VINYL

The first re-release of the second full-length studio album by cult French Heavy Metal band.
A veritable dust storm of dual guitar riffs and solos for fans of Motörhead!
35th Anniversary reissue. Strictly limited to 200 copies, Transparent Red & Black Mixed Vinyl.
Season Of Mist, 1985/2020 (SOM 477LPCM). Made in France.


Tracklist:

Face A
1. Blueberry Blues 3:41
2. Richard 4:46
3. Sur La Route 5:27
4. Comme Des Chiens 3:22
5. Fuck The Polices 3:33

Face B
1. Sweet Lorraine 3:56
2. Le Verre De Trop 3:36
3. Si Tu Bas De L'Aile 6:29
4. Pour Un Soir 3:07
5. Soldat 4:16

Total playing time: 42:13 min.


Samples: https://vulcain.bandcamp.com

The ninth and the final full-length studio album by cult French Heavy Metal band.
As one of the longest running and most revered names on the French Heavy Metal and Hard Rock scene, Vulcain has always been and will always be a household name. Since their inception in the early ‘80s, Vulcain have been quite rightly dubbed as the "French Motörhead", but their music encompasses many more influences.
After 30 years of Rock 'n' Roll and 13 records so far, Vulcain are feeling more energetic than ever. The band’s latest full-length shows to the Hard Rock scene that Vulcain are still on top of their game.
Strictly limited to 400 copies, Gold Vinyl.
Season Of Mist, 2018 (SOM 484LPCG). Made in France. First press.


Tracklist:

Face A
1. Vinyle 2:43
2. Héros 3:14
3. Backline Music 3:44
4. Darling 3:40
5. Decibels 4:44

Face B
1. Dans Les Livres 2:36
2. L'oseille 3:11
3. Borderline 3:30
4. Controle 3:18
5. Motor 3:40

Total playing time: 34:20 min.



Samples: https://vulcain.bandcamp.com

The best of Wolfgang Amadeus Mozart 1756 – 1791.
Parlophone Records Limited, 2021 (0190296514838). Made in Germany.


Tracklist:

Side A
1. Symphony No. 40 In G Minor, K. 550: I. Molto Allegro 6:41
2. Clarinet Concerto In A Major, K. 622: II. Adagio 6:39
3. Piano Concerto No. 21 In C Major, K. 467: II. Andante 5:19
4. Le Nozze Di Figaro, K. 492, Act 1: “Non Più Andrai, Farfallone Amoroso” 3:40
5. Requiem In D Minor, K. 626: VIII. Lacrimosa (Compl. Beyer) 2:58
6. Le Nozze Di Figaro, K. 492, Act 2: “Voi, Che Sapete Che Cosa È Amor” 2:56

Side B
1. Requiem In D Minor, K. 626: Introitus 4:19
2. Così Fan Tutte, K. 588, Act 1: “Soave Sia Il Vento” 3:01
3. Symphony No. 25 In G Minor, K. 183: I. Allegro Con Brio (Excerpt) 4:45
4. Don Giovanni, K. 527, Act 1: “Finch'han Dal Vino” 1:17
5. Piano Sonata No. 16 In C Major, K. 545 “Semplice”: I. Allegro 3:08
6. Eine Kleine Nachtmusik, K. 525: II. Romance. Andante 5:45
7. Piano Sonata No. 11 In A Major, K. 331 “Alla Turca”: III. Allegretto 3:29
8. Die Zauberflöte, K. 620, Act II: “Der Hölle Rache” 2:59

Total playing time: 56 min.

The third re-release of the third full-length studio album by legendary American Heavy/Glam Metal band.
The band's first album to feature singer and bandleader Blackie Lawless playing guitar, having switched from bass to rhythm guitar. While Lawless was the band's main leader and songwriter from the beginning, he had even more of a say in the musical direction by switching to rhythm guitar from bass when original guitarist Randy Piper exited the band (ex-King Kobra member Johnny Rod joined on bass).
Blackie Lawless launched W.A.S.P. on the unsuspecting world in 1983 and before long tales of their outrageous music and intense stage shows were legendary. By the time, W.A.S.P. released their third studio album, "Inside The Electric Circus", in 1986, their none-more-decadent drive towards world domination was surging forward at full power. Travelling the world and behaving in the most debauched Rock'n'Roll manner imaginable and as a result, their lives had turned into an insane and unreal travelling circus, and thus the title for the band's third full-length was born.
The album contains the vicious, raging power they had become known for, with tracks "9.5 - N.A.S.T.Y." and "Shoot From the Hip", and also a display of their matured and thoughtful side. Covers of Humble Pie's "I Don't Need No Doctor" and Uriah Heep's "Easy Livin'" proved there was more to W.A.S.P.'s classic LA Metal sound, and the monumental "Restless Gypsy" and anthemic "The Rock Rolls On" added accessibility to their sound without sacrificing one iota of attitude or aggression.
"Inside The Electric Circus" reached No. 60 on the US Billboard 200 chart, where it remained for 19 weeks.
The creative pinnacle from W.A.S.P.'s early years!
180 gram Blue Transparent Vinyl with printed inner sleeve.
Sanctuary Management Productions Ltd./Snapper Music Plc./Madfish, 1986/2012 (SMALP975). Made in Germany.


