RARITIES

The debut and only full-length studio album by Canadian Heavy Metal band.
Formerly known as Hanover Fist, Hanover is the brainchild of Frank Zirone and the first band in discography of legendary drummer Mike Terrána (Axel Rudi Pell, Haggard, Tony MacAlpine, Yngwie Malmsteen, Masterplan, Metalium, Rage, Squealer, Tarja Turunen, Theodore Ziras and more).
From the start, the album was released as self-titled album (“Hanover Fist”) in Canada only. And later same year, after band change name, it was re-released worldwide as “Hungry Eyes”, with the new cover artwork and one new track (instead two others, that was missed).
The Single "Metal Of The Night" appeared on the soundtrack of a 1984 movie called “The Wild Life”.
MCA Records, 1985 (MCA - 39037). Made in Canada. Used (cover/vinyl): EX+/EX+.

Tracklist:

Side One
1. Fits Ya Good 4:04
2. Hungry Eyes 3:40
3. The Maze 3:40
4. Looking For Love 4:04
5. Standing Six 4:10

Side Two
6. Fear No Evil 4:45
7. Metal Of The Night 5:59
8. Rock Bottom 4:29
9. High Speed Roller 4:19

Total playing time: 39:10 min.

The debut full-length studio album by legendary American Rock band.
The album sold an impressive 30 000 copies across Canada in its first few months, eventually being certified as double Platinum for sales of 200 000. Due to the gradual nature of the sales, it only entered the Canadian Albums Chart on September 4, 1976, peaking at number 20 on October 9, 1976.
Mushroom Records/Arista Records/Negram, 1976 (ARTY 139). Made in Holland. First press. OIS. Used (cover/disc): EX/EX.


Tracklist:

Side 1
1. Magic Man  5:28
2. Dreamboat Annie (Fantasy Child)  1:10
3. Crazy On You  4:53
4. Soul Of The Sea  6:33
5. Dreamboat Annie  2:02

Side 2
6. White Lightning & Wine  3:53
7. (Love Me Like Music) I'll Be Your Song  3:20
8. Sing Child  4:55
9. How Deep It Goes  3:49
10. Dreamboat Annie (Reprise)  3:50

Total playing time: 39:53 min.

The eighth full-length studio album by legendary American Melodic Hard Rock/Glam Metal band.
The album continued the band's transition into Mainstream Rock, a genre that yielded the band its greatest commercial success. Marking the band's Capitol Records debut, it became Heart's only album to top the US Billboard 200 to date. The album was eventually certified quintuple Platinum by the Recording Industry Association of America (in contrast to Heart's previous two releases, "Private Audition" and "Passionworks", which remain uncertified, proving that adopting a Glam Metal direction helped resurrect the band.
The album yielded the band's first number-one Single, "These Dreams", along with four other singles: "What About Love", "Never", "Nothin' at All", and "If Looks Could Kill", with the first four Singles reaching the top 10 of the Billboard Hot 100. At the 28th Annual Grammy Awards, the album was nominated for a Grammy Award for Best Rock Performance by a Duo or Group with Vocal.
In a 2022 interview, Ann Wilson stated that the album was self-titled because the band "didn’t write a whole lot of the songs on there, so that aspect of closeness with the work was gone, and it was much harder for us to come up with a title that was real".
Capitol Records, Inc./EMI Services Benelux B.V., 1985 (064 2403721). Made in Holland. First press. OIS. Used (cover/disc): EX+/EX.


Tracklist:

Side 1
1. If Looks Could Kill 3:41
2. What About Love? 3:39
3. Never 4:04
4. These Dreams 4:13
5. The Wolf 4:02

Side 2
1. All Eyes 3:54
2. Nobody Home 4:08
3. Nothin' At All 4:12
4. What He Don't Know 3:40
5. Shell Shock 3:42

Total playing time: 39:15 min.

The third full-length studio album by legendary American Folk/Hard Rock band.
CBS Inc./Portrait Records, 1977 (PRT 82075). Made in Holland. First press. OIS. Used (cover/disc): EX/VG+.


