VINYL

Remastered re-release of the debut full-length studio album by legendary American Thrash Metal band.
Slayer’s debut is still regarded as a milestone for a new way of doing Metal. This new way was a start of the real Thrash Metal. This album is, along with “Kill ‘Em All”, “Killing Is My Business… And My Business Is Good” and “Bonded By Blood”, an important sign of the new growing scene. Slayer, grown up with Venom and true Heavy Metal, created a piece of history, a must for every Metal kid. And the story begins right here… Four guys, that wanted to play fast and brutal, join together and, after few demos, they recorded the first album, “Show No Mercy” - ten tracks of pure Speed/Thrash Metal.
Brian Slagel signed the band to Metal Blade, after watching their performing of the song "Phantom of the Opera" by Iron Maiden. The band was forced to self-finance their debut album, combining the savings of vocalist Tom Araya, who was employed as a respiratory therapist, and money borrowed from guitarist Kerry King's father. Touring extensively promoting the album, the band brought close friends and family members along the trip, who helped backstage with lighting and sound.
The album was recorded & mixed in November 1983 at Track Record Studios and released a month later. It took only eight hours to record (!!!), to cut down studio costs, which explains the poor production quality. Although criticized for poor production quality, "Show No Mercy" became Metal Blade Records' highest selling release!
Nothing commercial, nothing accessible - just pure Thrash f***ing Metal of the highest order with a steroidal injection of NWOBHM.
180g Orange/Red Melt Vinyl. Original artwork with 250g lyric/photo insert and large 60x60 cm poster.
Metal Blade Records, 1983/2015/2021/2025 (3984-15791-7). Made in Germany.


Tracklist:

Side 6
1. Evil Has No Boundaries 3:07
2. The Antichrist 2:48
3. Die By The Sword 3:35
4. Fight Till Death 3:36
5. Metal Storm / Face The Slayer 4:51

Side 66
6. Black Magic 4:02
7. Tormentor 3:35
8. The Final Command 2:31
9. Crionics 3:27
10. Show No Mercy 3:06

Total playing time: 34:38 min.

The third re-release of the second live album by legendary American Thrash Metal band.
The album was recorded during the Touring The Abyss and Clash Of The Titans tours, in three separate places, on three separate dates: Wembley Arena in London (October 14, 1990); Orange Show Pavilion in San Bernardino, California (March 8, 1991; and Lakeland Civic Center in Lakeland, Florida (July 13, 1991). Producer Rick Rubin made the two-discs sound like it was recorded at one gig. Unlike most other live recordings, this Slayer album completely “live” – no overdubbing exists on this recording. Joel McIver, author of "The Bloody Reign of Slayer", said that it was regarded as one of the best live albums released by a Heavy Metal band. 
The album was released through Def American Recordings on October 22, 1991.  Although it had a working title "Decade Of Decadence", it was released as "Decade Of Aggression" after Mötley Crüe copyrighted the name on their 1991 greatest hits album.
The album charted on three different charts. On November 9, 1991, it peaked at number 55 on the Billboard 200. On January 13, 1992, the album entered the Media Control Charts, peaked at number 35. It maintained a number on the chart until February 2, 1992, giving it a total of three weeks on the chart. On December 2, 1991, it entered the UK Album Charts, peaking at number 29. It stayed on the chart for two weeks.
If you ever wonder what a live performance of a Thrash band should be, look no further!
American Recordings, LLC/Universal Music Enterprises, 1991/2013/2023 (B0018851-01). Made in USA.


Tracklist:

Record One
Recorded Live at Lakeland Coliseum, Lakeland, Florida 7/13/1991:
Side One
1. Hell Awaits 6:50
2. The Anti-Christ 3:50
3. War Ensemble 4:58
4. South Of Heaven 4:25
5. Raining Blood 2:32
Side Two
1. Alter Of Sacrifice 2:48
2. Jesus Saves 4:12
3. Dead Skin Mask 4:58
4. Seasons In The Abyss 7:11
5. Mandatory Suicide 4:00
Running time: 45:44 min.

Record Two
Side Three
Recorded Live at Lakeland Coliseum, Lakeland, Florida 7/13/1991:
1. Angel Of Death 5:20
Recorded Live at Wembley Arena, London, England 10/14/1990:
2. Hallowed Point 3:36
3. Blood Red 2:50
Recorded Live at Orange Pavilion, San Bernardino, California 3/8/1991:
4. Die By The Sword 3:23
5. Black Magic 3:28
6. Captor Of Sin 3:34
Side Four
1. Born Of Fire 3:03
Recorded Live at Wembley Arena, London, England 10/14/1990:
2. Postmortem 4:04
Recorded Live at Orange Pavilion, San Bernardino, California 3/8/1991:
3. Spirit In Black 4:07
4. Expendable Youth 4:36
5. Chemical Warfare 5:30
Running time: 43:31 min.

