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The fourth re-release of the eighth full-length studio album by legendary Scottish Hard Rock band.
"Play 'N' The Game" found Nazareth continuing in the AOR direction they established with "Close Enough For Rock 'N' Roll". Like that album, it trades the driving Rock that made the group famous for an experimental sound that toys with several musical genres.
For instance, "Down Home Girl" is a stab at Southern Rock, and the band's cover of the Beach Boys classic "Wild Honey" slows down that song's tempo to create an effects-laden Psychedelic atmosphere. Elsewhere, the group covers the Hard Rock bases with "Someone to Roll" and "Born to Love", a pair of energetic, guitar-driven Rockers that would have fit in fine on "Razamanaz" or "Loud & Proud". They also cross-breed the energy of these tracks with Pop hooks on "L.A. Girls", a nimble bit of Pop/Rock fusion where speedy guitar riffs duke it out a with handclap-driven Pop song beat. However, the undeniable highlights of "Play 'N' The Game" are its ballads: "I Want to Do Everything for You" is a promise of eternal love built on a swinging and pleasingly earthy bass groove and "I Don't Want to Go on Without You" is a moody tale of lost love that shows off Manny Charlton's ability to craft the soft but powerful guitar riffs necessary for a good power ballad.
This album benefits from a more consistent overall sound than "Close Enough For Rock 'n' Roll", but its shifts in tone are too abrupt for their own good, making the proceedings come off as a loose collection of songs instead of a fully conceived album. Despite this problem, "Play 'N' The Game" is an effective slice of AOR that will please the Nazareth fan base!
2010 remastered audio, Cream Vinyl.
BMG UK Limited/Salvo, 1976/2019 (SALVO390LP). Made in UK.


Tracklist:

Side 1
1. Somebody To Roll 3:50
2. Down Home Girl 5:01
3. Flying 4:25
4. Waiting For The Man 4:52

Side 2
1. Born To Love 3:55
2. I Want To Do Everything For You 4:14
3. I Don't Want To Go On Without You 3:47
4. Wild Honey 3:19
5. L.A. Girls 3:40

Unofficial live album by legendary Scottish Hard Rock band.
The classic U.K. live radio broadcast, recorded June 10th, 1985 at the Camden Palace, London, and originally broadcast on TV in the UK.
Great performance of the original line-up, including classics like “Dream On”, “Love Hurts” and “Hair Of The Dog”!
Limited Edition to 500 copies, 180 g heavyweight hand-numbered Transparent/Black Splattered Vinyl.
Second Records, 2021/2022 (SRFM0004SP). Made in Austria. Pressed in Poland.


Tracklist:

Side A
1. Telegram / So You Wanna Be A Rock’n’Roll Star 5:51
2. Razamanaz 4:09
3. I Want To (Do Everything For You) 6:07
4. Boys In the Band 2:42
5. Beggars Boy 3:42

Side Two
1. Cocaine 3:42
2. This Month’s Messiah 4:55
3. This Flight Tonight 3:48
4. Love Hurts 4:04
5. Hair Of The Dog 5:48

Remastered re-release of the debut full-length studio album by legendary Greek Black Metal band.
There are good reasons why record companies gamble on re-releases, and Black Lotus Records hit the jackpot with this one! This is Necromantia's early work in an album that can only be described as a point of reference for the Greek Black Metal scene.
In the year of their lord, 1993, Necromantia hit the streets with their debut album. What was astonishing back then as it is now is the fact that they use 8-string bass instead of electric guitars, which makes their sound unique and immediately recognizable. Having said that, their sound is let down by production by means of timing and quality output leading to a mediocre result.
Necromantia's use of keyboards and spoken parts come to their rescue as they add to the atmosphere, making the production's defects non-important. Tracks like "Lord of the Abyss", "The Warlock" and "Last Song for Valderie" will make the hair on your backbone rise, even though at some parts this seems to take place in expense of technique and variety.
"Crossing The Fiery Path" is an album that is definitely worth your attention! Check out also the bonus track which is a cover of Omen's "Death Rider"!!
First re-release of the album comes as limited to 1000 copies Digipack CD with remastered version of the album, complete new artwork, one bonus track and one hidden track!
Black Lotus Records, 2005 (BLRCD103). Made in Greece.


