CD

Second re-release of the fifth full-length studio album by legendary British Heavy Metal band.
This album is the recording debut of lead guitarist Zakk Wylde. After parting ways with lead guitarist Jake E. Lee in 1987, Osbourne received a demo tape from Wylde and later hired him. Bassist/lyricist Bob Daisley made his return to Osbourne's band after the two had a falling out in 1985. Once the album's recording was complete, Daisley was once again out, replaced by Osbourne's former Black Sabbath bandmate Geezer Butler.
The album reached the 19th position in the Billboard 200 chat.
Remastered re-edition contains two bonus tracks.
Epic Records/Sony Music, 1983/2002 (502046 2). Made in Austria.


Tracklist:
1.Miracle Man 03:44
2.Devil's Daugther (Holy War) 05:15
3.Crazy Babies 04:14
4.Breakin' All The Rules 05:15
5.Bloodbath In Paradise 05:03
6.Fire In The Sky 06:25
7.Tattooed Dancer 03:53
8.Demon Alcohol 04:30
9.Hero 04:48
Bonus Tracks:
10.The Liar 04:33
11.Miracle Man 03:47
Total playing time: 51:30 min.

The twelfth full-length studio album by legendary Heavy Metal singer and his band.
The album marks the first time that Osbourne collaborated with Watt and Bell. It is also his first album overall since he reunited with Black Sabbath's Tony Iommi and Geezer Butler for their final album, "13" (2013), with him as lead singer. It also marks the longest gap between two albums from Osbourne to date, spanning almost ten years since "Scream".
The album is charged with an unexpected crackle of life that hasn't graced an Ozzy album in a long time. It recalls the raw power of Black Sabbath, but also channels "Black Album"-era Metallica on the creeping, oozy "Today Is the End" and the unhinged Punk/Thrash on the Post Malone-assisted "It's a Raid". Despite a few weaker spots, "Ordinary Man" contains some of Ozzy's best solo work in years. The production is huge, but the energy is spontaneous, sounding like it was as fun to make as it is to listen to. 71 years old at the time "Ordinary Man" was released, Osbourne's voice in great shape, sounding more or less like he always has. How he's making music this strong after "riding the crazy train" for more than half-a-century is anyone's guess, but the better songs here rank among his best!
“This is quite possibly the most important album I have done in a very long time, probably since "No More Tears"” - Ozzy Osbourne.
"Ordinary Man" debuted at number 3 on the US Billboard 200 with 77 000 equivalent units, including 65 000 pure album sales. This is Osbourne's eighth top ten album on the chart as a solo artist, and equals the peak of his 2007 album "Black Rain". The album also debuted at number 3 on the UK Albums Chart, his highest-ever solo placing on the chart.
Release features Download Card for the album with additional bonus track "Take What You Want", which not appeared on the vinyl.
Epic Records, a division of Sony Music Entertainment, 2020 (19439718452). Made in Mexico for USA. Pressed in USA. First press.


Tracklist:
1. Straight To Hell 3:45
2. All My Life 4:18
3. Goodbye 5:35
4. Ordinary Man (feat. Elton John) 5:02
5. Under The Graveyard 4:57
6. Eat Me 4:19    
7. Today Is The End 4:06
8. Scary Little Green Man 4:21
9. Holy For Tonight 4:53
10. It's A Raid (feat. Post Malone) 4:20
Bonus Track:
11. Take What You Want (Feat. Post Malone & Travis Scott) 3:50
Total playing time: 49:28 min.

First remastered re-release of the seventh full-length studio album by legendary British Heavy Metal band.
This album isn't all that different from his previous two records, "No More Tears" and "No Rest For The Wicked", largely due to the still impressive skills of guitarist Zakk Wylde. Producer Michael Wagener, who worked on Osbourne's 1991 sixth studio album "No More Tears", was initially chosen by Epic Records to produce "Ozzmosis", though was later replaced with Michael Beinhorn. Sometime after the sessions with Wagener, bassist Mike Inez accepted an offer to join Alice In Chains and drummer Randy Castillo departed to be replaced by Deen Castronovo. Osbourne's former Black Sabbath bandmate Geezer Butler replaced Inez. Yes keyboardist Rick Wakeman was also brought in as a session musician for the recording of the album.
The album reached number 22 on the UK Albums Chart and number four on the American Billboard 200 albums chart. "Ozzmosis" was reissued on 25 June 2002 with the addition of the previously unreleased tracks "Whole World's Fallin' Down" and "Aimee", the latter of which was named after Osbourne's eldest daughter. “Ozzmosis” was certified 2x Platinum in the United States with sales at over 2000000 copies.
Digitally remastered re-edition includes bonus tracks, new liner notes & additional new photos.
Epic/Sony Music Entertainment, 1995/1996/2002 (EPC 508362 2). Made in Austria.


