MUSIC

The fourth full-length studio album by Australian Experimental/Avant-garde/Noise/Ambient Doom Metal band.
Mekigah is a unique act, and you can take something different from it every time and whatever mood you are in.
'Autexousious' is a long-lost word and means exercising or possessing free will. It is also the cryptic title of Australian extreme music artist Vis Ortis’ fourth album with his acclaimed project, Mekigah, and second album released through the UK extreme music label Aesthetic Death.
Vis began working on these tracks shortly after finishing the "Litost" album. There were a handful of tracks that were in the original "Litost" pool which swam a bit strangely and were ultimately excluded from the final track listing. They formed the beginnings of "Autexousious".
"Autexousious" captures similar feelings and sonic spaces to "Litost", with Mekigah’s signature slow tempo. Harsh, bottom end tones set the scene with Doom-laden soundscapes held together by stripped back drums and bass while guitars spin a whirlwind of random frequencies. These audible hallucinations are recounted by layered nightmarish vocals.
The lyrics are derived from manic, abstract & personal poetry, exploring ugly, impatient & self analytical themes.
Meshed with these words are treated vocals stripped of meaning: a wordless, sound-only entity – a scream for extinction, or perhaps simply release, into the nightmare of noise.
The tracks also includes passages of soundscape noise and off kilter percussion, but overall retain an albeit idiosyncratic and fairly unique song based approach. What this album gives the listener is 9 drawn out, torturously raw songs.
Vis was also honoured to have Tasmanian legend, Paul Weedon, grace the recording as a guest guitarist & vocalist. Another welcome addition on this recording came from Izedis of insane US noise merchants Enbilulugugal, who contributed vocal extremities on a number of tracks.
Rejoining the fold, after having contributed to the first two albums, are c.w (guitars, spoken word) & aldhamme (vocals), both formally of the mighty Australia Black Metal band Erebus Enthroned. Finally, Vis Ortis’ cousin from the UK Swift makes brief noise guitar appearances on a few tracks.
The album was mastered by Greg Chandler (Esoteric) at Priory Studios, UK.
Aesthetic Death, 2017 (ADCD 043). Made in UK. Pressed in Poland. First press


Tracklist:
1. Eroding Will 04:23
2. Autexousious 08:48
3. Fooled Blood 03:17
4. Zmatek 05:31
5. Diminished Responsibility 02:40
6. The Infinite Never 05:53
7. A Vast Abyss 07:22
8. Backpfeifengesicht 10:12
9. Rejection Nostalgia 05:37
Total playing time: 53:45 min.


Samples: https://mekigah.bandcamp.com

The third full-length studio album by Australian Experimental/Avant-garde/Noise/Ambient Doom Metal band.
Mekigah is a unique act, and you can take something different from it every time.
"Litost" it’s like being dragged through a murky nightmare. Constantly distorted, the scene is one ghastly picture after another. The amalgam of sounds includes the Industrial soundscape of Aborym and the like, sinister whistling which are designed to portray the greyest picture and maximum psychological impact. It can be Symphonic, Dark and deadly. The Dark Industrialism and definitive constancy recalls Blut Aus Nord, but there’s no pattern. It’s Ambient Noise, but ranging from Black wildernesses and Funereal melancholy to Symphonically-influenced riots. "Litost" is dreamy Experimental Noise of the obscurest order...
Bold new work of highly original experimental sonic Funeral Doom. Melding Dark Noise and unsettling atmospheres with strains of Symphonic darkness & ultra-slow funeral doom. Layer upon layer of haunting sound perfectly melds Doom, Noise & Ambient genres into a unique experience revealing the subconscious darkness of the human mind.
Think about Australia's In Slaughter Natives meets UK's Esoteric.
Aesthetic Death, 2014 (ADCD 031). Made in UK. First press.


Tracklist:
1. Total Cessation Of One 4:16
2. The Sole Dwelling 6:56
3. Arangutia 7:14
4. By Force Of Breath 4:14
5. Sa Fii Al Dracului 1:46
6. Wurrmbu 6:44
7. Circuitous Revenge 5:12
8. Mokuy 6:54
9. An Overbearing Insanity 2:53
10. Bir'yun 5:47
Total playing time: 51:58 min.