Tracklist:

1
1. Barracuda  4:20
2. Love Alive  4:21
3. Sylvan Song  2:12
4. Dream Of The Archer  4:30
5. Kick It Out  2:44

2
6. Little Queen  5:10
7. Treat Me Well  3:24
8. Say Hello  3:36
9. Cry To Me  2:51
10. Go On Cry  5:52

Total playing time: 39:00 min.

The second full-length studio album by legendary American Hard Rock/Blues band.
It was originally released on April 19, 1977, by Mushroom Records in unfinished form, without the band's permission. A second authorized version of the album was released on April 22, 1978.
Since the label could no longer provide Flicker as producer as the contract specified, the band took the position that they were free to move to another label and signed with Portrait Records. The change in labels resulted in a prolonged legal battle with Mushroom's creative director Shelly Siegel. Mushroom, which still had a two-album contract, claimed they had the legal right to release a second Heart album after all. Still in possession of the five unfinished studio recordings, as well as unreleased live tracks recorded in 1975, Mushroom had them remixed by the band's recording engineer, but without the presence of any group members. The label added another studio track, "Here Song" (the B-side to "How Deep It Goes", Heart's first Canadian Single from 1975). The rest of the album was filled by two live songs recorded in 1975 at The Aquarius Tavern, a rock club in Seattle where the group had played regularly. Mushroom released the collection as "Magazine" in the spring of 1977, at the same time that the ban was preparing their next album for Portrait Records, titled "Little Queen".
According to Flicker, about 50 000 copies of the original "Magazine" album were pressed. Some of these copies were sold in stores, mostly in Los Angeles and Hollywood, Florida, where the records were manufactured. Unsold copies were quickly recalled and later destroyed when Heart took Mushroom Records to court to stop distribution of the album. The 1977 version was also briefly released in Europe through Arista Records, but were ordered off shelves by a second court action.
Though the album was not officially released to radio stations in 1977, some stations such as KISW, a Seattle-based rock station, played songs from the unauthorized version, against the wishes of the group. The 1977 release carried a disclaimer on the back cover that read: "Mushroom Records regrets that a contractual dispute has made it necessary to complete this record without the cooperation or endorsement of the group Heart, who have expressly disclaimed artistic involvement in completing this record. We did not feel that a contractual dispute should prevent the public from hearing and enjoying these incredible tunes and recordings".
The court eventually decided that the band could sign with Portrait, but that they did owe Mushroom a second album. The band returned to the studio to re-record, remix, edit, and re-sequence the recordings. "Magazine" was re-released in 1978 and sold a million copies in less than a month.
Shelly Siegel, the promoter behind the "First Time" ad and vice president of the record label, died a few months after the re-release, and Mushroom Records went bankrupt two years later. Ownership rights to Heart's two albums for Mushroom were purchased by Capitol Records, which reissued the recordings. The episode had at least one more repercussion. Not long after the ad appeared, a radio promoter asked Ann about her lover; he was referring to Nancy, thus implying that the sisters were incestuous lesbian lovers. The encounter infuriated Ann, who went back to her hotel and wrote the words to what became one of Heart's signature songs, "Barracuda".
The album has been certified Platinum in both the United States and Canada.
Mushroom Records/Arista Records/EMI Electrola GmbH, 1977 (1C 064-60 008). Made in Germany. First press. Used (cover/disc):  VG+/EX+.


Tracklist:

Seite 1
1. Heartless  4:59
2. Without You  4:43
3. Just The Wine  4:30
4. Magazine  6:55

Seite 2 
5. Here Song  1:34
6. Devil Delight  4:57
7. Blues Medley: Mother Earth / You Shook Me Babe  7:11
8. I've Got The Music In Me  6:12

Total playing time: 41:01 min.

The fifth full-length studio album by legendary Canadian heavy metal band.
Capitol Records, Inc./EMI Services Benelux B.V. Uden, 1985 (064 2403481). Made in Holland. First press. Used (cover/disc): VG+/VG+.


