Special Offers

The fifth re-release of the third full-length album by the legendary British Heavy Metal band.
This was the debut of vocalist Bruce Dickinson in Iron Maiden and their last with drummer Clive Burr.
Routinely ranked among the greatest Heavy Metal albums of all time, "The Number Of The Beast" is the birth of Iron Maiden as we know it, a relentless Metal machine lifted to soaring new heights by the arrival of erstwhile Samson frontman Bruce Dickinson. Dickinson's operatic performance here made him an instant Metal icon, challenging even Rob Halford for bragging rights, and helped launch the band into the stratosphere.
The album's intensity never lets up, the musical technique is peerless for its time, and there isn't a truly unmemorable song in the bunch. Blessed with a singer who could drive home a melody in grandiose fashion, Steve Harris' writing gets more ambitious, largely abandoning the street violence of old in favor of fittingly epic themes drawn from history, science fiction, and horror. The exceptions are "22 Acacia Avenue", a sequel to "Charlotte the Harlot" that sounds written for Di'Anno's range, and the street-crime tale "Gangland", which Harris didn't write; though the Punk influences largely left with Di'Anno, these two definitely recall the Maiden of old. As for the new, two of the band's (and, for that matter, Heavy Metal's) all-time signature songs are here. The anthemic "Run to the Hills" dramatized the conquest of the Native Americans and became the band's first Top Ten U.K. single. It features Maiden's trademark galloping rhythm, which in this case serves to underscore the images of warriors on horseback. Meanwhile, the title track's odd-meter time signature keeps the listener just slightly off balance and unsettled, leading into the most blood-curdling Dickinson scream on record; the lyrics, based on nothing more than Harris' nightmare after watching a horror movie, naturally provoked hysterical accusations of Satan worship (which, in turn, naturally provoked sales). "Hallowed Be Thy Name" is perhaps the most celebrated of the band's extended epics; it's the tale of a prisoner about to be hanged, featuring some of Harris' most philosophical lyrics.
Though some moments on "The Number Of The Beast" are clearly stronger than others, the album as a whole represented a high-water mark for Heavy Metal, striking a balance between accessible melodicism and challenging technique and intensity. Everything fell into place for Iron Maiden here at exactly the right time, and the result certainly ranks among the top five most essential Heavy Metal albums ever recorded! A cornerstone of the genre!!
"The Number Of The Beast" become band’s first album to reach No. 1 in the UK Albums Chart, and be certified platinum in the US. It’s one of two Iron Maiden albums listed in “1001 Albums You Must Hear Before You Die” book.
Limited Edition 180 gram vinyl. Recorded from the original analogue master tapes.
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 1982/2014 (2564625240). Made in EU.


Tracklist:

Side 1:
1. Invaders 3:22
2. Children Of The Damned 4:33
3. The Prisoner 6:00
4. 22. Acacia Avenue 6:34

Side 2:
5. The Number Of The Beast 4:49
6. Run To The Hills 3:50
7. Gangland 3:47
8. Hallowed Be Thy Name 7:10

Total playing time: 40:05

The tenth full-length studio album by the legendary British Heavy Metal band.
Band's first album to include vocalist Blaze Bayley, formerly of Wolfsbane, replacing Bruce Dickinson who left the band following their previous tour to pursue a solo career.
It is considered Iron Maiden's darkest album due to the lyrics being based on personal issues surrounding Steve Harris at the time, who was in the midst of a divorce, and the album cover, which depicts the band's mascot, Eddie, being undergoing another lobotomy. Cover was created by Hugh Syme.
Suffering from a lack of powerful riffs and tightly written songs, "The X Factor" is a lackluster album from Iron Maiden. Although the band doesn't sound particularly bad on the record, they don't sound inspired and there's a noticeable lack of energy to the performances which makes the lack of imagination all the more apparent. There are a few cuts that almost deliver the goods, but it's not enough to raise "The X Factor" above the merely adequate. "The X Factor" suffers from the same bloat that plagued countless other Rock and Metal records in the 1990s, as bands exploited the 79-minute running time of the compact disc; but even with a few filler tracks, it's still a much stronger effort than either "No Prayer For The Dying" or "Fear Of The Dark". With Bayley possessing a more baritone voice, Harris' songwriting took on a much darker tone to complement it, and that adjustment he makes yields an opening half hour that's shockingly good. The Falling Down-inspired "Man on the Edge" is an explosive, raw little rocker in the same vein as "Be Quick or Be Dead", "Lord of the Flies" is not only an effective retelling of the William Golding story, but an effectively hooky tune, and "Fortunes of War" is a workmanlike exercise within that classic Maiden template, shifting from a forlorn ballad to a lively, Harris-driven gallop.
"The X Factor" is nowhere near as awful as people say it is. In fact, at times it's pretty damn great!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1995/2014 (7243 8 35819 2 4). Made in EU.