Total playing time: 89:15 min.

The second re-release of the eighth full-length studio album by legendary American Thrash Metal band.
The second studio album of the band to feature drummer Paul Bostaph.
The album became the first record of the band recorded with a low order and was designated by the band as the most experimental album. It is to be played mostly in Drop C# tuning. The album's title is a Latin term for "The Devil in Music", a musical interval known for its dissonance.
Lyrical themes explored on the album include religion, cultural deviance, death, insanity, war, and homicide. Guitarist Jeff Hanneman wrote most of the album's content.
This is an album everybody can enjoy. It bears the heaviness that many fans enjoy, while maintaining that fast-paced Thrash element fans of classic Slayer look for. It progresses beyond the stale sound developed from "Divine Intervention" and "Undisputed Attitude". Finally, it honestly and wholeheartedly kicks ass!
The album received fairly critical reviews and despite this it sold in the amount of 46 000 copies in the first week and reached position number 31 on the Billboard 200. As of August 16, 2006 the album has sold 290 000 copies in the United States.
Release includes two printed inlays with lyrics and images.
American Recordings, LLC/Universal Music Group International B.V., 1998/2013/2023 (B0018848-01). Made in the USA. Pressed in Czech. Re-press 2023.


Tracklist:

Side One
1. Bitter Peace 04:32
2. Death's Head 03:34
3. Stain of Mind 03:24
4. Overt Enemy 04:41
5. Perversions of Pain 03:33
6. Love to Hate 03:07

Side Two
1. Desire 04:20
2. In the Name of God 03:40
3. Scrum 02:16
4. Screaming from the Sky 03:12
5. Point 04:11

Total playing time: 40:30 min.

The second re-release of the sixth full-length studio album by legendary American Thrash Metal band.
The band's first album with new drummer Paul Bostaph, replacing the original drummer, Dave Lombardo. However, it was the first album with a new sound, which could be seen a departure from the canonical Slayer's Thrash Metal style. The new sound was characterized by a high volume, loss of the melodic line and the strong influence of Punk Rock.
The Rock & Roll landscape changed dramatically between "Seasons In The Abyss" in 1990 and "Divine Intervention" in 1994. With the rise of Alternative Rock, many Metal and Hard Rock bands that had been enormously successful at the dawn of the '90s were struggling by the middle of the decade. Instead of doing something calculated like emulating Nirvana or Pearl Jam, or for that matter, Nine Inch Nails or Ministry, Slayer wisely refused to sound like anyone but Slayer. Tom Araya and co. responded to the new environment simply by striving to be the heaviest Metal band they possibly could. Less accessible than "Seasons In The Abyss" but equally riveting, "Divine Intervention" marked drummer Paul Bostaph's studio debut with the band. Bostaph proved to be a positive, energizing influence on Slayer, which sounds better than ever on such dark triumphs as "Killing Fields", "Serenity in Murder" and "Circle of Beliefs".
Characteristically grim and morbid, Slayer focus on the violently repressive nature of governments and the lengths to which they will go to wield power. And true to form, Slayer's music is as disturbing as their lyrics. 
The charts were a record for the band at the time, the album debuted at position 8 on the Billboard 200 in the first week, sales of 93000 copies, and by 2002 it sold over 400000 copies in the US. It peaked number eight on the Billboard 200 and charted at number 15 on the UK Albums Chart, and later in the same year, the album was certified Gold in Canada and the United States. Although it is less accessible than its predecessor "Seasons In The Abyss", Rolling Stone considered it to be their most successful album as of 2001.
In 1998 the album was banned in Germany due to the lyrics of "SS-3", "Circle of Beliefs", "Serenity in Murder", "213" and "Mind Control".
American Recordings, LCC/Universal Music Enterprises, 1994/2023 (B0018849-01). Re-press 2023. Made in USA. Pressed in Canada. 


Tracklist:

This Side
1. Killing Fields 3:57
2. Sex. Murder. Art. 1:50
3. Fictional Reality 3:37
4. Dittohead 2:30
5. Divine Intervention 5:33

Other Side
1. Circle Of Beliefs 4:29
2. SS-3 4:06
3. Serenity In Murder 2:36
4. 213 4:52
5. Mind Control 3:04

Total playing time: 36:34 min.