Tracklist:
1. The Vampire Lord Speaks... 1:44 
2. The Warlock 13:35 
3. Last Song For Valdezie 5:11 
4. Unchaining The Wolf (At War...) 5:05 
5. Les Litanies De Satan 10:01 
6. Lord Of The Abyss 7:27 
7. Tribes Of The Moon 4:14 
8. Death Rider (Bonust track / Oment cover) 3:51
9. Les Litanies De Satan, pt. 2 (Hidden track) 3:30 
Total playing time: 54:38 min.

The second re-release of the third full-length studio album by cult Greek Black Metal band.
For some particular reason, "IV: Malice" finds Necromantia departing from their previous style and attempting to try to uniform it with the contemporary Black Metal style of many bands. Anyway, unique individual sound with the use of 4 and 8-string bass never gone!
Probably the best album of one of the most influential bands of the Greek Black Metal scene, "IV: Malice" is exactly pure wrath and hatred!!
Re-issue with original sound recording, as well as completely new layout and cover.
Osmose Productions, 2000/2018 (OPCD318). Made in France. Pressed in Austria.


Tracklist:
1. The Blair Witch Cult 04:12
2. Those Who Never Sleep 06:25
3. Disciples of Sophia (The Templars) 05:55
4. Murder, Magic and Tears 05:03
5. Invictus 07:38
6. Malice 08:07
7. Circle of Burned Doves 05:48
Total playing time: 43:08 min.

The first re-release of the fourth full-length studio album by cult Greek Black Metal band.
After seven years of silence, the cult of Necromantia returns with their most vitriolic and intellectual album to date!
Including the second part of their “Les Litanies De Satan” opus, the album full of twisted Symphonic orchestrations mixed with Black Metal poison.
Featuring Fotis Bernado of Septic Flesh on drums.
Re-issue with original sound recording, as well as completely new layout and cover.
Osmose Productions, 2007/2018 (OPCD319). Made in France. Pressed in Austria.


Tracklist:
1. The Sound of Lucifer Storming Heaven 02:36
2. Order of the Black Sphinx 05:55
3. For the Elder Magi: I - Eibon the Necromancer 07:07
4. Architecture of Exquisite Madness 04:54
5. Knights of the Black and White Eagle 05:25
6. The Invisible Empire 05:15
7. Hellseher 05:45
8. Les Litanies de Satan - Act II: From Hell 04:51
Total playing time: 41:48 min.

Official merch.
100% Cotton.
Fruit Of The Loom. Valueweight. Made in Morocco.
Total Metal Concerts & Booking, 2016. Printed in Ukraine.

First re-release of the debut full-length album by the cult German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 366 copies double black vinyls with 7 bonus tracks, including "Blind Destruction" demo (1985), housed in gatefold embossed  425 gsm heavy cardboard cover with insert.
High Roller Records, 1986/2010 (HRR 115). Made in Germany. Pressed in Czech. Black vinyl.


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Side C
9. Iron Charm
10. Possessed By Evil
11. Insanity
12. Blind Destruction

Side D
13. Bloody Revenge
14. Possessed By Evil
15. Blind Destruction

Tracks A1-B4 taken from "Necronomicon" LP 1986;

Tracks C1-D1 taken from "Blind Destruction" Demo 1985, remastered;
Tracks D2-D3 taken from "Break Out - German Metal Tracks No. 2" compilation LP 1986.

 

