VINYL

The fourteenth full-length album by legendary German Power/Speed Metal band.
The band has been on a rampage lately, with their last two releases "Gambling With The Devil" and "7 Sinners", and it continues fully on "Straight Out of Hell". The songs are very well written, and will keep almost any fan of the genre interested all the way through. This album contains everything a Power Metal fan could want from Helloween in a steady stream of rip-roaring thrashes, mid-tempo breaks, grandiose epics, a goofball track, and a not-too-bad ballad thrown into the mix, backed with sterling writing, impeccable performances, and a solid, top-notch production that gives everything a life instead of just feeling thrown in because it sounded good. This will be at the top of the genre’s rankings at the end of the year and could very well be the band’s magnum opus as well!
Limited Edition Orange Translucent Vinyl.
Dragnet/Columbia/Sony Music Entertainment Germany GmbH, 2013 (88765419521). Made in Germany. First press.


Tracklist:

LP 1

SIDE A
1. Nabataea 07:02
2. World Of War 04:56
3. Live Now! 03:11

SIDE B
4. Far From The Stars 04:42
5. Burning Sun 05:33
6. Waiting For The Thunder 03:53


LP 2

SIDE A
1. Hold Me In Your Arms 05:10
2. Wanna Be God 02:02
3. Straight Out Of Hell 04:34
4. Asshole 04:10

SIDE B
5. Years 04:22
6. Make Fire Catch The Fly 04:23
7. Church Breaks Down 06:07

Total playing time: 60:05 min.

Second European re-release of the third full-length studio album by legendary German Power/Speed Metal band.
The album capitalized on the success of “Keeper Of The Seven Keys, Part I” and picks up where it left off. The magic that made "Keeper Of The Seven Keys, Part I", a triumph of epic proportions, was still very much in the air come time for "Keeper Of The Seven Keys, Part II". What was originally intended to be a double album had to be split in two at the record company’s request, so "Keeper Of The Seven Keys, Part II" was recorded later and came out in 1988. Gladly, "Part II" a much longer album than "Part I", clocking in with an extra fifteen minutes or so of music.
"Keeper of the Seven Keys, Part II" is a very worthy follow up to the first album of the pair, as well as one of the best albums of 1988. Building upon the Power Metal blueprint (still known as Speed Metal by most in 1988), "Keeper II" offered listeners classy Metal with a strong sense of humor, a great selling point in a genre that has long taken itself far too seriously for its existence. The band still brandished their polished speed sound on songs like "Eagle Fly Free" as well as anthemic tunes like "I Want Out", "Save Us" or the powerful "We Got the Right". And naturally the band finished out the saga with the thirteen minute-plus epic "Keeper of the Seven Keys", a multilayered and far ranging song that ended the two album theme.
"Keeper Of The Seven Keys, Part II" is a phenomenal album that was altogether fun, flawlessly played and well written. The album went Gold in Germany. Success bloomed all over Europe, Asia and even the United States.
In every sense of the word, this album is a musthave for every Metalhead in the world!!
Sanctuary Records Group Ltd., a BMG company, 1988/2015 (BMGRM063LP). Made in EU.


Tracklist:

Side A
1. Invitation 1:07
2. Eagle Fly Free 5:08
3. You Always Walk Alone 5:08
4. Rise And Fall 4:21
5. Dr. Stein 5:03
6. We Got The Right 5:07

Side B
1. March Of Time 5:13
2. I Want Out 4:38
3. Keeper Of The Seven Keys 13:36

Total playing time: 49:21 min.

The fifteenth full-length studio album by legendary German Power/Speed Metal band.
The stalwart German outfit's "My God-Given Right" is a Power Metal cornucopia spilling over with commercial-grade sweets and cheeses. Bolstered by the dizzying guitar work of Michael Weikath and Sascha Gerstner, the 15-track set has some satisfying moments, especially early on with the one-two punch of "Heroes" and "Battles Won", both of which fit nicely into the Helloween canon where Speed Metal precision meets rich, melodic choruses tailor-made for unison fist pumping.
Vocalist Andi Deris more than holds his own throughout, delivering often inane lyrics like "We wanna stay crazy, fresh as a daisy" with gusto, in a voice that falls somewhere between former Helloween frontman Michael Kiske and head Scorpion Klaus Meine.
"My God-Given Right" marks the first time the band releases five studio albums with the same line-up. Also it's band's seventh consecutive album produced by Charlie Bauerfeind, and their first album released under the label Nuclear Blast since 2003's "Rabbit Don't Come Easy". The album is considered by the band as a "back to the roots" album, while still keeping some modern elements.
Tracks like the soaring "Creatures in Heaven", the menacing "Swing of the Fallen World", and the aforementioned "Heroes" prove that, 30 years into their career, Helloween are still largely unequaled purveyors and unabashed champions of "cheese-tastic" Power Metal hymns!!
Gatefold 180 gram Double Black Vinyl features two bonus tracks.
Helloween Gbr, Germany/Nuclear Blast Records, 2015 (NB 3344-1). Made in Germany. First press.


