РАРИТЕТИ

The fifth full-length studio album by legendary Canadian heavy metal band.
Capitol Records, Inc./EMI Services Benelux B.V. Uden, 1985 (064 2403481). Made in Holland. First press. Used (cover/disc): VG+/VG+.


Tracklist:

SIDE ONE
1. The Kids Are All Shakin' 3:35
2. Deep Cuts The Knife 3:52
3. Ride The Rocket 3:12
4. Long Way To Heaven 3:25
5. House On Fire 3:24

SIDE TWO
6. Christine 3:33    
7. Without You (Jasmine's Song)    3:39
8. School Of Hard Knocks 4:05
9. Don't Touch The Merchandise 2:47
10. Bangin' Off The Bricks 3:12

Total playing time: 35:49 min.

The debut mini-album by legendary American Heavy/Speed Metal band.
Released in 1983 as 4-track EP, this release has two tracks added, and marked as Mini LP.
Music For Nations, 1983/1984 (MFN 15). Made in UK. 45 PRM. Used (cover/disc): VG+/NM.


Side A
1. Break the Spell 04:07
2. Don't Take No 04:13
3. Backstabber 03:29

Side B
4. Lookin' for a Good Time 03:06
5. Driving Hard 03:42
6. Up from the Depths 05:23
 
Total playing time: 24:00 min.

The fourth Single by legendary German Power/Speed Metal band.
Taken from the 1988 album "Keeper Of The Seven Keys, Part 2", the song remains one of the band's most popular songs, and is played live at virtually every Helloween concert. The lyrics based on the 1818 novel "Frankenstein; or, The Modern Prometheus".
A video shot for the 2010 Jazz-style remake of the song on the album "Unarmed – Best Of 25th Anniversary".
Noise International, 1988 (N 0116-5). Made in Germany. First press. 45 PRM. OIS. Post Card. Used (cover/disc): NM/EX+.


Tracklist:

Side A
Dr. Stein 05:03

Side B
Savage 03:26
Livin' Ain't No Crime 04:43

Total playing time: 13:14 min.

Limited Edition release of the second full-length studio album by legendary German Power/Speed Metal band.
Arguably a blueprint for the Power/Speed Metal scene as a whole, "Keeper Of The Seven Keys, Part I" was a strong album that quite obviously deserves the classic title. Helloween finally got a real singer into the band, letting former vocalist Kai Hansen concentrate more on his guitar playing. Michael Kiske was young and quite adept at hitting the notes that are sure to irritate your household pets. "Keeper" also stepped a bit away from the more Thrashy vibe of "Walls Of Jericho", putting forth a cleaner, slicker version of Helloween. Much can be said about the melodic and exciting dual leads of Hansen and Michael Weikath, especially in "I'm Alive" and "Twilight of the Gods". Even on the pseudo-balladry of "A Tale That Wasn't Right", Helloween is able to avoid schlock cliche. And their signature track "Future World" aptly captures everything Helloween is about: a certain optimism, superbly catchy songwriting and a grand epic feeling. Speaking of epics, "Halloween" isn't quite up to the level of other epic Helloween songs and is a bit of a bear to wade through.
The band originally planned to release "Keeper of the Seven Keys, Part I" and "Part II" as a double album, but their record label refused, insisting that the albums be released separately.
"Keeper Of The Seven Keys, Part I" shows Helloween at their creative peak and is more necessary in your collection than any current Power Metal album!!
Limited Edition Blue Transparent Vinyl with OIS.
Noise International, 1987/1988 (N 0057). Made in Germany. Second press. Used (cover/disc): NM-/M-.


Tracklist:

Side One
1. Initiation 1:21
2. I'm Alive 3:23
3. A Little Time 3:59
4. Twilight Of The Gods 4:29
5. A Tale That Wasn't Right 5:15

Side Two
6. Future World 4:02
7. Halloween 13:18
8. Follow The Sign 1:46

Total playing time: 37:33 min.