First re-release of the debut full-length album by the cult German Thrash Metal band.
Necronomicon is one of those German Thrash Metal bands that never got the attention they actually deserved. They always walked through the shadows of the three main bands of the German scene, which are Kreator, Destruction and Sodom - all three are Thrash Metal legends. They all had solid label backing, played nationwide tours and full-colour advertisements for their records were to be seen in all the Metal papers of the day. But what about Necronomicon? Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels in the mid-‘80’s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with... Wave Records. A very obscure label with a very obscure name. Wave Records was something like the distribution arm of Gama Records or at least that’s how they wanted to make it look like to the public. Gama always was a very dodgy label, ripping off bands left, right and centre and that was one of their ways to cheat people for their money. Signing to Gama was a very bad choice.
Necronomicon was loved internationally, especially in all Scandinavian countries, USA and South America. Back in the ‘80’s, fanzines were all over the place, and they wrote about the band on a regular basis. This was different in Germany, but it has only changed over the last couple of years – ironically.
In 1988, it seemed the end of the road for Necronomion had come (after only three albums). Band definitely needed to part ways with Gama. But Gama held the rights to all the songs, to band's name, to just about everything. Musicians were practically forced to do nothing at all or change their name (which band did not want to do). So, they had to sit through all this, doing nothing. For the band, there was only one question: are they gonna wait until eternity to put out another Necronomicon album or do they take the risk to get sued by Gama? At this point in time, band got the news that Gama was filing for bankruptcy. So, guys took the risk to record a new album... In 1994, the fourth longplay, “Screams”, was released on CD via D&S Records. Unfortunately, band's liaison with D&S was not very enduring either. It was a rocky way for Necronomicon up until the present day...
Luckily, the rights to the songs had reverted to the band. An odyssey of uncertainty and suffering has come to and end. The present for Necronomicon marks the deluxe re-release of their legendary debut, by many fans still regarded as one the greatest German Thrash Metal records in history.
This album is a fu***ng piece of violent and brutal German Thrash Metal, it has all what an adept of 80s European Thrash Metal want in an album. The first thing that catch our attention when listening the album is the unique sound quality, not quality-wise but rather in rawness, because the album has a somewhat "Punkish" sound on it, which is a pretty damn cool thing! The songwriting on the album is great, they had a lot of great ideas for sure. The musicianship on the album is far from top-notch, but it's still great enough to enjoy everything that is played, especially for a first effort. The mix on the album is pretty much what you would expect from a record with that production work. The main focus on the album is the guitars, because they are somewhat higher in the mix than the other instruments. But in general, the mix is pretty good. The guitar sound has sometimes been compared to that of the mighty (early) Celtic Frost. Volker also had that ultimate crunch in his guitar playing. The drums are well-performed, using basic Thrash technic. The vocals of Freddy are basically a worship of Schmier, they have a really similar tone (which is a good thing for Destruction's fans). Another interesting thing on the album is the kind of riffs we have. Yes, the type of riffs are similar to those of Destruction, but Necronomicon made great additions to it, by expanding even more what they did before. You will also hear the typical fancy guitar solos like in Destruction. The most popular song is indeed "Possessed by Evil", which is a unique original piece of the German Thrash scene and is mainly considered a classic.
Overall, this is not the catchiest album ever, but songs like "Blind Destruction" or "Iron Charm" has solid choruses, this is the kind of songs that will get stuck in your head for a bit of time. There's no bad tracks on this album at all, each track have their great moments and killer riffs! It's obviously recommend people to give the album a few listens. This is the kind of album that needs to grow in you before appreciating its evil art, but once you're into it, you will dig it and see its catchiness. If you're a 80s German Thrash Metal fan, especially fan of Destruction, then you need to look up to it!! This is an undeniable classic German Thrash Metal album!!!
Limited to 100 copies double Gold Vinyls with 7 bonus tracks, including "Blind Destruction" demo (1985), housed in gatefold embossed  425 gsm heavy cardboard cover with insert.
High Roller Records, 1986/2010 (HRR 115). Made in Germany. Pressed in Czech. Gold vinyl.


Tracklist:

Side A
1. Dark Land 6:42
2. Possessed By Evil 4:17
3. Bloody Revenge 3:36
4. Insanity 3:00

Side B
5. Blind Destruction 3:50
6. Hades Invasion 4:30
7. Magic Forest 5:44
8. Iron Charm 5:34

Side C
9. Iron Charm
10. Possessed By Evil
11. Insanity
12. Blind Destruction

Side D
13. Bloody Revenge
14. Possessed By Evil
15. Blind Destruction

Tracks A1-B4 taken from "Necronomicon" LP 1986;

Tracks C1-D1 taken from "Blind Destruction" Demo 1985, remastered;
Tracks D2-D3 taken from "Break Out - German Metal Tracks No. 2" compilation LP 1986.

 

The first compilation album by cult German Thrash Metal band.
Among the earliest pioneers of German Extreme Metal, Necronomicon presents their foundational works in this collection, which features two demos from 1985, "Total Rejection" and "Blind Destruction", and two tracks from the 5-way Split-LP "Break Out - German Metal Tracks No. 2" (1986).
The cover is a creation of the Brazilian artist Thomas Machado Pinheiro, who tried to get a feeling of those days in the past. And Steven Willems (editor of the fanzine Sleepless, writer for magazines as Rock Tribune and Voices from the Darkside, and author of the book “Streams of Ancient Wisdom” about the Dutch Death Metal scene) wrote the liner notes, based on an in-depth interview with founding member Freddy (guitars and vocals), placed at nice 12-page booklet.
Restored and remastered by Patrick W. Engel at Temple of Disharmony (noted for work with Vio-Lence, Sodom, Destruction), these recordings capture the raw intensity that marked Necronomicon’s legacy – aggressive Old-school Thrash Metal in the vein of Kreator, Destruction and Sodom!
Vic Records, 2024 (VIC275CD). Made in Netherlands. Pressed in Poland. First press.