Tracklist:

Side 1A:
1. Heroes 3:51
2. Battle's Won 4:53
3. My God-Given Right 3:30
4. Stay Crazy 4:05

Side 1B:
1. Lost In America 3:35
2. Russian Roulé 3:53
3. The Swing Of A Fallen World 4:53
4. Like Everybody Else 4:04

Side 2A:
1. Creatures In Heaven 6:36
2. If God Loves Rock 'n' Roll 3:21
3. Living On The Edge 5:19
4. Claws 5:52

Side 2B:
1. You, Still Of War 7:21
Bonus Tracks:
2. I Wish I Were There 4:12
3. Wicked Game 3:56

Total playing time: 69:21 min.

The fifteenth full-length album by legendary German Power/Speed Metal band.
The stalwart German outfit's "My God-Given Right" is a Power Metal cornucopia spilling over with commercial-grade sweets and cheeses. Bolstered by the dizzying guitar work of Michael Weikath and Sascha Gerstner, the 15-track set has some satisfying moments, especially early on with the one-two punch of "Heroes" and "Battles Won", both of which fit nicely into the Helloween canon where Speed Metal precision meets rich, melodic choruses tailor-made for unison fist pumping.
Vocalist Andi Deris more than holds his own throughout, delivering often inane lyrics like "We wanna stay crazy, fresh as a daisy" with gusto, in a voice that falls somewhere between former Helloween frontman Michael Kiske and head Scorpion Klaus Meine.
"My God-Given Right" marks the first time the band releases five studio albums with the same line-up. Also it's band's seventh consecutive album produced by Charlie Bauerfeind, and their first album released under the label Nuclear Blast since 2003's "Rabbit Don't Come Easy". The album is considered by the band as a "back to the roots" album, while still keeping some modern elements.
Tracks like the soaring "Creatures in Heaven", the menacing "Swing of the Fallen World", and the aforementioned "Heroes" prove that, 30 years into their career, Helloween are still largely unequaled purveyors and unabashed champions of "cheese-tastic" Power Metal hymns!!
Limited to 300 hand-numbered copies Gatefold 180 gram Silver Double Vinyl features two bonus tracks.
Helloween Gbr, Germany/Nuclear Blast Records, 2015 (NB 3344-1). Made in Germany. First press.


Tracklist:

Side 1A:
1. Heroes 3:51
2. Battle's Won 4:53
3. My God-Given Right 3:30
4. Stay Crazy 4:05

Side 1B:
1. Lost In America 3:35
2. Russian Roulé 3:53
3. The Swing Of A Fallen World 4:53
4. Like Everybody Else 4:04

Side 2A:
1. Creatures In Heaven 6:36
2. If God Loves Rock 'n' Roll 3:21
3. Living On The Edge 5:19
4. Claws 5:52

Side 2B:
1. You, Still Of War 7:21
Bonus Tracks:
2. I Wish I Were There 4:12
3. Wicked Game 3:56

Total playing time: 69:21 min.

The fifteenth full-length studio album by legendary German Power/Speed Metal band.
The stalwart German outfit's "My God-Given Right" is a Power Metal cornucopia spilling over with commercial-grade sweets and cheeses. Bolstered by the dizzying guitar work of Michael Weikath and Sascha Gerstner, the 15-track set has some satisfying moments, especially early on with the one-two punch of "Heroes" and "Battles Won", both of which fit nicely into the Helloween canon where Speed Metal precision meets rich, melodic choruses tailor-made for unison fist pumping.
Vocalist Andi Deris more than holds his own throughout, delivering often inane lyrics like "We wanna stay crazy, fresh as a daisy" with gusto, in a voice that falls somewhere between former Helloween frontman Michael Kiske and head Scorpion Klaus Meine.
"My God-Given Right" marks the first time the band releases five studio albums with the same line-up. Also it's band's seventh consecutive album produced by Charlie Bauerfeind, and their first album released under the label Nuclear Blast since 2003's "Rabbit Don't Come Easy". The album is considered by the band as a "back to the roots" album, while still keeping some modern elements.
Tracks like the soaring "Creatures in Heaven", the menacing "Swing of the Fallen World", and the aforementioned "Heroes" prove that, 30 years into their career, Helloween are still largely unequaled purveyors and unabashed champions of "cheese-tastic" Power Metal hymns!!
Limited Edition Double Picture Vinyl features two bonus tracks.
Helloween Gbr, Germany/Nuclear Blast Records, 2015 (NB 3344-9). Made in Germany. First press.


Tracklist:

Side 1A:
1. Heroes 3:51
2. Battle's Won 4:53
3. My God-Given Right 3:30
4. Stay Crazy 4:05

Side 1B:
1. Lost In America 3:35
2. Russian Roulé 3:53
3. The Swing Of A Fallen World 4:53
4. Like Everybody Else 4:04

Side 2A:
1. Creatures In Heaven 6:36
2. If God Loves Rock 'n' Roll 3:21
3. Living On The Edge 5:19
4. Claws 5:52

Side 2B:
1. You, Still Of War 7:21
Bonus Tracks:
2. I Wish I Were There 4:12
3. Wicked Game 3:56

Total playing time: 69:21 min.

