CD

The debut full-length studio album by Italian Thrash Metal band.
This Italian band are one of the best new bands in country's insanely productive and prolific Thrash Metal revival movement. There's a healthy thread of traditional Heavy Metal running through their otherwise orthodox Thrash sound, and it sets them apart and even gives a more evil vibe to their music. Fans of Nuclear Assault, Tankard, Slayer and Exhorder will love this!!
Punishment 18 Records, 2012 (P18R 045)


Tracklist:
1. Prelude To The Bomb 01:48
2. Tsar Bomb 04:36
3. Pray 05:13
4. Terrorizer 03:17
5. Beer 03:04
6. Chemical Death 04:04
7. War 03:10
8. Religious Explosion 04:05
9. Lager 04:57
Total playing time: 34:16 min.

The second re-release of the debut full-length studio album by cult Danish Technical Thrash Metal band.
Not all albums that failed commercially and were released in the 90s were masterpieces or lost gems. Neither, all bands were obscure legends that deserved more than to become cult heroes. But damn, some names should become much bigger. They deserved it as their works have passed the ultimate test, the test of Time. And some albums are damn true jewels. Invocator’s “Excursion Demise” that now at last is available for the first time in more than 30 years, is one of them. Of course Invocator’s debut wasn’t a commercial fail, as it had sold in its first year only around 10 000 copies still you can’t say it was a big hit or something. Originally printed in released in June 1991 via Black Mark Production and produced by Boss, Quorton’s father and the record label’s owner.
If you want to describe this album with one word, then “fast” is the one you are looking for. Yet this LP has more to offer than extreme velocity. Riffs upon riffs hit you like a blast with a plethora of drum patterns often off beat, that enrich their sound and keep the listeners attention and interest high, aggressive vocals that flirt with Death Metal growls blended with fast, furious and brilliant shredding solos that wisely avoid sounding repetitive. “Excursion Demise” is a mad as a hatter combination of high-speed Technical Thrash with a hint of Death Metal at its best. You can find similarities with Dark Angel, Sadus, early Kreator, even Atheist, late 80s early 90s Sepultura and early Pestilence. Some would dare to say that Invocator were something like more technical and closer to proto-Death version of Artillery. 
There isn’t really a bad song on here, all the songs are top-notch on this one. This album is one of those overlooked trashing gems. And when it comes to speed, nobody can touch these guys. They pull off the speed and competence so well. If you like nicely done complex Thrash, or if you like plenty of Thrash with your Death, this album is a must for you. If you don’t have this album, get it right now!
Remastered by Jacob Hansen, re-release includes bonus CD with an all demos, and 16-page booklet.
Hammerheart Records, 1991/2022 (HHR 2022-01). Made in Netherlands.


Tracklist:

CD 1 – “Excursion Demise”
1. Excursion Demise 5:37
2. ...To A Twisted Recess Of Mind 0:33
3. Forsaken Ones 5:56
4. The Persistence From Memorial Chasm 4:09
5. Absurd Temptation 6:56
6. Schismatic Injective Therapy 7:17
7. Occurence Concealed 3:47
8. Beyond Insufferable Dormancy 5:44
9. Inner Contrarieties 4:30
10. Alterations 4:28
Running time: 48:57 min.

CD 2 – The Demos
“Genetic Confusion” (Demo)
1. Dismal Serface 4:49    
2. Inserected Despair 3:39
3. Restraint Life 5:43
4. The Scars Remain 3:25
“Alterations” (Demo)
5. Alterations 4:59
6. Occurrence Concealed 4:14
7. The Persistence From Memorial Chasm 4:11
8. Pursuit Of A Rising Necessity 3:51
Re-recordings
9. Unsurrected Despair 3:28
“Promo 1991”
10. Beyond Insufferable Dormacy 5:26
11. Inner Contrarities 4:32
12. Absurd Temptation 7:12
Running time: 55:29min.

Total playing time: 104:26 min.




 

The first re-release of the second full-length studio album by cult Danish Technical Thrash/Groove Metal band.
Invocator are a good example of a band that was a little too late to really blow up some dust in their career. Four young boys from Esbjerg started the band in 1987 when Thrash Metal was really a great thing. Like most other ambitious bands in those days, Invocator recorded a bunch of demos and played as many shows as possible. Yet it took them four years to get a record deal with Black Mark Productions, which just started to become a real label and release more than just Bathory albums. But the musical landscape had changed a lot during those four years, and Thrash Metal was not much more than a side note. The Death Metal explosion had just started, and thus the technical Thrash Metal of Invocator seemed a little bit outdated. Yet, they released two albums on Black Mark and another one on Progress Records before they temporarily split up in 1995, just to reform five years later.
Invocator creates a Thrash masterpiece with this album, but beware, this is a different form of Thrash than you're used to, and may be too "Groovey" for some. Having said that, if you like Exhorder, Pantera, or Metallica, you'll probably find this album to be great. If you like Exhorder's "Slaughter In The Vatican", but can deal with a more streamlined and less-rude version, this will be up your alley. It's a total about face from their first album, but "Weave The Apocalypse" is something that is totally different and a true testament to Invocator's mastery of heavy riffing.
“Weave The Apocalypse” saw the light of day in 1993 and was maybe their best known, as it was graced by a classical piece of art from Dan Seagrave.
Remastered by Jacob Hansen, release includes bonus CD and 16-page booklet.
Hammerheart Records, 1983/2022 (HHR 2022-02). Made in Netherlands.


