12"

The seventh full-length studio album by American Progressive Metal/Jazz-Rock keyboardist (Planet X, Sons Of Apollo; ex: Alice Cooper, Dream Theater, Yngwie Malmsteen, Kiss, Black Label Society, and more).
All-star lineup includes guitarists Tony MacAlpine, Joe Bonamassa (ex: Bloodline and Ozzy Osbourne), Steve Lukather (ex: Mike Terrana and Marty Friedman),  Steve Stevens (Billy Idol; ex: Vince Neil, Michael Jackson, Sebastian Bach, Tim Ripper Owens), and Doug Aldrich (ex: Dio, Hurricane, Lion, Whitesnake, Foreigner, Glenn Hughes, Doro, Tim Ripper Owens, W.A.S.P.), bassists Jimmy Johnson (ex: Planet X and Quiet Riot) and Tony Franklin (ex: Blue Murder, Marty Friedman, Rainmaker, Heaven & Earth, Whitesnake, Ironwill, Quiet Riot, Tim Ripper Owens, Tony MacAlpine), as well as Simon Phillipsond on drums (Michael Schenker Fest; ex: David Coverdale, Ian Gillan Band, Jeff Beck, Joe Satriani, M.S.G., Pete Townsend, Judas Priest, 10CC, Asia, Big Country, Gary Moore, Mick Jagger, The Who, and more). A talented lineup to be sure, and they deliver with some tremendous performances.
"Oceana" features a great collection of talent and of course a fantastic showing from Sherinian. One of the strong points of the album is the balance. Sherinian dazzles on the keys, but does not overshadow his guests. There is a seamless cohesiveness to the tracks.
With the success of Black Country Communion and a strong new solo album, Derek Sherinian continues to cement himself as one of the premiere keyboardists of his time!
Mascot Music Production And Publishing BV/Music Theories Recordings, 2011 (PRD 7348 1 / MTR 7348 1). Made in Netherlands. Pressed in France. First press.


Tracklist:

Side A
1. Five Elements 4:35
2. Mercury 7 4:22
3. Mulholland 5:56
4. Euphoria 5:35
5. Ghost Runner 4:53

Side B
6. El Camino Diablo 5:07
7. I Heard That 4:53
8. Seven Sins 5:58
9. Oceana 5:39

Total playing time: 46:58 min.

The first Single by legendary French Synth-Pop/Eurodisco singer.
Sung entirely in French, the song transcended the language barrier on the music charts and became an international success between 1986 and 1988, reaching the top position in more than ten countries across Europe.
Since "Voyage, voyage" is sung exclusively in French, its chart success came as a surprise as it managed the rare feat of becoming a success in several nations usually closed to Francophone songs and artists, such as the United Kingdom and Ireland. In West Germany, the song topped the chart, and has the longest chart trajectory of 1987 in the top 20. It also reached number one in Austria, Norway, and Spain. The song missed the top spot in France, peaking at number two for four weeks, behind Elsa Lunghini's "T'en va pas".
The song initially reached number 53 on the UK Singles Chart in November 1987. After being remixed by Pete Hammond and Pete Waterman of PWL, the song was re-released in the United Kingdom in the spring of 1988, and climbed to number five in June of that year. The song's success continued in Ireland, where it reached number four twice, the original version in November 1987, followed by the PWL remix in June 1988.
Later, the song was included on Desireless debut album, "François" (1989).
CBS Inc., 1986 (CBS 650175 6). Made in Holland. First press. Used.


Tracklist:

Side 1
Voyage, voyage (Extended Remix) 6:45

Side 2
Voyage, voyage 4:12

Total playing time: 10:57 min.
 

Re-release of the thirteenth full-length studio album by legendary German Thrash Metal band.
Another collection of razor-sharp riffs, rasping vocals and relentless rhythms!
If the last Megadeth and Anthrax albums provide hope American Thrash is far from dead, Destruction proudly barks their case from Deutschland as decisive victors!!
"Under Attack" is an instant classic, possibly one of Thrash Metal's greatest genre pieces ever!!!
Limited Edition Double Clear Orange-Red Splatter Vinyl in gatefold cover.
Nuclear Blast GmbH/Back on Black, 2016/2019 (BOBV575LPLTD). Made in UK.


Tracklist:

Side A
1. Under Attack 6:14
2. Generation Nevermore 4:04
3. Dethroned 4:50

Side B
1. Getting Used To the Evil 6:09
2. Pathogenic 4:28
3. Elegant Pigs 3:40
Running time: 29:25 min.

Side C
1. Second To None 5:11
2. Stand Up For What You Deliver 4:20
3. Conductor of the Void 4:33

Side D
1. Stigmatized 4:12
Bonus Tracks:
2. Black Metal (feat. Alex [Krisiun] / Venom cover) 3:14
3. Thrash Attack (Re-recorded) 2:58
Running time: 24:28 min.

Total playing time: 53:53 min.

