CD

The fourteenth full-length studio album by the legendary British Heavy Metal band.
It was released on 25 August 2006 in Italy and Finland, and 28 August worldwide, excluding the United States, Canada and Japan on 5 September 2006. 
“A Matter Of Life And Death” puts emphasis on creating atmospheres befitting the darker lyrical themes and long sprawling epics with changes in tempo and dynamics, in contrast to the riff-driven music of the band's early days. This darker direction of the lyrical viewpoint can even be seen in the shorter songs "Different World" and "The Pilgrim".
In order to provide a more "live" sound, the album was not mastered. No added EQ, compression, analog widening, etc.
At 72 minutes, “A Matter Of Life And Death” is the band's second longest album, exceeding 1995's “The X Factor” by approximately one minute, and exceeded by 2010's “The Final Frontier” by approximately four minutes.
It is the first album in Iron Maiden's career to enter the U.S. Billboard charts in the top 10, achieving significant chart success in many other countries as well. 
Metal Hammer 10/10; Kerrang! 5/5.
EMI, 2006 (0946 372321 2 5). Made in EU. 


Tracklist:
1. Different World     4:17 
2. These Colours Don't Run     6:52 
3. Brighter Than A Thousand Suns     8:44 
4. The Pilgrim     5:07 
5. The Longest Day     7:48 
6. Out Of The Shadows     5:36 
7. The Reincarnation Of Benjamin Breeg     7:21 
8. For The Greater Good Of God     9:24 
9. Lord Of Light     7:23 
10. The Legacy     9:20
Total playing time: 71:52

The twelfth full-length studio album by legendary British Heavy Metal/NWOBHM band.
Released on May 30, 2000, album marks the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990), as well as the band's first studio recording with their current three guitar line-up (six-piece line-up in total), as Janick Gers (who replaced Smith in 1990) remained with the band.
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain line-up (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave Of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-80s heyday. However, the question remained whether the reconstituted band would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years. This question made "Brave New World" one of the most highly anticipated Metal releases of 2000 and, thankfully, the eventual answer to that question was a resounding "Yea!"
In fact, the album pretty much picked up right where the "classic" line-up had left off on 1988's "Seventh Son Of A Seventh Son": with a faithful rediscovery of Iron Maiden's best-loved sonic aesthetic and compositional quirks, updated only insofar as was necessary to measure up to new-millennium recording standards. In every other respect (and much like "Seventh Son Of A Seventh Son"), "Brave New World"'s meticulously orchestrated three-guitar attack still allowed for a greater sense of space than early Maiden albums (as well as the use of subtle keyboard textures in a supporting role), while boasting a beefier, in-your-face mix à la "Piece Of Mind" or "Powerslave".
The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.
The album artwork and title song are references to the novel of the same name, written by Aldous Huxley.
“Brave New World” peaked at the seventh spot of the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39th of the Billboard 200 chart, and registered over 307 000 copies sales on the Nielsen SoundScan system in 2008.
Iron Maiden Holding Ltd./Parlophone Records Ltd., A Warner Music Group Company, 2000/2014 (7243 5 26605 2 0) Made in Germany.


Tracklist:
1. The Wicker Man 04:35
2. Ghost Of The Navigator 06:50
3. Brave New World 06:18
4. Blood Brothers 07:14
5. The Mercenary 04:42
6. Dream Of Mirrors 09:21
7. The Fallen Angel 04:00
8. The Nomad 09:06
9. Out Of The Silent Planet 06:25
10. The Thin Line Between Love & Hate 08:26
Total playing time: 67:03

The twelfth full-length studio album by legendary British Heavy Metal/NWOBHM band.
Released on May 30, 2000, album marks the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990), as well as the band's first studio recording with their current three guitar line-up (six-piece line-up in total), as Janick Gers (who replaced Smith in 1990) remained with the band.
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain line-up (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave Of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-80s heyday. However, the question remained whether the reconstituted band would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years. This question made "Brave New World" one of the most highly anticipated Metal releases of 2000 and, thankfully, the eventual answer to that question was a resounding "Yea!"
In fact, the album pretty much picked up right where the "classic" line-up had left off on 1988's "Seventh Son Of A Seventh Son": with a faithful rediscovery of Iron Maiden's best-loved sonic aesthetic and compositional quirks, updated only insofar as was necessary to measure up to new-millennium recording standards. In every other respect (and much like "Seventh Son Of A Seventh Son"), "Brave New World"'s meticulously orchestrated three-guitar attack still allowed for a greater sense of space than early Maiden albums (as well as the use of subtle keyboard textures in a supporting role), while boasting a beefier, in-your-face mix à la "Piece Of Mind" or "Powerslave".
The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.
The album artwork and title song are references to the novel of the same name, written by Aldous Huxley.
“Brave New World” peaked at the seventh spot of the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39th of the Billboard 200 chart, and registered over 307 000 copies sales on the Nielsen SoundScan system in 2008.
Iron Maiden LLP/Parlophone Records Ltd., a Warner Music Group, 2000/2019 (0190295567620) Made in Germany.


Tracklist:
1. The Wicker Man 4:35
2. Ghost Of The Navigator 6:50
3. Brave New World 6:18
4. Blood Brothers 7:14
5. The Mercenary 4:42
6. Dream Of Mirrors 9:21
7. The Fallen Angel 4:00
8. The Nomad 9:06
9. Out Of The Silent Planet 6:25
10. The Thin Line Between Love & Hate 8:26
Total playing time: 67:57 min.

