CD

The sixth full-length studio album by German Epic Power/Speed Metal band.
Metal warriors Sacred Steel return with another outing of pure and true Heavy Metal! Old school to the bone, complete with every cliché possible... and that's a good thing!
Enhanced CD features Bonus Video "Maniacs of Speed" and 16-page booklet.
Massacre Records/Mystic Empire, 2006/2007 (MYST CD 205).


Tracklist:
1. Hammer of Destruction 04:11
2. Where Demons Dare to Tread 04:32
3. Maniacs of Speed 03:27
4. Blood and Thunder 03:37
5. Impaled by Metal 05:48
6. Descent of a Lost Soul 01:14
7. Black Church 08:52
8. Generally Hostile (Jag Panzer cover) 03:14
9. Plague of Terror 03:55
10. Sword and Axes 04:53
11. The Torch of Sin 04:28
Total playing time: 48:11 min.

Bonus Video: "Maniacs of Speed"

SADISTIK FOREST's riff-based, ferocious and brutal assault
has often been compared to UNLEASHED and early MORBID ANGEL.
Brutal, relentless and interesting combo of death metal from Finland,
spiced with influences from thrash and black metal.
Violent Journey Records, 2010 (VJR029)


Tracklist:
1.In the Mazed Pits of the Underworld
2.Dying Work of Art
3.The Thrashed Fate
4.Relentless Torment
5.The Attempt
6.Hopeless, Merciless
7.Apara
8.Withered

The third and last full-length album by the German Power Metal band.
Saidian was formed by the keyboard player back in 2004. The band took a pretty solid lineup and in the summer of 2005 they released debut album "Those Who Walk The Path Of Forlon". This debut creates the fuss around the band's name that took them on the road supporting Jon Oliva's Pain. In fact, Jon Oliva was that impressed by this album that he contributed to the next album "Phoenix" with some guest vocals on "Crown Of Creation". So, after minor turbulence and some lineup changes the German Power Metal engine is already warm and ready to produce its third discographic step under the title "Evercircle".
"Out Of The Shadows" kicking with the distinct keyboard melody that carries the Stratovarius signature in its all grandeur. Things looks alike even more when the high pitched vocals and enter writing in bold letters the word European Power Metal. So, there are main sing-along melodies some fast guitar fills and the overall lifting up mood that literary irrigates the album's atmosphere. "Tokyo" is a cover song from the homonymous German act (a.k.a. Craft) that brings a fresh breeze along in the form of some Hard Rock (almost AOR) influences. Actually, this Hard Rock backbone that shows up here and there are what Saidian offer in "Evercircle". The keyboard melodies comes with some hearty Pretty Maids additions (think of "Future World") that in some extent differentiate the band from the rather restrict Euro Power Metal sound. On the other hand, we can found the Stratovarius meets Edguy structure way.
The musicianship is of a high level and the sound is powerful and crystal clear, and will attract all the fans of this specific genre. So, if you one from them - get this one!
Blistering Records, 2009 (BR025). Made in Sweden. Pressed in Poland.


Tracklist:
1. Out Of The Shadows 4:32
2. Tokyo 3:56
3. Solomon's Dance 5:28
4. Once In My Dreams 7:01
5. Pale Moon Rider 5:31
6. Stroke Of Genius 6:03
7. Moonlight's Calling 8:16
8. Sign In The Sky 5:11
9. The Princess 4:42
10. Halos For Everyone 5:24
Total playing time: 56:04


Samples: http://www.last.fm
http://www.allmusic.com

The second re-release of the sixth full-length studio album by legendary American Doom Metal band.
Also known as "Children Of Doom", the album originally was released in 1992 on Hellhound Records. This is the only album to feature former Count Raven vocalist Christian Linderson. The band had a break after this album, but reformed with original singer Scott Reagers for their next album, "Die Healing" (1995).
“C.O.D.” features numerous instant Vitus classics, including “Children of Doom” and “Plague of Man” and is now remastered and repackaged with bonus tracks.
Recommended for fans of Black Sabbath, Trouble, Count Raven, Candlemass, The Obsessed, High On Fire, Sleep, Baroness, Mastodon, and Sir Lord Baltimore.
Season Of Mist, 1992/2013 (SOM 295). Made in France. Pressed in the EU.