Tracklist:

SIDE ONE
1. The Kids Are All Shakin' 3:35
2. Deep Cuts The Knife 3:52
3. Ride The Rocket 3:12
4. Long Way To Heaven 3:25
5. House On Fire 3:24

SIDE TWO
6. Christine 3:33    
7. Without You (Jasmine's Song)    3:39
8. School Of Hard Knocks 4:05
9. Don't Touch The Merchandise 2:47
10. Bangin' Off The Bricks 3:12

Total playing time: 35:49 min.

The debut mini-album by legendary American Heavy/Speed Metal band.
Released in 1983 as 4-track EP, this release has two tracks added, and marked as Mini LP.
Music For Nations, 1983/1984 (MFN 15). Made in UK. 45 PRM. Used (cover/disc): VG+/NM.


Side A
1. Break the Spell 04:07
2. Don't Take No 04:13
3. Backstabber 03:29

Side B
4. Lookin' for a Good Time 03:06
5. Driving Hard 03:42
6. Up from the Depths 05:23
 
Total playing time: 24:00 min.

The fourth Single by legendary German Power/Speed Metal band.
Taken from the 1988 album "Keeper Of The Seven Keys, Part 2", the song remains one of the band's most popular songs, and is played live at virtually every Helloween concert. The lyrics based on the 1818 novel "Frankenstein; or, The Modern Prometheus".
A video shot for the 2010 Jazz-style remake of the song on the album "Unarmed – Best Of 25th Anniversary".
Noise International, 1988 (N 0116-5). Made in Germany. First press. 45 PRM. OIS. Post Card. Used (cover/disc): NM/EX+.


Tracklist:

Side A
Dr. Stein 05:03

Side B
Savage 03:26
Livin' Ain't No Crime 04:43

Total playing time: 13:14 min.

Limited Edition release of the second full-length studio album by legendary German Power/Speed Metal band.
Arguably a blueprint for the Power/Speed Metal scene as a whole, "Keeper Of The Seven Keys, Part I" was a strong album that quite obviously deserves the classic title. Helloween finally got a real singer into the band, letting former vocalist Kai Hansen concentrate more on his guitar playing. Michael Kiske was young and quite adept at hitting the notes that are sure to irritate your household pets. "Keeper" also stepped a bit away from the more Thrashy vibe of "Walls Of Jericho", putting forth a cleaner, slicker version of Helloween. Much can be said about the melodic and exciting dual leads of Hansen and Michael Weikath, especially in "I'm Alive" and "Twilight of the Gods". Even on the pseudo-balladry of "A Tale That Wasn't Right", Helloween is able to avoid schlock cliche. And their signature track "Future World" aptly captures everything Helloween is about: a certain optimism, superbly catchy songwriting and a grand epic feeling. Speaking of epics, "Halloween" isn't quite up to the level of other epic Helloween songs and is a bit of a bear to wade through.
The band originally planned to release "Keeper of the Seven Keys, Part I" and "Part II" as a double album, but their record label refused, insisting that the albums be released separately.
"Keeper Of The Seven Keys, Part I" shows Helloween at their creative peak and is more necessary in your collection than any current Power Metal album!!
Limited Edition Blue Transparent Vinyl with OIS.
Noise International, 1987/1988 (N 0057). Made in Germany. Second press. Used (cover/disc): NM-/M-.


Tracklist:

Side One
1. Initiation 1:21
2. I'm Alive 3:23
3. A Little Time 3:59
4. Twilight Of The Gods 4:29
5. A Tale That Wasn't Right 5:15

Side Two
6. Future World 4:02
7. Halloween 13:18
8. Follow The Sign 1:46

Total playing time: 37:33 min.

