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The debut full-length album by Italian Symphonic/Gothic Metal band.
Although the band may consider themselves Gothic Metal, "Deadalum" shows them to be more of a Symphonic Metal act with Gothic elements. They follow in the same vein of bands like Delain, Within Temptation and Leaves’ Eyes. Imagine all these bands mixed with Evanescence and Lacuna Coil, and then you get Revenience.
Their first full-length album is a very strong effort from the band. It’s a short but sweet album with 9 interesting songs on offer here. "Deadalum" is an enjoyable enough album. You can seriously feel the passion and the chemistry between the band and what’s even better is that they actually manage to make music that moves you such as the piano ballad, "Lone Island". There is also an incredible display of guitar work on here with lots of intricate riffs and ferocious shredding. And If you’re a fan of the classic Symphonic Metal acts like Nightwish or the more obscure Gothic Metal bands like Sirenia then you will more than likely appeal to you. This is a good release, not great but it has some very good elements and a singer that proves that she is there because of her talent before anything else.
Revenience are a nice surprise and something to lookout for in the near future!
Sliptrick Records, 2016 (8675). Made in Latvia. First press.


Tracklist:
1. In a Landascape of Winter 02:38
2. Blown Away by the Wind 04:11
3. Shamble 04:00
4. Flail 05:21
5. Lone Island 04:00
6. A-Maze 05:22
7. Not My Choice 04:46
8. Revenant 02:38
9. Shadows and Silence 07:06
Total playing time: 40:02 min.

The third and the final full-length album by the Finnish Symphonic Power Metal band, formed by Timo Tolkki, former ex-guitarist, songwriter and producer of Stratovarius.
Like Gandalf the wizard, Timo Tolkki has long been wandering in strange lands, trying to find his path back to the world. Claiming shock when the members of Stratovarius carried on without him (and resumed being badass), Timo sought refuge in his own project, Revolution Renaissance.  “New Era” was a mediocre release, and “Age Of Aquarius” started slipping out of the realm of Metal.
Well, Timo hasn’t redeemed himself quite for all of the poor to mediocre Power Metal he’s made, but “Trinity” is a big step up in quality. “Trinity” is the sort of Power Metal that you’ve forgotten that Timo once made. Pretty straight-ahead in its formula, this album has dropped former attempts at silly atmospheric and symphonic elements. The guitars are back, the tempo has been turned up, and the rhythms are strong.
The vocal lines sung by Gus Monsanto are very heavily reminiscent indeed of Stratovarius. Gus is definitely a competent singer, and his voice has a not-unpleasant edge to it.
Timo didn’t actually record the guitars on this album himself, because Revolution Renaissance split up before this album was released. Allegedly, all solos were performed by the producer Santtu Lehtiniemi. In any case, the quality solos are back, and it is a very refreshing feeling. This nostalgia for classic, conventional Power Metal is what makes “Trinity” remarkable. It’s one of the genre’s masters making a hefty stride towards a return to form. The rhythm is crunchy and tight, the leads dynamic and excellent, and the solos are superb!
All things considered however, that Revolution Renaissance and Timo Tolkki went out with a considerable bang. Honestly, we don’t know how long Timo can abstain from music and Metal, and harbor a hunch that he may return to the scene again someday.  Revolution Renaissance will always have a lukewarm welcome in most places, but it has been a most interesting project overall!  “Trinity” is certainly the most solid and pleasing of the three releases that Tolkki manufactured!!
Napalm Records, 2010 (NPR 343 CD). Made in Germany. First press.


Tracklist:
1. Marching With The Fools     5:07 
2. Falling To Rise     4:12 
3. A Lot Like Me     4:32 
4. World Doesn´t Get To Me     4:24 
5. Crossing The Rubicon     5:18 
6. Just Let It Rain     4:34 
7. Dreamchild     4:30 
8. Trinity     10:16 
9. Frozen Winter Heart     4:27
Total playing time: 47:20

Second re-release of the first compilation album by legendary Classical/Progressive Rock keyboardist.
As the keyboard wizard in the classic lineup of Yes, Rick Wakeman made Prog Rock history, and he parlayed it into a successful solo career. This collection features 1990s re-recordings in new interpretations of tunes from Wakeman's classic '70s solo albums. There's only room for four tracks, because in classic Prog fashion, the first, "Journey to the Centre of the Earth," lasts for over half an hour, but rest assured there are nimble-fingered keyboard acrobatics by the truckload to be found throughout this disc.
Re-edition contains bonus track “Umberto II”!
The Store For Music, 1993/2008 (SFMCD003). Made in USA.


