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Remastered re-release of the seventh full-length studio album by the legendary American Thrash Metal band.
With "Youthanasia", Dave Mustaine began moving Megadeth away from its Thrash roots, incorporating synthesizers into their sound and writing subtle, textured songs. The album features 12 tracks with accessible song structures, specifically aimed for radio airplay. The lyrics were also altered, in order to make the music more inclusive for wider audience. These changes were met with mixed opinions from music critics, who noted the band moving away from their Thrash Metal roots.
This is the last Megadeth studio album to feature drummer Nick Menza. It is also the first and so far only album where Vic Rattlehead does not appear at all in any tangible form, save for a limited edition collectible card advertising the Megadeth comic distributed by Chaos! Comics, which shows Vic in Hell reading a scroll.
The album debuted at #10 on Billboard Top 200 chart and was certified Platinum in 1998 by the Recording Industry Association of America (RIAA) for shipping one million copies in the United States. The first 500000 copies of "Cryptic Writings" in the U.S. were released with silver background album cover. Two years after its original release, the album sold 850000 copies in the United States and won widespread praise from Rock radio programmers. The song "Trust" was nominated for a "Best Metal Performance" at the 1998 Grammy Awards and became the band's highest charting song on the Billboard's Hot Mainstream Rock Tracks.
Remixed & remastered re-edition includes four previously unreleased bonus tracks!
Capitol Records/EMI, 1997/2004 (724359862521). Made in EU. Pressed in Czech.


Tracklist:
1. Trust 05:11
2. Almost Hones 04:08
3. Use The Man 04:03
4. Mastermind 03:48
5. The Disintegrators 03:04
6. I'll Get Even 04:19
7. Sin 03:05
8. A Secret Place 05:24
9. Have Cool, Will Travel 03:40
10. She-Wolf 03:37
11. Vortex 03:23
12. FFF 02:47
Previously unreleased bonus tracks:
13. Trust (Spanish Version) 05:12
14. Evil That's Within 03:22
15. Vortex (Alternate Version) 03:30
16. Bullprick 02:47
Total playing time: 61:20


Samples: http://www.lastfm

The seventh full-length studio album by legendary American Thrash Metal band.
With "Youthanasia", Dave Mustaine began moving Megadeth away from its Thrash roots, incorporating synthesizers into their sound and writing subtle, textured songs. The album features 12 tracks with accessible song structures, specifically aimed for radio airplay. The lyrics were also altered, in order to make the music more inclusive for wider audience. These changes were met with mixed opinions from music critics, who noted the band moving away from their Thrash Metal roots.
This is the last Megadeth studio album to feature drummer Nick Menza. It is also the first and so far only album where Vic Rattlehead does not appear at all in any tangible form, save for a limited edition collectible card advertising the Megadeth comic distributed by Chaos! Comics, which shows Vic in Hell reading a scroll.
The album debuted at #10 on Billboard Top 200 chart and was certified Platinum in 1998 by the Recording Industry Association of America (RIAA) for shipping one million copies in the United States. The first 500000 copies of "Cryptic Writings" in the U.S. were released with silver background album cover. Two years after its original release, the album sold 850000 copies in the United States and won widespread praise from Rock radio programmers. The song "Trust" was nominated for a "Best Metal Performance" at the 1998 Grammy Awards and became the band's highest charting song on the Billboard's Hot Mainstream Rock Tracks.
Capitol Records/EMI, 1997 (7243 8 38262 2 3). Made in UK. First press. Used: very good.


Tracklist:
1. Trust 5:11
2. Almost Honest 4:03
3. Use The Man 4:36
4. Mastermind 3:49
5. The Disintegrators 2:50
6. I'll Get Even 4:24
7. Sin 3:08
8. A Secret Place 5:29
9. Have Cool, Will Travel 3:29 
10. She-Wolf 3:36
11. Vortex 2:38
12. FFF 2:38
Total playing time: 46:51 min.

The twelfth full-length studio album by legendary American Thrash Metal band.
The release of "Endgame" brings with it a startling realization: if first-generation Thrash Metal fans had been polled about which of the genre's "Big Four" - Metallica, Slayer, Anthrax and Megadeth - would prove to be the most resilient and consistently prolific over the next quarter century, the only sure-fire consensus would probably have been "well, anyone but Megadeth"! And yet, 12 studio albums and 150-plus songs later - more than any of the other three have managed - that's exactly what's come to pass.
This album is debut for new guitarist Chris Broderick (ex-Nevermore, Jag Panzer). It was the second Megadeth album released through Roadrunner Records and the first album featuring guitarist Chris Broderick, following Glen Drover's departure in 2008 and was the band's last studio album with bass guitarist James LoMenzo; original bassist Dave Ellefson would rejoin the band only several months after the album's release.
“Endgame” entered the Billboard 200 at number 9 (marking the band's tenth overall top 10 debut), and has sold around 150000 copies in the U.S. as of April 2011. The album received generally positive reviews from music critics, and was thought of continuing the success from the band's previous album “United Abominations”. "Head Crusher" had been nominated for "Best Metal Performance" at the 52nd annual Grammy Awards.
"Endgame" is arguably the least commercially concerned Megadeth album since "Rust in Peace" some 20 years earlier, and by touching on so many of the favored songwriting styles of those early years, it should not only give their typically opinionated fan base very little to kvetch and moan about, but also throw new fuel upon the flames of Megadeth's unlikely longevity!!
Roadrunner Records/Cargo Records, 2009 (RRCAR 7885-1). Made in Germany. First press. 180 Gram Vinyl.


