Special Offers

Tenth full-length album by legendary British Symphonic Black/Extreme Gothic Metal band.
A more reviled, deified, and overtly controversial group has yet to come from the primordial ooze of Metallic devolution. Cradle of Filth return with a new foray into a female based concept album and the formula - akin to “Cruelty And The Beast”- appears to be a winner. From 1994 till 2008 Cradle of Filth changed their style with every album they released. You cannot state that their first album resemblances “Dusk And Her embrace” or even “Cruelty And The Beast”. There is no band’s album in this time span that should be labeled as a copy cat of another, as their music progressed in such a manner that the term “Black Metal” doesn’t suit them by far. This album is yet another concept album and like their previous album, “Godspeed On The Devil's Thunder”, it is another step toward the mainstream. This album uses more tremolo picking, rather than power choral structure, however, so it is a step back toward the early days of Cradle of Filth.
180 gram Gatefold 2LP.
Peaceville Records, 2010 (VILELP300). Made in UK. First press.


Tracklist:

LP 1
SIDE ONE
1. The Cult Of Venus Aversa 07:08
2. One Foul Step From The Abyss 04:53
3. The Nun With The Astral Habit 04:54
SIDE TWO
4. Retreat Of The Sacred Heart 03:55
5. The Persecution Song 05:35
6. Deceiving Eyes 06:44

LP 2
SIDE THREE
1. Lilith Immaculate 06:12
2. The Spawn Of Love And War 06:18
3. Harlot On A Pedestal 05:08
SIDE FOUR
4. Forgive Me Father (I Have Sinned) 04:33
5. Beyond Eleventh Hour 07:16
6. Beast Of Extermination 05:32

Total playing time: 68:08 min.

Ninth full-length album by the legendary British Symphonic Gothic Extreme Metal band.
One of the most infamous and notorious names in metal, Cradle Of Filth continue to shock, excite, disgust and inspire in equal measure. The grandiose atmosphere and epic songwriting of the band entwined with an interesting concept can add life (or death) to an album. This is a concept album in the same vein as its predecessor “Godspeed on the Devil's Thunder”; this time centering on the demon Lilith, the first wife of the biblical Adam (by Jewish mythology), and is a modern adaptation of the character as she emerges in modern society. Album was released on 1 November 2010 by Peaceville Records. Heavy and oppressive parts full of bombast and anger give way to lighter and mellower sections that give the listener a chance to take a breath before the weight of the darkness settles back in. There are some catchy moments on the album as well. The danger of this type of album is being melodramatic instead of dramatic or self-indulgent instead of ambitious. COF manages to avoid this pitfall, and there are actually fewer long instrumental sections and interludes than they've done in the past. The core album is the band's first to not feature any instrumental tracks. The special edition bonus track "Adest Rosa Secreta Eros", is arguably an instrumental, but features extensive narrative excerpts taken from Aleister Crowley's “The Book of the Law”. The album received mainly good reviews.
It is the band's only album to feature keyboardist Ashley Ellyllon, and is also the band's final album with Dave Pybus as their bass player. On 29 September 2010 Cradle of Filth released the first official video of the album for the track "Forgive Me Father (I Have Sinned)."
For those looking to get into the band, start with some of the other records to gain some perspective- and come back to this later. For those who already hate Cradle, this album won't do anything to change your mind. The band has a very characteristic sound which, while giving the band a definite identity, limits their appeal to those who can enjoy that sound. Dani Filth: "Without doubt the fastest and most brutal album we've created to date... A Gothic horror themed slay-ride of fervor and perversion; yet amidst the orchestral melodrama and lush, cinematic production, there sits stalwart a ravening beast of furious riffing, flesh ripping vocals and monstrous, unstoppable percussion."
Peaceville Records, 2010 (CDVILEF300). Made in UK. Pressed in Finland. First press.