Limited Edition Deluxe Boxset by legendary German Heavy/Power/Speed Metal band.
Formed in Hamburg in 1984, Helloween is arguably the most influential Heavy Metal band to come out of Germany. Their benchmark 1987 album "Keeper Of The Seven Keys" is the record that turned the band into bona fide superstars, charting in their native Germany.
Deluxe Limited Edition containing all Helloween classics on vinyl in one lush two-piece side loading box set!
"Starlight – The Noise Records Collection" includes the bands Noise recordings. From the long-out-of-print EPs "Helloween" and "Judas", through their debut album "Walls Of Jericho" to the masterpieces "Keeper Of The Seven Keys" and "Keeper Of The Seven Keys Part II", and a new, revised version of "The Best, The Rest, The Rare", that covers all the obscure and rare tracks from the Noise catalog. Three of these titles have long been out of print on vinyl and all of them are now on color vinyl for the first time.

Box Set contains:
- box with lid;
- "Helloween" LP on red vinyl;
- "Judas" Maxi-Single on yellow vinyl;
- "Walls Of Jericho" LP on orange vinyl;
- "Keeper Of The Seven Keys, Pt.1" LP on purple vinyl;
- "Keeper Of The Seven Keys, Pt.2" LP on silver vinyl;
- "The Best, The Rest, The Rare" 2LP on blue and green vinyl;
- "Pumpkin" slipmat;
- a two-sided 90cm x 60cm band poster!
Each record protected within its record sleeve by a white vellum anti-dust sleeve.

Sanctuary Records Group Ltd., a BMG Company/Noise Records, 2018 (NOISEBOX073). Made in Germany.


Tracklist:

"Helloween" 12" EP

Side One
1. Starlight 5:15
 2. Murderer 4:25
3. Warrior 4:00

Side Two
1. Victim Of Fate 6:39
2. Cry For Freedom 6:07


"Judas" 12" Maxi-Single

Side One
1. Judas 4:42

Side Two
1. Ride The Sky (Live) 7:22
2. Guardians (Live) 4:34


"Walls Of Jericho" LP

Side One
1. Walls Of Jericho 0:48
2. Ride The Sky 5:55
3. Reptile 3:44
4. Guardians 4:19
5. Phantoms Of Death 6:44

Side Two
1. Metal Invaders 4:10
2. Gorgar 3:55
3. Heavy Metal (Is The Law) 3:59
4. How Many Tears 7:14


"Keeper Of The Seven Keys Part I" LP

Side One
1. Inititation 1:20
2. I'm Alive 3:22
3. A Little Time 4:00
4. Twilight Of The Gods 4:30
5. A Tale That Wasn't Right 4:42

Side Two
1. Future World 4:02
2. Halloween 13:18
3. Follow The Sign 1:47


"Keeper Of The Seven Keys Part II" LP

Side One
1. Invitation 1:07
2. Eagle Fly Free 5:08
3. You Always Walk Alone 5:08
4. Rise And Fall 4:21
5. Dr. Stein 5:03
6. We Got The Right 5:07

Side Two
1. March Of Time 5:13
2. I Want Out 4:38
3. Keeper Of The Seven Keys 13:56


"The Best, The Rest, The Rare" 2LP

Side A
1. I Want Out 4:41
2. Dr. Stein (Remix) 5:05
3. Future World 4:02
4. Judas 4:42
5. Walls Of Jericho 0:48
6. Ride The Sky 7:16

Side B
1. Livin' Ain't No Crime 4:42
2. Save Us 5:14
3. Victim Of Fate (Re-Recorded Version) 7:00
4. Savage 3:24
5. Don't Run For Cover 4:48

Side C
1. Halloween (Radio Edit) 5:02
2. Starlight (Re-Recorded Version) 4:15
3. Oernst Of Life 4:45
4. Metal Invaders 4:33
5. Surprise Track 2:07

Side D
1. Keeper Of The Seven Keys (Remix) 13:51

Total playing time: 256:49 min.