Tracklist:
1. Intro 1:46
2. Children Of Doom 6:09
3. Planet Of Judgement 7:39
4. Shadow Of A Skeleton 5:56
5. (I Am) The Screaming Banshee 3:49
6. Plague Of Man 8:01
7. Imagination Man 4:24
8. Fear 5:00
9. Get Away 7:22
10. Bela 5:57
11. A Timeless Tale 2:16
12. Hallow's Victim (Exhumed) 4:02
13. To Breed A Soldier (Bonus Track) 6:02
14. The Chameleon (Bonus Track) 6:59
Total playing time: 75:22 min.

Samples: https://saintvitus.bandcamp.com/

Remastered re-release of the seventh full-length studio album by legendary American Doom Metal band.
Being their final album before disbanding in 1996, "Die Healing" saw the band reunite with the original line-up of vocalist Scott Reagers, guitarist Dave Chandler, bassist Mark Adams and drummer Armando Acosta. It would, however, be the last Saint Vitus album to feature Acosta before his death in 2010, and Reagers for 20 years until his return to the band in 2015.
With Scott Reagers' back in the band, Saint Vitus made their darkest album to date. The weird, Punk-influenced Doomsters from LA haven't exactly been making jolly and merry music throughout all these years, but "Die Healing" takes the band's dark sound and lyrics to a whole new sinister level. The distinctive axe-work by mastermind Dave Chandler is the same, if not tighter, than ever, and his wild solos are another welcoming and familiar aspect. Mark Adams does what he does best, i.e. following Chandler's riffs with his bass, and Armando Acosta (R.I.P.) works the sticks the true Doom Metal way.
Musically, 'Die Healing' is simply better than the band's previous albums featuring Reagers; even if the more Punk-influenced sound isn't as prominent as on "Saint Vitus" and "Hallow's Victim". "Die Healing" has a much better production that sounds fairly crisp, at least compared to the first releases featuring Reagers on vocals, and this does the band some well-deserved justice. The production on 'Die Healing' really brings the greatness of the band. The heavy, slow to mid-tempo riffing with a punch and crazy soloing really stand out, thanks to the improved sound quality, and would make Tony Iommi and a certain Jimi Hendrix (R.I.P.) proud, since these two legendary guitarists have had some influence on Chandler's unique style.
Saint Vitus has been able to put consistently good records out, since day one, and "Die Healing" is, along with "Born Too Late" the very best of Saint Vitus. Doom on!
Season Of Mist, 1995/2013 (SOM 280). Made in France. Pressed in the EU.


Tracklist:
1. Dark World 4:56
2. One Mind 4:33
3. Let The End Begin 7:35
4. Trail Of Pestilence 5:10
5. Sloth 8:11
6. Return Of The Zombie 6:42
7. In The Asylum 8:11
8. Just Another Notch 4:30
Total playing time: 49:48 min.

Samples: https://saintvitus.bandcamp.com/

The eighth full-length studio album by legendary American Doom Metal band.
The first studio album in 17 years, since "Die Healing" (1995), by godfathers of American Doom Metal!
The album marks the return of seminal vocalist Scott "Wino" Weinrich in 22 years, since "V" (1990)!! It also marks their first album with Henry Vasquez on drums and their final release with bassist Mark Adams, who left the band in 2016 due to Parkinson's disease.
Seventeen years after the release of their previous full-length, these legends return with yet another masterpiece. “Lillie: F-65” includes the trademark songwriting style so beloved by Saint Vitus fans. There is the cataclysmic and unmistakable guitar sound of co-founder Dave Chandler, leading to amazing and magical solos. “Lillie: F-65” is furthermore graced with the deeply resonant vocals of Scott “Wino” Weinrich, whom many consider to be the classic Saint Vitus vocalist.
Despite hiatus and changes over the past years, Saint Vitus remain true icons of Doom Metal. Now the US legends are back and stronger than ever with “Lillie: F-65”!!!
Limited Edition release features Bonus DVD “Live In Hamburg At Markthalle 2010”.
NTSC | 16:9 | Reg. 0 | Dolby Digital.
Season Of Mist, 2012 (SOM 258D). Made in France. Pressed in Austria. First press.


Tracklist:

CD “Lillie: F-65”
1. Let Them Fall 3:53
2. The Bleeding Ground 6:18
3. Vertigo 2:37
4. Blessed Night 3:59
5. The Waste Of Time 5:39
6. Dependence 7:36
7. Withdrawal 3:26
Total playing time: 33:28 min.