Tracklist:
1. Sign Of The Cross
2. Lord Of The Flies
3. Man On The Edge
4. Fortunes Of War
5. Look At The Truth
6. The Aftermath
7. Judgement Of Heaven
8. Blood On The World's Hands
9. The Edge Of Darkness
10. 2 A.M.
11. The Unbeliever
Total playing time: 70:54

First re-release of the fourth single by the legendary British Heavy Metal band.
Released on 2 March 1981 is the lead single to the 1981 LP "Killers". The song did not appear in the original UK album in February, but was included in the US and Canadian release in June and the international 1998 remaster. Also it was appeared as a bonus track on the Japanese version, although mistakenly entitled "Details Of Twilight Zone". This came about because the band also sent a telex explaining the song to their Japanese colleagues, headlined "Details Of Twilight Zone", which they mistook to be the name of the song itself. It was released a month after the album, in the middle of the band's UK tour.
The song was originally intended to be the B-side of "Wrathchild", but the band felt it was so strong that it deserved to be the A-side instead. The single's other song, "Wrathchild", was also given 'A-side' status because, according to Steve Harris, "we had a live version of us doing 'Wrathchild' at the Rainbow, before Christmas, on video that we could use. We couldn't afford to pay for another video for "Twilight Zone", so we did a double A-side, because we knew we were gonna be off touring a lot and, if by any chance they wanted us on Top of the Pops again, at least we'd got a video for 'Wrathchild' we could give them".
Like their two previous single covers, the artwork for "Twilight Zone" was subject to criticism in the press, where it was interpreted as "gratuitous sexism". The media were offended by what appeared to be the band's mascot, Eddie, spying on a young girl in her bedroom. Garry Bushell points out that the critics were mistaken, as the song lyrics and picture on the girl's dressing table insinuate that Eddie is dead and contacting his lover ("Charlotte") from beyond the grave, thus making it the band's first love song.
At the time of its release, it was the band's second most successful single, peaking at No. 31 in the UK Singles Chart. Also it is the band's first single to feature guitarist Adrian Smith.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1981/2014 (2564625173). Made in UK.


Tracklist:

Side A:
1. Twilight Zone

Side B:
2. Wrathchild

Samples: http://www.last.fm

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1998/2014 (7243 4 93915 2 9) Made in EU.


Tracklist:
1. Futureal
2. The Angel And The Gambler
3. Lightning Strikes Twice
4. The Clansman
5. When Two Worlds Collide
6. The Educated Fool
7. Don't Look To The Eyes Of A Stranger
8. Como Estais Amigos
Total playing time: 53:20

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93992 2 8) Made in UK. First press. Limited Edition. Used (cover/disc): EX+/NM-.