Remastered re-release of the debut full-length studio album by legendary German Speed/Power Metal band.
The only full-length album featuring Kai Hansen as lead vocalist until 2021's "Helloween", although he would continue to act as guitarist on the two following albums.
Helloween followed up their very popular self-titled mini-LP with 1986's even more accomplished "Walls Of Jericho", that saw the quartet from Hamburg outperforming expectations and quickly defining their sonic identity.
The instrumental title track soon gives way to amazingly mature and complex compositions like "Ride the Sky", "Phantoms of Death", and the awesome "How Many Tears". And although these were heavily reliant on Iron Maiden for inspiration, it was Helloween's Speed Metal innovations that clearly helped make the songs so special and influential for future bands. Even the album's lyrically challenged, somewhat one-dimensional moments ("Warrior", "Metal Invaders") usually succeed, thanks to the band's uncontainable energy. On the downside, the album continued to expose Kai Hansen's limitations as a singer, but the band would soon remedy this disadvantage by bringing on teenage phenom, Michael Kiske, as lead vocalist.
While their "Keeper Of The Seven Keys, Part 1 & 2" albums are their peak, "Walls Of Jericho" made them all possible. Kai Hansen isn't Kiske, Halford, or Dickinson, but he had passion for the genre called Metal!
Sanctuary Records Group Ltd., a BMG Company, 1985/2015 (BMGRM078LP). Made in UK. 180g heavyweight vinyl.


Tracklist:

Side I
1. Walls Of Jericho 0:48
2. Ride The Sky 5:55
3. Reptile 3:44
4. Guardians 4:19
5. Phantoms Of Death 6:44

Side II
1. Metal Invaders 4:10
2. Gorgar 3:55
3. Heavy Metal (Is The Law) 3:59
4. How Many Tears 7:14

Total playing time: 40:32 min.

The debut full-length album by Russian Thrash Metal band.
Although this is Hellraiser's first album, it's easy to tell that this 3-piece band have been playing music for quite a while. The production is very clear, but sounds somewhat distant. Each element is very easy to pick out though, and work well together, even with the many complex arrangements offered on the album. The main influence here is defenitely Metallica, but the influence seems to be mostly in sound and not composition. There are only 7 songs on this LP, but each is filled to the brim with well thought out riffs and transitions. The vocals arent bad, and thankfully, he doesnt try to ape Hetfield very much.
If you like Xentrix's "Shattered Existence" but hated the vocals, then you'll probably enjoy "We'll Bury You". If for nothing else, it's a great piece of Metal history, and shows a different side of Russian Metal than Master provides. No costumes, no soaring falsettos, just pure Thrash Metal from the Eastern Bloc!
SNC Records, 1990 (С90 31083-4). Made in USSR. Used: cover/vinyl: EX+/EX+

Tracklist:

Side A
1. Rockets in the Air 06:44
2. I Got a Power 05:29
3. Dark Side of You 09:29

Side B
4. I Wanna Be Free 04:46
5. Danger Zone 03:56
6. Win the Battle 03:59
7. Snakes in the Kitchen 05:42
8. Bonus Track 05:38

Total playing time: 45:43 min.

The first live album by Italian Avant-garde Gothic Black Metal band.
“Piove Sangue” is a very special album, that celebrates the twenty-year anniversary of the Italian Extreme Metal pioneers, twenty years since the release of their first demo tape "An Abode For Spirit And Flesh" in 1998.
It was recorded live at Banská Bystrica (Slovakia), on the last date of the Total Metal Over Europe Tour, Pt. 2, which the band held with legendary German Thrashers Necronomicon, whose vocalist, Volker "Freddy" Fredrich, appeared on stage with Hortus Animae for a raging version of Slayer’s “Raining Blood” (from which the album also takes its title, in Italian).
This live highlights a tight band in great musical shape; it is an excellent overview of the band's history, and what you can expect when you see them live.
A must for fans of Enslaved, early Opeth, Cradle Of Filth, Dimmu Borgir, Arch Enemy, as well as for all the fans of finest Extreme Metal!!
LP comes with download card for the full album + bonus track "Aqualung".
BlackHeavens Music/Aesthetic Death/Azermedoth Records/Metal Scrap Records Inc./M.A.S.D. Records, 2018 (BHM003 / ADCD046 / AZH-CD/LP-159 / MSR140/GLP / #MRCD002). Made in Poland. First press. Strictly limited to 200 copies Gatefold 140 g Vinyl.


Tracklist:

Side 1:
01. Furious Winds / Locusts 04:25
02. Chamber of Endless Nightmares 06:31
03. Doomsday 07:57

Side 2:
04. Medley 09:40
I - In Adoration of the Weeping Skies
II - Cruciatus Tacitus
III - Souls of the Cold Wind
05. There's No Sanctuary 06:36
06. Raining Blood (feat. Freddy of Necronomicon) 04:41


 