Tracklist:

SIDE A:
1. Dialectic Chaos 2:26
2. This Day We Fight! 3:27
3. 44 Minutes 4:37
4. 1,320' 3:50
5. Bite The Hand 4:01
6. Bodies 3:34

SIDE B:
7. Endgame 5:57
8. The Hardest Part Of Letting Go...Sealed With A Kiss 4:42
9. Head Crusher 3:26
10. How The Story Ends 4:29
11. The Right To Go Insane 4:18

Total playing time: 44:47

Remixed and remastered re-release of the second full-length album by the legendary American Thrash Metal band.
One of the most influential Thrash Metal albums of the decade. The first big commercial success of Megadeth, followed by a first world tour.
Arguably Megadeth's strongest effort and a classic of early Thrash, "Peace Sells..." combines a Punkish political awareness with a dark, threatening, typically Heavy Metal world-view, preoccupied with evil, the occult, and the like. The anthemic title track and "Wake Up Dead" are the two major standouts, and there is also a cover of Willie Dixon's "I Ain't Superstitious", which takes on an air of supernaturally induced paranoia in the album's context. The lines between hell and earth are blurred throughout the album, and the crashing, complex music backs up Dave Mustaine's apocalyptic vision of life as damnation - his limited vocal style is used to great effect, growling and snarling in a barely intelligible fashion under all the complicated guitar work.
This was the last Megadeth album to feature drummer Gar Samuelson and guitarist Chris Poland, who were fired shortly after the album was released.
"Peace Sells... But Who's Buying?" is highly regarded as a Thrash Metal classic and as an album that gave prominence to Extreme Metal. It has been featured in several publications' best album lists, including Robert Dimery's "1001 Albums You Must Hear Before You Die" and Martin Popoff's "Top 500 Heavy Metal Albums of All Time".
Vital, necessary Thrash Metal!!
CD includes 4 bonus tracks.
Capitol Records, 1986/2004 (724359862422). Made in Germany.


Tracklist:
1. Wake Up Dead 03:37
2.The Conjuring 05:02
3. Peace Sells 04:02
4. Devil's Island 05:05
5. Good Mourning/Black Friday 06:40
6. Bad Omen 04:03
7. I Ain't Superstitious 02:45
8. My Last Words 04:55
Previously unreleased bonus tracks:
9. Wake Up Dead (Randy Burns mix) 03:40
10. The Conjuring (Randy Burns mix) 05:02
11. Peace Sells (Randy Burns mix) 04:00
12. Good Mourning/Black Friday (Randy Burns mix) 06:40
Total playing time: 55:35 min.

Remastered and remixed re-release of the third full-length studio album by the legendary American Thrash Metal band.
A largely uninspired effort recorded with a new guitarist and drummer, "So Far, So Good...So What!" lacks the conceptual unity and musical bite of "Peace Sells...", which helps push much of its lyrical material into the realm of self-parody, as Mustaine rants about the PMRC, the apocalypse, ex-girlfriends, and other people he is angry with, while hinting at the depth of his substance abuse problem with "502", a paean to driving drunk. The album wants to sound threatening but mostly comes off as forced and somewhat juvenile; typical is the embarrassing cover of "Anarchy in the U.K.", which is played in Megadeth's tightly controlled riffing style and without the looseness of the original, making it sound stilted and stiff - and Mustaine doesn't even get the lyrics right. This one is for diehards only. 
It is the band's only album recorded with Chuck Behler and Jeff Young, who were fired immediately after the subsequent tour. This album features one of the first songs Dave Mustaine wrote for Megadeth, which was "Set The World Afire", being the first song he wrote after being fired from Metallica. He later admitted writing the lyrics during his journey home from the departure.
"So Far, So Good… So What!" sold 400000 copies one month after its release, becoming Megadeth's fastest selling album at that point. The record eventually went Platinum and indicated Megadeth's forthcoming emergence from the Underground scene.
A remixed and remastered version, featuring several bonus tracks, was released in 2004.
Capitol Rec./EMI, 1988/2004 (724359862620). Made in Poland.