The debut studio mini-album by legendary German Power/Speed Metal band.
In the realm of Heavy Metal, few bands have left an indelible mark as significant as Helloween. The German Power Metal pioneers burst onto the scene with their self-titled debut mini-album, that would set the stage for a genre-defining career. Released in1985, this iconic record not only showcased the band's musical prowess but also played a pivotal role in shaping the landscape of Power Metal.
The creation of Helloween's debut album can be traced back to the vibrant Metal scene of the early 1980s. In the wake of the New Wave of British Heavy Metal (NWOBHM), European bands began exploring new sonic territories, pushing the boundaries of traditional Metal. Helloween emerged from this milieu, blending the aggression of Metal with melodic and Symphonic elements, laying the foundation for what would later be recognized as Power Metal.
The recording process for the album took place at Musiclab Studios in West Berlin, Germany. Under the guidance of producer Harris Johns, the band, comprised of Kai Hansen (vocals/guitar), Michael Weikath (guitar), Markus Grosskopf (bass), and Ingo Schwichtenberg (drums), crafted a sound that was both raw and polished. The result was a dynamic fusion of speed and melody, punctuated by Hansen's soaring vocals and the intricate guitar work of Weikath.
The mini-LP format, with its limited number of tracks, challenged Helloween to make each song count. The album featured five original compositions, including the anthemic "Starlight" and the frenetic "Murderer". The concise yet impactful tracklist contributed to the album's accessibility and replay value, cementing its status as a classic in the Speed/Power Metal canon. Although it is a Speed Metal rather than a Power Metal album, the record is significant as the first effort by the band that would redefine the Power Metal genre.
"Helloween" was followed up later that same year by the band's first full-length album, "Walls Of Jericho".
Noise Records, a division of Modern Music/SPV GmbH, 1985 (N 0021 | 60-1679). Made in Germany. First press. OIS. Used (cover/disc): VG+/VG+.


Tracklist:

Side A
1. Starlight 5:15
2. Murderer 4:25
3. Warrior 4:00

Side B
4. Victim of Fate 6:39
5. Cry for Freedom 6:07

Total playing time: 26:26 min.

The first compilation album by legendary British Hard Rock band.
Double vinyl in gatefold cover.
10 Records Ltd., 1986 (302 781). Made in Germany. First press. Used (cover/disc 1/disc 2): EX+/EX/EX.


Tracklist:

Side 1
1. Intro On The Rocks
2. Scarabus  4:53
3. Money Lender  5:38
4. Puget Sound  4:23
5. Mad Elaine  4:15

Side 2
1. Time And Again  5:08
2. Vengeance  3:34
3. No Easy Way  6:36
5. If I Sing Softly  6:10

Side 3
1. I'll Rip Your Spine Out  4:30
2. New Orleans  2:37
3. Mutually Assured Destruction  3:13
4. Unchain Your Brain  3:12
5. You're So Right  2:55
6. No Laughing In Heaven  4:58

Side 4
1. Long Gone  3:59
2. If You Believe Me  7:37
3. Trouble  2:23
4. Bluesy Blue Sea  4:48
5. Lucille  2:32

Total playing time: 83:21 min.

 

Remastered re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and  White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
The original 1990 version has cover picture where Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again".
Also this 1998 remastered re-edition contains a special enhanced CD-ROM multimedia section with videos, exclusive photo galleries, biographies, internet links plus a deluxe 24 page colour booklet with full lyrics, Eddie art and photos!!
Iron Maiden (Holdings) Ltd./EMI Records Ltd., 1990/1998 (7243 4 96865 0 2). Made in Netherlands. First press of re-release. Used (cover/disc): EX/NM.


Tracklist:
1.Tailgunner 04:15
2.Holy Smoke 03:49
3.No Prayer for the Dying 04:23
4.Public Enema Number One 04:14
5.Fates Warning 04:10
6.The Assassin 04:18
7.Run Silent Run Deep 04:35
8.Hooks in You 04:07
9.Bring Your Daughter... To the Slaughter 04:44
10.Mother Russia 05:32



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The sixth full-length studio album by legendary British Heavy Metal band.
With "Somewhere In Time" Iron Maiden produces yet another classic album full of classic tracks! Album was released on 29 September 1986 on EMI in Europe and its sister label Capitol Records in the US. It was their first album to feature guitar synthesizers. All songs with the exception of "Wasted Years" featured guitar synthesizers. "Somewhere In Time" is notable for lacking any songwriting credits from lead vocalist Bruce Dickinson, whose material was rejected by the rest of the band. On the other hand, the record is also notable for the number of "fully formed" songs written by guitarist Adrian Smith, who wrote both of the album's singles: "Wasted Years" and "Stranger in a Strange Land". The record also marked a change for Iron Maiden, as it was their first to use synth, although this style was expanded on with their next release, "Seventh Son Of A Seventh Son", which used keyboard synthesizers instead. This was also their first studio album not to be released a year after their previous one, with the band insisting that they have more time "to get it right without hurrying for a change", comments Harris. It was also one of their most expensive records, with the bass and drums recorded in the Bahamas, the guitars and vocals recorded in The Netherlands and the mixing taking place in New York.
Since its release, it has been certified Platinum by the RIAA, having sold over one million copies in the US alone.
Iron Maiden has created an amazing album as usual, and it helped push their career further on for twenty more years!
The vinyl includes original inner sleeve.
EMI Records Ltd., 1986 (24 0597 1). Made in Europe. First press. Used (cover/disc): NM/EX.