DVD “Live In Hamburg At Markthalle 2010”
1. Saint Vitus
2. The Troll
3. White Stallions
4. Mystic Lady
5. Born Too Late
6. Dying Inside
Approx. time: 60 min.


Samples: https://saintvitus.bandcamp.com

The ninth full-length studio album by legendary American Doom Metal band.
Seven years after their epic comeback album, "Lillie: F-65" (2012), legendary Doom Metal trailblazers return with their eponymous new album. The band sees the return of their original vocalist, Scott Reagers, as well as the addition of new bassist Pat Bruders (Down, ex- Crowbar), who join long-time drummer Henry Vasquez and founder/guitarist Dave Chandler.
As if in a time machine, the seasoned quartet picks up where their 1985 classic "Hallows Victim" left off. From the very first guitar chords, that unmistakable frying, sizzling, and wailing signature sound of Dave Chandler, any adherent of classic Doom Metal will immediately know: this is Saint Vitus! "Saint Vitus" delivers nothing less than the truest and most enduring representation of original and fundamental Doom Metal!!
Season Of Mist, 2019 (SOM 513). Made in France. Pressed in Germany.


Tracklist:
1. Remains 6:23
2. A Prelude To… 3:19
3. Bloodshed    3:03
4. 12 Years In The Tomb 5:23
5. Wormhole 5:22
6. Hourglass 5:22
7. City Park 4:00
8. Last Breath 6:37
9. Useless 1:31
Total playing time: 41:00 min.

Samples: https://saintvitus.bandcamp.com/

The tenth full-length album by the American Christian Heavy Metal band.
The Saint's history is stretched for almost 30 years now, under the sad wings of destiny, many twists and turns, many high and lows, many musicians coming in and out, a lot of changes business-wise with records-companies-musical-chairs-letdowns, deceivers and heroes. And two things remain constant and obvious: their commitment to God and their dedication for true British steel in its purest, pristine and hammered form. Their devotion for gospel is unswerving and unshakeable, so their music is also immutable like a heavy duty for the crusader crossing the desert plains on his way to sacred ground.
"Desperate Night" features some of the band's heaviest material ever. Essential pieces such as “Judgement” (raw Power in its purest form), “The Key” (as assertive a bruiser as you will find) and “In The Fray” (with its seething mentality) dominate with their brash guitar walls and hooks to spare. Maintaining the aggressive but engaging qualities is the un-abating energy to “Inside Out” and near Speed Metal romp of “Escape From The Fire”.
At this point it must be noted the solid production, which puts corpulent guitars at the centerpiece of the mix while also reinforcing cleanly defined leads and a forthright low end.
On the more melodic side of things are “Crucified” and “Let It Rock”, choice examples of up-tempo Metal in which catchy hooks prevail. “Desperate Night” and “End Of The World” maintain the melodic sensibilities but with the more dramatic and sublime aura, while “To Live Forever” is classic eighties Metal all the way.
Please note that “To Live Forever” was slated as the title track to Saint’s fourth album to be recorded in follow up to "Too Late For Living". That obviously fell through, at which point the song was resurrected for the band's 1999 mini-album "The Perfect Life".
The historic screamer Josh Kramer is featured on 11 songs, maybe for the last time as the band also introduced Mr. Bryan Phyll Miller as their new lead singer in the track "Desperate Night", but who knows? As God works in mysterious ways.
Don’t waste your time searching for the latest hyped sound, these are reckless pilgrims under the supreme Power flag and defenders of the faith in Heavy Metal, each track is a hymn in the honors of both! "Desperate Night" adds up to another very good album from Saint. Classic Metal fans rejoice!!
Armor Records, 2012. Made in USA. First press.


Tracklist:
1. The Crucible 1:14
2. Crucified 3:18
3. The Key 3:35
4. End Of The World 4:13
5. Let It Rock 3:02
6. In The Fray 3:23
7. Inside Out 4:19
8. Desperate Night 4:24
9. Zombie Shuffle 2:41
10. Judgement 4:23
11. To Live Forever 4:41
12. Escape From The Fire 3:19
13. The Crucible Reprise 0:29
Total playing time: 43:01


Samples: http://www.last.fm

Re-release of the second full-length album by Brazilian Hard Rock/Heavy Metal band.
After releasing a split "S.P. Metal" in 1984 (18.000 copies sold) and debut full-length "Beijo Fatal" in 1987 (78.000 copies sold; released by RCA), the quintet returns with a full power! With considered by critics and fans as the best line-up in band's history, after 23 year break (!!), this cult Brazilians back with their second album!!
The material brings the band back to the traditional Heavy Metal, but without any clichés - this band has their own style that combines full conception of various forms.
You'll love or hate it, but will never be indifferent!
CD features “Beijo Fatal” LP (1987) as a bonus!!
Metal Soldiers Records, 2009/2011 (MSR009). Made in Portugal. Pressed in Spain.


