12"

The second and the final Single from the debut full-length studio album by legendary German Pop/Disco band.
The Single was released on 13 March 1985 and entered the top 10 in Germany on 13 May 1985. After spending three weeks within the top five, the Single reached the top spot, eventually going Gold for sales in excess of 250 000 units in Germany alone. The Single peaked at number eight in France, where it also reached a Gold status for sales of 500 000 units.
Hansa/Ariola Eurodisc GmbH, 1985 (601 670-213). Made in Germany. First press. 45 RPM. Used.


Tracklist:

Side A
1. You Can Win If You Want (Special Dance Version) 5:19
Side B
1. You Can Win If You Want (Instrumental) 3:43
2. One in a Million 3:42

Total playing time: 12:46 min.

The first re-release of the first and the lead Single from the debut full-length studio album by legendary German Pop/Disco band.
The Single was released in September 1984 and entered the West German top 10 on 28 January 1985. It took another five weeks for the Single to top the chart, spending six weeks at the summit and 25 weeks within the top 100, eventually reaching Gold status for shipping over 500 000 units domestically.
2x Gold certificated, "You're My Heart, You're My Soul" is considered the band's best-selling Single to date, with worldwide sales over 8 000 000 copies.
Limited Edition of 1500 Numbered copies on Red & White Marbled 180 gram Audiophile Vinyl. 45 RPM.
Sony Music Entertainment Germany GmbH/Music On Vinyl B.V., 1984/2022 (MOV12054). Made in Netherlands.


Tracklist:

Side 1
You're My Heart, You're My Soul (Extended Version) 5:33

Side 2
You're My Heart, You're My Soul (Instrumental) 3:38

Total playing time: 9:11 min.

The first and the lead Single from the debut full-length studio album by legendary German Pop/Disco band.
The Single was released in September 1984 and entered the West German top 10 on 28 January 1985. It took another five weeks for the Single to top the chart, spending six weeks at the summit and 25 weeks within the top 100, eventually reaching Gold status for shipping over 500 000 units domestically.
"You're My Heart, You're My Soul" is considered the band's best-selling Single to date, with worldwide sales said to exceed eight million copies.
Hansa/Ariola Eurodisc GmbH, 1984 (601 496-213). Made in Germany. First press. 45 RPM. Used (cover/disc): NM/NM.


Tracklist:

Side 1
You're My Heart, You're My Soul 5:35

Side 2
You're My Heart, You're My Soul (Instrumental Version) 4:01

Total playing time: 9:36 min.

The first re-release of the twelfth full-length studio album by legendary Portuguese Dark/Gothic Metal band.
Dark Metal's finest art project, Moonspell, outclasses all standards with their colossal "1755". …1755 marks the year of the horror, when a giant earthquake destroyed the city of Lisbon. Almost 100.000 souls lost their lives, and this tragic event still belongs to one of the disastrous catastrophes in European history and nature… In remembrance of the victims and their hometown, Moonspell dedicated the album titled "1755".
The twelfth record from these Portuguese Gothic masters is an orchestral adventure including siren like choirs with a Wagnerian pomp! Strings, bongos, oriental singing, grand guitars are just a tiny part of this amazing piece of work. From the first second, the conceptual dramaturgy of the album feels like a detonation of the mind. Playful and mean-spirited. "1755" is an adventure in medieval landscapes full of threats, guarded by stirring hymns, including the bad luck "Desastre". Choirs filled with fear stab into the wild disharmony of the guitars. The album is emotionally, technically and completely breathtaking!
"1755" is their magnum opus, a musical masterpiece and the dark adventure into medieval times. Produced by Tue Madsen (Meshuggah, The Haunted, Dark Tranquility, Dir En Grey, Die Apokalyptischen Reiter), naturally this album is sang completely in Portuguese and outclass all standards you have ever heard from Moonspell before!
The album features Paulo Bragança, supplying a hauntingly voice of a Fado fallen angel who is a big part of the Portuguese culture. His fascinating vocals are featured in "In Tremor Dei" ("Fear Of God"). Another guest appearance is Martin Lopez (Soen, ex-Amon Amarth, ex-Opeth) representing Darbuka in "1755" song. Crystal Mountain Singers (Carmen Simões, Mariangela Demurtas, Silvia Guerreiro) sung choirs.
Strictly Limited to 300 copies worldwide, Exclusive Mailorder Edition Yellow Vinyl in gatefold cover.
Napalm Records Handels GmbH, 2017/2021/2023 (NPR 725 VINYL). Made in Germany.


Tracklist:

Side 17
1. Em Nome Do Medo - In The Name Of Fear (Orchestral Version By Jon Phipps) 5:33
2. 1755 5:12
3. In Tremor Dei - In Fear Of God (Feat. Paulo Bragança) 4:27
4. Desastre - Disaster 3:23
5. Abanão - Quake 4:09

Side 55
6. Evento - Event 4:44
7. 1 De Novembro - November 1st 3:54
8. Ruínas - Ruins 4:46
9. Todos Os Santos - All Saints 5:11
10. Lanterna Dos Afogados - Drowned Men's Lantern (Os Paralamas Do Sucesso cover) 6:31

Total playing time: 47:50 min.