Tracklist:

CD I
“Weave The Apocalypse”
1. Through The Nether To The Sun 4:06
2. From My Skull It Rains 3:10
3. Desert Sands 3:02
4. Condition Critical 4:17
5. Breed Of Sin 2:43
1. Doomed To Be 3:52
2. Lost At Birth 2:33
3. Land Of Misery 3:41
4. The Afterbirth 3:36
5. Weave The Apocalypse 3:21
Running time: 34:21 min.

CD II 
“Live Odense 1994”
1. Excursion Demise 6:48
2. Land Of Misery 4:10
3. From My Skull It Rains 3:17
4. Condition Critical 5:11
5. Occurrence Concealed 5:09
6. The Afterbirth 4:21
7. Breed Of Sin 3:10
8. Lost At Birth 3:15
9. Desert Sands 3:48
10. Doomed To Be 5:53
11. Weave The Apocalypse 3:59
12. Mr. Albert Fish (Macabre cover) 3:27
“Promo 1992”
13. Doomed To Be 3:51
14. Land Of Misery 3:35
15. Lost At Birth 2:32
Covers
16. The Eternal War (Artillery cover) 5:35
17 The Promise Of Agony (Dark Angel cover) 9:26
Running time: 77:27 min.

Total playing time: 111:48 min.

The fifth full-length album by Danish Heavy/Power Metal band.
With this album Iron Fire forge into battle to once again fight for genuine True Metal and show how tradition-conscious Power Metal should be played. Pounding rhythms, heavy riffs, and thundering drums are again the foundation upon which Iron Fire lays down the law!
Napalm Records/Scarecrow Records, 2009 (SR0433-0). First press.


Tracklist:
1. The Beast from the Blackness 04:50
2. Kill for Metal 04:10
3. The Demon Master 03:39
4. Cover the Sun 05:09
5. To the Grave 04:54
6. March of the Immortals 04:03
7. The Kingdom 04:23
8. Frozen in Time 05:25
9. Hail to Odin 04:59
10. Doom Riders 05:40
11. Ghost of Vengeance 04:25
12. The Battlefield 03:59
Total playing time: 55:36

The eighth full-length live album by the legendary British Heavy Metal band.
Recorded at Westfalenhalle in Dortmund, Germany on 24 November 2003, during the Dance of Death World Tour (2003–2004), "Death On The Road" deviates little from Iron Maiden's countless other live shows. While blissfully heavy on the band's excellent - and suitably theatrical - new material, longtime fans do not need any more live versions of "Number of the Beast", "Hallowed Be Thy Name", "Run to the Hills", or "The Trooper". All that said, Iron Maiden do not disappoint, laying to waste any notions that they can't hold themselves to the performance standards of their younger days.
Even Bruce Dickinson, despite a voice that's now often more choked than feral, can barely keep himself from leaping into the crowd, and it's that kind of enthusiasm that makes each and every live release - and there are a lot of them - worthwhile to some degree!
Iron Maiden Holdings Ltd./EMI Records Ltd., 2005 (0946 336 4372 7). Made in Holland. First press. Copy protected CDs, made with “Copy Controlled” technology.


Tracklist:

CD 1:
1. Wildest Dreams 4:51
2. Wrathchild 2:59
3. Can I Play With Madness 3:31
4. The Trooper 4:11
5. Dance Of Death 9:34
6. Rainmaker 4:11
7. Brave New World 6:09
8. Paschendale 10:17
9. Lord Of The Flies 5:04

CD 2:
1. No More Lies 8:06
2. Hallowed Be Thy Name 7:40
3. Fear Of The Dark 7:38
4. Iron Maiden 5:09
5. Journeyman 7:02
6. The Number Of The Beast 4:57
7. Run To The Hills 4:23

Total playing time: 95:42 min.

The tenth live album by the legendary British Heavy Metal band.
2 hours live show at Estadio Nacional, Santiago, Chile + Documentary bonus disc with Special Extras!
On April, 10th, 2011 Iron Maiden became the first Metal band ever to play in Chile’s prestigious Estadio Nacional in Santiago. This landmark show, filmed in front of 50,000 die-hard Chilean devotees, reveals a band firing on all cylinders, feeding off Latino passion and energy to deliver one of the most dramatic and powerful performances of “The Final Frontier Words Tour”.
“En Vivo!” embodies the heart and soul of Iron Maiden 2011: the music, the fans, the country!
Iron Maiden Holdings Ltd./EMI Records, 2012 (50999 301590 2 0). Made in Germany. First press.


Tracklist:

CD 1:
1. Satellite 15     04:36
2. The Final Frontier     04:10
3. El Dorado     05:52
4. 2 Minutes to Midnight     05:50
5. The Talisman     08:45
6. Coming Home     05:57
7. Dance of Death     09:03
8. The Trooper     03:59
9. The Wicker Man     05:06

CD 2:
1. Blood Brothers     07:04
2. When the Wild Wind Blows     10:37
3. The Evil That Men Do     04:17
4. Fear of the Dark     07:30 
5. Iron Maiden     05:08
6. The Number of the Beast     04:57
7. Hallowed Be Thy Name     07:28
8. Running Free     07:57

