RARITIES

The second full-length studio album by legendary American Glam/Blues Metal band.
Probably the best Cinderella’s album. With "Long Cold Winter", Cinderella started to move away from the Glam Metal music of their previous album and into a more Blues Rock-oriented direction, akin to early 1970s Rolling Stones, Aerosmith, Humble Pie, Bad Company and Deep Purple.
The album is simply excellent to listen to from beginning to end, and even the track listings for this album are flawless. Tom Keifer's vocal performance cannot be rivaled by any other singer, and his talent is shown on every song of the album. Each and every song on this album is great!
The album features four singles, which all charted in the US. "Don't Know What You Got (Till It's Gone)", which was to be Cinderella's highest-charting single, reached No. 12, "The Last Mile" reached No. 36, "Coming Home" reached No. 20 and "Gypsy Road" hit No. 51, a year after the release of the album.
Album reached No. 10 in the US and became double Platinum for selling 2 million copies in the US by the end of the year, just as their debut album "Night Songs" had done earlier. It was later certified triple Platinum.
Mercury/PolyGram Records, Inc., 1988 (834 612-1). Made in Holland. First press. Embossed Cover. OIS. Used (cover/disc): EX+/EX.


Tracklist:

Side One
1. Bad Seamstress Blues / Fallin' Apart At The Seams 05:23
2. Gypsy Road 04:05
3. Don't Know What You Got (Till It's Gone) 05:56
4. The Last Mile 03:25
5. Second Wind 03:57

Side Two
6. Long Cold Winter 05:22
7. If You Don't Like It 04:13
8. Coming Home 04:55
9. Fire And Ice 03:19
10. Take Me Back 03:16

Total playing time: 43:51 min.

The debut full-length studio album by legendary American Glam Metal band.
Cinderella makes its debut in a flash of lightning and a puff of smoke with "Night Songs"! The first album by the band is easily one of best albums of all time. Why? Because Cinderella breaks new ground in many areas, and does it flawlessly. Most notably for this success is Tom Keifer, the lead singer and guitarist for Cinderella. Not only does Tom write most of the songs for Cinderella, but he also gave Hard Rock and Glam Metal a completely new meaning with his amazing falsetto! His voice has a bit of a growl to it, which at times can send chills down your spine, and also is a voice that nobody has matched.
Featuring a minor guest appearance by Jon Bon Jovi positions the band as a Pop-Metal outfit, but with Cinderella's own personality shows through at this point. 
"Night Songs" sold several million copies due to a combination of Cinderella's breakthrough single "Nobody's Fool", MTV airplay, and an opening slot on label mates Bon Jovi's tour, in support of their album "Slippery When Wet".
Leadoff single "Shake Me" failed to chart, but "Nobody's Fool" cracked the Top 20, reaching #13. Third single "Somebody Save Me" went to #66.
The album peaked at #3 on the US charts on February 7, 1987, and was certified double Platinum for selling 2 million copies there twelve days later. In May 1991, it was certified triple Platinum, having 3 million copies sold.
Cinderella takes Hard Rock and Glam Metal to a whole new level with their brand new, amazing sound. The sound of the album is great! Cinderella shows their talent in this album with each and every song! We love everything about this album, from the mind blowing guitar work, to the terrific drums, and maybe most of all, Tom Keifer's stunning vocals!!
Mercury/PolyGram Records, Inc., 1986 (830 076-1). Made in Holland. First press. Used (cover/disc): EX/EX.


Tracklist:

Side 1
1. Night Songs 4:13
2. Shake Me 3:44
3. Nobody's Fool 4:46
4. Nothin' For Nothin' 3:32
5. Once Around The Ride 3:20

Side 2
1. Hell On Wheels 2:48
2. Somebody Save Me 3:14
3. In From the Outside 4:06
4. Push, Push 2:50
5. Back Home Again 3:28

Total playing time: 36:05 min.

The second full-length studio album by cult German Atmospheric Melodic Dark/Black/Death Metal band.
Very melodic, sympathetic music. Mid-tempo, slightly keyboard, some clean vocals (reminds a bit of Mark Empyrium), a little medieval times in between. Medieval sound patterns woven into harder Metal to sound that demands respect already, frequently to Crematory recalls in its early stages. Keyboard bombastic and a killer melody revive the songs.
Recommended for fans of Samael, Crematory… etc.
Last Episode Records, 1998 (007363 2 LEP). Made in Germany. First press. Used (cover/disc): NM/NM.


Tracklist:
1. Rozelowe 01:22
2. However Rich A Man May Be... 05:01
3. The Wizard 02:46
4. Beauty At Everytime 03:58
5. Primae Noctis 05:43
6. Franziskus 04:18
7. Lived To Die 05:13
8. Liebe, Hass, Neid Und Verderben 02:55
9. Disobediance 05:06
10. Timewarp 02:38
Total playing time: 38:49 min.