The thirteenth full-length studio album by legendary Portuguese Dark/Gothic Metal band.
Band's first album without original drummer Miguel "Mike" Gaspar. Drums performed by new member Hugo Ribeiro (not related to singer Fernando Ribeiro).
Moonspell is approaching their 30th anniversary as a band more ambitiously and stronger than ever. "Hermitage" built upon the dark, revolutionary and sensitive facets. It’s an entertaining yet epic journey through the darkest days of human existence.
"Hermitage" is a mature album that only a band as classy, talented and experienced as Moonspell could have written. The record oozes sophistication and aplomb as it takes the listener to a dazzling journey through different shades of Dark Rock anchored in the band’s classic Gothic sound, but modernized with a multitude of different influences, from modern Progressive/Alternative Rock, to Psychedelia, to Jazz and Electronic music. All these influences are blended together with disarming simplicity, relying on minimalistic arrangements and a warm, stripped-down sound that exalts the essence of each song. When the album finally opens up, it is deeply intoxicating with its obscure romantic atmosphere. 
"Hermitage" shows that Moonspell are still a fresh and very relevant voice in today’s Metal, nearly 25 years since they have moved their first steps in the scene. This is a massive achievement for the Portuguese band, and one that not many of their peers can claim to have fulfilled.
"Hermitage" is a revolutionary, wonderfully intuitive and epic journey by one of the most distinctive Dark Metal bands of all time, and a testament to what they’ve always loved the most: honest, emotional Metal that binds us even in the darkest times.
Limited Band Edition Smoke Gold Double Vinyl in gatefold cover includes 8-page booklet.
Napalm Records Handels GmbH, 2021 (NPR998VINYL). Made in Germany. First press.


Tracklist:

Side I
1. The Greater Good 5:04
2. Common Prayers 4:03
3. All Or Nothing 7:23
4. Hermitage 4:43
Side II
5. Entitlement 6:16
6. Solitarian 4:07
7. The Hermit Saints 4:22
Running time: 35:58 min.

Side III
8. Apohthegmata 5:41
9. Without Rule 7:42
10. City Quitter (Outro) 2:59
Side IV
11. Darkness In Paradise (Candlemass cover) 7:18
Running time: 23:40 min.

Total playing time: 59:38 min.

The third re-release of the second full-length studio album by legendary Portuguese Gothic Metal band.
If an alien ever visited the Earth and asked “what is Gothic Metal?”, a peace offering of "Irreligious", Moonspell’s groundbreaking 1996 album, would have been the perfect answer to the inhabitant of a far, far away galaxy. "Irreligious" is the jewel of the crown of the style. Because of its prefect balance. Not too little, not too much, this album is the perfect pitch and absolute archetype of Gothic Metal. It is the crossroad where Metal meets Gothic and lead the way to a different style and fusion between the darkened elegance of Goth and the powerful depths of Heavy Metal. At one time modern and classic, it truly survived the test of time with the most amazing the style has ever heard, from the smashing hit-opener "Opium" to Moonspell’s eternal ode to the Moon in the shape of "Full Moon Madness". The latter is usually the closing song during almost every Moonspell concert, which over time has become a characteristic of their concerts. Before the song begins, Fernando Ribeiro often makes the sign of the circle (symbolizing Moon) over the crowd. 
The tracklist in near-perfect, with songs that are lean and catchy but at the same time rich in depth and texture, which ensures the album withstands, and in fact almost invites, repeated listens.
The production is alright, but it causes the guitars to sound thin in a few places. The guitars are midway between heavy and melodic. There are no solos but some interesting leads. The songs have a dark yet upbeat vibe to them. The overall feel is something epic and stylishly evil.
The bass does its own thing for the most part, since there was only one guitarist on this album. He follows the drums but adds a sufficient flare to keep things fascinating. The drums are creative and the beginnings of Miguel coming into his own. There are some underlying keyboards, which are mostly used as background.
The vocals are brilliant and go from a low deathly growl to a more mid-high shriek. The clean vocal is the standard deep Gothic-esq croon. There is also a female vocalist at "Raven Claws".
"Irreligious" is one of those albums that tell a story from beginning to end. The lyrics are poetic, introspective, and expansive. When combined with the highly original music, they create a moody, sexy atmosphere that works well.
"Irreligious" is a sublime album of quintessential Gothic Metal. It is one of those records that define the genre itself, masterfully combining the harshness of Extreme Metal with Dark Atmospheric Gothic Rock. "Irreligious" is a masterpiece. It’s an album that has stood the test of time and has risen to be one of the best records not only in Moonspell’s discography, but also in the genre as a whole!!
Century Media Records Ltd./De Agostini Publishing S.p.A., 1996/2024 (DeAgostini 88). Made in Italy. Pressed in France.