Total playing time: 108:16

Remastered re-release of the second full-length album by the legendary British Heavy Metal band.
The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance, arose due to his alcohol and cocaine use.
This sophomore Iron Maiden's effort is mostly composed of pre-existing material that had been left off the debut, with just a few new additions. It's certainly a better-sounding release than the debut, with new producer Martin Birch beefing up the band's studio presence and lending their instrumental attack a newfound clarity that throws their considerable skills into sharp relief. In fact, this helps mask the fact that the songwriting isn't quite as strong overall as it was on the debut. But the teaming of new guitarist Adrian Smith with Dave Murray forms the most formidable twin-guitar attack in Heavy Metal, outside of Glenn Tipton and K.K. Downing. Plus, bassist Steve Harris' busy, driving lines are now consistently audible in the mix. The resulting instrumental fireworks are what truly make the album tick. That said, there's a much smaller percentage of catalog standards here than on the previous album.
"Wrathchild" is the standout, re-recorded here with Smith on guitar from an earlier version for the "Metal For Muthas" compilation. There's a fair bit of unity in the lyrical themes, with a parade of murderers, fugitives, and characters otherwise torn from their roots. "Murders in the Rue Morgue" is a first-person retelling of the Poe short story, and the title track is another highlight, with Paul Di'Anno turning in an especially menacing performance. The single "Purgatory" has a catchy singalong chorus and a tempo worthy of Motörhead, while "Twilight Zone" (not included on the U.K. issue, but added to subsequent releases) scraped the bottom of the British charts. The biggest departure here is the almost Supertramp-like Prog-Pop of "Prodigal Son," a melodic, uptempo offering with an arrangement based around acoustic guitars.
Despite some inconsistency in the material, "Killers" is clearly the work of a top-notch ensemble, and in order to take the next step forward, their musical ambitions were clearly going to require a vocalist as technically accomplished as the band. It's worth noting that some Maiden fans actually prefer the rawness of the Di'Anno years to the polish of the Bruce Dickinson era (though, it should also be noted, they're in the minority).
"Killers" is a monumental record, real Heavy Metal with powerful lyrics, real grit, a superb urban atmosphere, genuine heaviness and no pretentiousness! This is absolutely essential Metal classic!
Remastered enhanced edition contains multimedia part with full-length videos, exclusive band biographies, photo galleries, internet links and much more!
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1981/1982/1998/2014 (7243 4 96917 0 4). EU.


Tracklist:
1.The Ides of March 01:46
2.Wrathchild 02:55
3.Murders in the Rue Morgue 04:19
4.Another Life 03:23
5.Genghis Khan 03:09
6.Innocent Exile 03:54
7.Killers 05:02
8.Prodigal Son 06:13
9.Purgatory 03:21
10.Twilight Zone
11.Drifter 04:48

Video bonus taken from "Life At The Rainbow":
1.Wrathchild
2.Killers

First remastered re-release of the second full-length album by the legendary British Heavy Metal band.
The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance arose due to his alcohol and cocaine use.
This sophomore Iron Maiden's effort is mostly composed of pre-existing material that had been left off the debut, with just a few new additions. It's certainly a better-sounding release than the debut, with new producer Martin Birch beefing up the band's studio presence and lending their instrumental attack a newfound clarity that throws their considerable skills into sharp relief. In fact, this helps mask the fact that the songwriting isn't quite as strong overall as it was on the debut. But the teaming of new guitarist Adrian Smith with Dave Murray forms the most formidable twin-guitar attack in Heavy Metal, outside of Glenn Tipton and K.K. Downing. Plus, bassist Steve Harris' busy, driving lines are now consistently audible in the mix. The resulting instrumental fireworks are what truly make the album tick. That said, there's a much smaller percentage of catalog standards here than on the previous album.
"Wrathchild" is the standout, re-recorded here with Smith on guitar from an earlier version for the "Metal For Muthas" compilation. There's a fair bit of unity in the lyrical themes, with a parade of murderers, fugitives, and characters otherwise torn from their roots. "Murders in the Rue Morgue" is a first-person retelling of the Poe short story, and the title track is another highlight, with Paul Di'Anno turning in an especially menacing performance. The single "Purgatory" has a catchy singalong chorus and a tempo worthy of Motörhead, while "Twilight Zone" (not included on the U.K. issue, but added to subsequent releases) scraped the bottom of the British charts. The biggest departure here is the almost Supertramp-like Prog-Pop of "Prodigal Son," a melodic, uptempo offering with an arrangement based around acoustic guitars.
Despite some inconsistency in the material, "Killers" is clearly the work of a top-notch ensemble, and in order to take the next step forward, their musical ambitions were clearly going to require a vocalist as technically accomplished as the band. It's worth noting that some Maiden fans actually prefer the rawness of the Di'Anno years to the polish of the Bruce Dickinson era (though, it should also be noted, they're in the minority).
"Killers" is a monumental record, real Heavy Metal with powerful lyrics, real grit, a superb urban atmosphere, genuine heaviness and no pretentiousness! This is absolutely essential Metal classic!
Remastered enhanced edition contains multimedia part with full-length videos, exclusive band biographies, photo galleries, internet links and much more!
Iron Maiden Holdings Ltd./EMI Records, 1981/1982/1998 (7243 4 96917 0 4). Made in Germany. First press of first remastered edition.


Tracklist:
1.The Ides of March 01:46
2.Wrathchild 02:55
3.Murders in the Rue Morgue 04:19
4.Another Life 03:23
5.Genghis Khan 03:09
6.Innocent Exile 03:54
7.Killers 05:02
8.Prodigal Son 06:13
9.Purgatory 03:21
10.Twilight Zone
11.Drifter 04:48

Video bonus taken from "Life At The Rainbow":
1.Wrathchild
2.Killers

First remastered re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and  White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
The original 1990 version has cover picture where Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again".
Also this 1998 remastered re-edition contains a special enhanced CD-ROM multimedia section with videos, exclusive photo galleries, biographies, internet links plus a deluxe 24 page colour booklet with full lyrics, Eddie art and photos!!
Iron Maiden (Holdings) Ltd./EMI Records Ltd., 1990/1998 (7243 4 96865 0 2). Made in Holland. Pressed in Germany.