First re-release of the second live album by legendary American Heavy Metal band.
“Evil Or Divine - Live In New York City” is a live album recorded at Roseland Theater in New York City, USA on December 13, 2002 and released by Spitfire Records (a division of Eagle Rock Entertainment) on CD in 2003 for USA and in 2005 for Europe.
One of the advantages that Ronnie Dio had on this tour over previous ones is that he had the most technically and musically proficient set of musicians behind him ever. Bassist Jimmy Bain holds the bottom of the arrangement strongly, as he has consistently done since he and Dio began their collaboration in Rainbow. Drummer Simon Wright puts on a hell of a technical display during his allotted solo time, making one wonder how he managed to keep those insanely simple beats when in AC/DC without having a breakdown. Scott Warren proves apt to the task of playing all keyboard parts previously handled by the likes of Jens Johansen and Claude Schnell. But the true technical wizard of the bunch proves to be Doug Aldrich, whose interpretations of the various solos coined by Dio’s previous collaborators is rivalled only by his amazingly varied display during his own solo sections, hitting upon such contrasting styles as Classical, Rock, Jazz, and Blues.
This collection of live recordings is the document of this tour, and it features the grand wizard of darkness in fine performing form, covering all the well-known anthems, like "Holy Diver" and "Heaven and Hell", and throwing in some choice new tunes for a balance of old and new.
Dio fans will enjoy having this as a Diamond Souvenir!
Deluxe Collector's Edition comes with newly 2019 remastered sound on 3x 180g vinyls, in newly created trifold cover, and with album-sized lenticular 3D art piece.
Niji Entertainment Group/BMG Rights Management (US) LLC, 2003/2021 (BMGCAT538629660). Made in Germany. Pressed in Czech.


Tracklist:

Side A
1. Killing The Dragon 5:35
2. Egypt (The Chains Are On) 8:30
3. Push 4:16
Side B
4. Drum Solo 4:23
5. Stand Up And Shout 10:09
6. Rock And Roll 5:17
7. Don`t Talk To Strangers 5:54
Running time: 44:04 min.

Side C
8. Man On The Silver Mountain 2:52
9. Guitar Solo 9:06
10. Long Live Rock `N`roll 4:23
11. Lord Of The Last Day 4:25
Side D
12. Fever Dreams 4:51
13. Holy Diver 5:12
14. Heaven And Hell 7:04
Running time: 37:53 min.

Side E
15. The Last In Line 7:13
16. Rainbow In The Dark 6:15
17. We Rock 5:33
Side F
18. This Is Your Life (Studio Version) 3:28
19. Fever Dreams (Studio Version) 4:31
20. Push (Studio Version) 4:09
21. The Eyes (Studio Version) 6:29
Running time: 37:38 min.

Total playing time: 119:35 min.

The first live album by legendary American Heavy Metal singer and his band.
The live songs were recorded with guitarist Vivian Campbell during the first leg of the Sacred Heart Tour. Craig Goldy replaced Campbell in mid-tour, and the band wanted something to represent the new line-up, so they recorded in studio the song "Time to Burn" with him, which was added to this album.
"Time to Burn" is a only studio track (the first recording with Craig Goldie on guitar) - the rest tracks are live, recorded at the Sports Arena in San Diego, CA., December 6th, 1985.
Vertigo Records/Phonogram International B.V., 1986 (830 078-2). Made in Holland. First press. Used (cover/disc): VG+/NM.


Tracklist:

Side One
1. King Of Rock And Roll (Live) 3:24
2. Rainbow In The Dark (Live) 6:10
3. Sacred Heart (Live) 6:10

Side Two
4. Time To Burn 4:24
5. Rock 'n' Roll Children (Medley: Long Live Rock 'n' Roll / Man On The Silver Mountain) (Live) 9:38
6. We Rock (Live) 4:34

Total playing time: 34:20 min.

The third full-length studio album by legendary American Heavy Metal band.
Keeping the same line-up, Dio didn't waste much time, releasing on August 15, 1985 the highly anticipated third album. Even if this new release followed the same musical and lyrical formula of the previous albums, this record is somehow trapped in Ronnie's indecision about "Sacred Heart"'s overall musical direction. If songs like "King of Rock and Roll" or "Sacred Heart" somewhat keep the original "Holy Diver" soul, firmly based on strong stylish riffs and a classic Hard Rock rhythm section, that always avoid overacting performances, tracks like "Rock 'n' Roll Children" or "Hungry for Heaven" are clearly more mainstream compositions, deliberately made to please the vastest audiences that could push "Sacred Heart" into the always commercially tempting US billboard.
Even with different musical approaches, "King of Rock and Roll", "Sacred Heart", "Rock 'n' Roll Children" and the extremely catchy "Hungry for Heaven" are all great songs that largely please Dio's demanding fan base.
This was the last Dio album to include guitarist Vivian Campbell, who went on to join several other bands, most notably Def Leppard, Riverdogs, Whitesnake and Thin Lizzy.
The top level musical performances from this now legendary line-up, with honorable mentions to Vivian Campbell's inspired guitar work and Ronnie James Dio's always amazing vocal performance, also give that extra push to place "Sacred Heart" among Dio's most respectable releases.
Album peaked at #29 on the Billboard 200. It is one of Dio's most well-known albums, including singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven". The RIAA certified “Sacred Heart” Gold (500,000 units sold) on October 15, 1985.
Warner Bros. Records Inc./WEA Music Of Canada, Ltd., 1985 (92 52921). Made in Canada. First press. Used (cover/disc): EX+/NM.


Tracklist:

Side One
1. King Of Rock And Roll 3:49
2. Sacred Heart 6:27
3. Another Lie 3:48
4. Rock 'n' Roll Children 4:32

Side Two
1. Hungry For Heaven 4:11
2. Like The Beat Of A Heart 4:25
3. Just Another Day 3:23
4. Fallen Angels 3:57
5. Shoot Shoot 4:20

Total playing time: 38:51 min.