The debut studio mini-album by legendary German Power/Speed Metal band.
In the realm of Heavy Metal, few bands have left an indelible mark as significant as Helloween. The German Power Metal pioneers burst onto the scene with their self-titled debut mini-album, that would set the stage for a genre-defining career. Released in1985, this iconic record not only showcased the band's musical prowess but also played a pivotal role in shaping the landscape of Power Metal.
The creation of Helloween's debut album can be traced back to the vibrant Metal scene of the early 1980s. In the wake of the New Wave of British Heavy Metal (NWOBHM), European bands began exploring new sonic territories, pushing the boundaries of traditional Metal. Helloween emerged from this milieu, blending the aggression of Metal with melodic and Symphonic elements, laying the foundation for what would later be recognized as Power Metal.
The recording process for the album took place at Musiclab Studios in West Berlin, Germany. Under the guidance of producer Harris Johns, the band, comprised of Kai Hansen (vocals/guitar), Michael Weikath (guitar), Markus Grosskopf (bass), and Ingo Schwichtenberg (drums), crafted a sound that was both raw and polished. The result was a dynamic fusion of speed and melody, punctuated by Hansen's soaring vocals and the intricate guitar work of Weikath.
The mini-LP format, with its limited number of tracks, challenged Helloween to make each song count. The album featured five original compositions, including the anthemic "Starlight" and the frenetic "Murderer". The concise yet impactful tracklist contributed to the album's accessibility and replay value, cementing its status as a classic in the Speed/Power Metal canon. Although it is a Speed Metal rather than a Power Metal album, the record is significant as the first effort by the band that would redefine the Power Metal genre.
"Helloween" was followed up later that same year by the band's first full-length album, "Walls Of Jericho".
Noise Records, a division of Modern Music/SPV GmbH, 1985 (N 0021 | 60-1679). Made in Germany. First press. OIS. Used (cover/disc): VG+/VG+.


Tracklist:

Side A
1. Starlight 5:15
2. Murderer 4:25
3. Warrior 4:00

Side B
4. Victim of Fate 6:39
5. Cry for Freedom 6:07

Total playing time: 26:26 min.

The first compilation album by legendary British Hard Rock band.
Double vinyl in gatefold cover.
10 Records Ltd., 1986 (302 781). Made in Germany. First press. Used (cover/disc 1/disc 2): EX+/EX/EX.


Tracklist:

Side 1
1. Intro On The Rocks
2. Scarabus  4:53
3. Money Lender  5:38
4. Puget Sound  4:23
5. Mad Elaine  4:15

Side 2
1. Time And Again  5:08
2. Vengeance  3:34
3. No Easy Way  6:36
5. If I Sing Softly  6:10

Side 3
1. I'll Rip Your Spine Out  4:30
2. New Orleans  2:37
3. Mutually Assured Destruction  3:13
4. Unchain Your Brain  3:12
5. You're So Right  2:55
6. No Laughing In Heaven  4:58

Side 4
1. Long Gone  3:59
2. If You Believe Me  7:37
3. Trouble  2:23
4. Bluesy Blue Sea  4:48
5. Lucille  2:32

Total playing time: 83:21 min.
 

Remastered re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and  White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
The original 1990 version has cover picture where Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again".
Also this 1998 remastered re-edition contains a special enhanced CD-ROM multimedia section with videos, exclusive photo galleries, biographies, internet links plus a deluxe 24 page colour booklet with full lyrics, Eddie art and photos!!
Iron Maiden (Holdings) Ltd./EMI Records Ltd., 1990/1998 (7243 4 96865 0 2). Made in Netherlands. First press of re-release. Used (cover/disc): EX/NM.


Tracklist:
1.Tailgunner 04:15
2.Holy Smoke 03:49
3.No Prayer for the Dying 04:23
4.Public Enema Number One 04:14
5.Fates Warning 04:10
6.The Assassin 04:18
7.Run Silent Run Deep 04:35
8.Hooks in You 04:07
9.Bring Your Daughter... To the Slaughter 04:44
10.Mother Russia 05:32