Tracklist:
"Total Rejection" demo 1985    
1. Genocide 4:07
2. Total Rejection 3:20
3. Rebel 3:35
4. Woman 3:06
5. Danger 3:11
6. Wehrt Euch 3:19
"Blind Destruction" demo 1985    
7. Intro 0:27
8. Iron Charm 4:11
9. Possessed By Evil 4:02
10. Insanity 2:26
11. Blind Destruction 5:11
12. Bloody Revenge 3:45
"Break Out - German Metal Tracks No. 2" 5-way Split-LP 1986    
13. Blind Destruction 4:09
14. Possessed By Evil 4:15
Total playing time: 49:10 min.


Samples: https://bandcamp.com/
 

The debut full-length studio album by Serbian Melodic Death Metal band.
If you’re a fan of female-fronted Melodic Death Metal and old school Death Metal bands the likes of Arch Enemy, The Agonist, Nervosa and Abnormality, you’ll undoubtedly have an absolute blast with Belgrade-based all-female Melodic Death Metal unity Nemesis!
"The War Is On" offers us all a superb balance between sheer brutality and melodious passages, captivating our senses from start to finish and presenting all the ability and passion for heavy music by frontwoman Sanja Drča, guitarists Aleksandra Petrović and Tijana Milivojević, bassist Biljana Sovilj and drummer Selena Simić, therefore proving it might have taken a while for those unrelenting women to release their first album since their inception in 2013, but the final result is grandiose, vibrant and absolutely honest and fresh.
The girls pulverize everything and everyone with their endless groove, aggressiveness and dexterity, with Selena dictating the pace with her vicious beats while the guitars sound truly venomous and piercing.
Metalheads will all have some awesome reasons to smile and bang their heads to the sound of band's sensational creations, just like what we can find in one of the best underground albums of the year, the breathtaking "The War Is On"! You should obviously grab a copy of this precious gem of contemporary Extreme music made in Serbia!!
Limited Edition to 300 copies, Black Vinyl.
SoulPeddler GmbH, 2020 (SP150). Made in Germany. First press.


Tracklist:

Side A
1. Wake Up 03:07
2. Uprising 03:22
3. Oppression 03:28
4. Divine Retribution 03:55
5. Living Dead People 05:37

Side B
6. Savages 03:36
7. Dead End 03:51
8. Pandemonium 03:26 
9. Born Worthless 03:52
10. The War Is On 04:06

Total playing time: 38:20 min.

The debut full-length studio album by Swedish Doom Metal band.
The Nex line-up features present and past members of Nominon, In Aeternum, Watain, Funeral Mist, Chaos Omen, and Bergraven.
The band makes its effort to pay tribute to some of the pioneers of the Doom/Death genre, such as Candlemass, My Dying Bride, Katatonia, and Anathema. Guitars are very My Dying Bride alike indeed, and vocals are truly dark, more desperate. Nex is good at creating a proper atmosphere.
Lyrics are loosely based upon works of Swedish poets, except for a Darkthrone cover "Over Fjell Og Gjennom Torner", which suits the entire album pretty well.
For fans of Candlemass, My Dying Bride, Katatonia, Autopsy, and Anathema!
Deathgasm Records, 2007 (DG 042). Made in USA. First press.


Tracklist:
1. Locate Zero 10:57
2. Loss To Come 9:31
3. Rejection's Glory 6:23
4. Over Fjell Og Gjennom Torner (Darkthorone cover) 3:07
5. Veiled Perfection 10:17
6. Exit 7:01
Total playing time: 47:18 min.

The second and the final full-length studio album by Belarusian Symphonic Black Metal band.
One of the brightest bands on Belarusian Metal scene, with their scenic style and concert performances.
Bombastic Black Metal for fans of Dimmu Borgir!
Musica Production, 2017 (MP-76). First press.


Tracklist:
1. Humdrum 01:29
2. On the Wrong Side 05:18
3. Daydream Lullaby 00:59
4. Gray Haven 04:02
5. Persecution Complex 06:17
6. Awakening 04:27
7. Ward No. 208 04:45
8. Figment of the Imagination 01:42
9. Last Frontier 06:07
10. Final Chapter 04:30
11. Epilogue 02:25
Total playing time: 42:03 min.