The third full-length studio album by legendary American Heavy Metal band.
Keeping the same line-up, Dio didn't waste much time, releasing on August 15, 1985 the highly anticipated third album. Even if this new release followed the same musical and lyrical formula of the previous albums, this record is somehow trapped in Ronnie's indecision about "Sacred Heart"'s overall musical direction. If songs like "King of Rock and Roll" or "Sacred Heart" somewhat keep the original "Holy Diver" soul, firmly based on strong stylish riffs and a classic Hard Rock rhythm section, that always avoid overacting performances, tracks like "Rock 'n' Roll Children" or "Hungry for Heaven" are clearly more mainstream compositions, deliberately made to please the vastest audiences that could push "Sacred Heart" into the always commercially tempting US billboard.
Even with different musical approaches, "King of Rock and Roll", "Sacred Heart", "Rock 'n' Roll Children" and the extremely catchy "Hungry for Heaven" are all great songs that largely please Dio's demanding fan base.
This was the last Dio album to include guitarist Vivian Campbell, who went on to join several other bands, most notably Def Leppard, Riverdogs, Whitesnake and Thin Lizzy.
The top level musical performances from this now legendary line-up, with honorable mentions to Vivian Campbell's inspired guitar work and Ronnie James Dio's always amazing vocal performance, also give that extra push to place "Sacred Heart" among Dio's most respectable releases.
Album peaked at #29 on the Billboard 200. It is one of Dio's most well-known albums, including singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven". The RIAA certified “Sacred Heart” Gold (500,000 units sold) on October 15, 1985.
This is the white label promo version.
Comes with an obi and 4-page insert with liner notes by Koh Sakai along with the English lyrics transcriptions. The front page is parallel to the inner sleeve bags of the US release (photos and credits), while the back page is just black with white Dio logo instead of the Sacred Heart lyrics.
Vertigo/Nippon Phonogram Co. Ltd., Tokyo, Ltd., 1985 (28PP-1008). Made in Japan. First press. Used (cover/disc): NM/NM.


Tracklist:

Side One
1. King Of Rock And Roll 3:49
2. Sacred Heart 6:27
3. Another Lie 3:48
4. Rock 'n' Roll Children 4:32

Side Two
1. Hungry For Heaven 4:11
2. Like The Beat Of A Heart 4:25
3. Just Another Day 3:23
4. Fallen Angels 3:57
5. Shoot Shoot 4:20

Total playing time: 38:51 min.

First re-release of the third full-length studio album by legendary American Heavy Metal band.
Keeping the same line-up, Dio didn't waste much time, releasing on August 15, 1985 the highly anticipated third album. Even if this new release followed the same musical and lyrical formula of the previous albums, this record is somehow trapped in Ronnie's indecision about "Sacred Heart"'s overall musical direction. If songs like "King of Rock and Roll" or "Sacred Heart" somewhat keep the original "Holy Diver" soul, firmly based on strong stylish riffs and a classic Hard Rock rhythm section, that always avoid overacting performances, tracks like "Rock 'n' Roll Children" or "Hungry for Heaven" are clearly more mainstream compositions, deliberately made to please the vastest audiences that could push "Sacred Heart" into the always commercially tempting US billboard.
Even with different musical approaches, "King of Rock and Roll", "Sacred Heart", "Rock 'n' Roll Children" and the extremely catchy "Hungry for Heaven" are all great songs that largely please Dio's demanding fan base.
This was the last Dio album to include guitarist Vivian Campbell, who went on to join several other bands, most notably Def Leppard, Riverdogs, Whitesnake and Thin Lizzy.
The top level musical performances from this now legendary line-up, with honorable mentions to Vivian Campbell's inspired guitar work and Ronnie James Dio's always amazing vocal performance, also give that extra push to place "Sacred Heart" among Dio's most respectable releases.
Album peaked at #29 on the Billboard 200. It is one of Dio's most well-known albums, including singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven". The RIAA certified “Sacred Heart” Gold (500,000 units sold) on October 15, 1985.
Remastered re-release on 120g vinyl includes Download Code.
Vertigo/UMC/Mercury Records Ltd., 1985/2021 (0736927). Made in Holland. Pressed in Czech.


Tracklist:

Side One
1. King Of Rock And Roll 3:50
2. Sacred Heart 6:26
3. Another Lie 3:47
4. Rock 'n' Roll Children 4:30

Side Two
1. Hungry For Heaven 4:09
2. Like The Beat Of A Heart 4:20
3. Just Another Day 3:20
4. Fallen Angels 4:00
5. Shoot Shoot 4:19

Total playing time: 38:51 min.