Tracklist:

SIDE 1
1. Caught Somewhere In Time 7:23
2. Wasted Years 5:05
3. Sea Of Madness 5:41
4. Heaven Can Wait 7:21

SIDE 2
5. The Loneliness Of The Long Distance Runner 6:29
6. Stranger In A Strange Land 5:40
7. Deja-Vu 4:54
8. Alexander The Great 8:35

Total playing time: 51:18 min.

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93915 2 9) Made in UK. First press. Used (cover/disc): M-/M.


Tracklist:
1. Futureal
2. The Angel And The Gambler
3. Lightning Strikes Twice
4. The Clansman
5. When Two Worlds Collide
6. The Educated Fool
7. Don't Look To The Eyes Of A Stranger
8. Como Estais Amigos
Total playing time: 53:20


Samles: http://www.lastfm

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93992 2 8) Made in UK. First press. Limited Edition. Used (cover/disc): EX+/NM-.


Tracklist:
1. Futureal 02:56
2. The Angel And The Gambler 09:53
3. Lightning Strikes Twice 04:50
4. The Clansman 09:00
5. When Two Worlds Collide 06:17
6. The Educated Fool 06:45
7. Don't Look To The Eyes Of A Stranger 08:04
8. Como Estais Amigos 05:30
Total playing time: 53:15 min.


Samles: http://www.lastfm

The eighth full-length studio album by legendary British Progressive Rock band.
Chrysalis Records/Phonogram GmbH, 1975 (6307 559). First press. Germany. Used (cover/disc): EX+/EX+.


Tracklist:

Side A
1. Minstrel In The Gallery  8:09
2. Cold Wind To Valhalla  4:17
3. Black Satin Dancer  6:51
4. Requiem  3:41

Side B
5. One White Duck/0= Nothing At All  4:35
6. Baker St. Muse  16:40
7. Grace  0:37

Total playing time: 44:50 min.

First American re-release of the seventh full-length studio album by legendary British Progressive Rock band.
After two single-song concept albums, "Thick As A Brick" and "A Passion Play", “War Child” was a return to the traditional format, and was one of those records that was a hit the day it was announced. The turmoil over criticism of the previous album surrounded the production of "War Child", which obliged the band to do press conferences and explain their plans for the future.
The album prominently features David Palmer's string orchestration across an eclectic musical set, with the band members, as the two predecessor albums, playing a multitude of instruments. The music is lighter and more whimsical than the dark "A Passion Play", with hints of comedy in the lyrics and the music' structure.
"War Child" went Gold in the U.S., where it peaked at No. 2 on the Billboard Pop albums chart. It was the last Jethro Tull album to earn Platinum record status.
Chrysalis, 1974/1983 (PV 41067). Made in U.S.A. Used: (cover/disc): NM- / NM-

Tracklist:

Side One
1. WarChild 4:33
2. Queen and Country 2:59
3. Ladies 3:16
4. Back-Door Angels 5:30
5. SeaLion 3:35

Side Two
1. Skating Away on the Thin Ice of the New Day 4:02
2. Bungle in the Jungle 3:34
3. Only Solitaire 1:28
4. The Third Hoorah 4:47
5. Two Fingers 5:07

Total playing time: 38:51 min.

The first full-length studio album by legendary American Hard Rock songwriter.
Cleveland International Records/CBS Inc./Epic , 1981 (EPC 84361). Made in UK. First press. Insert. Used (cover/disc): EX+/NM.


Tracklist:

Side 1
1. Bad For Good  8:44
2. Lost Boys And Golden Girls  4:37
3. Love And Death And An American Guitar  2:39
4. Stark Ravin Love  7:21

Side 2
5. Out Of The Frying Pan (And Into The Fire)  6:09
6. Surf's Up  5:22
7. Dance In My Pants  7:54
8. Left In The Dark  7:58

The ninth full-length studio album by legendary American–French French pop singer-songwriter.
CBS Inc., 1975 (CBS 81147). Made in Holland. First press. OIS. Used (cover/disc): EX/VG+.