The first American re-release of the ninth full-length studio album by legendary American Thrash Metal band.
The last album with drummer Paul Bostaph, before it returns in 2013. Incredibly brutal, "God Hates Us All" is Slayer's most effective album since "Seasons in the Abyss" (1990), thanks in large part to Matt Hyde's raw production and a handful of killer songs. The previous few Slayer albums, "Divine Intervention" (1994), "Undisputed Attitude" (1996) and "Diabolus In Musica" (1998), were relatively disappointing, at least for anyone familiar with the band's defining triptych of "Reign In Blood" (1986), "South Of Heaven" (1988) and "Seasons In The Abyss" (1990). While "God Hates Us All" isn't on a par with those classics, without much argument one could call it a return to form for Slayer. A couple "War Ensemble"-style thrashers, "Disciple" and "New Faith", get the album off to vicious start; "Payback" concludes the album likewise. On the other hand, "Bloodline" is a slower-paced, evocative song in the style of "Reign in Blood" and "South of Heaven", including a melodic chorus. These are the highlights of "God Hates Us All", and while there are some passable songs sequenced throughout the 13-track album, it's solid and well-balanced overall. Especially since it arrived after a long absence, "God Hates Us All" should be a relief for long-time Slayer fans who were afraid the band had fallen off during the '90s, and it well may surprise newcomers unfamiliar with the band's prime recordings from the mid- to late '80s. The album was recorded with the old, traditional for Slayer hard sound.
The album was released on the day of the tragedy in the United States, September 11, 2001. Release date of the album was delayed because of problems with the cover, due to difficulties during the recording, and because of the change of producer. In its week of release, "God Hates Us All" debuted at number 28 on the Billboard 200 and sold 51000 copies. It entered the Canadian Albums Chart at number 9 and debuted at number 18 on the top Internet album chart. As of August 16, 2006 the album has sold 304000 copies in the United States. The band was first time nominated for a Grammy Award, for the song "Disciple", but the prize was awarded to the other band.
Dave Lombardo re-joined Slayer and attended music festivals worldwide to promote "God Hates Us All" and record drums on the 2006 album "Christ Illusion".
American Recordings, LLC/Universal Music Enterprises, 2001/2013/2023 (B0018850-01). Made in Czech for USA.


Tracklist:

Side A
1. Darkness of Christ 1:30
2. Disciple 3:37
3. God Send Death 3:46
4. New Faith 3:05
5. Cast Down 3:28
6. Threshold 2:28
7. Exile 3:57

Side B
1. Seven Faces 3:42
2. Bloodline 3:36
3. Deviance 3:09
4. War Zone 2:46
5. Here Comes the Pain 4:31
6. Payback 3:05

Total playing time: 42:40 min.

Remastered re-release of the first EP by legendary American Thrash Metal band.
The EP was released in 1984 through Metal Blade and Enigma Records. Slayer's debut album "Show No Mercy" became Metal Blade's highest selling, leading to producer Brian Slagel wanting to release an EP.
Although originally featuring three songs, the record evidences a marked evolution from the style of their previous album, "Show No Mercy", and is considered the first demonstration of the band's "classic" style displayed on later albums and is often described as a "stepping stone". Boasting the awesome "Chemical Warfare," a regular staple of Slayer's live shows, the "Haunting The Chapel" EP was a more crucial stepping stone in the legendary L.A. band's career development than many give it credit for.
Issued in between the band's very promising debut and the following year's more sonically ripened "Hell Awaits", "Haunting The Chapel" offers important clues about this transition period, which saw Slayer's Rock-based song structures give way to the non-linear, genre-defining style thereafter regarded as Thrash Metal's signature sound. Among the uniformly solid cuts here, the enduring fan favorite "Captor of Sin" is another highlight, making this a well-recommended release for committed Slayer fans.
The songs "Captor of Sin" and "Chemical Warfare" are regularly featured on the band's live set list. "Chemical Warfare" appears in "Guitar Hero: Warriors of Rock".
"Haunting The Chapel" is definitely a highly recommended piece of work that is early Thrash Metal at its rawest and most aggressive form! Masterpiece!!
45 RPM 180g black vinyl from Metal Blade Records Originals Series. Inside out cover. 400g heavy cardboard spine sleeve. Original artwork with 250g lyric/photo insert and large 60x60 cm poster.
Metal Blade Records GmbH, 1984/2016 (3984-14034-1). Made in Germany.


Tracklist:

Side 1
1. Chemical Warfare 6:02
2. Captor Of Sin 3:29

Side 2
1. Haunting The Chapel 3:56
2. Aggressive Perfector 2:28

Total playing time: 15:55 min.