Tracklist:
1. Journey To The Center Of The Earth
2. Catherine Howard
3. Umberto II
4. Merlin The Magician


Samples: http://www.last.fm

European release of the second full-length solo album by the Irish Classic Rock/AOR/Hard Rock musician, former vocalist/guitarist of The Almighty.
Ricky Warwick best known as the frontman for the Scottish Hard Rock band The Almighty. He has also performed with a variety of other bands and as a solo artist. He has recently risen to prominence again with his work as frontman of the Thin Lizzy spin-off band, Black Star Riders.
Following the success of "Tattoos And Alibis" (2003), Ricky Warwick returned to the studio armed with a boatload of new songs and inspiration. And it doesn't hurt that his patron saint is one of Hair Metal's finest crooners, Def Leppard's Joe Elliot. This 14-song offering is just what fans want and would expect from the man who learned to play guitar from listening to Johnny Cash records: alt Country twists with bits of renegade Folk, and drinking songs thrown in for good measure. Contributions from Elliot, Ian Hunter and Vivian Campbell help give "Love Many, Trust Few" a more polished sound than "Tattoos And Alibis", and at times Warwick sounds like a younger, more rebellious version of Steve Earle. It's not trailblazing music by any means, but in terms of personal growth, it's a major step in the right direction.
Recorded by Joe Elliot, singer of Def Leppard!
Album features guest appearances by: Vivian Campbell (Def Leppard), Ian Hunter (Mott The Hoople), Joe Elliott (Def Leppard) and more!!
European edition features two bonus tracks, including cover song of Iron Maiden's "Running Free"!!!
Sleaszy Rider Records, 2005 (SR-0046). Made in Greece. First press.


Tracklist:
1.Johnny Or Elvis?
2.I Don't Know What To Do
3.Learning To Fall
4.New Neighbours Old Fences
5.Anybody Wanna Waste Some Time?
6.Come Back Home To me
7.Guilty
8.Lonely Moon
9.Cold September
10.Ain't Comin' Round
11.Even now
12.Rich Kids
13.Long Way Back To Nowhere
14.Sometimes Even Losers


Samples: http://www.last.fm

The only one album by Swedish Progressive Symphonic Power Metal band. 
The RIDE THE SKY groundwork goes back to early 2006 when drummer extraordinaire Uli Kusch (ex-Masterplan; ex-Helloween) met vocalist Bjorn Jansson (Tears of Anger) to exchange early musical ideas. When Uli departed Masterplan later that year, Bjorn and Benny asked Uli to drum on the upcoming Tears of Anger album. Impressed by the excellence of the four songs, that were sent to him, Uli himself returned the favor and sent them a few of his own songs. The genesis of RIDE THE SKY was in place!
This band created modern power metal aggression that is colored by AOR and progressive elements that help shape orchestral arrangements.
Nuclear Blast, 2007 (NB 1874-2)


Tracklist:
1.New Protection 03:20
2.A Smile From Heaven's Eye 04:17
3.Silent War 04:33
4.The Prince Of Darkness 05:19
5.Break The Chain 04:31
6.Corroded Dreams 03:51
7.The End Of Days 04:12
8.Far Beyond The Stars 04:19
9.Black Cloud 03:37
10.Endless 03:05
11.Heaven Only Knows 03:43
12.A Crack In The Wall 05:17
Bonus Track:
13.Make The Spirit Burn 03:26
Total playing time: 53:30

Split album by Canadian Death/Thrash/Speed Metal and German Black/Thrash Metal bands.
Thrashers Riotor from Canada and Vae Victis from Germany have joined forces on this split release. Each band delivers 4 songs each, 3 own penned tracks and one cover. Riotors contributions features a cover of the of their countrymen Sacrifice, while Vae Victis blasts out a cover of Possessed.
If you want your Metal raw, then this CD is for you!
For fans of Sacrifice, Razor, Possessed, Witchburner, Desaster, Witchtrap and similar bands.
Bestial Invasion Records, 2020 (BIR 040). Made in Sweden. Pressed in Poland. First press.


Tracklist:
1. Riotor - Bloodless War 04:53
2. Riotor - United Metal Maniacs 03:17
3. Riotor - Story of Blood 05:37
4. Riotor - Forward to Termination / Terror Strikes (Sacrifice cover) 04:35
5. Vae Victis - The Green 03:26
6. Vae Victis - Evil Warriors (Possessed cover) 04:21
7. Vae Victis - 666 Rise Hell Tonight 03:06
8. Vae Victis - From Mortal to Wrath 03:06
Total playing time: 32:23 min.