Tracklist:

Side One
1. The Big Welcome 1:23
2. Inside The Electric Circus 3:34
3. I Don't Need No Doctor (Humble Pie cover) 3:27
4. 9.5.-N.A.S.T.Y. 4:49
5. Restless Gypsy 5:00
6. Shoot From The Hip 4:39

Side Two
1. I'm Alive 4:23
2. Easy Living (Uriah Heep cover) 3:13
3. Sweet Cheetah 5:17
4. Mantronic 4:11
5. King Of Sodom And Gomorrah 3:51
6. The Rock Rolls On 3:52

Total playing time: 47:39 min.

The second re-release of the fourth full-length studio album by legendary American Heavy/Glam Metal band.
The last album W.A.S.P. released before their temporary breakup in 1990, only to reunite two years later for "The Crimson Idol" (1992). "The Headless Children" was the first W.A.S.P. album to feature ex-Quiet Riot drummer Frankie Banali and the last studio album to feature guitarist Chris Holmes for six years until he rejoined the band in late 1995 to record "Kill Fuck Die". This is also the band's last album to feature bassist Johnny Rod. In 1990, following departures of Holmes and Rod, W.A.S.P. decided to call it quits, but resurfaced about a year later, with only lead singer/bassist Blackie Lawless and Banali remaining; this was because their next album, "The Crimson Idol", was originally intended to be a solo album by Lawless, until he agreed to release it under the W.A.S.P. name.
"The Headless Children" showcases a new level of maturity from the band compared to their previous three albums, which had stereotypically lewd "Rock and Roll" lyrics. Politics and social issues are now a theme throughout the album. With the band concentrating more on the music than the gimmicks (they were pictured sans ghoulish makeup and costumes), "The Headless Children" remains W.A.S.P.'s most accomplished work. The album's best-known tracks remain their cover of the Who's "Quadrophenia" anthem "The Real Me" and the rocking "Mean Man" (an autobiographical tale about guitarist Holmes), while a pair of epics ("The Heretic" and the title track) and perhaps W.A.S.P.'s best ballad, "Forever Free," were also standouts. While long-time fans may prefer the gross-out Heavy Metal of their early albums ("W.A.S.P." and "The Last Command"), "The Headless Children" is their most well-constructed album.
The album reached No. 48 on the US Billboard 200 chart, the band's highest chart position, and remained on that chart for 13 weeks.
180 gram Clear Vinyl with printed inner sleeve.
Sanctuary Management Productions Ltd./Snapper Music Plc./Madfish, 1989/2012 (SMALP974). Made in Germany.



Tracklist:

Side One
1. The Heretic (The Lost Child) 7:22
2. The Real Me (The Who cover) 3:20
3. The Headless Children 5:46
4. Thunderhead 6:49

Side Two
5. Mean Man 4:47
6. The Neutron Bomber 4:09
7. Mephisto Waltz 1:28
8. Forever Free 5:08
9. Maneater 4:45
10. Rebel In The F.D.G. 5:07

Total playing time: 48:41 min.