Re-release of the second full-length studio album by legendary American Thrash Metal band.
The band's previous release, debut album “Show No Mercy”, became Metal Blade Records' highest selling release. As a result, producer Brian Slagel desired to release a second Slayer album. To that end, Slagel financed a recording budget (“Show No Mercy” was paid for by band members) and recruited several experienced producers to help in the studio.
Lyrical themes on “Hell Awaits” are darker than on “Show No Mercy”. The intro of the first track "Hell Awaits" played backwards reveals the repeated phrase "join us".
Musically, the album features the band's most progressive and diverse work compared to their previous releases. Defined as “influential to future Extreme Metal acts”, the most popular songs from “Hell Awaits” were re-recorded by various underground Metal bands and have appeared on several tribute albums.
180 gram heavyweight White Clear vinyl in gatefold cover.
Metal Blade Records/Back On Black, 1985/2009 (BOBV152LP). Made in UK. Pressed in Czech.


Tracklist:

Side A:
1. Hell Awaits 06:12
2. Kill Again 04:52
3. At Dawn They Sleep 06:16

Side B:
4. Praise Of Death 05:17
5. Necrophiliac 03:43
6. Crypts Of Eternity 06:37
7. Hardening Of The Arteries 03:57

Total playing time: 36:54 min.

Re-release of the second full-length studio album by legendary American Thrash Metal band.
The band's previous release, debut album “Show No Mercy”, became Metal Blade Records' highest selling release. As a result, producer Brian Slagel desired to release a second Slayer album. To that end, Slagel financed a recording budget (“Show No Mercy” was paid for by band members) and recruited several experienced producers to help in the studio.
Lyrical themes on “Hell Awaits” are darker than on “Show No Mercy”. The intro of the first track "Hell Awaits" played backwards reveals the repeated phrase "join us".
Musically, the album features the band's most progressive and diverse work compared to their previous releases. Defined as “influential to future Extreme Metal acts”, the most popular songs from “Hell Awaits” were re-recorded by various underground Metal bands and have appeared on several tribute albums.
180g vinyl in nside out cover. 400g heavy cardboard spine sleeve. Original artwork with 250g lyric/photo insert. Large 60x60cm poster.
Metal Blade Records, 1985/2021 (3984-15787-1). Made in Germany.


Tracklist:

Side A:
1. Hell Awaits 06:12
2. Kill Again 04:52
3. At Dawn They Sleep 06:16

Side B:
4. Praise Of Death 05:17
5. Necrophiliac 03:43
6. Crypts Of Eternity 06:37
7. Hardening Of The Arteries 03:57

Total playing time: 36:54 min.

The fifth official re-release of the third full-length studio album by legendary American Thrash Metal band.
Released on October 7, 1986, this album is the debut of the band on major label Def Jam Recordings. After releasing the album, Slayer led the musical movement of the American Thrash Metal.
The album was very well received by critics and fans, and considered as the best achievement of the band and one of the best of Thrash Metal albums in general. Among other, it is recognized as "Thrash Metal classic" by Classic Rock Magazine and "the heaviest album of all time" by Kerrang! Magazine.
Despite the fact that the album practically did not receive radio broadcasts, it became the first Slayer’s release which got 94th position on Billboard 200 Chart. On November 20, 1992 "Reign in Blood" became Golden status for the classification of RIAA.
180 gram vinyl.
American Recordings, LLC/Universal Music Enterprises, a division of UMG Recordings, Inc., 1986/2022 (B0018853-01). Made in Poland for USA.


Tracklist:

Side 1
1. Angel Of Death 4:50
2. Piece By Piece 2:02
3. Necrophobic 1:38
4. Altar Of Sacrifice 2:49
5. Jesus Saves 2:49

Side 2
1. Criminally Insane 2:13
2. Reborn 2:20
3. Epedemic 2:12
4. Postmortem 2:44
5. Raining Blood 4:23

Total playing time: 28:00 min.