Tracklist:
1. Into The Lungs Of Hell 03:22
2. Set The World Afire 05:48
3. Anarchy In The U.K. 03:01
4. Mary Jane 04:24
5. 502 03:29
6. In My Darkest Hour 06:26
7. Liar 03:20
8. Hook In Mouth 04:48
Previously unreleased bonus tracks:
9. Into The Lungs Of Hell (Paul Lani Mix) 03:31
10. Set The World Afire (Paul Lani Mix) 05:52
11. Mary Jane (Paul Lani Mix) 04:08
12. In My Darkest Hour (Paul Lani Mix) 06:11
Total playing time: 54:28 min.

Second official compilation album by the legendary American Thrash Metal band.
The title "Capitol Punishment" is a pun with "Capital Punishment" and it refers to the fact that there was an album left on the contract for Megadeth to release via Capitol before they can leave. So the label released this compilation. Hence this is the last release via Capitol. "Kill the King" and "Dread and the Fugitive Mind" were new recordings done for this release. With the exception of material from the band's debut album, "Killing Is My Business... and Business Is Good!", which was released on Combat Records rather than Capitol, the compilation contains songs from all Megadeth's previously released albums at the time. In addition to the new track "Kill the King", Capitol insisted on the inclusion of "Dread and the Fugitive Mind", a track recorded for the "The World Needs A Hero" album, then in the production stage. The band agreed simply to release themselves from their obligations to Capitol, but the enmity between band and label was memorialized in the title of the album, intended to demonstrate that working with Capitol was a form of punishment :). At the end of the album, there is a hidden medley track, "Capitol Punishment", which is 4:46.
As of December 2005, Capitol Punishment had sold over 200,000 copies in the U.S.
This sure is a great CD and the world needs Megadeth back!!
Capitol Records, 2000 (7243 5 25916 2 6). Made in EU. Pressed in Italy. First press. Used: NM/NM.


Tracklist:
1. Kill The King 3:43 
2. Dread & The Fugitive Mind 4:23 
3. Crush 'em 4:59 
4. Use The Man 4:35 
5. Almost Honest 4:02 
6. Trust 5:11 
7. A Tout Le Monde 4:27 
8. Train Of Consequences 3:26 
9. Sweating Bullets 5:03 
10. Symphony Of Destruction 4:02 
11. Hangar 18 5:14 
12. Holy Wars ... The Punishment Due 6:36 
13. In My Darkest Hour 6:16 
14. Peace Sells 4:04
15. Capitol Punishment (Hidden Track) 4:46
Total playing time: 71:45 min.


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Split release of two EPs by two Russian Stoner/Doom Metal Bands.
Monolith Levitation and Dekonstruktor have really pulled off an impressive split album here.
If you’re a fan of Swans, you’ll have a good time with Monolith Levitation. Grooves are very heavy in a tribal sort of way, both tracks are very Trance like, with a really deep droning vocal line that can shift pretty impressively to a primal cry with ease.
Dekonstruktor come at us with a very similar sound with some subtle but distinctive differences. We have a much more Psychedelic Rock vibe coming from these guys. Heavily effected, mournful vocals lend to this same Psych Rock vibe.
This two curious and crushing bands takes on a style with the lot of originality, redressing the balance of genre. Musthave for any who in it!!
Limited Edition to 300 copies.
Aesthetic Death, 2020 (ADCD 070). Made in UK. Pressed in Poland. First press.


Tracklist:
1. Megalith Levitation - Opium Ceremony 05:43
2. Megalith Levitation - Despair 13:14
3. Dekonstruktor - Beheaded Horizon 08:09
4. Dekonstruktor - Magma Pulse 10:08
Total playing time: 37:18 min.


Samples: https://megalithlevitation.bandcamp.com

The fourth full-length studio album by Australian Experimental/Avant-garde/Noise/Ambient Doom Metal band.
Mekigah is a unique act, and you can take something different from it every time and whatever mood you are in.
'Autexousious' is a long-lost word and means exercising or possessing free will. It is also the cryptic title of Australian extreme music artist Vis Ortis’ fourth album with his acclaimed project, Mekigah, and second album released through the UK extreme music label Aesthetic Death.
Vis began working on these tracks shortly after finishing the "Litost" album. There were a handful of tracks that were in the original "Litost" pool which swam a bit strangely and were ultimately excluded from the final track listing. They formed the beginnings of "Autexousious".
"Autexousious" captures similar feelings and sonic spaces to "Litost", with Mekigah’s signature slow tempo. Harsh, bottom end tones set the scene with Doom-laden soundscapes held together by stripped back drums and bass while guitars spin a whirlwind of random frequencies. These audible hallucinations are recounted by layered nightmarish vocals.
The lyrics are derived from manic, abstract & personal poetry, exploring ugly, impatient & self analytical themes.
Meshed with these words are treated vocals stripped of meaning: a wordless, sound-only entity – a scream for extinction, or perhaps simply release, into the nightmare of noise.
The tracks also includes passages of soundscape noise and off kilter percussion, but overall retain an albeit idiosyncratic and fairly unique song based approach. What this album gives the listener is 9 drawn out, torturously raw songs.
Vis was also honoured to have Tasmanian legend, Paul Weedon, grace the recording as a guest guitarist & vocalist. Another welcome addition on this recording came from Izedis of insane US noise merchants Enbilulugugal, who contributed vocal extremities on a number of tracks.
Rejoining the fold, after having contributed to the first two albums, are c.w (guitars, spoken word) & aldhamme (vocals), both formally of the mighty Australia Black Metal band Erebus Enthroned. Finally, Vis Ortis’ cousin from the UK Swift makes brief noise guitar appearances on a few tracks.
The album was mastered by Greg Chandler (Esoteric) at Priory Studios, UK.
Aesthetic Death, 2017 (ADCD 043). Made in UK. Pressed in Poland. First press