Tracklist:
1. Perry Mason 5:53 
2. I Just Want You 4:56 
3. Ghost Behind My Eyes 5:11 
4. Thunder Underground 6:29 
5. See You On The Other Side 6:10 
6. Tomorrow 6:37 
7. Denial 5:12 
8. My Little Man 4:53 
9. My Jekyll Doesn't Hide 6:34 
10. Old L.A. Tonight 4:49 
Bonus Tracks:
11. Whole World's Fallin' Down 5:06 
12. Aimee 4:46
Total playing time: 66:38 min.

The thirteenth full-length studio album by legendary Heavy Metal singer.
Once again produced by Andrew Watt, this 13-track project has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone, “Patient Number 9”, “Degradation Rules”, and “One of Those Days”, feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins among others.
The lead Single and title track, "Patient Number 9", was released along with an accompanying music video. The clip is the first-ever video to incorporate Osbourne's hand-drawn artwork. "My demons were animated and can be seen during the Jeff Beck guitar solo in the song", wrote Osbourne on Twitter. The track subsequently debuted at No. 1 on Billboard's Hot Hard Rock Songs chart, while concurrently achieving debuts of numbers 17 and 22 on Billboard's Hot Rock Songs and Hot Rock & Alternative Songs, respectively.
At the 65th Annual Grammy Awards, "Patient Number 9" received a total of four nominations, including Best Rock Album. The title track "Patient Number 9" received nominations for Best Rock Song and Best Rock Performance, and "Degradation Rules" was nominated for Best Metal Performance. The album would go on to win two Grammys, including Best Rock Album and Best Metal Performance for "Degradation Rules". This win makes it the third Grammy Award that Ozzy Osbourne and Tony Iommi won together, after previously winning two as members of Black Sabbath.
Partial proceeds from sales of this album will be donated to Ukraine/US Special Needs Orphans through Third Wave Volunteers. “In February, my son, Jack, worked with Third Wave Volunteers to evacuate special needs orphaned children out of Ukraine. Right now, Ukraine is in desperate need of help, especially since the war started, so it feels right to work with such an important cause” - Ozzy Osbourne.
Epic Records, a division of Sony Music Entertainment, 2022 (19439932812). Made in the USA. First press.


Tracklist:
1. Patient Number 9 (feat. Jeff Beck) 7:22
2. Immortal (feat. Mike Mccready) 3:04
3. Parasite (feat. Zakk Wylde) 4:06
4. No Escape From Now (feat. Tony Iommi) 6:46
5. One Of These Days (feat. Eric Clapton) 4:40
6. A Thousand Shades (feat. Jeff Beck) 4:26
7. Mr. Darkness (feat. Zakk Wylde) 5:35
8. Nothing Feels Right (feat. Zakk Wylde) 5:35
9. Evil Shuffle (feat. Zakk Wylde) 4:11
10. Degradation Rules (feat. Tony Iommi) 4:10
11. Dead And Gone 4:32
12. God Only Knows 5:01
13. Darkside Blues 1:50
Total playing time: 61:18 min.

The eighth compilation in the first Box Set by legendary British Heavy Metal singer.
The four disc Box Set with some unreleased live cuts, demos, B-sides, collaborations with other artists.
An entire release dedicated to the Ozzy's take on some of his favorite tunes of the past. On top of all that you get musically with this one, you also get some great liner notes. An intro letter, as well as some brief comments about each selection from the man himself, makes this a real introspective look into the career of a Heavy Metal legend.
The first two CDs are Osbourne's solo work containing various studio recordings, live tracks, B-sides, demos and outtakes. The third CD contains collaborations with other artists. And the fourth CD features cover songs. The cover versions were specially recorded for this Box Set compilation, but were released on a stand-alone album entitled "Under Cover" later in the year.
Released nearly three decades after Ozzy Osbourne departed Black Sabbath, 2005's “Prince Of Darkness” is the most extensive & revealing collection marking the incredible career of one of Rocks living legends! Over 50 tracks, with 15 previously unreleased, including 10 newly recorded covers of some of Ozzy's favourite & most influential songs,13 collaborations between Ozzy & artists ranging from Motörhead and Black Sabbath to DMX & Wu-Tang!
Deluxe Box Set features 60 page hardback booklet, filled with rare photos, memorabilia plus notes and reflecrions written by Ozzy!!
Epic Records/Sony BMG Music Entertainment, 2005 (E4K 92960). Made in USA. First press. Please note: sealed item with broken tray. New tray will be added. So You can change it by yourself after unsealing. Discounted product.