Samples: https://nightsideglance.bandcamp.com

The third European re-release of the sixth full-length studio album by legendary Finnish Symphonic Metal band.
It was released on 26 September 2007 by Spinefarm Records in Finland, 28 September by Nuclear Blast in Europe and 2 October 2007 by Roadrunner Records in the US. It is the first album without original vocalist Tarja Turunen, who was dismissed in 2005, as well as the first album involving future member Troy Donockley on uilleann pipes and tin whistle. It is the first of only two albums with vocalist Anette Olzon, who was eventually dismissed in 2012 after the release of the band's subsequent album, "Imaginaerum". Tuomas Holopainen has referred to this album as the "album that saved his life".
The song "Eva" was leaked on the Internet six days before its official release, prompting the band to release it earlier as a promotional Single, to boost downloads. Several other versions of the song were posted on YouTube and torrent sites a month later; the entire album with record label voice-overs had been leaked on the Internet by 2 August. The full album (without voice-overs) was leaked on 21 September, as a result of several stores in Mexico selling the retail album much prior to the worldwide release date.
On 22 September 2007, the band hosted a secret concert at Rock Café in Tallinn, Estonia, disguising itself as a Nightwish cover band called Nachtwasser. Their first official concert with the new singer was in Tel Aviv, Israel on 6 October 2007. The Dark Passion Play Tour thus started, visiting the United States, Canada, most of Europe, Asia, and Australia. In 2008, the band played over 100 shows, with dates in Oceania, Europe and Asia. In November, the band played in South America, and before this leg they took a three-month break; Nightwish began the third leg in 2009, with dates in North America and Europe, and also playing in several summer Metal festivals, including Graspop Metal Meeting and Masters of Rock. The last show was played in Helsinki, Finland, in front of 10,000 fans.
Pre-orders for "Dark Passion Play" had it certified Gold in Finland before it had even been released. The album debuted at number one in 6 European countries, selling over 100 000 copies in Finland (triple Platinum). In February 2008, the album was certified quadruple-Platinum in Finland, after having sold over 130 000 copies, and placing 26th on the list of best-selling Finnish albums ever released. Worldwide, it has sold over 700 000 copies by the end of 2007 and about 2 million copies to date. It has been certified as Platinum in Germany and Hungary, and Gold in Austria, Poland, Sweden and Switzerland; "Dark Passion Play" is also the most successful Nightwish album in UK and USA, with sales in the United States of over 134 000 copies.
The instrumental version of "Whoever Brings the Night" is used in the 2011 puzzle-platform game, "LittleBigPlanet 2". In November 2014, the NHL hockey team Minnesota Wild featured the album's first track "The Poet and the Pendulum" in their season trailer. In 2016, an article by Teamrock considers "Dark Passion Play" as one of the "best albums of this century", ranking it at number 60 on their countdown of the "21st century's greatest albums".
Remastered 180g double vinyl in gatefold cover.
Nuclear Blast Records, 2007/2013/2023 (NB 1923-9 | 27361 19239). Made in the EU.


Tracklist:

Side A:
01. The Poet And The Pendulum 13:54
02. Bye Bye Beautiful 4:14
03. Amaranth 3:51
Side B:
01. Cadence Of Her Last Breath 4:14
02. Master Passion Greed 6:02
03. Eva 4:25
04. Sahara 5:47
Running time: 42:27 min.

Side C:
01. Whoever Brings The Night 4:17
02. For The Heart I Once Had 3:55
03. The Islander 5:05
04. Last Of The Wilds 5:40
Side D:
01. 7 Days To The Wolves 7:03
02. Meadows Of Heaven 7:10
Running time: 33:10 min.

Total playing time: 75:37 min.

First re-release of the eighth full-length studio album by legendary Finnish Symphonic Metal band.
Unlike its predecessor, "Imaginaerum", which has themes of imagination and fantasy, "Endless Forms Most Beautiful" addresses science and reason. Focusing on the evolutionary theories of Charles Darwin and Richard Dawkins, the latter part of the album cites passages from their books. Both authors influenced album tracks; 'The Ancestor's Tale' inspired "Endless Forms Most Beautiful", and by 'The Greatest Show on Earth: The Evidence for Evolution' inspired "The Greatest Show on Earth". Some songs, such as "Edema Ruh" (inspired by Patrick Rothfuss' novel 'The Name of the Wind'), still have fanciful themes.
The album is the band's first featuring singer Floor Jansen (After Forever, Revamp) who joined the group on the road in 2012 after the mid-tour departure of Anette Olzen. Also it's the first album with Troy Donockley as a full-time member. It was recorded without drummer Jukka Nevalainen, who took a break from the band due to severe insomnia. Drumming was by Kai Hahto (Wintersun, Swallow The Sun, Dreams Of Eternity). The album includes only five Nightwish members, despite its being their first album release as a sextet.
Nightwish has endured numerous lineup changes throughout its nearly 20-year career, but the band's sound has remained remarkably consistent, due in large part to the stabilizing presence of project founder and chief songwriter Tuomas Holopainen, whose overall vision for the band remains unchanged. 
"Endless Forms Most Beautiful" is probably the most accomplished Nightwish album so far. It's succeeds despite its strict adherence to the Nightwish formula. It's a well-oiled machine firing on all cylinders, both expansive and familiar, and it's arguably the band's most immediate-sounding record in years!
Double 180g vinyl in gatefold cover.
Nuclear Blast GmbH, 2015/2023 (NB 3464-1 | 27361 34641). Made in the EU.