Tracklist:
1. Eu Não Quero Querer Mais
2. Sofrer
3. Homens com Pedigree
4. Sob Seus Pés
5. Anjo
6. 2000 Anos
7. Voyeur
8. No Seu Mundo
9. Delírio Estelar
10. Ao Menos em Sonho
Bonus Tracks (Beijo Fatal):
11. Dama da Noite
12. Beijo Fatal
13. Jogos de Guerra
14. Noite de Rock
15. Anjos da Escuridão
16. Doce Vingança
17. Sobo Signo de Vênus

First re-release of the second full-length album (the first official) by the cult Israeli Death/Gothic/Doom Metal band.
Salem are pioneers of the oriental Metal movement and of the Israeli Heavy Metal scene. “Kaddish” is one of the first Israeli Rock albums to engage with recent Jewish history and the Holocaust. Most of the lyrics and music deal with political issues concerning the Jewish people and Israel with band's music being a combination of Doom/Death Metal with Oriental elements and high-pitched screaming-vocals. 
The band was formed in 1985 along with the newly born extreme Metal scene and soon released two demo tapes "Salem" (1986) and first full-length "Destruction Till Death" (1987). After five years of being Underground, the band released another demo, "Millions Slaughtered" (1990), with mostly live tracks. The demo sold 1,500 copies and led to a record deal with the German label Morbid Records. Their first studio records, mini-album "Creating Our Sins" (1992) and first official full-length "Kaddish" (1994), were released by Morbid Records and became the first Metal albums from Israel to gain worldwide success.
Mayhem`s founder Euronymous offered Salem relocation to Norway and joining their cult. Varg Vikernes (Burzum), who disliked the band ideals thought differently, sent to vocalist Zeev Tananboim an explosive envelope by mail...
"Kaddish" is a concept album about the Holocaust. Song "The Fading" was played on MTV's Headbanger's Balls rotation and had the band elected as one of the ten best up-and-coming bands in the world by MTV and Kerrang! Album also featured a cover song in Hebrew called "Ha'ayara Bo'eret" ("the small town is burning"). The song was originally a poem written in Yiddish by Polish-Jewish poet Mordechai Gebirtig in 1938, in response to the 1936's pogrom of Jews in the town of Przytyk near Radom, Poland.
Guns N’ Roses guitarist Ron “Bumblefoot” Thal was a special guest at Salems’s May 6, 2011 “Kaddish” re-release concert at Reading 3, Tel Aviv, Israel. Thal says: "Kaddish" is the most true-to-art Doom Metal album I’ve ever heard, completely capturing the horror of mankind’s utmost vulnerability to evil and self-destruction. Being someone who lost family to the Nazis in Poland, this album tore straight to my soul".

Salem vocalist Zeev Tananboim added: "Kaddish" is our desperate cry in memory of the horrors that happened to our families. The Holocaust followed me all my life as a dark shade which is so scary to look at. By doing this album we dared to look at the face of the horror and send two important messages: We will never forget, and we are here to survive".
Without a doubt band's best album!!
Remastered re-edition features altered track listing and modified album cover. CD’s cover art and design was handled by the band’s guitarist, Nir Gutraiman. The effort was remastered by UE Nastasi at Sterling Sound in New York City.
Raven Music/High Fidelity Ltd., 1994/2011 (135HF). Made in Israel.


Tracklist:
1. Dying Embers 5:46
2. Eyes To Match A Soul 5:31
3. Kaddish 8:14
4. Above The Ground 4:53
5. Ha'ayara Bo'eret 5:29
6. The Fading 4:31
7. Desert Prayer 1:02
8. The Edge Of The Void 3:15
9. Fear Of The Future 4:04
10. The One That No One Knows 5:00
Total playing time: 47:45