Tracklist:
1. Tail Gunner 4:15
2. Holy Smoke 3:50
3. No Prayer For The Dying 4:23
4. Public Enema Number One 4:13
5. Fates Warning 4:12
6. The Assassin 4:35
7. Run Silent Run Deep 4:36
8. Hooks In You 4:08
9. Bring Your Daughter... ...To The Slaughter 4:45
10. Mother Russia 5:33
Total playing time: 44:30 min.

Remastered re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and  White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
The original 1990 version has cover picture where Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again".
Also this 1998 remastered re-edition contains a special enhanced CD-ROM multimedia section with videos, exclusive photo galleries, biographies, internet links plus a deluxe 24 page colour booklet with full lyrics, Eddie art and photos!!
Iron Maiden (Holdings) Ltd./EMI Records Ltd., 1990/1998 (7243 4 96865 0 2). Made in Netherlands. First press of re-release. Used (cover/disc): EX/NM.


Tracklist:
1.Tailgunner 04:15
2.Holy Smoke 03:49
3.No Prayer for the Dying 04:23
4.Public Enema Number One 04:14
5.Fates Warning 04:10
6.The Assassin 04:18
7.Run Silent Run Deep 04:35
8.Hooks in You 04:07
9.Bring Your Daughter... To the Slaughter 04:44
10.Mother Russia 05:32

Remastered re-release of the eighth full-length studio album by the legendary British Heavy Metal band.
"No Prayer For The Dying" is one of the best Metal albums of 1990. Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
The album departed from the keyboard- and synthesiser-saturated Progressive Rock direction of the band's two previous studio outings (1986's "Somewhere In Time" and 1988's "Seventh Son Of A Seventh Son") in favour of a more "stripped down", straight forward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation and social concerns. It's the only Iron Maiden studio album to date without a song exceeding six minutes in length and the only one to contain profanity in the lyrics.
Album marks band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, "Tattooed Millionaire", and had also worked with Ian Gillan and  White Spirit.
It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US.
Remaster 2015. Digipak with 16-page booklet.
Iron Maiden LLP/Parlophone Records Ltd., a Warner Music Group, 1990/2019 (0190295567682). Made in Germany.


Tracklist:
1. Tail Gunner 4:15
2. Holy Smoke 3:50
3. No Prayer For The Dying 4:23
4. Public Enema Number One 4:13
5. Fates Warning 4:12
6. The Assassin 4:35
7. Run Silent Run Deep 4:36
8. Hooks In You 4:08
9. Bring Your Daughter... ...To The Slaughter 4:45
10. Mother Russia 5:33
Total playing time: 44:30 min.

The fifth remastered re-release of the fourth full-length album by legendary British Heavy Metal band.
The second of three straight iconic Iron Maiden albums, "Piece Of Mind" marks the debut of what many regard as the definitive Maiden lineup, with the arrival of Nicko McBrain, who had recently left the Paris-based band Trust and has been Iron Maiden's drummer ever since.
Album was originally released on EMI Records in Europe and on Capitol Records in the U.S.; it was reissued later on Sanctuary/Columbia Records.
McBrain's ability to duplicate the complex patterns of the guitar and bass riffs gives the band a seamless ensemble unity. Even Steve Harris, whose busy basslines were never exactly groove-oriented, has never felt more integrated into the overall sound. Perhaps part of that feeling comes from the less frantic pace; the average tempo has slowed somewhat from the preceding album, and the hold-over Punk influences still present there have been completely eradicated. Instead, we get a few moodier, heavier pieces (especially "Revelations") that make the album darker-sounding overall. We also get greater involvement in the songwriting from Bruce Dickinson and Adrian Smith, whose themes are perfectly in tune with Steve Harris' epic storytelling. Nearly every song here was inspired by movies or literature, whether it's history, mythology, sci-fi, or fantasy; this approach got them tagged as a thinking-man's Metal band, and certainly provided a lyrical blueprint for Anthrax. No less than four songs are about battles and warriors, and a couple is about flying, underscoring the heights of the drama that the band is aiming for. The centerpiece of the album is, of course, "The Trooper", an all-time genre classic that boasts Murray and Smith's most memorable harmonized lead riff, plus that trademark galloping rhythm. A retelling of the Greek myth "Flight of Icarus" was the other British hit single, boasting an appropriately soaring chorus. Album opener "Where Eagles Dare" is the other flight song, recounting a WWII spy thriller and featuring one of McBrain's signature performances with the band.
If much of "Piece Of Mind" ranks as state-of-the-art Heavy Metal, it is true that the second half dips a bit from the first. "Quest for Fire" is many a die-hard fan's least favorite track from the glory years; the melody is rather stiff and simple, and the lyrics are about cavemen, rendering Dickinson's operatic a bit ridiculous. Among the serious-minded Maiden faithful, there's no less forgivable sin than silliness. Fans also bemoan the relative simplicity of the samurai tale "Sun and Steel". However, the album closes on a big, Progressive note with "To Tame a Land", an epic retelling of Frank Herbert's Dune that evokes the desert planet via Middle Eastern guitar melodies. In the end, even if "Piece Of Mind" is the most obviously inconsistent of the classic Maiden trilogy, its many high points are no less awe-inspiring, and it's no less essential for anyone with even the most basic interest in Heavy Metal!
“Piece of Mind” was a critical and commercial success, reaching No. 3 in the UK Albums Chart and achieving Platinum certification in the UK and North America.
Enhanced CD features full-length videos, bands and tour history, biographies, exclusive photo galleries, internet web links and much more.
Iron Maiden Holdings Ltd./Parlophone Records Ltd., A Warner Music Group Company, 1983/1998/2014 (7243 4 96919 0 2). Made in Germany.