Tracklist:
1. Eroding Will 04:23
2. Autexousious 08:48
3. Fooled Blood 03:17
4. Zmatek 05:31
5. Diminished Responsibility 02:40
6. The Infinite Never 05:53
7. A Vast Abyss 07:22
8. Backpfeifengesicht 10:12
9. Rejection Nostalgia 05:37
Total playing time: 53:45 min.


Samples: https://mekigah.bandcamp.com

The third full-length studio album by Australian Experimental/Avant-garde/Noise/Ambient Doom Metal band.
Mekigah is a unique act, and you can take something different from it every time.
"Litost" it’s like being dragged through a murky nightmare. Constantly distorted, the scene is one ghastly picture after another. The amalgam of sounds includes the Industrial soundscape of Aborym and the like, sinister whistling which are designed to portray the greyest picture and maximum psychological impact. It can be Symphonic, Dark and deadly. The Dark Industrialism and definitive constancy recalls Blut Aus Nord, but there’s no pattern. It’s Ambient Noise, but ranging from Black wildernesses and Funereal melancholy to Symphonically-influenced riots. "Litost" is dreamy Experimental Noise of the obscurest order...
Bold new work of highly original experimental sonic Funeral Doom. Melding Dark Noise and unsettling atmospheres with strains of Symphonic darkness & ultra-slow funeral doom. Layer upon layer of haunting sound perfectly melds Doom, Noise & Ambient genres into a unique experience revealing the subconscious darkness of the human mind.
Think about Australia's In Slaughter Natives meets UK's Esoteric.
Aesthetic Death, 2014 (ADCD 031). Made in UK. First press.


Tracklist:
1. Total Cessation Of One 4:16
2. The Sole Dwelling 6:56
3. Arangutia 7:14
4. By Force Of Breath 4:14
5. Sa Fii Al Dracului 1:46
6. Wurrmbu 6:44
7. Circuitous Revenge 5:12
8. Mokuy 6:54
9. An Overbearing Insanity 2:53
10. Bir'yun 5:47
Total playing time: 51:58 min.


Samples: https://mekigah.bandcamp.com

Fourth full-length album by Greek Thrash/Speed Metal band.
Forged in North America and Greece, Memorain have been around since 2001 and have morphed into an all-star band. They feature Gene Hoglan (Testament, Fear Factory, Strapping Young Lad, Death, Dark Angel), Steve DiGiorgio (Sadus, Death, Control Denied), Ralph Santolla (Deicide, Death), Chris Valagao (Zimmers Hole, The Berzerker, Strapping Young Lad) and founder Ilias Papadakis. "Evolution" is 12 tracks of pounding and punishing pure Thrash Metal mayhem! Composed and produced by Ilias in 2011, the album also includes guest musicians such as David Ellefson (Megadeth), Tim "Ripper" Owens (ex-Judas Priest, ex-Iced Earth), Jeff Waters (Annihilator), and several others!
CD includes an impressive 20-page booklet with song lyrics and band photos.
This album is a musthave for any diehard metalhead!!
Maple Metal Records, 2012 (MMR009). Made in Canada.


Tracklist:
1. Nations On Fire 
2. Wher Hate Lies 
3. The Break 
4. Circle 
5. Misery 
6. Rules Of Engagement 
7. Death Shop 
8. Destiny Found 
9. A New Era 
10. Power Out 
11. Scratching The Surface (5th Hour) 
12. Methods Of The Past


Samples:  http://memorain.bandcamp.com

The debut full-length studio album by Greek Epic Death/Black Metal band.
When someone mentions the term Hellenic Black Metal, many people will immediately think about bands like Rotting Christ or Varathron. The same we can say about this debut. Epic, melodic and fierce Black Metal in perfect Greek tradition and loaded with mythology.  Inspiration is gathered from the rich history of the motherland, including its ancestors and gods.
Musically, you can indeed compare Meneapneontes to bands like Rotting Christ and Varathron, but also with acts like Ancient Rites or Bal-Sagoth.  This is high standard Black Metal with a decent share of melody and atmosphere.  On other occasions, Meneapneontes truly likes speed, intensity and aggression, resulting in punishing passages of Epic Black Metal.  
This album definitely recommended for anyone like his Black Metal epic, melodic and with a huge sense of victory!
Murdher Records/Satanath Records, 2015 (MURDHER015 / SAT133). First press.