Tracklist:
1.Futureal 02:56
2.The Angel And The Gambler 09:53
3.Lightning Strikes Twice 04:50
4.The Clansman 09:00
5.When Two Worlds Collide 06:17
6.The Educated Fool 06:45
7.Don't Look To The Eyes Of A Stranger 08:04
8.Como Estais Amigos 05:30
Total playing time: 53:15


Samles: http://www.lastfm

Re-release of the fourth DVD by the legendary British Heavy Metal band.
A release that all Iron Maiden fans have been asking for is here at last! "Visions Of The Beast" is a massive two disc DVD set that is over three hours long and contains every single Iron Maiden video ever made, from "Women in Uniform" to live cuts from "Rock In Rio", this has it all. It is basically an updated version of "The First Ten Years: The Videos and From There to Eternity". It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras!
If you are an Iron Maiden fan and have always wanted their videos for your own viewing pleasure then by all means pick this up!!
4:3 | Dolby Digital 2.0 | PAL | Disc 1 approx. 75 mins; Disc 2 approx. 79 mins.
EMI Records Limited, 2003/2010 (648 6139). Made in Germany.


Tracklist:

DVD 1:
1. Women In Uniform
2. Wrathchild
3. Run To The Hills
4. The Number Of The Beast
5. Flight Of Icarus
6. The Trooper
7. 2 Minutes To Midnight
8. Aces High
9. Wasted Years 
10. Stranger In A Strange Land
11. Can I Play With Madness
12. The Evil That Men Do 
13. The Clairvoyant
14. Infinite Dreams
15. Holy Smoke
16. Tailgunner

track 2 recorded live on December 21st, 1980 in London, United Kingdom.
track 10 recorded live on October 15th, 1986 in Sheffield, United Kingdom.
track 12 recorded live on June 12th, 1988 in Inglewood, California, United States.
track 13 recorded live on August 20th, 1988 in Castle Donington, United Kingdom.
track 14 recorded live on November 27th, 1988 in Birmingham, United Kingdom.
track 16 recorded live in September, 1990.

DVD 2:
1. Bring Your Daughter To The Slaughter 
2. Be Quick Or Be Dead
3. From Here To Eternity
4. Wasting Love 
5. Fear Of The Dark
6. Hallowed Be Thy Name
7. Man On The Edge
8. Afraid To Shoot Strangers
9. Lord Of The Flies
10. Virus
11. The Angel & The Gambler
12. Futureal
13. The Wicker Man
14. Out Of The Silent Planet
15. Brave New World

tracks 5, 6 recorded live on August 22nd, 1992 in Castle Donington, United Kingdom.
track 8 recorded live on November 1st, 1995 in Gothenburg, Sweden.
track 9 recorded live in November, 1995.
track 12 recorded live in May, 1995.
track 15 recorded live on January 19th, 2001 in Rio De Janeiro, Brazil.

To access hidden Easter Egg track 21 on disc 1, play track 6 3 times to form 666.
To access hidden Easter Egg track 20 on disc 2, play track 6 2 times and then track 4 to form 664, however playing track 6 3 times will also give access to hidden video, but with more funny passage.
http://www.eeggs.com/items/43310.html

First re-release of the fourteenth single by the legendary British Heavy Metal band.
It's the first single for the band's sixth full-length studio album, "Somewhere In Time" (1986). It was the first single solely written by guitarist Adrian Smith, who also sings backing vocals. Wasted Years" is the only song on the album that features no synthesizers.
The song deals with subject of homesickness and alienation, as well as the negative aspects of the band's nearly yearlong previous tour and personal problems that Smith and other band members were going through in that period. At the same time the chorus suggests the idea that one should move beyond past troubles and look forward. The original working title was "Golden Years", as can be heard on numerous "Somewhere On Tour" bootlegs. The song is composed in the key of E minor. Adrian Smith plays the guitar solo. The guitar line here is probably one of the most memorable in the realm of Metal, and is sort of a rite of passage for any lead guitar player who wishes to tear it up with a band in the Metal genre. The chorus is very easy to sing along to and is a regular favorite at live performances.
The b-side "Reach Out" was sung by Adrian Smith, with regular lead singer Bruce Dickinson providing backing vocals. This song was previously performed live by Nicko McBrain and Smith's side project The Entire Population Of Hackney. This track is another rare treat. Smith does an excellent job on the vocals, but his strength on this one is his catchy guitar riffs. This song has a solo that is so idiomatic that you could easily hum the tune along with it, something that Metal guitar solos are not often famous for. This single is probably a bit hard to come by at this point, but if you can find it - it's recommend it highly! It's a great song from Maiden's greatest album, and a pair of tracks that will make you smile and make you laugh, something that Metal is allowed to do to people, despite what the no-fun elitists of the darker scene.
“Wasted Years” reached number 18 in the UK Singles Charts and it’s one of those singles you just have to own when you’re into Maiden!!
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1986/2014 (2564624851). Made in UK.