Virgin Records, 1983 (V 2285/205 730). Made in Europe. Used (cover/disc): EX/EX+. 

 
Tracklist:

Side A:
1. Karma Chameleon    4:11
2. It's A Miracle 3:25
3. Black Money 5:19
4. Changing Every Day 3:18
5. That's The Way (I'm Only Trying To Help You) 2:46
    
Side B:   
6. Church Of The Poison Mind 3:29
7. Miss Me Blind 4:31
8. Mister Man 3:36
9. Stormkeeper 2:47
10. Victims    4:56
    
Total playing time: 38:18 min.

The third full-length studio album by legendary American Pop singer.
The album was originally set to be released in 1988, under the name "Kindred Spirit", but was delayed until 1989 and the songs from the initial project were reworked.
On "True Colors", Cyndi Lauper began to edge her way into adult contemporary territory, but it was on "A Night To Remember" that she concentrated all of her attention on becoming a self-consciously "mature" singer/songwriter. 
Although the album is called "A Night To Remember", Lauper jokingly preferred to call it "A Night To Forget", given its poor reviews and disappointing sales, compounded by the problems she encountered with producer and boyfriend David Wolf⁠f during the production of the album.
The album sold moderately well but did not enjoy the same commercial success of her two previous albums, despite the success of the album's lead Single, "I Drove All Night", which became a Top 10 hit, her last in the U.S.A., earning Lauper a Grammy nomination. In the UK, however, "A Night To Remember" was Lauper's highest-charting album, peaking at No.9. According to the book "St. James Encyclopedia of Popular Culture (Volume 3)", the album sold half a million copies in the United States in 1989.
Although not certified by RIAA, BPI, and others trade associations, the album was certified Platinum in Australia and United Kingdom and Gold in Germany, Italy, and United States. Worldwide, the album has sold more than 1.5 million copies.
CBS Records Inc./Epic Records, 1989 (EPC 462499 1). Made in Europe. Pressed in Netherlands. First press. OIS. Used (cover/disc): EX+/VG+.

 

Tracklist:

Side One:
1. Intro  0:27
2. I Drove All Night  4:11
3. Primitive  3:48
4. My First Night Without You  3:01
5. Like A Cat  3:23
6. Heading West  3:54 
    
Side Two:   
7. A Night To Remember  3:43
8. Unconditional Love  3:55
9. Insecurious  3:31
10. Dancing With A Stranger  4:11
11. I Don't Want To Be Your Friend  4:21
12. Kindred Spirit  1:16
    
Total playing time: 39:41 min.

The debut Single by legendary American Pop singer.
It is the first Single from from Lauper’s debut album, “She's So Unusual”.
"Girls Just Want to Have Fun" was written in 1979 by Rock musician Robert Hazard, who performed it with various bands in the Philadelphia area, and enjoyed some local college radio airplay with a demo recording he made. Hazard wrote it as a Rock song coming from the male perspective. Singer-songwriter Cyndi Lauper made this song famous in 1983 by as a Pop-Electronic song. Lauper "flipped the script" and made it carry a feminist attitude by subtly changing some of the lyrics and fully the sound. Lauper's version gained recognition as a feminist anthem and was promoted by an MTV Video Music Award–winning music video. It has been covered by more than 30 other artists.
The single was Lauper's breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Lauper's signature songs and was a popular song during the 1980s.
The lists "Rolling Stone and MTV: '100 Greatest Pop Songs': 1–50", "Rolling Stone: The 100 Top Music Videos" and "VH1: 100 Greatest Videos" ranked the song at No. 22, No. 39 and No. 45 respectively. The song received Grammy nominations for Record of the Year and Best Female Pop Vocal Performance at the 27th Annual Grammy Awards.
The song's success overshadowed Hazard's own music career. His 1984 album, "Wing Of Fire" was a sales disappointment at the same time that Lauper's version of "Girls Just Want To Have Fun" was going Gold, making him a millionaire. After Lauper claimed in interviews to have co-written the song, Hazard served her with a cease and desist letter. He was able to buy a New Jersey lake house and a horse farm from the song's royalties, although he said that federal taxes took most of the money.
Lauper released a new version, "Hey Now (Girls Just Want to Have Fun)", as the first Single from her 1994 compilation album "Twelve Deadly Cyns... and Then Some". It reached the top 10 in several countries. In 2013, "Girls Just Want to Have Fun" was remixed by Yolanda Be Cool for the 30th-anniversary reissue of "She's So Unusual".
CBS Inc./Epic/Portrait, 1984 (PRTA 12.3943). Made in Holland. First press. Used (cover/disc): EX/VG+.