Tracklist:

Side A
1. Perverse...Almost Religious 1:07
2. Opium 2:46
3. Awake 3:05
4. For A Taste Of Eternity 3:53
5. Ruin & Misery 3:48
6. A Poisoned Gift 5:34

Side B
1. Subversion 2:44
2. Raven Claws 3:16
3. Mephisto 4:58
4. Her Spiegelmann 4:35
5. Full Moon Madness 6:47

Total playing time: 42:33 min.


https://moonspell.bandcamp.com/

The second re-release of the second full-length studio album by legendary Portuguese Gothic Metal band.
If an alien ever visited the Earth and asked “what is Gothic Metal?”, a peace offering of "Irreligious", Moonspell’s groundbreaking 1996 album, would have been the perfect answer to the inhabitant of a far, far away galaxy. "Irreligious" is the jewel of the crown of the style. Because of its prefect balance. Not too little, not too much, this album is the perfect pitch and absolute archetype of Gothic Metal. It is the crossroad where Metal meets Gothic and lead the way to a different style and fusion between the darkened elegance of Goth and the powerful depths of Heavy Metal. At one time modern and classic, it truly survived the test of time with the most amazing the style has ever heard, from the smashing hit-opener "Opium" to Moonspell’s eternal ode to the Moon in the shape of "Full Moon Madness". The latter is usually the closing song during almost every Moonspell concert, which over time has become a characteristic of their concerts. Before the song begins, Fernando Ribeiro often makes the sign of the circle (symbolizing Moon) over the crowd. 
The tracklist in near-perfect, with songs that are lean and catchy but at the same time rich in depth and texture, which ensures the album withstands, and in fact almost invites, repeated listens.
The production is alright, but it causes the guitars to sound thin in a few places. The guitars are midway between heavy and melodic. There are no solos but some interesting leads. The songs have a dark yet upbeat vibe to them. The overall feel is something epic and stylishly evil.
The bass does its own thing for the most part, since there was only one guitarist on this album. He follows the drums but adds a sufficient flare to keep things fascinating. The drums are creative and the beginnings of Miguel coming into his own. There are some underlying keyboards, which are mostly used as background.
The vocals are brilliant and go from a low deathly growl to a more mid-high shriek. The clean vocal is the standard deep Gothic-esq croon. There is also a female vocalist at "Raven Claws".
"Irreligious" is one of those albums that tell a story from beginning to end. The lyrics are poetic, introspective, and expansive. When combined with the highly original music, they create a moody, sexy atmosphere that works well.
"Irreligious" is a sublime album of quintessential Gothic Metal. It is one of those records that define the genre itself, masterfully combining the harshness of Extreme Metal with Dark Atmospheric Gothic Rock. "Irreligious" is a masterpiece. It’s an album that has stood the test of time and has risen to be one of the best records not only in Moonspell’s discography, but also in the genre as a whole!!
25th Anniversary re-release on Solid White Vinyl in gatefold cover includes 8-page booklet.
Century Media Records/Alma Mater Records/Rastilho Records, 1996/2021/2023 (AMR-MMXXI-XXX-LP). Made in Portugal.


Tracklist:

Side A
1. Perverse...Almost Religious 1:07
2. Opium 2:46
3. Awake 3:05
4. For A Taste Of Eternity 3:53
5. Ruin & Misery 3:48
6. A Poisoned Gift 5:34

Side B
7. Subversion 2:44
8. Raven Claws 3:16
9. Mephisto 4:58
10. Her Spiegelmann 4:35
11. Full Moon Madness 6:47

Total playing time: 42:33 min.

https://moonspell.bandcamp.com/

The second re-release of the third full-length studio album by legendary Portuguese Gothic Metal band.
"Sin / Pecado" became the great divider of Moonspell "wolfpack". Produced by their long time companion, Waldemar Sorychta, the songs of this “accursed” album were signs of a rebellion of the band against the sound that made them famous in the scene. Instead of wolves and vampires, Moonspell set the compass to songs filled with Electronica and Dark Wave moods that talked about the European Community or the love for a woman.
Frontman Fernando Ribeiro says: "There was true creative anguish burning inside us in 1997, after we were done with the endless "Irreligious"’ tours, that created the perfect (shit)storm that would be "Sin". It was a strange year for us. Paradise Lost, My Dying Bride were letting loose and seemed to be also under the same mood as we did, or vice versa. It doesn’t matter. Metal was turning its wheel, and we’re all on the falling side. We took the fall and enjoyed doing it anyway. It wasn’t Moses dividing the waters, but it did sometimes hurt to feel alone. Curiously, a lot of other people entered "Sin"’s mood a couple of years later, and now they beg of us to play those songs live. If you’re reading this and need another taste of "Sin", let’s indulge each other and pick up that "Second Skin" from the late-nineties deep closet!" 2019 brings us a new chance to take the sinful cup to our lips and see if that red wine has aged better or tastes sweeter than more than twenty years ago…
… Like an ageing wine that tastes better and sweeter than more than twenty years ago: the path-breaking album by Gothic Metal pioneers in a Deluxe Edition reissue!
Limited to 666 copies, Exclusive Band Edition “Sin / Pecado” White 12” LP + “Second Skin” Mustard Yellow 7” Single (for the first time on vinyl!) in gatefold cover.
Napalm Records, 1998/2019 (NPR 913 VINYL / NPR 913 SINGLE). Made in Germany.