Tracklist:

Side A:
1. Wasted Years 5:06

Side B:
2. Reach Out 3:25

Total playing time: 8:31

Samples: http://www.last.fm

Second single from the German Speed/Power Metal band.
This single for upcoming "Dark Assault" album features two exclusive b-sides and re-working of two songs. The Iron Savior songs "I've Been To Hell" and "Never Say Die" feature the already traditional band-style: powerful, fast, with Piet Sielck's characteristic voice. Single version of song "I've Been to Hell" misses some lyrics parts (before solo), Edit version of song "Never Say Die" misses intro part. Both songs have slightly different mix than on album "Dark Assault".
The two cover-versions are good ones, too, Judas Priest's "The Hellion - Electric Eye" and Krokus' "Headhunter" (where bassist Jan-S. Eckert has taken over a good part of the vocals).
The gem for every fan of band and Power Metal in general!
Noise Records, 2000 (N 0339-3). Made in France. First press.


Tracklist:
1. I've Been to Hell (single version)     04:04 
2. Never Say Die (Edit)     04:24 
3. The Hellion / Electric Eye (Judas Priest cover)     04:19 
4. Headhunter (Krokus cover)     04:16
Total playing time: 17:03

Second single from the German Speed/Power Metal band.
This single for upcoming "Dark Assault" album features two exclusive b-sides and re-working of two songs. The Iron Savior songs "I've Been To Hell" and "Never Say Die" feature the already traditional band-style: powerful, fast, with Piet Sielck's characteristic voice. Single version of song "I've Been to Hell" misses some lyrics parts (before solo), Edit version of song "Never Say Die" misses intro part. Both songs have slightly different mix than on album "Dark Assault".
The two cover-versions are good ones, too, Judas Priest's "The Hellion - Electric Eye" and Krokus' "Headhunter" (where bassist Jan-S. Eckert has taken over a good part of the vocals).
The gem for every fan of band and Power Metal in general!
Noise Records, 2000 (N 0339-3). Made in France. First press. Please note: although the CD is new and has never been played there are visual shabby on the disc surface (happened during transit) that will not affect the sound quality.


Tracklist:
1. I've Been to Hell (single version)     04:04 
2. Never Say Die (Edit)     04:24 
3. The Hellion / Electric Eye (Judas Priest cover)     04:19 
4. Headhunter (Krokus cover)     04:16
Total playing time: 17:03

The debut EP by German/Spanish Atmospheric Death/Doom Metal band.
With the name derived from the rare ancient Chinese and South-Asian greenstone, Jade brought that influence perfectly into the sorcerers sound of Death Metal, channelling an ethereal sense of triumphant darkness. Jade's oppressive yet otherworldly debut, “Smoking Mirror”, is a summoning of strong atmospheric quiver under blackened articulations. An atmospheric dose of amplified adrenaline & boisterously bouncy deadliness that manifests in a concretely gnarly fabrication of crunchy intricacy. 
"Smoking Mirror - MMXVIII" was initially released in 2018 as demo-tape only, in limited quantity of 100 copies self-produced by the band. Now, with renewed artwork and design, this piece of timeless Atmospheric Death Metal released on MCD & MLP.
If you're looking for a fine slab of razor-sharp viciousness, potent vibrancy & sinister varieties, then Jade are certainly a band to discover - definitely check them out!
Limited to 333 hand-numbered copies digipak.
Nigredo Productions, 2019 (NP009). Made in Sweden. First press.


Tracklist:
1. Jade Emperor 06:09
2. Dead Stone Mask 06:02
3. Blossom 04:43
4. Smoking Mirror 05:58
Total playing time: 22:52 min.