Tracklist:

Side 1
1. Girls Just Want To Have Fun (Extended Version) 6:08

Side 2
1. Fun With V.Knutsn (Instrumental) 7:10
2. Xtra Fun 5:05

Total playing time: 18:23 min.

The debut Single by legendary American Pop singer.
It is the first Single from from Lauper’s debut album, “She's So Unusual”.
"Girls Just Want to Have Fun" was written in 1979 by Rock musician Robert Hazard, who performed it with various bands in the Philadelphia area, and enjoyed some local college radio airplay with a demo recording he made. Hazard wrote it as a Rock song coming from the male perspective. Singer-songwriter Cyndi Lauper made this song famous in 1983 by as a Pop-Electronic song. Lauper "flipped the script" and made it carry a feminist attitude by subtly changing some of the lyrics and fully the sound. Lauper's version gained recognition as a feminist anthem and was promoted by an MTV Video Music Award–winning music video. It has been covered by more than 30 other artists.
The single was Lauper's breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Lauper's signature songs and was a popular song during the 1980s.
The lists "Rolling Stone and MTV: '100 Greatest Pop Songs': 1–50", "Rolling Stone: The 100 Top Music Videos" and "VH1: 100 Greatest Videos" ranked the song at No. 22, No. 39 and No. 45 respectively. The song received Grammy nominations for Record of the Year and Best Female Pop Vocal Performance at the 27th Annual Grammy Awards.
The song's success overshadowed Hazard's own music career. His 1984 album, "Wing Of Fire" was a sales disappointment at the same time that Lauper's version of "Girls Just Want To Have Fun" was going Gold, making him a millionaire. After Lauper claimed in interviews to have co-written the song, Hazard served her with a cease and desist letter. He was able to buy a New Jersey lake house and a horse farm from the song's royalties, although he said that federal taxes took most of the money.
Lauper released a new version, "Hey Now (Girls Just Want to Have Fun)", as the first Single from her 1994 compilation album "Twelve Deadly Cyns... and Then Some". It reached the top 10 in several countries. In 2013, "Girls Just Want to Have Fun" was remixed by Yolanda Be Cool for the 30th-anniversary reissue of "She's So Unusual".
CBS Inc./Epic/Portrait, 1984 (A 3943). Made in Germany. First press. Used (cover/disc): EX+/EX+.


Tracklist:

Side 1
Girls Just Want To Have Fun 3:55

Side 2
Right Track Wrong Train 4:40

Total playing time: 8:35 min.

The first full-length studio album by legendary American Pop singer.
One of the great New Wave/early MTV records, "She's So Unusual" is a giddy mix of self-confidence, effervescent Pop craft, unabashed sentimentality, subversiveness, and clever humour. In short, it's a multifaceted portrait of a multifaceted talent, an artist that's far more clever than her thin, deliberately girly voice would indicate.
"She's So Unusual" peaked at number four on the Billboard 200 chart, due to the success of the album's first Single on U.S. radio and heavy airplay of its music video on MTV. In the weeks following, the album's sales remained stable thanks to the following four singles and Lauper's world tour and appearances on popular television and radio programs. Overall, the album stayed 77 weeks on the Billboard 200. It became one of the best-selling albums of 1984. At least until 1986, the album was the second best-selling album in Canada by a female artist during the decade, behind Whitney Houston's self-titled debut album, selling more than 900,000 copies. "She's So Unusual" has since sold over seven million copies in the United States, where it was certified seven times Platinum by the RIAA. The album has sold over 16 million copies worldwide.
"She's So Unusual" was voted the eleventh best album of the year in The Village Voice's annual Pazz & Jop critics' poll for 1984. The album and its Singles earned Lauper six Grammy Award nominations, including Album of the Year and ultimately winning the awards for Best Recording Package and Best New Artist. "Girls Just Want to Have Fun" was nominated for Record of the Year and Best Female Pop Vocal Performance, and "Time After Time" was nominated for Song of the Year. Lauper earned ten MTV Video Music Award nominations. "Girls Just Want to Have Fun" received six nominations, including Video of the Year, and won for Best Female Video. "Time After Time" received three nominations and "She Bop" received one nomination.
"She's So Unusual" was ranked at number 494 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003, rising to number 487 in a 2012 update of the list, then to number 184 in a 2020 update. Rolling Stone also placed "She's So Unusual" at number 41 on its 2002 list of "50 Essential Albums by Women in Rock", and the record retained the placement on a similar list published by the magazine a decade later. In 2012, Slant Magazine listed it as the 22nd Best Album of the 1980s, calling it an "absolutely peerless collection of profound Pop jewels". In 2019, the Library of Congress selected "She's So Unusual" for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".
National Album Day 2020 release.
CBS Inc./Portrait Records, 1983 (FR 38930). Made in USA. First press. OIS. Used (Cover/Disc): EX+/NM-.

