
12. Mountain of Doom (Live) 5:28
13. Angels Far Beyond (Live) + Hidden Track 8:51

Total playing time: 69:53 min.

South American remastered re-release of the second full-length studio album by legendary Swedish Atmospheric Death/Doom Metal band.
Despite being released only one year after their debut album, "Sumerian Cry", the compositional and musical evolution of the band is evident, with lower Doom/Death Metal orientation.
The album is a very fine represents Melodic Death Metal that time, having made a big step of Tiamat that has progressed musically very much. A Doom/Death Metal classic from 1991 that is quintessential and proved highly influential for tons of musicians worldwide as it took a slower, gloomier route during the Death Metal boom instead of speed things up like many other peers did. Especially the great Woodhouse production gave “The Astral Sleep” a special atmosphere and unique sound.
"The Astral Sleep" marks the band's debut on long-time label, Century Media Records.
Deluxe Edition with glossy booklet includes remastered version of “A Winter Shadow” EP (1990), and full-colour cover sticker.
Century Media Records Ltd./Rawforce Records, 1991/2023 (RAWFORCE 100-102). Made in Chile.


Tracklist:
1. Neo Aeon (Intro) 2:09
2. Lady Temptress 3:44
3. Mountain Of Doom 4:36
4. Dead Boy`s Choir 1:53
5. Sumerian Cry (Part III) 5:16
6. On Golden Wings 4:58
7. Ancient Entity 6:17
8. The Southernmost Voyage 3:12
9. Angels Far Beyond 4:42
10. I Am The King (...Of Dreams) 4:34
11. A Winter Shadow 5:23
12. The Seal (Outro) 1:52
Bonus Tracks ("A Winter Shadow EP")
13. A Winter Shadow (Remastered EP version) 5:25
14. Ancient Entity (Remastered EP version) 5:54
Total playing time: 59:55 min.

The third re-release of the fourth full-length studio album by legendary Swedish Atmospheric Gothic Doom Metal band.
The album was marked a strong change in the style of Tiamat's music, with more Progressive Rock and Psychedelic music and a less Death Metal-oriented style. The music on the album deals with the occult, nature, and LSD. Not even Tiamat's previous achievements and accelerated evolutionary pace could have prepared fans and critics for the unbelievable sounds contained in the groundbreaking "Wildhoney". The album elevated the band's combination of lingering Death Metal roots and Ambient soundscapes to unparalleled heights of invention. Not necessarily a concept album in the lyrical sense, the record still operates as a virtually seamless aural experience, as tracks are often grouped into extended suites.
The album was produced by Waldemar Sorychta and released by Century Media records in 1994. Vocalist Johan Edlund and John Hagel were the only two remaining members of Tiamat. After the release of their 1994 tour mini-album, "The Sleeping Beauty: Live in Israel", Edlund fired all members of Tiamat except for John Hagel. In 1994, Tiamat began working on"Wildhoney" album with session musicians Magnus Sahlgren, Lars Sköld and Waldemar Sorychta, who acted as a keyboardist and producer.
The album was one of the highest-selling records for Century Media on its release. It sold better than the previous bestsellers of the label, Grave and Unleashed.
One of the classics of the genre, “Wildhoney” is an album ahead of its time, and many bands that are commercially successful drank for it until the point of exhaustion. “Wildhoney” represented the end of an age for Tiamat, and a great number of the band’s fans think that it’s their finest moment, because the following releases didn’t present the same strength and Avant-garde courage.  Hear it, buy it, because “Wildhoney” is really a classic in the deeper essence of the word!
Re-release includes “Gaia” EP (1994) as a bonus! *
Century Media Records Ltd., 1994/2011 (9976802). Made in Germany.


Tracklist:
1. Wildhoney 0:53
2. Whatever That Hurts 5:47
3. The Ar 5:04
4. 25th Floor 1:49
5. Gaia 6:26
6. Visionaire 4:19
7. Kaleidoscope 1:20
8. Do You Dream Of Me? 5:06
9. Planets 3:12
10. A Pocket Size Sun 8:03
11. Gaia (Video Edit) 3:44 *
12. The Ar (Radio Edit) 3:25 *
13. When You're In (Pink Floyd Cover Version) 5:48 *
14. Whatever That Hurts (Video Edit) 4:19 *
15. The Ar (Ind Mix) 2:28 *
16. Visionaire (Remixed Long Form Version) 4:53 *
Total playing time: 66:36 min.

Second full-length album by the Mexican Death/Thrash Metal band.
These guys sure have cranked it up a few notches since their debut, "Man Made Paradise". While that was more on the Thrash than Death side, this one here veers more toward Death Metal, while remaining somewhat Thrashy. But "Operation: Crash Course" is a f*ckload more intense, faster and in-your-face than its predecessor, with a superior production assuring express delivery to unsuspecting ears.
The vocals are more Death-like, kind of a sharp, abrasive, raucous semi-growl that fits the music like a glove. Machine gun-like riffage can be found all over the place here, literally ripping through the air – there's also a "galloping" style here that keeps things diversified, along with the whirling solos that are about as close to melody as this will get. The drums almost never stop pounding.
"Operation: Crash Course" is one of those albums that pins you to the ground from beginning to the end and leaves you asking for more of that aural punishment, and is quite an improvement over their already more than decent debut album!!
My Kingdom Music, 2010 (ECHO066). Made in Italy. First press.