First re-release of the thirteenth full-length album by the legendary British Heavy Metal band.
"Dance Of Death" is probably the most controversial album of Iron Maiden so far, as well as the most Progressive and most heavy album of Iron Maiden ever.
When picking this album up, we could not help but notice the artwork. And art is not so good. Iron Maiden hired David Patchett to create the art with CGI. Apparently, his time cost the band enough money; the band stopped him because they thought the work was good enough as is, which the artist claimed was still in its prototype stages. The artwork would be notorious for its epic fail among the Metal community and placed on some worst artwork lists of Metal fans. Good thing this album is not judged solely on its cover, because “Dance of Death” is one of the better Iron Maiden albums!
"Dance Of Death" recalls prime Iron Maiden but with renewed vigor. Iron Maiden recorded the album the old-fashioned way: on analog tape, which adds a layer of warmth to the LP. "Dance Of Death" never sounds sterile or processed, unlike so many other Hard Rock and Metal bands recording in the digital age. But the record clocks in at nearly 70 minutes, making it somewhat long and demanding. Still, that’s a relatively small complaint for such a strong album. They still sound like they did in the 80's! Pure brilliance. One thing extremely unique on the album is that it has a great deal of orchestration and an almost Arabic-style vibe too, especially in "No More Lies" and "Dance Of Death". The rhythm guitar really tuned down heavy on the song "Montsegur". There were other powerful songs such as "Wildest Dreams", "Rainmaker", and the graceful epic "Paschendale". "Journeyman" is a 7-minute song with an acoustic, and it is real cool.
This album is not by any means a concept album, but the central theme of Death is recurrent in one form or another. This is their second studio release since the return of vocalist Bruce Dickinson and guitarist Adrian Smith in 1999. The album features the band's first ever fully acoustic track, "Journeyman", as well as their only song co-written by drummer Nicko McBrain, "New Frontier". The album was recorded on magnetic (analogue) tape.
Aside from the artwork, the 13th album by Iron Maiden is still a solid listen. After listening to “Brave New World” though, this album had to top the most successful album since 1988. Although it does not succeed in usurping that magnum opus, Iron Maiden proved that they still had a lot of energy left to write good music.
All in all, "Dance Of Death" is a pretty excellent Iron Maiden album. Many older fans will complain that there is nothing really new and ground-breaking here, but the band cannot release a "Piece Of Mind" or a "Powerslave" every time they put an album out on the market. "With Dance Of Death", they have done a brilliant Metal album that will still please some of the older generations, while introducing the newer fans to the world of Iron Maiden's great music in an even better way than "Brave New World" had already done.
Parlophone Records Ltd., a Warner Music Group Company, 2003/2014 (592 3402). Made in EU.


Tracklist:
1.Wildest Dreams 03:52
2.Rainmaker 03:48
3.No More Lies 07:21
4.Montsegur 05:50
5.Dance of Death 08:36
6.Gates Of Tomorrow 05:12
7.New Frontier 05:04
8.Paschendale 08:27
9.Face in the Sand 06:31
10.Age of Innocence 06:10
11.Journeyman 07:06
Total playing time: 67:57

The thirteenth full-length album by the legendary British Heavy Metal band.
"Dance Of Death" is probably the most controversial album of Iron Maiden so far, as well as the most Progressive and most heavy album of Iron Maiden ever.
When picking this album up, we could not help but notice the artwork. And art is not so good. Iron Maiden hired David Patchett to create the art with CGI. Apparently, his time cost the band enough money; the band stopped him because they thought the work was good enough as is, which the artist claimed was still in its prototype stages. The artwork would be notorious for its epic fail among the Metal community and placed on some worst artwork lists of Metal fans. Good thing this album is not judged solely on its cover, because “Dance of Death” is one of the better Iron Maiden albums!
"Dance Of Death" recalls prime Iron Maiden but with renewed vigor. Iron Maiden recorded the album the old-fashioned way: on analog tape, which adds a layer of warmth to the LP. "Dance Of Death" never sounds sterile or processed, unlike so many other Hard Rock and Metal bands recording in the digital age. But the record clocks in at nearly 70 minutes, making it somewhat long and demanding. Still, that’s a relatively small complaint for such a strong album. They still sound like they did in the 80's! Pure brilliance. One thing extremely unique on the album is that it has a great deal of orchestration and an almost Arabic-style vibe too, especially in "No More Lies" and "Dance Of Death". The rhythm guitar really tuned down heavy on the song "Montsegur". There were other powerful songs such as "Wildest Dreams", "Rainmaker", and the graceful epic "Paschendale". "Journeyman" is a 7-minute song with an acoustic, and it is real cool.
This album is not by any means a concept album, but the central theme of Death is recurrent in one form or another. This is their second studio release since the return of vocalist Bruce Dickinson and guitarist Adrian Smith in 1999. The album features the band's first ever fully acoustic track, "Journeyman", as well as their only song co-written by drummer Nicko McBrain, "New Frontier". The album was recorded on magnetic (analogue) tape.
Aside from the artwork, the 13th album by Iron Maiden is still a solid listen. After listening to “Brave New World” though, this album had to top the most successful album since 1988. Although it does not succeed in usurping that magnum opus, Iron Maiden proved that they still had a lot of energy left to write good music.
All in all, "Dance Of Death" is a pretty excellent Iron Maiden album. Many older fans will complain that there is nothing really new and ground-breaking here, but the band cannot release a "Piece Of Mind" or a "Powerslave" every time they put an album out on the market. "With Dance Of Death", they have done a brilliant Metal album that will still please some of the older generations, while introducing the newer fans to the world of Iron Maiden's great music in an even better way than "Brave New World" had already done.
EMI Records Ltd., 2003 (592 3402). Made in EU. First press.