Tracklist:

Disc 1: Remasters (1981–1983):
1. I Don't Know (live)
2. Mr. Crowley
3. Crazy Train
4. Goodbye To Romance (live)
5. Suicide Solution (live)
6. Over The Mountain
7. Flying High Again (live)
8. You Can't Kill Rock And Roll
9. Diary Of A Madman
10. Bark At The Moon (live)
11. Spiders
12. Rock 'N' Roll Rebel
13. You're No Different

Disc 2: Remasters (1986–2001):
1. Ultimate Sin (live)
2. Never Know Why (live)
3. Thank God For The Bomb (live)
4. Crazy Babies
5. Breakin' All The Rules
6. I Don't Want To Change The World (demo)
7. Mama, I'm Coming Home (demo)
8. Desire (demo)
9. No More Tears
10. Won't Be Coming Home (S.I.N.) (demo)
11. Perry Mason (live)
12. See You On The Other Side (demo)*
13. Walk On Water (demo)
14. Gets Me Through (live)
15. Bang Bang (You're Dead) *
16. Dreamer

Disc 3: With Friends (compilation of collaborations):
1. Iron Man (with Therapy?)
2. N.I.B. (with Primus)
3. Purple Haze (with Zakk Wylde, Randy Castillo & Geezer Butler)
4. Pictures Of Matchstick Men (with Type O Negative)
5. Shake Your Head - (Let's Go To Bed) (with Was Not Was)
6. Born To Be Wild (with Miss Piggy)
7. Nowhere To Run (Vapor Trail) (with Crystal Method/DMX/'Ol Dirty Bastard/Fuzzbubble)
8. Psycho Man (with Black Sabbath
9. For Heaven's Sake 2000 (with Tony Iommi & Wu-Tang Clan)
10. I Ain't No Nice Guy (with Motorhead)
11. Therapy (with Infectious Grooves)
12. Stayin' Alive (with Dweezil Zappa) *
13. Dog, The Bounty Hunter *

Disc 4: Under Covers (Cover songs):
1. 21st Century Schizoid Man (King Crimson cover) *
2. Mississippi Queen (Mountain cover) *
3. All The Young Dudes (Mott the Hoople cover) *
4. In My Life (The Beatles cover) *
5. Fire (The Crazy World of Arthur Brown cover) *
6. For What It's Worth (Buffalo Springfield cover) *
7. Sympathy For The Devil (The Rolling Stones cover) *
8. Working Class Hero (John Lennon cover) *
9. Good Times (Eric Burdon & The Animals cover) *
10. Changes (with Kelly Osbourne)

Total playing time: 248:55 min.

* - previously unreleased tracks.

The second live album by legendary British Heavy Metal band.
The album was released in memory of Randy Rhoads, guitarist for Osbourne's band between 1979 and 1982 who died in a plane crash while on tour in Florida in 1982. It’s was released on March 19, 1987, five years after the Randy’s death and was reissued on August 22, 1995 and again remastered and reissued in 2002.
The majority of the album from "I Don't Know" through to "Paranoid" was recorded live in Cleveland, Ohio on May 11, 1981, with the exception of an extended guitar solo in the song "Suicide Solution" which was recorded in Montreal on July 28, 1981, and inserted into the song. Osbourne stated upon the album's release in 1987 that the entire album had been recorded "somewhere in Canada", though he may have been confusing it with the Montreal recording which the guitar solo was taken from. "Goodbye to Romance" and "No Bone Movies" are taken from an early tour in support of the "Blizzard Of Ozz" album, possibly from Southampton on October 2, 1980. These two tracks feature bassist Bob Daisley and drummer Lee Kerslake.
The album was originally to be released in 1982, but was shelved indefinitely upon Rhoads' death early that year. Instead, another live album, "Speak Of The Devil", was recorded and released later that same year, consisting entirely of Black Sabbath songs and featuring future Night Ranger guitarist Brad Gillis. The recording of "Crazy Train" that appears on this album was also released as the album's only single on February 10, 1987, along with an accompanying music video. The album's cover photo was taken at a performance in Rosemont, Illinois on January 24, 1982, by photographer Paul Natkin. The album also includes studio outtakes of Rhoads recording the classical-influenced acoustic guitar piece, "Dee", which Rhoads wrote for his mother Delores, and which was originally included on Osbourne's debut solo album "Blizzard Of Ozz".
The operatic music which opens Tribute, as well as all of Osbourne's live shows of that era, is "O Fortuna" from the Carmina Burana "scenic cantata" by Carl Orff.
Album peaked at number 6 on the Billboard 200.
Epic/Legacy/Sony Music Entertainment Inc., 1987/2002 (502045 2). Made in Austria


Tracklist:
1. I Don't Know     5:40 
2. Crazy Train     5:20 
3. Believer     5:08 
4. Mr. Crowley     5:38 
5. Flying High Again     4:17 
6. Revelation (Mother Earth)     5:59 
7. Steal Away (The Night)     8:04 
8. Suicide Solution     7:47 
9. Iron Man     2:50 
10. Children Of The Grave     5:58 
11. Paranoid     3:00 
12. Goodbye To Romance     5:33 
13. No Bone Movies     4:09 
14. Dee (Randy Rhoads Studio Out-Takes)     4:22
Total playing time: 73:47 min.