The twelfth full-length album by legendary American Thrash Metal band.
The long-reigning titans of Thrash Metal returns with new album, the first for Nuclear Blast Records!
Slayer's place in music history is secure as one of The Big Four (alongside Metallica, Megadeth and Anthrax): they helped define the Thrash Metal genre. With "Repentless", Kerry, Tom, Paul and Gary affirm that Slayer is unstoppable.
Produced by Terry Date (Pantera, Slipknot, Soundgarden), "Repentless" was written and recorded by guitarist Kerry King and singer/bassist Tom Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph (Hail!; ex- Testament) and guitarist Gary Holt (Exodus). Album includes "Piano Wire", an unfinished song from the "World Painted Blood" sessions written by Jeff Hanneman.
In 2013, the world mourned the loss of guitarist Jeff Hanneman who died from complications following a two-year illness. A co-founder of Slayer, losing Jeff was very difficult for the band. During Jeff’s illness, friend of the band, guitarist Holt stepped in to help out on tour with Jeff’s blessing and stayed on. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph, (who played with the band from 1992-2001), returned to take over the throne. Slayer never skipped a beat and since Holt and Bostaph both played in Exodus, it was all-in-the-Thrash-family. 
"Repentless" is the band’s first new album in six years, continues the Slaytanic offensive with a twelve-song, blood-shaking sonic attack. It's dark, fast, aggressive and without mercy. It was also the most challenging record Slayer has ever had to make.
"Repentless" is loaded with sensational songs - from the hyper-aggressive Metallic blasts of the title track, "Take Control", "Implode" and "Atrocity Vendor" to the ferocious Thrash pounding of "Vices", "When The Stillness Comes" and "Pride In Prejudice" - the album is Slayer through and through.
After two decades with American Recordings, Slayer found a new home with Nuclear Blast Records, the German independent label known for its Metal roster. The album also marks the return of drummer Paul Bostaph.
Thirty-four years into its career, Slayer remains the preeminent Punk/Thrash Metal band that helped establish the genre and that up-and-coming Metal heads continue to revere and emulate. Slayer is a five-time nominated, two-time Grammy Award-winning Metal juggernaut that writes songs, which mirror the turmoil and aberrations of our society.
"Repentless" is crushing and brutal, steadfastly refusing to cater to the mainstream. It marks a number of transitions for the band but with their undisputed attitude, Slayer emerges triumphant! Slayer continues fearlessly, aggressively and without contrition; and most importantly, f****ng Slayer still rules!!!
Nuclear Blast Records, 2015 (NB 3359-1). Made in Germany. First press. Black vinyl.


Tracklist:

Side A:
1. Delusions of Saviour 1:55
2. Repentless 3:20
3. Take Control 3:14
4. Vices 3:32
5. Cast the First Stone 3:43
6. When the Stillness Comes 4:21

Side B: 
7. Chasing Death 3:45
8. Implode 3:49
9. Piano Wire 2:48
10. Atrocity Vendor 2:55
11. You Against You 4:21
12. Pride in Prejudice 4:14

Total playing time: 41:58
 

The twelfth full-length album by legendary American Thrash Metal band.
The long-reigning titans of Thrash Metal returns with new album, the first for Nuclear Blast Records!
Slayer's place in music history is secure as one of The Big Four (alongside Metallica, Megadeth and Anthrax): they helped define the Thrash Metal genre. With "Repentless", Kerry, Tom, Paul and Gary affirm that Slayer is unstoppable.
Produced by Terry Date (Pantera, Slipknot, Soundgarden), "Repentless" was written and recorded by guitarist Kerry King and singer/bassist Tom Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph (Hail!; ex- Testament) and guitarist Gary Holt (Exodus). Album includes "Piano Wire", an unfinished song from the "World Painted Blood" sessions written by Jeff Hanneman.
In 2013, the world mourned the loss of guitarist Jeff Hanneman who died from complications following a two-year illness. A co-founder of Slayer, losing Jeff was very difficult for the band. During Jeff’s illness, friend of the band, guitarist Holt stepped in to help out on tour with Jeff’s blessing and stayed on. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph, (who played with the band from 1992-2001), returned to take over the throne. Slayer never skipped a beat and since Holt and Bostaph both played in Exodus, it was all-in-the-Thrash-family. 
"Repentless" is the band’s first new album in six years, continues the Slaytanic offensive with a twelve-song, blood-shaking sonic attack. It's dark, fast, aggressive and without mercy. It was also the most challenging record Slayer has ever had to make.
"Repentless" is loaded with sensational songs - from the hyper-aggressive Metallic blasts of the title track, "Take Control", "Implode" and "Atrocity Vendor" to the ferocious Thrash pounding of "Vices", "When The Stillness Comes" and "Pride In Prejudice" - the album is Slayer through and through.
After two decades with American Recordings, Slayer found a new home with Nuclear Blast Records, the German independent label known for its Metal roster. The album also marks the return of drummer Paul Bostaph.
Thirty-four years into its career, Slayer remains the preeminent Punk/Thrash Metal band that helped establish the genre and that up-and-coming Metal heads continue to revere and emulate. Slayer is a five-time nominated, two-time Grammy Award-winning Metal juggernaut that writes songs, which mirror the turmoil and aberrations of our society.
"Repentless" is crushing and brutal, steadfastly refusing to cater to the mainstream. It marks a number of transitions for the band but with their undisputed attitude, Slayer emerges triumphant! Slayer continues fearlessly, aggressively and without contrition; and most importantly, f****ng Slayer still rules!!!
Limited to 500 copies White-Black Bi-Colour Vinyl in a gatefold sleeve! Special Vinyl Mastering!!
Nuclear Blast Records, 2015 (NB 3359-1). Made in Germany. First press.