Tracklist:
1.Wildest Dreams 03:52
2.Rainmaker 03:48
3.No More Lies 07:21
4.Montsegur 05:50
5.Dance of Death 08:36
6.Gates Of Tomorrow 05:12
7.New Frontier 05:04
8.Paschendale 08:27
9.Face in the Sand 06:31
10.Age of Innocence 06:10
11.Journeyman 07:06
Total playing time: 67:57

The fourth remastered re-release of the ninth full-length studio album by the legendary British Heavy Metal band.
It’s the third band's studio release to top the UK albums chart and last to feature Bruce Dickinson as lead vocalist until his return in 1999.
While 1992's "Fear Of The Dark" was definitely more of a return to form for Iron Maiden, it still wasn't quite on par with their exceptional work from the '80s. Easily an improvement over 1990's lackluster "No Prayer For The Dying", the album debuted on the U.K. charts at number one.
The opening "Be Quick or Be Dead" proved Maiden could easily hold their own with younger Thrash Metal bands, "From Here to Eternity" contained lyrics that seem better fitted for Mötley Crüe, while the expected epic album-closing title track would become a concert staple (all three tracks were released as U.K. singles). The serene "Wasting Love" proves to be one of Maiden's better ballads of the '90s, while the rockers "Fear Is the Key" and "Afraid to Shoot Strangers" are also standouts.
It was the first album to be produced by bassist and band founder Steve Harris, and last to feature the work of producer Martin Birch (who retired after its release).
The cover of album was the band's first not to be designed by artist Derek Riggs, whose contributions were rejected in favour of Melvyn Grant's. According to Iron Maiden's manager, Rod Smallwood, the band began accepting contributions from other artists as "We wanted to upgrade Eddie for the 90s. We wanted to take him from the sort of comic-book horror creature and turn him into something a bit more straightforward so that he became even more threatening". Melvyn Grant has since drawn several more covers for Iron Maiden, making him the band's second most-frequent artist after Riggs.
"Fear Of The Dark" ended up being the last album in eight years to feature Bruce Dickinson. This is a good thing, as Bruce admitted that he was not totally into singing for Maiden, and wanted to focus more on his solo career. This album is certainly different. They display what we all love about Iron Maiden. Maybe it's not the best horse in the Iron Maiden stable, but still a Rock-hard classic for most HM-fans! From other side this is a very good record, if not a great record like the Iron Maiden offerings before it!!
Iron Maiden (Holdings) Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1992/1998/2014 (7243 4 96925 0 3). Made in EU.


Tracklist:
1. Be Quick Or Be Dead 3:24
2. From Here To Eternity 3:38
3. Afraid To Shoot Strangers 6:56
4. Fear Is The Key 5:35
5. Childhood's End 4:40
6. Wasting Love 5:50
7. The Fugitive 4:54
8. Chains Of Misery 3:37
9. The Apparition 3:54
10. Judas Be My Guide 3:08
11. Weekend Warrior 5:39
12. Fear Of The Dark 7:18
Total playing time: 58:33


Samples: http://www.last.fm

The ninth live album by the legendary British Heavy Metal band.
The original soundtrack for the concert documentary film featuring the British Heavy Metal legend.
The film follows the band on the first leg of their Somewhere Back in Time World Tour between February and March 2008. It was shot in high-definition video with accompanying 5.1 surround sound produced by Kevin Shirley (who has worked with the band since their 2000 album “Brave New World”). It was distributed by EMI (except in the U.S., where it was distributed by Universal Music Group) in select digital theatres on April 21, 2009.
Polyeast Records, Inc./EMI Music International, 2009 (50999 6977572 7 - 2). Made in Philippines. First press.


Tracklist:

CD 1
1. Churchill's Speech 00:43
2. Aces High 04:49 
3. 2 Minutes To Midnight 05:57
4. Revelations 06:28
5. The Trooper 04:01
6. Wasted Years 05:07
7. The Number Of The Beast 05:07
8. Can I Play With Madness 03:36
9. Rime Of The Ancient Mariner 13:41

CD 2
1. Powerslave 07:28
2. Heaven Can Wait 07:35
3. Run To The Hills 03:59
4. Fear Of The Dark 07:32
5. Iron Maiden 05:26
6. Moonchild 07:29
7. The Clairvoyant 04:38
8. Hallowed Be Thy Name 07:52

Total playing time: 101:28 min.

The seventh compilation album by the legendary British Heavy Metal/NWOBHM band.
Album containing a selection of songs originally released of band's last 20 years to 2010. The title is lifted from the 1992 single, "From Here to Eternity", although it is not featured in this release. Unlike their previous compilation, "Somewhere Back in Time", the release covered two CDs to encompass longer tracks, such as "Paschendale". As with "Somewhere Back In Time", each track is sung by Bruce Dickinson rather than Blaze Bayley (who sang on "The X Factor" and "Virtual XI"), the band again opting to use later live versions of songs which originally featured other lead vocalists. "From Fear To Eternity: The Best of 1990-2010" collects 23 tracks.
The first anthology to cover the band’s post-halcyon days, it’s remarkable how seamless the transition was. Unlike other acts that left their handprints in the cement in the late '70s and '80s, Iron Maiden never really lost steam, despite a mid-'90s shake-up that saw iconic lead singer Bruce Dickinson swapped out with Wolfsbane vocalist Blaze Bayley for two albums. The addition of keyboards, a controversial, late-'80s move that split some fans upon the releases of "Somewhere In Time" (1986) and "Seventh Son Of A Seventh Son" (1988), proved largely tasteful and subtle, and did little to hinder their signature blend of fantasy-fueled Symphonic Metal and straight-up English Hard Rock.
Culled from eight studio albums (including the pair of Bayley offerings), the songs on "From Fear To Eternity" may not reach the dizzying heights of the band’s "Piece Of Mind" / "Number Of The Beast" heyday, but stand-out cuts like “The Wicker Man”, “Different World”, “Tailgunner”, “Dance of Death” and “Brave New World” bristle with the energy and conviction of a band 20 years younger. Dickinson's voice is apparently indestructible, and the triple-guitar attack, held down to the mat by the incomparable Steve Harris (founder/bassist), remains a veritable master class in Heavy Metal picking.
It's an impressive feat, to say the least, but what stands out the most is the fact the band has amassed the kind of loyal, age-defying fan base that virtually guarantees a lifetime of sold-out world tours, a feat they managed to pull off without ever selling themselves out!!
Iron Maiden Holdings, Ltd./EMI Records Ltd., 2011 (50999 0273622 8). Made in Germany. First press.