Tracklist:
1.The Hidden Illness 05:06
2.Metallic Overdose 06:16
3.Isolation Row 04:31
4.The Sickest Lie 05:03
5.Bluescreen Circus 05:13
6.Operation: Crash Course 06:33
7.The Box 03:50
8.Last One Standing 05:07
Total playing time: 41:39

Second full-length album by the Swedish Neoclassical/Melodic Power Metal band.
Time Requiem's self-titled debut was a first-rate album that slipped under the radar of many Metal fans. Masterfully combining all favorable elements of Prog and Neo-Classical Metal, the album was full of energy and, quite simply, a blast to listen to.
The technicality Richard Andersson is renowned for is still present on second album. Kicking off with the frantic, blistering "Reflections", the album leaves a strong first impression. Twenty seconds of atmospheric synths and a quick bit of guitar doodling to warm up those digits and they're off! Frenetic first number "Reflections" makes it clear that it's another day at the races for the musical thoroughbreds behind Neo-Classical Metal masters Time Requiem and their second, technically dazzling Power Metal opus, 2004's "The Inner Circle Of Reality"! A 12-minute title track we hear next, pushing the envelope of Prog-tastic ambition to new heights of indulgence. Time Requiem display such mechanical, super-human speed and precision in songs like "Attar of Roses" and "Quest of a Million Souls," that one is left wondering if this is actually the work of men, not some Roboto-like automatons.
The keyboard playing in the CD is completely amazing. Richard Andersson without a doubt one of the best players out there.
With songs like “The Inner Circle Of Reality and “Attar Of Roses” gives you the option to realize that no matter how good you are these guys seem to get faster and cleaner within each song.
This is the CD that sets a pace that Progressive Metal should be placed on. Magnus Nord easily keeps up on the guitar with Richard and have runs together that are reminiscent of the old Deep Purple duels that Ritchie Blackmore and Jon Lord had however with a level in a while.
With a name taken from the gods Apollo Papathanasio has a voice that is suited for his name. Singing in an almost operatic style isn’t hidden behind the musicians but leads them with great style.
Time Requiem kicks open that door in a big way and continues in the same tradition of Rising Force but with an even more modern and energetic sound. If you're a fan of this sort of Prog Metal, grab this one for sure!!
Regain Records, 2004 (RR0403-044). Made in Sweden. Pressed in Czech. First press. Made in Russia. Please note: although the CD is new and has never been played, there are light visual shabby on the disc surface, happened during transit, which will not affect the sound quality.


Tracklist:
1. Reflections     5:53 
2. The Inner Circle Of Reality     11:41 
3. Dreams Of Tomorrow     7:03 
4. Attar Of Roses     5:34 
5. Definition Of Insanity     5:37 
6. Quest Of A Million Souls     4:54 
7. Hidden Memories     7:26 
8. Bach Prelude Variation     0:44
Total playing time: 48:52

The second full-length album by Chilean Technical Death Metal band.
This is an album that breaks any practical scheme of grotesque melody to deliver a new evolutionary form of his music. You'll be pleased to crush your ears with something so fascinating.
"Lapses" contains a completely different side to her previous recording. Largest riffs, most barbaric environment, a more Progressive structure and a more melodic voice. 12 tracks (10 real tracks plus an intro and outro) traversing all schemes you can find in Death Metal, keeping melodic and experimental as based on this concept album. You can find a carnivorous beast theme "Severe Episode of Lunacy", a maddening under jars "Lapses", a swing of sequences from Thrash to Progressive with "Erratic", Technical Speed with "Hausdorff Space" and most pro Doom/Death Metal epilogue as impressive as it is "Lasting Sequel". Definitely an album that has it all, and emotion in each track not lacking. This last feature shown fair climax in its last issue before the outro, where the smoothness of a rough track with Death and Doom dense and serene achieve a musical realize that funeral arouses nostalgia one silenced in being.
"Lapses" album is totally recommended for anyone looking for a Progressive and cruel musical design with touches almost melodic style Amon Amarth as well as for fans of: Hypocrisy, Gorefest and Meshuggah! A pretty heavy album that can teach you a lot!!
Australis Records, 2012 (AUS028CD). Made in Chile. First press.