Samples: https://mekigah.bandcamp.com

gothic metal core from Russia
MUSICA Production, 2006 (MP16)


Tracklist: 
1. Кибер поколение
2. Пять
3. Новая религия
4. Free
5. Рай в руке
6. Изнутри
7. Пустота
8. Урод в скорлупе
9. Утро следующего дня
10. Криптокод

The second full-length album by Spanish Heavy/Stoner Metal band.
"I love bastards & liars, shake my fist at poor people, and raise a drink to the man who never cries".
The foursome hail from Tortosa, Spain and play late-70's/early-80's ugly, sweaty, gruff, raw style of Metal, a la Iron Maiden (the early years), Motörhead, etc. The kind Darkthrone have been gravitating towards the last couple years. So while not at all original, it is enjoyably visceral.
Memest are at their best when playing aggressive, fast tunes like "We Love Rats" and the tunes alluded to in my opening. Full throttle, full bottle. The energy is catchy and smile-inducing, even if it induces the kind of smiles that have people back away from you cautiously while they press the 9-1-1 button on their cell phones and hover their trigger finger over "send" just in case.
So if you're looking for a couple new energetic "smash it up" tracks to add to the playlist for your next Heavy Metal Vomit Party, be sure to check these hombres out!!
Discos Macarras/Cosmic Tentacles/Marchalenta Records/Odio Sonoro/Musica Hibrida, 2014 (DM-028-CD/ CT-002/ MLR-007/ ODIO-70/ MHR-014). Made in Spain. First press.


Tracklist:
1. Bastards and Liars 03:49
2. Hills and Abysses 04:15
3. Black Wings 06:19
4. We Love Rats 03:37
5. My Friends 05:32
6. One God 06:30
7. Poor People 03:50
8. The Man Who Never Cries 03:46
Total playing time: 37:38


Samples: https://thememest.bandcamp.com

The fifth full-length album by the Greek Thrash/Power/Speed Metal band.
Memorain delivers oldschool Thrash Metal with a modern touch. The album contains eleven strong songs in a high speed tempo with aggressive and melodic touch, the same time. Taking the finest elements of Thrash and Speed Metal and mix them in an amazing result, and a combination of classic Metal structures crafted with modern elements!
From the first until the last song, "Seven Sacrifices", is characterized by excessive force and slapdash pace, that makes the album must have for all the fans of Thrash Metal!!
Special guest appearances by: David Ellefson (Megadeth), Jed Simon (Strapping Young Lad) and Michael Gilberd (Flotsam And Jetsam)!!!
Total Metal Records, 2013 (TMR016-64). 
 

Tracklist:
1. A Stitch In Time 03:50
2. Worlds Apart 04:20
3. Course Correction 03:18
4. Trust And Blood (feat. Jed Simson from STRAPPING YOUNG LAD) 03:52
5. False Positive 03:39
6. The Hour Of Death 03:29
7. Seven Sacrificies (feat. David Ellefson from MEGADETH) 05:22
8. Blind Spot 03:34
9. Snow Falls 05:32
10. Bad Wolf 04:16
11. We All Fall Down (feat. Michael Gilbert from FLOTSAM AND JETSAM) 05:19
Total playing time: 46:40 min.

 

Fourth full-length album by Greek Thrash/Speed Metal band.
Forged in North America and Greece, Memorain have been around since 2001 and have morphed into an all-star band. They feature Gene Hoglan (Testament, Fear Factory, Strapping Young Lad, Death, Dark Angel), Steve DiGiorgio (Sadus, Death, Control Denied), Ralph Santolla (Deicide, Death), Chris Valagao (Zimmers Hole, The Berzerker, Strapping Young Lad) and founder Ilias Papadakis. "Evolution" is 12 tracks of pounding and punishing pure Thrash Metal mayhem! Composed and produced by Ilias in 2011, the album also includes guest musicians such as David Ellefson (Megadeth), Tim "Ripper" Owens (ex-Judas Priest, ex-Iced Earth), Jeff Waters (Annihilator), and several others!
CD includes an impressive 20-page booklet with song lyrics and band photos.
This album is a musthave for any diehard metalhead!!
Maple Metal Records, 2012 (MMR009). Made in Canada.