Tracklist:

CD 1:
1. The Wicker Man 
2. Holy Smoke 
3. El Dorado 
4. Paschendale 
5. Different World 
6. Man On The Edge 
7. The Reincarnation Of Benjamin Breeg 
8. Blood Brothers 
9. Rainmaker 
10. Sign Of The Cross 
11. Brave New World 
12. Fear Of The Dark

CD 2:
1. Be Quick Or Be Dead 
2. Tailgunner 
3. No More Lies 
4. Coming Home 
5. The Clansman 
6. For The Greater Good Of God 
7. These Colours Don´t Run 
8. Bring Your Daughter ... To The Slaughter 
9. Afraid To Shoot Strangers 
10. Dance Of Death 
11. When The Wild Wind Blows

First re-release of the seventh compilation album by the legendary British Heavy Metal/NWOBHM band.
Album containing a selection of songs originally released of band's last 20 years to 2010. The title is lifted from the 1992 single, "From Here to Eternity", although it is not featured in this release. Unlike their previous compilation, "Somewhere Back in Time", the release covered two CDs to encompass longer tracks, such as "Paschendale". As with "Somewhere Back In Time", each track is sung by Bruce Dickinson rather than Blaze Bayley (who sang on "The X Factor" and "Virtual XI"), the band again opting to use later live versions of songs which originally featured other lead vocalists. "From Fear To Eternity: The Best of 1990-2010" collects 23 tracks.
The first anthology to cover the band’s post-halcyon days, it’s remarkable how seamless the transition was. Unlike other acts that left their handprints in the cement in the late '70s and '80s, Iron Maiden never really lost steam, despite a mid-'90s shake-up that saw iconic lead singer Bruce Dickinson swapped out with Wolfsbane vocalist Blaze Bayley for two albums. The addition of keyboards, a controversial, late-'80s move that split some fans upon the releases of "Somewhere In Time" (1986) and "Seventh Son Of A Seventh Son" (1988), proved largely tasteful and subtle, and did little to hinder their signature blend of fantasy-fueled Symphonic Metal and straight-up English Hard Rock.
Culled from eight studio albums (including the pair of Bayley offerings), the songs on "From Fear To Eternity" may not reach the dizzying heights of the band’s "Piece Of Mind" / "Number Of The Beast" heyday, but stand-out cuts like “The Wicker Man”, “Different World”, “Tailgunner”, “Dance of Death” and “Brave New World” bristle with the energy and conviction of a band 20 years younger. Dickinson's voice is apparently indestructible, and the triple-guitar attack, held down to the mat by the incomparable Steve Harris (founder/bassist), remains a veritable master class in Heavy Metal picking.
It's an impressive feat, to say the least, but what stands out the most is the fact the band has amassed the kind of loyal, age-defying fan base that virtually guarantees a lifetime of sold-out world tours, a feat they managed to pull off without ever selling themselves out!!
Iron Maiden Holdings, Ltd./Parlophone Records Ltd., A Warner Music Group Company, 2011/2014 (50999 0273622 8). Made in Germany.


Tracklist:

CD 1:
1. The Wicker Man 
2. Holy Smoke 
3. El Dorado 
4. Paschendale 
5. Different World 
6. Man On The Edge 
7. The Reincarnation Of Benjamin Breeg 
8. Blood Brothers 
9. Rainmaker 
10. Sign Of The Cross 
11. Brave New World 
12. Fear Of The Dark

CD 2:
1. Be Quick Or Be Dead 
2. Tailgunner 
3. No More Lies 
4. Coming Home 
5. The Clansman 
6. For The Greater Good Of God 
7. These Colours Don´t Run 
8. Bring Your Daughter ... To The Slaughter 
9. Afraid To Shoot Strangers 
10. Dance Of Death 
11. When The Wild Wind Blows

First remastered re-release of the debut full-length album by the legendary British Heavy Metal band.
Album was released by EMI in the UK on Harvest/Capitol Records, and a few months later in the US on Sanctuary Records/Columbia Records. The US release also included the song "Sanctuary", only released in the UK as a single. In 1998, along with the rest of the band's pre-"X Factor" releases, Iron Maiden was remastered with "Sanctuary" added in all territories.
There may be no better place to hear how both Punk and Prog Rock informed the New Wave Of British Heavy Metal than Iron Maiden's self-titled debut. Often overlooked and overshadowed by the glorious Bruce Dickinson years, it's easy to forget that Iron Maiden was itself a game-changer when it appeared on the scene in 1980. That year also saw important albums from Motörhead, Saxon and Angel Witch, but Iron Maiden vaulted its creators to the head of the NWOBHM pack, reaching the U.K. Top Five and establishing them as an outfit with the talent to build on Judas Priest's late-'70s innovations. On the one hand, Iron Maiden was clearly drawing from elements of Punk Rock - the raw D.I.Y. production, the revved-up velocities and the vocals of rough-and-ready growler Paul Di'Anno, who looked and sounded not like a Metal god, but rather a short-haired street tough. On the other hand, Maiden had all the creative ambition of a Prog Rock band.
Compositionally, even their shortest and most straightforward songs featured abrupt changes in tempo and feel. Their musicianship was already light years beyond Punk, with complicated instrumental passages between guitarists Dave Murray and Dennis Stratton and bassist Steve Harris. When Murray and Stratton harmonize their leads, they outdo even Priest's legendary tandem in terms of pure speed. The lyrics have similarly high-flying aspirations, spinning first-person stories and character sketches with a flair for the seedy and the grotesque. Add it all up, and Iron Maiden performs the neat trick of reconciling two genres seemingly antithetical to one another, using post-Judas Priest Heavy Metal as the meeting ground.
Although Iron Maiden have since criticized the quality of the album's production, the release was met with critical and commercial acclaim, debuting at No. 4 in the UK Albums Chart as well as achieving prominence for the band in mainland Europe. "Iron Maiden" is one of two Iron Maiden albums listed in "1001 Albums You Must Hear Before You Die" ("The Number Of The Beast" is the other).
Enhanced CD includes special multimedia part with videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more…
Iron Maiden Holdings Ltd./EMI Records, 1980/1982/1998 (7243 4 96916 0 5). Made in Italy.