Samples: https://vaevictisblackthrash.bandcamp.com

The third full-length studio album by Canadian Death/Thrash Metal band.
Riotor's third album is no other than a re-recorded version of their second album, "Rusted Throne", with a new vocalist Mikalcoholic and a new mastering.
Re-recording a whole album is a tricky move for every band. Whether it's one trying to prove they're still young (Diamond Head, Flotsam & Jetsam), one wanting to soften the distrust towards their new member (Exodus), or one who just can't sleep at night knowing that one detail on their album doesn't work (Meshuggah), one thing for sure is that the audience will rarely welcome them with open arms. Riotor fell somewhere between the latter two categories when, in 2017, amazingly decided to re-record their two-years-old LP "Rusted Throne" from 2015. Bassist Mikalcoholic stepped in behind the mic, so original screamer Ismarevil is, at last, comfortably resting his uvula...
Where does "Cursed Throne" differ? Besides the fact that the closer "Triumph of Sorrow" is absent for some reason, and this version includes a new mastering which emphasizes the old-school sound even more (absolute plus), the obvious difference is the voice, which is a more standard Black/Death-oriented rasp (think of a cross between names such as Okkulto and K.K. Warslut). So, it's depends on you which version you prefer to listen. Probably, for the start, better to check both...
Fantastic Death/Thrash Metal assault from Québec for fans of early Death, Kreator, Desaster, Nocturnal, Razor, Sacrifice and similar!
Bestial Invasion Records, 2017 (BIR-032). Made in Sweden. Pressed in Poland. First press.


Tracklist:
1. Nightmare Is My Life 04:57
2. Rusted Throne 04:20
3. Learning to Hate 03:48
4. Desintegrator 04:17
5. Into the Riot 04:28
6. Thy Drunken Sinner 04:58
7. Destroy to Create 03:13
8. Narcotic Death 02:53
9. Flesh Desire 03:19
10. Metal Salvation 03:320
Total playing time: 39:45 min.


Samples: https://riotor.bandcamp.com

Debut full-length album by Italian Thrash Metal band.
When you think of Italy you mainly think of Power Metal, but, fortunately, Italy isn’t only about that. Thrash has a big history upon Italian soil and Rising Dark are part of that! Fresh out the Thrash Master class, Italy’s Rising Dark are indeed a dark horse, where this band have been hiding?! This Thrash monster resides somewhere between some of Testament’s greatest output and modern day Onslaught!!
They were formed in 2005, initially covering Metallica songs (now why does that sounds so familiar?) and then begun to write their own material. In 2008 they released their first demo and afterwards did many gigs. “Apocalyptic” is their first full length release, which features seven songs.
The main characteristic of the album is the heavy sound, even in the parts where it isn’t fast. Although it is mainly Thrash Metal the album leans many times towards Power Metal and other times towards Crossover/Trash, with breakdowns and cutting edge riffs. After a nice atmospheric track there is “Armageddon” and here one gets a pretty good picture of what the band is playing: fast tempos, heavy riffs and some nice technical solos. “This is War” is a heavy track with groovy elements, up-tempo but not extremely fast. “The Bofoid” is the longest track, almost eight minutes, and this means room for diversity: many tempo changes, Thrash alternates with Hardcore, clean vocals with brutal and heavy riffs with technical solos (the band definitely has a thing for them). Next , there  the realm of Lovecraft, with the song “Yog Sothoth”, that kicks in slowly and atmospherically and continues with clean and brutal vocals (nice clean vocal melodies here). Towards the middle things heat up, but only for a while before the song resumes the initial rhythm. “Your Blood Is On My Hands” is the Thrash-iest song, with, heavy riffs and a fast tempo, almost throughout the album, and a nice guitar solo. The last song, “Phoenix” is a six and a half minute ballad that even it is nice it could have been shorter.
Although “Apocalyptic” doesn’t really offer something new to the Heavy Metal world, it is well played with a nice production and songs that will stick to mind. Rising Dark have all the means of greater releases in the future and you should keep an eye on them!!
SG Records, 2011 (SGCD063). Made in Italy. First press.


