CD

The second full-length studio album by American Glam Metal band.
Mother Mercy has been around since about 1993. They have gone through a myriad of lineup changes, and for now, have cemented a crew for long enough to release this CD. Maybe that’s why they don’t always stay in the same genre, but in the end, it’s Metal, and it’s all good!
Mother Mercy wallows in that ‘80s Metal vibe while somehow throwing in a bit of Godsmack right at the end of the album.
Perris Records, 2003 (PER0132). Made in USA. First press.


Tracklist:
1. The Thunder, Perfect Mind 01:13
2. Dancing with the Devil 03:38
3. Waste of Skin 04:04
4. Mercy's Law 04:41
5. Machine Gun 02:29
6. Blood 00:38
7. Creatures of the Night 03:17
8. Devil Child 05:00
9. The Sideshow 00:20
10. Ragman 06:01
11. Little Nikki 03:25
12. Chosen One 03:51
13. Invisible 04:19
14. Don't Bury Me 00:19
15. Kicking n' Screaming (Out of the Grave) 04:29
16. Mercy Killing 03:29
Total playing time: 51:15 min.

The ninth full-length album by the legendary American Heavy/Glam Metal band.
It is the band's first studio album in eight years, and it marks the return of long-time drummer Tommy Lee since 1997's “Generation Swine”.
This is a concept album based off of the bestselling book “The Dirt”, which is the bands autobiography. The themes of the songs go right along with the book and tell tales of drug abuse, partying, getting signed to Elektra, the music industry, and simply f****ng shit up. The band also refunds the sound it helped invent on this album. Gone are the groove inspired tunes of the Crab era and the industrial dabbling of the late 90's. In its place are high octane rockers in the vein of “Dr. Feelgood”. This album is a return to form it sounds modern as well. Also almost every song on the album was co-written by Nikki's band mates in Sixx AM. This is probably what led it to sound more modern but Nikki can do that on his own, he is a master songwriter.
From start to finish this album rocks you to the ground and doesn't let up for a second. This is music to snort coke to, to bang girls to, and to crash your car to! If you’re a Motley fan and you don't enjoy this album from start to finish you just aren't a Motley fan and should go home now!!
Music videos for "Saints of Los Angeles", "Mutherfucker of the Year" and "White Trash Circus" have been made.
“Saints Of Los Angeles” debuted at #4 on the Billboard album charts, selling about 99,000 copies in its first week of release. It also debuted at #14 on the Australian ARIA album charts, #5 in Sweden, #3 in Canada, #47 in Italy and #9 in Finland (although it climbed to #6 in its second week). Though the band's first single, the title track "Saints of Los Angeles", was their second highest charting single in the US mainstream rock charts ever, peaking at number 5, subsequent singles fared less well. "Mutherfucker of the Year" peaked at number 29 and "White Trash Circus" peaked at number 37 on mainstream rock charts.
No doubts, this is the best band’s album to the date!!!
Mötley Records/EMI/Eleven Seven Music, 2008 (ESM/MR 240). Made in Germany. First press.


Tracklist:
1. L.A.M.F. 01:23
2. Face Down in the Dirt 3:44
3. What's It Gonna Take 3:45
4. Down at The Whisky  3:50
5. Saints of Los Angeles 3:40
6. Mutherfucker of the Year 3:55
7. The Animal in Me 4:16
8. Welcome to the Machine 3:00
9. Just Another Psycho 3:36
10. Chicks = Trouble 3:13
11. This Ain't a Love Song 3:25
12. White Trash Circus 2:51
13. Goin' Out Swingin' 3:27
Total playing time: 44:05 min.

Crücial Crüe special edition remastered re-release of the second full-length album by legendary American Heavy/Glam Metal band.
“Shout At The Devil” was band's breakthrough success, bringing them to international attention and establishing Mötley Crüe as one of the top selling Heavy Metal acts of the 1980s. The same time it was a textbook example of Heavy Metal as it existed in the 80s. Song topics included sex, violence, drugs and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair, makeup and tough, violent imagery contributed greatly to the visual aspects of Glam Metal.
"Shout At The Devil" displays Mötley Crüe's sleazy and notorious (yet quite entertaining) Metal at its best. When compared to its predecessor, "Too Fast For Love", one can see that the band's musical range certainly widened over the course of its first two albums; the record features catchy, Hard-Rocking songs, but also includes an instrumental ("God Bless the Children of the Beast") and a powerful cover of the Beatles' "Helter Skelter". While such later albums as "Dr. Feelgood" would achieve a higher amount of critical acclaim, no Mötley Crüe album surpasses the quality of "Shout At The Devil"!
"Looks That Kill" and "Too Young to Fall in Love" became huge hits and "Shout at the Devil" became very popular as well. “Shout At The Devil” is regarded as the heaviest sounding Mötley Crüe album by critics and fans alike. Album was placed at17 position in “The Billboard 200” and awarded 4x Platinum (reaching the four million mark in shipments) on May 15, 1997.
In 2003, the band re-issued their albums on their own label Mötley Records including added bonus tracks from each album's specific era.
Mötley Records/EMI/Eleven Seven Music, 1983/2011 (ESM 311). Made in Germany.