Tracklist:
1. Prowler 03:55
2. Sanctuary 0:00
3. Remember Tomorrow 05:27
4. Running Free 03:16
5. Phantom of the Opera 07:20
6. Transylvania 04:05
7. Strange World 05:45
8. Charlotte the Harlot 04:12
9. Iron Maiden 03:35
Total playing time: 37:42

+ Special Multemedia Section

Remastered re-release of the second full-length album by the legendary British Heavy Metal band.
The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance, arose due to his alcohol and cocaine use.
This sophomore Iron Maiden's effort is mostly composed of pre-existing material that had been left off the debut, with just a few new additions. It's certainly a better-sounding release than the debut, with new producer Martin Birch beefing up the band's studio presence and lending their instrumental attack a newfound clarity that throws their considerable skills into sharp relief. In fact, this helps mask the fact that the songwriting isn't quite as strong overall as it was on the debut. But the teaming of new guitarist Adrian Smith with Dave Murray forms the most formidable twin-guitar attack in Heavy Metal, outside of Glenn Tipton and K.K. Downing. Plus, bassist Steve Harris' busy, driving lines are now consistently audible in the mix. The resulting instrumental fireworks are what truly make the album tick. That said, there's a much smaller percentage of catalog standards here than on the previous album.
"Wrathchild" is the standout, re-recorded here with Smith on guitar from an earlier version for the "Metal For Muthas" compilation. There's a fair bit of unity in the lyrical themes, with a parade of murderers, fugitives, and characters otherwise torn from their roots. "Murders in the Rue Morgue" is a first-person retelling of the Poe short story, and the title track is another highlight, with Paul Di'Anno turning in an especially menacing performance. The single "Purgatory" has a catchy singalong chorus and a tempo worthy of Motörhead, while "Twilight Zone" (not included on the U.K. issue, but added to subsequent releases) scraped the bottom of the British charts. The biggest departure here is the almost Supertramp-like Prog-Pop of "Prodigal Son," a melodic, uptempo offering with an arrangement based around acoustic guitars.
Despite some inconsistency in the material, "Killers" is clearly the work of a top-notch ensemble, and in order to take the next step forward, their musical ambitions were clearly going to require a vocalist as technically accomplished as the band. It's worth noting that some Maiden fans actually prefer the rawness of the Di'Anno years to the polish of the Bruce Dickinson era (though, it should also be noted, they're in the minority).
"Killers" is a monumental record, real Heavy Metal with powerful lyrics, real grit, a superb urban atmosphere, genuine heaviness and no pretentiousness! This is absolutely essential Metal classic!
Remastered enhanced edition contains multimedia part with full-length videos, exclusive band biographies, photo galleries, internet links and much more!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1981/1982/1998/2014 (7243 4 96917 0 4). EU.


Tracklist:
1.The Ides of March 01:46
2.Wrathchild 02:55
3.Murders in the Rue Morgue 04:19
4.Another Life 03:23
5.Genghis Khan 03:09
6.Innocent Exile 03:54
7.Killers 05:02
8.Prodigal Son 06:13
9.Purgatory 03:21
10.Twilight Zone
11.Drifter 04:48

Video bonus taken from "Life At The Rainbow":
1.Wrathchild
2.Killers

First remastered re-release of the first official live album by the legendary British Heavy Metal band.
Iron Maiden's World Slavery Tour was one of the longest and most extensive tours ever undertaken by a Rock band.
Lasting from August 9, 1984, to July 5, 1985, and visiting such countries as Poland, Austria, Hungry, Yugoslavia, Italy, France, Spain, Portugal, Scotland, England, Germany, Sweden, Canada, Japan and the U.S., the show included a mammoth setup that replicated the intricate ancient Egyptian scenery of the "Powerslave" album cover.
As a "thank you" to the hundreds of thousands of fans who packed arenas the world over, the double-disc live set "Live After Death" was issued in 1985. Disc one is comprised of selections from a four-night stand at L.A.'s Long Beach Arena, with disc two comprised of performances from London's Hammersmith Odeon.
The album is essentially a best-of of sorts, since most of their singles released up to this point are featured in all of their high-decibel glory, making it a near-complete overview.
"Live After Death" is easily one of Heavy Metal's best live albums!!
Enhanced CD includes special multimedia part with videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more…
Iron Maiden Holdings Ltd./EMI Records, 1985/1998 (7243 4 96921 0 7). Made in the EU.


Tracklist:

CD 1:
1. Intro: Churchill's Speech     0:49
2. Aces High     4:40 
3. 2 Minutes To Midnight     6:03
4. The Trooper     4:32 
5. Revelations     6:12 
6. Flight Of Icarus     3:28 
7. Rime Of The Ancient Mariner     13:18 
8. Powerslave     7:13 
9. The Number Of The Beast     4:54 
10. Hallowed Be Thy Name     7:21 
11. Iron Maiden     4:21 
12. Run To The Hills     3:55 
13. Running Free     8:43

CD 2:
1. Wrathchild     3:05 
2. 22 Acacia Avenue     6:19 
3. Children Of The Damned     4:36
4. Die With Your Boots On     5:13
5. Phantom Of The Opera     7:21

Total playing time: 102:03

+ Special Multemedia Section


Samples:  http://www.lastfm

First remastered re-release of the first official live album by legendary British Heavy Metal band.
Iron Maiden's World Slavery Tour was one of the longest and most extensive tours ever undertaken by a Rock band.
Lasting from August 9, 1984, to July 5, 1985, and visiting such countries as Poland, Austria, Hungry, Yugoslavia, Italy, France, Spain, Portugal, Scotland, England, Germany, Sweden, Canada, Japan and the U.S., the show included a mammoth setup that replicated the intricate ancient Egyptian scenery of the "Powerslave" album cover.
As a "thank you" to the hundreds of thousands of fans who packed arenas the world over, the double-disc live set "Live After Death" was issued in 1985. Disc one is comprised of selections from a four-night stand at L.A.'s Long Beach Arena, with disc two comprised of performances from London's Hammersmith Odeon.
The album is essentially a best-of of sorts, since most of their singles released up to this point are featured in all of their high-decibel glory, making it a near-complete overview.
"Live After Death" is easily one of Heavy Metal's best live albums!!
Enhanced CD includes special multimedia part with videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more…
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1985/1998 (4969210). Made in Australia.