Tracklist:
1. Antesala 00:35
2. Severe Episodes of Lunacy 04:42
3. Imbalance Result 03:50
4. Grieving 04:41
5. Lapses 04:09
6. Erratic 03:38
7. The Spiral Eyes 04:48
8. Impediment To Cure 03:59
9. Transtorno 03:51
10. Hausdorff Space 04:11
11. Lasting Sequel 05:31
12. Desenlace 00:31
Total playing time: 44:26


Samples: http://www.last.fm

A compilation album by legendary American Pop Rock/Soul singer.
Released March 2009 to coincide with the European leg of Tina’s 50th Anniversary Tour, "The Platinum Collection" is a beefed-up version of "Tina!", a compilation released in the run-up to her 2008 world tour. Whereas "Tina!" was released in North America, "The Platinum Collection" was released in Europe a few months later in anticipation of the European leg of her tour. 
"The Platinum Collection" is a three-disc set with nearly all of Tina’s solo singles as well as some songs with Ike Turner. It’s almost definitive at 48 tracks in length. And it includes all of Turner's major hits, including six Ike & Tina Turner-era recordings ("Nutbush City Limits", "River Deep, Mountain High", "I Want to Take You Higher", "Get Back", "Come Together", "Proud Mary"), and goes all the way up to the latter-day hits "When the Heartache Is Over" and "Whatever You Need" from her most recent studio album, "Twenty Four Seven" (1999), and "Open Arms" - the one-off single from her best-of compilation "All the Best" (2004). In addition to all the hits, "The Platinum Collection" includes a couple new songs co-written by Guy Chambers ("It Would Be a Crime", "I'm Ready"), and fortunately it also includes her stunning collaboration with Italian superstar Eros Ramazzotti on his 1998 hit "Cose Della Vita". Unlike "Tina!", "The Platinum Collection" includes the studio versions of "I Can't Stand the Rain" and "Let's Stay Together" rather than live recordings. 
All in all, "The Platinum Collection" is a treasure trove of hits by Turner. Not only does it include all of her solo hits, but it also includes several songs released by others on which she is featured as a guest (e.g., "Tonight" with David Bowie, "Tearing Us Apart" with Eric Clapton, "It Takes Two" with Rod Stewart).
"The Platinum Collection" reached #14 in England.
The box set features similar cover artwork to “Tina!” compilation CD, released at the end of 2008.
Parlophone Records Ltd., a Warner Music Group Company, 2009 (50999 2 67097 2 7). Made in UK. 


Tracklist:

CD 1
1. What’s Love Got To Do With It 3:48
2. Nutbush City Limits (Ike & Tina Turner) 2:56
3. Let’s Stay Together 5:16
4. Acid Queen (Soundtrack Version) 3:50
5. River Deep, Mountain High 3:40
6. Private Dancer (Edit) 4:01
7. Help 4:29
8. Tonight (duet with David Bowie) 3:42
9. Better Be Good To Me 5:09
10. Show Some Respect 3:17
11. I Can’t Stand The Rain 3:41
12. It’s Only Love (duet with Bryan Adams) 3:14
13. I Want To Take You Higher (Ike & Tina) 2:51
14. Get Back (Ike & Tina) 3:03
15. Come Together (Ike & Tina) 3:38
16. Proud Mary (Ike & Tina) 4:56

CD 2
1. The Best 5:28
2. I Don’t Wanna Lose You 4:18
3. We Don’t Need Another Hero 4:16
4. One Of The Living 4:11
5. Addicted To Love (Live at Camden Palace) 5:19d
6. Typical Male 4:15
7. What You Get Is What You See 4:26
8. Tearing Us Apart (duet with Eric Clapton) 4:16
9. Steamy Windows 4:03
10. Two People 4:08
11. Break Every Rule 4:00
12. Look Me In The Heart 3:42
13. Be Tender With Me Baby 4:15
14. Love Thing 4:26
15. Way Of The World 4:23
16. Nutbush City Limits (The 90’s Version) 3:42

CD 3
1. I Don’t Wanna Fight (Edit) 4:26
2. It Takes Two (duet with Rod Stewart) 4:11
3. Goldeneye 4:42
4. I Want You Near Me 3:51
5. Why Must We Wait Until Tonight? (Edit) 4:27
6. Whatever You Want (Edit) 4:53
7. On Silent Wings (Edit) 4:18
8. Missing You 4:37
9. Something Beautiful Remains 4:20
10. In Your Wildest Dreams 5:28
11. When The Heartache Is Over 3:42
12. Whatever You Need 4:49
13. Open Arms 4:00
14. It Would Be A Crime 3:28
15. I’m Ready 3:44
16. Cose Della Vita (duet with Eros Ramazzotti) 4:48

Samples: http://www.the-world-of-tina.com


 

Twisted American black metal meets southern rock.
Tjolgtjar presents to the listener a psychodelic Black Metal rock & roll freakout:
one screaming man, one guitar summoned from the mid-seventies, a bass from Elvis' closet,
and demented pygmie ritual drums.
Fourteen tracks of un-traditional Black Metal / Blues / Rock instanity.
Suffering Jesus Prod., 2008 (SJP015)


Tracklist:
1.Fjor Tjell Kjingdjam olf Hjoary 03:02
2.Lord of the Forest 03:54
3.Raptor Map 04:09
4.City On Fire 05:19
5.They Fall By Gunfire 03:39
6.Ode to Dixie 03:36
7.Hiking Through the Eastern Trails 02:42
8.Nu raagum Skuul, Fjelnjejs 04:09
9.Snakebite Cowgirl 05:33
10.The Spirit of the Wild 03:01
11.No Pride In the Prairie 03:59
12.Inside the Devil's Mind 04:00
13.Free Flight (Ted Nugent & The Amboy Dukes Cover) 02:26
14.Black Bear/Gone Shooting 06:04