Tracklist:

“Sin / Pecado” LP
Side SIN
1. Slow Down! 0:40    
2. handmadeGod 5:33    
3. 2econd Skin 4:51    
4. Abysmo 4:59    
5. Flesh 3:04    
6. Magdalene 6:17    
Side PECADO
7. V.C. (Gloria Domini) 4:59    
8. EuroticA 3:49    
9. Mute 5:58    
10. Dekadance 5:49    
11. Let The Children Cum To Me … 6:53    
12. The Hanged Man 6:26    
13. 13 ! 2:42    
Running time: 62:00 min.

“Second Skin” Single
Side One
1. Magdamix
Side Two
2. 3rd Skin

The third re-release of the debut full-length studio album by legendary Portuguese Gothic Metal band.
In the ever Scandinavian-obsessed climate of the early to mid-90’s, album like "Wolfheart" were incredibly important, as they made a bold and defiant statement that there were bands from other countries singing about their own culture and rich folkloric history in pride and passion.
It's funny how, at such an early stage of their career, a band, from a country with a relatively unknown metal presence, can change their sound, and not only succeed, but make one of Metal's unique records. This is a vast departure from the morbid Occult Black Metal with Arabic influences showcased in their earlier "Under The Moonspell" EP, instead delving deeper into the newly-born Gothic Metal sound and its aesthetics. The black metal is still present, though, but in a more melodic form, not unlike the one of the Greeks Rotting Christ (which, casually, would start their turn towards the Gothic side of the Metal spectrum one year after this was released), in the form of tremolo-picked riffs and harsh vocals, and the Folk elements are not quite the ethnic and Arabic influences of the EP, instead using flutes and cleanly sung vocals, thus having a more native (at times, bordering on Celtic) feel. Those influences are in perpetual clash with the Goth Rock influences, like the emotional, bordering on melodramatic baritone vocal performance (with spoken parts) and the abundance of ethereal synths which are the main contributors to the eerie, Dark, Gothic-Horror themed atmosphere of the music. There are some female vocals too, but, they are used not in the obnoxious 'Beauty-and-the-Beast' way, but as background vocals, for most of the time.
"Wolfheart" is a high watermark in modern Lusitanian musical culture, and it's highly recommended for people who have an interest in actual Goth Metal, which can keep a sinister vibe! A wild (midnight) ride!!
Ltd. to 500 copies Box Set includes:
- Numbered clamshell type box;
- “Wolfheart” LP (exclusive colour – Blue/White “Quad” Splatter vinyl in gatefold cover and 12-page booklet);
- “Vampiria” 12” Single (exclusive colour – Blood Splatter vinyl in gatefold cover; 45 RPM);
- “Wolfheart” MC (exclusive colour – Red Version);
- “Wolfheart” 2CD Digipack (incl. exclusive Bonus CD with live tracks);
- “Wolfheart” 105x60 cm Flag (exclusive item);
- “Wolfheart Symbol” Enamel Pin (exclusive item);
- “Wolfheart” 5x5 cm Patch (exclusive item).
Century Media Records/Alma Mater Records/Rastilho Records, 1995/2023 (MMXXIII-XLI-BOX). Made in Portugal. First press.


Tracklist:

“Wolfheart” LP
Side Wolf
1. Wolfshade (A Werewolf Masquerade) 7:43
2. Love Crimes 7:34
3. Of Dream And Drama (Midnight Ride) 3:59
4. Lua D'inverno 1:48
5. Trebraruna 3:30
Side Heart
6. Vampiria 5:36
7. An Erotic Alchemy 8:05
8. Alma Mater 5:37
9. Ataegina (Bonus Track) 4:01
Running time: 47:53 min.