The eleventh full-length studio album by legendary Heavy Metal band Ozzy Osbourne.
The Album was recorded at Osbourne's home studio "The Bunker" in Los Angeles, California and produced by himself and Kevin Churko, who had previously worked on “Black Rain” album. Originally titled “Soul Sucka”, the album is the first to feature guitarist Gus G and drummer Tommy Clufetos, who replaced long-term guitarist Zakk Wylde and drummer Mike Bordin, respectively. “Scream” is also the first release to feature keyboardist Adam Wakeman, who has worked with Osbourne as a touring musician since 2004.
The "Scream" was commercially successful, reaching number 12 on the UK Albums Chart and number 4 on the U.S. Billboard 200 chart.
"Let Me Hear You Scream", the lead single from the album, peaked at number 6 on the American Rock Songs chart.
Epic/Sony Music Entertainment, 2010 (88697755242). Made in Germany. First press.


Tracklist:
1. Let It Die 06:06
2. Let Me Hear You Scream 03:26
3. Soul Sucker 04:35
4. Life Won't Wait 05:07
5. Diggin' Me Down 06:03
6. Crucify 03:30
7. Fearless 03:41
8. Time 05:32
9. I Want It More 05:37
10. Latimer's Mercy 04:27
11. I Love You All 01:02
Total playing time: 49:08 min.

The eleventh full-length studio album by legendary Heavy Metal band Ozzy Osbourne.
The Album was recorded at Osbourne's home studio "The Bunker" in Los Angeles, California and produced by himself and Kevin Churko, who had previously worked on “Black Rain” album. Originally titled “Soul Sucka”, the album is the first to feature guitarist Gus G and drummer Tommy Clufetos, who replaced long-term guitarist Zakk Wylde and drummer Mike Bordin, respectively. “Scream” is also the first release to feature keyboardist Adam Wakeman, who has worked with Osbourne as a touring musician since 2004.
The "Scream" was commercially successful, reaching number 12 on the UK Albums Chart and number 4 on the U.S. Billboard 200 chart.
"Let Me Hear You Scream", the lead single from the album, peaked at number 6 on the American Rock Songs chart.
Epic/Sony Music Entertainment, 2010 (88697729592). Made in the EU. Pressed in Austria. First press.


Tracklist:
1. Let It Die 06:06
2. Let Me Hear You Scream 03:26
3. Soul Sucker 04:35
4. Life Won't Wait 05:07
5. Diggin' Me Down 06:03
6. Crucify 03:30
7. Fearless 03:41
8. Time 05:32
9. I Want It More 05:37
10. Latimer's Mercy 04:27
11. I Love You All 01:02
Total playing time: 49:08 min.