Tracklist:
1. Nations On Fire 
2. Wher Hate Lies 
3. The Break 
4. Circle 
5. Misery 
6. Rules Of Engagement 
7. Death Shop 
8. Destiny Found 
9. A New Era 
10. Power Out 
11. Scratching The Surface (5th Hour) 
12. Methods Of The Past


Samples:  http://memorain.bandcamp.com

The fifth full-length album by the Greek Thrash/Power/Speed Metal band.
Memorain delivers oldschool Thrash Metal with a modern touch. The album contains eleven strong songs in a high speed tempo with aggressive and melodic touch, the same time. Taking the finest elements of Thrash and Speed Metal and mix them in an amazing result, and a combination of classic Metal structures crafted with modern elements!
From the first until the last song, "Seven Sacrifices", is characterized by excessive force and slapdash pace, that makes the album must have for all the fans of Thrash Metal!!
Special guest appearances by: David Ellefson (Megadeth), Jed Simon (Strapping Young Lad) and Michael Gilberd (Flotsam And Jetsam)!!!
Release includes 12-pages booklet.
Total Metal Records, 2013 (TMR016-64). Made in Ukraine. First press.
 

Tracklist:
1. A Stitch In Time 03:50
2. Worlds Apart 04:20
3. Course Correction 03:18
4. Trust And Blood (feat. Jed Simson from STRAPPING YOUNG LAD) 03:52
5. False Positive 03:39
6. The Hour Of Death 03:29
7. Seven Sacrificies (feat. David Ellefson from MEGADETH) 05:22
8. Blind Spot 03:34
9. Snow Falls 05:32
10. Bad Wolf 04:16
11. We All Fall Down (feat. Michael Gilbert from FLOTSAM AND JETSAM) 05:19
Total playing time: 46:40 min.

 

The second EP by British Oldschool Death Metal band.
Oldschool Death Metal at its very best from the ex-members of Benediction, Napalm Death and Bolt Thrower!
Track "Drone Strike" is exclusive to this lush collector`s item and was never released before.
B-side offers the demo version of the forthcoming album's track "Surrounded (By Death)", released before as a sampler to November's 2016 issue of Decibel Magazine on flexi disc.
Limited to 2000 copies picture vinyl.
Nuclear Blast, 2017 (NB 3904-5). Made in Germany. First press.


Tracklist:

Side A
1. Drown Strike 05:07

Side B
2. Surrounded (By Death) 03:16

Total playing time: 08:23 min.

Samples: https://willettsio.bandcamp.com

The debut full-length studio album by Italian Heavy/Speed Metal band.
Italy country really got a lot of great new bands. And Menace carries the spirit of the old heroes, like Saxon, Judas Priest or old Anvil!
Superior old-school album!! 100% must-have for every Judas Priest fan!!!
My Graveyard Productions, 2012 (MGP-097). Made in Italy. First press.


Tracklist:
1. Heavy Lethal 2:37
2. She-Spider 4:20
3. Godzilla Raids Again 5:23
4. (665) Hell Neighbour 3:11
5. Crabro Attack 3:25
6. Duke Of Death 4:33
7. Straight To The Grave 3:25
8. Double Trouble 4:09
9. Steel Rain 4:25
Total playing time: 35:30 min.