Tracklist:
1. The Cult Of Venus Aversa 07:07
2. One Foul Step From The Abyss 04:52
3. The Nun With The Astral Habit 04:53
4. Retreat Of The Sacred Heart 03:54
5. The Persecution Song 05:33
6. Deceiving Eyes 06:43
7. Lilith Immaculate 06:11
8. The Spawn Of Love And War 06:18
9. Harlot On A Pedestal 05:07
10. Forgive Me Father (I Have Sinned) 04:31
11. Beyond Eleventh Hour 07:16
Total playing time: 62:25

Re-release of the second full-length album by the legendary British Symphonic Gothic Black Metal band.
This is the first release of Cradle Of Filth on Mucic For Nation. A lot of material for the album was written while the band was still under Cacophonous Records' contract. The album climaxes with a guest speech from Venom's Cronos on the final track, "Haunted Shores".
The album featured sweeping, epic compositions and improved production values courtesy of Kit Woolven, and became a huge success, with Cradle of Filth's strong brand of Symphonic Black Metal catapulting the band to worldwide renown due to the album's universal critical and commercial reception. "Dusk... And Her Embrace" further explored themes of vampirism and paganism in its lyrics, following on from the foundations of their earlier works.
The band is still the most successful British Metal band since Iron Maiden with legions of fans around the globe!!
Music For Nations/Sony BMG Music, 1996/2006 (82876 829052). Second re-release. Made in Germany.


Tracklist:
1. Humana Inspired To Nightmare 01:22
2. Heaven Torn Asunder 07:04
3. Funeral In Carpathia 08:24
4. A Gothic Romance (Red Roses For The Devil's Whore) 08:35
5. Malice Through The Looking Glass 05:30
6. Dusk And Her Embrace 06:09
7. The Graveyard By Moonlight 02:28
8. Beauty Slept In Sodom 06:32
9. Haunted Shores 07:04
Total playing time: 53:08 min.

The twelfth full-length studio album by the legendary British Symphonic Gothic Extreme/Horror Metal band.
This is easily their best album since "Midian", and it might even be a little bit better than that one. The fact that Cradle of Filth were able to come back so strongly after such a massive creative slump is downright shocking. It's proof that if you're surrounded by the right people and work hard, you can do some worthwhile s**t!
If you don't completely hate this band and aren't terrified of your kult cred being diminished, "Cryptoriana" is absolutely worth picking up!!
Gatefold 180 g Double Black Vinyl.
Nuclear Blast Tonträger Produktions- und Vertriebs GmbH, 2017 (NB 3805-1). Made in Germany. First press.


Tracklist:

Side I
I. Exquisite Torments Await...
II.Heartbreak And Seance
III.Achingly Beautiful

Side II
I. Wester Vespertine
II.The Seductiveness Of Decay

Side III
I. Vengeful Spirit
II. You Will Know The Lion By His Claw
III. Death And The Maiden

Side IV (Bonus)
I. The Night At Catafalque Manor
II. Alison Hell

The eleventh full-length studio album by the legendary British Symphonic Gothic Extreme Metal band.
Cradle Of Filth have returned to defend the throne of blood! Dark, extreme, gripping and hauntingly beautiful!!
Unquestionably one of the greatest and most influential British Metal bands of all time, Cradle Of Filth have cast a commanding and macabre shadow across the Metal scene for nearly a quarter of a century. Armed with their trademark, cross-pollinated assault that taps into myriad strands of sonic extremity and morbid opulence they have steadily conquered the entire world, unleashing a malevolent slew of classic albums along the way. Band's ethos and aesthetic has had a huge impact on the evolution of Metal, the band's insatiable appetite for performing live and frontmen Dani Filth's unerring charisma and sense of occasion ensuring that they have established a powerful and enduring connection with Hell-bound acolytes everywhere.
But despite their indubitable authority and prowess, Cradle Of Filth have never been immune to the shifting sands of time, resulting in an almost comical reputation for line-up changes that, unusually, has had the parallel effect of imbuing the band with an omnipresent air of ongoing evolution and mutation. With that in mind, the exhilarating reaffirmation of malicious values showcased on new album "Hammer Of The Witches" stands out as a clear milestone in Cradle's lengthy history, as the ferocious chemistry that has swiftly developed between these virtuoso miscreants – Dani Filth, newly recruited guitarists Richard Shaw and Ashok, bassist Daniel Firth, keyboard priestess Lindsay Schoolcraft and stalwart percussive powerhouse Martin Skaroupka - is laid bare across 56 minutes of extravagant, adventurous and thrillingly Extreme Heavy Metal! Striking a sublime balance between the classic, twin-lead grandiloquence of 90s triumphs like "Dusk And Her Embrace" and "Cruelty And The Beast" and the tougher, gnarlier textures of recent masterworks like "Godspeed On The Devil's Thunder" and "Darkly Darkly Venus Aversa", "Hammer Of The Witches" is arguably the most focused, absorbing and fearless album the band have ever produced, as fresh blood and a renewed sense of purpose collide in a shower of bloody sparks!!
Limited Edition to 200 copies Gatefold Golden Double Vinyl includes two bonus tracks!!
Nuclear Blast Records, 2015 (NB 3408-1). Made in Germany. First press.