First remastered re-release of the first live album by the legendary British Heavy Metal singer.
The album consists entirely of renditions of songs originally recorded by Osbourne's previous band Black Sabbath. Immediately following the death of Ozzy Osbourne's dear friend and collaborator Randy Rhoads, tentative plans for a live recording from the Rhoads tours were quickly scrapped. Instead, the deeply troubled singer opted for a pair of one-offs at New York City's Ritz club. No one had any idea what Ozzy would do, and an evening of Black Sabbath covers was the furthest thing from everyone's mind. Ozzy had been portrayed as a washed-up, vocally challenged frontman by his ex-bandmates, and the perception was that Ozzy could no longer sing the original Sabbath material.
Hiring Metal producer Max Norman to man the boards, Ozzy enlisted Night Ranger guitarist Brad Gillis to play the role of Tony Iommi for the evening. The show itself took on an ominous tone with a chair visibly propped up on the edge of the stage; upon it rested a spiral notebook containing the lyrics to all the Sabbath songs of the evening, from which Ozzy read throughout the show.
Still, "Speak Of The Devil" is strengthened by the classic combo of Rudy Sarzo and Tommy Aldridge on bass and drums, undoubtedly one the best rhythm sections of Ozzy's solo career. And immediately, it becomes obvious that Brad Gillis was the right man for the gig. Playing Iommi to a tee, Gillis effortlessly leads the band through some of the best of the Sabbath catalog; "Speak Of The Devil" ends up solid throughout. Though Osbourne himself later decried "Speak Of The Devil" as something he only did because of record company pressure, it earned mostly positive notices from fans and critics, and was a commercial success as well, eventually earning Platinum certification. In the UK, it was the second of four Osbourne albums to attain Silver certification (60000 units sold) by the British Phonographic Industry, achieving this in January 1983. The album was entitled "Talk Of The Devil" in the UK, that being the more commonly expressed idiom there.
Listening to the remastered version, there's no doubt that the vocals feature some heavily doctored patch-ups, but regardless, Ozzy proved his point to his ex-bandmates. Following the recording, due to the uncertainty surrounding the Ozzy camp, Gillis would jump ship and rejoin the ranks of Night Ranger.
The album served to keep Osbourne’s fans interested while he was re-working his solo career, which continued on with 1983′s "Bark at the Moon". And while Osbourne’s subsequent solo releases would never again break the same degree of new musical ground that he did with his initial work with Rhoads, he went on to a solo career that eclipsed Black Sabbath - at least commercially - and launched Ozzy as one of the unlikeliest mainstream celebrities in the history of American popular culture!
Special collector's edition - Super Bit Mapping processor (SBM) digital remaster with 22-bit analog to digital conversion, yielding an ultra-high resolution "Super-CD", complete with all original artwork plus bonus photos. Includes the previously omitted "Sweet Leaf"!
Epic Records/Sony Music Entertainment Inc., 1982/1995 (481679 2). Made in Austria. Re-press.


Tracklist:
1. Symptom Of The Universe 5:40
2. Snowblind 4:56
3. Black Sabbath 6:04
4. Fairies Wear Boots 6:32
5. War Pigs 8:35
6. The Wizard 4:42
7. N.I.B. 5:35
8. Sweet Leaf 5:54
9. Never Say Die 4:18
10. Sabbath Bloody Sabbath 5:33
11. Iron Man / Children Of The Grave 9:12
12. Paranoid 3:09
Total playing time: 70:10 min.


Samples: http://www.last.fm

First remastered re-release of the fourth full-length album by the legendary Heavy Metal vocalist.
"The Ultimate Sin" is the first and only Osbourne album to feature bassist Phil Soussan, who co-wrote the album's U.S. hit single "Shot in the Dark". Drummer Randy Castillo, who had previously played in Lita Ford's band, also makes his recording debut with Osbourne. Album marks the final appearance of lead guitarist Jake E. Lee with Osbourne.
The working title for the album was "Killer of Giants", after the album's song of the same name. Osbourne opted to change the title to "The Ultimate Sin" at the last minute.
At the time of its release, "The Ultimate Sin" was Osbourne's highest charting studio album, as Heavy Metal was enjoying a surge in popularity during the mid-1980s. The RIAA awarded the album Platinum status on 14 May 1986, soon after its release; it was awarded Double Platinum status on 26 October 1994. The album sold over 2000000 copies worldwide. In the UK, it was the final of four Osbourne albums to attain Silver certification (60000 units sold) by the British Phonographic Industry, achieving this in April 1986.
Special collector's edition - Super Bit Mapping processor (SBM) digital remaster with 22-bit analog to digital conversion, yielding an ultra-high resolution "Super-CD", complete with all original artwork plus bonus photos.
Epic/Sony Music Entertainment, 1986/1995 (481680 2). Made in Austria. Re-press.


Tracklist:
1. The Ultimate Sin 3:43
2. Secret Loser 4:09
3. Never Know Why 4:27
4. Thank God For The Bomb 3:53
5. Never 4:21
6. Lightning Strikes 5:13
7. Killer Of Giants 5:41
8. Fool Like You 5:19
9. Shot In The Dark 4:17
Total playing time: 41:05 min.

The ninth full-length studio album by legendary British Heavy Metal band.
Tribute album in which the progenitor of Metal sings for its Metal footing songs such progenitors as The Beatles, The Moody Blues, King Crimson, Cream, Rolling Stones, etc.
The culmination of this Special Edition of the album is the bonus track in which "Great and Terrible" along with his daughter Kelly sing a hit of Black Sabbath "Changes".
Epic Records/Sony BMG Music Entertainment, 2005 (828767 4314 2). Made in Germany. First press. Used (cover/disc): NM/NM.


