12"

Expanded Edition re-release of the third full-length studio album by legendary Brazilian Thrash/Death Metal band.
An ultra-classic from one of the most powerful Death/Thrash Metal bands to ever come! This album marked the band's transition from third-world obscurity to major contenders in the international Extreme Metal arena.
As soon as the deceptively gentle acoustic intro gives way to the title track's Thrashing brutality, the listener is propelled at maximum speed and intensity through to the very last crunch of "Primitive Future". In between, Sepultura offer their first bona fide hits with "Inner Self" and the inspired "Stronger Than Hate", featuring lyrics written by Atheist's Kelly Shaefer. It's not over there as they charge ahead with the triple threat of "Mass Hypnosis", "Sarcastic Existence" and "Slaves of Pain", all of which feature mind-blowing solos from guitarist Andreas Kisser, thunderous double-bass work from drummer Igor Cavalera, and the furious howling of singer Max Cavalera.
The complete absence of filler here makes this one of the most essential Death/Thrash Metal albums of all time. This is an album that will strike your heart with memorable tunes that will stick in your mind forever.
A jaw-dropping release and one of the greatest Metal albums of the 80s! Any fan of Thrash Metal should get this album!! 
Expanded Edition 2019 remastered re-release includes second disc with alternative version of the album, never released before.
Roadracer Records/Roadrunner Records Inc., a Warner Music Group Company/Rhino Entertainment Company, a division of Warner Music Group Company, 1989/2020 (R1 607342 | 603497849840). Made in EU. 180g Double Vinyl in Gatefold Cover.



Tracklist:

LPI: Original Album
Side 1
1. Beneath The Remains 5:13
2. Inner Self 5:09
3. Stronger Than Hate 5:51
4. Mass Hypnosis 4:25
Side 2
1. Sarcastic Existence 4:45
2. Slaves Of Pain 4:03
3. Lobotomy 4:58
4. Hungry 4:29
5. Primitive Future 3:09
Running time: 42:07 min.

LPII: Bonus Tracks (The Rio/Nas Nuvens Recordings, before the Florida Sessions/Mixdown)
Side 1
1. Beneath The Remains 4:17
2. Inner Self (Instrumental) 5:13
3. Stronger Than Hate (Instrumental) 5:43
4. Mass Hypnosis 4:26
5. Troops Of Doom (Live at Germany 9/22/1989) 3:25
Side 2
1. Sarcastic Existence (Instrumental) 4:55
2. Slaves Of Pain (Instrumental) 4:07
3. Lobotomy 5:00
4. Hungry (Instrumental) 4:34
5. Primitive Future 3:11
Running time: 45:03 min.



 

Remastered re-release of the fifth full-length album by the legendary Brazilian Death/Thrash Metal band.
This album can be considered very innovative looking back the other releases before it. Comparing this album with the others, it is totally different. The music here is heavily influenced by Discharge but it can be considered a big mix of Hardcore, Thrash, Tribal music and Death Metal. Well, the true Death Metal has a bit (a lot) gone away but some influences can be found in some riffs spread in the album. The tribal influences started with Arise album where were used only for the intros, but here we have the explosion of these ones. The atmosphere on this song is strange, in some parts is ritualistic…like early Brazilian music, made by the natives….in this case we can really see what would have been the band's style in the future. Its starts the Sepultura groove period that continued with the following, boring and too tribal influenced “Roots”. “Chaos A.D.” is probably the most mosh-worthy album in the history of Metal. Almost every track here is laden with brutal yet simple pit grooves that are nearly irresistible.
This is the last great Sepultura’s album. Like its two predecessors, “Chaos A.D.” received very positive reviews from music critics, with many commending the album's experimentation and sense of the band coming into their own. AllMusic declared it one of the best heavy metal albums of all time. The album was also a commercial success, debuting at #32 on The Billboard 200 and eventually being certified Gold for sales of more than 500,000 copies in the United States.
Remastered in 2017 album on heavyweight 180g vinyl in gatefold cover features bonus LP with rare & unreleased demos, cover versions & live tracks.
Roadrunner Records/Rhino Entertainment Company, a Warner Music Group Company, 1993/1997/2017 (081227934248). Made in E.U. Pressed in Germany.


Tracklist:


LP I: Chaos A.D. (2017 Remaster)

Side A
1. Refuse/Resist 3:19
2. Territory 4:47
3. Slave New World 2:55
4. Amen 4:27
5. Kaiowas 3:46
6. Propaganda 3:33

Side B
1. Biotech Is Godzilla 1:52
2. Nomad 4:59
3. We Who Are Not As Others 3:42
4. Manifest 4:49
5. The Hunt 3:59
6. Clenched Fist 5:02

Running time: 46:56 min.


LP II: Bonus Tracks

Side C
1. Chaos BC 5:13
2. Symptom Of The Universe 4:15
3. Inhuman Nature 3:09
4. Policia 1:47
5. Crucificados Pelo Sistema 1:05
6. Propaganda (Instrumental Writing Session) 1:05
7. Clenched Fist (Instrumental Writing Session Ver. 2) 2:52

Side D: Live In Minneapolis (1994)
1. Refuse/Resist (Live) 3:50
1. Slave New World (Live) 3:07
2. Propaganda (Live) 3:26
3. Kaiowas (Live) 2:19
4. Clenched Fist (Live) 3:38
5. Biotech Is Godzilla (Live) 2:09
6. Territory (Live) 4:48

Running time: 43:28 min.