Tracklist:

Side A 
01. Walpurgis Eve 1:29
02. Yours Immortally… 6:00
03. Enshrined In Crematoria 5:46
04. Deflowering The Maidenhead, Displeasuring The Goddess 6:56

Side B 
01. Blackest Magick In Practice 6:50
02. The Monstrous Sabbat (Summoning The Coven) 1:51
03. Hammer Of The Witches 6:29

Side C 
01. Right Wing Of The Garden Triptych 5:55
02. The Vampyre At My Side 5:45
03. Onward Christian Soldiers 6:59
04. Blooding The Hounds Of Hell 2:10

Side D (Bonus) 
01. King Of The Woods 6:17
02. Misericord 6:19

Total playing time: 68:46 min.

The second full-lenght studio album by Italian Death Metal band.
10 songs of pure and granitic Old School Death Metal, with the sound typical to Swedish over-gain and crunchy style - heavy guitars, like-a-tank bass, powerful and speedy drums, deep and intensive growls.
American Thrash/Death style has driven Crepuscolo’s style too. The 10 songs are the summa of Crepuscolo way of composing and intending Death Metal, nothing is left to chance, every note of every riff has been thought to be conseguence of the first one and the motor-breath of the following one, amalgamated by passion e feeling.
Lyrics are about many stuff: “My Scars Tell A Story” is a deep thought about how much hard sometimes life is; “Unzen” talks about a Japanese vulcano; “Under the Oak’s Shadow” is about our souls and the feeling with nature; “You Tomb” is an angry scream against apathetic people who prefer to stay in front of a computer instead of living a real life; “The Fate That Life Gives” is a reflection about destiny; “Not for the Mass” talks about the fact that Death Metal is not for everyone, but just for who live in that way; “Shock” is a shout against the earthquake that destroyed people lives 2 years ago; “Monomania” is inspired by a E.A. Poe’s novel; “Reflected Soul” is an istrumental song, dedicated to a friend who passed away; “Memento” is taken and translated from an Italian poet Iginio Ugo Tarchetti.
“You Tomb” recommended for fans of Dismember, Entombed, At The Gates, Grave, Sepultura, Obituary and more...
Metal Scrap Records, 2019 (MSR155/CD). Made in Ukraine. First press.
 

Tracklist:
1. My Scars Tell A Story 06:03
2. Unzen 03:04
3. Under the Oak's Shadow 03:11
4. You Tomb 04:42
5. The Fate That Life Gives 05:59
6. Not for the Mass 04:56
7. Shock 05:16
8. Monomania 04:56
9. Reflected Soul 03:03
10. Memento 04:43
Total playing time: 46:14 min.