The debut full-length studio album by Greek Epic Death/Black Metal band.
When someone mentions the term Hellenic Black Metal, many people will immediately think about bands like Rotting Christ or Varathron. The same we can say about this debut. Epic, melodic and fierce Black Metal in perfect Greek tradition and loaded with mythology.  Inspiration is gathered from the rich history of the motherland, including its ancestors and gods.
Musically, you can indeed compare Meneapneontes to bands like Rotting Christ and Varathron, but also with acts like Ancient Rites or Bal-Sagoth.  This is high standard Black Metal with a decent share of melody and atmosphere.  On other occasions, Meneapneontes truly likes speed, intensity and aggression, resulting in punishing passages of Epic Black Metal.  
This album definitely recommended for anyone like his Black Metal epic, melodic and with a huge sense of victory!
Murdher Records/Satanath Records, 2015 (MURDHER015 / SAT133). First press.


Tracklist:
1. Promachos 04:18
2. Molon Lave 04:19
3. Sons of the Greeks 03:57
4. Talos 05:37
5. Eleley 04:59 
6. Alexandros 04:47
7. My Earth My Water 05:06
8. Typhoeus 04:10
9. Omnymi 03:58
10. Raise the Aspis 04:04
11. Roupel 06:04
Total playing time: 51:25 min.


Samples: https://satanath.bandcamp.com

Official release of the second album by German Horror Death/Thrash Metal band.
Originally, the album was self-released by the band in 2009 on CD.
Music from this album used as soundtrack for "The Evil within us", and "The Expressionless" movies.
Cover art by Tom Sullivan (Evil Dead Movies).
Limited Edition to 400 copies Black Vinyl features two bonus tracks from “Untot” demo 2019*.
G.U.C., 2019 (G.U.C. 036-19). Made in Germany. First press.


Tracklist:

Seite A
1. Die Auferstehung 02:12
2. Metzgermeister 03:15
3. Seelenfresser 05:19
4. Der Nachzehrer 06:58

Seite B
5. Fabrik des Todes 03:09
6. Verwertung 00:35
7. Aus meinem Grab 03:08
8. Untot* 05:18
9. Metzgermeister* 03:14
Total playing time: 33:08 min.

Official release of the second album by German Horror Death/Thrash Metal band.
Originally, the album was self-released by the band in 2009 on CD.
Music from this album used as soundtrack for "The Evil within us", and "The Expressionless" movies.
Cover art by Tom Sullivan (Evil Dead Movies).
Limited Edition to 100 copies Clear Vinyl features two bonus tracks from “Untot” demo 2019*.
G.U.C., 2019 (G.U.C. 036-19). Made in Germany. First press.


Tracklist:

Seite A
1. Die Auferstehung 02:12
2. Metzgermeister 03:15
3. Seelenfresser 05:19
4. Der Nachzehrer 06:58

Seite B
5. Fabrik des Todes 03:09
6. Verwertung 00:35
7. Aus meinem Grab 03:08
8. Untot* 05:18
9. Metzgermeister* 03:14
Total playing time: 33:08 min.