First re-release of the tenth full-length studio album by legendary Brazilian Groove/Thrash Metal band.
Hardly any other band has represented Brazil in Metal for so long and with so much class as Sepultura. Formed in 1984, Sepultura are arguably Brazil’s biggest music export, having enjoyed huge global success throughout their career to date.
"Dante XXI" is a concept album based on the three sections of Dante Alighieri's "The Divine Comedy": Inferno, Purgatorio and Paradiso. This is the last album to feature Igor Cavalera on drums. The album was originally titled "Dante 05", but was changed when it became clear that the album would not be released by the end of 2005. The first single from the album was "Convicted In Life". A video for the song was released in 2006, and it won the MTV VMB Best Editing in a Video Award that year. In January 2008 the band released a music video for the song "Ostia".
Despite mostly positive reviews, sales of the album were disappointing and continued the decrease in sales of Sepultura's albums since "Against", selling only 2,300 copies in the first week of release in the US. "Dante XXI" has sold 120.000+ copies worldwide as of January 2, 2008 and went Gold in Brazil and Cyprus (their first music industry certification outside of Brazil since "Roots").
Without a doubt, one of Sepultura's strongest releases with Green on vocals!
Half speed mastered 180g vinyl.
Sepultura US Inc. and Igor Cavalera/BMG UK, 2006/2022 (BMGCAT511BOX4). Made in Poland.


Tracklist:

Side A
1. Lost (Intro) 0:59
2. Dark Wood Of Error 2:18
3. Convicted In Life 3:09
4. City Of Dis 3:27
5. False 3:34
6. Fighting On 4:29

Side B
1. Limbo (Intro) 0:44
2. Ostia 3:06
3. Buried Words 2:34
4. Nuclear Seven 3:44
5. Repeating The Horror 3:11
6. Eunoe (Intro) 0:12
7. Crown And Miter 2:11
8. Primium Mobile (Intro) 0:29
9. Still Flame 4:50

Total playing time: 38:57 min.

For the first time on vinyl, the  eighth full-length studio album by legendary Brazilian Groove/Thrash Metal band.
The first release in three years from Sepultura, which is fronted for the second time out by new vocalist Derrick Green, who replaced founding vocalist/guitarist Max Cavalera, after six previous studio efforts. This time around, his vocal styling and melody lines play an integral part in the songwriting (on "Against", he merely came in and sang what the rest of the band had written), and there's a renewed sense of confidence and cohesion in both, his performance and those of guitarist Andreas Kisser, drummer Igor Cavalera and bassist Paulo (Jr.) Pinto.
As a result, "Nation" features material such as "Sepulnation" and "Border Wars" that holds up well next to their best efforts on albums like "Chaos A.D." and the 1996 masterpiece, "Roots". Likewise, the band continues to expand their own artistic borders by seeking out new musical combinations, whether with dub wizard Dr. Israel on "Tribe to A Nation" or the Finnish string quartet Apocalyptica on "Valtio". The album also features guest appearances from artists such as Hatebreed singer Jamey Jasta, Dead Kennedys singer Jello Biafra, Ill Niño singer Cristian Machado, as well as Ratos de Porão frontman João Gordo.
According to the official site, a video for "One Man Army" was scheduled to be filmed at the end of August 2001. However, due to a lack of support from Roadrunner Records, the video was never made. Sepultura blamed Roadrunner Records for not promoting the album and left for SPV Records in 2002.
The album received better reviews than "Against", but sold fewer copies. As of April 2002, “Nation” has sold over 55 700 copies in the U.S. and went gold in Brazil.
Roadrunner Records/Cargo Records Germany GmbH, 2001/2013 ‎(RRCAR 8560-1). Made in Germany. First press.


Tracklist:


Side A
1. Sepulnation 4:20
2. Revolt 0:56
3. Border Wars 5:11
4. One Man Army 5:28

Side B
1. Vox Populi 3:41
2. The Ways Of Faith 4:54
3. Uma Curo 3:14
4. Who Must Die? 2:58
Running time: 30:42 min.

Side C
1. Saga 4:38
2. Tribe To A Nation 2:49
3. Politricks 4:14
4. Human Cause 0:57

Side D
1. Reject 3:00
2. Water 2:44
3. Valtio 3:21
Running time: 21:43 min.


Total playing time: 52:25 min.