 
Tracklist:

Side 1:
1. Money Changes Everything  5:02
2. Girls Just Want To Have Fun  3:55
3. When You Were Mine  5:07
4. Time After Time  3:59
    
Side 2:   
5. She Bop  3:43
6. All Through The Night  4:29
7. Witness  3:38
8. I'll Kiss You  4:05
9. He's So Unusual  0:45
10. Yeah Yeah  3:17
    
Total playing time: 38:00 min.

The second full-length studio album by legendary American Pop singer.
CBS Inc./Portrait Records, 1986 (OR 40313). Made in USA. First press. OIS. Used (Cover/Disc): EX/NM-.

 
Tracklist:

Side 1:
1. Change Of Heart  4:24
2. Maybe He`ll Know  4:24
3. Boy Blue  4:45
4. True Colors  3:46
5. Calm Inside The Storm  3:54
    
Side 2:   
6. What`s Going On  4:38
7. Iko Iko  2:10
8. The Faraway Nearby  2:59
9. 911  3:15
10. One Track Mind  3:39
    
Total playing time: 37:54 min.

American version of the first EP by legendary British Hard Rock band.
The original EP initially featured only four tracks and was released in the UK in June 1978 and never published in the US. "Snakebite" was re-released in September 1978 as a Double Extended Play containing four extra studio tracks taken from David Coverdale's second solo album "Northwinds".
Sunburst Records Ltd./Harvest/EMI Electrola, 1978 (1C 064-61 290). Made in Germany. OIS. Used (cover/disc): EX-/EX-.


Tracklist:

Side One
1. Come On  3:33
2. Bloody Mary  3:18
3. Ain't No Love In The Heart Of The City  5:06
4. Steal Away  4:16

Side Two
5. Keep On Giving Me Love  5:16
6. Queen Of Hearts  5:16
7. Only My Soul  4:35
8. Breakdown  5:12

Total playing time: 36:32 min.

The second EP by legendary American Hard Rock singer.
Warner Bros. Records Inc./WEA International Inc., 1985 (925 222-1). Made in Germany. OIS. Used (cover/disc): VG/VG.


Tracklist:

Side A:
1. Easy Street 3:45
2. Just A Gigolo / I Ain't Got Nobody 4:39

Side B:   
3. California Girls 2:50
4. Coconut Grove 2:52
    
Total playing time: 14:06 min.

The twelfth full-length studio album by the legendary British Hard Rock band.
It’s the second recording by the re-formed Mark II line-up, considered as classic: Ian Gillan - vocals, congas, harmonica; Ritchie Blackmore - guitar; Roger Glover - bass, synthesizer; Jon Lord - organ, keyboards; Ian Paice - drums.
Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of "Perfect Strangers"), 1987's "House Of Blue Light" has actually stood the test of time just as well, if not better, than its predecessor. This album showed Deep Purple searching for an 80s-flavored hit single, and by doing so, sounding similar to guitarist Ritchie Blackmore's other band, Rainbow.
Of the seventies Hard Rock dinosaurs that still roam the Earth, Deep Purple is one of the few with any credibility left in its crunch. "The House of Blue Light" is certainly a marked improvement over their lukewarm '84 comeback, "Perfect Strangers", and is as good as this band has ever been since its "Smoke On The Water" salad days.
"Bad Attitude" opens the album with five minutes of vintage "Machine Head" sludge - Ian Paice's thunder sticks calling the proceedings to order with a rigid goose-step beat, Ian Gillan raping his tonsils with the vigor of yesteryear. And "Mad Dog" is basically an '87-model "Highway Star," high-speed Metal fortified with Jon Lord's lusty Hammondorgan sound and the brass-knuckle guitar of Ritchie Blackmore.
The band has spiked its old hammer-and-anvil sound with a little future tech here and there: "The Unwritten Law" features subtly deployed electro-hand-claps and percolating sequencer amid its clenched-fist chorus and Blackmore's loco fretwork. But it's only when Purple turns on the retro-charm full blast that "The House Of Blue Light" really goes up in flames. "Hard Lovin' Woman" and "Dead or Alive" are both body-slam rockers in the old blitzkrieg spirit of "Speed King" and "Fireball", while Paice's sledgehammer-of-the-gods drumming and Blackmore's punch-your-lights-out chords keep "Call of the Wild", with its atypically Poppy hook, from turning into neo-Boston fluff.
"Strangeways" and a notable lack throughout the album of classic Blackmore psycho-chicken-scratch soloing, "The House Of Blue Light" is a surprisingly strong return from the tar pits. There's no "Smoke On The Water" here, but Deep Purple still has a pretty good fire going down below!!
Polydor/PolyGram Records, Inc., 1987 (831 318-1). Made in Canada. First press. OIS. Used (cover/disc): EX+/EX.