Tracklist:

CD 1
1. Intro: Churchill's Speech 0:49
2. Aces High 4:40 
3. 2 Minutes To Midnight 6:03
4. The Trooper 4:32 
5. Revelations 6:12 
6. Flight Of Icarus 3:28 
7. Rime Of The Ancient Mariner 13:18 
8. Powerslave 7:13 
9. The Number Of The Beast 4:54 
10. Hallowed Be Thy Name 7:21 
11. Iron Maiden 4:21 
12. Run To The Hills 3:55 
13. Running Free 8:43

CD 2
1. Wrathchild 3:05 
2. 22 Acacia Avenue 6:19 
3. Children Of The Damned 4:36
4. Die With Your Boots On 5:13
5. Phantom Of The Opera 7:21
Special Multemedia Section
featuring full length videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more
1. 2 Minutes To Midnight (Live)
2. Powerslave (Live)
3. Excerpt Of "Revelations"
4. Excerpt Of "Churchill's Speech & Beginning Of Aces High"

Total playing time: 102:03 min. 

First remastered re-release of the first official live album by the legendary British Heavy Metal band.
Iron Maiden's World Slavery Tour was one of the longest and most extensive tours ever undertaken by a Rock band.
Lasting from August 9, 1984, to July 5, 1985, and visiting such countries as Poland, Austria, Hungry, Yugoslavia, Italy, France, Spain, Portugal, Scotland, England, Germany, Sweden, Canada, Japan and the U.S., the show included a mammoth setup that replicated the intricate ancient Egyptian scenery of the "Powerslave" album cover.
As a "thank you" to the hundreds of thousands of fans who packed arenas the world over, the double-disc live set "Live After Death" was issued in 1985. Disc one is comprised of selections from a four-night stand at L.A.'s Long Beach Arena, with disc two comprised of performances from London's Hammersmith Odeon.
The album is essentially a best-of of sorts, since most of their singles released up to this point are featured in all of their high-decibel glory, making it a near-complete overview.
"Live After Death" is easily one of Heavy Metal's best live albums!!
Enhanced CD includes special multimedia part with videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more…
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1985/1998/2014 (7243 4 96921 0 7). Made in Germany.


Tracklist:

CD 1:
1. Intro: Churchill's Speech     0:49
2. Aces High     4:40 
3. 2 Minutes To Midnight     6:03
4. The Trooper     4:32 
5. Revelations     6:12 
6. Flight Of Icarus     3:28 
7. Rime Of The Ancient Mariner     13:18 
8. Powerslave     7:13 
9. The Number Of The Beast     4:54 
10. Hallowed Be Thy Name     7:21 
11. Iron Maiden     4:21 
12. Run To The Hills     3:55 
13. Running Free     8:43

CD 2:
1. Wrathchild     3:05 
2. 22 Acacia Avenue     6:19 
3. Children Of The Damned     4:36
4. Die With Your Boots On     5:13
5. Phantom Of The Opera     7:21

Total playing time: 102:03

+ Special Multemedia Section


Samples:  http://www.lastfm

The second re-release of the sixth live album, “Maiden England”, by the legendary British Heavy Metal band.
Originally, it was released as a live video, filmed during “Seventh Son Of A Seventh Son” world tour which was dubbed Seventh Tour of a Seventh Tour. It was recorded at the NEC in Birmingham, England on 27 and 28 November 1988, released on VHS in November 1989, followed by a limited VHS/CD edition in 1994. In 2013, the full concert footage, including encores, which were not featured in the original VHS, was reissued on DVD, CD and LP under the new title, "Maiden England '88".
"Maiden England '88" expands on the epic set of the original with a two-disc set. While this version only has three more tracks than its predecessor, it shows that a little change can go a long way, adding classics like "Run to the Hills", "Running Free" and "Sanctuary". Though it doesn't seem like much, these single cuts help to turn the live set into a more well-rounded listening experience, as the band forgoes the more far out tracks from "Seventh Son Of A Seventh Son" and "Somewhere In Time" in favor of some of their earlier, more direct work.
Whichever way you slice it, though, "Maiden England '88" is a solid concert that shows one of the most influential bands in Heavy Metal getting down to business and bringing some Epic Metal to an enthralled crowd, making it an easy recommendation for any Iron Maiden fans out there who haven't already checked this one out.
Re-titled digitally remastered re-edition includes new artwork and three unreleased before encores!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1994/2013/2014 (50999 973 615 2 7). Made in EU.


Tracklist:

CD 1:
1. Moonchild 6:23
2. The Evil That Men Do 4:17
3. The Prisoner 5:59
4. Still Life 4:31
5. Die With Your Boots On 5:18
6. Infinite Dreams 5:52
7. Killers 4:56
8. Can I Play With Madness 3:25
9. Heaven Can Wait 7:42
10. Wasted Years 5:05

CD 2:
1. The Clairvoyant 4:29
2. Seventh Son Of A Seventh Son 10:08
3. The Number Of The Beast 4:47
4. Hallowed Be Thy Name 7:21
5. Iron Maiden 5:11
Bonus Tracks:
6. Run To The Hills 4:01
7. Running Free 5:33
8. Sanctuary 5:24

Total playing time: 100:22 min.

The twelfth official live album by the legendary British Heavy Metal band.
This live album from the perennial British Heavy Metal heroes was recorded during the band's three sold out arena shows on their Legacy Of The Beast World Tour, which began in 2018 and finished in Europe in 2022.
It was recorded at the Palacio de los Deportes in Mexico City on 27, 29 and 30 September 2019, featuring renditions of many older and rarely played songs from their back catalog. This set from Mexico City sees them playing to an ecstatic, sold-out, 70,000-strong crowd.
Digipak includes a 28-page booklet, folded mini-poster with tour dates for 2021, and an exclusive expanded sticker sheet.
Iron Maiden LLP/Parlophone Records Ltd., a Warner Music Group Company, 2020 (0190295204723). Made in Germany. First press.