“Vampiria” 12” Single
Side A
1. Vampiria (Original Version)
Side B
2. Vampiria (Live in Paris 1995)

2CD
CD 1 “Wolfheart”
01. Wolfshade (A Werewolf Masquerade) 7:43
02. Love Crimes 7:34
03. Of Dream And Drama (Midnight Ride) 3:59
04. Lua D'inverno 1:48
05. Trebraruna 3:30
06. Vampiria 5:36
07. An Erotic Alchemy 8:05
08. Alma Mater 5:37
09. Ataegina (Bonus Track) 4:01
CD 2 “Moonspell Live (1995)”
01. Intro *
02. Love Crimes *
03. ...Of Dream And Drama (Midnight Ride) *
04. An Erotic Alchemy *
05. Lua D'Inverno *
06. Trebraruna *
07. Wolfshade (A Werewolf Masquerade) **
08. Vampiria **
09. Alma Mater **
*Live at Saarbrüchen, Germany, winter of 1995
**Live at Paris, France, fall of 1995

“Wolfheart” MC
Side Wolf
1. Wolfshade (A Werewolf Masquerade) 7:43
2. Love Crimes 7:34
3. Of Dream And Drama (Midnight Ride) 3:59
4. Lua D'inverno 1:48
Side Heart
5. Trebraruna 3:30
6. Vampiria 5:36
7. An Erotic Alchemy 8:05
8. Alma Mater 5:37
9. Ataegina (Bonus Track) 4:01
Running time: 47:53 min.

The third re-release of the debut full-length studio album by legendary Portuguese Gothic Metal band.
In the ever Scandinavian-obsessed climate of the early to mid-90’s, album like "Wolfheart" were incredibly important, as they made a bold and defiant statement that there were bands from other countries singing about their own culture and rich folkloric history in pride and passion.
It's funny how, at such an early stage of their career, a band, from a country with a relatively unknown metal presence, can change their sound, and not only succeed, but make one of Metal's unique records. This is a vast departure from the morbid Occult Black Metal with Arabic influences showcased in their earlier "Under The Moonspell" EP, instead delving deeper into the newly-born Gothic Metal sound and its aesthetics. The black metal is still present, though, but in a more melodic form, not unlike the one of the Greeks Rotting Christ (which, casually, would start their turn towards the Gothic side of the Metal spectrum one year after this was released), in the form of tremolo-picked riffs and harsh vocals, and the Folk elements are not quite the ethnic and Arabic influences of the EP, instead using flutes and cleanly sung vocals, thus having a more native (at times, bordering on Celtic) feel. Those influences are in perpetual clash with the Goth Rock influences, like the emotional, bordering on melodramatic baritone vocal performance (with spoken parts) and the abundance of ethereal synths which are the main contributors to the eerie, Dark, Gothic-Horror themed atmosphere of the music. There are some female vocals too, but, they are used not in the obnoxious 'Beauty-and-the-Beast' way, but as background vocals, for most of the time.
"Wolfheart" is a high watermark in modern Lusitanian musical culture, and it's highly recommended for people who have an interest in actual Goth Metal, which can keep a sinister vibe! A wild (midnight) ride!!
Ltd. to 300 copies black vinyl in gatefold cover includes original artwork and 12-page booklet.
Century Media Records/Alma Mater Records/Rastilho Records, 1995/2023 (AMR-MMXXIII-XLI). Made in Portugal. Pressed in Czech.


Tracklist:

Side Wolf
1. Wolfshade (A Werewolf Masquerade) 7:43
2. Love Crimes 7:34
3. Of Dream And Drama (Midnight Ride) 3:59
4. Lua D'inverno 1:48
5. Trebraruna 3:30

Side Heart
6. Vampiria 5:36
7. An Erotic Alchemy 8:05
8. Alma Mater 5:37
9. Ataegina (Bonus Track) 4:01

Total playing time: 47:53 min.

The debut and only full-length studio album by Germany Hard Rock band.
Thrills ‘N’ Chills/SPV GmbH, 1989 (TC 01 | SPV 08-5600). Made in Germany. First press. Used (cover/disc): EX/EX.


Tracklist:

Side A
1. Backstreet Woman 3:37
2. Nasty, Wild And Loud 3:20
3. Berlin 65 3:21
4. I'm In Love 3:52
5. Mother's Little Nightmare 3:23

Side B
6. Sister Susi 3:45
7. Who Stole My Beer 3:35
8. Since You've Gone 6:21
9. Wall On Fire 3:36
10. I Love Rock 'n' Roll 3:08

Total playing time: 38:18 min.

The fifth full-length studio album by legendary American Heavy/Glam Metal band.
The last album to feature Vince Neil until his return for their 1997 album “Generation Swine”. Produced by Bob Rock, which found the process of working with Mötley Crüe difficult, describing the band as "four L.A. bad asses who used to drink a bottle of wine and want to kill each other". In order to minimize conflict and allow production of the record to proceed smoothly, Rock had each member record their parts separately. Lars Ulrich of Metallica asked Bob Rock to produce their self titled album “Metallica”, after being impressed with Rock's production work on “Dr. Feelgood”.
"Dr. Feelgood" topped the Billboard 200 chart, being the first album Mötley Crüe had recorded after their quest for sobriety and rehabilitation in 1989. In addition to being Mötley Crüe's best selling album, it is widely regarded by music critics and fans as the band's best studio album. "Dr. Feelgood" and "Kickstart My Heart" were both nominated for Grammy awards for Best Hard Rock Performance, but lost twice to Living Colour.
"Dr. Feelgood" sold more than six million copies in the U.S. and went Gold in the U.K.
Elelektra Entertainment, A Division of Warner Communications Inc./WEA Musik GmbH, 1989 (960 829-1 | EKT 59). Made in Germany. First press. OIS. Used.