The first re-release of the fifteenth full-length studio album by legendary Brazilian Groove/Thrash Metal band.
A concept album based on numerology, the number four and its significance as depicted on Quadrivium.
Sepultura has "enjoyed" a very spotty reputation among fans since the late 1990s, when founding vocalist Max Cavalera left and was replaced by Derrick Green. After all, their first six albums (especially the trilogy that began with "Schizophrenia" and ended with 1991's "Chaos A.D.") are universally regarded as definitive Thrash Metal offerings. Later outings were saturated in Groove Metal or so experimental listeners had a tough time hanging on. But Sepultura issued some fine records during the Green era, including "The Mediator Between Head And Hands Must Be The Heart" (2013) and "Machine Messiah" (2017), which are both fine records in their own rights.
"Quadra", like its 2017 predecessor, expresses the delineated nature of society and the power of money. The album is so titled because its 12 songs are divided into four groups of three songs each. Each grouping showcases a different aspect of the band's musical persona. Exquisitely produced by Jens Bogren, its first section offers the band at its most aggressive in a short set of Thrash Metal. The second quarter of "Quadra" hearkens back to more rhythmic, Groove-Metal-oriented albums such as 1996's "Roots". Andreas Kisser's nylon-string guitar playing introduces “Guardians of the Earth”, before a layered choir begins chanting in the backdrop as a precursor to the first verse. This is Sepultura at their most Experimental and Progressive, born out by the knotty scalar inventions on "The Pentagram" and the detuned roil and burn power riffs on "Autem". Introduced by the brief interlude of a title track, the final section pursues more melodic, less aggressive Prog Metal. It features gorgeously layered acoustic and electric guitars, ghostly female vocals, and even elements of Symphonic Metal. Choirs, synth strings, and Jazz syncopation - all these you can find here. 
"Quadra" is Sepultura's first album to actually stand on equal qualitative footing with their classic trilogy. It offers a series of tough, meaty, adventurous songs, that abundantly indulge raw power and emotion. Bogren's production and Sepultura's execution are in perfect balance. Further, Green delivers a career-defining performance here. It is the first Sepultura album in decades to measure favourably alongside the band’s classic output.
The album is the band's most successful record since 1998's "Against", charting in 17 countries and entering the top 20 in seven countries (eight, considering the UK Rock & Metal Albums Chart). It is also their most successful album in Germany and Switzerland to date, exceeding the chart positions of "Roots" (1996), with positions number five and number 13, respectively.
The website Collector's Room included "Quadra" on the top 50 Brazilian Metal albums of all time. Metal Hammer Magazine named it the 30th best Metal album of 2020. At the 2020 Metal Storm Awards, the album won a Metal Storm Award for Best Thrash Metal Album.
Double heavyweight 180g vinyl in gatefold cover.
Nuclear Blast GmbH, 2020/2022 (NBR 51571). Made in USA.


Tracklist:

Side Q
01. Isolation  4:56
02. Means to an End  4:39
03. Last Time  4:27

Side Q
04. Capital Enslavement  3:40
05. Ali  4:12
06. Raging Void  3:57

Side Q
07. Guardians of Earth  5:11
08. The Pentagram  5:20
09. Autem  4:06

Side Q
10. Quadra  0:46
11. Agony of Defeat  5:51
12. Fear, Pain, Chaos, Suffering  4:09

Total playing time: 51:14 min.

Remastered re-release of the ninth full-length studio album by legendary Brazilian Groove/Thrash Metal band.
Formed in 1984, Sepultura are arguably Brazil's biggest music export, having enjoyed huge global success throughout their career to date. During this time, they have sold over 20 million discs worldwide.
Half speed mastered double 180g vinyl, including “Revolusongs” EP.
Sepultura US Inc. and Igor Cavalera/BMG UK, 2003/2022 (BMGCAT511BOX3). Made in Poland.


Tracklist:

"Roorback" LP
Side A
1. Come Back Alive 3:06    
2. Godless 4:21    
3. Apes Of God 3:36    
4. More Of The Same 3:58    
5. Urge 3:16    
6. Corrupted 2:32    
Side B
1. As It Is 4:26    
2. Mind War 2:59    
3. Leech 2:24    
4. The Rift 2:56    
5. Bottomed Out 4:35    
6. Activist 1:53    
7. Outro 3:06
Running time: 43:08 min.

"Revolusongs" EP
Side C
1. Messiah (Hellhammer cover) 3:26
2. Angel (Massive Attack cover) 5:13
3. Black Steel In The Hour Of Chaos (Public Enemy cover) 4:02
Side D
4. Mongoloid (Devo cover) 2:35
5. Mountain Song (Jane's Adiction cover) 3:28
6. Bullet The Blue Sky (U2 cover) 4:34
7. Piranha (Exodus cover) 3:41
Running time: 26:59 min.

Total playing time: 70:07 min.

The second Vinyl Box Set by legendary Brazilian Death/Thrash/Groove Metal band.
Formed in 1984, Sepultura are arguably Brazil's biggest music export, having enjoyed huge global success throughout their career to date.
"Sepulnation" is a five album Box Set represents the second phase of the band's career when vocalist Derrick Green joined the band on vocals after the departure of founding member Max Cavalera, although four out of the five of these records still feature his brother Iggor on drums. Spanning the years 1996 to 2009, Box Set contains the albums: "Against", "Nation", "Roorback" (incl. "Revolusongs" EP), "Dante XXI" and "A-lex", all of which are half speed cut, remastered, and back on 180g vinyl for the first time in a decade.
BMG Rights Management (UK) Limited, 2021 ‎(BMGCAT511BOX). Manufactured in Poland.