Samples: https://madfishmusic.bandcamp.com

The third re-release of the second full-length studio album by legendary American Heavy/Glam Metal band.
On W.A.S.P.'s sophomore effort the band hired Quiet Riot producer Spencer Proffer to man the boards, resulting in a slightly more accessible sound than their rugged self-titled debut. Although the album wasn't the massive commercial breakthrough the band had hoped for, it resulted in their second Gold-certified release in a row as they became one of the more popular Metal bands of the mid-'80s (touring heavily with the likes of Kiss, Black Sabbath and Iron Maiden). Blackie Lawless' lyrics still relied heavily on sexual fantasies ("Sex Drive"), as well as tales of revenge ("Ballcrusher", "Jack Action"), and children of the street ("Running Wild in the Streets").
The album's two singles/videos proved popular on MTV's Heavy Metal-oriented shows - the party-hearty "Blind in Texas" and "Wild Child", the latter a tale of a Harley-riding free spirit.
The album made No. 47 on Billboard's top 200 album chart in early 1986. It also sold over 1000000 copies.
180 gram Yellow Transparent Vinyl with printed inner sleeve.
Sanctuary Management Productions Ltd./Snapper Music Plc./Madfish, 1985/2012 (SMALP967). Made in Germany.


Tracklist:

Side One
1. Wild Child 05:12
2. Ballcrusher 03:25
3. Fistful Of Diamonds 04:16
4. Jack Action 04:17
5. Widowmaker 05:20

Side Two
1. Blind In Texas 04:20
2. Cries In The Night 03:41
3. The Last Command 04:10
4. Running Wild In The Streets 03:31
5. Sex Drive 03:02

Total playing time: 41:14 min.



Samples: https://madfishmusic.bandcamp.com

The fifteenth full-length studio album by legendary American Heavy/Glam Metal band.
The first W.A.S.P.'s studio album since "Babylon" (2009), marking the longest gap between two studio albums in their career. "Golgotha" is also W.A.S.P.'s last studio album with drummer Mike Dupke, who left the band just prior to its release.
"Golgotha", the place where Jesus was crucified, follows in the vein of 2009’s "Babylon" with its horror stories of the bible, taking Metal to the next level in a ’70s and ’80s Rock operatic way. W.A.S.P. has delivered in spades on their six-year studio hiatus with "Golgotha", to continue "Babylon"’s thought-provoking, bible-themed Horror storyline, but with passion, reverence, and an ends to come through their eyes.
While the days of the Shock Metal are long gone with this band, their sound overall hasn't changed much since the '80s. Blackie's commanding pipes are still in fine form. "Golgotha" is a pretty solid album. If it's the highly melodic Metal anthems from Blackie Lawless & Co. you crave, this album won't disappoint!
Strictly Limited Edition 180g Double Black Vinyl in gatefold cover.
Napalm Records Handels GmbH, 2015 (NPR 600 Vinyl). Made in Austria. Pressed in Germany. First press.


Tracklist:

Side A
1. Scream 4:55
2. Last Runaway 5:20
3. Shotgun 6:07
Side B
4. Miss You 7:41
5. Fallen Under 4:56
Playing time:     28:59 min.

Side C
1. Slaves Of The New World Order 7:44
2. Eyes Of My Maker 5:00
Side D
3. Hero Of The World 4:51
4. Golgotha 7:37
Playing time: 25:12 min.

Total playing time: 54:11 min.

The first re-release of the second single by legendary American Heavy/Glam Metal band.
It was the first Single from self-titled debut album of the band.
Ranking at #84 in VH1's 100 Greatest Hard Rock Songs, this single is backed with the incendiary 'Tormentor' as on the original release. Strictly limited to 1000 copies for Records Store Day 2022.
Madfish, 1984/2022 (SMALP1217). Made in UK. Pressed in Czech.


Tracklist:

Side A
1. I Wanna Be Somebody 03:43

Side B
2. Tormentor (from the movie “Ragewars”) 03:36

Total playing time: 07:19 min.

The third full-length studio album by legendary American Heavy/Glam Metal band.
The band's first album to feature singer and bandleader Blackie Lawless playing guitar, having switched from bass to rhythm guitar. While Lawless was the band's main leader and songwriter from the beginning, he had even more of a say in the musical direction by switching to rhythm guitar from bass when original guitarist Randy Piper exited the band (ex-King Kobra member Johnny Rod joined on bass).
Blackie Lawless launched W.A.S.P. on the unsuspecting world in 1983 and before long tales of their outrageous music and intense stage shows were legendary. By the time, W.A.S.P. released their third studio album, "Inside The Electric Circus", in 1986, their none-more-decadent drive towards world domination was surging forward at full power. Travelling the world and behaving in the most debauched Rock'n'Roll manner imaginable and as a result, their lives had turned into an insane and unreal travelling circus, and thus the title for the band's third full-length was born.
The album contains the vicious, raging power they had become known for, with tracks "9.5 - N.A.S.T.Y." and "Shoot From the Hip", and also a display of their matured and thoughtful side. Covers of Humble Pie's "I Don't Need No Doctor" and Uriah Heep's "Easy Livin'" proved there was more to W.A.S.P.'s classic LA Metal sound, and the monumental "Restless Gypsy" and anthemic "The Rock Rolls On" added accessibility to their sound without sacrificing one iota of attitude or aggression.
"Inside The Electric Circus" reached No. 60 on the US Billboard 200 chart, where it remained for 19 weeks.
The creative pinnacle from W.A.S.P.'s early years!
Capitol Records, 1986 (ST-12531). Made in USA. First press. Used (cover/disc): EX/NM. Hole cut on the right up corner.