First time on black vinyl, remastered re-release of the thirteenth full-length album by the legendary British Heavy Metal band.
"Dance Of Death" is probably the most controversial album of Iron Maiden so far, as well as the most Progressive and most heavy album of Iron Maiden ever.
When picking this album up, we could not help but notice the artwork. And art is not so good. Iron Maiden hired David Patchett to create the art with CGI. Apparently, his time cost the band enough money; the band stopped him because they thought the work was good enough as is, which the artist claimed was still in its prototype stages. The artwork would be notorious for its epic fail among the Metal community and placed on some worst artwork lists of Metal fans. Good thing this album is not judged solely on its cover, because “Dance of Death” is one of the better Iron Maiden albums!
"Dance Of Death" recalls prime Iron Maiden but with renewed vigor. Iron Maiden recorded the album the old-fashioned way: on analog tape, which adds a layer of warmth to the LP. "Dance Of Death" never sounds sterile or processed, unlike so many other Hard Rock and Metal bands recording in the digital age. But the record clocks in at nearly 70 minutes, making it somewhat long and demanding. Still, that’s a relatively small complaint for such a strong album. They still sound like they did in the 80's! Pure brilliance. One thing extremely unique on the album is that it has a great deal of orchestration and an almost Arabic-style vibe too, especially in "No More Lies" and "Dance Of Death". The rhythm guitar really tuned down heavy on the song "Montsegur". There were other powerful songs such as "Wildest Dreams", "Rainmaker", and the graceful epic "Paschendale". "Journeyman" is a 7-minute song with an acoustic, and it is real cool.
This album is not by any means a concept album, but the central theme of Death is recurrent in one form or another. This is their second studio release since the return of vocalist Bruce Dickinson and guitarist Adrian Smith in 1999. The album features the band's first ever fully acoustic track, "Journeyman", as well as their only song co-written by drummer Nicko McBrain, "New Frontier". The album was recorded on magnetic (analogue) tape.
Aside from the artwork, the 13th album by Iron Maiden is still a solid listen. After listening to “Brave New World” though, this album had to top the most successful album since 1988. Although it does not succeed in usurping that magnum opus, Iron Maiden proved that they still had a lot of energy left to write good music.
All in all, "Dance Of Death" is a pretty excellent Iron Maiden album. Many older fans will complain that there is nothing really new and ground-breaking here, but the band cannot release a "Piece Of Mind" or a "Powerslave" every time they put an album out on the market. "With Dance Of Death", they have done a brilliant Metal album that will still please some of the older generations, while introducing the newer fans to the world of Iron Maiden's great music in an even better way than "Brave New World" had already done.
First time on black vinyl; 2015 remastered; double 180 g vinyl with hardcover inner sleeves.
Iron Maiden LLP/Parlophone Records Ltd., 2003/2017 (0190295851965). Made in Germany. First press on black vinyl!


Tracklist:

Disc One Side A
1. Wildest Dreams 3:52
2. Rainmaker 3:48
3. No More Lies 7:21

Disc One Side B
4. Montségur 5:50
5. Dance Of Death 8:36
6. Gates Of Tomorrow 5:12

Disc Two Side A
1. New Frontier 5:04
2. Paschendale 8:27
3. Face In The Sand 6:31

Disc Two Side B
4. Age Of Innocence 6:10
5. Journeyman 7:06

Total playing time: 67:57 min.

First time on black vinyl, remastered re-release of the eighth full-length live album by the legendary British Heavy Metal band.
Recorded at Westfalenhalle in Dortmund, Germany on 24 November 2003, during the Dance of Death World Tour (2003–2004), "Death On The Road" deviates little from Iron Maiden's countless other live shows. While blissfully heavy on the band's excellent - and suitably theatrical - new material, longtime fans do not need any more live versions of "Number of the Beast", "Hallowed Be Thy Name", "Run to the Hills", or "The Trooper". All that said, Iron Maiden do not disappoint, laying to waste any notions that they can't hold themselves to the performance standards of their younger days.
Even Bruce Dickinson, despite a voice that's now often more choked than feral, can barely keep himself from leaping into the crowd, and it's that kind of enthusiasm that makes each and every live release - and there are a lot of them - worthwhile to some degree!
First press on black vinyl, 2x vinyls in gatefold cover.
Iron Maiden Holdings Ltd./Parlophone Records Ltd., a Warner Music Group Company, 2005/2017 (0190295836443). Made in Germany.


Tracklist:

LP 1

Side A
1. Wildest Dreams 4:51
2. Wrathchild 2:59
3. Can I Play With Madness 3:31
4. The Trooper 4:11
5. Dance Of Death 9:34

Side B
6. Rainmaker 4:11
7. Brave New World 6:09
8. Paschendale 10:17
9. Lord Of The Flies 5:04

LP 2

Side A
1. No More Lies 8:06
2. Hallowed Be Thy Name 7:40
3. Fear Of The Dark 7:38

Side B
4. Iron Maiden 5:09
5. Journeyman 7:02
6. The Number Of The Beast 4:57
7. Run To The Hills 4:23

Total playing time: 95:42 min.

First time on black vinyl remastered re-release of the tenth live album by the legendary British Heavy Metal band.
2 hours live show at Estadio Nacional, Santiago, Chile + Documentary bonus disc with Special Extras!
On April, 10th, 2011 Iron Maiden became the first Metal band ever to play in Chile’s prestigious Estadio Nacional in Santiago. This landmark show, filmed in front of 50,000 die-hard Chilean devotees, reveals a band firing on all cylinders, feeding off Latino passion and energy to deliver one of the most dramatic and powerful performances of “The Final Frontier Words Tour”.
“En Vivo!” embodies the heart and soul of Iron Maiden 2011: the music, the fans, the country!
First time on black vinyl, 2017 remastered, this triple 180 g vinyl release includes hardcover inner sleeves with tour dates, lyrics and graphics.
Iron Maiden LLP/Parlophone Records Ltd., 2012/2017 (0190295836436). Made in Germany. First press on black vinyl!


