ROOT

The first re-release of the seventh full-length studio album by cult Czech Epic Heavy/Black Metal band.
From their beginnings as a very first-wave Black Metal act to their mutation into something Dark, Epic, and beyond easy categorization, this is a proper legendary act that carved their own dark path and basically founded the Czech Black Metal scene along with Master's Hammer, and it's impossible to understand the region's Metal scene without knowing something about them. Despite all the prestige and historical significance, most fans would agree that the band started to sort of fall apart, with longtime guitarist Blackhosh leaving after the divisive "Madness Of The Grave" and the band sort of falling victim to Big Boss' weirder musical ideas without anyone to help refine them into anything that wasn't either derivative of past glories or just indescribably baffling and awful. What's also agreed upon is that this album was the last release of their golden age, and the fact that, like most of the albums that came before it, it's an unparalleled masterwork.
Trying to describe Root to the uninitiated is like describing the true nature of hell to the godless, as their black metal base is so primordial and their later epic leanings so unique to them that the only meaningful way to discuss their albums is in comparison to one another. With that in mind, "Black Seal" is easily their darkest and most menacing work, with the direct numbers being the heaviest they've done and the more esoteric and mystical songs being the most absorbing and powerful to date. The former is made obvious with the album opener "Festival of Destruction", an incendiary track that stands as the best song they ever wrote with crushing riffs, Big Boss' powerful operatic bass, and a layered, hypnotic chorus unlike anything they'd ever done up to that point. The latter comes immediately after with the magical, almost waltz-like "The Incantation of Thessalonian Women", which displays odd, moody arrangements and a mix of soft croons with powerful blackened roars. To describe any other songs would be to rob this work of the surprises it has in every corner, but know that despite the final track being only six minutes of music and the remaining thirteen being dedicated to repeating the chorus while gradually pushing it back in the mix until it ends with silence, there's not a moment on here that isn't startling, haunting, and masterful to various extents.
As a unit, the band themselves has ever been tighter and more inspired. Blackhosh churns out his very best work with riffs that rise, blaze, and spit like the flames of hell itself and leads that wail and soar over it all like the cries of the eternally damned. Igor's bass work has never been heavier than it has here, and Evil's drumming gives this momentum and aggression it otherwise would not have had. Of course, when discussing Root, you have to talk about the all-powerful voice of frontman Big Boss, who went ahead and decided to give his best performance and one of the greatest ever heard in Metal at the ripe old age of fifty, with his commanding singing voice displaying more versatility, power, and style than before and his blackened bellows and roars sounding more evil and frightening than ever, perhaps more so than any vocalist in the style has ever done since.
This is the band's best album overall. They'd never again show a comparable command of their unique, arcane songwriting, and even compared to their other masterworks, there's a maturity, depth, and power to be found here that their other albums have, and we cannot imagine a better bookend to an unequalled run of unique genius from one of the best bands to ever do it. An album without flaws from a band without peers!
Remastered by Honza Kapák, Hellsound Studio, December 2022.
Remastered re-release includes different bonus tracks, two Posters and Sticker.
"Ancient Mysteries" taken from Split 7" EP with Atomizer (2003);
"Prohibition" taken from 2CD “Kärgeräs & Hell Symphony” (2004).
Redblack/Monster Nation, 2001/2003/2023 (MN-051). Made in Czech.


Tracklist:

Side A
1. The Festival of Destruction 4:57
2. The Incantation of Thessalonian Women 5:12
3. Nativity 4:18
4. His Eyes Were Dark 4:22
Side B
5. Black Seal 4:15
6. The Faith 2:12
7. Salamandra 7:26
8. Necromancy 4:57
Playing time: 37:51 min.

Side C
1. Theriak 5:31
2. The Mirror Of Soul 7:14
3. Liber Prohibitus 3:41
Side D
4. …Before I Leave! 19:36
5. Ancient Mysteries (Bonus Track) 4:01
6. Prohibition (Bonus Track) 3:37
Playing time: 43:48 min.

Total playing time: 81:39 min.

Re-release of the seventh full-length studio album by cult Czech Epic Heavy/Black Metal band.
The seventh album from cult gods Root is a bit of a step back, but after the incredible "Black Seal" anybody would be hard pressed to come up with an equally amazing CD. Root have been following killer album after killer album. And if we can say this album is not quite as good as albums like "The Book" or "The Temple In The Underworld", this is still a great album.
Root is one of those bands that don't sound like anyone else, because they are not followers of a sound, but originators. There are elements of Doom, Thrash, early Black Metal like Bathory, Progressive Rock, Atmospheric music, and ever swing. This album is a lot less Metal than previous albums, but still stomps most modern bands' asses like they were smurfs, and it only sounds less heavy in comparison with the bonecrushing "Temple In The Underworld". The melodies are a lot more accessible on this disc, and Big Boss has flavored his vocal lines with swing and big band influences.
This album is the most weird and eclectic Root material to date, and it travels from Doomy riffs to Thrashy, to Atmospheric interludes and delicate melodies. In some places, the melodies don't seem to quite work, even in the context of Root's already twisted soundscape.
So, this is another fine Root CD. The performances are spot on, and some of the songs are excellent, but here Root seem to have gotten a little too weird for their own good. All that aside, this is still a very good album, and it only pales in comparison to their other material. A worthy album from a singular and iconoclastic band!!
2016 American reissue with 4 bonus live tracks (11-14) & completely redesigned layout. Live tracks recorded live at Capitol Music Hall, Brno, Czech Republic, on Thursday April 22, 2004.
Paragon Records, 2003/2016 (PRG-43060). Made in USA. First press.


Tracklist:
1. Omen (The Tones of Mystery) 01:54
2. Then (The Tale About Destiny) 05:55
3. Madness of the Graves (Calling) 02:34
4. Talking Bones (The Story of Legacy) 04:15
5. Endowment (Refused Message) 06:07
6. Tree (Power of Calling) 03:21
7. Autumn (Legend About Life) 04:17
8. In the Heart of Darkness (Ballad of Ancient Realms) 05:32
9. The Last Gate (The Story of Demons) 06:21
10. Afterwards (The Tale at the End) 04:52
Live bonus tracks:
11. Talking Bones (The Story of Legacy) 03:57
12. Endowment (Refused Message) 05:46
13. Madness of the Graves (Calling) 02:42
14. In the Heart of Darkness (Ballad of Ancient Realms) 05:29
Total playing time: 62:32 min.


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