Samples: http://www.last.fm

pagan folk black metal from Poland
Eye Productions, 2004 


Tracklist: 
1. Krew i Honor 03:01
2. W Krainie Cienia 05:42
3. ...ku Chwale Nocy 02:00
4. Wielki Las 05:32
5. Otuleni przez Zimowe Wichry 04:23
6. Wrota Nocy 05:44
7. Kiedy krzyze plomien pochlonie 02:08
8. Slowianska duma 05:06
9. Posrod starych borow 02:14
10. Wielki las (live)

The ninth full-length studio album by legendary Swiss Industrial Death/Black Metal band.
After two years of silence, legendary band Samael is back! Expect a harsh dissonance to the catchy and electronica-meets-Metal approach of the predecessor "Solar Soul". Harking back to the good old Black Metal days of Samael, the band`s ninth effort combines the extreme sounds of the era 1994 – 1996 with sophisticated songwriting and unearthly grooves.
Earlier in 2009 the band began promoting a virtual Death Metal band from their Myspace profile. The band was called "Above" and featured computer-designed band members in a virtual world, whose lyrics and songs were written by Samael. Later through Myspace, the band announced that they would be taking their side-project Above and turning it into their newest Samael album.
Commenting on the album, Vorph said: "After 20 years, we've tried to do an album that would represent what Samael is all about and we did "Solar Soul". We feel now it is the right time to remind the people where we come from and that's exactly what "Above" will do. It is like an enhanced version of our three or four first albums, maybe the missing link between "Ceremony of Opposites" and "Passage". With the "Era One" project we've tried to work on different influences; with "Above" we stripped everything down."
Produced by the band and mixed by the one and only Mr. Fredrik Nordström (In Flames, Opeth, Arch Enemy), "Above" surely is the most surprising and aggressive in the whole Samael discography! Musically “Above” embedded a lot of memorable influences: Bathory, Slayer, Iron Maiden… to name just a few bands that shaped the sound of Samael in the first place. The lyrical content is also reminiscent of the band approach until the album “Eternal”. It’s not a “one song one topic” type of lyrics, but that was never really the case with Samael. Some of the themes tackled throughout the album are: change, personal quest, sex and ambition… something that has been part of entire Samael history.
While “Above” seems to lack the originality of the standard Samael album the first time through it quickly becomes apparent on subsequent listens why the album is every bit as good as any of the other titles in the band’s discography. With the new direction present on the album, it should appeal to people who enjoy their earlier work as well as those who were put off by the heavy emphasis on Electronica. This modern take on the band’s Black Metal roots is so focused on that sound that it almost ends up being their downfall, but with repeated listens that concern slowly fades away. The album is easily accessible while offering many benefits in the long run. Samael has done well in incorporating a modern twist to things. A decent listen, and finally a record that should show at least some of the potential that this quartet possesses. Grace the marriage of era, and distinguish how Samael make the concept of Black Metal seem complete with Industrial Metal!
Nuclear Blast GmbH, 2009 (NB 2322-2). Made in Germany. First press.


Tracklist:
1. Under One Flag 03:43
2. Virtual War 04:04
3. Polygames 03:55
4. Earth Country 03:55
5. Illumination 03:31
6. Black Hole 03:38
7. In There 04:01
8. Dark Side 03:30
9. God's Snake 04:07
10. On the Top of It All 04:42
Total playing time: 39:06 min.

The Best Of compilation album by legendary Swiss Symphonic/Electro Industrial/Black Metal band.
The very noble Best-Of release from one of the most visionary and innovative Extreme Metal bands! Their Black Metal sound has evolved as they've introduced elements of Industrial, Goth and other styles into their sound.
This second compilation in the band’s discography is a perfect historical overview, from "Worship Him" (1990) to "Reign Of Light" (2004). 18 remastered songs, over 75 minutes playing time, liner notes to each song written by Vorph, glossy print, 24-page booklet. 
Century Media Records, 2007 (Century Media 8355-2). Made in USA. First press.


Tracklist:
1. Exodus 03:45
2. Black Trip 03:18
3. Rebellion 03:26
4. Baphomet's Throne 03:31
5. Telepath 03:34
6. Together 04:25
7. Supra Karma 04:30
8. Jupiterian Vibe 03:23
9. Rain 04:01
10. The Cross 03:17
11. After The Sepulture 04:29
12. On Earth 04:00
13. Moonskin 03:58
14. Worship Him 06:29
15. Ceremony Of Opposites 04:35
16. Blood Ritual 03:25
17. Into The Pentagram 06:44
18. Koh-I-Noor 05:26
19. Reading Mind 03:24
Total playing time: 79:40 min.