Tracklist:

Side A:
1. Delusions of Saviour 1:55
2. Repentless 3:20
3. Take Control 3:14
4. Vices 3:32
5. Cast the First Stone 3:43
6. When the Stillness Comes 4:21

Side B: 
7. Chasing Death 3:45
8. Implode 3:49
9. Piano Wire 2:48
10. Atrocity Vendor 2:55
11. You Against You 4:21
12. Pride in Prejudice 4:14

Total playing time: 41:58

The fourth European re-release of the fourth full-length studio album by legendary American Thrash Metal band.
It was recorded in 1987 and released in 1988 on Def Jam Records (later re-released by Def American/American Recordings). The album has been marked as a deliberate deviation from the previous album with slower songs, more melodic vocals and clean sounding.
The album received conflicting opinions from fans and critics. However, it became the most commercially successful album of Slayer at that time, debuting at the 57 position in Billboard 200 Chart and becoming their second Gold album.
American Recordings, LLC/Universal Music Italia s.r.l./De Agostini Publishing S.p.A., 1988/2021 (DeAgostini 9). Made in Italy. Pressed in France. 180 gram vinyl.


Tracklist:

Side A
1. South Of Heaven 4:58
2. Silent Scream 3:06
3. Live Undead 3:50
4. Behind The Crooked Cross 3:14
5. Mandatory Suicide 4:05

Side B
1. Ghosts Of War 3:53
2. Read Between The Lies 3:20
3. Cleanse The Soul 3:02
4. Dissident Aggressor (Judas Priest cover) 2:35
5. Spill The Blood 4:51

Total playing time: 34:54 min.

The second American re-release of the fourth full-length studio album by legendary American Thrash Metal band.
It was recorded in 1987 and released in 1988 on Def Jam Records (later re-released by Def American/American Recordings).
The album has been marked as a deliberate deviation from the previous album with slower songs, more melodic vocals and clean sounding.
The album received conflicting opinions from fans and critics. However, it became the most commercially successful album of Slayer at that time, debuting at the 57 position in Billboard 200 Chart, becoming their second Gold album.
American Recordings, LLC/Universal Music Enterprises, 1988/2013/2023 (B0018856-01). Made in USA. Pressed in Canada. 180 gram vinyl.


Tracklist:

Side 1
1. South Of Heaven 4:58
2. Silent Scream 3:06
3. Live Undead 3:50
4. Behind The Crooked Cross 3:14
5. Mandatory Suicide 4:05

Side 2
1. Ghosts Of War 3:53
2. Read Between The Lies 3:20
3. Cleanse The Soul 3:02
4. Dissident Aggressor (Judas Priest cover) 2:35
5. Spill The Blood 4:51

Total playing time: 34:54 min.

The first official re-release of the seventh full-length studio album by legendary American Thrash Metal band.
This album is a compilation of cover songs on various Punk Rock bands, plus three original songs. Jeff Hanneman has used two songs (in the style of Punk) which he wrote in 1984 and 1985 for a stillborn side project Pap Smear, while Kerry King and Tom Araya wrote the only one original track called "Gemini".
Given Slayer's Huntington Beach, CA, homeland, the Hardcore roots are plain enough. But HB is also a big Metal town, and these cats as youngsters were exposed to everything from Motörhead to Black Sabbath and the early L.A. Metal scene. True to their course, however, they've never sounded like anyone but themselves. Even on a collection of covers (with a pair of originals thrown in to boot), the Slayer imprint is unmistakable, and while taking a breather from fresh ideas on their own projects, this disc sounds like the band members were having a blast if not exactly breaking new ground.
"Undisputed Attitude" climbed to 34th position on the Billboard 200.
Vinyl Edition includes bonus song, a G.B.H. cover.
American Recordings, LCC/Universal Music Enterprises, a division of UMG Recordings Inc., 1996/2010/2013 (B0018986-01). Made in USA.


Tracklist:

Side A
1. Disintegration / Free Money (Verbal Abuse cover) 1:41
2. Verbal Abuse / Leeches (Verbal Abuse cover) 1:57
3. Abolish Government / Superficial Love (T.S.O.L. cover) 1:47
4. Can't Stand You (by Jeff Hahnemann for Pap Smear; never released before) 1:27
5. Ddamm (by Jeff Hahnemann for Pap Smear; never released before) 1:01
6. Guilty Of Being White (Minor Threat cover) 1:06
7. I Hate You (Verbal Abuse cover) 2:16
8. Filler / I Don't Want To Hear It (Minor Threat cover) 2:28
9. Spiritual Law (D.I. cover) 2:59

Side B
1. Sick Boy (G.B.H. cover) 2:14
2. Mr. Freeze (Dr. Know cover) 2:23
3. Violent Pacification (D.R.I. cover) 2:37
4. Richard Hung Himself (D.I. cover) 3:21
5. I'm Gonna Be Your God (The Stooges cover, with different lyrics) 2:58
6. Gemini (new track) 4:53
Total playing time: 35:08 min.