Tracklist:
1. Promachos 04:18
2. Molon Lave 04:19
3. Sons of the Greeks 03:57
4. Talos 05:37
5. Eleley 04:59 
6. Alexandros 04:47
7. My Earth My Water 05:06
8. Typhoeus 04:10
9. Omnymi 03:58
10. Raise the Aspis 04:04
11. Roupel 06:04
Total playing time: 51:25 min.


Samples: https://satanath.bandcamp.com

The debut full-length studio album by Romanian Black/Death Metal band.
Mercy’s Dirge is one of the first Romanian Black Metal bands, formed back in 1991.
As the title suggests, all the songs were recorded live and likely in one take, and that’s actually the biggest pros of this album! Thus, "Live, Raw And Relentless" consists of 11 semi-length-range Black Metal songs. Actually, it is more of a very Raw Black/Death Metal mixture, but it is done in an Old-school manner, from a production to the artwork. Most of the music is very heavily rooted in the mid-80s to early-90s era.
Highly recommended for admirers of Celtic Frost, Atheist, Venom and similar early Black Metal acts!
Loud Rage Music, 2019 (LRM022). Made in Romania. Pressed in Poland. First press.


Tracklist:
1. Remains of Posterity 3:10
2. Foreseeing the Past 6:48
3. Devilish Wish 6:24
4. Another Hell 4:35
5. In the Name of ... 6:31
6. Bewitched 6:34
7. Unholy Doom Creation 4:49
8. Groovin' Terror 5:47
9. Incur Pulpit 4:54
10. Meherath 4:58
11. Senseless Agony 3:19
Total playing time: 57:51 min.

The third full-length studio album by international Funeral Doom Metal band.
The third album from Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album, "S", operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for.
There’s quite a bit to like here, as no one does it quite like Mesmur, when it comes to exponentially Atmospheric Doom/Death. A very immersive experience that feels like the death knell of an alien world that we can only grasp partially, in short musical glimpses. An album of both crushing agony, and sublime beauty, of deep melancholy and sorrow. An engaging, absorbing experience, one which is well worth having for any fan of Funeral Doom.
Featuring guest flute and cello performances by Don Zaros (of Evoken) and Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive Doom Metal experience.
Solitude Productions, 2019 (SP. 149-19). First press.


Tracklist:
1. Terra Ishtar 16:51
2. Babylon 11:52
3. Eschaton 12:59
4. Caverns of Edimmu 13:11
Total playing time: 54:55 min.


Samples: 
https://solitudeproductions.bandcamp.com
https://mesmur.bandcamp.com

The second full-length studio album by American Thrash/Groove Metal supergroup.
Three years later, this super-group have reconvened to do it again with their follow-up album.
It’s clear Metal Allegiance approached this record differently, paring down the list of guest guitarists from nine to just three. There are also fewer singers this go around, and they aren’t quite as obvious as with the first album. The main difference with this album is that it feels like the work of a true band and not a project. Yes, there are still guest vocalists on each track, but with this album, Metal Allegiance make it clear that they are a Thrash Metal band making Thrash Metal music – fewer guests, no cover songs, and a greater overall sense of thematic and musical consistency.
On “Volume II: Power Drunk Majesty”, there are seven new guest vocalists, including: Trevor Strnad (The Black Dahlia Murder), John Bush (Armored Saint / ex- Anthrax), Bobby “Blitz” Ellsworth (Overkill), Mark Tornillo (Accept), Johan Hegg (Amon Amarth), Max Cavalera (Soulfly), and Floor Jansen (Nightwish). Two vocalists from the first album return - in the form of Metal Allegiance’s “fifth Beatle” - Mark Osegueda (Death Angel) and Troy Sanders (Mastodon). There are also two guest guitarists: Andreas Kisser (Sepultura), Nita Strauss (Alice Cooper), and, of course, main guitarist - the real guitar hero - Alex Skolnick (Testament).
CD includes 16-page booklet.
Nuclear Blast Entertainment, 2015 (NE 4481-2). Made in Germany. First press.


Tracklist:
1. The Accuser (featuring Trevor Strnad) 6:16
2. Bound By Silence (featuring John Bush) 4:57
3. Mother Of Sin (featuring Bobby Blitz) 6:04
4. Terminal Illusion (featuring Mark Tornillo) 5:54
5. King With A Paper Crown (featuring Johann Hegg) 6:57
6. Voodoo Of The Godsend (featuring Max Cavalera) 5:05
7. Liars & Thieves (featuring Troy Sanders) 5:56
8. Impulse Control (featuring Mark Osegueda) 4:12
9. Power Drunk Majesty (Part I) (featuring Mark Osegueda) 4:15
10. Power Drunk Majesty (Part II) (featuring Floor Jansen) 4:57
Total playing time: 54:33 min.