Tracklist:

Side 01
01. Satellite 15 4:36
02. The Final Frontier 4:10
03. El Dorado 5:52

Side 02
01. 2 Minutes To Midnight 5:50
02. The Talisman 8:45
03. Coming Home 5:57

Side 03
01. Dance Of Death 9:03
02. The Trooper 3:59
03. The Wicker Man 5:06

Side 04
01. Blood Brothers 7:04
02. Whe The Wild Wind Blows 10:37

Side 05
01. The Evel That Man Do 4:17
02. Fear Of The Dark 7:30
03. Iron Maiden 5:08

Side 06
01. The Number Of The Beast 4:57
02. Hallowed Be Thy Name 7:28
03. Running Free 7:57

Total playing time: 108:16 min.

Remastered re-release of the ninth live album by legendary British Heavy Metal band.
The original soundtrack for the concert documentary film featuring the British Heavy Metal legend.
The film follows the band on the first leg of their Somewhere Back in Time World Tour between February and March 2008. It was shot in high-definition video with accompanying 5.1 surround sound produced by Kevin Shirley (who has worked with the band since their 2000 album “Brave New World”). It was distributed by EMI (except in the U.S., where it was distributed by Universal Music Group) in select digital theatres on April 21, 2009.
Heavyweight 180g Gatefold double Black Vinyl.
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 2009/2017 (0190295851941). Made in Germany.


Tracklist:

LP 1
1. Churchill's Speech
2. Aces High
3. 2 Minutes To Midnight
4. Revelations
5. The Trooper
6. Wasted Years
7. The Number Of The Beast
8. Can I Play With Madness
9. Rime Of The Ancient Mariner

LP 2
1. Powerslave
2. Heaven Can Wait
3. Run To The Hills
4. Fear Of The Dark
5. Iron Maiden
6. Moonchild
7. The Clairvoyant
8. Hallowed Be Thy Name

The ninth live album by the legendary British Heavy Metal band.
The original soundtrack for the concert documentary film featuring the British Heavy Metal legend.
The film follows the band on the first leg of their Somewhere Back in Time World Tour between February and March 2008. It was shot in high-definition video with accompanying 5.1 surround sound produced by Kevin Shirley (who has worked with the band since their 2000 album “Brave New World”). It was distributed by EMI (except in the U.S., where it was distributed by Universal Music Group) in select digital theatres on April 21, 2009.
Parlophone Records Ltd., 2009 (50999 6977571 0). Made in Germany. First press.


Tracklist:

LP 1
1. Churchill's Speech
2. Aces High
3. 2 Minutes To Midnight
4. Revelations
5. The Trooper
6. Wasted Years
7. The Number Of The Beast
8. Can I Play With Madness
9. Rime Of The Ancient Mariner

LP 2
1. Powerslave
2. Heaven Can Wait
3. Run To The Hills
4. Fear Of The Dark
5. Iron Maiden
6. Moonchild
7. The Clairvoyant
8. Hallowed Be Thy Name

The fifth official re-release of the second full-length album by the legendary British Heavy Metal band.
The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance, arose due to his alcohol and cocaine use.
This sophomore Iron Maiden's effort is mostly composed of pre-existing material that had been left off the debut, with just a few new additions. It's certainly a better-sounding release than the debut, with new producer Martin Birch beefing up the band's studio presence and lending their instrumental attack a newfound clarity that throws their considerable skills into sharp relief. In fact, this helps mask the fact that the songwriting is not quite as strong overall as it was on the debut. But the teaming of new guitarist Adrian Smith with Dave Murray forms the most formidable twin-guitar attack in Heavy Metal, outside of Glenn Tipton and K.K. Downing. Plus, bassist Steve Harris' busy, driving lines are now consistently audible in the mix. The resulting instrumental fireworks are what truly make the album tick. That said, there is a much smaller percentage of catalog standards here than on the previous album.
"Wrathchild" is the standout, re-recorded here with Smith on guitar from an earlier version for the "Metal For Muthas" compilation. There is a fair bit of unity in the lyrical themes, with a parade of murderers, fugitives, and characters otherwise torn from their roots. "Murders in the Rue Morgue" is a first-person retelling of the Poe short story, and the title track is another highlight, with Paul Di'Anno turning in an especially menacing performance. The single "Purgatory" has a catchy singalong chorus and a tempo worthy of Motörhead, while "Twilight Zone" (not included on the U.K. issue, but added to subsequent releases) scraped the bottom of the British charts. The biggest departure here is the almost Supertramp-like Prog-Pop of "Prodigal Son," a melodic, uptempo offering with an arrangement based around acoustic guitars.
Despite some inconsistency in the material, "Killers" is clearly the work of a top-notch ensemble, and in order to take the next step forward, their musical ambitions were clearly going to require a vocalist as technically accomplished as the band. It's worth noting that some Maiden fans actually prefer the rawness of the Di'Anno years to the polish of the Bruce Dickinson era (though, it should also be noted, they're in the minority).
"Killers" is a monumental record, real Heavy Metal with powerful lyrics, real grit, a superb urban atmosphere, genuine heaviness and no pretentiousness! This is essential Metal classic!
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 1981/2014 (2564625242). Made in EU.