Tracklist: 
1. Rocky Mountain Way /Joe Walsh cover/ 04:32
2. In My Life /The Beatles cover/ 03:30
3. Mississippi Queen /Mountain cover/ 04:12
4. Go Now /The Moody Blues cover/ 03:42
5. Woman /John Lennon cover/ 03:46
6. 21st Century Schizoid Man /King Crimson cover/ 03:53
7. All the Young Dudes /Mott the Hoople cover/ 04:35
8. For What It's Worth /Buffalo Springfield cover/ 03:21
9. Good Times /The Animals cover/ 03:46
10. Sunshine of Your Love /Cream cover/ 05:11
11. Fire /Crazy World of Arthur Brown cover/ 04:09
12. Working Class Hero /John Lennon cover/ 03:22
13. Sympathy for the Devil /The Rolling Stones cover/ 07:12
Bonus Track:
14. Changes (with Kelly Osbourne) /Black Sabbath cover/ 04:07
Total playing time: 59:20 min.

The first full-length studio album by Philippines Thrash Metal band.
Paganfire plays true underground Thrashing Metal, no more, no less. Bare, raw and bestial!
These veterans have a lot of releases in their back catalogue, most of which are demos and split-releases, and here is their first official full-length.
Intense, filthy, and destructive Thrash Metal for fans of Sadus, Hypnosia and early Kreator!!
Bestial Invasion Records, 2015 (BIR 024). Made in Sweden. Pressed in Poland. First press.


Tracklist:
1. Bakal sa Bakal, Laman sa Laman 04:52
2. Obscure Syndrome 05:07
3. Power Elitist 05:28
4. Lust Possessed 04:28
5. Vermi, Wamas, Wormius 02:16
6. Much of Madness, More of Sin 05:32
7. Filth of Beliefs 03:55
8. Durugin at Kayo'y Sumpain 06:00
9. …silence 0:06
10. …silence 0:06
11. …silence 0:06
12. …silence 0:06
13. Live Show (Hidden Track) 25:06
Total playing time: 63:10 min.


Samples: https://vozdamorteprod.bandcamp.com

Third full-length album by the Argentinean Thrash Metal band.
At the time when the veterans on the Argentinian Metal scene were modernizing their sound, here came a band to put them all to shame. This is all-out classic Speed/Thrash Metal with great guitar melodies and catchy headbanging tracks. 
"Nos Vemos En El Infierno" would be another no-brainer for the classic Thrash Metal lovers starting with the energetic semi-technical mosher "Nos Vemos En El Infierno", before "Soy Pagano" cools the situation down a bit leaving room for more Intense Speed/Thrash for a couple of tracks until the coming of "De Angeles A Demonios" which stays more on the melodic Speed Metal side. "Mala Yunta" is more vigorous and Thrashy, still with melodic hooks aplenty, and the closer "Victimas Del Poder" is kind of underwhelming being optimistic Crossover happiness followed by 4 bonus tracks which show the guys' less polished and rawer side thrashing hard and fast, even to the point of blast-beating ("El Mismo De Ayer", "El Pasajero") on a few moments.
Thrash Metal sung in Spanish! A gem in every Thrash/Speed Metal collection!!
Album contains four rehearsal bonus tracks.
Pacheco Records, 2010 (PR009). Made in Argentina. First press.


Tracklist:
1. Nos Vemos En El Infierno     4:24 
2. Soy Pagano     3:18 
3. Injusticias, Mundo De Hoy     3:25 
4. Satisfaciendo A Los Depredadores     5:15 
5. Perdido En La Tormenta     3:21 
6. De Angeles A Demonios     3:52 
7. Mala Yunta     5:00 
8. Victimas Del Poder     2:48 
Bonus Tracks:
9. Yankinizacion     3:59 
10. I.R.     4:32     
11. El Mismo De Ayer     3:00     
12. El Pasajero     3:39
Total playing time: 46:33

The eighth full-length studio album by legendary Swedish Industrial Metal band.
Peter Tägtgren has long been hailed as one of the most talented Metal musicians and producers around, working together with a slew of bands, all the way from Sabaton to Children Of Bodom, all whilst playing in numerous other projects such as Hypocrisy and Lindemann. Despite this daunting schedule, and a full two decades after its inception, Peter's hobby project Pain, is back five years after its predecessor “You Only Live Twice”.
From the get-go, “Coming Home” treats us to an explosion of experimental elements, featuring facets that have as yet not been explored before. As to the production of this album, it's Peter Tägtgren's work, needing nothing further said to attest to its excellence. Granted, this release is not exactly groundbreaking or boundary defying, and may follow a pretty scattered lyrical theme, but who the hell cares? Peter has once again managed to weave together a catchy blend of styles that really shouldn't be mixed, resulting in a fresh, well-thought-out opus that is one of the crowning jewels of Pain's discography!
Nuclear Blast GmbH, 2016 (27361 32122 | NB 3212-2). Made in Germany. First press.