The second re-release of the seventh full-length studio album by legendary Danish Heavy Metal band.
Mercyful Fate's last studio album before their twenty-year hiatus from 1999 to 2019.
"9" has a sound far more akin to 80s Thrash Metal than classic Mercyful Fate releases. Furthermore, the songs have been made shorter and much faster, again emitting a strong Thrash Metal vibe. This stylistic change works in favour of "9" and gives it a distinct identity, separating the album from every preceding release.
Although atmosphere has always been a key component of Mercyful Fate releases, no album has ever utilized atmosphere as well as "9" has. The album has the darkest, most disturbing atmosphere of any Mercyful Fate album, arguably even mores than "Don’t Break The Oath" or the band’s self-titled EP. The intense atmosphere found on each and every song derives from the album’s lyrics and production. "9" sees the return of Satanic and occult-themed lyrics, which had been mostly absent since the release of "Time" in 1994. While this style of lyricism was never completely abandoned, the fact that lyrics revolving around demons and Hell are back in full-swing adds another layer of darkness and evil to the album.
Like its predecessor, the sound quality on "9" has been intentionally worsened to achieve an effect, similar to bands of the Black Metal persuasion. As a result, the vocals sound muddy and the guitar tone is distorted and raw. Although the poor production adds to the haunting atmosphere the band was clearly trying to achieve, it nevertheless hurts the overall sound of the band in the long run. The loudness of the guitars often overpower the other instruments, and the muddiness of the vocals make King Diamond sound weaker than ever. In addition, the vocals are typically buried in the background while guitars blare in the foreground, occasionally rendering King Diamond’s vocals completely unintelligible. Luckily, the guitarists end up being the album’s saving grace. Unlike the previous album, Shermann’s riffs never cease to be interesting, and are usually the catchiest parts of every song. Wead’s shredding during guitar solos make songs more intense and compliment Diamond’s shrieks and falsetto wails. Although Mercyful Fate are clearly not at the top of their game during this album, the guitarists are typically able to make up for most of the band’s shortcomings. Although the messy sound quality works well with the songs’ Satanic lyrics, it ends up hurting the album in the long run.
When deciding how they should handle "9", Mercyful Fate most likely found themselves in an awkward place. Keeping their sound the same by sticking to their trite, overused formula would have proved disastrous, as it would have no doubt been a reiteration of "Dead Again", their least successful album. However, a return to form would have been laughable, as Denner was vital to their classic sound and most members of the band have lost most of their former glory. With that being said, "9" was an excellent way of finding middle ground. Despite its shortcomings, the album is a solid effort which proved that Mercyful Fate were still creative masterminds so many years into their career.
180-gram black vinyl includes large two-sided poster.
Metal Blade Records, 1999/2016/2022 (3984-25029-1). Made in Germany. Re-press.


Tracklist:

Side 1
1. Church Of Saint Anne 4:44
2. Last Rites 4:12
3. Hold My Soul 5:04
4. House On the Hill 3:43
5. Burn in Hell 3:49

Side 2
6. The Grave 4:09
7. Insane 3:01
8. Kiss the Demon 3:53
9. Buried Alive 4:41
10. 9 4:29

Total playing time: 41:45 min.



Samples: https://mercyfulfate.bandcamp.com

The first re-release of the sixth full-length studio album by legendary Danish Heavy Metal band.
The album marks the first that Michael Denner is not present on. It also marked a new era for the band, as the production is more muddy and raw, and the guitar tone is more distorted than on the three previous albums. In addition, the album introduced a more complex and arguably Progressive sound to several of its tracks.
Recorded during a frenzy of activity during the late '90s, "Dead Again" was presumably thrown together rather quickly, as Mercyful Fate and King Diamond's solo outfit were both releasing new discs at a furious rate. This schedule had to be most taxing on vocalist Diamond, whose ultra-high-pitch bellowing and novel-length lyrical additions to both of his bands made for a laborious schedule. Joining Diamond on this 1998 Metal Blade release are guitarists Hank Shermann and Mike Wead, drummer Bjarne T. Holm, and bassist Sharlee D'Angelo. Each member turns in solid performances in both the creation and execution of fine riffs and arrangements.
Very catchy and pretty damn heavy, with lots of groovy riffs to it, with a rather surprising ending. Mercyful Fate nor King Diamond have ever put out a bad album, and "Dead Again" conjures enough magic to make it a worthy purchase!
Metal Blade Records, 1998/2018 (3984-14159-2). Made in Germany. Pressed in Austria. Repress.


Tracklist:
1. Torture (1629) 5:03
2. The Night 5:51
3. Since Forever 4:39
4. The Lady Who Cries 4:17
5. Banshee 4:46
6. Mandrake 6:06
7. Sucking Your Blood 4:21
8. Dead Again 13:40
9. Fear 4:16
10. Crossroads 5:40
Total playing time: 58:39 min.