The first American re-release of the eleventh full-length studio album by legendary American Thrash Metal band.
Released through American Recordings and Sony Music on November 3, 2009, the album was produced by Greg Fidelman and executive produced by Rick Rubin. It is the band's only album produced by Greg Fidelman. Furthermore, it is the band's first studio album to be played in E-flat tuning since “Divine Intervention”.
"Hate Worldwide" and "World Painted Blood" were both nominated for Best Metal Performance at the 53rd Grammy Awards, and the album peaked number two on the US Top Hard Rock Albums chart, as well as twelve on the Billboard 200 and 41 on the United Kingdom album chart.
Released with “Northern Atlantic” cover picture – one of four different cover versions of the album.
American Recordings, LLC/Universal Music Enterprises, 2009/2013/2023 (B0018857-01). Made in the USA. Re-press 2023.


Tracklist:

Side One
1. World Painted Blood 3:09
2. Unit 731 5:53
3. Snuff 2:39
4. Beauty Through Order 3:42
5. Hate Worldwide 4:36

Side Two
1. Public Display Of Dismemberment 2:52
2. Human Strain 2:34
3. Americon 3:22
4. Psychopathy Red 2:26
5. Playing With Dolls 4:13
6. Not Of This God 4:20

The eighth full-length studio album by legendary American Nu Metal band.
The band's final album released through Roadrunner, with whom the band signed with in 1998. The album dedicated to co-founder and former drummer Joey Jordison, who died in his sleep in July 2021. At a length of 57 minutes and 31 seconds, "The End, So Far" is the band's shortest studio album to date.
"The End, So Far" debuted within the top ten in over ten countries worldwide, including peaks at the summit in several countries including Australia, Germany, Greece, Mexico, Switzerland and the United Kingdom. In the United States, the album debuted at number 2 on the Billboard 200, the first album of theirs not to debut at the summit since 2004's "Vol. 3: (The Subliminal Verses)" while selling 59000 copies in the first week with 50500 coming from pure sales. In the UK, the album outsold the reissue of George Michael's "Older" by 340 units after trailing to it in the midweek chart update, claiming the band its third number-one on the UK Albums Chart following 2001's "Iowa" and 2019's predecessor "We Are Not Your Kind". It sold a total of 14068 copies, 12083 of which came from pure sales while also collecting an additional 2005 album-equivalent units from streaming.
Due to miscommunication, the first press of vinyl and cassette versions are mistakenly titled "The End For Now..." instead of The End, So Far. Some copies received a sticker with the correct album name. Furthermore, track 2 is titled "Dying Song" instead of "The Dying Song (Time To Sing)" and track 5 is titled "Hivemind" instead of "Hive Mind".
Limited Edition double Neon Yellow Vinyl in gatefold cover.
Roadrunner Records, 2022 (075678637834). Made in Czech Republic for the world. 45 RPM. The original first press release, with incorrect album title, and sticker with corrected title on it.


Tracklist:

Side A
1. Adderall 5:40
2. The Dying Song (Time To Sing) 3:24
3. The Chapeltown Rag 4:49
Side B
4. Yen 4:44
5. Hive Mind 5:16
6. Warranty 3:51
Running time: 27:44    min.

Side C
7. Medicine For The Dead 6:16
8. Acidic 4:51
9. Heirloom 3:31
Side D
10. H377 4:23
11. De Sade 5:40
12. Finale 5:07
Running time: 29:48 min.

Total playing time: 57:32 min.

The first re-release of the seventh full-length studio album by legendary American Nu Metal band.
"We Are Not Your Kind" sees a confidant and apoplectic Slipknot in full command of their craft, delivering a searing 14-track set that's as versatile as it is observant of Nu-Metal's architectural truisms. Far removed from the desultory aggro-Metal being dished out by veteran contemporaries like Saliva and Limp Bizkit, "We Are Not Your Kind" bristles with both intent and imagination. Corey Taylor and company have weathered their fair share of personal and professional woes over the years -- overdose, divorce, line-up changes, and lawsuits, not to mention an increasingly mercurial musical landscape -- but they have consistently managed to turn misfortune into grist for the sonic mill.
"We Are Not Your Kind" opened at the top ten on more than 20 album charts, debuting atop about 10 (including Australian, Belgian, Canadian, Finnish, Irish, Portuguese, Spanish, British, and American charts). The album debuted atop the US Billboard 200 with 118 000 album-equivalent units, including 102 000 pure album sales, becoming Slipknot's third consecutive album to reach the country's summit after "All Hope Is Gone" and ".5: The Gray Chapter". The album debuted at number one on the UK Albums Chart, preventing Ed Sheeran's No.6 "Collaborations Project" from getting a fifth consecutive week at the top spot by selling 31 800 units in its first week, including 25 500 physical copies. This would give the band its first UK number one since 2001's "Iowa".
Limited Edition double Light Blue vinyl.
Roadrunner Records, 2019/2022 (075678645761). Made in Czech.