Tracklist:
1.In the Beginning 01:13
2.Shout at the Devil 03:16
3.Looks That Kill 04:07
4.Bastard 02:54
5.God bless the Children of the Beast 01:33
6.Helter Skelter 03:09
7.Red Hot 03:22
8.Too Young to Fall in Love 03:34
9.Knock 'Em Dead, Kid 03:44
10.Ten Seconds to Love 04:17
11.Danger 03:51
Bonus Tracks:
12.Shout at the Devil [Demo] 03:15
13.Looks That Kill [Demo] 05:03
14.Hotter Than Hell [Demo] 02:49
15.I Will Survive 03:19
16.To Young to Fall in Love [Demo] 03:01
Total playing time: 52:28 min.

Crücial Crüe special edition re-release of the third full-length album by the legendary American Heavy/Glam Metal band Mötley Crüe.
Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge, the album marked a step away from the traditional Heavy Metal sound of “Shout at the Devil” towards a more Glam Metal influenced record, in both sound and image. “Theatre of Pain” is dedicated to Hanoi Rocks former member Nicholas "Razzle" Dingley, who was killed in the car crash that resulted in Vince Neil's arrest.
The album reached #6 in the US charts, and #36 in the UK. The album was certified quadruple platinum by the RIAA on June 5, 1995.
Mötley Records/EMI/Eleven Seven Mucic, 1985/2011 (ESM 321). Made in Germany.


Tracklist:
1. City Boy Blues 04:05
2. Smokin' In The Boys Room 03:22
3. Louder Than Hell 02:31
4. Keep Your Eye On The Money 04:31
5. Home Sweet Home 03:55
6. Tonight (We Need A Lover) 03:35
7. Use It Or Lose It 02:38
8. Save Our Souls 04:10
9. Raise Your Hands To Rock 02:49
10. Fight For Your Rights 03:40
Bonus Tracks:
11. Home Sweet Home [Demo Version] 04:23
12. Smokin' In The Boys Room [Alternate Guitar Solo - Rough Mix] 03:34
13. City Boy Blues [Demo Version] 04:28
14. Home Sweet Home [Instrumental Rough Mix] 02:57
15. Keep Your Eye On The Money [Demo Version] 03:49
16. Tommy`s Drum Piece From Cherokee Studios 03:49
Total playing time: 58:16 min.

Crücial Crüe special edition re-release of the debut full-length album by the legendary American Heavy/Glam Metal band.
This is really quite a shame, because as with the release of this album, Mötley opened the door for the entire Glam Metal genre. With this record, recorded in only about a week, the band not only turned the Metal scene on its ear, but did so pretty much on their own. They had no real major label backing, and gained popularity by word-of-mouth alone.
First press 900 copies were released on November 10, 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded. This re-release, with a different track listing and slightly different artwork (e.g., red lettering on the cover and a different interior photograph of the band), has become the standard version from which all later reissues derive.
On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the appeal of "Too Fast For Love", a chance to hear the band without the glossy production of their later, most popular work, showcasing their down-and-dirty roots. The fact that Pop-Metal songwriting was not really a consideration helps the album come off as more genuinely trashy and sleazy, celebrating its own grime with exuberant zest. This is the Crüe playing it lean and mean, effortlessly capturing the tough swagger that often came off a bit more calculated in later years, and it's one of their most invigorating records.
While the album only reached number 77 on the Billboard 200 album chart in the US, it would ultimately reach platinum status. What we have here, is a solid album from start to finish. There is not one bad track here, and at no point should anyone get bored and want to skip songs!
Re-edition features five bonus tracks!!
Mötley Records/EMI/Eleven Seven Music, 1981/1982/2011 (ESM 301). Made in Germany.


Tracklist:
1. Live Wire 03:16
2. Come On And Dance 02:48
3. Public Enemy #1 04:23
4. Merry-Go-Round 03:23
5. Take Me To The Top 03:45
6. Piece Of Your Action 04:41
7. Starry Eyes 04:30
8. Too Fast For Love 03:23
9. On With The Show 04:08
Bonus tracks:
10. Toast Of The Town 03:37
11. Tonight 04:28
12. Too Fast For Love (Alternate Intro) 04:21
13. Stick To Your Guns 04:24
14. Merry-Go-Round 03:54
Total playing time: 55:01 min.