Demented and bizarre American black metal.
Mix of fast and melodic black metal, in the traditional Scandinavian vein,
and the heavy metal sections sound quite NWOBHM inspired.
There are a few nods to Judas Priest (like the cover of Deciever).
Suffering Jesus Prod., 2007 (SJP 010)


Tracklist:
1.Dark Tjolg Mindtrip 03:01
2.Invocation Towards the Conjuration of Lust 02:30
3.Trapezoidiium (Ungod) 03:26
4.I Am the Ruler of Earth 02:46
5.Tjolgtjarian Messiah 03:22
6.Stoned Running Low 01:54
7.Bomb the Ghetto 03:07
8.Strong Signals from the Other Side 04:30
9.Voyage of Satan's Elves 04:14
10.Creepshow 03:49
11.Satan's Hollow 03:14
12.Gauntlet 04:14
13.Deceiver (Judas Priest Cover) 02:54

The twelfth full-length album by Norwegian Hard Rock/Heavy Metal band.
In the USA and Scandinavia, the album has been titled as "Engine" for reasons best known to record companies. Album features 11 new songs and a redo of “Harley Davidson” (as a European bonus track), which originally appeared on their self-titled debut release back in ’82. The song “Not Only Lonely” appears on the Japanese release as a bonus track.
Since forming in 1982 the band have been through many lineup changes, and the current lineup includes two members from the 1982 lineup - Ronni Le Tekrø (Guitar) and Morten "Diesel" Dahl (Drums). They are joined by Victor Borge (Bass) and Tony Mills (Vocals), both of whom have been with the band for around five years. After two albums with vocalist Tony Mills, TNT finally may have settled down a bit, returning to a heavy, less experimental vibe. Now TNT is ready to Rock again!
With 12 studio albums under their belt, it is easy to hear that the composition is strongly influenced by Tekro. With Tekro and Mills credited as writing the majority of the music, it’s easy to see why Mills was asked to join the band. His vocal range is a perfect match for Tekro’s frantic guitar playing. At times, his vocals are eerily similar to Harnell but not in a copy-cat way, maybe it’s just that he has incredible range and can sing way up in the stratosphere, which is exactly where Tekro playing is.
“A Farewell To Arms” is heavy, and it’s melodic… it’s also a bit experimental. But this time around, that experimentation is reigned in considerably. The album kicks off with "Engine" which starts with some distorted electric guitar before the song kicks in at full power. This is definitely a heavy track, and it sets the tone for the album - plenty of heavy guitars, great tunes and great vocals making this a great Hard Rock album. "Refugee" slows the pace slightly, but not significantly, before "Ship in the night" - a classic TNT Melodic Rock song with a good catchy chorus. The album ends with "God natt, Marie" (ignoring the bonus track on the European version) - a slow gentle ballad/lullaby.
From a fan perspective, after veering off the path to find a new identity, TNT returns with a vengeance. "A Farewell To Arms" hits you a lot like "My Religion" did when it came out. The main difference between the two albums is the guitars are heavier. There’s not a bad song on the CD.
TNT got criticism from many fans following their two previous albums, but this album should avoid that fate - this is TNT back to their best, and all Hard Rock fans should consider checking this album out!!
Metal Heaven/Dark Division, 2011 (IROND CD 11-DD845). Made in Russia. Used: good.


Tracklist:
1. Engine 4:37 
2. Refugee 4:18 
3. Ship In The Night 4:00 
4. Take It Like A Man - Woman! 3:01 
5. Come 3:41 
6. Barracuda 2:39 
7. A Signature On A Demon's Self-Portrait 0:57 I
8. Don't Misunderstand Me 3:28 
9. A Farewell To Arms 2:39 
10. Someone Else 4:21 
11. God Natt, Marie 4:28 
12. Harley Davidson (European Bonus Track) 3:33
Total playing time: 41:42