Tracklist:

Side 1
1. Et Si Tu N'existais Pas
2. Il Faut Naitre A Monaco
3. Chanson Triste
4. Le Costume Blanc
5. L'albatros
6. Alors Qu'est-ce Que C'est? (Harm Our Love)

Side 2
7. Ça Va Pas Changer Le Monde
8. Salut
9. Carolina (Sad Sweet Dreamer)
10. C'est La Nuit (Dance With Me)
11. Ma Musique (Sailing)
12. Piano Mecanique

The first full-length studio album by legendary Norwegian-Swedish Hard Rock guitarist.
CBS Records AB, 1987 (CBS 460203 1). Made in Holland. First press. OIS. Used (cover/disc): EX/VG.


Tracklist:

Side 1
1. Let Me Love You  3:21
2. Love Is Meant To Last Forever  3:39
3. Too Many Hearts  3:11
4. Someone Else Here  4:11
5. Eternal Flame  3:12

Side 2
6. Back On The Streets  4:09
7. Blind  3:51
8. Law Of Life  4:20
9. We'll Do What It Takes Together  3:23
10. In Chase Of The Wind  3:00

Total playing time: 36:17 min.

The debut full-length solo album by the leader and vocalist of legendary American Soft Metal band Bon Jovi.
“Young Guns II” is a 1990 western film and the sequel to “Young Guns” (1988). It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, and features William Petersen as Pat Garrett. Jon Bon Jovi also made a cameo appearance in the film as one of the prisoners in the pit with Doc and Chavez.
This LP includes songs from and inspired by the movie “Young Guns II”. Emilio Estevez originally approached Bon Jovi to ask him for permission to include the song "Wanted Dead Or Alive" on the soundtrack. Bon Jovi did not feel the song’s lyrics were appropriate; however, he was inspired by the project and resolved to write a new song for the film that would be more in keeping with the period and setting. He quickly wrote the song "Blaze of Glory", and performed it on acoustic guitar in the New Mexico desert for Estevez and John Fusco. This was the first time that "Blaze of Glory" was heard.
Music videos were made for the first two singles, "Blaze of Glory" and "Miracle", and also the fourth (promo) single "Dyin' Ain't Much of a Livin", but not for the third single "Never Say Die".
The album featured guests such as Elton John, Little Richard, and Jeff Beck.
The album peaked at No. 3 on the Billboard 200 and No. 2 on the UK Albums Chart. “Blaze of Glory” was awarded a Golden Globe. It also received Academy Award and Grammy nominations.
PolyGram Records, Inc./Vertigo, 1990 (846 473-1). Made in Europe. OIS. First press. Used.


Tracklist:

Side 1:
1. Billy Get Your Guns 4:48
2. Miracle 5:08
3. Blaze Of Glory 5:44
4. Blood Money 2:34
5. Santa Fe 5:40
    
Side 2:   
6. Justice In The Barrel 6:47
7. Never Say Die 4:53
8. You Really Got Me Now 2:23
9. Bang A Drum 4:36
10. Dyin' Aint Much Of A Livin' 4:39
11. Guano City 1:00
    
Total playing time: 48:51 min.