Tracklist:
1. Where Eagles Dare 6:10
2. Revelations 6:48
3. Flight Of Icarus 3:48
4. Die With Your Boots On 5:25
5. The Trooper 4:11
6. Still Life 4:55
7. Quest For Fire 3:41
8. Sun And Steel 3:26
9. To Tame A Land 7:25
Total playing time: 45:49


Samples: http://www.last.fm

Limited Collectors “Mission Edition” of the fifteenth full-length studio album by legendary British Heavy Metal band.
When Iron Maiden's classic lineup famously reunited in the year 2000, their first new album, the quite excellent "Brave New World", neatly reconnected both musicians and fans with the band's heritage, while simultaneously promising a prosperous future still to come. However, their next two efforts didn't fare quite as well, and whether Maiden was choosing to repeat the same moves without as much imagination or consistency on 2003's "Dance Of Death", or becoming bogged down in tiresome Prog Rock excess on 2006's desultory "A Matter Of Life And Death", it seemed that neither playing it safe nor taking risks was a surefire recipe for success anymore. And so the Heavy Metal icons took an extra year - for them, a record-breaking four - to work on their fourth post-reunion opus, 2010's "The Final Frontier", which, like many of their original mid-'80s classics, was recorded at legendary Compass Point Studios in the Bahamas, and aimed to reestablish an ideal balance of past and future, familiarity and freshness, complexity and immediacy.
This is an album of hard-hitting, adventurous Epic Metal in the way that only they can deliver it. The most amazing thing about this is probably Bruce Dickinson, who gives one of the best performances of his career on here. True, he doesn’t sound as young as he did on "Seventh Son" and "Piece Of Mind", but "The Final Frontier" is a swansong of sorts. The man is simply on fire here, singing his heart out on every single track. His vocal lines here seem to have been given a lot more attention than on the last few albums, as this is a heavily theatrical and stylized performance that really elevates the album to another platform altogether.
The rest of the band are no slouches, however, as they have combined their creative talents to form a gestalt of majestic Maiden-style epics. Unlike the modernized and often gloomy direction their last few albums took, "The Final Frontier" soars and gallops with a newfound flame and energy that is, in the end, a kind of amalgam of their 80s albums’ styles all at once. Finally we have an album with songs that play out like a storybook of sorts, taking the listener to all different places.
This is Iron Maiden on full power. They’ll never return to the magic of their 80s days – that was something unique, and something that doesn’t happen often. But with this album they prove that they are not stagnating, and although they have to work a little harder at it now, they still have it in them to produce really first rate music anyway. "The Final Frontier" still brings Iron Maiden closer to their aesthetic legacy and triumphant year 2000 rebirth than its two predecessors. "The Final Frontier" will keep you coming back again and again with its masterful hooks and enveloping atmosphere. And, at this stage in their career, Iron Maiden knows that nothing is more important than giving fans, what they want and expect. So go buy this album right now; you will not regret it!!
The album peaked at No. 1 in 28 countries. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son" and 1992's "Fear Of The Dark". On top of this, "The Final Frontier" also charted at No. 4 in the United States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy Award in the Best Metal Performance category for the song "El Dorado", released as a free download on 8 June 2010.
Mission Edition comes in a unique CD case and includes: the Director's Cut of “The Final Frontier” video, Mission Debrief band interview footage, wallpapers, photos and the exclusive internet-game ‘Mission II: Rescue & Revenge’ (the sequel to the online game ‘Search & Savage’).
Iron Maiden LLP under exclusive licence to EMI Records Ltd., 2010 (50999 6477712 2). Made in Germany. First press.


Tracklist:
1. Satellite 15... The Final Frontier 8:40
2. El Dorado 6:49
3. Mother Of Mercy 5:20
4. Coming Home 5:52
5. The Alchemist 4:29
6. Isle Of Avalon 9:06
7. Starblind 7:48
8. The Talisman 9:03
9. The Man Who Would Be King 8:28
10. When The Wild Wind Blows 10:59
Total playing time: 76:34 min.

The fifteenth full-length studio album by legendary British Heavy Metal band.
When Iron Maiden's classic lineup famously reunited in the year 2000, their first new album, the quite excellent "Brave New World", neatly reconnected both musicians and fans with the band's heritage, while simultaneously promising a prosperous future still to come. However, their next two efforts didn't fare quite as well, and whether Maiden was choosing to repeat the same moves without as much imagination or consistency on 2003's "Dance Of Death", or becoming bogged down in tiresome Prog Rock excess on 2006's desultory "A Matter Of Life And Death", it seemed that neither playing it safe nor taking risks was a surefire recipe for success anymore. And so the Heavy Metal icons took an extra year - for them, a record-breaking four - to work on their fourth post-reunion opus, 2010's "The Final Frontier", which, like many of their original mid-'80s classics, was recorded at legendary Compass Point Studios in the Bahamas, and aimed to reestablish an ideal balance of past and future, familiarity and freshness, complexity and immediacy.
This is an album of hard-hitting, adventurous Epic Metal in the way that only they can deliver it. The most amazing thing about this is probably Bruce Dickinson, who gives one of the best performances of his career on here. True, he doesn’t sound as young as he did on "Seventh Son" and "Piece Of Mind", but "The Final Frontier" is a swansong of sorts. The man is simply on fire here, singing his heart out on every single track. His vocal lines here seem to have been given a lot more attention than on the last few albums, as this is a heavily theatrical and stylized performance that really elevates the album to another platform altogether.
The rest of the band are no slouches, however, as they have combined their creative talents to form a gestalt of majestic Maiden-style epics. Unlike the modernized and often gloomy direction their last few albums took, "The Final Frontier" soars and gallops with a newfound flame and energy that is, in the end, a kind of amalgam of their 80s albums’ styles all at once. Finally we have an album with songs that play out like a storybook of sorts, taking the listener to all different places.
This is Iron Maiden on full power. They’ll never return to the magic of their 80s days – that was something unique, and something that doesn’t happen often. But with this album they prove that they are not stagnating, and although they have to work a little harder at it now, they still have it in them to produce really first rate music anyway. "The Final Frontier" still brings Iron Maiden closer to their aesthetic legacy and triumphant year 2000 rebirth than its two predecessors. "The Final Frontier" will keep you coming back again and again with its masterful hooks and enveloping atmosphere. And, at this stage in their career, Iron Maiden knows that nothing is more important than giving fans, what they want and expect. So go buy this album right now; you will not regret it!!
The album peaked at No. 1 in 28 countries. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son" and 1992's "Fear Of The Dark". On top of this, "The Final Frontier" also charted at No. 4 in the United States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy Award in the Best Metal Performance category for the song "El Dorado", released as a free download on 8 June 2010.
Iron Maiden LLP/EMI, 2010 (50999 6477722 1). Made in Germany. First press.


