The seventh full-length studio album by legendary American Hard Rock band.
The first of four albums to be recorded with lead singer Sammy Hagar (former Montrose singer), who replaced David Lee Roth. The album named after Eddie Van Halen's home studio, 5150, in turn named after a California law ..
The third full-length studio album by legendary British-American Melodic Hard Rock/Soft Rock band.
Foreigner continued its Platinum winning streak on "Head Games". By the time it was released, FM radio had fully embraced bands like Foreigner, Journey and Boston, whose slick Hard Rock was ..
Finland’s Misery Inc. play a Heavy Metal/Power Metal based form of Melodic Death Metal meets Thrash meets Goth Rock. Second album from this Finnish band, and about 20 steps forward from their debut. Catchier, heavier, more melodic, more diverse.
It sounds like Europe crossed with fellow Fins ..
The debut full-length studio album by German Folk/Power Metal band.
The music varies a little between Folk Metal and traditional Heavy Metal, with a slightly greater trend to
Folk. The Privateer delight with good songwriting ideas, exclusively fine melodies, catchy hooks and the creation of an eve..
The seventeenth full-length studio album by legendary British Heavy Metal band.
Unlike many of the band's contemporaries, Motörhead manages to still release lean and mean Rock records, while keeping the songs simple rather than adding some electronic accompaniment or trying to be current o..
The third full-length studio album by legendary British-American Melodic Hard Rock/Soft Rock band.
Foreigner continued its Platinum winning streak on "Head Games". By the time it was released, FM radio had fully embraced bands like Foreigner, Journey and Boston, whose slick Hard Rock was ..
Debut full-length album by Canadian Heavy Metal band.
It's amazing when local underground bands creating and writing new original material and not just slogging it out on the local bar scene doing covers. To create an independent debut album takes time, hard-work and commitment, characteristics..
The debut full-length studio album by legendary American Heavy Metal band.
Dio has been hailed as one of the finest voices in Heavy Metal for over 30 years now, and for good reason. Despite recording two hit studio albums with Black Sabbath and playing throughout the world to huge crowds, Ronnie Ja..
Debut EP album by the Greek Melodic Death/Alternative Metal band.
A mix of Aggressive, Melodic and Heavy Metal music, combined all together in a perfect whole.
“Mindless Mass” is here deeply shaking the Metal world, making Leave The Circus totally visible on the Heavy Metal map.
Leave..
The eleventh full-length studio album by legendary Swiss Symphonic Industrial/Black/Dark Metal band.
The first Samael album on Napalm Records, and the first to feature bassist Thomas "Drop" Betrisey. The release year of the album coincides with the band's 30th anniversary.
"Hege..
The 9th full-length album by legendary American Technical Death/Groove Metal band.
One of the world's biggest Death Metal acts is still a commanding force of sonic destruction! Powerful, musical and yet distinctly Death Metal. What makes “Undead” work is a balance between the tooth grinding intensity of its blasts and the bone-strewn muck of its down-tempo bits.
It is their first album to feature drummer Kevin Talley and guitarist Rob Arnold who quit touring with the band and was replaced by Ola Englund the day the album was released. Rob Arnold recorded the bass on this album as Jeff Hughell joined after the recording sessions. This album marked the transition in the band's sound from a more traditional Death Metal sound to Technical Death Metal.
If you're into throat-grabbing riffs and groove-oriented extreme music...”Undead” is right up your alley!!
Metal Blade Records, 2012 (3984-15089-2). Made in Germany. Pressed in Austria. First press.
Tracklist:
1. Frozen At The Moment Of Death 3:42
2. Formaldehyde 2:46
3. 18 Days 2:40
4. Molest Dead 3:13
5. Blood On My Hands 3:38
6. Missing Victims 3:58
7. Reckless 3:04
8. Near Death Experience 2:57
9. Delayed Combustion Device 3:08
10. The Scar 3:28
11. Vampire Apocalypse 3:54
12. Depths Of Depravity 3:50 Total playing time: 40:18
The 9th full-length album by legendary American Technical Death/Groove Metal band.
One of the world's biggest Death Metal acts is still a commanding force of sonic destruction! Powerful, musical and yet distinctly Death Metal. What makes “Undead” work is a balance between the tooth ..