The sixth full-length studio album by legendary British Heavy Metal band.
With "Somewhere In Time" Iron Maiden produces yet another classic album full of classic tracks! Album was released on 29 September 1986 on EMI in Europe and its sister label Capitol Records in the US. It was their first album to feature guitar synthesizers. All songs with the exception of "Wasted Years" featured guitar synthesizers. "Somewhere In Time" is notable for lacking any songwriting credits from lead vocalist Bruce Dickinson, whose material was rejected by the rest of the band. On the other hand, the record is also notable for the number of "fully formed" songs written by guitarist Adrian Smith, who wrote both of the album's singles: "Wasted Years" and "Stranger in a Strange Land". The record also marked a change for Iron Maiden, as it was their first to use synth, although this style was expanded on with their next release, "Seventh Son Of A Seventh Son", which used keyboard synthesizers instead. This was also their first studio album not to be released a year after their previous one, with the band insisting that they have more time "to get it right without hurrying for a change", comments Harris. It was also one of their most expensive records, with the bass and drums recorded in the Bahamas, the guitars and vocals recorded in The Netherlands and the mixing taking place in New York.
Since its release, it has been certified Platinum by the RIAA, having sold over one million copies in the US alone.
Iron Maiden has created an amazing album as usual, and it helped push their career further on for twenty more years!
The vinyl includes original inner sleeve.
EMI Records Ltd., 1986 (24 0597 1). Made in Europe. First press. Used (cover/disc): NM/EX.


Tracklist:

SIDE 1
1. Caught Somewhere In Time 7:23
2. Wasted Years 5:05
3. Sea Of Madness 5:41
4. Heaven Can Wait 7:21

SIDE 2
5. The Loneliness Of The Long Distance Runner 6:29
6. Stranger In A Strange Land 5:40
7. Deja-Vu 4:54
8. Alexander The Great 8:35

Total playing time: 51:18 min.

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93915 2 9) Made in UK. First press. Used (cover/disc): M-/M.


Tracklist:
1. Futureal
2. The Angel And The Gambler
3. Lightning Strikes Twice
4. The Clansman
5. When Two Worlds Collide
6. The Educated Fool
7. Don't Look To The Eyes Of A Stranger
8. Como Estais Amigos
Total playing time: 53:20


Samles: http://www.lastfm

The eleventh full-length studio album by the legendary British Heavy Metal band.
It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.
In 1993, Iron Maiden and their popular vocalist, Bruce Dickinson, parted ways. Not going to be stopped by the loss of their 11 year singer, the band began the search for their new front man. They auditioned hundreds of vocalists including Doogie White, who at the time was in Rainbow, and even James LaBrie, of Dream Theater fame. Finally, in 1994, Iron Maiden decided that Wolfsbane singer, Blaze Bailey, would be their next vocalist. After Blaze was brought on board, the band began writing new material for their next album, and in 1995 was released "The X Factor". The album was met with a mixed reaction from fans, but the band soldiered on and entered the studio in 1998 to record their eleventh album, "Virtual XI".
"Virtual XI" met the same fate as "The X Factor". It was even more unpopular among fans than its predecessor, and it suffered in sales, and is to this very day, the only Maiden album to not hit the 1 million mark. As of April 2009 "Virtual XI" had sold 84987 copies in the United States and more than 1050000 worldwide according to Billboard, making the album the poorest selling of the band's career.
The album is slightly unusual in the Iron Maiden catalogue for its extensive keyboard use. For this album, some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts were handled by session musician Michael Kenney. The album also had a reduced song-writing input from Janick Gers compared to the previous Iron Maiden albums since he joined the band in 1990.
"Virtual XI" was the end of another era for Iron Maiden. Following the Virtual XI World Tour, Blaze Bailey left Iron Maiden and two former members, Bruce Dickinson and Adrian Smith returned. Overall, "Virtual XI" is a very long album to listen to, despite being only 53 minutes long. The album is very repetitive, and listening to it takes a lot of patience. However, it has a few gems, such as "Futureal", "The Clansman", and "Como Estais Amigos". With a little more variety, it could have been something special!
Iron Maiden Holdings Ltd./EMI Records Ltd., 1998 (7243 4 93992 2 8) Made in UK. First press. Limited Edition. Used (cover/disc): EX+/NM-.


Tracklist:
1. Futureal 02:56
2. The Angel And The Gambler 09:53
3. Lightning Strikes Twice 04:50
4. The Clansman 09:00
5. When Two Worlds Collide 06:17
6. The Educated Fool 06:45
7. Don't Look To The Eyes Of A Stranger 08:04
8. Como Estais Amigos 05:30
Total playing time: 53:15 min.