Tracklist:

Side 1
1. Bad Attitude 4:43
2. The Unwritten Law 4:35
3. Call Of The Wild 4:40
4. Mad Dog 4:51
5. Black & White 3:44

Side 2
6. Hard Lovin' Woman 3:23
7. The Spanish Archer 4:57
8. Strangeways 5:55
9. Mitzi Dupree 5:02
10. Dead Or Alive 4:44

Total playing time: 46:34 min.

The twelfth full-length studio album by the legendary British Hard Rock band.
It’s the second recording by the re-formed Mark II line-up, considered as classic: Ian Gillan - vocals, congas, harmonica; Ritchie Blackmore - guitar; Roger Glover - bass, synthesizer; Jon Lord - organ, keyboards; Ian Paice - drums.
Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of "Perfect Strangers"), 1987's "House Of Blue Light" has actually stood the test of time just as well, if not better, than its predecessor. This album showed Deep Purple searching for an 80s-flavored hit single, and by doing so, sounding similar to guitarist Ritchie Blackmore's other band, Rainbow.
Of the seventies Hard Rock dinosaurs that still roam the Earth, Deep Purple is one of the few with any credibility left in its crunch. "The House of Blue Light" is certainly a marked improvement over their lukewarm '84 comeback, "Perfect Strangers", and is as good as this band has ever been since its "Smoke On The Water" salad days.
"Bad Attitude" opens the album with five minutes of vintage "Machine Head" sludge - Ian Paice's thunder sticks calling the proceedings to order with a rigid goose-step beat, Ian Gillan raping his tonsils with the vigor of yesteryear. And "Mad Dog" is basically an '87-model "Highway Star," high-speed Metal fortified with Jon Lord's lusty Hammondorgan sound and the brass-knuckle guitar of Ritchie Blackmore.
The band has spiked its old hammer-and-anvil sound with a little future tech here and there: "The Unwritten Law" features subtly deployed electro-hand-claps and percolating sequencer amid its clenched-fist chorus and Blackmore's loco fretwork. But it's only when Purple turns on the retro-charm full blast that "The House Of Blue Light" really goes up in flames. "Hard Lovin' Woman" and "Dead or Alive" are both body-slam rockers in the old blitzkrieg spirit of "Speed King" and "Fireball", while Paice's sledgehammer-of-the-gods drumming and Blackmore's punch-your-lights-out chords keep "Call of the Wild", with its atypically Poppy hook, from turning into neo-Boston fluff.
"Strangeways" and a notable lack throughout the album of classic Blackmore psycho-chicken-scratch soloing, "The House Of Blue Light" is a surprisingly strong return from the tar pits. There's no "Smoke On The Water" here, but Deep Purple still has a pretty good fire going down below!!
Polydor/PolyGram Records, Inc., 1987 (831 318-1). Made in Germany. First press. OIS. Used (cover/disc): EX/EX+.


Tracklist:

Side 1
1. Bad Attitude 4:43
2. The Unwritten Law 4:35
3. Call Of The Wild 4:40
4. Mad Dog 4:31
5. Black & White 3:44

Side 2
6. Hard Lovin' Woman 3:23
7. The Spanish Archer 4:57
8. Strangeways 5:55
9. Mitzi Dupree 5:02
10. Dead Or Alive 4:44

Total playing time: 46:34 min.

The twelfth full-length studio album by the legendary British Hard Rock band.
It’s the second recording by the re-formed Mark II line-up, considered as classic: Ian Gillan - vocals, congas, harmonica; Ritchie Blackmore - guitar; Roger Glover - bass, synthesizer; Jon Lord - organ, keyboards; Ian Paice - drums.
Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of "Perfect Strangers"), 1987's "House Of Blue Light" has actually stood the test of time just as well, if not better, than its predecessor. This album showed Deep Purple searching for an 80s-flavored hit single, and by doing so, sounding similar to guitarist Ritchie Blackmore's other band, Rainbow.
Of the seventies Hard Rock dinosaurs that still roam the Earth, Deep Purple is one of the few with any credibility left in its crunch. "The House of Blue Light" is certainly a marked improvement over their lukewarm '84 comeback, "Perfect Strangers", and is as good as this band has ever been since its "Smoke On The Water" salad days.
"Bad Attitude" opens the album with five minutes of vintage "Machine Head" sludge - Ian Paice's thunder sticks calling the proceedings to order with a rigid goose-step beat, Ian Gillan raping his tonsils with the vigor of yesteryear. And "Mad Dog" is basically an '87-model "Highway Star," high-speed Metal fortified with Jon Lord's lusty Hammondorgan sound and the brass-knuckle guitar of Ritchie Blackmore.
The band has spiked its old hammer-and-anvil sound with a little future tech here and there: "The Unwritten Law" features subtly deployed electro-hand-claps and percolating sequencer amid its clenched-fist chorus and Blackmore's loco fretwork. But it's only when Purple turns on the retro-charm full blast that "The House Of Blue Light" really goes up in flames. "Hard Lovin' Woman" and "Dead or Alive" are both body-slam rockers in the old blitzkrieg spirit of "Speed King" and "Fireball", while Paice's sledgehammer-of-the-gods drumming and Blackmore's punch-your-lights-out chords keep "Call of the Wild", with its atypically Poppy hook, from turning into neo-Boston fluff.
"Strangeways" and a notable lack throughout the album of classic Blackmore psycho-chicken-scratch soloing, "The House Of Blue Light" is a surprisingly strong return from the tar pits. There's no "Smoke On The Water" here, but Deep Purple still has a pretty good fire going down below!!
PolyGram Records, Inc. / Mercury, 1987 (831 318-1 M-1). Made in USA. First press. OIS. Used (cover/disc): NM/EX+.