Tracklist:

"Against" LP
Side A:
1. Against
2 .Choke
3. Rumors
4. Old Earth
5. Floaters in Mud
6. Boycott
7. Tribus
8. Common Bonds
Side B: 
1. F.O.E.
2. Reza (Feat. João Gordo)
3. Unconscious
4. Kamaitachi (Feat. Kodo)
5. Drowned Out
6. Hatred Aside (Feat. Jason Nusted)
7. T3rcermillennium





"Nation" 2LP
Side A:
1. Sepulnation
2. Revolt
3. Border Wars
4. One Man Army
Side B:
1. Vox Populi
2. The Ways Of Faith
3. Uma Cura
4. Who Must Die?
Side C:
1. Saga
2. Tribe To A Nation
3. Politricks
4. Human Cause

Side D:
1. Reject
2. Water
3. Valtio





"Roorback" LP
Side A:
1. Come Back Alive
2. Godless
3. Apes Of God
4. More Of The Same
5. Urge
6. Corrupted
Side B:
1 As It Is
2. Mind War
3. Leech
4. The Rift
5. Bottomed Out
6. Activist
7. Outro





"Revolusongs" EP
Side C:
1. Messiah (Hellhammer cover)
2. Angel (Massive Attack cover)
3. Black Steel In The Hour Of Chaos (Public Enemy cover)
Side D:
1. Mongoloid (Devo cover)
2. Mountain Song (Jane's Addiction cover)
3. Bullet The Blue Sky (U2 cover)
4. Piranha (Exodus cover)





"Dante XXI" LP
Side A:
1. Lost (Intro)
2. Dark Wood Of Error
3. Convicted In Life
4. City Of Dis
5. False
6. Fighting On
Side B:
1. Limbo (Intro)
2. Ostia
3. Buried Words
4. Nuclear Seven
5. Repeating The Horror
6. Eunoé (Intro)
7. Crown And Miter
8. Primium Mobile (Intro)
9. Still Flame





"A-Lex" 2LP
Side 1:
01. A-Lex I
02. Moloko Mesto
02. Filthy Rot
03. We've Lost You!
05. What I Do!
Side 2:
06. A-Lex II
07. The Treatment
08. Metamorphosis
09. Sadistic Values

Side 3:
10. Forceful Behavior
11. Conform
12. A-Lex III
13. The Experiment
14. Strike
Side 4:
15. Enough Said
16. Ludwig Van
17. A-Lex IV
18. Paradox

The sixteenth full-length studio album by legendary Brazilian Groove/Thrash Metal band.
Serving as a halfway house between a live album and a studio recording, this album is unique in this regard due to the circumstances of its creation. 
After releasing their "Quadra" album in February 2020, Sepultura had their momentum halted by the pandemic. Refusing to stay stagnant and put the band on hold, they started a weekly livestream to engage with fans and talk to some of their closest fellow musicians. Without any intentions to do so, the "SepulQuarta" livestream event started to take form as a collection of tracks with special guests that were recorded live every Wednesday. The resulting series of collaborations across the year, all recorded from their homes, has led to a new Sepultura album of old songs. "Sepulquarta" is a compilation in which the band revisit their back catalogue and songs from "Quadra", with a little help from their friends. 
As for the tracklist itself, it’s a mix of the band’s most iconic tracks, some slightly deeper cuts and one cover. The crucial part of this album’s appeal is its collection of guests featured on every single track that joined the band throughout the course of 2020. Whilst there isn’t anything necessarily game-changing here on these re-recorded versions, the guests do provide a reason to go back and celebrate the career of Sepultura to this point, especially after the well-received release of "Quadra". Some of the biggest thrills are provided by some A-list guest guitarists and vocalists, with the likes of Devin Townsend, Scott Ian (Anthrax), Matt Heafy (Trivium), David Ellefson (ex- Megadeth), Phil Rind (Sacred Reich) and Phil Campbell (Motörhead), breathing plenty of life into their spots. What works so well about the guests that are featured is that they feel at home on the tracks whilst adding some extra personality and distinctive flavour. 
For Sepultura fans, this record should be seen as a moment of indulgence. Instead of staying quiet throughout the pandemic until they could tour their February 2020 release, they’ve come away with this snapshot of the year they’ve been through with something very positive to show for it. It is at its core a collection of songs from the band’s back catalogue that fits somewhere in between a live and studio album. On the other hand, in its own unique way, this is a record that could have only come out in the previous year. With the album’s creation being entirely unintentional, it symbolizes coming together and has joy and fun right at its core. This makes "SepulQuarta" mean more than just an assortment of re-recorded songs, even if that is literally, what it is.
Double heavyweight 180g vinyl in gatefold cover.
Nuclear Blast GmbH, 2021 (27361 59141 / NB 5914-1). Made in Germany. First press.


Tracklist:

Side I
1. Territory (feat. David Ellefson - bass) 4:48    
2. Cut-Throat (feat. Scott Ian - guitar) 2:47    
3. Sepulnation (feat. Danko Jones - vocals) 4:21    
4. Inner Self (feat. Phil Rind - bass) 5:11    
Side II
1. Hatred Aside (feat. Fernanda Lira, Angélica Burns, Mayara Puertas - vocals) 4:04    
2. Mask (feat. Devin Townsend - vocals & guitars) 4:30    
3. Fear, Pain, Chaos, Suffering (feat. Emmily Barreto - vocals) 3:45    
4. Vandals Nest (feat. Alex Skolnick - guitar) 2:55
Running time: 32:21 min.