Tracklist:

Side A
1. Shudder Before The Beautiful 6:29
2. Weak Fantasy 5:25
3. Élan 4:47
Side B
1. Yours Is An Empty Hope 5:39
2. Our Decades In The Sun 6:39
3. My Walden 4:39
Running time: 33:38 min.

Side C
1. Endless Forms Most Beautiful 5:08
2. Edema Ruh 5:16
3. Alpenglow 4:49
4. The Eyes Of Sharbat Gula 6:04
Side D
1. The Greatest Show On Earth 24:01
    Chapter I) Four Point Six
    Chapter II) Life
    Chapter III) The Toolmaker
    Chapter IV) The Understanding
    Chapter V) Sea-Worn Driftwood
Running time: 45:18 min.

Total playing time: 78:56 min.

Limited Edition release of the eighth full-length studio album by legendary Finnish Symphonic Metal band.
Unlike its predecessor, "Imaginaerum", which has themes of imagination and fantasy, "Endless Forms Most Beautiful" addresses science and reason. Focusing on the evolutionary theories of Charles Darwin and Richard Dawkins, the latter part of the album cites passages from their books. Both authors influenced album tracks; 'The Ancestor's Tale' inspired "Endless Forms Most Beautiful", and by 'The Greatest Show on Earth: The Evidence for Evolution' inspired "The Greatest Show on Earth". Some songs, such as "Edema Ruh" (inspired by Patrick Rothfuss' novel 'The Name of the Wind'), still have fanciful themes.
The album is the band's first featuring singer Floor Jansen (After Forever, Revamp) who joined the group on the road in 2012 after the mid-tour departure of Anette Olzen. Also it's the first album with Troy Donockley as a full-time member. It was recorded without drummer Jukka Nevalainen, who took a break from the band due to severe insomnia. Drumming was by Kai Hahto (Wintersun, Swallow The Sun, Dreams Of Eternity). The album includes only five Nightwish members, despite its being their first album release as a sextet.
Nightwish has endured numerous lineup changes throughout its nearly 20-year career, but the band's sound has remained remarkably consistent, due in large part to the stabilizing presence of project founder and chief songwriter Tuomas Holopainen, whose overall vision for the band remains unchanged. 
"Endless Forms Most Beautiful" is probably the most accomplished Nightwish album so far. It's succeeds despite its strict adherence to the Nightwish formula. It's a well-oiled machine firing on all cylinders, both expansive and familiar, and it's arguably the band's most immediate-sounding record in years!
Limited Edition Digipak includes a 32-page booklet and bonus CD with instrumental version of the album.
Nuclear Blast Records, 2015 (NB 3464-0). Made in Germany. First press.


Tracklist:

Disc 1 - Album Version
1. Shudder Before The Beautiful 6:29
2. Weak Fantasy 5:25
3. Élan 4:47
4. Yours Is An Empty Hope 5:39
5. Our Decades In The Sun 6:39
6. My Walden 4:39
7. Endless Forms Most Beautiful 5:08
8. Edema Ruh 5:16
9. Alpenglow 4:49
10. The Eyes Of Sharbat Gula 6:04
11. The Greatest Show On Earth 24:01
Chapter I) Four Point Six
Chapter II) Life
Chapter III) The Toolmaker
Chapter IV) The Understanding
Chapter V) Sear-Worn Driftwood

Disc 2 - Instrumental Version
1. Shudder Before The Beautiful 6:20
2. Weak Fantasy 5:25
3. Élan 4:47
4. Yours Is An Empty Hope 5:39
5. Our Decades In The Sun 6:40
6. My Walden 4:38
7. Endless Forms Most Beautiful 5:08
8. Edema Ruh 5:16 I B
9. Alpenglow 4:49
10. The Eyes Of Sharbat Gula 6:04
11. The Greatest Show On Earth 24:08
Chapter I) Four Point Six
Chapter II) Life
Chapter III) The Toolmaker
Chapter IV) The Understanding
Chapter V) Sear-Worn Driftwood

Total playing time: 157:50 min.