The fifth European re-release of the fifth full-length studio album by legendary American Heavy/Glam Metal band.
The last album to feature Vince Neil until his return for their 1997 album “Generation Swine”. Produced by Bob Rock, which found the process of working with Mötley Crüe difficult, describing the band as "four L.A. bad asses who used to drink a bottle of wine and want to kill each other". In order to minimize conflict and allow production of the record to proceed smoothly, Rock had each member record their parts separately. Lars Ulrich of Metallica asked Bob Rock to produce their self titled album “Metallica”, after being impressed with Rock's production work on “Dr. Feelgood”.
"Dr. Feelgood" topped the Billboard 200 chart, being the first album Mötley Crüe had recorded after their quest for sobriety and rehabilitation in 1989. In addition to being Mötley Crüe's best selling album, it is widely regarded by music critics and fans as the band's best studio album. "Dr. Feelgood" and "Kickstart My Heart" were both nominated for Grammy awards for Best Hard Rock Performance, but lost twice to Living Colour.
"Dr. Feelgood" sold more than six million copies in the U.S. and went Gold in the U.K.
Limited Edition digitally remastered European only reissue in a miniaturized LP sleeve with inserts.
Mötley Records/ Masters 2000, Inc./EMI/Eleven Seven Music, 1989/2011 (ESM 958). Made in the Europe.


Tracklist:
1. T.N.T. (Terror 'n Tinseltown) 0:43
2. Dr. Feelgood 4:49
3. Slice Of Your Pie 4:31
4. Rattlesnake Shake 3:40
5. Kickstart My Heart 4:42
6. Without You 4:28
7. Same Ol' Situation (S.O.S.) 4:12
8. Sticky Sweet 3:51
9. She Goes Down 4:37
10. Don't Go Away Mad (Just Go Away) 4:39
11. Time For Change 4:58
Bonus Tracks:
12. Dr. Feelgood (Demo Version) 4:45
13. Without You (Demo Version) 4:15
14. Kickstart My Heart (Demo Version) 4:31
15. Get It For Free (Unreleased Track) 4:13
16. Time For Change (Demo Version) 4:09
Total playing time: 67:03 min.

Crücial Crüe special edition re-release of the seventh full-length album by the legendary American Glam/Heavy Metal/Hard Rock band.
The album marks the return of lead singer Vince Neil following his last appearance on 1989's "Dr. Feelgood" and the last album to include drummer Tommy Lee until his return for their 2008 album "Saints of Los Angeles".
"Generation Swine" debuted at #4 on the Billboard 200 and was certified Gold by the RIAA on August 27, 1997. Despite the strong charting debut, the album failed to return the band to the level of critical and commercial success that had been hoped for with the reunion, and according to Nielsen SoundScan the album has sold about 306000 copies in the U.S. to date.
Speaking of the album in 2008, singer Vince Neil states that the album was "terrible" due to "too much experimenting".
Generation Swine would be the band's final release on Elektra Records, as the label and Mötley Crüe would break their relationship off in early 1998. Future releases from the band would come from their own Mötley Records.
Re-edition contains five bonus tracks!
Mötley Records/EMI/Eleven Seven Music, 1997/2011 (ESM 361). Made in Germany.


Tracklist:
1. Find Myself     2:51 
2. Afraid     4:07 
3. Flush     5:02 
4. Generation Swine     4:39 
5. Confessions     4:20 
6. Beauty     3:47 
7. Glitter     5:00 
8. Anybody Out There     1:50 
9. Let Us Pray     4:22 
10. Rocketship     2:04 
11. A Rat Like Me     4:13 
12. Shout At The Devil '97     3:42 
13. Brandon     3:25 
Bonus Tracks:
14. Afraid (Spine Mix/Jimbo Mix)     3:57 
15. Wreck Me (Unreleased Track)     4:19 
16. Kiss The Sky (Unreleased Track)     1:37  
17. Rocketship (Early Demo)     4:46
18. Confessions (Demo-Tommy Vocal)     3:33
Total playing time: 67:34 min.