Tracklist:

Side 1
1. Bad Attitude 4:43
2. The Unwritten Law 4:35
3. Call Of The Wild 4:40
4. Mad Dog 4:51
5. Black & White 3:44

Side 2
6. Hard Lovin' Woman 3:23
7. The Spanish Archer 4:57
8. Strangeways 5:55
9. Mitzi Dupree 5:02
10. Dead Or Alive 4:44

Total playing time: 46:34 min.

The fourth compilation album by the legendary British Hard Rock band.
"24 Carat Purple" is the first compilation album of Deep Purple released worldwide on their own record company. It was released in June 1975.
"24 Carat Purple" appropriately stands proud, among what is now a landslide of collections and hits packages, as a flawless representation of the band's Mark II identity at its very best.
The "Made In Japan" double live album consumes much of the single disc's body weight - the epic renditions of "Smoke on the Water", "Child in Time", and "Strange Kind of Woman" are, after all, among Deep Purple's most resonant moments, while "24 Carat Purple" also lures in collectors with a thunderous "Black Night", recorded at the same shows but omitted from the original album (it has since been appended to the "Made In Japan" CD remaster). With "Woman from Tokyo", "Fireball", and "Never Before" peeling off recent singles and "Speed King" excerpted from "Deep Purple In Rock", "24 Carat Purple" truly is a gold-plated depiction of the band at its all-time peak, before Ian Gillan and Roger Glover went their separate ways and an entire new journey kicked off with "Burn".
The album marked the debut of the live version of "Black Night", originally a B-side in Japan.
All songs written and composed by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice.
Compilation got Silver status after 60000 copies sold.
EMI Records Holland B.V., 1975 (5C 038-96424). Made in Holland. Used (cover/disc): VG+/EX.


Tracklist:

SIDE ONE
1. Woman From Tokyo 5:44
2. Fireball 3:19
3. Strange Kind Of Woman 9:02
4. Never Before 3:56
5. Black Night 4:52
Running time: 26:53 min.

SIDE TWO
6. Speed King 5:48
7. Smoke On The Water 7:18
8. Child In Time 12:06
Running time: 25:12 min.

Total playing time: 52:05 min.

The fourth compilation album by the legendary British Hard Rock band.
"24 Carat Purple" is the first compilation album of Deep Purple released worldwide on their own record company. It was released in June 1975.
"24 Carat Purple" appropriately stands proud, among what is now a landslide of collections and hits packages, as a flawless representation of the band's Mark II identity at its very best.
The "Made In Japan" double live album consumes much of the single disc's body weight - the epic renditions of "Smoke on the Water", "Child in Time", and "Strange Kind of Woman" are, after all, among Deep Purple's most resonant moments, while "24 Carat Purple" also lures in collectors with a thunderous "Black Night", recorded at the same shows but omitted from the original album (it has since been appended to the "Made In Japan" CD remaster). With "Woman from Tokyo", "Fireball", and "Never Before" peeling off recent singles and "Speed King" excerpted from "Deep Purple In Rock", "24 Carat Purple" truly is a gold-plated depiction of the band at its all-time peak, before Ian Gillan and Roger Glover went their separate ways and an entire new journey kicked off with "Burn".
The album marked the debut of the live version of "Black Night", originally a B-side in Japan.
All songs written and composed by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice.
Compilation got Silver status after 60000 copies sold.
Purple Records/EMI Records Ltd./Harvest, 1975 (TPSM 2002 / 0C 054 o 96424). Made in UK. First press. OIS. Used (cover/disc): EX+/NM-.