Tracklist:
1. Intro 
2. Armageddon 
3. This Is War 
4. The Bofoid 
5. Yog Sothoth 
6. Your Blood Is On My Hands 
7. Phoenix


Samples:  www.sgrecords.it 

The fourth full-length album by Japanese Thrash Metal band.
Following an extended three-year break that left a good many fans worried about the band's future, Japanese-American thrashers Ritual Carnage eventually returned with their fourth album in 2005. Of course, the band's sonic assault isn't entirely retro, but rather founded on the genre's hallowed origins, and then pushed to overdrive by modern studio technology for a sludgy, almost Death Metal-like wall of sound, never dreamt of by the original Bay Area bands. But make no mistake, regardless of their occasional mislabeling under the "Death" column, Ritual Carnage are a True Thrash band in most every way!!
Dan Montgomery's new "singing" technique might be an acquired taste, but there's no denying that its nasal, atonal shouting quality - in a John Connelly (Nuclear Assault) or Sean Killian (Vio-Lence) mold - is perhaps even more legitimately old-school Thrash than his former Chuck Billy (Testament) growl. No guarantees, in other words, where that item is concerned, but plenty of them when it comes to the cleverly named Eddie Van Koide's frenzied riffs, some of which are so damn great they'd make Slayer jealous. As for the overall grade of "I, Infidel", the massive display of Thrash Metal riffing it contains is unquestionably impressive. Instrumentally, this album is one of the strongest Thrash albums of the year. The variety among the tracks is impressive on its own, and everything is very well-executed. The guitar lines are particularly bold, experimenting with different moods, styles and cadences while never losing a deep, Death Metal edge; the solos are also a good display of skill from Eddie Van Koide and Wataru Yamada. And Naoya Hamaii's drumming is a wide-ranging and solid base.
This is true excellent release! Recommended for fans of early Testament!!
CD contains OBI.
If Thrash Metal was a religion, so this stuff was obviously not for the infidels. And, there's no place for the infidels to enjoy this blessed-creation, unless they swear to repent, re-baptize themselves, and revert to the right path of Thrash soul!!!
Osmose Productions, 2005 (OPCDL 170). Made in France. Pressed in Austria. First press.


Tracklist:
1. Imprisoned Secret 0:04
2. The Perfect Strain 3:08
3. I, Infidel 3:04
4. Thirst For Blood 3:21
5. These Chains 0:10
6. Do Not Resuscitate 5:01
7. Axiom 3:14
8. Straight To The Nether Regions 3:08
9. Room 101 3:18
10. Twiglight Of The All Too Human 2:37
11. Terror Ends Here 3:52
12. I Am War 4:08
Total playing time: 35:09 min.



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Third full-length album by Japanese Thrash Metal band.
Ritual Carnage is a band with roots both in Florida and Japan, and is similar to old Speed Metal like Kreator, Sodom and Destruction, as well as U.S. Thrash like Testament and Exodus. Band returns with a new album that will as usual kick your ass and make you feel like headbanging for a few hours! Still, and that might be a surprise for many of you, the Ritual Carnage of "The Birth Of Tragedy" is not the same band as the Ritual Carnage of "The Highest Law" or "Every Nerve Alive" anymore!! When it comes about guitars, drums and production, the difference is not huge and you still have that good old Thrash Metal-spirit full of energy. What makes Ritual Carnage change is that Damian has not the same voice anymore. The time when he used his fat and raw Death Metal-voice is over, now he's got an almost clear voice, a bit a la TESTAMENT a few years ago… all in all Damian is evolving in the opposite way than Chuck Billy).
And the whole thing gives an album that you'd swear has been written in the first half of the 90's, in the vein of some Thrash a la Forbidden, but ten times better! And of course, as in the past, they have also recorded a cover, here of "Infernal Death" from Death!
But that’s not all folks, because limited edition digipack contains two bonus tracks!!
Buy of die!!!
Osmose Productions, 2002 (OPCDL 132). Made in France. Pressed in Austria. First press.


Tracklist:
1. The Sixth Sense     3:42 
2. The Birth Of Tragedy     3:26 
3. Burning Eyes Of Rage     2:44 
4. Paradox Of Democracy     3:14 
5. Fall Of The Empire     4:21 
6. Shroud Of Secrecy     3:41 
7. Sanity's Thin Line     2:47 
8. Grave New World     3:50 
9. Dawn Of Decadence     3:29 
10. Psycho Sadisitc Psychosis     4:40 
11. Infernal Death (In Memory Of Chuck Schuldiner)     2:57     
Bonus Tracks:
12. Evil Will Avenge 
13. Dialogue Of Bullets
Total playing time: 38:51 min.