Crücial Crüe special edition re-release of the fourth full-length album by the legendary American Glam Metal band.
"Girls, Girls, Girls" continued Mötley Crüe's commercial hot streak. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled "Too Fast for Love". The production is too polished to really give the record a raw, dirty feel, but the raunchiness comes through all the same. Again, there's a bit of filler, as though the band knew they didn't have to make a completely consistent record to maintain their popularity, but there are enough high points along the way to make "Girls, Girls, Girls" an entertaining Party-Metal platter.
The album features a more Blues-influenced sound than their previous albums. The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, drug use, life on the Sunset Strip, and spending nights at strip clubs. However, there are darker sides to the album as well, notably Nikki Sixx's song "Dancing on Glass", about his addiction to heroin, and "Wild Side", which tells of destructive lifestyles and the pitfalls of decadence. Members of the band have stated that if they hadn't managed to write two successful songs that this album would have been the end of their careers. This is because they were all fighting addictions to drugs and alcohol.
The song "Nona" is a tribute to Nikki Sixx' grandmother, who died during the recording of the album.
The album peaked at No. 2 on the Billboard charts. On the week it might have reached No. 1, Whitney Houston's second album, "Whitney", debuted at the top of the charts. The album was also the band's third straight album to go 4x Platinum, after "Shout At The Devil" and "Theatre Of Pain".
Re-edition contains five bonus tracks!
Mötley Records/EMI/Masters 2000, Inc./Eleven Seven Music, 1987/2011 (ESM 331). Made in Germany.


Tracklist:
1. Wild Side     4:40
2. Girls, Girls, Girls     4:30 
3. Dancing On Glass     4:18
4. Bad Boy Boogie     3:27 
5. Nona     1:27
6. Five Years Dead     3:50 
7. All In The Name Of..     3:39
8. Sumthin' For Nuthin'     4:41
9. You're All I Need     4:33
10. Jailhouse Rock (Live)    4:39
Bonus Tracks:
11. Wild Side Instrumental (Rough Mix Of Instrumental Track)     4:08 
12. Rodeo (Unreleased Track)     4:11
13. Nona Instrumental Demo Idea     2:42 
14. Girls, Girls, Girls Tom Werman and Band Intro - Rough     5:36
15. All In The Name Off... (Live In Moscow)     5:02
Total playing time: 61:48 min.

Special Edition European only fifth re-release of the fourth full-length album by the legendary American Glam Metal band.
"Girls, Girls, Girls" continued Mötley Crüe's commercial hot streak. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled "Too Fast for Love". The production is too polished to really give the record a raw, dirty feel, but the raunchiness comes through all the same. Again, there's a bit of filler, as though the band knew they didn't have to make a completely consistent record to maintain their popularity, but there are enough high points along the way to make "Girls, Girls, Girls" an entertaining Party-Metal platter.
The album features a more Blues-influenced sound than their previous albums. The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, drug use, life on the Sunset Strip, and spending nights at strip clubs. However, there are darker sides to the album as well, notably Nikki Sixx's song "Dancing on Glass", about his addiction to heroin, and "Wild Side", which tells of destructive lifestyles and the pitfalls of decadence. Members of the band have stated that if they hadn't managed to write two successful songs that this album would have been the end of their careers. This is because they were all fighting addictions to drugs and alcohol.
The song "Nona" is a tribute to Nikki Sixx' grandmother, who died during the recording of the album.
The album peaked at No. 2 on the Billboard charts. On the week it might have reached No. 1, Whitney Houston's second album, "Whitney", debuted at the top of the charts. The album was also the band's third straight album to go 4x Platinum, after "Shout At The Devil" and "Theatre Of Pain".
Re-edition contains five bonus tracks!
Limited Edition digitally remastered European reissue in a miniaturized LP sleeve with inserts.
Mötley Records/Masters 2000, Inc./EMI/Eleven Seven Music, 1987/2011 (ESM 956). Made in Europe.


Tracklist:
1. Wild Side 4:43
2. Girls, Girls, Girls 4:30
3. Dancing On Glass 4:20
4. Bad Boy Boogie 3:28
5. Nona 1:26
6. Five Years Dead 3:50
7. All In The Name Of.. 3:40
8. Sumthin' For Nuthin' 4:49
9. You're All I Need 4:35
10. Jailhouse Rock 4:43
Bonus Tracks:
11. Girls, Girls, Girls (T Werman & Band Intro, Rough Mix Instrumental Track) 5:38 
12. Wild Side (Instrumental-Rough Mix Of Instrumental Track) 4:08
13. Rodeo (Unreleased Track) 4:14
14. Nona (Instrumental Demo Idea) 2:42
15. All In The Name Off... (Live In Moscow) 5:02
Total playing time: 61:48 min.

The debut and only full-length studio album by Slovenian Heavy Metal band.
NWOBHM is back, and it's a strong! 
MotorFire are bringing back the 80s with their debut album.
If you grow up in the 80s, you’ll love this album. "Rising Fire" a very solid 80s album, and maybe band missed about 30 years to release it, it’s a great album nonetheless!!
Metal Tank Records, 2014 (MTR004). Made in Slovenia. Pressed in Poland. First press.