 

The second full-lenght studio album by Italian Death Metal band.
10 songs of pure and granitic Old School Death Metal, with the sound typical to Swedish over-gain and crunchy style - heavy guitars, like-a-tank bass, powerful and speedy drums, deep and intensive growls.
American Thrash/Death style has driven Crepuscolo’s style too. The 10 songs are the summa of Crepuscolo way of composing and intending Death Metal, nothing is left to chance, every note of every riff has been thought to be conseguence of the first one and the motor-breath of the following one, amalgamated by passion e feeling.
Lyrics are about many stuff: “My Scars Tell A Story” is a deep thought about how much hard sometimes life is; “Unzen” talks about a Japanese vulcano; “Under the Oak’s Shadow” is about our souls and the feeling with nature; “You Tomb” is an angry scream against apathetic people who prefer to stay in front of a computer instead of living a real life; “The Fate That Life Gives” is a reflection about destiny; “Not for the Mass” talks about the fact that Death Metal is not for everyone, but just for who live in that way; “Shock” is a shout against the earthquake that destroyed people lives 2 years ago; “Monomania” is inspired by a E.A. Poe’s novel; “Reflected Soul” is an istrumental song, dedicated to a friend who passed away; “Memento” is taken and translated from an Italian poet Iginio Ugo Tarchetti.
“You Tomb” recommended for fans of Dismember, Entombed, At The Gates, Grave, Sepultura, Obituary and more...
CD packaged with patch available for orders via Total Metal Shop only.
Metal Scrap Records, 2019 (MSR155/CD). Made in Ukraine. First press.
 

Tracklist:
1. My Scars Tell A Story 06:03
2. Unzen 03:04
3. Under the Oak's Shadow 03:11
4. You Tomb 04:42
5. The Fate That Life Gives 05:59
6. Not for the Mass 04:56
7. Shock 05:16
8. Monomania 04:56
9. Reflected Soul 03:03
10. Memento 04:43
Total playing time: 46:14 min.

 

Debut full-length album by Italian Symphonic Black/Death Metal band.
”Sweetness And Blasphemy” - an assembly of Symphonic Black Metal and Melodic Death Metal with Gothic influences. The themes represented in band's lyric are mainly horror & dramatic. The album divided in two sides: the Sweetness Side - contains the more melodic songs, and the Blasphemy Side - instead contains the violent songs. This style remember the classic Cradle of Filth / Dimmu Borgir with Arch Enemy's voice style, all mixed up a sound that wants to be more than modern and directly. Essentially band interpretate the Symphonic Black/Death Metal, that focuses on impact and the tone of voice.
Highly recommended for fans of: Cradle of Filth, Dimmu Borgir and Arch Enemy!!
Metal Scrap Records, 2015 (MSR094/CD). Made in Ukraine. First press.
 

Tracklist:
1. Intro - The Era of Cruenta LaСrymis 02:11

BLASPHEMY SIDE
2. The Steersman's Course 05:35
3. Mother of Sigh 05:32
4. Burning Spirit 06:10
5. Sicarius 06:27
6. The Ghost of the Jew 04:30
7. Downward 06:11

SWEETNESS SIDE
8. Circle of Damnation 05:56
9. Bloody Revenge 04:11
10. Luxury 04:06
11. False History 04:16
12. Sound of Soul 04:38
Total playing time: 60:12

 

Debut full-length album by Russian Melodic Groove/Death Metal band.
First longplay of Samara's extremal went surprisingly harmonious - a heavy Groove, fast drive and catchy melodies. All this fueled by famously versatile vocals and non-empty lyrics.
Tracks sound fresh, interesting and varied. At the same time, the album is perceived at one go, and special, at no similar to other bans style, once deposited in the memory. Impossible to confuse these guys with someone else, that is worthy of respect in the current realities of constant adherence to fashion trends!
Album reflects its name: the evil and burning, bright and atmospheric!
Album includes an 8-pages booklet.
Metal Scrap Records, 2011 (MSR024/CD). Made in Ukraine. First press.