The fourth EP by legendary Swiss Symphonic Industrial/Electro Black/Dark Metal band.
Samael have definitely had a polarizing career. They began as a mid-paced Black Metal band that specialized in creating a rhythmic groove that the genre wasn’t really known for. They eventually found that they could enhance that groove by including Industrial elements (most notably a drum machine). This actually led to one of their most revered albums, "Passage". Instead of just sticking to their unique style, though, they pushed further into the Industrial genre; alienating a large amount of their fans in the process. In 2009 Samael surprised everybody by releasing the most aggressive album of their careers – an album that mixed the speed and atmosphere of Black Metal with the rhythmic pulse of Industrial Metal. This lead to the obvious question: was "Above" a one-time deal or were Samael back in the Metal genre for good? Almost year and a half after the release of “Above”, Samael are back with “Antigod”. While Samael’s new EP can’t really answer that question definitively, it’s at least a good tentative “yes”.
The new song, “Antigod,” sounds like it could have been lifted directly from "Passage". It is the kind of rhythmic, Industrialized Black Metal that the band used to do so well. It features the pounding percussion, thick orchestral synths, and Vorph’s long-missed growl that made "Passage" so great. That song is followed up by the band’s second re-creation of the song “Into the Pentagram”. That song was originally found on the band’s debut and subsequently re-done on their "Rebellion" EP. This version of the song has been given the band’s Industrial treatment – replacing the live drums of the first two versions with a drum machine and additional synths – and while it is great, it lacks the dark atmosphere of the "Rebellion" version. The EP is rounded out by two live tracks, a remix, and an all-synth finale. The live tracks are both taken from the band’s Industrial era, but they’re much more powerful live. The remix of “Antigod” isn’t terrible. It lacks the power and heaviness of the original, and is actually a bit grating due to the thin drum sound and distorted vocals. The all-synth new track, “Ten Thousand Years”, is an instrumental composition, sounding more as a soundtrack for a movie. It is a nice pompous track.
"Antigod" is a great surprise since it truly does provide the back-to-roots feel that we were initially promised with "Above". The live tracks show that the band is still pretty kick-ass and heavy in a live situation. Overall, whether you choose to listen to this EP or not, know that “Antigod” is a great return to the band’s roots and hopefully it is a sign of things to come!!
Nuclear Blast GmbH, 2010 (NB 2672-2). Made in Germany. First press.


Tracklist:
1. Antigod 4:04
2. Into The Pentagram (2010) 4:44
3. Reign Of Light 3:47
4. Slavocracy 4:16
5. Antigod (Dark Night Remix) 3:50
6. Ten Thousand Years 4:44
Total playing time: 25:25 min.

 

30th Anniversary re-release of the second full-length studio album by legendary Swiss Black Metal Band.
Formed back in July 1988 by brothers Vorphalack (guitars, vocals) & Xytraguptor (drums, keyboards), Samael grown into one of the leading Metal bands to ever emerge from Switzerland and rose to international fame during their formative years with Century Media Records. When Samael's one-album-only contract with Osmose Productions expired, the band signed with Century Media, which offered them a better deal. The long time between "Worship Him" and "Blood Ritual" was due to negotiations between the band and the label.
The band chose to record their second effort in Germany rather than Switzerland, due to the expensive studio's time in their native country. "Blood Ritual" was produced by Waldemar Sorychta at T & T Studios in Gelsenkirchen, and is regarded as a true Dark/Black Metal masterpiece.
Vorphalack argued that the main change between "Worship Him" and "Blood Ritual" was the record production and not the music. According to him, there are songs in their sophomore album that pre-date their debut.
Century Media Records Ltd./Rawforce Records, 1992/2022 (RAWFORCE 100-100). Made in Chile.


Tracklist:
1. Epilogue 0:39
2. Beyond The Nothingness 4:31
3. Poison Infiltration 3:57
4. After The Sepulture 4:35
5. Macabre Operetta 6:41
6. Blood Ritual 3:24
7. Since the Creation... 0:34
8. With The Gleam Of The Torches 6:25
9. Total Consecration 2:40
10. Bestial Devotion 4:49
11. ...Until The Chaos 3:25
Total playing time: 41:45 min.


https://samael.bandcamp.com/

The eleventh full-length studio album by legendary Swiss Symphonic Industrial/Black/Dark Metal band.
The first Samael album on Napalm Records, and the first to feature bassist Thomas "Drop" Betrisey. The release year of the album coincides with the band's 30th anniversary.
"Hegemony" was in the making for over four years and saw a shift from the occult and spiritual themes prevalent on past albums to social and political topics. However, as Vorph said, "Hegemony" closely connected with predecessor album "Lux Mundi".
Frighteningly brutal, a colorless bouquet from the withered flowers of Behemoth and Dimmu Borgir, "Hegemony" is a slick and vital record that sounds absolutely massive and is wickedly good fun.
Napalm Records Handels GmbH, 2017 (NPR 718 DP). Made in Austria. Pressed in Germany. First press.