Tracklist:
1. Satellite 15... The Final Frontier 08:40
2. El Dorado 06:49
3. Mother Of Mercy 05:20
4. Coming Home 05:52
5. The Alchemist 04:29
6. Isle Of Avalon 09:06
7. Starblind 07:48
8. The Talisman 09:03
9. The Man Who Would Be King 08:28
10. When The Wild Wind Blows 10:59
Total playing time: 76:34 min.

The fifteenth full-length studio album by legendary British Heavy Metal band.
When Iron Maiden's classic lineup famously reunited in the year 2000, their first new album, the quite excellent "Brave New World", neatly reconnected both musicians and fans with the band's heritage, while simultaneously promising a prosperous future still to come. However, their next two efforts didn't fare quite as well, and whether Maiden was choosing to repeat the same moves without as much imagination or consistency on 2003's "Dance Of Death", or becoming bogged down in tiresome Prog Rock excess on 2006's desultory "A Matter Of Life And Death", it seemed that neither playing it safe nor taking risks was a surefire recipe for success anymore. And so the Heavy Metal icons took an extra year - for them, a record-breaking four - to work on their fourth post-reunion opus, 2010's "The Final Frontier", which, like many of their original mid-'80s classics, was recorded at legendary Compass Point Studios in the Bahamas, and aimed to reestablish an ideal balance of past and future, familiarity and freshness, complexity and immediacy.
This is an album of hard-hitting, adventurous Epic Metal in the way that only they can deliver it. The most amazing thing about this is probably Bruce Dickinson, who gives one of the best performances of his career on here. True, he doesn’t sound as young as he did on "Seventh Son" and "Piece Of Mind", but "The Final Frontier" is a swansong of sorts. The man is simply on fire here, singing his heart out on every single track. His vocal lines here seem to have been given a lot more attention than on the last few albums, as this is a heavily theatrical and stylized performance that really elevates the album to another platform altogether.
The rest of the band are no slouches, however, as they have combined their creative talents to form a gestalt of majestic Maiden-style epics. Unlike the modernized and often gloomy direction their last few albums took, "The Final Frontier" soars and gallops with a newfound flame and energy that is, in the end, a kind of amalgam of their 80s albums’ styles all at once. Finally we have an album with songs that play out like a storybook of sorts, taking the listener to all different places.
This is Iron Maiden on full power. They’ll never return to the magic of their 80s days – that was something unique, and something that doesn’t happen often. But with this album they prove that they are not stagnating, and although they have to work a little harder at it now, they still have it in them to produce really first rate music anyway. "The Final Frontier" still brings Iron Maiden closer to their aesthetic legacy and triumphant year 2000 rebirth than its two predecessors. "The Final Frontier" will keep you coming back again and again with its masterful hooks and enveloping atmosphere. And, at this stage in their career, Iron Maiden knows that nothing is more important than giving fans, what they want and expect. So go buy this album right now; you will not regret it!!
The album peaked at No. 1 in 28 countries. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's "The Number Of The Beast", 1988's "Seventh Son Of A Seventh Son" and 1992's "Fear Of The Dark". On top of this, "The Final Frontier" also charted at No. 4 in the United States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy Award in the Best Metal Performance category for the song "El Dorado", released as a free download on 8 June 2010.
Iron Maiden LLP/Parlophone Records Ltd., A Warner Music Group Company, 2010/2014 (50999 6477722 1). Made in Germany.


Tracklist:
1. Satellite 15... The Final Frontier 08:40
2. El Dorado 06:49
3. Mother Of Mercy 05:20
4. Coming Home 05:52
5. The Alchemist 04:29
6. Isle Of Avalon 09:06
7. Starblind 07:48
8. The Talisman 09:03
9. The Man Who Would Be King 08:28
10. When The Wild Wind Blows 10:59
Total playing time: 76:34 min.