Tracklist:

Side A
1. The Ides Of March 1:46
2. Wrathchild 2:54
3. Murders In The Rue Morgue 4:18
4. Another Life 3:23
5. Genghis Khan 3:08
6. Innocent Exile 3:52

Side B
7. Killers 5:01
8. Prodigal Son 6:12
9. Purgartory 3:20
10. Drifter 4:49

Total playing time: 38:43 min.

First re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
Iron Maiden LLP/Parlophone Records Ltd., 1990/2017 (0190295852351). Made in Germany. 180 g vinyl. Remaster 2015.


Tracklist:

Side A
1. Tailgunner 4:13
2. Holy Smoke 3:47
3. No Prayer For The Dying 4:22
4. Public Enema Number One 4:03
5. Fates Warning 4:09

Side B
6. The Assassin 4:16
7. Run Silent Run Deep 4:34
8. Hooks In You 4:06
9. Bring Your Daughter To The Slaughter 4:42
10. Mother Russia 5:30

Total playing time: 43:42 min.

Second re-release of the seventh full-length studio album by the legendary British Heavy Metal band.
"Seventh Son Of A Seventh Son" is the last great Iron Maiden album, reconnecting with the band's Prog Rock roots and reversing the signs of decline that had been evident on their previous record. By this point, Maiden had earned the respect of Metalheads the world over with their steadfast adherence to unadulterated Metal and their grandiose aesthetic. They'd made concessions neither to Pop-Metal nor to Thrash, and their passionate fan base would never have tolerated a radical reinvention. But what do you do when your epic ambition itself has become a formula? You go even bigger and make a concept album, of course, and that's what Maiden does here, breaking out of the creative rut they'd fallen into on "Somewhere In Time". The concept is based on the European folklore which held that the "Seventh Son Of A Seventh Son" would be born with special powers that could be used for good or evil (and probably also in part by fantasy author Orson Scott Card, who'd touched on this idea in his own work). As such, the lyrics are Maiden at their most gothic, obsessed with supernatural mysticism of all stripes; the story line concerns the title character, born with a gift for prophecy but mistrusted by his village, which ignores his warnings of apocalyptic doom and makes him a tormented Cassandra figure.
Musically, this is Maiden at their Proggiest, with abrupt, stop-on-a-dime transitions between riffs, tempos, time signatures, and song sections. Yet nearly every song has a memorable chorus, with only "The Prophecy" falling short in that department. They've also switched from the guitar synths of "Somewhere In Time" to full-fledged keyboards, which are used here more to add atmosphere rather than taking center stage; this restores the crunch that was sometimes lacking in the shinier production of the previous album. No less than four of this album's eight songs reached the British Top Ten in some version (concert standard "Can I Play with Madness", "The Evil That Men Do", "The Clairvoyant" and "Infinite Dreams"), while the album became the band's first U.K. chart-topper since "The Number Of The Beast". The title track is this album's extended epic (though the songs are longer in general), and it's moved out of the closing spot in yet another subtle statement about shaking things up. If "Seventh Son" doesn't epitomize their sound or define an era the way the first three Dickinson albums did, it nonetheless ranks among their best work! Adrian Smith left the band after this record, closing the book on Maiden's classic period and heralding a dire - and distressingly immediate - creative decline.
It is the second Iron Maiden release to feature keyboards (played by Michael Kenney) and, along with “The Number of the Beast” and, later, “Fear of the Dark” and “The Final Frontier”, debuted at no.1 in the UK charts.
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 1988/2014 (2564624849). Made in Germany. 180 g vinyl. Remastered. Limited Edition to 2000 copies.


Tracklist:

Side A
1. Moonchild 5:39
2. Infinite Dreams 6:09
3. Can I Play With Madness 3:31
4. The Evil That Men Do 4:34

Side B
5. Seventh Son Of A Seventh Son 9:53
6. The Prophecy 5:05
7. The Clairvoyant 4:27
8. Only The Good Die Young 4:41

Total playing time: 43:59 min.