The debut full-length studio album by American Death/Thrash Metal band.
Rhode Island’s Ritual Sacrifice was formed in 1988 and released five demos from 1989 to 1994. The band recorded their debut, "When Hope Is Pain", in 1995, which meant to be released the same year on Massacre Records. Unfortunately, it remained unreleased because the label decided to focus on different music styles than what the band was playing. "When Hope Is Pain" went unreleased until 2018, when the band made it available digitally. Guitar player Mike Longworth played with Prong for 15 years (as bass player), after Ritual Sacrifice split up in 1996.
"When Hope Is Pain" contains 13 furious and rather Technical Thrash Metal songs. The album relies on the excellent 90s atmosphere and constructs an almost technical oriented approach, with one of the tightest rhythm sections, which is sonically perfect across the entire album. The solos are melodic, peaking with each passing track, and executed with a charming precision. The vocals employ a standard approach, but on the whole the delivery is very Kelly Shaefer’esque, and it works beautifully on this record. 
Ritual Sacrifice has always been compared to bands as Cynic and False Prophet and of course Slayer and Dark Angel. If you like Death Metal even remotely, or a-la Slayer Thrash Metal, you need to check this release out immediately! Recommended, do get a copy!!
The release contains extensive liner notes from lead guitarist Bill Pincins.
Vic Records, 2018/2021 (VIC206CD). Made in Netherlands. Pressed in Poland. First press.


Tracklist:
1. When Hope Is Pain 3:47
2. Once Precious Life 2:47
3. Inhuman 3:19
4. The Shape Of Rage 3:18
5. Drop Dead 3:42
6. Empty Churches 3:36
7. Where Is God? 3:15
8. Speaking In Tongues 1:10
9. Sleep Without Dreams 3:39
10. Less Than Nothing 3:48
11. This Other Self 1:09
12. Final Exit 3:32
13. Open Wound 3:20
Total playing time: 40:22 min.


https://ritualsacrifice.bandcamp.com/

Second full-length album by the cult Japanese Thrash Metal band.
Riverge is back! One of the most important Thrash Metal bands in Japan since 1985 now more fast, intense and killer!! New songs are completely kick ass!!! Your eardrums will be exploded with Riverge’s new album!!!!
Musthave for fans of Slayer, Exodus, Annihilatior, Terror Squad, Casbah, Sacrifice, Fastkill... and more!!!!!
Rock Stakk Records, 2012 (RSRCD0003). Made in Japan. First press.


Tracklist:
1.FAST SAW 01:17
2.WARDANCE 02:24
3.OVER THE JUSTICE 02:47
4.FIGHT AGAINST MYSELF 03:09
5.MONSTER DIE 02:49
6.WINGED BEAST 03:18
7.READY TO DIVE 03:31
8.FAITH TO NOTHING 02:32
9.FINAL FIRE 06:40
Total playing time: 28:27

The third EP by the cult Japanese Thrash Metal band.
Japanese Thrashers Riverge undoubtedly love to Thrash and preferably the old-school way, to be accurate. It's quite unbelievable when you realize Riverge formed way back in 1985. They released a couple of cassette demos and appeared on a few compilations then went dark for 20 years until their first proper album, "Rebirth Of Skull", was rele ased in 2009.
Another full-length and a split brings up to their most recent release, 2013's 7-track EP titled "Back'Th'Rash". Riverge's stuff sounds like S.O.D. meets Slayer. Their Thrash comes across fast and furious, a crisp, heavy, violent attack and, best of it all, it also sounds amazingly well done. Riverge's vocalist Shoji Nakamura has a vocal tone that is similar to Tom Araya in his later years (no high-pitched screams or anything like that).
Original “Back'Th'Rash” features re-recorded materials of 1987 original 7" EP "Do A Threat For Eye" plus first time recording of '80s written song, as well as two new tracks.
Rock Stakk Records, 2013 (RSRCD-0006). Made in Japan.


Tracklist:
1. Intro (Rainbow's Speech) 1:31 
2. A & A 2:16 
3. Stand In Fear Of Nothing 3:27 
4. Stupid City "O" 3:23 
5. Do A Threat For Eye 3:34 
6. Head Lose 3:18 
7. Outro (Rainbow Returns) 0:31
Total playing time: 18:01

The second re-release of the second live album by legendary British Pop-Rock/Funk/Soul singer.
The performance was recorded at the Apollo Theater in Harlem, New York City, at the final date, 15 December 1988, of the tour promoting the "Heavy Nova" album.
Eagle Records/Sony Music Entertainment Czech Republic s.r.o., 2001/2009 (EAGCD174). Made in Czech.