Tracklist:

SIDE ONE
1. Woman From Tokyo 5:44
2. Fireball 3:19
3. Strange Kind Of Woman 9:02
4. Never Before 3:56
5. Black Night 4:52
Running time: 26:53 min.

SIDE TWO
6. Speed King 5:48
7. Smoke On The Water 7:18
8. Child In Time 12:06
Running time: 25:12 min.

Total playing time: 52:05 min.

The sixth full-length studio album by legendary British Hard Rock band.
Deep Purple simply were the finest musicians around in the early 70s. The bands stable line up for this whole period revolves around three of the biggest musicians ever namely: Ian Paice, Jon Lord and Ritchie Blackmore. These guys could simply out play anyone around at the time. Roger Glover, although one of the bands more modest members was a fantastic bassist who has some truly memorable moments on this album, including a bass solo. Ian Gillan is frankly the most fun you’ll ever have with Rock vocals. His range is phenomenal. For many people, it's the first Metal album ever (in terms of performing, sound, and production). For others, it's a simple hybrid attempt of trying to look different. Nonetheless, the influence of this album in the development of Metal music is gigantic!
“Machine Head” gives you everything: catchy songs between powerful tunes. A total machine, able to do whatever you expect from it. It's so Metal and so traditional at the same time. A necessary masterpiece in your collection, no doubt about it!
The Gramophone Company Of India Ltd., EMI Group/Stateside, 1972 (TPSA 7504). Made in India. First press. Used (cover/disc): EX/VG+.


Tracklist:

Side One:
1. Highway Star
2. Maybe I'm A Leo 
3. Pictures Of Home
4. Never Before

Side Two:
5. Smoke On The Water   
6. Lazy
7. Space Truckin

The eleventh full-length studio album by the legendary British Hard Rock band.
It represents the first album for eleven years recorded by the reunited, the most successful and popular 'Mark II' line-up (Ritchie Blackmore and Roger Glover arrived from Rainbow, Ian Gillan from Black Sabbath, Jon Lord from Whitesnake, and Ian Paice from Gary Moore's backing band), the last being "Who Do We Think We Are" in 1973. It was the first Deep Purple studio album in nine years. It is one of the better examples of a reunion album, although the band's uneasy camaraderie only lasted a few more years.
Long before reunions became big-money pursuits, the key members of Deep Purple put aside differences that caused them to split in 1973 and, bowing not to financial concerns but public demand, reformed for their first album in 11 years and a subsequent blockbuster tour. While the record’s title cleverly acknowledges the long time the musicians spent apart, everything about the album confirms the inimitable blend of creative chemistry, crafty songwriting, and trademark skills shared by the five players.
All the hallmark traits from Deep Purple’s golden era (1970-1973) are on display throughout this platinum comeback affair, which has aged much better than most mid-80s efforts in terms of sound, performance, and content. At times mystical, aggressive, and dramatic, "Perfect Strangers" leaves a lasting impression courtesy of Ian Gillan’s leather-lunged vocal range, Roger Glover’s self-assured bass lines, Ian Paice’s titanium-tough drumming, and the trade-off soloing between the wizard-like, vibrato-emboldened guitar playing of Ritchie Blackmore and voodoo-casting organ spells of Jon Lord.
Compositions such as the hit “Knocking at Your Back Door,” hook-laden title track, and racing “A Gypsy’s Kiss” could be deemed products of a supergroup. Yet calling them so shortchanges the artistry, as the posturing asides and attention-getting episodes common to such projects aren’t here. "Perfect Strangers" is hard, heavy purity, the last album Deep Purple crafted of its kind and one that stands right up to the ensemble’s classic “Fireball” and “Machine Head”!
Polydor/Polygram Records, Inc., 1984 (823 777-1). Made in Germany. First press.


Tracklist:

Side One
1. Knocking At Your Back Door 7:00
2. Under The Gun 4:35
3. Nobody's Home 3:55
4. Mean Streak 4:20

Side Two
1. Perfect Strangers 5:23
2. A Gypsy's Kiss 4:40
3. Wasted Sunsets 3:55
4. Hungry Daze 4:44

Total playing time: 38:32 min.