Samples: https://emperorjade.bandcamp.com
https://pulverised.bandcamp.com

Re-release of the five classic studio albums, in one set, by the legendary British Progressive/Folk Rock band.
Includes the albums: "Under Wraps", "Crest Of A Knave", "Rock Island", "Catfish Rising", "Roots To Branches".
Each of these five albums is presented as a mini-LP in a cardboard sleeve, making this a quick, easy, affordable way to get all of band's best albums at once.
100% musthave for every old school maniac!!
Chrysalis, a Warner Music Group Company, 1984/1987/1989/1991/1995/2014 (0825646007677). Made in Germany. First press.


Tracklist:

CD 1 «Under Wraps»
1. Lap Of Luxury 3:36 
2. Under Wraps # 1 4:02 
3. European Legacy 3:22 
4. Later, That Same Evening 3:52 
5. Saboteur 3:32 
6. Radio Free Moscow 3:41 
7. Nobody's Car 4:08 
8. Heat 5:37 
9. Under Wraps # 2 2:14 
10. Paparazzi 3:47 
11. Apogee 5:29

CD 2 «Crest Of A Knave»
1. Steel Monkey 3:40 
2. Farm On The Freeway 6:31 
3. Jump Start 4:55 
4. She Said She Was A Dancer 3:43 
5. Budapest 10:05 
6. Mountain Men 6:20 
7. Raising Steam 4:05

CD 3 «Rock Island»
1. Kissing Willie 3:33 
2. The Rattlesnake Trail 4:01 
3. Ears Of Tin 4:55 
4. Undressed To Kill 5:24 
5. Rock Island 6:54 
6. Heavy Water 4:12 
7. Another Christmas Song 3:31 
8. The Whalers Dues 7:52 
9. Big Riff And Mando 5:58 
10. Strange Avenues 4:10

CD 4 «Catfish Rising»
1. This Is Not Love 3:57 
2. Occasional Demons 3:49 
3. Roll Yer Own 4:26 
4. Rocks On The Road 5:32 
5. Sparrow On The Schoolyard Wall 5:22 
6. Thinking Round Corners 3:22 
7. Still Loving You Tonight 4:32 
8. Doctor To My Disease 4:35 
9. Like A Tall Thin Girl 3:38 
10. White Innocence 7:44 
11. Sleeping With The Dog 4:26 
12. Gold Tipped Boots, Black Jacket And Tie 3:41 
13. When Jesus Came To Play 5:02

CD 5 «Roots To Branches»
1. Roots To Branches 5:12 
2. Rare And Precious Chain 3:34 
3. Out Of The Noise 3:24 
4. This Free Will 4:05 
5. Valley 6:08 
6. Dangerous Veils 5:35 
7. Beside Myself 5:50 
8. Wounded Old And Treacherous 7:50 
9. At Last Forever 7:55 
10. Stuck In The August Rain 4:06 
11. Another Harry's Bar 6:22

Total playing time: 253:16 min.

Re-release of the five classic studio albums, in one set, by the legendary British Progressive/Folk Rock band.
Includes the albums: "Songs From The Wood", "Heavy Horses", "Stormwatch", "A", "The Broadsword And The Beast".
CD1+CD2 are 2003 remasters, CD3+CD4 are 2004 remasters and CD5 is a 2005 remaster.
Each of these five albums is presented as a mini-LP in a cardboard sleeve, making this a quick, easy, affordable way to get all of band's best albums at once.
100% musthave for every old school maniac!!
Rhino Entertainment Company, a Warner Music Group Company, 1977/1978/1979/1980/1982/2014 (2564628533). Made in Germany. First press.