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Debut full-length studio album by Brazilian Heavy Metal band.
Formed in 1980 from the ashes of band Power, Metal Pesado recorded a self-titled two-track demo in 1993, and split-up in 1984... They reunited in 2006 and released a debut album in 2012.
Metal Pesado is the literal translation into Portuguese of Heavy Metal, so without doubts you can understand what you will find on this record. Pure oldschool Heavy Metal for all fans of this genre!
Metal Soldiers Records, 2012 (MSR 014). Made in Portugal. Pressed in Spain. First press.


Trackllist:
1. Heavy Metal 5:41
2. Thunder, O Cavaleiro Negro 5:04
3. Corcunda De Notredame 4:54
4. Licantropia 4:58
5. Henrique VIII (Instrumental) 1:49
6. Bombardeio 5:26
7. Bruxas 4:36
8. Depois Do Funeral 4:41
9. Crise De Nervos 6:34
10. Invasores 4:16
11. Metal Pesado 4:43
Bonus Tracks:
12. Propaganda De Show No Circo Voador (20.08.83) 0:23
13. Forças Do Mal (Live - 20.08.83) 4:14
14. Instrumental Solo (Live - 20.08.83) 6:37
15. Metal Pesado (Demo 83) 3:19
16. Licantropia (Demo 83) 4:36
Total playing time: 71:53 min.

The ninth full-length album by legendary American Thrash Metal band.
Album was released on September 12, 2008 through Warner Bros. Records. It was the band's first album to feature bassist Robert Trujillo and the first to be produced by Rick Rubin (Slayer’s producer), making this Metallica's first album since “...And Justice for All” (1988) that was not produced by Bob Rock.
“Death Magnetic” features very long, technical guitar solos from both Kirk Hammett and James Hetfield, marking a return to the band's Thrash Metal roots. “Death Magnetic” also the band's first album released through Warner Bros. Records, although they still remain with Warner Music Group, which also owns their previous label, Elektra Records. Outside of North America, they are distributed through Universal Music Group as they remain signed to Vertigo Records in the United Kingdom. The album is also the band's fifth consecutive studio album to debut at number one on the Billboard 200 in the United States, making Metallica the first band ever to do so.
Band logo and album title on a clear sticker stuck to the front of the case. The front of the booklet does not have the band name/logo or title printed on it.
Universal International Music B.V., 2008 (00602517840201). Made in Europe. Pressed in Germany. First press.


Tracklist:
1. That Was Just Your Life 7:08
2. The End Of The Line 7:52
3. Broken, Beat & Scarred 6:25
4. The Day That Never Comes 7:56
5. All Nightmare Long 7:57
6. Cyanide 6:39
7. The Unforgiven III 7:46
8. The Judas Kiss 8:00
9. Suicide & Redemption 9:57
10. My Apocalypse 5:01
Total playing time: 74:48 min.

The second live album by legendary American Heavy/Thrash Metal band.
Metallica plays with The San Francisco Symphony Orchestra!
It was recorded on April 21–22, 1999 at The Berkeley Community Theatre. This is the final Metallica album to feature Jason Newsted as bassist.
"S&M" contains performances of Metallica songs with additional symphonic accompaniment, which was composed by Michael Kamen, who also conducted the orchestra during the concert. The idea to combine Heavy Metal with an epic classical approach, as James Hetfield has stated repeatedly, was an idea of Cliff Burton. Burton’s love of Classical Music, especially of Johann Sebastian Bach, can be traced back to many instrumental parts and melodic characteristics in Metallica’s songwriting including songs from "Ride The Lightning" and "Master Of Puppets". The other inspiration was Deep Purple's 1969 "Concerto For Group And Orchestra". Purple revived their hybrid musical performance in 1999's "Live At The Royal Albert Hall" after being notified that Metallica were doing their earlier that year.
In addition to songs from previous albums spanning "Ride The Lightning" through "Reload", there are two new compositions: "No Leaf Clover" and "- Human"!
"S&M" sold 300000 units in the first week of release, and went on to sell a total of 2.5 million copies. As of 2003, the album has been certified 5x Platinum.
2CD completed with 32 pages booklet!
Metallica/Vertigo, 1999/2005 (546 797-2). Made in Germany.


Tracklist:

CD 1
1. The Ecstasy Of Gold     2:30
2. The Call Of The Ktulu     9:34 
3. Master Of Puppets     8:54 
4. Of Wolf And Man     4:18 
5. The Thing That Should Not Be     7:26 
6. Fuel     4:35 
7. The Memory Remains     4:42 
8. No Leaf Clover     5:43 
9. Hero Of The Day     4:44 
10. Devil's Dance     5:26 
11. Bleeding Me     9:01 
Playing time: 67:00 min.