Samples: https://mercyfulfate.bandcamp.com

The third full-length studio album by legendary Danish Heavy Metal band.
Mercyful Fate's first album since their reunion in 1992. After an almost decade-long hiatus, the band's reunion did not disappoint; it was as if they picked up right where they had left off. There are more of King Diamond's gothic tales of horror and the supernatural, and the music sounds better than ever.
The songs here are first-rate; most of them grab your attention in one way or another. But what separates this record from the rest is the numbers of hooks found here. Whether it is a riff, a chorus, or a drum pattern, by the end of the album you'll remember something from it. The album also features awesome production; you can listen to every single note and vocal line the way that the band intended and yet, it doesn't sound overly polished.
Unlike previous Mercyful Fate albums, which were entirely centred around lyrical themes of satanism and the occult, the lyrics on this album are rather focused on more conceptual horror-themes, akin to King Diamond's work with his eponymous band. The band would not return to a primarily occult/satanic lyrical approach until the band's latest album, "9", released in 1999.
This would be the final full-length album Timi Hansen would appear on before his death in 2019. 
Even as the album doesn't have the historical significance of their early 80s material, that doesn't really matter, because this is high-quality material from a veteran band!
The CD features a Bonus Track, "Return of the Vampire… 1993", featuring Lars Ulrich of Metallica on drums – a re-recorded version of the underground classic "Return of the Vampire", present in the homonymous 1992 compilation album.
Metal Blade Records GmbH, 1993/2014 (3984-17020-2). Made in Germany.


Tracklist:
1. Egypt 4:53
2. The Bell Witch 4:34
3. The Old Oak 8:55
4. Shadows 4:43
5. A Gruesome Time 4:31
6. Thirteen Invitations 5:17
7. Room Of Golden Air 3:07
8. Legend Of The Headless Rider 7:43
9. Is That You, Melissa 4:41
10. Return Of The Vampire…1993 5:09
Total playing time: 53:30 min.



Samples: https://mercyfulfate.bandcamp.com

The first compilation album by legendary Danish Heavy Metal band.
"The Beginning" is a compilation of rare early releases by Mercyful Fate, and if you thought "Melissa" and "Don't Break the Oath" were great albums, you need to get this! 
The album, originally released in June 1987, consists of the band's first four-song EP, "Nuns Have No Fun" (released on Rave-On records in 1982), the three-song broadcast of Mercyful Fate live on the BBC, and a B-side from the "Melissa" recording sessions.
What a great idea this was, remastering that legendary EP, adding 3 BBC session tracks to it, a rare single and a raw, early version of "Black Funeral".
Overall, this album is a very worthy purchase for any Mercyful Fate fan, as it shows all the elements of their style honed to perfection and performed with raw, youthful abandon.
Vinyl Replica Black CD in hardcover gatefold sleeve.
Metal Blade Records Inc., 1987/2020 (3984-15701-2). Made in Germany for the world. Pressed in Austria.


Tracklist:
1. Doomed By The Living Dead (from 'Rave-On Sessions') 5:07
2. A Corpse Without Soul (from 'Rave-On Sessions') 6:52
3. Nuns Have No Fun (from 'Rave-On Sessions') 4:17
4. Devil Eyes (from 'Rave-On Sessions') 5:48
5. Curse Of The Pharaohs (from 'BBC Friday Rock Show Sessions') 3:50
6. Evil (from 'BBC Friday Rock Show Sessions') 4:01
7. Satan's Fall (from 'BBC Friday Rock Show Sessions') 10:28
8. Black Masses (from 'Melissa Sessions') 4:30
Total playing time: 45:21 min.


Samples: https://mercyfulfate.bandcamp.com

The debut full-length studio album by Romanian Black/Death Metal band.
Mercy’s Dirge is one of the first Romanian Black Metal bands, formed back in 1991.
As the title suggests, all the songs were recorded live and likely in one take, and that’s actually the biggest pros of this album! Thus, "Live, Raw And Relentless" consists of 11 semi-length-range Black Metal songs. Actually, it is more of a very Raw Black/Death Metal mixture, but it is done in an Old-school manner, from a production to the artwork. Most of the music is very heavily rooted in the mid-80s to early-90s era.
Highly recommended for admirers of Celtic Frost, Atheist, Venom and similar early Black Metal acts!
Loud Rage Music, 2019 (LRM022). Made in Romania. Pressed in Poland. First press.