Tracklist:

DISC 01
1. Churchill's Speech 0:38
2. Aces High 4:58
3. Where Eagles Dare 5:12
4. 2 Minutes To Midnight 5:54
5. The Clansman 9:16
6. The Trooper 4:02
7. Revelations 6:32
8. For The Greater Good Of God 9:23
9. The Wicker Man 4:43
Playing time: 50:38 min.

DISC 02
1. The Sign Of The Cross 11:00
2. Flight Of Icarus 3:43
3. Fear Of The Dark 7:46
4. The Number Of The Beast 4:59
5. Iron Maiden 5:30
6. The Evil That Men Do 4:25
7. Hallowed Be Thy Name 7:38
8. Run To The Hills 5:07
Playing time: 50:08 min.

Total playing time: 100:46 min.

Deluxe Edition of the twelfth official live album by the legendary British Heavy Metal band.
This live album from the perennial British Heavy Metal heroes was recorded during the band's three sold out arena shows on their Legacy Of The Beast World Tour, which began in 2018 and finished in Europe in 2022.
It was recorded at the Palacio de los Deportes in Mexico City on 27, 29 and 30 September 2019, featuring renditions of many older and rarely played songs from their back catalog. This set from Mexico City sees them playing to an ecstatic, sold-out, 70,000-strong crowd.
Deluxe Edition includes a 29 visible pages' booklet.
Iron Maiden LLP/Parlophone Records Ltd., a Warner Music Group Company, 2020 (0190295204716). Made in Germany. First press.


Tracklist:

DISC 01
1. Churchill's Speech 0:38
2. Aces High 4:58
3. Where Eagles Dare 5:12
4. 2 Minutes To Midnight 5:54
5. The Clansman 9:16
6. The Trooper 4:02
7. Revelations 6:32
8. For The Greater Good Of God 9:23
9. The Wicker Man 4:43
Playing time: 50:38 min.

DISC 02
1. The Sign Of The Cross 11:00
2. Flight Of Icarus 3:43
3. Fear Of The Dark 7:46
4. The Number Of The Beast 4:59
5. Iron Maiden 5:30
6. The Evil That Men Do 4:25
7. Hallowed Be Thy Name 7:38
8. Run To The Hills 5:07
Playing time: 50:08 min.

Total playing time: 100:46 min.

First remastered re-release of the fifth full-length album by the legendary British Heavy Metal band.
"Powerslave" was released on 3 September 1984 on EMI in Europe and its sister label Capitol Records in the US.
The third in a trilogy of legendary Iron Maiden albums, "Powerslave" is frequently ranked as the fan favorite of the bunch, capping off a stellar run that sealed the band's genre-defining status. If "The Number Of The Beast" was the all-time Metal landmark, "Powerslave" is perhaps the quintessential Maiden album, capturing all the signature elements of the band's definitive era in one place.
The album opens with Maiden at their catchiest, turning in a pair of Metal classics right off the bat with the British hit singles "Aces High" (a high-speed ode to a WWII air battle) and the apocalyptic "2 Minutes to Midnight." Next we get an instrumental, "Losfer Words (Big 'Orra)", of the sort that Maiden periodically deployed to keep fans in awe of their technical chops. A pair of their best and most overlooked album tracks follows; "Flash of the Blade" and "The Duellists" exemplify the glory-minded battle hymns that made up such an important part of their lyrical obsessions, even if both are about sword fighting rather than modern military history. By the end of the album, we're seeing Maiden at their most progressive and ambitious. The seven-minute title track builds on the previous album's "To Tame a Land" with its use of Middle Eastern melodies, delving into Egyptian mythology for a rumination on power and mortality. This leads into the biggest, most grandiose epic in the Maiden catalog - "Rime of the Ancient Mariner", a multi-sectioned, thirteen-and-a-minute prog-fest adapted from the Samuel Taylor Coleridge poem. Though it isn't exactly what you'd call hooky, its shifting moods and lofty intellectual aspirations made it a live favorite. This latter material helped ensure that "Powerslave" was the Maiden album with the biggest impact on the emerging Progressive Metal genre (which, in its earliest form, essentially fused Rush with this sort of Maiden material). In this context, "Back in the Village" gets somewhat lost in the shuffle; it's a thematic sequel to "The Prisoner", though not quite as memorable.
So even though we don't hear the Punk influences of old, "Powerslave" catalogs every major facet of the band's personality during the Dickinson years, and does so while firing on all cylinders. Perhaps that's in part because "Powerslave" is the first Maiden album to feature the same line-up as its predecessor, creating a definite continuity and comfort level. Or perhaps it's simply that we're witnessing a great band in its creative prime. Whatever the case, it's entirely arguable that "Powerslave" summarizes why Iron Maiden was so important and influential even more effectively than "The Number Of The Beast", at least on a purely musical level. It may not be quite as accessible, but it's every bit as classic and essential.
Album is notable for its Ancient Egyptian theme displayed in the cover artwork, lifted from the title track, which was carried over to the album's supporting tour. The World Slavery Tour began in Warsaw, Poland on 9 August 1984, and is widely regarded as being the band's longest and most arduous to date, as well as leading to the live album "Live After Death".
The album contains a musical re-telling of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner", which uses pieces of the original poem as lyrics and is, furthermore, Iron Maiden's longest song to date (at thirteen minutes and 42 seconds in length).
Album debuted at number two in the UK charts, as a result of their record company's (EMI) third "Now That's What I Call Music!" pop compilation.
Enhanced CD includes special multimedia part with videos, band and tour history, biographies, exclusive photo galleries, internet web links and much more…
Iron Maiden Holdings Ltd./EMI Records Ltd., 1984/1998 (7243 4 96920 0 8). Made in Germany.