Tracklist:

Side One
1. The Big Welcome 1:13
2. Inside The Electric Circus 3:45
3. I Don't Need No Doctor (Humble Pie cover) 3:28
4. 9.5.-N.A.S.T.Y. 4:50
5. Restless Gypsy 5:02
6. Shoot From The Hip 4:43

Side Two
1. I'm Alive 4:24
2. Easy Living (Uriah Heep cover) 3:12
3. Sweet Cheetah 5:20
4. Mantronic 4:10
5. King Of Sodom And Gomorrah 3:50
6. The Rock Rolls On 3:56

Total playing time: 47:53 min.

The eighth Single by legendary American Heavy/Glam Metal band.
Title song recorded live at Long Beach Arena, March 1987.
Sanctuary Productions Inc./Music For Nations, 1988 (12 KUT 109). Made in UK. First press. OIS. 45 RPM. Used (cover/disc): VG/EX+.
 

Tracklist:

Side A
1. Animal (F**K Like A Beast) (Live) 5:30

Side B
1. Animal (F**K Like A Beast) 3:05
2. D. B. Blues 3:17

Total playing time: 11:52 min.
 

The fourth full-length studio album by legendary American Heavy/Glam Metal band.
The last album W.A.S.P. released before their temporary breakup in 1990, only to reunite two years later for "The Crimson Idol" (1992). "The Headless Children" was the first W.A.S.P. album to feature ex-Quiet Riot drummer Frankie Banali and the last studio album to feature guitarist Chris Holmes for six years until he rejoined the band in late 1995 to record "Kill Fuck Die". This is also the band's last album to feature bassist Johnny Rod. In 1990, following departures of Holmes and Rod, W.A.S.P. decided to call it quits, but resurfaced about a year later, with only lead singer/bassist Blackie Lawless and Banali remaining; this was because their next album, "The Crimson Idol", was originally intended to be a solo album by Lawless, until he agreed to release it under the W.A.S.P. name.
"The Headless Children" showcases a new level of maturity from the band compared to their previous three albums, which had stereotypically lewd "Rock and Roll" lyrics. Politics and social issues are now a theme throughout the album. With the band concentrating more on the music than the gimmicks (they were pictured sans ghoulish makeup and costumes), "The Headless Children" remains W.A.S.P.'s most accomplished work. The album's best-known tracks remain their cover of the Who's "Quadrophenia" anthem "The Real Me" and the rocking "Mean Man" (an autobiographical tale about guitarist Holmes), while a pair of epics ("The Heretic" and the title track) and perhaps W.A.S.P.'s best ballad, "Forever Free," were also standouts. While long-time fans may prefer the gross-out Heavy Metal of their early albums ("W.A.S.P." and "The Last Command"), "The Headless Children" is their most well-constructed album.
The album reached No. 48 on the US Billboard 200 chart, the band's highest chart position, and remained on that chart for 13 weeks.
Capitol Records/Jugoton, 1989 (LP-7-1-F 2 02051 5). Made in Yugoslavia. First press. OIS. Used (cover/disc): EX/EX+.


Tracklist:

Side One
1. The Heretic (The Lost Child) 7:23
2. The Real Me (The Who cover) 3:20
3. The Headless Children 5:56
4. Thunderhead 6:50

Side Two
5. Mean Man 4:57
6. The Neutron Bomber 4:07
7. Mephisto Waltz 1:24
8. Forever Free 5:11
9. Maneater 4:47
10. Rebel In The F.D.G. 5:07

Total playing time: 48:41 min.