Side III
1. Slave New World (feat. Matthew K. Heafy - vocals & guitar) 2:57    
2. Ratamahatta (feat. Joao Barone & Charles Gavin - drums) 4:13    
3. Apes Of God (feat. Rob Cavestany - guitar) 3:16    
4. Phantom Self (feat. Mark Holcomb - guitar) 5:27    
Side IV
5. Slaves Of Pain (feat. Fred Leclercq - guitar & Marcello Pomeu - vocals) 4:07    
6. Kaiowas (feat. Rafael Bittencourt - guitar) 4:12    
7. Orgasmatron (feat. Phil Campbell – rhythm & lead guitar; Motörhead cover) 4:20
Running time: 28:32 min.

Total playing time: 60:53 min.

For the first time on vinyl, this album is the collection of early recordings by the Country/Pop/Rock superstar. The album was recorded a few years before her commercial breakthrough.
Eilleen "Shania" Twain is a Canadian singer and songwriter. She has sold over 100 million records, making her the best-selling female artist in country music history and among the best-selling music artists of all time.
Collection of demos a then-unknown Shania Twain recorded in the late 1980s and early 1990s for Canadian label Limelight Records. Written in collaboration with Los Angeles producer Paul Sabu, the songs here are not Country music, but rather well-crafted, energetically performed Pop/Rock fare.
Though the production is often dated (particularly on the cruise-ship-dance-party-sounding “For the Love of Him” and the Laura Branigan-esque “It’s Alright), the tracks definitely offer repeated glimpses of Twain’s superstar potential. There are even a few Country-tinged numbers (“Bite My Lip”, “Luv Eyes”) that presage Twain and Mutt Lange’s multi-platinum Nashville/Arena Rock hybrids.
From 1999 onwards, demo recordings Shania Twain made for Limelight Records approximately ten years prior were licensed to a number of budget labels internationally and released under various titles, artwork and track order, sometimes including one or two dance mixes.
Though recordings contained herein have been made available in several other forms, this package goes the extra mile by offering both the original recordings and significantly re-mixed/remastered versions on two different discs.
Limited Edition 180 g Red Marble Vinyl in gatefold cover features lost photos, poster, restored liner notes and lyric sheet.
Renaissance Records, 2023 (RDEG-LP-0500). Made in Austria. Pressed in Czech.


Tracklist:

Side One
1. All Fired Up, No Place To Go 3:18
2. Wild And Wicked 3:30
3. The Heart Is Blind 3:32
4. For The Love Of Him 2:49
5. Bite My Lip 2:46

Side Two
6. Two Hearts, One Love 3:38
7. Luv Eyes 3:33
8. Send It With Love 3:57
9. It's Alright 3:52
10. Hate To Love 3:58

Side Three
11. Lost My Heart 4:21
12. Don't Gimme That (Once Over) 3:45
13. Rhythm Made Me Do It 3:57
14. Half Breed 3:25
15. Love 2:40

Side Four
16. I Ain't Gonna Eat Out My Heart Anymore 3:20
17. It's Alright (Club Mix) 3:40
18. For The Love Of Him (Dance Mix) 4:35
19. Hate To Love (Marcus Kane Club Mix) 5:55
20. Hate To Love (Nick Fiorucci Mix) 3:45

For the first time on vinyl, this album is the collection of early recordings by the Country/Pop/Rock superstar. The album was recorded a few years before her commercial breakthrough.
Eilleen "Shania" Twain is a Canadian singer and songwriter. She has sold over 100 million records, making her the best-selling female artist in country music history and among the best-selling music artists of all time.
Collection of demos a then-unknown Shania Twain recorded in the late 1980s and early 1990s for Canadian label Limelight Records. Written in collaboration with Los Angeles producer Paul Sabu, the songs here are not Country music, but rather well-crafted, energetically performed Pop/Rock fare.
Though the production is often dated (particularly on the cruise-ship-dance-party-sounding “For the Love of Him” and the Laura Branigan-esque “It’s Alright), the tracks definitely offer repeated glimpses of Twain’s superstar potential. There are even a few Country-tinged numbers (“Bite My Lip”, “Luv Eyes”) that presage Twain and Mutt Lange’s multi-platinum Nashville/Arena Rock hybrids.
From 1999 onwards, demo recordings Shania Twain made for Limelight Records approximately ten years prior were licensed to a number of budget labels internationally and released under various titles, artwork and track order, sometimes including one or two dance mixes.
Though recordings contained herein have been made available in several other forms, this package goes the extra mile by offering both the original recordings and significantly re-mixed/remastered versions on two different discs.
Limited Edition 180 g Red Vinyl in gatefold cover features lost photos, poster, restored liner notes and lyric sheet.
Renaissance Records, 2023 (RDEG-LP-0500). Made in Austria. Pressed in Czech.