The fourteenth full-length studio album by the legendary British Heavy Metal band.
It was released on 25 August 2006 in Italy and Finland, and 28 August worldwide, excluding the United States, Canada and Japan on 5 September 2006. 
“A Matter Of Life And Death” puts emphasis on creating atmospheres befitting the darker lyrical themes and long sprawling epics with changes in tempo and dynamics, in contrast to the riff-driven music of the band's early days. This darker direction of the lyrical viewpoint can even be seen in the shorter songs "Different World" and "The Pilgrim".
In order to provide a more "live" sound, the album was not mastered. No added EQ, compression, analog widening, etc.
At 72 minutes, “A Matter Of Life And Death” is the band's second longest album, exceeding 1995's “The X Factor” by approximately one minute, and exceeded by 2010's “The Final Frontier” by approximately four minutes.
It is the first album in Iron Maiden's career to enter the U.S. Billboard charts in the top 10, achieving significant chart success in many other countries as well. 
Metal Hammer 10/10; Kerrang! 5/5.
EMI, 2006 (0946 372321 2 5). Made in EU. 


Tracklist:
1. Different World     4:17 
2. These Colours Don't Run     6:52 
3. Brighter Than A Thousand Suns     8:44 
4. The Pilgrim     5:07 
5. The Longest Day     7:48 
6. Out Of The Shadows     5:36 
7. The Reincarnation Of Benjamin Breeg     7:21 
8. For The Greater Good Of God     9:24 
9. Lord Of Light     7:23 
10. The Legacy     9:20
Total playing time: 71:52

The twelfth full-length studio album by legendary British Heavy Metal/NWOBHM band.
Released on May 30, 2000, album marks the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990), as well as the band's first studio recording with their current three guitar line-up (six-piece line-up in total), as Janick Gers (who replaced Smith in 1990) remained with the band.
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain line-up (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave Of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-80s heyday. However, the question remained whether the reconstituted band would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years. This question made "Brave New World" one of the most highly anticipated Metal releases of 2000 and, thankfully, the eventual answer to that question was a resounding "Yea!"
In fact, the album pretty much picked up right where the "classic" line-up had left off on 1988's "Seventh Son Of A Seventh Son": with a faithful rediscovery of Iron Maiden's best-loved sonic aesthetic and compositional quirks, updated only insofar as was necessary to measure up to new-millennium recording standards. In every other respect (and much like "Seventh Son Of A Seventh Son"), "Brave New World"'s meticulously orchestrated three-guitar attack still allowed for a greater sense of space than early Maiden albums (as well as the use of subtle keyboard textures in a supporting role), while boasting a beefier, in-your-face mix à la "Piece Of Mind" or "Powerslave".
The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.
The album artwork and title song are references to the novel of the same name, written by Aldous Huxley.
“Brave New World” peaked at the seventh spot of the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39th of the Billboard 200 chart, and registered over 307 000 copies sales on the Nielsen SoundScan system in 2008.
Iron Maiden Holding Ltd./Parlophone Records Ltd., A Warner Music Group Company, 2000/2014 (7243 5 26605 2 0) Made in Germany.


Tracklist:
1. The Wicker Man 04:35
2. Ghost Of The Navigator 06:50
3. Brave New World 06:18
4. Blood Brothers 07:14
5. The Mercenary 04:42
6. Dream Of Mirrors 09:21
7. The Fallen Angel 04:00
8. The Nomad 09:06
9. Out Of The Silent Planet 06:25
10. The Thin Line Between Love & Hate 08:26
Total playing time: 67:03

The twelfth full-length studio album by legendary British Heavy Metal/NWOBHM band.
Released on May 30, 2000, album marks the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990), as well as the band's first studio recording with their current three guitar line-up (six-piece line-up in total), as Janick Gers (who replaced Smith in 1990) remained with the band.
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain line-up (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave Of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-80s heyday. However, the question remained whether the reconstituted band would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years. This question made "Brave New World" one of the most highly anticipated Metal releases of 2000 and, thankfully, the eventual answer to that question was a resounding "Yea!"
In fact, the album pretty much picked up right where the "classic" line-up had left off on 1988's "Seventh Son Of A Seventh Son": with a faithful rediscovery of Iron Maiden's best-loved sonic aesthetic and compositional quirks, updated only insofar as was necessary to measure up to new-millennium recording standards. In every other respect (and much like "Seventh Son Of A Seventh Son"), "Brave New World"'s meticulously orchestrated three-guitar attack still allowed for a greater sense of space than early Maiden albums (as well as the use of subtle keyboard textures in a supporting role), while boasting a beefier, in-your-face mix à la "Piece Of Mind" or "Powerslave".
The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.
The album artwork and title song are references to the novel of the same name, written by Aldous Huxley.
“Brave New World” peaked at the seventh spot of the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39th of the Billboard 200 chart, and registered over 307 000 copies sales on the Nielsen SoundScan system in 2008.
Iron Maiden LLP/Parlophone Records Ltd., a Warner Music Group, 2000/2019 (0190295567620) Made in Germany.


Tracklist:
1. The Wicker Man 4:35
2. Ghost Of The Navigator 6:50
3. Brave New World 6:18
4. Blood Brothers 7:14
5. The Mercenary 4:42
6. Dream Of Mirrors 9:21
7. The Fallen Angel 4:00
8. The Nomad 9:06
9. Out Of The Silent Planet 6:25
10. The Thin Line Between Love & Hate 8:26
Total playing time: 67:57 min.