Samples: www.madfishmusic.bandcamp.com

The second full-length studio album by legendary American Heavy/Glam Metal band.
On W.A.S.P.'s sophomore effort the band hired Quiet Riot producer Spencer Proffer to man the boards, resulting in a slightly more accessible sound than their rugged self-titled debut. Although the album wasn't the massive commercial breakthrough the band had hoped for, it resulted in their second Gold-certified release in a row as they became one of the more popular Metal bands of the mid-'80s (touring heavily with the likes of Kiss, Black Sabbath and Iron Maiden). Blackie Lawless' lyrics still relied heavily on sexual fantasies ("Sex Drive"), as well as tales of revenge ("Ballcrusher", "Jack Action"), and children of the street ("Running Wild in the Streets").
The album's two singles/videos proved popular on MTV's Heavy Metal-oriented shows - the party-hearty "Blind in Texas" and "Wild Child", the latter a tale of a Harley-riding free spirit.
The album made No. 47 on Billboard's top 200 album chart in early 1986. It also sold over 1000000 copies.
Capitol Records Inc./Fame, 1985/1989 (FA 3218). Made in UK. Second press. Insert. Used (cover/disc): EX+/NM-.


Tracklist:

Side One
1. Wild Child 05:10
2. Ballcrusher 03:25
3. Fistful Of Diamonds 04:16
4. Jack Action 04:15
5. Widowmaker 05:16

Side Two
1. Blind In Texas 04:20
2. Cries In The Night 03:43
3. The Last Command 04:10
4. Running Wild In The Streets 03:30
5. Sex Drive 03:02

Total playing time: 41:14 min.

Samples: www.madfishmusic.bandcamp.com

Second re-release of the debut full-length studio album by legendary American Heavy/Glam Metal band.
With Glam Rock making a comeback of sorts in 1984 (Mötley Crüe, Ratt, etc.), another Los Angeles band, W.A.S.P., couldn't have picked a better time to release its self-titled debut.
By merging lyrics that dealt with the expected Heavy Metal themes (sex, Satanism, etc.), alongside Blackie Lawless' rough vocals and Chris Holmes' guitar riffing, the band sounded and looked more menacing than your average L.A. Glam band at the time. Add to it a stage show that was gimmick-heavy (Lawless would drink blood from a skull and rip open a pillow, while wearing buttless leather pants and saw blades on his arms), and you had a "can't miss" recipe for controversy and publicity - resulting in the debut's eventual Gold certification.
The album has been known under three different names; the spine of the original vinyl release had "Winged Assassins" printed on it, while early cassette releases of the album had the name of the album's first track, "I Wanna Be Somebody", printed in bold letters on the cover. The album is officially entitled simply "W.A.S.P.", which it is typically referred to as.
Upon its original release, controversial track "Animal (Fuck Like a Beast)" was deleted from the album. The Parents Music Resource Center had labelled the song as one of its "Filthy Fifteen" songs that determined to be morally objectionable. Capitol Records subsequently bowed to pressure and pulled the song. The band released the song on an independent label in the UK as a single in 1984, and it was reinstated on the album's 1998 reissue. The song "Tormentor" was heard in the films "The Dungeonmaster" (1984) and "TerrorVision" (1986).
Traditional 80s Metal of the absolute highest calibre!!
Limited Editions 180g Pink Translucent Vinyl.
Sanctuary Management Production Ltd./Snapper Music/Madfish, 1984/2012 (SMALP966). Made in Germany.


Tracklist:

Side One
1. I Wanna Be Somebody 3:42
2. L.O.V.E. Machine 3:54
3. The Flame 3:40
4. B.A.D. 3:56
5. School Daze 3:35

Side Two
1. Hellion 3:36
2. Sleeping (In The Fire) 3:58
3. On Your Knees 3:48
4. Tormentor 4:16
5. The Torture Never Stops 3:55

Total playing time: 38:20 min.

These dudes know what they are doing and manage to avoid the pitfalls of this limited genre.
The unholy offspring of Suicide Silence, Thy Art Is Murder and Whitechapel!!
180g Green Vinyl.
Arising Empire Records, a division of Nuclear Blast Europe/Cargo Records Germany GmbH, 2016 (NBCLP 3811-1). Made in Germany. First press.