Samles: http://www.lastfm

The eighth full-length studio album by legendary British Progressive Rock band.
Chrysalis Records/Phonogram GmbH, 1975 (6307 559). First press. Germany. Used (cover/disc): EX+/EX+.


Tracklist:

Side A
1. Minstrel In The Gallery  8:09
2. Cold Wind To Valhalla  4:17
3. Black Satin Dancer  6:51
4. Requiem  3:41

Side B
5. One White Duck/0= Nothing At All  4:35
6. Baker St. Muse  16:40
7. Grace  0:37

Total playing time: 44:50 min.

First American re-release of the seventh full-length studio album by legendary British Progressive Rock band.
After two single-song concept albums, "Thick As A Brick" and "A Passion Play", “War Child” was a return to the traditional format, and was one of those records that was a hit the day it was announced. The turmoil over criticism of the previous album surrounded the production of "War Child", which obliged the band to do press conferences and explain their plans for the future.
The album prominently features David Palmer's string orchestration across an eclectic musical set, with the band members, as the two predecessor albums, playing a multitude of instruments. The music is lighter and more whimsical than the dark "A Passion Play", with hints of comedy in the lyrics and the music' structure.
"War Child" went Gold in the U.S., where it peaked at No. 2 on the Billboard Pop albums chart. It was the last Jethro Tull album to earn Platinum record status.
Chrysalis, 1974/1983 (PV 41067). Made in U.S.A. Used: (cover/disc): NM- / NM-.

Tracklist:

Side One
1. WarChild 4:33
2. Queen and Country 2:59
3. Ladies 3:16
4. Back-Door Angels 5:30
5. SeaLion 3:35

Side Two
1. Skating Away on the Thin Ice of the New Day 4:02
2. Bungle in the Jungle 3:34
3. Only Solitaire 1:28
4. The Third Hoorah 4:47
5. Two Fingers 5:07

Total playing time: 38:51 min.

The first full-length studio album by legendary American Hard Rock songwriter.
Cleveland International Records/CBS Inc./Epic , 1981 (EPC 84361). Made in UK. First press. Insert. Used (cover/disc): EX+/NM.


Tracklist:

Side 1
1. Bad For Good  8:44
2. Lost Boys And Golden Girls  4:37
3. Love And Death And An American Guitar  2:39
4. Stark Ravin Love  7:21

Side 2
5. Out Of The Frying Pan (And Into The Fire)  6:09
6. Surf's Up  5:22
7. Dance In My Pants  7:54
8. Left In The Dark  7:58

The ninth full-length studio album by legendary American–French French pop singer-songwriter.
CBS Inc., 1975 (CBS 81147). Made in Holland. First press. OIS. Used (cover/disc): EX/VG+.


Tracklist:

Side 1
1. Et Si Tu N'existais Pas
2. Il Faut Naitre A Monaco
3. Chanson Triste
4. Le Costume Blanc
5. L'albatros
6. Alors Qu'est-ce Que C'est? (Harm Our Love)

Side 2
7. Ça Va Pas Changer Le Monde
8. Salut
9. Carolina (Sad Sweet Dreamer)
10. C'est La Nuit (Dance With Me)
11. Ma Musique (Sailing)
12. Piano Mecanique

The first full-length studio album by legendary Norwegian-Swedish Hard Rock guitarist.
CBS Records AB, 1987 (CBS 460203 1). Made in Holland. First press. OIS. Used (cover/disc): EX/VG.


Tracklist:

Side 1
1. Let Me Love You  3:21
2. Love Is Meant To Last Forever  3:39
3. Too Many Hearts  3:11
4. Someone Else Here  4:11
5. Eternal Flame  3:12

Side 2
6. Back On The Streets  4:09
7. Blind  3:51
8. Law Of Life  4:20
9. We'll Do What It Takes Together  3:23
10. In Chase Of The Wind  3:00

Total playing time: 36:17 min.