Tracklist:

Side One
1. T.n T. (Terror ‘n Tinseltown) 0:42
2. Dr. Feelgood 4:50
3. Slice Of Your Pie 4:32
4. Rattlesnake Shake 3:40
5. Kickstart My Heart 4:43
6. Without You 4:29

Side Two
1. Same Ol´ Situation (S.O.S.) 4:12
2. Sticky Sweet 3:52
3. She Goes Down 4:37
4. Don´t Go Away Mad (Just Go Away) 4:40
5. Time For Change 4:45

Total playing time: 45:02 min.

Second re-release of the fourth full-length album by the legendary American Glam Metal band.
"Girls, Girls, Girls" continued Mötley Crüe's commercial hot streak. In general, the Crüe really plays up the sleaze factor on this album, trying to recapture some of the street-tough grittiness that fueled "Too Fast for Love". The production is too polished to really give the record a raw, dirty feel, but the raunchiness comes through all the same. Again, there's a bit of filler, as though the band knew they didn't have to make a completely consistent record to maintain their popularity, but there are enough high points along the way to make "Girls, Girls, Girls" an entertaining Party-Metal platter.
The album features a more Blues-influenced sound than their previous albums. The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, drug use, life on the Sunset Strip, and spending nights at strip clubs. However, there are darker sides to the album as well, notably Nikki Sixx's song "Dancing on Glass", about his addiction to heroin, and "Wild Side", which tells of destructive lifestyles and the pitfalls of decadence. Members of the band have stated that if they hadn't managed to write two successful songs that this album would have been the end of their careers. This is because they were all fighting addictions to drugs and alcohol.
The song "Nona" is a tribute to Nikki Sixx' grandmother, who died during the recording of the album.
The album peaked at No. 2 on the Billboard charts. On the week it might have reached No. 1, Whitney Houston's second album, "Whitney", debuted at the top of the charts. The album was also the band's third straight album to go 4x Platinum, after "Shout At The Devil" and "Theatre Of Pain".
Mötley Records/EMI/Masters 2000, Inc./Eleven Seven Music, 1987/2011 (ESM 957). Made in USA.


Tracklist:

Side One:
1. Wild Side 4:33
2. Girls, Girls, Girls 4:19 
3. Dancing On Glass 4:11
4. Bad Boy Boogie 3:20 
5. Nona 1:21

Side Two:
6. Five Years Dead 3:41 
7. All In The Name Of.. 3:32
8. Sumthin' For Nuthin' 4:40
9. You're All I Need 4:24
10. Jailhouse Rock (Live) 4:26

Total playing time: 38:27 min.

The third full-length studio album by legendary American Heavy/Glam Metal band.
Elektra/Asylum Records, 1985 (9 60418-1-E). Made in USA. First press. OIS, insert, still in seal. Used (cover/disc): NM/NM+.



Tracklist:

SIDE ONE
1. City Boy Blues
2. Smokin' In The Boys' Room
3. Louder Than Hell
4. Keep Your Eye On The Money
5. Home Sweet Home

SIDE TWO
6. Tonight (We Need A Lover)
7. Use It Or Lose It
8. Save Our Souls
9. Raise Your Hands To Rock
10. Fight For Your Rights

The fifth full-length studio album by legendary British Hard Rock/Heavy Metal band.
Released 8 November 1980 on Bronze Records, it peaked at No. 4 on the UK Albums Chart and reached Gold status by March 1981. It was preceded by the release of the title track as a Single on 27 October, which peaked in the UK Singles Chart at No. 15 in early November. It was the band's debut release in the United States, with Mercury Records handling distribution in North America.
The album is listed in the book "1001 Albums You Must Hear Before You Die". In 2020, it was ranked at 408 on Rolling Stone's "500 Greatest Albums of All Time" list.
Sanctuary Records Group Ltd., a BMG company/De Agostini Publishing S.p.A., 1980/2021 (538688921 / DeAgostini 2). Made in Italy. Pressed in France. 180g vinyl.


Tracklist:

Side 1
1. Ace Of Spades 2:49
2. Love Me Like A Reptile 3:23
3. Shoot You In The Back 2:39
4. Live To Win 3:37
5. Fast And Loose 3:23
6. (We Are) The Road Crew 3:12

Side 2
1. Fire Fire 2:42
2. Jailbait 3:33
3. Dance 2:38
4. Bite The Bullet 1:38
5. The Chase Is Better Than The Catch 4:18
6. The Hammer 2:48

Total playing time: 36:40 min.