Tracklist:
1. Designed To Piss You Off 3:54
2. Call Me 4:13
3. A Wannabe 4:15
4. Pain In The Ass 4:06
5. Black Knight Satellite 3:41
6. Coming Home 4:40
7. Absinthe - Phoenix Rising 3:40
8. Final Crusade 3:54
9. Natural Born Idiot 4:16
10. Starseed 4:44
Total playing time: 41:23 min.

The eighth full-length studio album by legendary Swedish Industrial Metal band.
Peter Tägtgren has long been hailed as one of the most talented Metal musicians and producers around, working together with a slew of bands, all the way from Sabaton to Children Of Bodom, all whilst playing in numerous other projects such as Hypocrisy and Lindemann. Despite this daunting schedule, and a full two decades after its inception, Peter's hobby project Pain, is back five years after its predecessor “You Only Live Twice”.
From the get-go, “Coming Home” treats us to an explosion of experimental elements, featuring facets that have as yet not been explored before. As to the production of this album, it's Peter Tägtgren's work, needing nothing further said to attest to its excellence. Granted, this release is not exactly groundbreaking or boundary defying, and may follow a pretty scattered lyrical theme, but who the hell cares? Peter has once again managed to weave together a catchy blend of styles that really shouldn't be mixed, resulting in a fresh, well-thought-out opus that is one of the crowning jewels of Pain's discography!
Limited Edition Digibook includes Bonus Disc “Live In Vienna”.
Nuclear Blast GmbH, 2016 (27361 32120 | NB 3212-0). Made in Germany. First press.


Tracklist:

DISC I “Coming Home”
1. Designed To Piss You Off 3:54
2. Call Me 4:13
3. A Wannabe 4:15
4. Pain In The Ass 4:06
5. Black Knight Satellite 3:41
6. Coming Home 4:40
7. Absinthe - Phoenix Rising 3:40
8. Final Crusade 3:54
9. Natural Born Idiot 4:16
10. Starseed 4:44
Running time: 41:23 min.

DISC II “Live In Vienna – June 3, 2016”
1. Same Old Song 4:04
2. Zombie Slam 3:38
3. Suicide Machine 4:30
4. I'm Going In 3:25
5. End Of The Line 4:54
6. It's Only Them 5:03
7. The Great Pretender 4:59
8. Dirty Woman 4:38
9. Monkey Business 4:31
10. Shut Your Mouth 5:21
Running time: 45:03 min.

Total playing time: 86:26 min.

The fourth full-length album by the legendary Swedish Electronic/Industrial Metal/Rock band.
Peter Tägtgren is talented, and very much so. He writes, he plays, he sings, he plays some more. And "Dancing With The Dead" just might be one of the best things he's done so far. Pain's sound is a very well executed blend of Industrial/Techno sounds and Speed Metal. The entire affair is incredibly melodic, and to refer to the project as Pop songs with a Metal makeover is no unfair criticism - you just have to be really pretentious to let that distract you from having fun listening to this.
Peter does not actually make a lot of notice on tehnique here, so forget about any solo's or classic Metal riffing, this is pretty simple and would be very sucky if Peter was not so good in songwriting. And there he manages to nail it pretty hard. The songs simply sound good, there is no higher theory or explanation but that one, and there are some incredibly catchy songs to be found on here.
Every song seems to follow an identical structure - Verse, chorus, verse, chorus, bridge, chorus, chorus, chorus... Even so, each track on this album has a different feel from the next. Some of them have deliberately epic meloldies ("Same Old Song"), some are really fu***ng fast ("Bye/Die"), and some are so damn addictive to listen to that even a year after acquiring the album.
Recommended for fans of newer material from The Kovenant and Samael!!
The album reach #3 on the Swedish album charts.
Stockholm Records, a Universal Music Company/Universal Music AB, 2004 (986 912-6). Made in Germany. First press.


Tracklist:
1. Don't Count Me Out 4:39 
2. Same Old Song 3:58 
3. Nothing 4:07 
4. The Tables Have Turned 4:22 
5. Not Afraid To Die 4:15 
6. Dancing With The Dead 4:13 
7. Tear It Up 3:57 
8. Bye/Die 3:02 
9. My Misery 3:55 
10. A Good Day To Die 3:44 
11. Stay Away 3:19 
12. The Third Wave 3:50
Total playing time: 47:21 min.


