The tenth full-length studio album by the cult Swedish Progressive Rock/Metal/Jazz/Fusion band.
The album was recorded in early 2011 at Atlantis/Metronome Studios in Stockholm and produced by Mikael Åkerfeldt, engineered by Janne Hansson, and mixed by Steven Wilson (Porcupine Tree, King Crims..
The second full-length studio album by Spanish Thrash Metal band.
"Dark Future" contains 9 slabs of intense Thrash Metal in its purest form, blending aggressive riffing with a great sense of melody, creating memorable songs, dragging varied influences that might remind us to bands like Mo..
The sixteenth full-length album by the legendary American Shock Rock/Hard Rock/Glam Metal singer.
Comeback album of musician who brought new sounds and won new younger audience of Shock Rock fans. The album returned Cooper to the chats hitting on the 59th position of 200 and a subsequent tour "..
The fourteenth full-length studio album by legendary Finnish Melodic Folk/Gothic Metal band.
The longer a band’s career is, the higher is the probability of something fails in music. There are infinite examples that can be a proof of such words in music’s history. But, there are bands t..
The third full-length studio album by legendary Irish Rock band.
Island Records/ Ariola Eurodisc GmbH, 1983 (205 259-320). Made in Germany. First press. Used (cover/disc): EX-/EX-.
Tracklist:
Side 1
1. Sunday Bloody Sunday 4:38
2. Seconds 3:24
3. New Year's Day 5:38..
The fifteenth full-length album by the legendary German Hard’n’Heavy band.
In this album, Scorpions return to their original, rawer style of music after many concept albums and experimenting with different styles. After the bad “Eye To Eye“ the Scorpions finally try it with ..
The fifth full-length album by the legendary American Nu Metal band.
After a three-year break that included solo projects and soundtrack work, Korn's re-emergence in the summer of 2002 was met with great anticipation. They delivered an album that shows them building on their previous sound and ..
Debut full-length album by Progressive Heavy Metal band from Italy.
Very interesting Melodic Progressive Heavy Metal / Hard Rock.
Recommended for fans of Progressive, Melodic and Power Metal.
Masterpiece Distribution, 2010
Tracklist:
1.Flashback 02:09
2.Tentazione 04:30
3.L'ultimo Res..
The first official live album by legendary German Heavy Metal singer Doro Pesch.
Recorded during the Angels Never Die Tour in Germany, it was released by Vertigo in 1993 only in Europe.
The VHS also was released at the same time. It was filmed during two concerts in Germany on 6 and 7 October 1993..
The eighth full-length studio album by legendary Polish Death Metal band.
“Necropolis” features another revamped line-up and a loose concept that ties the whole album together. Vader has never been a band with steady members, but since the band is largely the brainchild of vocalist/guit..
The fourth full-length studio album by the legendary American Heavy Metal singer and his band.
"Dream Evil" is by no means a departure from the Dio formula that was so successful for his first three solo albums. All of the elements that made them so successful are yet again retained here...
The debut full-length studio album by Swedish Heavy Metal band.
The Hellsprayers are not newcomers to the Hard-rock 'n' Metal scene but have been playing for the most part of their lives in various band constellations. The musical influences are wildly spread and ranges from Hard Rock ..
The eleventh full-length studio album by legendary Swiss Symphonic Industrial/Black/Dark Metal band.
The first Samael album on Napalm Records, and the first to feature bassist Thomas "Drop" Betrisey. The release year of the album coincides with the band's 30th anniversary.
"Hege..
The third full-length studio album by Australian Experimental/Avant-garde/Noise/Ambient Doom Metal band.
Mekigah is a unique act, and you can take something different from it every time.
"Litost" it’s like being dragged through a murky nightmare. Constantly distorted, the scene is ..
The debut full-length studio album by Ukrainian Heavy/Power Metal band.
Young Ukrainian quintet did not reinvent the wheel, and had based his work on good old Heavy Metal... though not so old: it sounds quite modern, albeit based on the classic 80s Heavy Metal as well as Russian-language lyrics in ..
The second full-length studio album by Swedish Melodic Heavy Metal band.
Formed by longtime members of the Swedish underground metal scene, Stonelake presents melodic Metal, which has a distinctly melancholy edge underneath its catchy, accessible surface.
All songs contain a good dose of synths; e..
The 9th full-length album by legendary American Technical Death/Groove Metal band.
One of the world's biggest Death Metal acts is still a commanding force of sonic destruction! Powerful, musical and yet distinctly Death Metal. What makes “Undead” work is a balance between the tooth grinding intensity of its blasts and the bone-strewn muck of its down-tempo bits.
It is their first album to feature drummer Kevin Talley and guitarist Rob Arnold who quit touring with the band and was replaced by Ola Englund the day the album was released. Rob Arnold recorded the bass on this album as Jeff Hughell joined after the recording sessions. This album marked the transition in the band's sound from a more traditional Death Metal sound to Technical Death Metal.
If you're into throat-grabbing riffs and groove-oriented extreme music...”Undead” is right up your alley!!
Metal Blade Records, 2012 (3984-15089-2). Made in Germany. Pressed in Austria. First press.
Tracklist:
1. Frozen At The Moment Of Death 3:42
2. Formaldehyde 2:46
3. 18 Days 2:40
4. Molest Dead 3:13
5. Blood On My Hands 3:38
6. Missing Victims 3:58
7. Reckless 3:04
8. Near Death Experience 2:57
9. Delayed Combustion Device 3:08
10. The Scar 3:28
11. Vampire Apocalypse 3:54
12. Depths Of Depravity 3:50 Total playing time: 40:18
The 9th full-length album by legendary American Technical Death/Groove Metal band.
One of the world's biggest Death Metal acts is still a commanding force of sonic destruction! Powerful, musical and yet distinctly Death Metal. What makes “Undead” work is a balance between the tooth ..
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 300 numbered copies worldwide exclusive for EMP, Blood Red Splattered Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-5). Made in Germany. First press.
Tracklist:
Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34
Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was..
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 200 numbered copies worldwide, Gold “Black Dust” Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-7). Made in Germany. First press.
Tracklist:
Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34
Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was..