The third full-length studio album by legendary American Heavy Metal band.
Keeping the same line-up, Dio didn't waste much time, releasing on August 15, 1985 the highly anticipated third album. Even if this new release followed the same musical and lyrical formula of the previous albums, this record is somehow trapped in Ronnie's indecision about "Sacred Heart"'s overall musical direction. If songs like "King of Rock and Roll" or "Sacred Heart" somewhat keep the original "Holy Diver" soul, firmly based on strong stylish riffs and a classic Hard Rock rhythm section, that always avoid overacting performances, tracks like "Rock 'n' Roll Children" or "Hungry for Heaven" are clearly more mainstream compositions, deliberately made to please the vastest audiences that could push "Sacred Heart" into the always commercially tempting US billboard.
Even with different musical approaches, "King of Rock and Roll", "Sacred Heart", "Rock 'n' Roll Children" and the extremely catchy "Hungry for Heaven" are all great songs that largely please Dio's demanding fan base.
This was the last Dio album to include guitarist Vivian Campbell, who went on to join several other bands, most notably Def Leppard, Riverdogs, Whitesnake and Thin Lizzy.
The top level musical performances from this now legendary line-up, with honorable mentions to Vivian Campbell's inspired guitar work and Ronnie James Dio's always amazing vocal performance, also give that extra push to place "Sacred Heart" among Dio's most respectable releases.
Album peaked at #29 on the Billboard 200. It is one of Dio's most well-known albums, including singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven". The RIAA certified “Sacred Heart” Gold (500,000 units sold) on October 15, 1985.
Warner Bros. Records Inc./Columbia House, 1985 (9 W1-25292). Made in USA. First press. Used (cover/disc): EX-/NM.


Tracklist:

Side One
1. King Of Rock And Roll 3:49
2. Sacred Heart 6:27
3. Another Lie 3:48
4. Rock 'n' Roll Children 4:32

Side Two
1. Hungry For Heaven 4:10
2. Like The Beat Of A Heart 4:24
3. Just Another Day 3:23
4. Fallen Angels 3:57
5. Shoot Shoot 4:20

Total playing time: 38:51 min.

The second full-length studio album by legendary American Heavy Metal band.
Dio shows his devil's horns to the universe once again with his second album. His unique sounding vocals dominating each and every song. There are a lot of similarities to "Holy Diver", but there are some subtle differences, too. The end result is almost equally impressive, though, and "The Last In Line" stands as one of the highlights of Dio's career.
When Dio's debut album "Holy Diver" landed on the shelves of music stores, people were absolutely blown away by it. The guitar harmonies, Ronnie James Dio's pitch-perfect tenor, and amazingly well done song compositions were all unbelievably good and stand tall even till this day. The first thing when listening to this release was the fact that the songs are much faster. The opener "We Rock" is one of the best openers you ever heard. It just takes hold of you and rocks the hell out of you. The riffs by Vivian Campbell are very well done again, this time taking on more of a 80s Metal approach, than the Rock influenced guitar riffs we heard on "Holy Diver". His guitar work really shows his abilities to draw you in to his leads and solos. Dio's vocals are amazing as always. He sings with a lot of emotion and instantly makes every song have a memorable chorus, which is always important for this type of Metal.
The production, considering the time and the technology available, is excellent. You can hear all the instruments perfectly at all times.
This is an album of classic Metal greatness, well worthy of the attention of any fan of Speed, Power, Progressive or traditional Metal.
The album was certified Gold (500000 units sold) by the RIAA on September 12, 1984, and was the first Dio album to be certified Platinum, achieving the feat on February 3, 1987.
In the UK, it attained Silver certification (60000 units sold) by the British Phonographic Industry, achieving this in January 1986, at the same time as “Holy Diver”.
Balkanton, 1988 (ВТА 12408). Made in Bulgaria. Used (cover/disc): EX/VG (some tracks jumping).


Tracklist:

Side A
1. We Rock  4:35
2. The Last In Line  5:48
3. Breathless  4:09
4. I Speed At Night  3:26
5. One Night In The City  5:14

Side B
6. Evil Eyes  3:38
7. Mystery  3:55
8. Eat Your Heart Out  4:02
9. Egypt  7:02

Total playing time: 41:49 min.

The second re-release of the second full-length studio album by legendary American Heavy Metal band.
When Dio's debut album "Holy Diver" landed on the shelves of music stores, people were absolutely blown away by it. The guitar harmonies, Ronnie James Dio's pitch-perfect tenor, and amazingly well done song compositions were all unbelievably good and stand tall even till this day. Dio shows his devil's horns to the universe once again with his second album. His unique sounding vocals dominating each and every song. There are a lot of similarities to "Holy Diver", but there are some subtle differences, too. The end result is almost equally impressive, though, and "The Last In Line" stands as one of the highlights of Dio's career.
The first thing when listening to this release was the fact that the songs are much faster. The opener "We Rock" is one of the best openers you ever heard. It just takes hold of you and rocks the hell out of you. The riffs by Vivian Campbell are very well done again, this time taking on more of a 80s Metal approach, than the Rock influenced guitar riffs we heard on "Holy Diver". His guitar work really shows his abilities to draw you in to his leads and solos. Dio's vocals are amazing as always. He sings with a lot of emotion and instantly makes every song have a memorable chorus, which is always important for this type of Metal.
The production, considering the time and the technology available, is excellent. You can hear all the instruments perfectly at all times.
The album was certified Gold (500000 units sold) by the RIAA on September 12, 1984, and was the first Dio album to be certified Platinum, achieving the feat on February 3, 1987. In the UK, it attained Silver certification (60000 units sold) by the British Phonographic Industry, achieving this in January 1986, at the same time as “Holy Diver”.
This is an album of classic Metal greatness, well worthy of the attention of any fan of Speed, Power, Progressive or traditional Metal.
Vertigo/Mercury Records Ltd./Universal Music Italia s.r.l./De Agostini Publishing S.p.A., 1984/2022 (DeAgostini 26). Made in Italy. Pressed in France.