The twelfth full-length studio album, also known as a “Death Or Glory”, by the legendary British Hard Rock/Heavy Metal band.
For fans who had been disappointed for earlier Motörhead releases, “Bastards” came as welcome return to the band’s roots in the loudest and hardest-driving kind of Rock’n’Roll.
Into the early 90’s, Motörhead’s influence had spread. Terms like “Speed Metal” were being used to describe not only Motörhead’s own style but also that of other bands playing in a similar vein. Thus “Bastards”, whose tracks are featured here, seemed too many to present to a return to hard-core form. By the time Motörhead began recording “Bastards”, the band was essentially a quartet, consisting in this case of Lemmy, Mikkey Dee, Phil Campbell and Michael Burston, who was known as Würzel.
“Bastards” mixed band’s characteristically angry and intense Hard Rock – songs like “On Your Feet”, “Burner”, “Born To Rise Hell” and “Liar” – with powerful, more acoustic ballads like “Lost In The Ozone” and the thoughtful and painful child-abuse number “Don’t Let Daddy Kiss Me”. Many fans have ranked “Bastards” among the best of Motörhead’s many albums.
In the many years since “Bastards” was released, Lemmy has kept up his relentless approach to touring and recording with various iterations of Motörhead. The tracks offered here provide the fine example of the band’s staying power and commitment to its founding ethos!
Limited Edition Vinyl + CD with the same tracks.
Golden Core/ZYX Music, 1993/2014 (GCR 20002-1N). Made in Germany. 


Tracklist:

LP
Seite A
1. On Your Feet Or On Your Knees 2:33 
2. Burner 2:52
3. Death Or Glory 4:50
4. I Am The Sword 4:28
5. Born To Raise Hell 4:57
6. Don't Let Daddy Kiss Me 4:05
Seite B
1. Bad Woman 3:16 
2. Liar 4:10
3. Lost In The Ozone 3:26
4. I'm Your Man 3:28
5. We Bring The Shake 3:46
6. Devils 5:59
Total playing time: 48:10 min.

CD
1. On Your Feet Or On Your Knees 2:33 
2. Burner 2:52
3. Death Or Glory 4:50
4. I Am The Sword 4:28
5. Born To Raise Hell 4:57
6. Don't Let Daddy Kiss Me 4:05
7. Bad Woman 3:16 
8. Liar 4:10
9. Lost In The Ozone 3:26
10. I'm Your Man 3:28
11. We Bring The Shake 3:46
12. Devils 5:59
Total playing time: 48:10 min.

The twelfth full-length studio album, also known as a “Death Or Glory”, by the legendary British Hard Rock/Heavy Metal band.
For fans who had been disappointed for earlier Motörhead releases, “Bastards” came as welcome return to the band’s roots in the loudest and hardest-driving kind of Rock’n’Roll.
Into the early 90’s, Motörhead’s influence had spread. Terms like “Speed Metal” were being used to describe not only Motörhead’s own style but also that of other bands playing in a similar vein. Thus “Bastards”, whose tracks are featured here, seemed too many to present to a return to hard-core form. By the time Motörhead began recording “Bastards”, the band was essentially a quartet, consisting in this case of Lemmy, Mikkey Dee, Phil Campbell and Michael Burston, who was known as Würzel.
“Bastards” mixed band’s characteristically angry and intense Hard Rock – songs like “On Your Feet”, “Burner”, “Born To Rise Hell” and “Liar” – with powerful, more acoustic ballads like “Lost In The Ozone” and the thoughtful and painful child-abuse number “Don’t Let Daddy Kiss Me”. Many fans have ranked “Bastards” among the best of Motörhead’s many albums.
In the many years since “Bastards” was released, Lemmy has kept up his relentless approach to touring and recording with various iterations of Motörhead. The tracks offered here provide the fine example of the band’s staying power and commitment to its founding ethos!
Limited Edition to 2000 numbered copies, 180 g vinyl includes slipmat with album cover pic.
Golden Core/ZYX Music, 1993/2019 (GCR 20002-1L). Made in Germany. 


Tracklist:

Seite A
1. On Your Feet Or On Your Knees 2:33 
2. Burner 2:52
3. Death Or Glory 4:50
4. I Am The Sword 4:28
5. Born To Raise Hell 4:57
6. Don't Let Daddy Kiss Me 4:05

Seite B
1. Bad Woman 3:16 
2. Liar 4:10
3. Lost In The Ozone 3:26
4. I'm Your Man 3:28
5. We Bring The Shake 3:46
6. Devils 5:59

Total playing time: 48:10 min.