Tracklist:
1. Hegemony 3:47
2. Samael 3:58
3. Angel Of Wrath 3:29
4. Rite Of Renewal 4:31
5. Red Planet 3:58
6. Black Supremacy 3:50
7. Murder Or Suicide 4:03
8. This World 3:52
9. Against All Enemies 4:31
10. Land Of The Living 4:12
11. Dictate Of Transparency 3:58
12. Helter Skelter (The Beatles cover) 3:26
13. Storm Of Fire 4:11    (Bonus Track)
Total playing time: 51:29 min.

The tenth full-length studio album by legendary Swiss Symphonic Industrial/Electro Black/Dark Metal band.
All throughout the ‘90s, Samael was busy pushing the boundaries of Black Metal, dropping all the standard frozen aesthetics and playing with Electronic sounds. While there was still plenty of occult and anti-Christian sentiment, Samael always played to the beat of a different drum. Many fans didn’t care for just how different that beat got several years later, when the band could more accurately be described as an Industrial or even Symphonic outfit. Long time fanatics should brace themselves as the prodigal son returns to its roots and produces a sound that reminds the world why Samael was so highly regarded in the first place.
As though trying to make up for the less aggressive albums, Samael’s previous release, “Above”, was unnecessarily harsh and heavy, with a production that made all the songs bleed together into one mass of incompressible screams. It seems the band learned a valuable lesson from that release, as “Lux Mundi” has a much more organic and fluid production, and all the instruments get a chance to shine. From front man Vorph’s distinctive growl to the melodic and menacing guitar work, all the best Samael elements are put on display. Black Metal is still deeply rooted in Samael's sound, but modern Industrial rears its ugly head and accentuates its presence all the time. The connection of the two styles is seamless (like it was before), but this time it sounds exceptionally well. The production and song writing style clearly brings to mind Samael’s 90’s era work, with some modern sensibilities. Generally the keyboard and electronic parts play a supporting role, with shorter intro or interlude segments that have a bigger emphasis, which leads to an overall heavier experience that still has loads of atmosphere. The electronic programming is used to vary the tone of each song, giving the various tracks a distinct feel. Not simply a return to old sounds, the album is also a rising new dawn that combines the various styles heard throughout Samael’s impressive two decade career. The songs “The Shadow of the Sword” and “The Truth is Marching On” strike the best balance between the “Reign Of Light” era and the “Passage” era, with just enough Electronic sounds to match the fast paced guitar work. “Mother Night” gives a heavy take on the idea of a ballad, while “Pagan Trance” gives a nod to the band’s mystical roots. “Soul Invictus” is also worth a special mention, with a thundering drum beat and swirling dual guitar rhythm that is nearly trance inducing.
The album is clearly trying, and mostly succeeds, to be a successor to the “Passage” album. “Lux Mundi” is undoubtedly among the best of the band’s offerings and an album that will bring Samael defectors back to the fold! Samael returns to form and strikes the right balance between furious Black Metal, melody, and Electronic sounds. This is the best active Metal band from Switzerland, as opposed to institutionalized religion which they always criticize, and has no problem with fitting into the demands of the 21st century. Their thinking about music is modern and archaism-free. With bands like Samael around, the future looks bright!!
Nuclear Blast GmbH, 2011 (NB 2790-2). Made in Germany. First press.