The second full-length album by Norwegian Gothic/Doom Metal band.
To Cast A Shadow are now back with their second full-length album so far, after the press-acclaimed debut "All Alone" album back in 2008. The new opus, entitled "In Memory Of", witnesses the evolution of band’s sound and the big potential and authenticity of To Cast A Shadow's music.
To Cast A Shadow's tale begins with a band of three friends coming together in a basement to play loud and pounding grooves, and continues through epochs of experimenting within a range of heavy musical stylings. Influenced by The 3rd And The Mortal, My Dying Bride, Type O Negative, Satyricon, Anathema, Tool, Paradise Lost and Black Sabbath, the band's musical expression has landed firmly within the domain of Melodic Doom/Goth Metal. The sound was finally complete when a female singer was added to the mix. The original twist to the music must be found in the angelic voice of Gunnhild, which is the main voice besides the male grunting and growling. Gunnhild does not have the most remarkable voice of female Metal singers, but she simply is the best addition to these tunes of Doom and melancholy, and she does so with power and crystal clear cleanliness.
"In Memory Of" challenges two common prejudices – that against Goth Metal, whatever that is, and that against Metal where women actually sing, despite the fact that male and female Metal singers often share the same register. This record is simply fine Metal. It is mostly subtle, melodic Doom, but sometimes it wields classic Metal heft and Black Metal atmosphere.
There are clearly Sabbath-ey Doom touches here and there but the category that sprang to mind is Goth. Proper, old fashioned Goth Metal as pioneered by the likes of Paradise Lost. It’s dark and brooding in places and it has that quintessential Goth sound with wailing guitars, brooding emotion and to top it all off an impressive vocal performance from Gunnhild Huser. The album opens with the cheerily entitled "Tormented" which gives an excellent taster for what is to come. Add this to the fact that the songs are beautifully written in that finest depressing Goth tradition and it all combines to make this a very special release.
The CD was recorded at Hamar Recordings in Norway with producer Kristian Sigland (The Crest, Theatre Of Tragedy) and was mastered at Leon Music Studio in Sweden by Rikard Lofgren. It features a guest appearance by Theatre Of Tragedy lead singer Nell Sigland in the song "Betula". The artwork was developed and realized by Matthew Vickerstaff of Darkwave Art (My Dying Bride, Cradle Of Filth).
If you are a fan of Dark, Gothic Metal from the likes of My Dying Bride and Paradise Lost then To Cast A Shadow are a band that it is definitely worth checking out!!
Kolony Records, 2011 (KR011CD). Made in Italy. First press.


Tracklist:
1. Tormented 4:49
2. Morose 5:27
3. Nightfall 5:00
4. Oceans Apart 4:46
5. Betula 1:21
6. My Misery 4:45
7. When You Leave The Room 4:22
8. Set Alire 4:34
9. The Answer 4:42
10. In Memory Of 4:32
Total playing time: 44:18

The second full-length studio album by Tobias Sammet's (Edguy) Symphonic Power Metal project.
It is a concept album and a Rock opera. It is written in the format of a play, and the songs are the characters' dialogues and inner thoughts. The songs carry on the story begun in “The Metal Opera”, with the same characters. Much like other Power Metal albums, the compositions draw aesthetic and lyrical influences from early fantasy literature such as "The Lord of the Rings" and the "Red Sonja" series.
The albums feature many artists from various Power Metal bands, such as Helloween, Gamma Ray, Stratovarius, Rhapsody of Fire, and many more.
Line-up: Tobias Sammet (Edguy), Henjo Richter (Gamma Ray), Markus Grosskopf (Helloween), Alex Holzwarth (Rhapsody of Fire).
Guests: Jens Ludwig (Edguy), Timo Tolkki (Symfonia, ex-Stratovarius), Eric Singer (KISS, Black Sabbath, Alice Cooper), Michael Kiske (ex-Helloween), David DeFeis (Virgin Steele), Sharon den Adel (Within Temptation), Rob Rock (ex-Axel Rudi Pell, ex-Warrior), Andre Matos (ex-Symfonia, ex-Shaaman, ex-Angra, ex-Viper), Kai Hansen (Gamma Ray), Timo Tolkki (ex-Symfonia, ex-Stratovarius), Bob Catley (Magnum) and more.
The whole album is brilliant. All the tracks flow together and there is a freshness and energy throughout. Tobias Sammet was at his creative and artistic peak with this effort. Stands up to countless listening. Extremely well recorded, with well-balanced soloing, it's bombastic and fantastic! One of the greatest Power Metal recordings in history!!
Platinum Edition expanded re-release in Silver foil printed Digipak includes 24-page booklet, live bonus track and live video.
AFM Records GmbH, 2002/2018 (AFM 060-9). Made in Germany.


Tracklist:
1. The Seven Angels 14:18
2. No Return 04:29
3. The Looking Glass 04:53
4. The Quest For 03:54
5. The Final Sacrifice 05:02
6. Neverland 05:00
7. Anywhere 05:29
8. Chalice Of Agony 06:00
9. Memory 05:43
10. Into The Unknown 04:29
Bonus Track
11. Sign Of The Cross (Live In Sao Paolo / Brazil) 4:03
Video
Sign Of The Cross (Live In Sao Paolo / Brazil) 4:03
Total playing time: 68:19 min.