Tracklist:

Side One:
1. We Rock 4:35
2. The Last In Line 5:48
3. Breathless 4:09
4. I Speed At Night 3:26
5. One Night In The City 5:14

Side Two:
6. Evil Eyes 3:38
7. Mystery 3:55
8. Eat Your Heart Out 4:02
9. Egypt 7:02

Total playing time: 41:49 min.

First EP by Italian Horror/Doom/Black Metal band.
Disharmonic is an Italian Occult Ritualistic Doom Metal band born in 1998. It was founded by the drummer Lord Daniel Omungus and the guitarist Sir.Robert Baal. The intention was to bring in a scene something innovative for the place and play something really sulphurous.
In 2003 they recorded what would have been the end of the first era, "The Black Dance of Evil Spirits", then all died (or so it seemed)...
By the will of the founders Lord Daniel and Sir. Robert continued to work in a chimera, "Carmini Mortis", the natural evolution of the style of the band. The album came out much later in 2011, with a renewed line-up. The advent of the prophet Isaia and the voice of Baron Von Hayden on bass gave new sap the band.
But the chimera is not yet complete! In 2014, "Il Rituale dei Non Morti" out in 12" EP + CD format, to complete the session work and concept of the previous album"Carmines Mortis". "Il Rituale Dei Non Morti" translate "The Ritual Of The Undead", and it's a Ritualistic Dark Doom Metal Opera!
For fans of: Mortuary Drape, Abhor, Beherit, Death SS and Skepticism!!
Beyond… Productions, 2014 (BEY.1345). Made in Italy. First press.


Tracklist:

LP:

Side 1:
1. Il Rituale dei Non Morti I 06:59

Side 2:
2. Il Rituale dei Non Morti II 04:12
3. Il Rituale dei Non Morti III 05:09
Total playing time: 16:20

CD:
1. Il Rituale dei Non Morti I 06:59
2. Il Rituale dei Non Morti II 04:12
3. Il Rituale dei Non Morti III 05:09

Total playing time: 16:20

The seventh full-length studio album by American Modern Heavy Metal band.
The band's first album in over three years and the band's first album in over eight years to involve bass guitarist John Moyer. 
Disturbed became one of the biggest Metal acts of all time with only two tools in their arsenal: knowing what people want and how to deliver it to them. Disturbed have updated their image slightly this time, with David Draiman ditching those chin rings after saying they made him feel like "a 45-year old Hot Topic kid." The new album is called "Evolution", after all, so no point looking back!
After the runaway success of the Simon and Garfunkel cover on 2015's "Immortalized", it's hard to guess what Disturbed might have up their sleeves next. "Evolution" doesn't include any covers, but it does contain some of the boldest musical choices Disturbed have made in their multi-decade career. Frontman David Draiman stated that the writing and recording of the album was influenced by Classic Rock that members have listened to in their youth. Guitarist Dan Donegan stated that the album's title was representative of their goal on the album, to challenge themselves to evolve their sound.
By splitting their allegiances, the risk is that Disturbed won’t please either type of fan. The good news is that, despite their overwrought qualities, each slow song is boosted by those impressive vocals, while the heavier ones boast choruses as hooky as his former chin piercings (he’s removed them as he feels too old for them). This is without doubt the most diverse record in Disturbed’s catalogue, and it remains to be seen whether it’s a transition into a new, ‘grown up’ career, or an interesting experiment. The heavy songs on "Evolution" should please longtime fans, with a couple harkening back to the dynamism of Disturbed’s first couple of albums. "Evolution" certainly doesn't sound like anything they've done before. At best, "Evolution" could add a few more bangers to their roster.
The album is a tribute to deceased Heavy Metal musicians such as Chester Bennington of Linkin Park and Vinnie Paul of Pantera, with whom Disturbed were friends and toured with over the years.
It's debuted at number four on the Billboard 200, making it Disturbed's sixth straight top 5 album. It is the band's first album since "The Sickness" not to reach number one, thus ending the band's streak of number one albums at five.
Reprise Records, A Warner Music Group Company, 2018 (9362-49050-7). Made in EU. First press.


Tracklist:

Side One
1. Are You Ready 4:22
2. No More 3:53
3. A Reason To Fight 4:44
4. In Another Time 4:11
5. Stronger On Your Own 4:01

Side Two
6. Hold On To Memories 5:04
7. Saviour Of Nothing 4:12
8. Watch You Burn 4:20
9. The Best Ones Lie 4:03
10. Already Gone 4:29

Total playing time: 43:19 min.

The second full-length studio solo album by legendary German Hard Rock/Heavy Metal singer Doro Pesch.
Doro’s second album is more a solo effort than a band production. In fact, the German singer chose for herself a new musical direction, consciously separating the music creative process from normal band dynamics, the contrary of what she had always done in the past with Warlock.
The album production was put in the hands of Kiss bassist Gene Simmons, Doro's childhood idol. Simmons provided five songs, including the covers of The Electric Prunes' 60s Psychedelic hit "I Had Too Much to Dream" and of Black 'n Blue's "Rock On", and musicians coming from the Kiss' entourage to complete the recording. The song "Only You" is a Kiss cover from the album "Music From The Elder" (1981). He gave his protégé, Tommy Thayer from the band Black 'n Blue (another band Simmons produced), a chance to shine as co-producer of the album, along with Pat Regan. "I'll Be Holding On" is a cover of a Gregg Allman song from the 1989 film "Black Rain".
The resulting sound is much smoother and polished than any Warlock album, in the vein of many American Glam Metal recordings of the time, and the lyrics give up completely the Gothic atmosphere present in the offerings of Doro Pesch’s previous band.
Despite the commercial appeal of the music and the high economic effort in producing it, the album did not have the critical and sales success that was expected and remained the last studio album by Doro published in the United States for ten years. If released a few years earlier this album would have really catapulted Doro to new heights. But timing, along with a less than aggressive sound didn’t do the album any favors. Regardless, the album is amazing and shows the Queen of Metal at her very best!
Phonogram GmbH, Köln/Vertigo, 1990 (846 194-1). Made in Germany. First press. OIS. Used (cover/disc): NM/EX.