The eleventh full-length studio album by the legendary British Hard Rock band.
It represents the first album for eleven years recorded by the reunited, the most successful and popular 'Mark II' line-up (Ritchie Blackmore and Roger Glover arrived from Rainbow, Ian Gillan from Black Sabbath, Jon Lord from Whitesnake, and Ian Paice from Gary Moore's backing band), the last being "Who Do We Think We Are" in 1973. It was the first Deep Purple studio album in nine years. It is one of the better examples of a reunion album, although the band's uneasy camaraderie only lasted a few more years.
Long before reunions became big-money pursuits, the key members of Deep Purple put aside differences that caused them to split in 1973 and, bowing not to financial concerns but public demand, reformed for their first album in 11 years and a subsequent blockbuster tour. While the record’s title cleverly acknowledges the long time the musicians spent apart, everything about the album confirms the inimitable blend of creative chemistry, crafty songwriting, and trademark skills shared by the five players.
All the hallmark traits from Deep Purple’s golden era (1970-1973) are on display throughout this platinum comeback affair, which has aged much better than most mid-80s efforts in terms of sound, performance, and content. At times mystical, aggressive, and dramatic, "Perfect Strangers" leaves a lasting impression courtesy of Ian Gillan’s leather-lunged vocal range, Roger Glover’s self-assured bass lines, Ian Paice’s titanium-tough drumming, and the trade-off soloing between the wizard-like, vibrato-emboldened guitar playing of Ritchie Blackmore and voodoo-casting organ spells of Jon Lord.
Compositions such as the hit “Knocking at Your Back Door,” hook-laden title track, and racing “A Gypsy’s Kiss” could be deemed products of a supergroup. Yet calling them so shortchanges the artistry, as the posturing asides and attention-getting episodes common to such projects aren’t here. "Perfect Strangers" is hard, heavy purity, the last album Deep Purple crafted of its kind and one that stands right up to the ensemble’s classic “Fireball” and “Machine Head”!
Polygram Records, Inc./Thames Records, LTD, 1984 (823 777-1). Made in Holland. First press. Used (cover/disc): EX+/NM-.


Tracklist:

Side One
1. Knocking At Your Back Door 7:00
2. Under The Gun 4:35
3. Nobody's Home 3:55
4. Mean Streak 4:20

Side Two
1. Perfect Strangers 5:23
2. A Gypsy's Kiss 4:40
3. Wasted Sunsets 3:55
4. Hungry Daze 4:44

Total playing time: 38:32 min.

The twelfth full-length studio album by the legendary British Hard Rock band.
It’s the second recording by the re-formed Mark II line-up, considered as classic: Ian Gillan - vocals, congas, harmonica; Ritchie Blackmore - guitar; Roger Glover - bass, synthesizer; Jon Lord - organ, keyboards; Ian Paice - drums.
Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of "Perfect Strangers"), 1987's "House Of Blue Light" has actually stood the test of time just as well, if not better, than its predecessor. This album showed Deep Purple searching for an 80s-flavored hit single, and by doing so, sounding similar to guitarist Ritchie Blackmore's other band, Rainbow.
Of the seventies Hard Rock dinosaurs that still roam the Earth, Deep Purple is one of the few with any credibility left in its crunch. "The House of Blue Light" is certainly a marked improvement over their lukewarm '84 comeback, "Perfect Strangers", and is as good as this band has ever been since its "Smoke On The Water" salad days.
"Bad Attitude" opens the album with five minutes of vintage "Machine Head" sludge - Ian Paice's thunder sticks calling the proceedings to order with a rigid goose-step beat, Ian Gillan raping his tonsils with the vigor of yesteryear. And "Mad Dog" is basically an '87-model "Highway Star," high-speed Metal fortified with Jon Lord's lusty Hammondorgan sound and the brass-knuckle guitar of Ritchie Blackmore.
The band has spiked its old hammer-and-anvil sound with a little future tech here and there: "The Unwritten Law" features subtly deployed electro-hand-claps and percolating sequencer amid its clenched-fist chorus and Blackmore's loco fretwork. But it's only when Purple turns on the retro-charm full blast that "The House Of Blue Light" really goes up in flames. "Hard Lovin' Woman" and "Dead or Alive" are both body-slam rockers in the old blitzkrieg spirit of "Speed King" and "Fireball", while Paice's sledgehammer-of-the-gods drumming and Blackmore's punch-your-lights-out chords keep "Call of the Wild", with its atypically Poppy hook, from turning into neo-Boston fluff.
"Strangeways" and a notable lack throughout the album of classic Blackmore psycho-chicken-scratch soloing, "The House Of Blue Light" is a surprisingly strong return from the tar pits. There's no "Smoke On The Water" here, but Deep Purple still has a pretty good fire going down below!
PolyGram Records, Inc. / Mercury, 1987 (LPR 16595 | 831 318 1). Made in the USA. First press. OIS. Used (cover/disc): NM (still in seal)/EX+.


Tracklist:

Side A
1. Bad Attitude 4:43
2. The Unwritten Law 4:35
3. Call Of The Wild 4:40
4. Mad Dog 4:51
5. Black & White 3:44

Side B
1. Hard Lovin' Woman 3:23
2. The Spanish Archer 4:57
3. Strangeways 5:55
4. Mitzi Dupree 5:02
5. Dead Or Alive 4:44

Total playing time: 46:34 min.