Tracklist:
1.Танец Смерти 04:30
2.Злое Солнце 03:30 
3.100 Лет 03:33
4.Мёртвый Ангел 03:19
5.Ночь Без Сна 04:07
6.Жизнь За 3.45 3.45 03:38
7.Сталкер* 04:12 
8.Из Дневников Урода* 03:44
9.Один Из Нас* 03:25
10.Последний Рассвет* 04:44 
11.Слишком Живой* 03:40
Total playing time: 42:27
 

The second full-length album by Russian Melodic Groove Metal band.
As it was planned, the album sounds aggressive, heavy, as well as very melodic and ambient. It’s also loaded with electronic samples, keyboards and cello.
The songs include old school and modern Heavy Metal approach, original solos, harsh vocals with philosophical and even social subject matters.
All tracks are sustained in one concept and thoroughly imbued with emotions, the atmosphere of time and inner breath, album fully "reflects a generation" both in riffs and lyrics.
For fans of: Devildriver, Chimaira and Soulfly!!
Metal Scrap Records, 2015 (MSR116/CD). Made in Ukraine. First press.
 

Tracklist:
1. Ледяной Марш / Icy March 02:12
2. Танцы на костях / Dancing On the Grave 03:58
3. Шрамы / Scars 04:24
4. Дух поколения убийц / The Spirit of Killers' Generation 03:25
5. Имитация жизни / Imitation of Life 04:11
6. Последний стон / Last Groan 04:04
7. Созданный мир / Created World 04:52
8. Вытащи меня / Get Me Out 03:38
9. Петля / Loop 03:19
10. Золотой Телец / Golden Calf 05:16
11. Славный Смелый / Glorious Brave 05:39
Total plaing time: 45:06 min.
 

Debut full-length album by international duo from Moscow (Russia) and Zaporizhzhya (Ukraine) is an experimental work with combined genres. Unusual stylistically and compositionally, the music of the team is incest in many branches of alternative and heavy music interspersed with Electronic and Alternative Rock, wrapped in a Lo-Fi sheath.
What happens if at the same time to be inspired by the expression of The Dillinger Escape Plan, freedom of Jimi Hendrix, Punk aggression of Converge and The Armed, countless Progressive bands, multi-layered sound and melody of Nine Inch Nails? The answer is… this album that is not similar to any of the foregoing individually and is self-contained product with a unique sound.
Recording and mixing the album stretched out on two years, and was mastered at the TA Production studio (Zaporizhzhya).
"Two Straight Horizontal Lines And The Organized Chaos In Between: Director’s Cut" - it’s a stream of thoughts of one single person, zipping through his mind in a split second. This is an attempt to understand himself. This is an attempt to reconcile with the fact that going around. It is desire to give meaning to everything...
For fans of: The Dillinger Escape Plan, Nine Inch Nails, Converge, Tool, Norma Jean, Ministry, Porcupine Tree and all fans of extraordinary, intractable for identification genres of music.
Total Metal PR Agency, 2015 (TMPR01-91/CD). Made in Ukraine. First press.
 

Tracklist:
1. Beware of Lines! 02:20
2. Paranoia? I’m Aim! Assure You! 02:40
3. I’ve Just Threw Out My Phone and Sanity 02:32
4. Logical - Version 3.76 03:28
5. Well, Just Burn It Down 02:51
6. Det Sista Ljuset 01:55
7. iCD10Q031V2010WTF!? 02:44
8. The Number Was Too Long, so I Forgot It 02:26
9. Defy Yourself By Yourself 03:00
10. Mediterranean Sky 05:52
11. Pointlessness 04:52
12. Tears 03:40
Total playing time: 38:23 min.

 

The second full-length album by the international duo from Russia and Ukraine.
"Who Cares What Music Is Playing In My Headphones?" differs dramatically from the first album of Dan Deagh Wealcan, regarding both composing and overall sound. Nine completely different tracks, recorded throughout 2014, that do not bear any common concept, which is, in a way, a conception itself. This is a "playlist from the author", arranged at free will, an attempt to embrace different styles and genres. After all, the music that's in your headphones is important only for you...
More calm and philosophical, but still complex work is a major step forward for the duo, combinind such genres as: Industrial, Progressive, Post-Rock, Hardcore and Electonic.
As before, all instrumental parts were recorded in Moscow, and vocals were recorded in Zaporizhzhya. The album was mastered at TA Production, Zaporizhzhya, Ukraine.
Recommended for fans of: Nine Inch Nails, Tool, Ministry, Porcupine Tree, Mike Patton, Devin Townsend and all fans of extraordinary, intractable for identification genres of music!
Total Metal PR Agency, 2015 (TMPR02-96/CD). Made in Ukraine. First press.
 