Tracklist:
1. Some Like It Hot 5:19
2. Hyperactive 3:14
3. Discipline Of Love 3:02    
4. Tell Me I`m Not Dreaming 3:32
5. I Didn`t Mean To Turn You On 3:35
6. Looking For Clues 3:41
7. Change His Ways 3:00
8. Pride 3:03
9. Woke Up Laughing 5:07
10. Johnny & Mary 3:15
11. Riptide 2:14
12. Between Us 3:21
13. Flesh Wound 2:40
14. More Than Ever 3:02
15. Simply Irresistible 4:21
16. Casting A Spell 3:21
17. Addicted To Love 6:28
Total playing time: 62:15 min.

The ninth full-length album by the legendary Melodic Hard Rock/AOR singer.
Robin Beck is full of surprises with her new album "Underneath". She allowed for some new writers to submit material to her this time. It was a great decision on her part, because she was “blown away” by what she found. This combination seems to be doing quite well for this Rock and Roll woman.
This album can also be considered somewhat of a family affair. Her husband and daughter also are a part of this album. Her husband, James Christian, is producing this album and duets with her on “Burnin’ Me Down.” Her daughter, Liv Beck, also does some vocal work on this album. They seem to be a musical family, and that works in Robin Beck’s favor. This album is definitely going to make an impact for female musicians everywhere, because of the prominent female voice that keeps staying alive in Rock music today.
Each song packs a punch of good vocal range and music that follows the lead. The album starts with “Wrecking Ball” and the title does the song justice. There is a riff that starts the track off with a build of energy. There is definitely a foot-tapping pattern that quickly develops with this album.
Outbursts of finger drumming are something that is a must when listening to this album. There are songs that really make typical anthems seem humdrum. Many of the songs have a call to action type of feel, so they evoke oomph immediately. “Sprain” is a great example of an action-bringing song.
Some of these songs have a bit of a Country meets Rock feeling, but that isn’t a bad thing. It works well for this album. The ’80s can be heard in her voice and the guitar riffs as well, but it seems to work. There is a unique sound with her voice that doesn’t sound like every other angry female-fronted band on the radio. There are a variety of sounds to look forward to on this album. “I Swear the Nights” is soulful and sultry, but it keeps the Rock factor easily. It works so well and sounds so right.
The collaboration that takes place on this album was an amazing decision on Beck’s part. The music, the vocals, and the lyrics work so well with each other. This album has not dull moments and is refreshing in a summer riddled with breakup songs and furious female vocalists!
HMMR Records/Cargo Records, 2013 (HM08C108). Made in UK. First press.


Tracklist:
1. Wrecking Ball
2. Ain’t That Just Like Love
3. Sprain
4. Underneath
5. Catfight
6. Check Your Attitude
7. Burnin’ Me Down
8. Perfect Storm
9. Ya Can’t Fight Love
10. I Swear The Nights
11. Follow You


Samples:  http://www.robinbeckrocks.com

Re-release of the five classic studio albums, in one set, by the legendary British Pop-Rock/Blues Rock singer.
Includes the albums: "Foolish Behaviour", "Tonight I'm Yours", "Camouflage", "Every Beat Of My Heart", and "Vagabond Heart".
Each of these five albums is presented as a mini-LP in a cardboard sleeve, making this a quick, easy, affordable way to get all of band's best albums at once.
100% musthave for every old Pop maniac!!
Warner Strategic Marketing, a Warner Music Group Company, 1980/1981/1984/1986/1991/2009 (8122 79828 6). Made in Germany. First press.

Tracklist:

CD 1: Foolish Behaviour
1. Better Off Dead 3:08 
2. Passion 5:34 
3. Foolish Behaviour 4:25 
4. So Soon We Change 3:45 
5. Oh God, I Wish I Was At Home Tonight 5:04 
6. Gi' Me Wings 3:48 
7. My Girl 4:28 
8. She Won't Dance With Me 2:30 
9. Somebody Special 4:30 
10. Say It Ain't True 4:03

CD 2: Tonight I'm Yours
1. Tonight I'm Yours (Don't Hurt Me) 4:11 
2. How Long 4:14 
3. Tora, Tora, Tora (Out With The Boys) 4:31 
4. Tear It Up 2:28 
5. Only A Boy 4:10 
6. Just Like A Woman 3:57 
7. Jealous 4:33 
8. Sonny 4:04 
9. Young Turks 5:03 
10. Never Give Up On A Dream 4:21