Tracklist:
1. Intro 1:17
2. Pitchblack 3:41
3. Cage 3:24
4. Haunted 3:49
5. Silen 4:08
6. Slaves 3:10
7. Scapegoat 3:52
8. 1110010 3:57
9. The Sinner 3:39
10. Death Pilgrim 5:44

The first re-release of the second full-length studio album by legendary German Heavy Metal band.
This is Warlock's heaviest and most relentless album they recorded. Though capped at the end by the gorgeous power ballad "Catch My Heart," which ranks high amongst Doro's best in a solo capacity, “Hellbound” is all business. It throbs and rolls on a tandem with scattered prog breakdowns and miscellaneous soundbytes, ala "Earthshaker Rock" and various experimental intros on the album. “Hellbound” is hearty and focused, a polished piledriver of Teutonic mayhem kept on a steady equilibrium of shred, mid-tempo jogs and wailing guitar solos.
Limited Edition White Vinyl.
Vertigo/Capitol, a division of Universal Music GmbH, 1985/2021 (00602438511273). Made in Germany.


Tracklist:

Seite 1
1. Hellbound 3:34
2. All Night 4:02
3. Earthshaker Rock 3:20
4. Wrathchild 3:40
5. Down and Out 4:20

Seite 2
6. Out of Control 4:40
7. Time to Die 4:28
8. Shout It Out 4:25
9. Catch My Heart 4:30

Total playing time: 37:28 min.

The third re-release of the debut full-length studio album by legendary German Heavy Metal band.
Originally released by Mausoleum Records, it was re-released by Vertigo Records, which went on to release all future Warlock albums.
Warlock was another of the many female-fronted bands that have recently burst onto the Heavy Metal scene. But after listening to "Burning The Witches", it’s obvious that these Germans are far superior to their American counterparts, such as Hellion and Bitch.
The band was fronted by the beautiful and now legendary Dorothee Pesch. Ms. Pesch’s vocals are equally as stunning as her looks, ranging from the Geddy Lee-like vocals (à la Acid’s Kate) on the album’s excellent opening cut "Sign Of Satan" to the more raunchy Jody Turner-style on "Homicide Rocker".
Musically, the band matches the excellence of their vocalist’s talents, producing a tight often melodic sound which reminds somewhat of that great debut album from Canada’s Reckless (1981).
This album is full of high quality numbers such as "After The Bomb", "Dark Fade", "Metal Racer" and the title track. But they are far more devastating with their more uptempo material like the superb "Hateful Guy".
Warlock's debut album is quite far from where the band reached with "Triumph And Steel", but still gives the listener a quite intense Hard'n'Heavy experience although the production on the album is rather thin as for the sound. Good riffs and some good melodies and harmonies in a good balance. In a way this is rather raw Heavy Metal, but it's the one of the classic albums in history of whole Metal!!
Limited Edition Green Vinyl.
Vertigo/Capitol, a division of Universal Music Group GmbH, 1984/2021 (00602438511297). Made in Germany.


Tracklist:

Side One
1. Sign Of Satan 3:17
2. After The Bomb 3:55
3. Dark Fade 4:14
4. Homicide Rocker 3:16
5. Without You 5:34

Side Two
6. Metal Racer 3:48
7. Burning The Witches 4:24
8. Hateful Guy 3:45
9. Holding Me 4:12

Total playing time: 37:40 min.

The third full-length studio album by legendary German Heavy Metal band.
With Doro at the helm, Warlock put forth an interesting variation on the Sleaze/Glam Metal sound with a fair share of Judas Priest and Accept influences to boot. They started more concentrated upon the riff-oriented style the previous mentioned bands exhibited and didn’t spend too much time trying to write epic sounding ballads or lighter edged rock songs. On this release band began evolving their sound slightly away from that style and towards something a bit more mainstream. “True as Steel” is sort of a mixture of older guard aggressive Heavy Metal and the Glam style that was really growing in prominence at this point in the 80s. You can hear bits and pieces of Dokken, Quiet Riot, and even a little bit of early Riot (pre-Thundersteel). There is a larger emphasis on sing along choruses, much as is the case on the next release “Triumph and Agony”. It still, however, holds onto a good deal of the Speed Metal elements that were heard on “Burning the Witches” and the very heavy “Hellbound”. The resulting mix of styles is a very interesting listen.
This album has their first success outside of Europe, the single "Fight for Rock" charted on Billboard, and the music video for this song was aired on MTV's Headbangers Ball.
Phonogram GmbH/Vertigo, 1986 (830 237-1). Made in Holland. First press. OIS. Used (cover/disc): EX+/NM-.