Tracklist:
1. Anamorphic Widesound 01:49
2. Dogs in a Box 03:09
3. Easy Way - Long Way 09:02
4. No More Than Usual 03:19
5. Neutral Moresnet 03:20
6. What Was That? 03:04
7. Baseless Hatred 03:41
8. I Killed Everything That Was Good in Me 03:51
9. Endless Apathy 03:43
Total playing time: 35:20 min.

 

Debut full-length studio album by German Melodic Black Metal band.
Limited Edition to 486 copies Gatefold Double Vinyl features two bonus tracks and completely different artwork than on CD (2001).
Fog of the Apocalypse, 2001/2005 (F.O.T.A. REX LP 005). Made in Germany. Pressed in Czech. First press.


Tracklist:
1.The Arcanum of the Cursed 01:44
2.Pilgrim of the Nightly Spheres 04:14
3.Twilight 04:41
4.Apocalypse 03:39
5.Immortality Profound (Trilogy): Dreaming (Chapter I) 04:17
6.Immortality Profound (Trilogy): Throne of Sombre Thoughts (Chapter II) 05:07
7.Immortality Profound (Trilogy): Captured in Eternity's Eyes (Chapter III) 04:18
8.Misanthropic Invocation 05:49
9.Crimson Tears 06:45
10.Tales from Eternal Dusk 08:35
11.Moments of Mournful Splendour (At the Portal to Infinity) 03:03
12.Into My Deepest Desire*
13.Eye Of The Greyhound*

*especially recorded for this release only


Samples: https://metalhit.bandcamp.com

Deluxe Edition re-release of the third full-length studio album by legendary Swedish Melodic Death Metal band.
"The Mind’s I” represents an unusual period for Dark Tranquillity. After the release of the masterpiece "The Gallery", the band began to head away from the epic Classical-influenced Melodeath sound of that album towards more Progressive and Gothic tendencies. The "Enter Suicidal Angels" EP features some experimentations with Electronic programming (transition from "Zodijackyl Light" into "Razorfever") and even a straight out Techno song ("Archetype"). A very strange release indeed, after "The Gallery", "The Mind’s I" finds the band not taking such an Extreme approach as the EP did, but it can be seen that the Epic melodies are being dumbed down a bit in favor of a darker, more Progressive sound. Make no mistake, this is the bridge between "The Gallery" and "Projector".
Deluxe Edition Enhanced CD includes three bonus tracks and two videos.
Osmose Productions, 1997/2004 (OPCD 052). Made in France. Pressed in Austria. Re-press 2008.

Track list:

1. Dreamlore Degenerate 2:44 
2. Zodijackyl Light 4:00 
3. Hedon 5:37 
4. Scythe, Rage And Roses 2:34 
5. Constant 3:02 
6. Dissolution Factor Red 2:08 
7. Insanity's Crescendo 6:52 
8. Still Moving Sinews 4:42 
9. Atom Heart 243.5 4:00 
10. Tidal Tantrum 2:57 
11. Tongues 4:54 
12. The Mind's Eye 3:09

Bonus tracks:
13. Razorfever 3:15 
14. Shadowlit Facade 3:24 
15. Archetype 4:29 
Total playing time: 57:47 min.

Videos:
16. Zodijackyl Light
17. Hedon


Samples: https://osmoseproductions.bandcamp.com

Second re-release of the sixth full-length album by the legendary American Progressive Death Metal band.
Like its predecessors, the album is Progressive and technically advanced. It also has higher production values than previous albums, being considerably less evil on its overall sound. It is notable that the average song length on this album is around five minutes, while it was around four minutes on "Human" and "Individual Thought Patterns", perhaps due to slowed down song tempos closer to that of traditional Death Metal. It was also the only album to feature Kelly Conlon on bass. Chuck Schuldiner's growl also became noticeably higher on this release, which was continued on their final studio album "The Sound Of Perseverance" and culminated with their cover of Judas Priest's "Painkiller".
The album was received very well by the music critics. Metal-Rules.com ranks the album as the 7th greatest Extreme Metal album and the 58th greatest Heavy Metal album of all time. As of 2002, Symbolic sold 36,000 copies in the U.S.
Roadrunner Records, 1995/2007 (RR 8957-2). Made in Germany.