First re-release of the thirteenth full-length album by the legendary British Heavy Metal band.
"Dance Of Death" is probably the most controversial album of Iron Maiden so far, as well as the most Progressive and most heavy album of Iron Maiden ever.
When picking this album up, we could not help but notice the artwork. And art is not so good. Iron Maiden hired David Patchett to create the art with CGI. Apparently, his time cost the band enough money; the band stopped him because they thought the work was good enough as is, which the artist claimed was still in its prototype stages. The artwork would be notorious for its epic fail among the Metal community and placed on some worst artwork lists of Metal fans. Good thing this album is not judged solely on its cover, because “Dance of Death” is one of the better Iron Maiden albums!
"Dance Of Death" recalls prime Iron Maiden but with renewed vigor. Iron Maiden recorded the album the old-fashioned way: on analog tape, which adds a layer of warmth to the LP. "Dance Of Death" never sounds sterile or processed, unlike so many other Hard Rock and Metal bands recording in the digital age. But the record clocks in at nearly 70 minutes, making it somewhat long and demanding. Still, that’s a relatively small complaint for such a strong album. They still sound like they did in the 80's! Pure brilliance. One thing extremely unique on the album is that it has a great deal of orchestration and an almost Arabic-style vibe too, especially in "No More Lies" and "Dance Of Death". The rhythm guitar really tuned down heavy on the song "Montsegur". There were other powerful songs such as "Wildest Dreams", "Rainmaker", and the graceful epic "Paschendale". "Journeyman" is a 7-minute song with an acoustic, and it is real cool.
This album is not by any means a concept album, but the central theme of Death is recurrent in one form or another. This is their second studio release since the return of vocalist Bruce Dickinson and guitarist Adrian Smith in 1999. The album features the band's first ever fully acoustic track, "Journeyman", as well as their only song co-written by drummer Nicko McBrain, "New Frontier". The album was recorded on magnetic (analogue) tape.
Aside from the artwork, the 13th album by Iron Maiden is still a solid listen. After listening to “Brave New World” though, this album had to top the most successful album since 1988. Although it does not succeed in usurping that magnum opus, Iron Maiden proved that they still had a lot of energy left to write good music.
All in all, "Dance Of Death" is a pretty excellent Iron Maiden album. Many older fans will complain that there is nothing really new and ground-breaking here, but the band cannot release a "Piece Of Mind" or a "Powerslave" every time they put an album out on the market. "With Dance Of Death", they have done a brilliant Metal album that will still please some of the older generations, while introducing the newer fans to the world of Iron Maiden's great music in an even better way than "Brave New World" had already done.
Parlophone Records Ltd., a Warner Music Group Company, 2003/2014 (592 3402). Made in EU.


Tracklist:
1.Wildest Dreams 03:52
2.Rainmaker 03:48
3.No More Lies 07:21
4.Montsegur 05:50
5.Dance of Death 08:36
6.Gates Of Tomorrow 05:12
7.New Frontier 05:04
8.Paschendale 08:27
9.Face in the Sand 06:31
10.Age of Innocence 06:10
11.Journeyman 07:06
Total playing time: 67:57

The thirteenth full-length album by the legendary British Heavy Metal band.
"Dance Of Death" is probably the most controversial album of Iron Maiden so far, as well as the most Progressive and most heavy album of Iron Maiden ever.
When picking this album up, we could not help but notice the artwork. And art is not so good. Iron Maiden hired David Patchett to create the art with CGI. Apparently, his time cost the band enough money; the band stopped him because they thought the work was good enough as is, which the artist claimed was still in its prototype stages. The artwork would be notorious for its epic fail among the Metal community and placed on some worst artwork lists of Metal fans. Good thing this album is not judged solely on its cover, because “Dance of Death” is one of the better Iron Maiden albums!
"Dance Of Death" recalls prime Iron Maiden but with renewed vigor. Iron Maiden recorded the album the old-fashioned way: on analog tape, which adds a layer of warmth to the LP. "Dance Of Death" never sounds sterile or processed, unlike so many other Hard Rock and Metal bands recording in the digital age. But the record clocks in at nearly 70 minutes, making it somewhat long and demanding. Still, that’s a relatively small complaint for such a strong album. They still sound like they did in the 80's! Pure brilliance. One thing extremely unique on the album is that it has a great deal of orchestration and an almost Arabic-style vibe too, especially in "No More Lies" and "Dance Of Death". The rhythm guitar really tuned down heavy on the song "Montsegur". There were other powerful songs such as "Wildest Dreams", "Rainmaker", and the graceful epic "Paschendale". "Journeyman" is a 7-minute song with an acoustic, and it is real cool.
This album is not by any means a concept album, but the central theme of Death is recurrent in one form or another. This is their second studio release since the return of vocalist Bruce Dickinson and guitarist Adrian Smith in 1999. The album features the band's first ever fully acoustic track, "Journeyman", as well as their only song co-written by drummer Nicko McBrain, "New Frontier". The album was recorded on magnetic (analogue) tape.
Aside from the artwork, the 13th album by Iron Maiden is still a solid listen. After listening to “Brave New World” though, this album had to top the most successful album since 1988. Although it does not succeed in usurping that magnum opus, Iron Maiden proved that they still had a lot of energy left to write good music.
All in all, "Dance Of Death" is a pretty excellent Iron Maiden album. Many older fans will complain that there is nothing really new and ground-breaking here, but the band cannot release a "Piece Of Mind" or a "Powerslave" every time they put an album out on the market. "With Dance Of Death", they have done a brilliant Metal album that will still please some of the older generations, while introducing the newer fans to the world of Iron Maiden's great music in an even better way than "Brave New World" had already done.
EMI Records Ltd., 2003 (592 3402). Made in EU. First press.


Tracklist:
1.Wildest Dreams 03:52
2.Rainmaker 03:48
3.No More Lies 07:21
4.Montsegur 05:50
5.Dance of Death 08:36
6.Gates Of Tomorrow 05:12
7.New Frontier 05:04
8.Paschendale 08:27
9.Face in the Sand 06:31
10.Age of Innocence 06:10
11.Journeyman 07:06
Total playing time: 67:57