Tracklist:

Side One
1. All Fired Up, No Place To Go 3:18
2. Wild And Wicked 3:30
3. The Heart Is Blind 3:32
4. For The Love Of Him 2:49
5. Bite My Lip 2:46

Side Two
6. Two Hearts, One Love 3:38
7. Luv Eyes 3:33
8. Send It With Love 3:57
9. It's Alright 3:52
10. Hate To Love 3:58

Side Three
11. Lost My Heart 4:21
12. Don't Gimme That (Once Over) 3:45
13. Rhythm Made Me Do It 3:57
14. Half Breed 3:25
15. Love 2:40

Side Four
16. I Ain't Gonna Eat Out My Heart Anymore 3:20
17. It's Alright (Club Mix) 3:40
18. For The Love Of Him (Dance Mix) 4:35
19. Hate To Love (Marcus Kane Club Mix) 5:55
20. Hate To Love (Nick Fiorucci Mix) 3:45

The eleventh full-length studio album by cult Swedish Black Metal band.
Depressive and suicidal – these attributes are highly connected with the sinister Black Metal tunes by Shining. The band went through various incarnations, but mastermind Niklas Kvarforth always pulled the strings as a main composer and lyricist.
Formed in 1996 and known as one of the most controversial and musically brilliant bands in the Black Metal scene and beyond, Shining presents their eleventh offering that proves even darker and more brutal than ever before. These tunes are like a downward spiral into the abyss. According to the band themselves, "Shining" will be a downward journey in stereo that will drown the world in a mesmerizing, inescapable darkness.
The unit, centred around mastermind Niklas Kvarforth, roots their main musical influences in black metal, but does not fit into a single genre alone. Shining incomparably combines influences from various far-reaching genres such as classical music, Jazz and Progressive Rock, conjuring grim moods, aching wounds and deep emptiness. Themes such as self-destruction, suicide, and violence play an important role in the band’s music. Over the course of ten studio albums, including masterpieces such as the acclaimed "V. Halmstad and Redefining Darkness", Shining has garnered a large and loyal following who adore the musical genius and eccentric nature of Niklas Kvarforth.                                     
"Shining" is a hauntingly captivating and skilful album that features a unique Metal sound in true Shining manner, serving the very best of Black Metal creatively, combined with several other influences. The band has sparked a fiery interest with all their previous offerings, and it is certain that their ruthless upcoming album will exceed all expectations!
Double Black Vinyl in gatefold cover.
The Sinister Initiative/Napalm Records Handels GmbH, 2023 (KINSKI 008 | NPR1189VINYL). Made in Austria. First press.


Tracklist:

Side A
1. Avsändare okänd 08:27
2. Snart är dom alla borta 09:50
Side B
3. Allt för döden 11:17
Running time: 29:34 min.

Side C
1. Fidelis ad Mortem 06:36
2. Åttahundratjugo (Erik Satie cover) 03:21
Side D
3. Den permanenta sömnen kallar 10:34
 Running time: 20:31 min.

Total playing time: 50:05 min.



Samples: https://shininghatesyou.bandcamp.com

The eleventh full-length studio album by cult Swedish Black Metal band.
Depressive and suicidal – these attributes are highly connected with the sinister Black Metal tunes by Shining. The band went through various incarnations, but mastermind Niklas Kvarforth always pulled the strings as a main composer and lyricist.
Formed in 1996 and known as one of the most controversial and musically brilliant bands in the Black Metal scene and beyond, Shining presents their eleventh offering that proves even darker and more brutal than ever before. These tunes are like a downward spiral into the abyss. According to the band themselves, "Shining" will be a downward journey in stereo that will drown the world in a mesmerizing, inescapable darkness.
The unit, centred around mastermind Niklas Kvarforth, roots their main musical influences in black metal, but does not fit into a single genre alone. Shining incomparably combines influences from various far-reaching genres such as classical music, Jazz and Progressive Rock, conjuring grim moods, aching wounds and deep emptiness. Themes such as self-destruction, suicide, and violence play an important role in the band’s music. Over the course of ten studio albums, including masterpieces such as the acclaimed "V. Halmstad and Redefining Darkness", Shining has garnered a large and loyal following who adore the musical genius and eccentric nature of Niklas Kvarforth.                                     
"Shining" is a hauntingly captivating and skilful album that features a unique Metal sound in true Shining manner, serving the very best of Black Metal creatively, combined with several other influences. The band has sparked a fiery interest with all their previous offerings, and it is certain that their ruthless upcoming album will exceed all expectations!
Limited Edition double Red Vinyl in gatefold cover includes extra poster, card with album art and picture of Niklas Kvarforth originally signed personally by himself!
The Sinister Initiative/Napalm Records Handels GmbH, 2023 (KINSKI 008 | NPR1189VINYL). Made in Austria. First press.


Tracklist:

Side A
1. Avsändare okänd 08:27
2. Snart är dom alla borta 09:50
Side B
3. Allt för döden 11:17
Running time: 29:34 min.

Side C
1. Fidelis ad Mortem 06:36
2. Åttahundratjugo (Erik Satie cover) 03:21
Side D
3. Den permanenta sömnen kallar 10:34
 Running time: 20:31 min.

Total playing time: 50:05 min.