First re-release of the tenth single by the legendary British Heavy Metal band.
It's the first single from the band's fifth full-length studio album, "Powerslave" (1984).
“2 Minute to Midnight” begins with the main riff playing quietly with louder drum intervals by Nicko. It gets going quickly, and you’ll hear some excellent singing from Bruce for a while. He sings most of the verses in a very catchy way, with a touch of evil at times. This song has one of the catchiest (if not the catchiest) Maiden chorus ever. The solo is typical Maiden style, being fast and powerful, except done even better than usual. The song retains a constant beat, with the exception of a slower section following the solo. Despite how fun this is, the atmosphere is pretty dark. The lyrics also aid this darkness, as some of them sound pretty evil. The atmosphere, the catchy chorus, and the great solo make this one of Maiden’s best.
The B-side is a cover of British Progressive Rock band Beckett, "Rainbow's Gold", which was featured on their self-titled album released in 1974. The song was written by Terry Slesser and Kenny Mountain, respectively the band's vocalist and guitarist. On the original release, it is titled "A Rainbow's Gold". Both the vocals and the guitars lack variety, and end up repeating themselves for most of the song. The lyrics are pretty interesting, despite the repetitive way they’re sung, so that’s a plus. The solo was short, but quite good, and the song is fun, despite its lack of creativity. Iron Maiden covers are always interesting of course, making for another plus.
This is a very good single for the Maiden collectors, containing a classic song, interesting B-side and great artwork. The band has shown that they really knew what they were doing when they decided to release this. Back in the day, this probably led many people to buying “Powerslave” and becoming fans themselves. If you want a notable and good Iron Maiden single, this is exactly what you’re looking for!!
Single pick number 11 in the UK Singles Chart and number 25 on Billboard Top Album Tracks.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1984/2014 (2564624868). Made in UK.


Tracklist:

Side A:
1. 2 Minutes To Midnight 6:03

Side B:
2. Rainbow's Gold 4:55

Total playing time: 10:58


Samples: http://www.last.fm

First time on black vinyl remastered re-release of the fourteenth full-length studio album by the legendary British Heavy Metal band.
It was released on 25 August 2006 in Italy and Finland, and 28 August worldwide, excluding the United States, Canada and Japan on 5 September 2006. 
“A Matter Of Life And Death” puts emphasis on creating atmospheres befitting the darker lyrical themes and long sprawling epics with changes in tempo and dynamics, in contrast to the riff-driven music of the band's early days. This darker direction of the lyrical viewpoint can even be seen in the shorter songs "Different World" and "The Pilgrim".
In order to provide a more "live" sound, the album was not mastered. No added EQ, compression, analog widening, etc.
At 72 minutes, “A Matter Of Life And Death” is the band's second longest album, exceeding 1995's “The X Factor” by approximately one minute, and exceeded by 2010's “The Final Frontier” by approximately four minutes.
It is the first album in Iron Maiden's career to enter the U.S. Billboard charts in the top 10, achieving significant chart success in many other countries as well. 
Metal Hammer 10/10; Kerrang! 5/5.
First time on black vinyl, 2015 remastered, this double 180 g vinyl release includes hardcover inner sleeves with band photos.
Iron Maiden LLP/Parlophone Records Ltd., 2006/2017 (0190295851958). Made in Germany. First press on black vinyl.


Tracklist:

Side One
1. Different World 4:17
2. These Colours Don't Run 6:52
3. Brighter Than A Thousand Suns 8:44

Side Two
1. The Pilgrim 5:07
2. The Longest Day 7:48
3. Out Of The Shadows 5:36

Side Three
1. The Reincarnation Of Benjamin Breeg 7:21
2. For The Greater Good Of God 9:24

Side Four
1. Lord Of Light 7:23
2. The Legacy 9:20

Total playing time: 71:52 min.

First re-release of the sixteenth single by the legendary British Heavy Metal band.
It's the first single for the band's seventh full-length studio album, "Seventh Son Of A Seventh Son" (1988).
According to Adrian Smith, the song "Can I Play with Madness" "actually started life as a ballad I had been working on called "On the Wings of Eagles". Then Bruce had a verse for it but wanted to change the title to "Can I Play with Madness". I must admit, it did sound better that way. So we took that one and Steve liked it, too. It was Steve who came up with the time change in the middle and the instrumental passage, which again gave it that lift it needed". According to Dickinson, however, Harris' addition resulted in "a big row ... Adrian absolutely hated it". The song is about a young man who wants to learn the future from an old prophet with a crystal ball. The young man thinks he is going mad and seeks the old prophet to help him cope with his visions/nightmares. The prophet's advice is ignored by the young man and they become angry with each other.
But the real reasons to acquire this single come in the form of the "Black Bart Blues", which is like near 7 minute jam section which is actually comprised of great riffing. There is also a Nicko McBrain 'answering machine' in the song, and a bunch of his tomfoolery near the end. In other words, for the first 3-4 minutes, you get a decent Iron Maiden jam loaded with NWOBHM goodness!
The single hit number 3 in the UK charts.
Recorded from the original analogue master tapes.
Parlophone Records Ltd., A Warner Music Group Company, 1986/2014 (2564624847). Made in UK.


Tracklist:

Side A:
1. Can I Play With Madness 3:34

Side B:
2. Black Bart Blues 6:40

Total playing time: 10:14

Samples: http://www.last.fm