Tracklist:

CD 1 «Songs From The Wood»
1. Songs From The Wood 4:56 
2. Jack-In-The-Green 2:31 
3. Cup Of Wonder 4:34 
4. Hunting Girl 5:13 
5. Ring Out Solstice Bells 3:47 
6. Velvet Green 6:05 
7. The Whistler 3:31 
8. Pibroch (Cap In Hand) 8:36 
9. Fire At Midnight 2:34

CD 2 «Heavy Horses»
1. And The Mouse Police Never Sleeps 3:12 
2. Acres Wild 3:24 
3. No Lullaby 7:55 
4. Moths 3:28 
5. Journeyman 3:58 
6. Rover 4:17 
7. One Brown Mouse 3:23 
8. Heavy Horses 8:55 
9. Weathercock 4:07

CD 3 «Stormwatch»
1. North Sea Oil 3:12 
2. Orion 3:58 
3. Home 2:46 
4. Dark Ages 9:14 
5. Warm Sporran 3:33 
6. Something's On The Move 4:27 
7. Old Ghosts 4:23 
8. Dun Ringill 2:42 
9. Flying Dutchman 7:46 
10. Elegy 3:38

CD 4 «A»
1. Crossfire 3:55 
2. Fylingdale Flyer 4:36 
3. Working John, Working Joe 5:05 
4. Black Sunday 6:39 
5. Protect And Survive 3:37 
6. Batteries Not Includet 3:53 
7. Uniform 3:34 
8. 4.W.D. (Low Ratio) 3:43 
9. The Pine Marten's Jig 3:28 
10. And Further On 4:21

CD 5 «The Broadsword And The Beast»
1. Beastie 4:00 
2. Clasp 4:18 
3. Fallen On Hard Times 3:14 
4. Flying Colours 4:40 
5. Slow Marching Band 3:39 
6. Broadsword 5:04 
7. Pussy Willow 3:55 
8. Watching Me Watching You 3:41 
9. Seal Driver 5:11 
10. Cheerio 1:16

Total playing time: 211:54 min.

The fifth full-length studio album, also known as “Hell Bent For Leather”, by the legendary British Heavy/Speed Metal band.
With its release, the album pushed Judas Priest towards a more commercial style; however, it still contained the dark lyrical themes of their previous albums. At about the same time, the band members adopted their now-famous "leather-and-studs" image. This is the first Judas Priest album where Glenn Tipton incorporated the guitar technique of tapping into his soloing style. This is also the final album for drummer Les Binks, who had joined the band in late 1977 for the recording of “Stained Class”; he is credited with helping develop the traditional Priest percussive sound.
“Killing Machine” was retitled “Hell Bent for Leather” for release in the United States, because the US branch of Columbia/CBS did not like the "murderous implications" of the album title and with "The Green Manalishi (With the Two-Pronged Crown)", an early Fleetwood Mac cover, being added to the recording.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Columbia/Sony Music Entertainment UK Ltd., 1978/2017 (88985390811). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Delivering The Goods 4:16
2. Rock Forever 3:19
3. Evening Star 4:04
4. Hell Bent For Leather 2:39
5. Take On The World 3:01

Side B (THIS SIDE)
6. Burnin' Up 4:00
7. The Green Manalishi (With The Two-Pronged Crown) 3:21
8. Killing Machine 3:02
9. Running Wild 2:57
10. Before The Dawn 3:21
11. Evil Fantasies 4:13

Total playing time: 38:13 min.

Re-release the seventh full-length studio album by legedary British Heavy/Speed Metal band.
Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio.
The album got Silver status in UK and Gold in USA.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Sony Music Entertainment UK Ltd./Columbia, 1981/2017 (88985390851). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Heading Out To The Highway 3:45
2. Don't Go 3:17
3. Hot Rockin' 3:13
4. Turning Circles 3:40
5. Desert Plains 4:36

Side B (THIS SIDE)
6. Solar Angels 4:02
7. You Say Yes 3:30
8. All The Way 3:40
9. Troubleshooter 3:47
10. On The Run 3:42

Total playing time: 37:12 min.