Samples: https://shininghatesyou.bandcamp.com

The second full-length studio album by cult German Disco band.
In their second album, band featured a mix of modern Euro Dance sound and unique melodic style that always was a trademark of Silent Circle's songs. "2Night" become the debut single from new album and everybody had noticed that they've changed, and all changes were up-to-date. The song topped the charts and become their biggest hit in the 90s. Following the debut single and the release of the album, the second single "Every Move Every Touch" was released on vinyl and CD, and a special remixed edition with additional dance and extended versions was released.
"Back!" was incredibly popular in Eastern Europe, it topped the album charts, as well as in Russia and ex-USSR countries.
This re-release has been professionally remastered from the original digital masters to get the best sound for LP and CD editions.
This is the first vinyl pressing of "Back!", so it's not only a nice listening experience, but also a good investmen!
Maschina Records, 1994/2020 (MASHLP-034). Made in Russia. Pressed in Estonia. First press.


Tracklist:

Side A
1. Prologue
2. 2night
3. Take The Chance
4. Egyptian Eyes
5. Just Another Moment
6. Entrance

Side B
1. Talk Is Cheap
2. Hide In Your Shell
3. Desire
4. Every Move, Every Touch (radio version)
5. Night After Night
6. Tell Me Why

The fifth full-length studio album by cult German Disco band.
First time on vinyl, depth restored and remastered 13 tracks of original demo and unfinished recordings from keyboardist & composer Axel Breitung studio archives. 32 bit mastering.
Release includes booklet + original autograph card.
Maschina Records, 2018/2020 (MASHLP-035). Made in Russia. Pressed in Estonia. First press.


Tracklist:

Side A
1. Don't Ask Me Why 3:54
2. Luxury 3:47
3. Heaven Waits 3:21
4. Can You Hear Me 4:49
5. Paralysed 3:41
6. Sign Of Love 3:28

Side B
1. You've Broken My Tears 3:56
2. Drive It Out 3:35
3. The Sweetest Dreams 3:02
4. Tell Me Once Again 3:22
5. Don't Say That We Have To Part 3:25
6. What A Shame (unreleased version) 3:18
7. Tale Of A Diamond 3:27

The sixth Single by legendary Irish Alternative Rock/Hip Hop singer.
"Nothing Compares 2 U" is a song written by legendary American musician Prince as a demo in 1984. In 1985, Prince's Funk band The Family released their sole studio album, "The Family", including "Nothing Compares 2 U". It was not released as a Single and received little recognition. Sinéad O'Connor recorded a version of  "Nothing Compares 2 U" for her second studio album, "I Do Not Want What I Haven't Got", with a new arrangement by her and the producer Nellee Hooper. O'Connor's version is in the key of F major. The song was released as the album's second Single in early 1990. Its music video received heavy rotation on MTV. The video won three "Moonmen" at the 1990 MTV Video Music Awards: Video of the Year (O'Connor was the first female artist to be awarded it), Best Female Video and Best Post-Modern Video. It was nominated for Breakthrough Video, Viewer's Choice and International Viewer's Choice during the ceremony. The video was also the subject of many parodies and spoofs, such as Gina Riley's parody "Nothing Is There" on Fast Forward, referring to the fact that O'Connor tended to shave her head bald.
O'Connor's version was a worldwide hit, topping charts in O'Connor's native Ireland, Australia, Austria, Canada, Denmark, Germany, Mexico, Netherlands, New Zealand, Norway, Sweden, Switzerland, the United Kingdom and the United States (plus Top Five in France). In the United States it spent four weeks at the top of the Billboard Hot 100; in addition, it was number one on the Billboard Alternative Songs chart and reached number two on the Billboard Adult Contemporary chart (held off the top position by Rod Stewart's "This Old Heart of Mine" for three weeks). On terms of its chart performance on the Hot 100, it ranked number three for 1990. In the United Kingdom, the Single ranked number two for the year, behind a re-release of the Righteous Brothers' "Unchained Melody". On April 1990, it was certified Platinum by the Recording Industry Association of America. At the second of its four weeks at number one, the record's parent album "I Do Not Want What I Haven't Got" started a six-week run at number one on the Billboard 200. It was certified Platinum in Austria and in the United Kingdom, and Gold in Germany and in Sweden. In December 1990, Billboard named "Nothing Compares 2 U" the "#1 World Single" of 1990 at its first Billboard Music Awards.
In 2019, the Single ranked 97 in a Hot 100 60th-anniversary Top 600, covering the period from 1958 to 2018. In July 2023, days after O'Connor's death, "Nothing Compares 2 U" reappeared on the UK Top 100 at number 45, and charted at number 1 on the UK Singles Downloads Chart.
In 2003, Q magazine ranked "Nothing Compares 2 U" at number 242 in their list of the "1001 Best Songs Ever".
It was included at number 165 by Rolling Stone in its list of the "500 Greatest Songs of All Time".
In 2007, VH1 ranked O'Connor's rendition number 10 of the "100 Greatest Songs of the 90s".
In September 2010, Pitchfork included the song at number 37 on their Top 200 Tracks of the 90s.
The song was listed at number 77 on Billboard's "Greatest Songs of All Time".
Time Magazine included "Nothing Compares 2 U" in its 2011 (unranked) list of "All-TIME 100 Songs".
In 2012, Porcys listed the song at number 60 in their ranking of "100 Singles 1990-1999", noting that "it's probably one of the noblest, most dignified slow songs of the decade".
On May 4th 2016, the song was simulcast on radio stations throughout the United States to commemorate Prince 15 days after his death.
In 2019, Stacker placed the song at number 20 in their list of "Best 90s pop songs".
In 2020, The Guardian ranked the song at number 12 in its list of the "100 Greatest UK No 1s".
In 2020, Cleveland.com ranked "Nothing Compares 2 U" the best Billboard Hot 100 number-one song of the 1990s in 2020, calling it "one of the greatest love songs ever written".
The song was included at number 184 by Rolling Stone in its 2021 update list of the "500 Greatest Songs of All Time".
In 2024, Annie Lennox, accompanied by Wendy & Lisa, sang this song at the 2024 Grammy Awards, during the "In Memoriam" segment as a tribute to O'Connor.
Ensign Records Limited, a division of Chrysalis Records Limited/BMG Records, 1990 (613 006). Made in Germany. First press. 45 RPM. Used (cover/disc): EX/NM-.