Tracklist:
1. Aces High     4:33
2. 2 Minutes To Midnight     6:04
3. Losfer Words (Big 'orra)     4:16
4. Flash Of The Blade     4:05
5. The Duellists     6:07
6. Back In The Village     5:03
7. Powerslave     7:12
8. Rime Of The Ancient Mariner     13:39
Total playing time: 50:59


Samples: http://www.last.fm

Remastered re-release of the fifth full-length album by the legendary British Heavy Metal band.
"Powerslave" was released on 3 September 1984 on EMI in Europe and its sister label Capitol Records in the US.
The third in a trilogy of legendary Iron Maiden albums, "Powerslave" is frequently ranked as the fan favorite of the bunch, capping off a stellar run that sealed the band's genre-defining status. If "The Number Of The Beast" was the all-time Metal landmark, "Powerslave" is perhaps the quintessential Maiden album, capturing all the signature elements of the band's definitive era in one place.
The album opens with Maiden at their catchiest, turning in a pair of Metal classics right off the bat with the British hit singles "Aces High" (a high-speed ode to a WWII air battle) and the apocalyptic "2 Minutes to Midnight." Next we get an instrumental, "Losfer Words (Big 'Orra)", of the sort that Maiden periodically deployed to keep fans in awe of their technical chops. A pair of their best and most overlooked album tracks follows; "Flash of the Blade" and "The Duellists" exemplify the glory-minded battle hymns that made up such an important part of their lyrical obsessions, even if both are about sword fighting rather than modern military history. By the end of the album, we're seeing Maiden at their most progressive and ambitious. The seven-minute title track builds on the previous album's "To Tame a Land" with its use of Middle Eastern melodies, delving into Egyptian mythology for a rumination on power and mortality. This leads into the biggest, most grandiose epic in the Maiden catalog - "Rime of the Ancient Mariner", a multi-sectioned, thirteen-and-a-minute prog-fest adapted from the Samuel Taylor Coleridge poem. Though it isn't exactly what you'd call hooky, its shifting moods and lofty intellectual aspirations made it a live favorite. This latter material helped ensure that "Powerslave" was the Maiden album with the biggest impact on the emerging Progressive Metal genre (which, in its earliest form, essentially fused Rush with this sort of Maiden material). In this context, "Back in the Village" gets somewhat lost in the shuffle; it's a thematic sequel to "The Prisoner", though not quite as memorable.
So even though we don't hear the Punk influences of old, "Powerslave" catalogs every major facet of the band's personality during the Dickinson years, and does so while firing on all cylinders. Perhaps that's in part because "Powerslave" is the first Maiden album to feature the same line-up as its predecessor, creating a definite continuity and comfort level. Or perhaps it's simply that we're witnessing a great band in its creative prime. Whatever the case, it's entirely arguable that "Powerslave" summarizes why Iron Maiden was so important and influential even more effectively than "The Number Of The Beast", at least on a purely musical level. It may not be quite as accessible, but it's every bit as classic and essential.
Album is notable for its Ancient Egyptian theme displayed in the cover artwork, lifted from the title track, which was carried over to the album's supporting tour. The World Slavery Tour began in Warsaw, Poland on 9 August 1984, and is widely regarded as being the band's longest and most arduous to date, as well as leading to the live album "Live After Death".
The album contains a musical re-telling of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner", which uses pieces of the original poem as lyrics and is, furthermore, Iron Maiden's longest song to date (at thirteen minutes and 42 seconds in length).
Album debuted at number two in the UK charts, as a result of their record company's (EMI) third "Now That's What I Call Music!" pop compilation.
Iron Maiden Holdings Ltd./Parlophone Records Ltd./Warner Music Australia, 1984/1998/2014 (4969200). Made in Australia.


Tracklist:
1. Aces High 4:33
2. 2 Minutes To Midnight 6:04
3. Losfer Words (Big 'orra) 4:16
4. Flash Of The Blade 4:05
5. The Duellists 6:07
6. Back In The Village 5:03
7. Powerslave 7:12
8. Rime Of The Ancient Mariner 13:39
Total playing time: 50:35 min.


Samples: http://www.last.fm

​​​​​​​

First re-release of the seventh live album by the legendary British Heavy Metal band.
Recorded at the Rock in Rio festival, Brazil, 2001, on the last night of the Brave New World Tour.
With the reunion studio disc "Brave New World», failing to recapture the imagination and intensity of Iron Maiden in America and even in many places in the band's European homeland, going to Brazil seemed like a smart move. It was one of the few places that a quarter of a million people would turn up to see the act in 2001, and judging from the audience response, the band's set list didn't bother them much either. The band played to approximately 250,000 people - it's the second largest crowd of their career (the band's largest concert attendance was their 1985 Rock In Rio performance to an audience of 300,000) and with the relatively recent return of lead singer Bruce Dickinson and guitarist Adrian Smith to the band.
Show features many of band's most well-known tracks, including the eponymous "Iron Maiden" and "Run to the Hills", along with six songs from "Brave New World", such as "The Wicker Man" and the title track. Also performed were two tracks from the Blaze Bayley-era, "Sign of the Cross" and "The Clansman".
Iron Maiden are the pinnacle of Heavy Metal performers, with none acting as rivals. From the time they were young lads, to now as seasoned veterans, this six piece has never let the fans down, always performing to their utmost ability, with their utmost determination. "Rock In Rio" is literally what it sounds like for a quarter million people having their dreams realized, an experience that should be enjoyed by everyone who is smart enough to pick up this record!!
Enhanced CD features two videos.
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company., 2001/2002/2014 (7243 5 38643 0 9). Made in Germany.


Tracklist:

CD 1:
1. Intro 1:55
2. The Wicker Man 4:41
3. Ghost Of The Navigator 6:46
4. Brave New World 6:06
5. Wrathchild 3:05
6. 2 Minutes To Midnight 6:26
7. Blood Brothers 7:15
8. Sign Of The Cross 10:49
9. The Mercenary 4:42
10. The Trooper 4:35
11. Brave New World (Enhanced Video)

CD 2:
1. Dream Of Mirrors 9:38
2. The Clansman 9:19
3. The Evil That Men Do 4:40
4. Fear Of The Dark 7:40
5. Iron Maiden 5:51
6. The Number Of The Beast 5:00
7. Hallowed Be Thy Name 7:23
8. Sanctuary 5:17
9. Run To The Hills 4:54
10. A Day In The Life (Enhanced Video)

Total playing time: 116:02


Samples: http://www.last.fm