The second full-length studio album by Tobias Sammet's (Edguy) Symphonic Power Metal project.
It is a concept album and a Rock opera. It is written in the format of a play, and the songs are the characters' dialogues and inner thoughts. The songs carry on the story begun in “The Metal Opera”, with the same characters. Much like other Power Metal albums, the compositions draw aesthetic and lyrical influences from early fantasy literature such as "The Lord of the Rings" and the "Red Sonja" series.
The albums feature many artists from various Power Metal bands, such as Helloween, Gamma Ray, Stratovarius, Rhapsody of Fire, and many more.
Line-up: Tobias Sammet (Edguy), Henjo Richter (Gamma Ray), Markus Grosskopf (Helloween), Alex Holzwarth (Rhapsody of Fire).
Guests: Jens Ludwig (Edguy), Timo Tolkki (Symfonia, ex-Stratovarius), Eric Singer (KISS, Black Sabbath, Alice Cooper), Michael Kiske (ex-Helloween), David DeFeis (Virgin Steele), Sharon den Adel (Within Temptation), Rob Rock (ex-Axel Rudi Pell, ex-Warrior), Andre Matos (ex-Symfonia, ex-Shaaman, ex-Angra, ex-Viper), Kai Hansen (Gamma Ray), Timo Tolkki (ex-Symfonia, ex-Stratovarius), Bob Catley (Magnum) and more.
The whole album is brilliant. All the tracks flow together and there is a freshness and energy throughout. Tobias Sammet was at his creative and artistic peak with this effort. Stands up to countless listening. Extremely well recorded, with well-balanced soloing, it's bombastic and fantastic! One of the greatest Power Metal recordings in history!!
American version release contains two bonus tracks.
Painful Lust/AFM Records/Century Media, 2002 (Century Media 8052-2). Made in USA.


Tracklist:
1. The Seven Angels 14:16
2. No Return 04:29
3. The Looking Glass 04:51
4. The Quest For 03:53
5. The Final Sacrifice 05:01
6. Neverland 04:58
7. Anywhere 05:28
8. Chalice Of Agony 06:01
9. Memory 05:40
10. Into The Unknown 04:26
Bonus Tracks:
11. Chalice Of Agony (edit version) 05:04
12. Avantasia (single version) 04:08
Total playing time: 68:19 min.

The second full-length studio album by Tobias Sammet's (Edguy) Symphonic Power Metal project.
It is a concept album and a Rock opera. It is written in the format of a play, and the songs are the characters' dialogues and inner thoughts. The songs carry on the story begun in “The Metal Opera”, with the same characters. Much like other Power Metal albums, the compositions draw aesthetic and lyrical influences from early fantasy literature such as "The Lord of the Rings" and the "Red Sonja" series.
The albums feature many artists from various Power Metal bands, such as Helloween, Gamma Ray, Stratovarius, Rhapsody of Fire, and many more.
Line-up: Tobias Sammet (Edguy), Henjo Richter (Gamma Ray), Markus Grosskopf (Helloween), Alex Holzwarth (Rhapsody of Fire).
Guests: Jens Ludwig (Edguy), Timo Tolkki (Symfonia, ex-Stratovarius), Eric Singer (KISS, Black Sabbath, Alice Cooper), Michael Kiske (ex-Helloween), David DeFeis (Virgin Steele), Sharon den Adel (Within Temptation), Rob Rock (ex-Axel Rudi Pell, ex-Warrior), Andre Matos (ex-Symfonia, ex-Shaaman, ex-Angra, ex-Viper), Kai Hansen (Gamma Ray), Timo Tolkki (ex-Symfonia, ex-Stratovarius), Bob Catley (Magnum) and more.
The whole album is brilliant. All the tracks flow together and there is a freshness and energy throughout. Tobias Sammet was at his creative and artistic peak with this effort. Stands up to countless listening. Extremely well recorded, with well-balanced soloing, it's bombastic and fantastic! One of the greatest Power Metal recordings in history!!
AFM Records, 2002 (AFM 060-2). Made in Germany.


Tracklist:
1. The Seven Angels 14:16
2. No Return 04:29
3. The Looking Glass 04:51
4. The Quest For 03:53
5. The Final Sacrifice 05:01
6. Neverland 04:58
7. Anywhere 05:28
8. Chalice Of Agony 06:01
9. Memory 05:40
10. Into The Unknown 04:26
Total playing time: 68:19 min.

The ninth full-length studio album by legendary Symphonic Power Metal Opera all-star project.
Darkness descends over the hall, the curtain rises. Dear audience, welcome to the wondrous otherworld of Avantasia!
With his ninth album, Tobias Sammet invites you to join him on an enchanted journey into his own version of reality, which is full of fantastic events and encounters.
It is a captivating, deeply magical universe that Tobias Sammet has built over the past two decades. Since his debut "The Metal Opera" (2001), the Peter Pan of international Rock and Metal has romped between Metal, Classical and Rock, beguiling the biggest festivals around the world with his travelling circus and working with the greatest voices in the Metal world, including Alice Cooper and Scorpions' Klaus Meine.
According to Tobias Sammet, song ideas go back as far as 2018 but were not finalized until a few months before the album release.
Beside Tobbias Sammet, "A Paranormal Evening With The Moonflower Society" includes appearance by next vocalists: Ralf Scheepers (Primal Fear), Floor Jansen (Nightwish), Michael Kiske (Helloween), Jørn Lande, Ronnie Atkins (Pretty Maids), Bob Catley (Magnum), Eric Martin (Mr. Big) Geoff Tate (Queensrÿche).
Limited Edition Digibook includes bonus track.
Nuclear Blast GmbH, 2022 (58301 | NB5830-1). Made in Germany. First press.