Samples: https://www.last.fm

The debut full-length studio album by Polish Doom/Death Metal band.
The album has been recorded after many years of professional activity and a number of gigs. Although having been active since 2014, it took four more years for these brave Polish warriors to release their full length debut.
Music on the album is a verified Depressive Doom/Death Metal in veins of the golden age of the 1990s style. The original combination of depressive mood with catchy melodies and heaviness. The music creates a bleak atmosphere and offers a certain kind of melancholic beauty. Symphonic elements are always present in the background, giving the whole affair an epic character.
The maturity and quality of this record is more than impressive. The songs feature arrangements that flow and evolve as each riff closes. Each transition marks an indistinguishable final chapter in a song segment. This album is mostly composed of pieces, not standard songs. However, it is the way how those pieces have been put together that makes this album stand out from most of its peers.
The production is powerful, with the mix perfectly balancing a certain rawness and much needed clarity. The guitars are crunchy without burying the symphonic details. While the growls are deep and beastly, each word can be perfectly understood.
Rounded off by an atmospheric and mystic cover artwork made by Michal "Xaay" Loranc (known for working with the Nile, Behemoth and other bands), this album should be worth a look for any fan of dark and crawling Metal!
Solitude Productions, 2018 (SP. 139-18). First press.


Tracklist:
1. Between 08:27
2. Widow and the King 07:37
3. Buzz and Madness 06:51
4. The Shell I Live in 07:58
5. Psychosis 4:48 07:51
6. Only Death Will Divide Us 05:59
7. To Live is to Fight 07:53
8. So Be It 03:42
Total playing time: 56:20 min.


Samples: https://painthing.bandcamp.com

The only one full-length album by Heavy Metal band from Florida, USA.
This band created by the mighty guitarist Paul Marko and his mate singer Mike Vescera (Yngwie Malmsteen, Loudness, Obsession, Reign Of Terror, MVP, Roland Grapow).
This album can be described as a Classic Heavy Metal record with solid guitar riffs, some doomy atmospheres, fantastic vocal lines and a superb songwriting! This album will please any fan into REAL back-to-the-roots Heavy Metal.
Steelheart Records, 2002 (STH 0203)


Tracklist:
1.My Anger 04:07
2.Seasons 05:09
3.Burnt Offerings 04:40
4.This Side Of Summer 04:45
5.Season Of Madness 04:13
6.Did I Know You 04:13
7.Farewell To All The Kings 04:30
8.Your Walk Alone 04:42
9.Under A Midnight Sun (Instrumental) 02:03
Total playing time: 38:22


Samples: http://www.lastfm

The third full-length album by Italian Power Metal band.
Pandemonium was formed in 1995 from the ashes of Mad Faith, a Thrash Metal band. Strongly inspired by fantasy literature and role playing game, Pandemonium changed their style into Power/Epic Metal, although only a few bands used to play that genre at that time. Some of band's influences we could have heard immediately. Such as:  Angra, Blind Guardian, Gamma Ray, Helloween and Nightwish.
“The Last Prayer” is such an amazing masterpiece: every instrumental aspect of this album is original for 100%. The guitar riffs are fantastic! The drumming work is surprisingly good and it comes to its best at the fifth track "Tower Of Fears", when the tempo is irregular like in a Progressive Metal band, but we must not forget that Pandemonium is a Power Metal band that have managed to create a beautiful décor for the story behind “The Last Prayer”. It is interesting to put a male vocalist with a dramatic voice combining an acoustic guitar parts like at the sixth track "The White Voice" and somewhere in the middle of this track to put a mind-exploding powerful guitar solo - 100% originality! Bravo!
It's such a great journey to all melodic Power Metal fans!! Highly recommend!!!
IceWarrior Records,2012 (IWR-14/RIUCD-201237). Made in Germany. First press.


Tracklist:
1. Alone in the Dark     05:54
2. Two Spirits One Heart     03:44
3. Through the Wind     05:08 
4. Holy Voice     04:50
5. Tower of Fears     03:29 
6. The White Voice     04:44 
7. Go Your Own Way     05:09 
8. Today     04:55 
9. Braveheart     04:17 
10. Epitaph     03:57
11. Until the End     05:30
Total playing time: 51:37

The second EP by Spanish Thrash Metal band.
Fast and powerful Thrash Metal in the old way, a furious mix between US Bay Area & Teutonic masters of cutting edge guitars and smashing drums!
Including two great covers of classics as "Whiplash" (Metallica) & "Zombie Attack" (Tankard)!!
For fans of: Death Angel, Exodus, Kreator, Sodom, Demolition Hammer, Vio-Lence, Anthrax, Destruction, Violator, Legen Beltza and more...
Dead Sheep Productions, 2015 (DSP005).Made in Spain. First press.


Tracklist:
1. Death Expectancy
2. Persecution Mania
3. Eat My Guts
4. Aggression Desires
5. Whiplash (Metallica Cover)
6. Zombie Attack (Tankard Cover)
Total playing time: 25:13


Samples: https://pandemiathrash.bandcamp.com