Tracklist:
1. Symbolic     6:33 
2. Zero Tolerance     4:48 
3. Empty Words     6:22 
4. Sacred Serenity     4:27 
5. 1,000 Eyes     4:28 
6. Without Judgement     5:28 
7. Crystal Mountain     5:07 
8. Misanthrophe     5:04 
9. Perennial Quest     8:21
Total playing time: 50:38

Debut full-length album by Ukrainian Progressive Thrash/Melodic Death Metal band.
“Architect” - is the result of five years of work, the endless struggle and changes. Speed, intricate guitar riffs, broken drum beats even more clearly highlighted with rough female vocals.
Mastering from Anton Vorozhtsov (TA Production), known for his work with such bands as: Hell:On, Mind Shredder, Ungrace and more, gave to Deathember Flower special sound.
For fans of: In Flames, Dream Theater, Chimaira, Death, Arch Enemy.
Release includes 12-pages booklet.
Metal Scrap Records, 2013 (MSR052/CD). Made in Ukraine. First press.
 

Tracklist:
1. My True Face 05:39
2. Architect 04:24
3. Insidious 05:04
4. Chaos Theory 04:21
5. Nano 03:22
6. See No Future 04:23
7. Russian Roulette 05:10
8. The End of Everything 03:53
9. A New Era 04:33
Total playing time: 40:53 min.

 

Compilation album by legendary British Hard Rock band.
Rare unofficial Soviet compilation.
Picture sleeve with text in Russian and English.
Melodiya, 1990 (C60 26033 007). Unofficial release. Made in USSR. Used (cover/disc): NM-/NM-.
 

Tracklist:

Side 1
1. Black Night 03:25
2. Fireball 03:21
3. Space Truckin' 04:29
4. Child In Time 10:14

Side 2
5. Strange Kind Of Woman 03:47
6. Speed King 04:57
7. Highway Star 06:04
8. Smoke On Water 05:37
Total playing time: 41:54 min.

Remastered 25th Anniversary Edition re-release of the fourth full-length album by the legendary British Hard Rock band.
It was the first band's album with the classic Mk II line-up. Rod Evans (vocals) and Nick Simper (bass) had been fired in June 1969 and were replaced by Ian Gillan and Roger Glover, respectively.
The album was preceded by two singles, the first studio recordings that Gillan made with Deep Purple. The first single, released in 1969, was a Greenaway-Cook composition called "Hallelujah", which flopped. The second single, "Black Night", fared much better as it rose all the way to #2 on the UK charts.
"Deep Purple In Rock" was their breakthrough album in Europe and would peak at #4 in the UK, remaining in the charts for months. (The band's prior MK I albums had been much better received in North America than in their homeland.) The album was supported by the hugely successful In Rock World Tour which lasted 15 months.
In 2005 the album won the "Classic Rock and Roll of Honour Award" (given by the British monthly magazine Classic Rock) in the category Classic Album. The award was presented to Ian Gillan, Ian Paice and Jon Lord.
Fully remastered from the original tapes 25th Anniversary Edition contains 7 bonus tracks and 24-page booklet!
Parlophone Records Ltd., A Warner Music Group Company, 1970/1995/2014 (7243 8 34019 2 5). Made in Germany.