Tracklist:
1. Remains of Posterity 3:10
2. Foreseeing the Past 6:48
3. Devilish Wish 6:24
4. Another Hell 4:35
5. In the Name of ... 6:31
6. Bewitched 6:34
7. Unholy Doom Creation 4:49
8. Groovin' Terror 5:47
9. Incur Pulpit 4:54
10. Meherath 4:58
11. Senseless Agony 3:19
Total playing time: 57:51 min.

Fifth full-length album by Italian Heavy Metal band.
Active since 1991, this Italian band finally returns with their fifth album, and first since 2005.
Excellent Heavy Metal album with touches of Power/Thrash Metal style. “Paintropy” proves that true Heavy Metal will never die…they even metalize The Cranberries' "Promises"! This is another worthy and priceless release by these aware wolves of wonder!!
Punishment 18 Records, 2013 (P18R 058). Made in Italy. First press.


Tracklist:
1. It Happened Tomorrow 03:52
2. 2.0.3.6. 03:27
3. A Desperate Way Out 05:21
4. Monkey in Sunday Best 05:08
5. Midnight Oil / Within Without 05:33
6. One Door Away 04:29
7. Paintropy 04:22
8. Shadows at the Edge of Perception 04:19
9. Mrs. Judas 03:49
10. You Know I Know 04:50
11. Masterplan 04:29
12. Promises (The Cranberries cover) 05:12
Total playing time: 54:51

The third full-length studio album by international Funeral Doom Metal band.
The third album from Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album, "S", operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for.
There’s quite a bit to like here, as no one does it quite like Mesmur, when it comes to exponentially Atmospheric Doom/Death. A very immersive experience that feels like the death knell of an alien world that we can only grasp partially, in short musical glimpses. An album of both crushing agony, and sublime beauty, of deep melancholy and sorrow. An engaging, absorbing experience, one which is well worth having for any fan of Funeral Doom.
Featuring guest flute and cello performances by Don Zaros (of Evoken) and Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive Doom Metal experience.
Solitude Productions, 2019 (SP. 149-19). First press.


Tracklist:
1. Terra Ishtar 16:51
2. Babylon 11:52
3. Eschaton 12:59
4. Caverns of Edimmu 13:11
Total playing time: 54:55 min.


Samples: 
https://solitudeproductions.bandcamp.com
https://mesmur.bandcamp.com

The debut full-length album by Polish Death/Thrash Metal band.
Ten tracks of traditional Death Metal that are up with changes in the melody and tempo. Good guitar work, leads and hard-hitting drums.
With a thickly produced rhythm section, the guitars churn out aggressively formulated riffs through a Metallic distortion with a Fuzzy edge. It is the rhythm section that really captures the attention, as the bass pulses and thumps the drums are tight and powerful, stamping authority on the music with its intrusive double pedals. Mess Age include lead passages effectively. The musicianship is solid enough to give the music on "Self Convicted" more of an impact than it may have had otherwise. It is reasonably strong material, with well-constructed riffs and an effective element of complexity in the melodic elements.
Vocalist Raaf bellows hoarsely but surprisingly expressively, phrasing the tortured, angry lyrics with a basic but effective style.
Whether or not this is a gratuitous display of boneheaded hostility, Mess Age still succeeds in offering some effective Metalworks. With a general grasp of how to be cold and aggressive, the uncompromising nature of the Thrash-tinged Metal on "Self Convicted" creates many enjoyable and absorbing moments. This is a commendable work that Mess Age should be proud of. Not bad album in all senses!
Nergal of Behemoth appears on the track "Kill The Falsehood"!!
Conquer Records, 2002 (CR004). Made in UK. First press.


Tracklist:
1. Among The Empty Walls 5:02
2. Fulfilled With Nothing 5:13
3. Infected By Deflections 4:48
4 The Existence Door 4:24
5. Cold 4:28
6. Post Scriptum 1:10
7. Devoured With Famished Eyes 3:13
8. The Scarlet Rings 4:44
9. Kill The Falsehood 4:32
10. Waiting For Miracle 3:53
Total playing time: 41:27