Re-release of the fourth full-length studio album by the legendary British Heavy/Speed Metal band.
"Stained Class" is the only Judas Priest album to feature songwriting by all five members of the band. The alum showcased a more streamlined songwriting style while not compromising on the band's trademark Heavy Metal riffs. The production is crisper, clearer, and cleaner than any of their preceding albums. Following this album, the band broke its songwriting team down to Rob Halford, K.K. Downing and Glenn Tipton, with occasional contributions solely by Tipton.
Several years after its release, "Stained Class" was the subject of negative attention due to the infamous 1990 civil action brought against the band by the family of a teenager, James Vance, who entered into a suicide pact with his friend Ray Belknap after allegedly listening to "Better by You, Better Than Me" on December 23, 1985. Belknap succeeded in killing himself, and Vance was left critically injured after surviving a self-inflicted gunshot to the facial area. The suit alleged that Judas Priest recorded subliminal messages on the song that said "do it." The suit was eventually dismissed. The song was originally written and performed by the band Spooky Tooth.
In 2005, "Stained Class" was ranked number 307 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.
180g vinyl. Issued with a printed inner sleeve with lyrics and a mp3 download voucher.
Sony Music Entertainment UK Ltd./Columbia, 1978/2017 (88985390791). Made in France.


Tracklist:

Side A (OTHE SIDE)
1. Exciter 5:30
2. White Heat, Red Hot 4:30
3. Better By You, Better Than Me 3:22
4. Stained Class 5:20
5. Invader 4:00

Side B (THIS SIDE)
6. Saints In Hell 5:30
7. Savage 3:26
8. Beyond The Realms Of Death 6:55
9. Heroes End 5:05

Total playing time: 43:38 min.

30th Anniversary Edition first remastered re-release of the tenth full-length album by legendary British Heavy/Speed Metal band.
British Metal legends Judas Priest for a second time reissued "Turbo" album, originally released in 1986. Always believing that Metal should have no boundaries, Priest challenged themselves taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal stylings ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven leadoff track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!
Sony Music Entertainment UK Ltd./Columbia, 1986/2017 (88875183271). Made in France. 180 g vinyl.


Tracklist:

Side 1
1. Turbo Lover 5:33
2. Locked In 4:19
3. Private Proberty 4:29
4. Parental Guidance 3:26
5. Rock You All Around The World 3:36

Side 2
6. Out In The Cold 6:27
7. Wild Nights, Hot & Crazy Days 4:39
8. Hot For Love 4:11
9. Reckless 4:20

Total playing time: 41:00 min.

Remastered re-release of the tenth full-length studio album by the legendary British Heavy/Speed Metal band.
Following the success of their previous album, "Defenders Of The Faith", Judas Priest initially recorded a double album which was intended to be released under the title "Twin Turbos". This idea was scrapped. Instead, the material was split up, with the more commercial songs appearing as the album "Turbo".
Always believing that Metal should have no boundaries, Priest challenged themselves taking on board new technical inventions to create fresh ideas and push their sound forward. Searching for a way to retool their sound, Judas Priest attempted to accentuate their melodic side on "Turbo" by incorporating synthesizers and '80s Pop-Metal stylings ("Wild Nights, Hot & Crazy Days" sounds more like Poison, albeit with synths). The restrained songcraft sometimes pays dividends, especially on the PMRC-bashing "Private Property" and "Parental Guidance", and the synth-driven leadoff track "Turbo Lover", the latter of which is easily the best song on the record, and a successful reimagining of the Priest formula. The album features all the hallmarks of classic Judas Priest on tracks such as “Turbo Lover”, “Parental Guidance” and “Locked In”.
The album marked the band's first use of guitar synthesizers, and the introduction of hints of Glam Metal into their image were particularly unpopular with the band's fan base at the time. Anyway, the album was ranked No. 39 on Metal-Rules.com list over the 50 Greatest Glam Metal albums. Moreover, "Turbo" goes Gold by RIAA on 10 June 1986 and Platinum on 24 July 1987, and reaching No. 33 in the UK and No. 17 on Billboard 200.
This album is an essential part of the Judas Priest catalogue. Originally recorded with the band's long term producer Tom Allom, this album marked a distinctive change in the band’s sound by the use of synthesized guitars but still keeping their classic Heavy Metal style that Judas Priest were synonymous with!!
Re-edition includes two bonus tracks.
Columbia/Sony Music Entertainment (UK) Ltd., 1986/2002 (502135 2). Made in Austria.