CD 3: Camouflage
1. Infatuation 5:15 
2. All Right Now 4:42 
3. Some Guys Have All The Luck 4:34 
4. Can We Still Be Friends 3:51 
5. Bad For You 5:18 
6. Heart Is On The Line 4:04 
7. Camouflage 5:19 
8. Trouble 4:42

CD 4: Every Beat Of My Heart
1. Here To Eternity 6:01 
2. Another Heartache 4:29 
3. A Night Like This 4:06 
4. Who's Gonna Take Me Home (The Rise And Fall Of A Budding Gigolo) 4:40 
5. Red Hot In Black 3:18 
6. Love Touch (Theme From Legal Eagles Version) 4:03 
7. In My Own Crazy Way 3:15 
8. Every Beat Of My Heart 5:18 
9. Ten Days Of Rain 5:23 
10. In My Life 1:55

CD 5: Vagabond Heart
1. Rhythm Of My Heart 4:14 
2. Rebel Heart 4:10 
3. Broken Arrow 4:26 
4. It Takes Two 4:14 
5. When A Man's In Love 5:34 
6. You Are Everything 4:09 
7. The Motown Song 4:00 
8. Go Out Dancing 4:20 
9. No Holding Back 5:47 
10. Have I Told You Lately 4:01 
11. Moment Of Glory 4:47 
12. If Only 4:56

Total playing time: 217:38 min.

The 24rd British and 26th American full-length studio album by legendary British Rock band.
Band's first studio album in over a decade, "Blue & Lonesome" takes the band back to their roots and the passion for Blues music, which has always been at the heart and soul of The Rolling Stones. "Blue & Lonesome" sees the Rolling Stones tipping their hats to their early days as a Blues band when they played the music of Jimmy Reed, Willie Dixon, Eddie Taylor, Little Walter and Howlin’ Wolf – artists whose songs are featured on this album.
The Blues is where it all began for Mick Jagger and Keith Richards, especially Chicago Blues. When Jagger and Richards began their friendship anew, they had run into each other on a train, Jagger carrying a Chess Records album of Muddy Waters and Chuck Berry. And yes, they and the rest of the lads would later discover the magnificence and wonder that is Robert Johnson‘s legacy of brilliance and beauty, but Chicago Blues has ever held sway in their hearts.
The album was produced by Don Was and The Glimmer Twins and was recorded over the course of just three days in December 2015 at British Grove Studios in West London, just a stone’s throw from Richmond and Eel Pie Island where the Stones started out as a young Blues band playing pubs and clubs. Their approach to the album was that it should be spontaneous and played live in the studio without overdubs. The band – Mick Jagger (vocals & harp), Keith Richards (guitar), Charlie Watts (drums), and Ronnie Wood (guitar) were joined by their long time touring sidemen Darryl Jones (bass), Chuck Leavell (keyboards) and Matt Clifford (keyboards) and, for two of the twelve tracks, by old friend Eric Clapton, who happened to be in the next studio making his own album.
This album is manifest testament to the purity of their love for making music, and the Blues is, for the Stones, the fountainhead of everything they do! Those that are about Chicago Blues, need not hesitate. This album is calling you!! Those who wondered when the Stones would record an album worthy of themselves, wonder no more. "Blue & Lonesome" belongs on every Chicago Blues and Rolling Stones lover!!!
Promotone B.V./Polydor Records, a division of Universal Music Operations Ltd., 2016 (571 494-2). Made in UK.


Tracklist:
1. Just Your Fool 2:16
2. Commit A Crime 3:38
3. Blue And Lonesome 3:07
4. All Of Your Love 4:47
5. I Gotta Go 3:26
6. Everybody Knows About My Good Thing 4:31
7. Ride 'em On Down 2:49
8. Hate To See You Go 3:21
9. Hoo Doo Blues 2:37
10. Little Rain 3:32
11. Just Like I Treat You 3:25
12. I Can't Quit You Baby 5:13
Total playing time: 42:36 min.