Tracklist:
1. Welcome To The Shadows 5:05
2. The Wicked Rule The Night 4:25
3. Kill The Pain Away 3:43
4. The Inmost Light 3:26
5. Misplaced Among The Angels 5:16
6. I Tame The Storm 3:52
7. Paper Plane 3:53    
8. The Moonflower Society 5:14
9. Rhyme And Reason 4:41
10. Scars 4:13
11. Arabesque 10:10
Bonus Track:
12. Paper Plane (Tobias' Demo Version) 4:37
Total playing time: 58:35 min.

The fifth full-length studio album by Tobias Sammet's Symphonic Power Metal project.
It is the third and final part of "The Wicked Trilogy", which includes also "The Scarecrow" and "The Wicked Symphony" albums. It was released along with the fourth album, "The Wicked Symphony".
To be honest, "Angel Of Babylon" is the weakest of the trilogy. However, it is still really solid. There are some really awesome songs on this one. Following "The Wicked Symphony"'s really foreboding and sinister feel, "Angel Of Babylon" stands in stark contrast. It's a lot more upbeat and hopeful. It's the third act, the resolution of the story. Just as "The Wicked Symphony" reflected its theme in every way, down to the artwork and the vocal inflections, this album does that as well.
The album is actually excellent, but it is definitely the weakest of the trilogy due to a couple less memorable songs. Nonetheless, it's a great finale to the trilogy. Just as the other two albums felt like sonic paintings, great works of art, "Angel Of Babylon" is no different. It is the capstone of what continues to stand at the top of the many works of the modern-day Mozart, Tobias Sammet! Definitely listen to them!!
Nuclear Blast GmbH, 2010 (NB 2478-2). Made in Germany. First press.


Tracklist:
1. Stargazers 9:33
2. Angel Of Babylon 5:29
3. Your Love Is Evil 3:53
4. Death Is Just A Feeling 5:21
5. Rat Race 4:07
6. Down In The Dark 4:23
7. Blowing Out The Flame 4:51
8. Symphony Of Life 4:30
9. Alone I Remember 4:48
10. Promised Land 4:47
11. Journey To Arcadia 7:12
Total playing time: 58:54 min.

The eighth full-length studio album by legendary Symphonic Power Metal Opera all-star project of Tobias Sammet.
As with previous Avantasia projects, the album features extensive collaborations with returning and new guest vocalists. The album marks Hansi Kürsch's and Candice Night's first guest performances on an Avantasia album. Sammet first wanted to have Kürsch sing in The Metal Opera, but wasn't able to do so due to scheduling conflicts. When he wrote "Moonglow", he didn't initially have Night in mind, but when he tried to think of someone to sing on the track, she seemed the ideal name.
Inspiration for the album title came from Sammet's fascination for the Moon. The story follows a nocturnal creature struggling to cope with the reality of boldness and beauty and ends up resorting to the darkness of the moon glow to hide itself from the world. Lyrics deal with themes such as adjustment and non-adjustment, expectations, convictions and feeling out of place and fall within the Victorian gothic and dark romanticism genres. On “Moonglow” Sammet once again delves with the topic of being an outsider and not belonging in a glossy reality, something all of us are quite familiar with living in an era of polished Instagram selfies and superficial values. While the lyrics paint a picture of a Victorian setting, Sammet‘s thoughts and lyrics are timeless and applied to any era. At the same time, the grandiose compositions hide an intimate story of an outcast not afraid to turn his back on all things that glitter but aren’t gold, drawing inspiration from personal experience all listeners can undoubtedly relate to.
"Moonglow" is yet another strong album, with stellar guest performances and a top-notch production. It's perhaps one of the most varied Avantasia albums, and with every listen you will like it more and more, and put it on endless repeat. "Moonglow" will shine beautifully next to your Avantasia catalogue, and if you haven't listened to Tobias Sammet's project yet, then this will definitely be a good introduction into the discography. With stars on board of the ship such as Eric Martin (Mr. Big), Geoff Tate (Queensryche), Ronnie Atkins (Pretty Maids), Michael Kiske (Helloween), Jørn Lande (ex-Masterplan), Bob Catley (Magnum), Hansi Kürsch (Blind Guardian), Mille Petrozza (Kreator), and Candice Night (Blackmore's Night), "Moonglow" is a solid proof that Sammet’s Avantasia has grown from a passion-project into a fully-formed institution that constantly redefines how Epic Metal should sound like!
Nuclear Blast GmbH, 2019 (27361 45312 / 4531-2). Made in Germany. First press.


Tracklist:
1. Ghost In The Moon 9:52
2. Book Of Shallows 5:01
3. Moonglow 3:57
4. The Raven Child 11:15
5. Starlight 3:39
6. Invincible 3:08
7. Alchemy 7:29
8. The Piper At The Gates Of Dawn 7:21
9. Lavender 4:31
10. Requiem For A Dream 6:09
11. Maniac 4:27
Total playing time: 66:49 min.