Tracklist:
1. Rising Fire 1:58
2. Burnout 3:15
3. Metropolis Of Dreams 6:19
4. The Pride 3:37
5. Ghost Rider 4:18
6. Claws'n'fangs 3:47
7. Miss You 4:12
8. Night Version 4:10
9. Demoni 5:04
10. Motorfire 4:44
11. Feel Your Burning Heart 0:46
Total playing time: 42:12 min.


Samples: https://motorfireband.bandcamp.com

The tenth full-length studio album by legendary British Heavy/Speed Metal/Hard Rock band.
"1916" was Motörhead's first studio album in nearly four years, and their first release on WTG Records after their legal battle with GWR Records was resolved.
This is a little different from other Motörhead releases. For one thing, Motörhead has four members on this recording rather than the usual three. For another, this CD is loaded with emotion of all kinds, not just the hellbent-for-leather attitude of previous Motörhead releases. It was an angle the band would continue to use on each album even through today.
Everything about this CD screams vintage Motörhead, and that means vintage Lemmy: raging music, killer lyrics and attitude in spades. The extra guitar adds a Judas Priest type resonance to the classic Motörhead sound, which worked perfectly with Lemmy, Metal's venerable frontman, at the mic.
"1916" is loaded with power-packed tunes that would make any Motörheader stand up and shout. A few of the surprises herein include some unprecedented, backwards effects and a song dedicated to the legendary Punk band, The Ramones.
The CD's last track is the title song, "1916." Not only does this track show Lemmy's love of history, it also introduced us to a whole another side of Lemmy: a sensitive side. "1916" is the story of a 16-year-old lad who lies about this age in order to enter WWI and the entire ugly mess that is war and its effect on everybody, from the viewpoint of this young soldier. Lemmy Kilmister is simply the best musical storyteller in Rock'n'Roll today, and "1916" is still more proof that Motörhead is one of the greatest bands ever!
"1916" reached number 24 in the UK charts and number 142 in the US. It was nominated for the Grammy Award for Best Metal Performance at the 1992 Grammys, but lost to Metallica's "Metallica", which was released approximately six months later.
Sony Music Entertainment Inc./Epic/CBS Records/WTG Records, 1991 (467481 2). Made in Austria.


Tracklist:
1. The One to Sing the Blues 03:07
2. I'm So Bad (Baby I Don't Care) 03:13 
3. No Voices in the Sky 04:12
4. Going to Brazil 02:30 
5. Nightmare - The Dreamtime 04:40 
6. Love Me Forever 05:27 
7. Angel City 03:57 
8. Make My Day 04:24 
9. Ramones 01:26 
10. Shut You Down 02:41 
11. 1916 03:45
Total playing time: 39:22 min.

The twenty-second full-length studio album by legendary British Heavy Metal band.
In the history of music, there are few true mavericks on the level of the legendary Lemmy, a man who seems to do his own thing without any concern for what anyone else thinks about it. This level of confidence has made Motörhead a timeless institution in the world of Rock & Roll, and on "Aftershock" it's clear they're not even close to running out of gas.
While the band's elemental sound doesn't show much in the way of innovation, the spirit of true Rock is so strong within it that it doesn't really matter. These guys aren't influenced so much as they are influences, and as the elder statesmen of being badass, Motörhead deliver yet another show of strength, putting on a master class in the sort of down-and-dirty grit and grime that most other bands can only summon ironically. Although "Aftershock" probably won't go down in history as one of the band's great albums, it serves as a reminder of Motörhead's, and by that virtue Lemmy's, status as true originals who play by a set of rules that only they seem privy to.
Fans of the band, or really anyone who has ever dared to cut the sleeves off of a jean jacket or carved a skull into a desk with a knife, would do well to pay tribute by checking this one out, lest they incur the wrath of Kilmister!!
UDR GmbH, 2013 (UDR 0177 CD). Made in Germany. First press.


Tracklist:
1. Heartbreaker 3:05
2. Coup De Grace 3:45
3. Lost Woman Blues 4:09
4. End Of Time 3:17
5. Do You Believe 2:59
6. Death Machine 2:37
7. Dust And Glass 2:51
8. Going To Mexico 2:51
9. Silence When You Speak To Me 4:30
10. Crying Shame 4:28
11. Queen Of The Damned 2:40
12. Knife 2:57
13. Keep Your Powder Dry 3:54
14. Paralyzed 2:52
Total playing time: 46:55 min.