Tracklist:
1. Luxferre 3:49
2. Let My People Be! 3:49
3. Of War 3:41
4. Antigod 4:04
5. For A Thousand Years 4:55
6. The Shadow Of The Sword 3:49
7. In The Deep 4:02
8. Mother Night 4:18
9. Pagan Trance 4:19
10. In Gold We Trust 3:29
11. Soul Invictus 4:18
12. The Truth Is Marching On 4:29
Total playing time: 49:02

Deluxe Edition re-release of the first EP by legendary Swiss Symphonic Industrial Black Metal band.
"Rebellion" is an interesting little median between Samael's strongest albums, a relic from a time, when most bands still seemed to care about releasing short-form works that had some unique content and genuine value. At the time it was easily the most experimental and varied of their recordings, if only because they saw fit to really test the waters beyond Metal with some of Xytras' evocative, ritualistic Ambient music with beats, having a few pretty decent, harder hitting tunes which mark that transition from "Ceremony Of Opposites" to the sheer brilliance.
Though it merely collected the leftover tracks from 1994's "Ceremony Of Opposites", the "Rebellion" EP still serves as a tasty morsel of what Samael was about to accomplish musically. Tracks like "Rebellion" and "Static Journey" advance the Swiss Black Metal merchants' experiments with synths and electronic drumbeats, and an amusing cover of Alice Cooper's "I Love the Dead" adds a little variety to boot.
This is one of the first step in the new path taken by the band after their Black Metal early days and one of the most unique releases in the genre. Without a doubt, one of the best EP’s ever released!
Limited Deluxe Edition 24-kt Gold Translucent CD, housed in luxury 6-page Soft Touch Digipak with embossed gold foil stamping and voluminous varnish. Luxury textured sticker inside!
First 50 copies include exclusive Patch and available with orders via Total Metal Shop only.
Century Media Records/Metal Scrap Records, 1995/2023 (MSR188DP). Made in Europe for the world.


Tracklist:
1. Rebellion 3:25
2. After the Sepulture (New Version) 3:33
3. I Love the Dead (Alice Cooper cover) 3:33
4. Static Journey 6:04
5. Into the Pentagram (New Version) 4:24
6. Hidden Tracks 13:46
     I. Unnamed
     II. Static Journey (Deutsche Version)
Total playing time: 34:59 min.

The eighth full-length studio album by legendary Swiss Symphonic/Electro Industrial/Black Metal band.
From crude Black Metal to finessed Industrial Electronics, Samael's long and not always smooth career path has left many fans upset and stranded by the roadside - especially due to the erratic qualities of 1999's Electro Metal hangover "Eternal" and the radical Trip-Hop departures of 2004's otherwise impressive "Reign Of Light".
With their seventh longplay, 2007's "Solar Soul", the Swiss quartet appeared to be striving to achieve some kind of historical balance between all of these disparate styles. As a result, numbers like "Promised Land", "Valkyries' New Ride" and the title track see the band re-injecting some of the analog Metal elements of early-day efforts into its still thoroughly digital aesthetic, thus rendering those songs at once inventive and worthy of a good headbang.
"Solar Soul" features a wide range of Electronic Synth effects and keyboard melodies to conform to Black Metal. Add that, a lead and rhythm guitar, and, insert onomatopoeia, you have Metal with a contemporary vibe, at times showcasing a Pop-esque groove. The intention is not only to put the melody of our forefathers in practice, but to inject catchiness and harmony of vocals vis-a-vis leads.
Nuclear Blast GmbH, 2007 (NB 1898-0). Made in Germany. First press.


Tracklist:
1. Solar Soul 03:44
2. Promised Land 03:57
3. Slavocracy 03:30
4. Western Ground 04:06
5. On the Rise 03:51
6. Alliance 03:40
7. Suspended Time 03:44
8. Valkyries' New Ride 03:53
9. Ave! 04:15
10. Quasar Waves 03:36
11. Architect (Bonus Track) 03:52
12. Olympus 04:39
Total playing time: 46:47 min.

25th Anniversary re-release of the debut full-length studio album by legendary Swiss Black Metal Band.
Released in 1991, it was the first-ever release from Osmose Productions, an independent French Black Metal label.
To celebrate the 25 years of Osmose Productions, label get the permission from Century Media to re-issue their very first release under a limited to 1000 copies digipack edition.
"Worship Him" considered a milestone in the development of second wave of Black Metal.
Century Media/Osmose Productions, 1991/2016 (OPCD001). Made in France. Pressed in Austria.


Tracklist:
1. Sleep Of Death 3:44
2. Worship Him 6:30
3. Knowledge Of The Ancient Kingdom 5:05
4. Morbid Metal 4:54
5. Rite Of Cthulhu 2:04
6. The Black Face 3:30
7. Into The Pentagram 6:46
8. Messenger Of The Light 2:42
9. Last Benediction 1:24
10. The Dark 4:27
Total playing time: 41:06 min.