Tracklist:
1. Speed King 5:49 
2. Bloodsucker 4:10 
3. Child In Time 10:14 
4. Flight Of The Rat 7:51 
5. Into The Fire 3:28 
6. Living Wreck 4:27 
7. Hard Lovin' Man 6:38 
8. Black Night (Original Single Version) 3:28
Bonus Tracks:
9. Studio Chat 0:33 
10. Speed King (Piano Version) 4:14 
11. Studio Chat 0:25 
12. Cry Free (Roger Glover Remix) 3:20 
13. Studio Chat 0:05 
14. Jam Stew (Unreleased Instrumental) 2:30 
15. Studio Chat 0:40 
16. Flight Of The Rat (Roger Glover Remix) 7:53 
17. Studio Chat 0:31 
18. Speed King (Roger Glover Remix) 5:52 
19. Studio Chat 0:23 
20. Black Night (Unedited Roger Glover Remix) 4:47
Total playing time: 77:18

Eighth re-release of the fifth full-length studio album by the legendary British Hard Rock band.
This is a second album with the classic Mark II lineup, and it was recorded at various times between September 1970 and June 1971.
One of Deep Purple's four indispensable albums (the others being "In Rock", "Machine Head", and "Burn"), 1971's "Fireball" saw the band broadening out from the no-holds-barred Hard Rock direction of the previous year's cacophonous "In Rock". Metal machine noises introduced the sizzling title track - an unusually compact but explosively tight group effort on which Jon Lord's organ truly shined. The somewhat tiring repetitions of "No No No" actually threatened to drop the ball next, but the fantastic single "Strange Kind of Woman" nimbly caught and set it rolling again, just in time for the innuendo-encrusted hilarity of "Anyone's Daughter", featuring one of singer Ian Gillan's first (and still best) humorous storylines to go with one of guitarist Ritchie Blackmore's most uncharacteristic, Bluesiest performances ever. "The Mule" opened the vinyl album's second side with what is perhaps Purple's finest instrumental, and on the hyper-extended "Fools", the band members proved they could flirt with Progressive Rock without plunging off its cliff (although the song could probably have done without its drawn-out middle section). And closing the album was the exceptional "No One Came", where intertwining instrumental lines locked together beautifully, Gillan wove another entertaining yarn that was part autobiography and part Monty Python, and the often underrated skills of drummer Ian Paice helped the song sound so unreservedly fresh and intuitive that one could almost be convinced the band had winged it on the spot. Sure, the following year's "Machine Head" would provide Deep Purple with their commercial peak, but on "Fireball", the formidable quintet was already firing on all cylinders.
The album would become the first of the band's three UK #1 albums. It was certified Gold on July 26, 2001 by the RIAA, selling 500000 copies in the US.
The original UK version had "Demon's Eye" as its third track, but did not include "Strange Kind of Woman," which was instead released as a single there. It was vice-versa on the American and Japanese releases.
Re-edition includes download code for MP3 version of the album.
HEC Enterprises Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1971/2016 (SHVL 793). Made in EU. 180 g vinyl.


Tracklist:

Side A
1. Fireball 3:20
2. No, No, No 6:49
3. Demon's Eye 5:17
4. Anyone's Daughter 4:39

Side B
5. The Mule 5:15
6. Fools 8:13
7. No One Came 6:21

Total playing time: 39:54 min.

Second full-length album by Ukrainian Black/Death Metal band.
The new work of musicians has significant progress as at the material such at the sound. "Transcendevil" didn’t lost melody, but became much heavier than the previous full-length album. Album’s themes are monolithic and give a general tough tone for the all album. Symphonic instruments section emphasizes aggressive of the compositions in the album, and fully symphonic track "Septem Million" - a real step forward in the development of the band. The mystical and philosophical lyrics as well as outstanding musicians thoughtful approach to their creativity really highlights this good work.
Recommended for fans of: Dimmu Borgir, Hate, Behemoth, Flashgod Apocalypse, Anorexia Nevrosa etc.
Metal Scrap Records, 2013 (MSR065/CD). Made in Ukraine. First press.
 

Tracklist:
1. Intro  0:52
2. Neo-dont-s  06:58
3. Homo Novus  07:19
4. Dark Liturgy  04:14
5. Philosopher`s Garden  05:13
6. In Front of Soldier Eyes  04:15
7. Jupiter  04:56
8. Antikrist Tábor  05:05

Bonus track:
9. Septem Million  05:13
Total playing time: 49:14 min.