Expanded Edition re-release of the seventh full-length studio album by the legendary British Heavy/Speed Metal/Hard Rock band.
To this day, "Another Perfect Day" remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), "Another Perfect Day" would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. The album captures Motörhead mainstays Ian "Lemmy" Kilmister and Philthy "Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream Hard Rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, "Another Perfect Day" ranks among the band's best-sounding records ever. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out Blues exercises like "One Track Mind" and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter.
By extension, "Another Perfect Day" is doomed to be considered a curiosity to this very day.
The album reached number 20 in the UK charts.
Expanded Edition remastered re-release includes bonus disc “Live At Manchester Apollo, 10h June 1983”.
Sanctuary Records Group Ltd., a BMG Company, 1983/2006/2010 (2748844). Made in Germany.


Tracklist:

CD “Another Perfect Day”
1. Back At The Funny Farm 4:11
2. Shine 3:08
3. Dancing On Your Grave 4:26
4. Rock It 3:52
5. One Track Mind 5:52
6. Another Perfect Day 5:26
7. Marching Off To War 4:09
8. I Got Mine 5:21
9. Tales Of Glory 2:53
10. Die You Bastard! 4:22
Bonus Track:
11. Turn You Round Again (Single B-Side) 3:55

Bonus CD “Live At Manchester Apollo, 10h June 1983”
1. Back At The Funny Farm 4:06
2. Tales Of Glory 3:40
3. Heart Of Stone 3:11
4. Shoot You In The Back 2:43
5. Marching Off To War 4:48
6. Iron Horse 3:45
7. Another Perfect Day 5:38
8. (I'm Your) Hoochie Coochie Man 6:39
9. (Don't Need) Religion 2:43
10. One Track Mind 6:12
11. Go To Hell 2:59
12. America 4:25
13. Shine 3:08
14. Dancing On Your Grave 5:42
15. Rock It 4:38
16. I Got Mine 5:36
17. Bite The Bullet 1:34
18. The Chase Is Better Than The Catch 5:42

Total playing time: 124:44 min.


Samples: http://www.last.fm

Second European remastered re-release of the seventh full-length studio album by the legendary British Heavy/Speed Metal/Hard Rock band.
To this day, "Another Perfect Day" remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), "Another Perfect Day" would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. The album captures Motörhead mainstays Ian "Lemmy" Kilmister and Philthy "Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream Hard Rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, "Another Perfect Day" ranks among the band's best-sounding records ever. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out Blues exercises like "One Track Mind" and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter.
By extension, "Another Perfect Day" is doomed to be considered a curiosity to this very day.
The album reached number 20 in the UK charts.
Re-edition features three bonus tracks.
Sanctuary Midline Records/Sanctuary Records Group Ltd./Universal Music Group, 1983/1996/2004 (SMRCD065). Made in Germany.


Tracklist:
1. Back At The Funny Farm 4:12
2. Shine 3:10
3. Dancing On Your Grave 4:27
4. Rock It 3:55
5. One Track Mind 5:54
6. Another Perfect Day 5:26
7. Marching Off To War 4:10
8. I Got Mine 5:21
9. Tales Of Glory 2:54
10. Die You Bastard! 4:33
Bonus Tracks:
11. Turn You Round Again 3:56
12. (I'm Your) Hoochie Coochie Man 6:30
13. (Don't Need) Religion 2:52
Total playing time: 57:20


Samples: http://www.last.fm

Very rare compilation album by legendary British Heave Metal band.
The compilation includes tracks from "Dirty Love" and "Stone Dead Forever" compilations, rare never released before tracks, as well as well-known tracks in different versions than on studio albums.
Here we can find so rare tracks like "Treat Me Nice" (similar "Hoochie Coochie Man"), "Fun On The Farm" (instrumental), "Bastard", "You Ain't Gonna Live Forever" and "Godzilla Akimbo (rehearsal)". The track "Waltz Of The Vampire" is an alternative version of "Dance". Track "Louie, Louie" presented in other version than in "Overkill" album (the 3rd version of this track).
Rialto Records, 1997 (RMCD 221). Made in UK. First press.


Tracklist:
1.Treat Me Nice 03:55
2.Ace Of Spades (Rare Version) 03:04
3.Fire Fire 02:41
4.Fast And Loose 03:07
5.Sharpshooter 03:17
6.Waltz Of The Vampire 03:41
7.Fun On The Farm 03:00
8.Dirty Love 01:04
9.Bastard 03:03
10.You Ain't Gonna Live Forever 03:12
11.Step Down 03:29
12.Jailbait 03:33
13.Godzilla Akimbo 02:20
14.Louie, Louie (Richard Berry cover) 02:45
15.Bomber 03:36
16.The Road Crew 03:23
Total playing time: 49:10 min.