Tracklist:

Side 1
Nothing Compares 2 U 5:08

Side 2
Jump In The River 4:13
Jump In The River (Instrumental) 4:04

Total playing time: 13:27 min.

Rare Special Promotional Edition of “The Emperor's New Clothes” Single by legendary Irish Alternative Rock/Hip Hop singer.
For Promotional Use Only, this 12” vinyl made especially for the clubs.
Real rare and musthave for every collector of Sinéad O'Connor's releases.
Issued in generic white die-cut jacket with info sticker. 33 ⅓ RPM.
Ensign Records Ltd., a sub. of Chrysalis Records Inc.,1990 (SPRO 23568). Made in US. First press. Used (cover/disc): NM-/NM-.


Tracklist:

Side A
1. The Emperor's New Clothes (Main Mix) 4:37
2. The Emperor's New Clothes (Dub Mix) 4:55
3. The Emperor's New Clothes (Instrumental) 5:06

Side B
1. I Am Stretched On Your Grave (Apple Brightness Mix) 5:39
2. I Am Stretched On Your Grave (Night Until Morning Dub) 3:21
3. I Am Stretched On Your Grave (Earthapella) 0:58

The fifth full-length studio album by legendary German Hard’n’Heavy band.
This is Sinner's first recording with guitarist Angel Schleifer (of Bonfire fame).
The album features a cover of Billy Idol's song "Rebel Yell".
Noise International, 1986 (N 0049). Made in Germany. First press. Used (cover/vinyl): NM/NM.

Tracklist:

Side 1
1. Hypnotized 4:28
2. Faster Than Light 4:55
3. Comin' Out Fighting 3:06
4. Age Of Rock 3:38
5. Rebel Yell (Billy Idol cover) 3:58

Side 2
6. Lost In A Minute 2:48
7. Don't Tell Me (That The Love Has Gone) 3:58
8. Germany Rocks 4:05
9. Playing With Fire 3:37
10. Madhouse 3:42

Total playing time: 38:15 min.

The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 300 numbered copies worldwide exclusive for EMP, Blood Red Splattered Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-5). Made in Germany. First press.


Tracklist:

Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34

Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46

Total playing time: 42:50 min.


https://sixfeetunder.bandcamp.com/

The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 200 numbered copies worldwide, Gold “Black Dust” Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-7). Made in Germany. First press.


Tracklist:

Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34

Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46

Total playing time: 42:50 min.


https://sixfeetunder.bandcamp.com/

The sixth full-length studio album by Italian Heavy Metal band.
With all of their mighty and long history since their formation in 1982, Skanners didn't stand with the big boys. Although these guys have a sense to create memorable songs on all of their albums, including "Factory Of Steel", they use the same formula as everyone else did back in the 80s and even today. Catchy tunes is the name of the game and in the case of Skanners, they implement catchiness everywhere on the album. "Factory OF Steel", on its whole, is a wonderful release with memorable songs. Nevertheless, the reason it can’t get higher than the grade given, is because as each track fades, the general idea is the same. It is like Skanners didn't even try to step out of the shell a bit and create something that might eventually be different from what they had done throughout their long career.
Skanners advantage is their experience that led them to remain classic even nowadays where heaviness is a very important to create powerful music. Their way to create memorable tunes is top notch as they follow the strict line of the 80s. Nevertheless, they will have to put some extra flavor into their future songs.
Whoever appreciates 80s German Heavy Metal, like Accept, old Helloween, Primal Fear and Sinner, will get a kick out of Skanners' Metal way!
Limited Edition to 500 copies Black vinyl.
Bologna Rock City Records, 2011 ‎(BRCLP0004). Made in Italy. First press.


Tracklist:

Side A
1. Never Give Up 4:19
2. Iron Man 4:23
3. Factory Of Steel 5:11
4. Hard And Pure 5:02
5. Thunder In My Hand 3:00
6. Story Of Sound 4:11

Side B
1. We Rock The Nation 3:48
2. Lord Of Lies 4:10
3. When I Look In Your Eyes 5:05
4. To Survive 2:20
5. Rock To You (Bonus Track)

Total playing time: 41:29 min.