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 300 numbered copies worldwide exclusive for EMP, Blood Red Splattered Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-5). Made in Germany. First press.
Tracklist:
Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34
Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was..
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was still the singer in Cannibal Corpse, is now entering its second round with "Killing For Revenge".
2020's "Nightmares Of The Decomposed" wasn't certainly Six Feet Under's finest moment; guitarist Jack Owen rejoining Chris Barnes - for the first time since their Cannibal Corpse days - turned out to be a rather disappointing outcome for all those expecting a throwback to early 90s Death Metal, and the questionable vocal performance on the record was heavily ridiculed by the internet mob. A lot of the hate and disdain towards Barnes actually seemed to stem from some of his online bickering with haters and instigators, and while the man sometimes went over the top with some of his tweets, his reaction was quite understandable; he's one of the originals when it comes to death metal, he contributed to some absolute classics of the genre and pretty much defined the guttural growling and splatter lyrics template, and while this doesn't mean that he should always get a pass, at least he deserves some respect. He became a meme instead, and this shitstorm almost overshadowed his many accomplishments. For a moment, it seemed like Six Feet Under was done for good, but Owen came to the rescue of his old friend and restored his morale by writing a whole new record, even going as far as writing 90% of the lyrics and vocal patterns. The album took on a meaningful title, "Killing for Revenge"!
The 4 years between "Nightmares Of The Decomposed" and this new record brought some fresh air; Barnes reportedly quit both smoking weed and drinking, and in general - judging from some recent interviews and from the ongoing US tour with the Nile - he's humbled by the support he got from his hardcore fans, and he seems to be in a positive headspace. This attitude seems to have influenced the outcome on "Killing for Revenge", which definitely is a step up from the previous record. The line-up also stuck together, with Barnes and Owen at the helm, joined by Jeff Hughell, Marco Pitruzzella and Ray Suhy.
The album offers a good presentation from the get-go, with a great cover artwork painted by none other than Vince Locke, the legendary artist behind all Cannibal Corpse artworks. Chris Barnes was the one who actually hired him for "Eaten Back To Life" back in 1990, so it seems like things finally came full circle; Locke's style is unmistakable, and the painting is actually better than everything he's done for Cannibal Corpse since "The Bleeding".
"Killing For Revenge" is full of slow, Doomy yet crushing Death Metal in the typical Six Feet Under style.
Chris Barnes certainly sounds better on this release compared to the controversial "Nightmares Of The Decomposed", offering a performance that is more in line with how he sounded on "Torment" or "Crypt Of The Devil"; while probably still not good enough for his haters, and he seems to have regained some power, as well as part of his guttural range.
"Killing For Revenge" is an honest record that puts Six Feet Under back on track after a few difficult years, and it's a redeeming effort that deserves some attention. While it would have been naive to expect a masterpiece from two songwriters who are next to being 60 years old, it's still a worthwhile album. It's an old-school, Neanderthal-sounding Death/Thrash Metal record that goes for the throat for most of its running time, and unless you're a Gen-Z, stuck-up technical Death Metal elitist, you're gonna find yourself sporting an evil grin while listening to it.
Limited Edition to 200 numbered copies worldwide, Gold “Black Dust” Vinyl, incl. Download Card.
Metal Blade Records, 2024 (3984-16085-7). Made in Germany. First press.
Tracklist:
Side 1
1. Known-Nothing Ingrate 2:22
2. Accomplice To Evil Deeds 2:17
3. Ascension 4:30
4. When The Moon Goes Down In Blood 3:47
5. Hostility Against Mankind 3:55
6. Compulsive 3:34
Side 2
7. Fit Of Carnage 3:30
8. Neanderthal 4:55
9. Judgement Day 3:34
10. Bestial Savagery 3:51
11. Mass Casualty Murdercide 2:49
12. Spoils Of War 3:46
The fourteenth full-length studio album by legendary American Death Metal band.
"Nightmares Of The Decomposed" was the first Six Feet Under album on which Chris Barnes and former Cannibal Corpse guitarist Jack Owen worked together. This collaboration, which already existed when Barnes was..