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First re-release of the ninth full-length studio album by legendary Finnish Symphonic Metal band.
Band's first double album, with the second part complete with orchestral music rather than Metal.
The band managed to do something different and still stay true to a lot of the elements that define them, and the album really gives a more natural, organic, almost humble approach. It’s still properly bombastic at times, but it seems like after they sealed their name as gods of Symphonic Metal, they wanted to go back to just being human. It’s fresh and beautiful, calming at times, and it somehow just sounds healthy. Unfortunately underrated in the community, the album full of varied and entertaining songs and great musical performances from a band that has changed but evolved positively over the years. After Tarja, this is a great discovery. This album is, at last, the best since Tarja's departure. Good for Tuomas. Great album. The new Nightwish album is a good thing, and you should definitely check it out.
It is the sixth and final album to feature bassist/vocalist Marko Hietala, before his departure in January 2021. Following the departure of original drummer Jukka Nevalainen the previous year, this is the first album to feature Kai Hahto as an official band member, although he had already acted as Nevalainen's replacement on the band's previous album, "Endless Forms Most Beautiful".
The album became the band's seventh consecutive album to top the Official Finnish Albums Chart.
Definitely recommended for anyone who likes Epic and heavy bombast with cheese on top, for everyone who gave up on post-Tarja-Nightwish and for everyone who does not care for Trve Metäl credibility when it comes to melody!
Triple heavyweight 180g Opaque Marbled Eco Vinyl with one silk printed vinyl side & 12-page booklet.
Nuclear Blast GmbH, 2020/2022 (54031). Made in the EU.


Tracklist:

          VINYL I
          Side A
1. Music 7:23
2. Noise 5:40
3. Shoemaker 5:19
          Side B
4. Harvest 5:13
5. Pan 5:18
6. How's The Heart? 5:02
Running time: 33:55 min.

          VINYL II
          Side A
7. Procession 5:31
8. Tribal 3:56
9. Endlessness 7:11
Running time: 16:38 min.

          VINYL III
10. All The Works Of Nature Which Adorn The World
          Side A
     I. Vista 3:59
     II. The Blue 3:35
     III. The Green 4:42
     IV. Moors 4:44
          Side B
     V. Aurorae 2:07
     VI. Quiet As The Snow 4:05
     VII. Anthropocene (Incl. "Hurrian Hymn To Nikkal") 3:05    
     VIII. Ad Astra 4:41
Running time: 30:58 min.

Total playing time: 81:31 min.

Remastered re-release of the cult acoustic live album by the legendary American Grunge band.
It features a performance taped at Sony Music Studios in New York City on November 18, 1993 for the television series MTV Unplugged. The show was first aired on the cable television network MTV on December 14, 1993. As opposed to traditional practice on the television series, Nirvana played a set list composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the band onstage), and Lead Belly.
“MTV Unplugged In New York” was the first Nirvana album released in the wake of the death of singer/guitarist Kurt Cobain. The album debuted at number one on the Billboard 200, and has become the band's most successful posthumous release, having been certified 5x Platinum in the United States by 1997. It also won the Grammy for Best Alternative Music Album in 1996. The performance was released on DVD in 2007.
“MTV Unplugged In New York” is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly.
Back-To-Black 60th Vinyl Anniversary Series 180 gram hard weight vinyl, incl. MP3-Download-Voucher.
Geffen Records Inc., an MCA Company, 1994/2016 (GED24727 / 424 727-2). Made in Germany.


Tracklist:
1. About A Girl 03:40
2. Come As You Are 04:25
3. Jesus Doesn't Want Me For A Sunbeam 04:16
4. The Man Who Sold The World 02:55
5. Pennyroyal Tea 04:39
6. Dumb 02:58
7. Polly 04:23
8. On A Plain 03:28
9. Something In The Way 03:47
10. Plateau 03:42
11. Oh, Me 03:40
12. Lake Of Fire 03:18
13. All Apologies 04:04
14. Where Did You Sleep Last Night? 05:05
Total playing time: 54:20 min.