Tracklist:

Side One
1. Unholy Love 4:42
2. I Had Too Much To Dream 4:04
3. Rock On 3:18
4. Only You 4:21
5. I'll Be Holding On 5:22

Side Two
1. Something Wicked This Way Comes 5:15
2. Rare Diamonds 3:35
3. Broken 4:46
4. Alive 4:14
5. Mirage 4:01

Total playing time: 43:38 min.

The first re-relaase of the second full-length studio solo album by legendary German Hard Rock/Heavy Metal singer Doro Pesch.
Doro’s second album is more a solo effort than a band production. In fact, the German singer chose for herself a new musical direction, consciously separating the music creative process from normal band dynamics, the contrary of what she had always done in the past with Warlock.
The album production was put in the hands of Kiss bassist Gene Simmons, Doro's childhood idol. Simmons provided five songs, including the covers of The Electric Prunes' 60s Psychedelic hit "I Had Too Much to Dream" and of Black 'n Blue's "Rock On", and musicians coming from the Kiss' entourage to complete the recording. The song "Only You" is a Kiss cover from the album "Music From The Elder" (1981). He gave his protégé, Tommy Thayer from the band Black 'n Blue (another band Simmons produced), a chance to shine as co-producer of the album, along with Pat Regan. "I'll Be Holding On" is a cover of a Gregg Allman song from the 1989 film "Black Rain".
The resulting sound is much smoother and polished than any Warlock album, in the vein of many American Glam Metal recordings of the time, and the lyrics give up completely the Gothic atmosphere present in the offerings of Doro Pesch’s previous band.
Despite the commercial appeal of the music and the high economic effort in producing it, the album did not have the critical and sales success that was expected and remained the last studio album by Doro published in the United States for ten years. If released a few years earlier this album would have really catapulted Doro to new heights. But timing, along with a less than aggressive sound didn’t do the album any favors. Regardless, the album is amazing and shows the Queen of Metal at her very best!
Limited Edition Orange Marbled Vinyl.
Vertigo/Capitol, a division of Universal Music GmbH, 1990/2021 (00602438511129). Made in Germany. 


Tracklist:

Side One
1. Unholy Love 4:42
2. I Had Too Much To Dream 4:04
3. Rock On 3:18
4. Only You 4:21
5. I'll Be Holding On 5:22

Side Two
1. Something Wicked This Way Comes 5:15
2. Rare Diamonds 3:35
3. Broken 4:46
4. Alive 4:14
5. Mirage 4:01

Total playing time: 43:38 min.

The debut full-length studio solo album by legendary German Hard Rock/Heavy Metal singer and her band.
In the 1980s, Warlock was among Germany's most exciting Heavy Metal bands, which is saying a lot when you consider that Germany also produced Accept and the Scorpions. After the success of Warlock’s album "Triumph And Agony", which gained Gold status in Germany and reached the top 100 chart in the USA, former Warlock vocalist Doro Pesch remained the only original member of the band. Some legal issues about the use of the name Warlock were raised by the former band manager, and Doro settled the dispute, renouncing to issue any new album with the band’s name, but using her name instead for any new releases. However, the first print of the LP was issued with a sticker on the cover near Doro’s name with "+ Warlock" written on and for some fans "Force Majeure" should still be considered as the last album by Warlock.
Just like "Triumph And Agony", the album was recorded in the USA and produced by Joey Balin. Bass player Tommy Henriksen, who was part of the last line-up of Warlock, plays in this album too. The line-up is completed by drummer Bobby Rondinelli (Rainbow, Scorpions, Quiet Riot, Black Sabbath, Blue Öyster Cult) and guitarist Jon Levin, whose name was incorrectly reported as Jon Devin on the album sleeve.
Trying to follow the positive American feedback of the previous Warlock album, the songs of "Force Majeure" are even more oriented to radio-friendly Glam Metal than to the European Power Metal of Doro’s earlier works and include for the first time a cover, Procol Harum’s famous "A Whiter Shade of Pale". It's also an album that Doro can be proud of; even though "Force Majeure" isn't quite in a class with Warlock's best releases, it is definitely a strong Pop-Metal/Hard Rock outing. Doro, who co-wrote most of the material with Joey Balin, is focused and assured throughout the album - she is as passionate on driving rockers like "Angels With Dirty Faces", "Under the Gun", and "Hellraiser" as she is on the haunting ballad "River of Tears". Equally strong is Doro's inspired cover "A Whiter Shade of Pale".
The album sold quite well in Europe but had a limited success in the USA, reaching only the top 200 chart.
While Doro is generally decent, "Force Majeure" is more than decent - it is excellent! In fact, "Force Majeure" is arguably her strongest and most essential solo album!!
Released in embossed cover and with a “+ Warlock” round white sticker on sleeve.
Phonogram GmbH./Vertigo, 1989 (838 016-1). Made in W. Germany. First press. OIS. Used (cover/disc): NM/NM.