CD 2
1. Nothing Else Matters     6:47 
2. Until It Sleeps     4:29 
3. For Whom The Bell Tolls     4:52 
4. - Human     4:19
5. Wherever I May Roam     7:01 
6. Outlaw Torn     9:58 
7. Sad But True     5:46 
8. One     7:53 
9. Enter Sandman     7:39 
10. Battery     7:24
Playing time: 66:15 min.
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Total playing time: 133:15 min.


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The second live album by legendary American Heavy/Thrash Metal band.
Metallica plays with The San Francisco Symphony Orchestra!
It was recorded on April 21–22, 1999 at The Berkeley Community Theatre. This is the final Metallica album to feature Jason Newsted as bassist.
"S&M" contains performances of Metallica songs with additional symphonic accompaniment, which was composed by Michael Kamen, who also conducted the orchestra during the concert. The idea to combine Heavy Metal with an epic classical approach, as James Hetfield has stated repeatedly, was an idea of Cliff Burton. Burton’s love of Classical Music, especially of Johann Sebastian Bach, can be traced back to many instrumental parts and melodic characteristics in Metallica’s songwriting including songs from "Ride The Lightning" and "Master Of Puppets". The other inspiration was Deep Purple's 1969 "Concerto For Group And Orchestra". Purple revived their hybrid musical performance in 1999's "Live At The Royal Albert Hall" after being notified that Metallica were doing their earlier that year.
In addition to songs from previous albums spanning "Ride The Lightning" through "Reload", there are two new compositions: "No Leaf Clover" and "- Human"!
"S&M" sold 300000 units in the first week of release, and went on to sell a total of 2.5 million copies. As of 2003, the album has been certified 5x Platinum.
2CD completed with 32 pages booklet!
Metallica/Vertigo, 1999/2005 (542 216-2). Made in Germany.


Tracklist:

CD 1
1. The Ecstasy Of Gold     2:30
2. The Call Of The Ktulu     9:34 
3. Master Of Puppets     8:54 
4. Of Wolf And Man     4:18 
5. The Thing That Should Not Be     7:26 
6. Fuel     4:35 
7. The Memory Remains     4:42 
8. No Leaf Clover     5:43 
9. Hero Of The Day     4:44 
10. Devil's Dance     5:26 
11. Bleeding Me     9:01 
Playing time: 67:00 min.

CD 2
1. Nothing Else Matters     6:47 
2. Until It Sleeps     4:29 
3. For Whom The Bell Tolls     4:52 
4. - Human     4:19
5. Wherever I May Roam     7:01 
6. Outlaw Torn     9:58 
7. Sad But True     5:46 
8. One     7:53 
9. Enter Sandman     7:39 
10. Battery     7:24
Playing time: 66:15 min.

Total playing time: 133:15 min.