Re-release of the first two full-length studio albums, in one set, by Tobias Sammet's (Edguy) Symphonic Power Metal project.
Tobias Sammet could be described as an adventurous person. After all, gathering a bunch of musicians within the Power Metal realm and making a huge epic spanning two albums while dubbing it "The Metal Opera" speaks to how motivated and how creative he is. The best part is he succeeded with the concept and the combination of a cool story, great cast, and memorable songs, making this a winner. The Golden Edition of these albums further adds to the aura of the epic.
The albums come in a set shaped like a book with a surface that is supposed to be weathered like one has just found a relic. Brushed, golden letters adorn the front, but on the inside is where the extras shine. Inside are a bunch of pages filled with Sammet's comments on all the songs found in the opera and both acts of the story written out. Furthermore, there are a bunch of pictures of Sammet’s mug, him with the band, and also an extensive interview with him talking about the guest musicians and the process of making the albums. The two extra tracks are a radio edit of “Avantasia”, and a cool live version of “Sign of the Cross”, performed by Shaman with Sammet.
With the packaging being exemplary, the songs have to match up with it. Thankfully, they do, as both albums bring strong Power Metal that will rattle you to the bone. The operas are full of twists and turns musically and this is essential for any Power Metal fan or anybody who enjoys a huge concept with thoughtful vocal lines to wrap their heads around. These records are certainly pompous, self-indulgent, and pretentious, but Sammet had a huge vision and it paid off. The mysticism is added with reading the “book” the albums come in and following along as the music plays. The extras added are worth the cost, plus it looks good. So sit back and go on an adventure to Avantasia!
AFM Records GmbH, 2001/2002/2008 (AFM 150-9). Made in Germany. Pressed in Austria.


Tracklist:

Part One
1. Prelude 1:11
2. Reach Out for the Light 6:32
3. Serpents in Paradise 6:17
4. Malleus Maleficarum 1:42
5. Breaking Away 4:36
6. Farewell 6:33
7. The Glory of Rome (5:29
8. In Nomine Patris 1:04
9. Avantasia 5:32
10. A New Dimension 1:39
11. Inside 2:23
12. Sign of the Cross 6:26
13. The Tower 9:45
Exclusive Bonus Track:
14. Avantasia (Radio Single) 4:10
Running time: 63:26 min.

Part Two
1. The Seven Angels 14:18
2. No Return 4:30
3. The Looking Glass 4:53
4. In Quest For 3:56
5. The Final Sacrifice 5:03
6. Neverland 5:01
7. Anywhere 5:29
8. Chalice of Agony 6:02
9. Memory 5:44
10. Into the Unknown 4:30
Exclusive Bonus Track:
11. Sign of the Cross (live in São Paulo/Brazil) Performed by Shaman, feat. André Matos & Tobias Sammet 4:01
Exclusive Video:
12. Sign of the Cross (live in São Paulo/Brazil) Performed by Shaman, feat. André Matos & Tobias Sammet 
Running time: 65:58 min.

Total playing time: 126:39 min

The debut full-length studio album by Tobias Sammet's (Edguy) Symphonic Power Metal project.
A concept album and a Metal Opera, it's followed by the sequel "The Metal Opera, Part II". Both were written over the course of a year, starting in the last quarter of 1998, and both were produced from October 1999 to June 2000, with the works being interrupted for some weeks so Sammet could produce "The Savage Poetry" with his other band, Edguy.
The project claims that the album's title marked the first usage of the term "Metal Opera". Sammet also considers it his professional debut, since it marked the first time he actually made money from music, even though by that time he had already released three albums with Edguy.
According to Sammet, the album's plot is partly based on real witch trials in Fulda (his hometown) and Mainz held in the 16th and 17th centuries.
The list of singers speaks for itself: among others, Michael Kiske, Kai Hansen, David DeFeis, Andre Matos and Tobias Sammet himself.
In 2019, Metal Hammer ranked it as the 25th "Best Power Metal album of all time". In 2021, they ranked it as the 18th "Best Symphonic Metal album".
AFM Records, 2001 (AFM CD 040-2). Made in Germany. Repress.


Tracklist:
1. Prelude 1:11
2. Reach Out For The Light 6:33
3. Serpents In Paradise 6:15
4. Malleus Maleficarum 1:43
5. Breaking Away 4:34
6. Farewell 6:32
7. The Glory Of Rome 5:28
8. In Nomine Patris 1:04
9. Avantasia 5:32
10. A New Dimension 1:39
11. Inside 2:24
12. Sign Of The Cross 6:24
13. The Tower 9:43
Total playing time: 59:02 min.

The debut full-length album by German Black Metal band.
True Grim Raw German Black Metal with Eminenz and Krig members!!
Selfreleased/Distribution via Kristallblut Records, 2015. Made in Germany. Pressed in Poland.


Tracklist:
1. Einleitung 02:24
2. Der Krieg gegen das Kreuz 06:14
3. Rabenflug 02:48
4. Todgeweiht 03:30
5. Das Hühnengrab 02:10
6. Selbstmord 04:01
7. Inquisition 02:55
8. Herbstregen 02:55
9. Das Ende des Weges 03:43
10. Verwesung 03:08
Total playing time: 33:48 min.