Tracklist:

Side 1
1. A Whiter Shade Of Pale (Procol Harum cover) 3:56
2. Save My Soul 3:51
3. World Gone Wild 3:44
4. Mission Of Mercy 3:59
5. Angels With Dirty Faces 3:59
6. Beyond The Trees 2:27

Side 2
7. Hard Times 3:33
8. Hellraiser 5:04
9. I Am What I Am 2:36
10. Cry Wolf 4:47
11. Under The Gun 3:48
12. River Of Tears 3:54
13. Bis Aufs Blut 0:38

Total playing time: 46:20 min.

The debut full-length studio album by legendary German Eurodisco/Pop band.
Jupiter Records, 1979 (200 690-315). Made in Germany. First press. Used (cover/disc): NM/EX.


Tracklist:

Side A
1. Moskau 5:58
2. Komm doch heim 4:16
3. Samurai 4:56
4. Rocking Son of Dschinghis Khan 4:15
5. Pass auf, der Drache kommt 3:40

Side B
1. Dschinghis Khan 3:00
2. Israel, Israel 5:38
3. China Boy 3:54
4. Sahara 3:00
5. Puszta 3:15
6. Der Verräter 5:35

The fifth full-length studio album by legendary American Rock band.
The band's first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, who had given the band much of its country flavour, and the last to feature founding bassist Randy Meisner. The album cover features a photograph of the Beverly Hills Hotel, taken by David Alexander.
The Eagles took 18 months between their fourth and fifth albums, reportedly spending eight months in the studio recording "Hotel California". As a result, the album marks a major leap for the Eagles from their earlier work, as well as a stylistic shift toward Mainstream Rock. An even more important aspect, however, is the emergence of Don Henley as the band's dominant voice, both as a singer and a lyricist. On the six songs to which he contributes, Henley sketches a thematic statement that begins by using California as a metaphor for a dark, surreal world of dissipation; comments on the ephemeral nature of success and the attraction of excess; branches out into romantic disappointment; and finally sketches a broad, pessimistic history of America that borders on nihilism. Of course, the lyrics kick in some time after one has appreciated the album's music, which marks a peak in the Eagles' playing.
Early on, the band couldn't rock convincingly, but the rhythm section of Henley and Meisner has finally solidified, and the electric guitar work of Don Felder and Joe Walsh has arena-rock heft. In the early part of their career, the Eagles never seemed to get a sound big enough for their ambitions; after changes in producer and personnel, as well as a noticeable growth in creativity, "Hotel California" unveiled what seemed almost like a whole new band. It was a band that could be bombastic, but also one that made music worthy of the later tag of "Classic Rock," music appropriate for the arenas and stadiums the band was playing. The result was the Eagles' biggest-selling regular album release, and one of the most successful Rock albums ever.
"Hotel California" was an immediate critical and commercial success, topping the US Billboard 200 chart. At the 20th Grammy Awards, the title track won Record of the Year, and "New Kid in Town" won Best Arrangement for Voices. The album was also nominated for Album of the Year but lost to Fleetwood Mac's "Rumours" (1977). Three Singles were released from the album, with the title track and "New Kid in Town" topping the Billboard Hot 100 and "Life in the Fast Lane" reaching No. 11.
"Hotel California" is one of the best-selling albums of all time. It has been certified 26× Platinum by the Recording Industry Association of America (RIAA) in the US, and has sold over 32 million units worldwide, making it the band's second best-selling album after "Their Greatest Hits" (1971–1975) (1976). Ranked by various publications as one of the greatest albums of all time, it was placed at number 37 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003 and 2012, re-positioned to number 118 in the 2020 edition. The band played the album in its entirety during the Hotel California 2020 Tour.
Gatefold LP contains 3-panel 11"x11" Poster.
Elektra/Asylum Records/Warner Strategic Marketing, a Warner Music Group Company 1976/2017 (RRM1-1084 | 8122796161). Made in Netherlands.


Tracklist:

Side One
1. Hotel California 6:30
2. New Kid in Town 5:04
3. Life in the Fast Lane 4:46
4. Wasted Time 4:55

Side Two
5. Wasted Time (Reprise) 1:22
6. Victim of Love 4:11
7. Pretty Maids All in a Row 4:05
8. Try and Love Again 5:10
9. The Last Resort 7:25

Total playing time: 43:28 min.