The tenth official live album by legendary British Heavy Metal band.
"We are Motörhead, and we're gonna kick your ass", bellows the inimitable Lemmy Kilmister at the beginning of this relentless live performance, and he means it.
"Everything Louder Than Everyone Else" was recorded at a show in Hamburg, Germany on 21 May 1998. Mixed unbelievably loud and in-your-face, it captures Motörhead's overwhelming live power in all its toothy glory and reflects a veteran band working at the peak of its skill. While much nostalgic mythologizing is made of Motörhead's classic early line-up (featuring Lemmy, "Fast" Eddie Clarke, and "Philthy Animal" Taylor), the fact is, the band has soldiered on since that incarnation and has gotten better along the way.
This double-disc set focuses mainly on Motörhead's '90s output, which is astoundingly strong (much better than the band's spotty work in the '80s). One glance at the track listing proves that the band is far from resting on past glories; only a handful of songs from the band's early years - like "Capricorn" and "Metropolis" - appear. Instead, blistering versions of latter-day classics like "Burner", "I'm So Bad, Baby I Don't Care" and "Love for Sale" make up the bulk of this devastating set. Fans who were disappointed by Motörhead's live album, the flat-sounding "Nö Sleep At All" (which was virtually disowned by the band), will be overjoyed with the uncompromised intensity of this album's ferocious production. Additionally, Motörhead's lineup, featuring the fast hands and feet of drummer Mikkey Dee and the pile-driving guitars of Phil Campbell, has been intact for longer than any other version of Motörhead, and the band's cohesion and enthusiasm is more than evident here. What's perhaps most amazing of all is that Lemmy's voice hasn't lost any of its jet-engine roar after many years' worth of use and abuse.
Great liner notes, including song-by-song comments by Lem himself, along with testimony by fans ranging from Joey Ramone to Tom Arnold, make this record even more entertaining and essential! No Motörhead-banger should be without!!
Steamhammer/SPV, 1999 (SPV 087-21142 DCD). Made in Germany.


Tracklist:

CD 1:
1. Iron Fist 4:08
2. Stay Clean 2:48 
3. On Your Feet Or On Your Knees 3:20 
4. Over Your Shoulder 3:45 
5. Civil War 3:29 
6. Burner 3:23 
7. Metropolis 4:00 
8. Nothing Up My Sleeve 3:41 
9. I'm So Bad, Baby I Don't Care 3:21 
10. The Chase Is Better Than The Catch 5:28 
11. Take The Blame 4:20 
12. No Class 3:22 
13. Overnight Sensation 4:38
14. Sacrifice 3:40

CD 2:
1. Born To Raise Hell 5:41 
2. Lost In The Ozone 3:43 
3. The One To Sing The Blues 3:25 
4. Capricorn 4:58 
5. Love For Sale 5:04 
6. Orgasmatron 6:36 
7. Going To Brazil 2:52 
8. Killed By Death 6:27 
9. Bomber 5:52 
10. Ace Of Spades 4:49 
11. Overkill 7:34

Total playing time: 110:24 min.


Samples:  http://www.allmusic.com

The seventeenth full-length studio album by legendary British Heavy Metal band.
Unlike many of the band's contemporaries, Motörhead manages to still release lean and mean Rock records, while keeping the songs simple rather than adding some electronic accompaniment or trying to be current or hip. Many of the other bands from Motörhead's era might still be worth checking out live (Iron Maiden, AC/DC), but each of those bands' new albums is almost always more forgettable than the last. In "Hammered"'s "Walk A Crooked Mile", Motörhead has written at least one more classic to add to the band's large number of hits, which could easily fill a double CD. Epic and with a cool bass line, courtesy of Motörhead main dude Lemmy Kilmister, "Walk A Crooked Mile" has a bit of a Punk edge to it, like a lot of Motörhead's tunes, but it also closes with a stylish 80s-style Metal guitar solo. The rest of the material does not veer from the usual Motörhead formula, but it's all played dirty and in the gutter, and will undoubtedly appeal to Motörhead's dedicated fan base!
This is yet again another solid release from Motörhead. While some songs might be below subpar, like "Voices from the War" and "Mine All Mine", others such as "Brave New World" and "Walk A Crooked Mile" more than outshine them. If you like these guys, you won't be disappointed with this album! And if you haven't heard them, this wouldn't be that bad of a place to start!!
Steamhammer/SPV, 2002 (SPV 085-74062 CD). Made in Germany. First press.


Tracklist:
1. Walk A Crooked Mile 5:53
2. Down The Line 4:23
3. Brave New World 4:03
4. Voices From The War 4:28
5. Mine All Mine 4:12
6. Shut Your Mouth 4:08
7. Kill The World 3:39 
8. Dr. Love 3:49
9. No Remorse 5:18
10. Red Raw 4:04
11. Serial Killer 1:45
Total playing time: 45:41 min.