Re-release of the seventh full-length studio album by cult Czech Epic Heavy/Black Metal band.
The seventh album from cult gods Root is a bit of a step back, but after the incredible "Black Seal" anybody would be hard pressed to come up with an equally amazing CD. Root have been following killer album after killer album. And if we can say this album is not quite as good as albums like "The Book" or "The Temple In The Underworld", this is still a great album.
Root is one of those bands that don't sound like anyone else, because they are not followers of a sound, but originators. There are elements of Doom, Thrash, early Black Metal like Bathory, Progressive Rock, Atmospheric music, and ever swing. This album is a lot less Metal than previous albums, but still stomps most modern bands' asses like they were smurfs, and it only sounds less heavy in comparison with the bonecrushing "Temple In The Underworld". The melodies are a lot more accessible on this disc, and Big Boss has flavored his vocal lines with swing and big band influences.
This album is the most weird and eclectic Root material to date, and it travels from Doomy riffs to Thrashy, to Atmospheric interludes and delicate melodies. In some places, the melodies don't seem to quite work, even in the context of Root's already twisted soundscape.
So, this is another fine Root CD. The performances are spot on, and some of the songs are excellent, but here Root seem to have gotten a little too weird for their own good. All that aside, this is still a very good album, and it only pales in comparison to their other material. A worthy album from a singular and iconoclastic band!!
2016 American reissue with 4 bonus live tracks (11-14) & completely redesigned layout. Live tracks recorded live at Capitol Music Hall, Brno, Czech Republic, on Thursday April 22, 2004.
Paragon Records, 2003/2016 (PRG-43060). Made in USA. First press.


Tracklist:
1. Omen (The Tones of Mystery) 01:54
2. Then (The Tale About Destiny) 05:55
3. Madness of the Graves (Calling) 02:34
4. Talking Bones (The Story of Legacy) 04:15
5. Endowment (Refused Message) 06:07
6. Tree (Power of Calling) 03:21
7. Autumn (Legend About Life) 04:17
8. In the Heart of Darkness (Ballad of Ancient Realms) 05:32
9. The Last Gate (The Story of Demons) 06:21
10. Afterwards (The Tale at the End) 04:52
Live bonus tracks:
11. Talking Bones (The Story of Legacy) 03:57
12. Endowment (Refused Message) 05:46
13. Madness of the Graves (Calling) 02:42
14. In the Heart of Darkness (Ballad of Ancient Realms) 05:29
Total playing time: 62:32 min.


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Debut full-length album by Alternative Thrash/Death Metal band from Italy.
10 tracks of disarming & melodic aggression, mixing Death Metal, Crossover and Psychedelic moments.
Powerful, surrounding guitars, acoustic intermezzos, dynamic and precise bass, devastating drums, intense keyboards and a voice that changes from a dirty growl to something cleaner begin to be the trademarks of the band. Consider it a sonorous seeks inspired by bands like Pantera, System Of A Down, Fear Factory, Hypocrisy, Morbid Angel and Mastodon.
My Kingdom Music, 2007 (echo020)


Tracklist:
1.Seven 04:48
2.k2p kEy to paradise 03:24
3.inner fears 05:31
4.recommended suicide 03:17
5.hatE (8) 03:15
6.healing wouNds 03:11
7.brucia 04:08
8.looking for something diVine 03:04
9.not my time 04:09
10.r.a. 05:19
Total playing time: 40:06

Second full-length album by guitarist Ross "the Boss" Friedman (ex- Manowar) and his German Heavy/Power Metal band.
Following 2008's debut "New Metal Leader", the second album by former Manowar guitarist Ross the Boss Friedman, offers another thundering dose of Power Metal of more or less the same type his former bandmates used to make, minus the pompous epics that have clogged their latter-day (i.e. after he quit the band) work. This shouldn't come as a surprise, since the band he's using (vocalist/guitarist Patrick Fuchs, bassist Carsten Kettering, and drummer Matthias Mayer) were a Manowar cover band in their native Germany before being recruited to back him at a festival. So they've got the anthemic, screaming-guitars sound down to a T, and Ross' brutarian, Rock-informed leads (which gave Manowar's first six albums a bite that their later albums, which stole more from classical music, lacked) cut through everything like a pavement saw.
This is fist-pumping Metal, with catchy choruses, high-pitched screams, and thunderous drumming, and the lightning-speed riffing of the title track is proto-Thrash not unlike Accept's "Fast as a Shark" or early-'80s Judas Priest at their most hell-for-leather! Old-school Metal fans will find much to love here, and younger listeners could learn a lot about the genre's roots, and its true heart, from Ross the Boss and band!!
AFM Records, 2010 (AFM 290-2). Made in Germany. Pressed in Austria. First press.


Tracklist:
1. I.A.G. 1:12
2. Kingdom Arise 4:57
3. Dead Man's Curve 3:32
4. Hailstorm 3:52
5. Burn Alive 4:10
6. Crom 3:29
7. Behold The Kingdom 5:27
8. Great Gods Glorious 3:15
9. Shining Path 4:37
10. Among The Ruins 4:29
11. Empire's Anthem 6:17
Total playing time: 45:17