The fifth full-length studio album by legendary American Rock band.
The band's first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, who had given the band much of its country flavour, and the last to feature founding bassist Randy Meisner. The album cover features a photograph of the Beverly Hills Hotel, taken by David Alexander.
The Eagles took 18 months between their fourth and fifth albums, reportedly spending eight months in the studio recording "Hotel California". As a result, the album marks a major leap for the Eagles from their earlier work, as well as a stylistic shift toward Mainstream Rock. An even more important aspect, however, is the emergence of Don Henley as the band's dominant voice, both as a singer and a lyricist. On the six songs to which he contributes, Henley sketches a thematic statement that begins by using California as a metaphor for a dark, surreal world of dissipation; comments on the ephemeral nature of success and the attraction of excess; branches out into romantic disappointment; and finally sketches a broad, pessimistic history of America that borders on nihilism. Of course, the lyrics kick in some time after one has appreciated the album's music, which marks a peak in the Eagles' playing.
Early on, the band couldn't rock convincingly, but the rhythm section of Henley and Meisner has finally solidified, and the electric guitar work of Don Felder and Joe Walsh has arena-rock heft. In the early part of their career, the Eagles never seemed to get a sound big enough for their ambitions; after changes in producer and personnel, as well as a noticeable growth in creativity, "Hotel California" unveiled what seemed almost like a whole new band. It was a band that could be bombastic, but also one that made music worthy of the later tag of "Classic Rock," music appropriate for the arenas and stadiums the band was playing. The result was the Eagles' biggest-selling regular album release, and one of the most successful Rock albums ever.
"Hotel California" was an immediate critical and commercial success, topping the US Billboard 200 chart. At the 20th Grammy Awards, the title track won Record of the Year, and "New Kid in Town" won Best Arrangement for Voices. The album was also nominated for Album of the Year but lost to Fleetwood Mac's "Rumours" (1977). Three Singles were released from the album, with the title track and "New Kid in Town" topping the Billboard Hot 100 and "Life in the Fast Lane" reaching No. 11.
"Hotel California" is one of the best-selling albums of all time. It has been certified 26× Platinum by the Recording Industry Association of America (RIAA) in the US, and has sold over 32 million units worldwide, making it the band's second best-selling album after "Their Greatest Hits" (1971–1975) (1976). Ranked by various publications as one of the greatest albums of all time, it was placed at number 37 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003 and 2012, re-positioned to number 118 in the 2020 edition. The band played the album in its entirety during the Hotel California 2020 Tour.
Gatefold LP contains 3-panel 11"x11" Poster.
Elektra/Asylum/Nonesuch Records, a Division of Warner Communications, 1976 (6E-103). Made in USA. First press. OIS. Used (cover/poster/OIS/disc): EX+/NM/NM/EX+.


Tracklist:

Side One
1. Hotel California 6:30
2. New Kid in Town 5:04
3. Life in the Fast Lane 4:46
4. Wasted Time 4:55

Side Two
5. Wasted Time (Reprise) 1:22
6. Victim of Love 4:11
7. Pretty Maids All in a Row 4:05
8. Try and Love Again 5:10
9. The Last Resort 7:25
 

The fifth full-length studio album by legendary American Rock band.
The band's first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, who had given the band much of its country flavour, and the last to feature founding bassist Randy Meisner. The album cover features a photograph of the Beverly Hills Hotel, taken by David Alexander.
The Eagles took 18 months between their fourth and fifth albums, reportedly spending eight months in the studio recording "Hotel California". As a result, the album marks a major leap for the Eagles from their earlier work, as well as a stylistic shift toward Mainstream Rock. An even more important aspect, however, is the emergence of Don Henley as the band's dominant voice, both as a singer and a lyricist. On the six songs to which he contributes, Henley sketches a thematic statement that begins by using California as a metaphor for a dark, surreal world of dissipation; comments on the ephemeral nature of success and the attraction of excess; branches out into romantic disappointment; and finally sketches a broad, pessimistic history of America that borders on nihilism. Of course, the lyrics kick in some time after one has appreciated the album's music, which marks a peak in the Eagles' playing.
Early on, the band couldn't rock convincingly, but the rhythm section of Henley and Meisner has finally solidified, and the electric guitar work of Don Felder and Joe Walsh has arena-rock heft. In the early part of their career, the Eagles never seemed to get a sound big enough for their ambitions; after changes in producer and personnel, as well as a noticeable growth in creativity, "Hotel California" unveiled what seemed almost like a whole new band. It was a band that could be bombastic, but also one that made music worthy of the later tag of "Classic Rock," music appropriate for the arenas and stadiums the band was playing. The result was the Eagles' biggest-selling regular album release, and one of the most successful Rock albums ever.
"Hotel California" was an immediate critical and commercial success, topping the US Billboard 200 chart. At the 20th Grammy Awards, the title track won Record of the Year, and "New Kid in Town" won Best Arrangement for Voices. The album was also nominated for Album of the Year but lost to Fleetwood Mac's "Rumours" (1977). Three Singles were released from the album, with the title track and "New Kid in Town" topping the Billboard Hot 100 and "Life in the Fast Lane" reaching No. 11.
"Hotel California" is one of the best-selling albums of all time. It has been certified 26× Platinum by the Recording Industry Association of America (RIAA) in the US, and has sold over 32 million units worldwide, making it the band's second best-selling album after "Their Greatest Hits" (1971–1975) (1976). Ranked by various publications as one of the greatest albums of all time, it was placed at number 37 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003 and 2012, re-positioned to number 118 in the 2020 edition. The band played the album in its entirety during the Hotel California 2020 Tour.
Gatefold LP contains 3-panel 11"x11" Poster.
Elektra/Asylum/Nonesuch Records, a Division of Warner Communications/WEA Music GmbH, 1976 (AS 53 051 (7E-1084)). Made in Germany. First press. OIS. Used (cover/poster/OIS/disc): EX+/M/EX+/EX+.


Tracklist:

Side One
1. Hotel California 6:30
2. New Kid in Town 5:04
3. Life in the Fast Lane 4:46
4. Wasted Time 4:55

Side Two
5. Wasted Time (Reprise) 1:22
6. Victim of Love 4:11
7. Pretty Maids All in a Row 4:05
8. Try and Love Again 5:10
9. The Last Resort 7:25