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Japanese edition of the fourth full-length studio album by legendary American Thrash Metal band.
It is the first full-length Metallica album to feature bassist Jason Newsted, following the death of Cliff Burton in 1986 (Newsted had previously participated on the cover album “The $5.98 E.P.: Garage Days Re-Revisited” EP, which was his first recorded work with Metallica). It's also the last Metallica album with producer Flemming Rasmussen.
Metallica's previous studio album, "Master Of Puppets" (1986), was their last under their contract with the record label Music for Nations. Manager Peter Mensch wanted them to sign with British record distributor Phonogram Records. Phonogram manager Martin Hooker offered them "well over £1 million, which at that time was the biggest deal we'd ever offered anyone". His explanation was that the final figure for combined British and European sales of all three Metallica albums was more than 1.5 million copies.
"...And Justice For All" marked the band's gear-shift from Underground heroes to the major league. Containing the band's first Top 40 Single, the horror-filled "One", the album's hard-hitting lyrics and darkly intense feel delighted their ever-growing fanbase, reaching number six on the Billboard chart.
After years of refusing to release music videos, Metallica released its first for "One". The video was controversial among fans, who had valued the band's apparent opposition to MTV and other forms of mainstream music. Slant Magazine ranked it number 48 on their list of the "100 Greatest Music Videos", saying that Metallica "evoke a revolution of the soul far more devastating than that presented in the original text". The guitar solo was ranked number seven in Guitar World's compilation of the "100 Greatest Guitar Solos" of all time. Additionally, website Noisecreep classed the song ninth among the "10 Best '80s Metal Songs".
The album was acclaimed by music critics for its depth and complexity, although its dry mix and nearly inaudible bass guitar were criticized. It was included in The Village Voice's annual Pazz & Jop critics' poll of the year's best albums, and was nominated for a Grammy Award in 1989, controversially losing out to Jethro Tull in the ill-fated Best Hard Rock/Metal Performance Vocal or Instrumental category. The Single "One" earned Metallica their first Grammy Award in 1990 (and the first ever in the Best Metal Performance category).
Although Metallica's music was considered unappealing for mainstream radio, "...And Justice For All" was highly successful in the US. It became Metallica's best-selling album upon release, peaking at number six on the Billboard 200, where it charted for 83 weeks. More than 8 000 000 copies have been sold in the United States since 1991, when Nielsen SoundScan began tracking sales. It was certified Platinum nine weeks after it was released in stores, and 1.7 million copies were sold in the US by the end of 1988. Since its release, the album has scanned more than 8 million copies in the US. It was certified 8× Platinum by the Recording Industry Association of America (RIAA) in 2003 for shipping eight million copies in the U.S. With this album, Metallica received substantial media exposure, becoming a multi-Platinum act by 1990.
"...And Justice For All" achieved similar chart success outside the United States. It topped the charts in Finland, peaked within the top 5 on the charts in Germany, Sweden, and the United Kingdom, and remained on the UK chart for six weeks. The album managed to peak in the top 10 on the Norwegian and Swiss album charts. "...And Justice For All" received a three times Platinum certification from Music Canada for shipping 300 000 copies, a Platinum certification from IFPI Finland for having a shipment of little over 50 000 copies, and was certified Gold by the Bundesverband Musikindustrie (BVMI) for shipments of 250 000 copies. It was awarded Gold by the British Phonographic Industry in 2013 for shipping 100 000 copies in the UK. "...And Justice For All" was surpassed commercially by the band's following album, "Metallica" (1991).
The album was ranked at number nine on IGN's "Top 25 Metal Albums". Guitar World lists it 12th on the "100 Greatest Guitar Albums" from a 2006 reader poll, and lists all of its tracks on "The 100 Greatest Metallica Songs of All Time". Kerrang! listed the album at number 42 among the "100 Greatest Heavy Metal Albums of All Time". Martin Popoff ranks it at number 19 in his book The Top 500 Heavy Metal Albums of All Time, the fourth highest ranked Metallica album on the list. It is featured in Robert Dimery's 1001 Albums You Must Hear Before You Die. In 2017, it was ranked 21st on Rolling Stone's list of "100 Greatest Metal Albums of All Time".
CBS/Sony Group Inc., 1988 (25DP 5178). Made in Japan. Second press. Without OBI. Used: M/M.


Tracklist:
1. Blackened 6:40
2. ...And Justice For All 9:44
3. Eye Of The Beholder 6:25
4. One 7:24
5. The Shortest Straw 6:35
6. Harvester Of Sorrow 5:42
7. The Frayed Ends Of Sanity 7:40
8. To Live Is To Die 9:48
9. Dyers Eve 5:12
10. The Prince (Japanese Edition bonus track) 4:26
Total playing time: 69:58 min.

Remastered re-release of the debut full-length studio album by legendary American Thrash Metal band.
The true birth of Thrash Metal! The album is acclaimed for combining the rawness and fast tempos of Speed Metal and Punk Rock with the technicality and sharpness of New Wave of British Heavy Metal, influenced by Diamond Head, Iron Maiden, Motorhead, Black Flag and the Misfits, making it one of the earliest and most influential Thrash Metal albums ever recorded.
James Hetfield's highly technical rhythm guitar style drives most of the album, setting new standards of power, precision and stamina. But really, the rest of the band is just as dexterous, playing with tightly controlled fury even at the most ridiculously fast tempos. There are already several extended, multi-sectioned compositions foreshadowing the band's later progressive epics, though these are driven by adrenaline, not texture. A few tributes to Heavy Metal itself are a bit dated lyrically; like Diamond Head, the band's biggest influence, "Kill 'Em All"'s most effective tone is one of supernatural malevolence - as pure sound, the record is already straight from the pits of hell.
Ex-member Dave Mustaine co-wrote four of the original ten tracks, but the material all sounds of a piece. The band's musical ambition also grew rapidly, so today, "Kill 'Em All" sounds more like the foundation for greater things to come. But that doesn't take anything away from how fresh it sounded upon first release, and time hasn't dulled the giddy rush of excitement in these performances. Frightening, awe-inspiring, and absolutely relentless, "Kill 'Em All" is pure destructive power, executed with jaw-dropping levels of scientific precision!!
Since its release, it has been certified 3x Platinum by the RIAA, having sold over 3000000 copies in the United States alone.
Release can include a Download Card.
Blackened Recordings/Universal International Music BV., 1983/2016 (00602547885289 | BLCKND003R-1). Made in Germany.


Tracklist:

Side One
1. Hit The Lights 4:17
2. The Four Horsemen 7:08
3. Motorbreath 3:03
4. Jump In The Fire 4:50
5. (Anesthesia) - Pulling Teeth 3:27
6. Whiplash 4:06

Side Two
7. Phantom Lord 4:52
8. No Remorse 6:24
9. Seek & Destroy 6:50
10. Metal Militia 6:06

Total playing time: 51:03 min.