Tracklist:

Side A
1. Mr. Gold 3:33
2. Fight For Rock 3:06
3. Love In The Danger Zone 4:09
4. Speed Of Sound 3:21
5. Midnite In China 4:30

Side B
6. Vorwärts, All Right! 3:45
7. True As Steel 3:20
8. Lady In A Rock 'n' Roll Hell 3:42
9. Love Song 3:45
10. Igloo On The Moon (Reckless) 3:10
11. T.O.L. 2:20

Total playing time: 34:41 min.

The third full-length studio album by legendary German Heavy Metal band.
With Doro at the helm, Warlock put forth an interesting variation on the Sleaze/Glam Metal sound with a fair share of Judas Priest and Accept influences to boot. They started more concentrated upon the riff-oriented style the previous mentioned bands exhibited and didn’t spend too much time trying to write epic sounding ballads or lighter edged rock songs. On this release band began evolving their sound slightly away from that style and towards something a bit more mainstream. “True as Steel” is sort of a mixture of older guard aggressive Heavy Metal and the Glam style that was really growing in prominence at this point in the 80s. You can hear bits and pieces of Dokken, Quiet Riot, and even a little bit of early Riot (pre-Thundersteel). There is a larger emphasis on sing along choruses, much as is the case on the next release “Triumph and Agony”. It still, however, holds onto a good deal of the Speed Metal elements that were heard on “Burning the Witches” and the very heavy “Hellbound”. The resulting mix of styles is a very interesting listen.
This album has their first success outside of Europe, the single "Fight for Rock" charted on Billboard, and the music video for this song was aired on MTV's Headbangers Ball.
Phonogram GmbH/Vertigo, 1986 (830 237-1). Made in Germany. First press. OIS. Used (cover/disc): EX+/EX.


Tracklist:

Side A
1. Mr. Gold 3:33
2. Fight For Rock 3:06
3. Love In The Danger Zone 4:09
4. Speed Of Sound 3:21
5. Midnite In China 4:30

Side B
6. Vorwärts, All Right! 3:45
7. True As Steel 3:20
8. Lady In A Rock 'n' Roll Hell 3:42
9. Love Song 3:45
10. Igloo On The Moon (Reckless) 3:10
11. T.O.L. 2:20

Total playing time: 34:41 min.

The third full-length studio album by legendary Danish-American Glam Metal band.
Having a lighter sound than previous albums, "Big Game" contains three Singles, which became MTV hits: "Little Fighter", "Radar Love" and "Cry for Freedom". The album quickly went Gold, reaching #19 on The Billboard 200 album chart, #28 in Canada and #47 in the UK. Following the album's release, the band continued touring with Ozzy Osbourne in the US, and later in the fall of 1989 they have their own headline tour in Europe.
Atlantic Recording Corporation, 1989 (7 81969-1). Made in USA. First press. OIS. Used (cover/disc): EX+/VG+.


Tracklist:

Side One
1. Goin' Home Tonight 4:59
2. Dirty Woman 3:27
3. Little Fighter 4:17
4. Broken Home 4:45
5. Baby Be Mine 4:10
6. Living On The Edge 4:48

Side Two
1. Let's Get Crazy 4:45   
2. Don't Say It's Over 4:11
3. If My Mind Is Evil 4:52    
4. Radar Love 6:02
5. Cry For Freedom 5:45

Total playing time: 51:16 min.

The third full-length studio album by legendary American Glam Metal band.
Having a lighter sound than previous albums, "Big Game" contains three Singles, which became MTV hits: "Little Fighter", "Radar Love" and "Cry for Freedom". The album quickly went Gold, reaching #19 on The Billboard 200 album chart, #28 in Canada and #47 in the UK. Following the album's release, the band continued touring with Ozzy Osbourne in the US, and later in the fall of 1989 they have their own headline tour in Europe.
Limited Edition release includes huge A1 Poster.
Atlantic Recording Corporation/WEA Music GmbH, 1989 (UK: WX 277 / 781 969-1). Made in Germany. First press. OIS. Poster. Used (cover/poster/disc): EX+/NM/NM.


Tracklist:

Side One
1. Goin' Home Tonight 4:59
2. Dirty Woman 3:27
3. Little Fighter 4:17
4. Broken Home 4:45
5. Baby Be Mine 4:10
6. Living On The Edge 4:48

Side Two
1. Let's Get Crazy 4:45   
2. Don't Say It's Over 4:11
3. If My Mind Is Evil 4:52    
4. Radar Love 6:02
5. Cry For Freedom 5:45

Total playing time: 51:16 min.