Japanese edition ohe fifth full-length albums by cult American Neo-Prog/Progressive Rock keyboardist Jordan Rudess of Dream Theater and Dixie Dregs fame.
Many other musicians perform on tracks on this album including Terry Bozzio (Frank Zappa, Missing Persons), Steve Morse (Dixie Dregs, Deep Purple), and Dream Theater bandmate John Petrucci, who also worked with Rudess on Liquid Tension Experiment.
On "Feeding The Wheel", Jordan Rudess has modernized the keyboard sounds pioneers like E. Power Biggs, Rick Wakeman, Gary Wright, Alan Hovhaness, and Keith Emerson broke ground with. The latter-day third ivory player in Dream Theater takes Gary Wright's Dream Weaver a step or two into the twilight zone. "Headspace" is a nice moody piece, kind of like Edgar Froese outside of Kraftwerk with more activity in the mix. "Quantum Soup" features Steve Morse of the Dregs on guitar solo with Terry Bozzio of Missing Persons playing percussion, the first of eight numbers the ex-Zappa drummer provides the bottom for. Track two has its own evolution, from Jazz/Progressive Rock to a bassy Funk eight minutes into the tune, with the 11 minutes of "Quantum Soup" melting nicely into the six minutes of "Shifting Sands".
The spaced notations in the CD booklet are vaguely familiar, that aforementioned Dream Weaver concept a simplified version of this. "We all feed wheels that carry our hopes and dreams to another day" is the sentiment written by Rudess, and those thoughts are unleashed in music which will appeal to fans of Dream Theater and Emerson, Lake & Palmer and those who feel Steely Dan is too mainstream. "Revolving Door" could be the theme to Hawaii Five-O turned upside down; strange vocals invade for a few moments on this otherwise instrumental enterprise. The title track can be a bit much except for the staunchest fans of Progressive Rock, over seven minutes of the piano runs Jordan Rudess learned at Juilliard embellished with high-end production and superb drums. For those who thought Emerson, Lake & Palmer's "The Nutrocker" wasn't energetic enough, explore this disc. "Dreaming in Titanium" is like some prelude to music by Prince, while "Center of the Sphere" is part of the artist's quest, the "search for the ultimate sound" that Rudess speaks of.
For an effortlessly enjoyable and mentally replenishing keyboard music experience, look no further than "Feeding The Wheel", a record that soars, swims and does musical marathons that seem superhuman to those back on safe ground watching. And for a demonstration of Rudess' confident skills within more of a band framework, check out Dream Theater in a very active 2002, as well as his important role on the next David Bowie album.
CD comes with OBI and additional Japanese booklet.
Magna Carta Records/Avalon/Marquee Inc., Japan, 2001 (MICP-10266). Made in Japan. First press. Used: like new.


Tracklist:
1. The Voice (Intro) 0:19 
2. Quantum Soup 11:02 
3. Shifting Sands 6:00 
4. Dreaming In Titanium 4:09 
5. Ucan Icon 5:41 
6. Center Of The Sphere 1:38 
7. Crack The Meter 6:13 
8. Headspace 3:58 
9. Revolving Door 8:33 
10. Interstices 4:04 
11. Feed The Wheel 10:12
Total playing time: 61:49

The fifth full-length studio album, also known as “Hell Bent For Leather”, by the legendary British Heavy/Speed Metal band.
CBS Records, 1978 (CBS 83135). Made in Holland. First press. Used (cover/disc): VG+/VG+.


Tracklist:

SIDE ONE
1. Delivering The Goods    4:15    
2. Rock Forever    3:18    
3. Evening Star    3:55    
4. Hell Bent For Leather 2:38    
5. Take On The World 2:58

SIDE TWO
6. Burnin Up 3:55    
7. Killing Machine 3:00    
8. Running Wild    2:51    
9. Before The Dawn 3:20    
10. Evil Fantasies 4:09

Total playing time: 34:19 min.

Second re-release of the seventh full-length studio album by legendary British Heavy/Speed Metal band.
Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio.
The album got Silver status in UK and Gold in USA.
Columbia, 1981/1991 (467829 1). Made in Holland. OIS. Used (cover/vinyl): EX/EX+.

Tracklist:

Side One
1. Heading Out To The Highway 3:44
2. Don't Go 3:17
3. Hot Rockin' 3:14
4. Turning Circles 3:39
5. Desert Plains 4:30

Side Two1. Solar Angels 4:02
2. You Say Yes 3:25
3. All The Way 3:47
4. Troubleshooter 3:57
5. On The Run 3:41

Total playing time: 37:12 min.

 

The second live album by the legendary British Heavy/Speed Metal band.
Recorded during the Judas Priest World Tour 1986.
CBS Records, 1987 (CBS 450639 1). Made in Holland. First press. 2x OIS. Used (cover/disc 1/disc 2): VG+/VG+/VG+


Tracklist:

SIDE 1
1. Out In The Cold 6:49
2. Heading Out To The Highway    4:56
3. Metal Gods    4:07
4. Breaking The Law 2:49

SIDE 2
5. Love Bites    5:27
6. Some Heads Are Gonna Roll 4:23
7. The Sentinel 5:07
8. Private Property 5:22

SIDE 3
1. Rock You All Around The World 4:44
2. Electric Eye 4:44
3. Turbo Lover 5:59
4. Freewheel Burning 4:48

SIDE 4
5. Parental Guidance 4:19
6. Living After Midnight 4:50
7. You've Got Another Thing Comin' 7:53

Total playing time: 76:17 min.