Samples:  http://www.allmusic.com

The first re-release of compilation album by legendary British Heavy/Speed Metal band.
“Hellraiser: Best of the Epic Years” is spanning the Motörhead's two years at Epic Records. The compilation includes songs from the “1916” and “March or Die” albums, as well as two non-album tracks that had been on the Single "The One To Sing the Blues".
“Hellraiser” is a song written by Ozzy Osbourne, Zakk Wylde and Lemmy Kilmister. The song was written for Osbourne's “No More Tears” album, in 1991, being one of the most well known Ozzy Osbourne songs. Ozzy never released it as a Single, but Motörhead did, in 1992 as the A-side of the Single and as the 6th track on their “March or Die” album. Also, Motörhead's recording of the song was used in the movie "Hellraiser III: Hell on Earth". A video for "Hellraiser" was made, featuring Lemmy playing poker against Pinhead (Doug Bradley) from the "Hellraiser" movies. This version also has some minor lyrical alterations.
Sony Music Entertainment (UK) Ltd./Sony Music Entertainment Czech Republic s.r.o., 2003/2009 (8869745570224). Made in Czech.


Tracklist:
1. The One To Sing The Blues 03:08
2. Shut You Down 02:41
3. I Ain't No Nice Guy 04:16
4. Hellraiser 04:31
5. Asylum Choir 03:41
6. Bad Religion 05:02
7. Eagle Rock 03:09
8. You Better Run 04:51
9. Cat Scratch Fever 03:53
10. March Or Die 05:41
11. Angel City 03:58
12. 1916 03:45
13. Make My Day 04:25
14. Going To Brazil 02:30
15. Dead Man's Hand 03:31
16. Ramones 01:28
Total playing time: 60:30 min.

Compilation album by legendary British Heavy Metal band.
“Hellraiser: Best of the Epic Years” is spanning the Motörhead's two years at Epic Records. The compilation includes songs from the “1916” and “March or Die” albums, as well as two non-album tracks that had been on the Single "The One To Sing the Blues".
“Hellraiser” is a song written by Ozzy Osbourne, Zakk Wylde and Lemmy Kilmister. The song was written for Osbourne's “No More Tears” album, in 1991, being one of the most well known Ozzy Osbourne songs. Ozzy never released it as a Single, but Motörhead did, in 1992 as the A-side of the Single and as the 6th track on their “March or Die” album. Also, Motörhead's recording of the song was used in the movie "Hellraiser III: Hell on Earth". A video for "Hellraiser" was made, featuring Lemmy playing poker against Pinhead (Doug Bradley) from the "Hellraiser" movies. This version also has some minor lyrical alterations.
Sony Music Entertainment (UK) Ltd./Epic Records, 2003 (510825 2). Made in the UK. Pressed in Austria. First press.


Tracklist:
1. The One To Sing The Blues 03:08
2. Shut You Down 02:41
3. I Ain't No Nice Guy 04:16
4. Hellraiser 04:31
5. Asylum Choir 03:41
6. Bad Religion 05:02
7. Eagle Rock 03:09
8. You Better Run 04:51
9. Cat Scratch Fever 03:53
10. March Or Die 05:41
11. Angel City 03:58
12.1916 03:45
13. Make My Day 04:25
14. Going To Brazil 02:30
15. Dead Man's Hand 03:31
16. Ramones 01:28
Total playing time: 60:30 min.

The second re-release of the eighteenth full-length studio album by legendary British Hard Rock/Heavy Metal band.
The Motörhead's first album with Cameron Webb producing, and Motorhead's heaviest album in years. 
"Inferno" is a blast from start to finish. Its bottom-heavy, modern sound suited the songs perfectly; it almost as if, without realizing it, Motörhead had stamped their identity on the album more honestly than on any other album for at least a decade. Like AC/DC, Motörhead rarely stray from their niche, crafting reliable records from a Punk/Metal template, that began in 1977 with their self-titled debut. "Inferno" is no exception, as the sum of its parts does little to deviate from the formula. Song "Killers" is as catchy as anything in the band's vast catalogue. Guy Strachan praised Inferno in Terrorizer Magazine as "the best album that Motörhead have ever recorded".
A strident stand-out on one of the strongest albums they've done!
Murder One Records/ BMG Rights Management (UK) Limited, 2004/2019 (BMGCAT371CD). Made in EU. Pressed in Austria.


Tracklist:
1. Terminal Show 3:45
2. Killers 4:14
3. In The Name Of Tragedy 3:04
4. Suicide 5:08
5. Life's A Bitch 4:13
6. Down On Me 4:12
7. In The Black 4:32
8. Fight 3:43
9. In The Year Of The Wolf 4:18
10. Keys To The Kingdom 4:46
11. Smiling Like A Killer 2:45
12. Whorehouse Blues 3:53
Total playing time: 48:33 min.