The debut full-length studio album by Italian Heavy Metal band.
Great pounding pure Heavy Metal in the vein of the old 80s Metal Gods!
My Graveyard Productions, 2010 (MGP-056). Made in Italy. First press. Used (cover/disc): NM/NM.


Tracklist:
1. Hymn to Birth 01:08
2. Sons of Rock 05:12
3. No More Murders in This World 03:55
4. The Sun Is Rising Its Time to Die 05:42
5. When the Night Comes 07:28
6. Start from the Bottom 04:48
7. Here's Not Hollywood 04:58
8. Escape 03:47
9. Why 06:35
10. Watch Me Burn 05:11
11. No Remorse 02:46
12. Hymn to Birth (reprise) 02:05
Total playing time: 53:37 min.

The first re-release of the debut full-length studio album by cult Swedish Power Metal band.
Nocturnal Rites was born in Umea in 1990 as a Death Metal act that were trying to find their integrity in the Underground scene. However, by the time Nocturnal Rites had released their first demo in 1991, everyone was playing this brand of Metal to protest the new direction that Thrash was going. So soon after, Fredrik Mannberg realized that instead of being a member of an over-large group of Death Metal bands, it would be a better choice to do something that no one had been doing significantly for years, play Melodic Power Metal in the NWOBHM style.
"In A Time Of Blood And Fire" is historic for many reasons. It came out in 1995 when Metal was almost dead; bands like Iron Maiden, Metallica or any other 80s band or Thrash Metal band were going through their toughest times. Since the old gods weren’t able to keep their style bands like Nocturnal Rites were inspired to give the style of Metal, that had been rejected for quite a while as old fashioned, a rebirth. The mix of Metal that Helloween did on their "Keeper..." albums, mixed with the best of the NWOBHM genre and you get that very thing that defines good Heavy Metal.
For anyone that read about this album in a fanzine and bought it back in 1995 will probably remember how breathtaking it was. The songs themselves are very straight-forward in their structure, and function as a rather indicant combination of the speed and flash of Judas Priest, the melodic lines and interludes of Iron Maiden, and take no prisoners lyrical content of Manowar, and the energetic spirit of Motörhead. There are keyboards on here, but they are used pretty much for atmospheric effects and are not overly prominent. The only flaw in this album is that the production is slightly sub-par, but the strength of the songs almost makes this a non-issue.
There are no bad songs on this album but it still went unnoticed at the time of its release and it would take another two years before Hammerfall released their first album before this kind of music was becoming popular again. Nocturnal Rites were among the first and they would continue to grow both music wise and in popularity when they hooked up with guitarist Norberg and singer Lindqvist. Now more than 10 years after its release and with a Power Metal genre that is just full of bands just copying each other it still feels that this is the album that started it all and it has what most other generic Power Metal albums lack nowadays. This is classic Metal done the right way and it still gives us goosebumps. This is a Power Metal album that will have a lot of appeal to fans of traditional 80s Metal, particularly NWOBHM.
Century Media Records/Jolly Roger Records/Blackbeard, 1995/2021 (JRR-BB008Cd). Made in Italy. Pressed in Germany.


Tracklist:
1. Sword Of Steel 3:21
2. Skyline Flame 5:30
3. Black Death 4:08
4. In A Time Of Blood And Fire 5:01
5. Dawnspell 5:38
6. Lay Of Ennui 5:02
7. Winds Of Death 4:17
8. Rest In Peace 3:37
9. Dragonisle 6:53
Total playing time: 43:27 min.


https://centurymedia.bandcamp.com/

 

First re-release of the second full-length studio album by cult Swedish Power Metal band.
Nocturnal Rites are something of an amazing band -- amazing in the sense that they couldn't care less that it's no longer the early '80s. "Tales Of Mystery And Imagination" recalls the tightly riffed, classically tinged twin-guitar interplay of bands like Helloween and especially Iron Maiden, in the sci-fi/fantasy lyrics as well as the music.
It's a carefully crafted effort that will appeal strongly to fans who, like Nocturnal Rites, still love this particular style of Metal regardless of trends.
Century Media Records/Jolly Roger Records/Blackbeard, 1997/2021 (JRR-BB017Cd). Made in Italy.


Tracklist:
1. Ring of Steel 06:42
2. Dark Secret 05:04
3. Test of Time 05:01
4. Lost in Time 03:01
5. The Vision 04:21
6. Warrior's Return 04:43
7. Change the World 03:46
8. Pentagram 03:48
9. Eye of the Demon 04:42
10. End of the World 03:24
11. The Curse 04:03
12. Burn in Hell 03:38
Total playing time: 52:13 min.