Tracklist:
1. Turbo Lover     5:33 
2. Locked In     4:19 
3. Private Property     4:29 
4. Parental Guidance     3:26 
5. Rock You All Around The Workd     3:36 
6. Out In The Cold     6:27 
7. Wild Nights, Hot & Crazy Days     4:39 
8. Hot For Love     4:11 
9.Reckless     4:20 
Bonus tracks:
10. All Fired Up     4:45
11. Locked In     4:24
Total playing time: 50:09

The eighth full-length studio album by Belarusian Symphonic Pagan Groove Metal band.
Female fronted band Kaira was founded by Pavel Drozdov and Kaira back in 1999 and since 2006 they started a steady activity in releasing a new album almost every other year. For the first three years, Kaira and Pavel worked only with session musicians, both in studio and at concerts, releasing albums only in Russian. Three albums were released in Symphonic Power Metal style. With a new lineup, in 2009 the style of music and its sound radically changed. The following album, "Child Of Fire", sounded like Industrial Symphonic Metal. In 2012, the band’s style started to sound more extreme and enriched the lineup with the second vocalist. The band began Groove/Metalcore style with their next album, "Not For Angels".
With the "Roots Of Veles" album, we find Kaira in a new, Symphonic Groove Pagan Metal style. Ancient Old Slavonic sagas, embodied in a Heavy Groove Pagan Metal style pushed forward a new sound for Kaira. Thanks to the added aggression of the Groove Metal, their classic Pagan Metal has garnered new forms with bright, vivid images and a powerful heavy sound. The pearl of the album is the title track, song "Roots of Veles". It’s charged with a powerful energy and brings a fresh perspective to the band.
Getting to the music on it, Keira presents us 8 new tracks in 40 minutes playing time, a mix of Symphonic and Groovy Modern Metal complete with catchy and inventive guitar riffs, epic keyboards, Industrial/Electro effects, a powerful rhythm section and a very capable and versatile female vocalist that leads the band not only through her sex-appeal but also through a dominant atitude that captures the listener's attention and keeps it on a leash the whole time. In simply words, "Roots Of Veles" is a mix of Heavy Metal, Thrash Metal, Groove Metal, Symphonic and even Goth Metal, and even a hint of Power Metal here and there, a modern release capable of pushing the band towards higher peaks in this scene! And they deserve it after almost two decades of playing music!!
Sliptrick Records, 2015 (SLP.015.0132). Made in USA. Pressed in Italy. First press. Please note: though the CD is new and has never been played, there are inlay bends that happened during transit.


Tracklist:
1. Roots of Veles 6:04 
2. Cry of Pagan Gods 4:28 
3. The Ingling Saga 4:15 
4. Revolution 4:44 
5. Lost Past 5:01 
6. Bleeding Spirit 4:27 
7. Sin Price 4:29 
8. No More 5:37
Total playing time: 39:07 min.

The second full-length studio album by Ukrainian Progressive/Groove Thrash Metal band.
Metal Race, 2017 (MR 041). First press.


Tracklist:
1. Все в цирк! 04:01
2. Стань в строй 04:18
3. Патриот 04:02
4. Против системы 03:40
5. Дебаты 04:22
6. Думай сам 04:13
7. Шоу для народа 04:12
8. Гармония лжи 04:17
9. Вне политики 04:05
10. В.Л.Д.М. 03:16
Total playing time: 40:26 min.


Samples: https://metalrace.bandcamp.com

The debut full-length studio album by Spanish Death Metal band.
A veteran band from Cantabria, active since 1994.
Miedito Records, 2006 (FAKE039). Made in Spain. First press.


Tracklist:
1. Mesías 03:58
2. Ciego por ver 04:10
3. Ira 03:37
4. Mi epitafio 02:50
5. Dame vida 05:03
6. Opio 04:18 
7. Letargo 07:09
8. La sombra de un ciprés 05:04
9. 12 meses de otoño 06:32
10. Norte 05:07
Total playing time: 47:52 min.


Samples: https://karonte.bandcamp.com/album/letargo-cd-2006

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