Tracklist:

Side A
1. Insert Coin 1:39
2. Unsainted 4:20
3. Birth Of The Cruel 4:35
4. Death Because Of Death 1:20
5. Nero Forte 5:15
Side B
6. Critical Darling 6:25
7. A Liar's Funeral 5:27
8. Red Flag 4:11
Running time: 33:12 min.

Side C
9. What's Next 0:53
10. Spiders 4:03
11. Orphan 6:01
12. My Pain 6:48
Side D
13. Not Long For This World 6:35
14. Solway Firth 5:57
Running time: 30:17 min.

Total playing time: 63:29 min.

The second compilation album by legendary British Pop/Glam Rock band.
Released in April 1977, it contains all eight of the band's Singles up to that date. All but one of the tracks ("Back to Bradford") were written by Nicky Chinn and Mike Chapman.
The album was a commercial success throughout Europe. It reached No. 6 in the UK Albums Chart, spending five months there and ultimately gaining a Silver status in Britain. The record topped the charts in several European countries, including Germany, Austria, Sweden, and Norway.
Glossy laminated cover.
RAK Records Ltd./EMI Records Ltd., 1977 (SRAK 526 | OC 062 - 98 751). Made in UK. First press Used (cover/disc): EX+/VG+.


Tracklist:

Side One
1. Lay Back In The Arms Of Someone 4:07
2. Something´s Been Making Me Blue 3:00
3. If You Think You Know How To Love Me 3:26
4. Pass It Around 3:07
5. I'll Meet You At Midnight 3:16

Side Two
1. Living Next Door To Alice 3:27
2. Changing All The Time 3:24
3. Don't Play Your Rock´n Roll To Me 3:17
4. Back To Bradford 2:42
5. Wild Wild Angels 3:36

Total playing time: 33:22 min.

The second compilation album by legendary British Pop/Glam Rock band.
Released in April 1977, it contains all eight of the band's Singles up to that date. All but one of the tracks ("Back to Bradford") were written by Nicky Chinn and Mike Chapman.
The album was a commercial success throughout Europe. It reached No. 6 in the UK Albums Chart, spending five months there and ultimately gaining a Silver status in Britain. The record topped the charts in several European countries, including Germany, Austria, Sweden, and Norway.
RAK Records Ltd./EMI Electrola GmbH, 1977 (1C 064-98 751). Made in Germany. First press. Used (cover/disc): EX/EX-.

Tracklist:

Side One
1. Lay Back In The Arms Of Someone 4:07
2. Something´s Been Making Me Blue 3:00
3. If You Think You Know How To Love Me 3:26
4. Pass It Around 3:07
5. I'll Meet You At Midnight 3:16

Side Two
1. Living Next Door To Alice 3:27
2. Changing All The Time 3:24
3. Don't Play Your Rock´n Roll To Me 3:17
4. Back To Bradford 2:42
5. Wild Wild Angels 3:36

Total playing time: 33:22 min.

The Soviet Edition of the second compilation album by legendary British Pop/Glam Rock band.
Released in April 1977, it contains all eight of the band's Singles up to that date. All but one of the tracks ("Back to Bradford") were written by Nicky Chinn and Mike Chapman.
The album was a commercial success throughout Europe. It reached No. 6 in the UK Albums Chart, spending five months there and ultimately gaining a Silver status in Britain. The record topped the charts in several European countries, including Germany, Austria, Sweden, and Norway.
Melodija, 1977/1986 (C 60-14413-14). Made in USSR. Used (cover/disc): VG+/NM.


Tracklist:

Side One
1. Lay Back In The Arms Of Someone 4:07
2. Something´s Been Making Me Blue 3:00
3. If You Think You Know How To Love Me 3:26
4. Pass It Around 3:07
5. I'll Meet You At Midnight 3:16

Side Two
1. Living Next Door To Alice 3:27
2. Changing All The Time 3:24
3. Don't Play Your Rock´n Roll To Me 3:17
4. Back To Bradford 2:42
5. Wild Wild Angels 3:36

Total playing time: 33:22 min.