The first re-release on Picture Disc of the twelfth full-length studio album, also known as a “Death Or Glory”, by legendary British Hard Rock/Heavy Metal band.
For fans who had been disappointed for earlier Motörhead releases, “Bastards” came as welcome return to the band’s roots in the loudest and hardest-driving kind of Rock’n’Roll.
Into the early 90’s, Motörhead’s influence had spread. Terms like “Speed Metal” were being used to describe not only Motörhead’s own style but also that of other bands playing in a similar vein. Thus “Bastards”, whose tracks are featured here, seemed too many to present to a return to hard-core form. By the time Motörhead began recording “Bastards”, the band was essentially a quartet, consisting in this case of Lemmy, Mikkey Dee, Phil Campbell and Michael Burston, who was known as Würzel.
“Bastards” mixed band’s characteristically angry and intense Hard Rock – songs like “On Your Feet”, “Burner”, “Born To Rise Hell” and “Liar” – with powerful, more acoustic ballads like “Lost In The Ozone” and the thoughtful and painful child-abuse number “Don’t Let Daddy Kiss Me”. Many fans have ranked “Bastards” among the best of Motörhead’s many albums.
In the many years since “Bastards” was released, Lemmy has kept up his relentless approach to touring and recording with various iterations of Motörhead. The tracks offered here provide the fine example of the band’s staying power and commitment to its founding ethos!
Golden Core/ZYX Music, 1993/2007 (GCR 20002-1). Made in Germany. 180 gram vinyl.


Tracklist:

SIDE A
1. On Your Feet Or On Your Knees 2:33 
2. Burner 2:52
3. Death Or Glory 4:50
4. I Am The Sword 4:28
5. Born To Raise Hell 4:57
6. Don't Let Daddy Kiss Me 4:05

SIDE B
7. Bad Woman 3:16 
8. Liar 4:10
9. Lost In The Ozone 3:26
10. I'm Your Man 3:46
11. We Bring The Shake 3:46
12. Devils 5:59

Total playing time: 48:58 min.

The first re-release on vinyl of the fourth live album, “Blitzkrieg On Birmingham '77”, by legendary British Heavy/Speed Metal/Hard Rock band.
This album showcases Motörhead’s incendiary gig at the Birmingham Town Hall, on 3 June 1977, during the Beyond the Threshold of Pain Tour.
1977 was a pivotal year for Motörhead, seeing as it saw the release of their debut, self-titled album and also the hiring of Fast Eddie Clarke, forging what is invariably seen as the classic line up of this seminal band. The year may be closely associated with the height of Punk Rock, but the ultra Heavy Metal styling of Lemmy & Co always crossed the divide and appealed to Punk and Metal fans alike.
"Birmingham Town Hall 1977" is the first recording from Eddie Clarke's personal archive that got released. And it was the first gig on the tour with Hawkwind and also the first gig that was made after the initial recordings of the "Motörhead" album.
The 11 tracks here straddle the tracks written for that debut LP ("Iron Horse/Born To Lose", "Vibrator" and "White Line Fever") and older material such as "Motörhead", originally penned by Lemmy's previous employers Hawkwind, their cover of Eddie Holland's Motown classic "Leaving Here" and "On Parole", first recorded with Clarke's predecessor Larry Wallis in 1976 then shelved.
This live recording has cropped up in so many and varied releases on CD that it is almost impossible to keep track on. For the first time, it was officially released in 1989 on CD & LP as “Blitzkrieg On Birmingham '77”. Every time it gets re-issued, it also gets a new title.
The sound of one of the finest bands ever, just beginning to hit their stride!
Unofficial release on 180g vinyl.
Cult Legends, 1989/2023 (CL93574). Made in Netherlands.


Tracklist:

Side A
1. Motörhead 3:14
2. Vibrator 4:15
3. Keep Us On The Road 5:29
4. The Watcher 4:45
5. Iron Horse/Born To Lose 4:57

Side B
1. Leaving Here 4:00
2. On Parole 5:35
3. I'm Your Witchdoctor 3:02
4. The Train Kept A Rollin' 2:46
5. City Kids 3:23
6. White Line Fever 4:00

Total playing time: 45:26 min.

The third re-release of the fourteenth full-length studio album by legendary British Heavy Metal band.
The band's first studio album to not feature guitarist Würzel, and returning to usual three-piece format, instead of four-piece on the past six albums. 
Following the extremely Thrashy "Sacrifice", Motörhead returned to their typical three-chord Rock & Roll onslaught with 1996's "Overnight Sensation".
Also, the band's most eclectic in years, its tracks range from pedal to the Metal stompers like "Civil War" and "Eat the Gun" to mid-paced groovers like "Listen to Your Heart" (featuring acoustic guitars) and the classy "I don't Believe a Word".
Always a great lyricist, vocalist/bassist Lemmy takes it up a notch with the highly ironic title track and what is quite possibly the band's greatest song of the decade, the hilarious "Crazy Like a Fox".
Despite its terrifying cover (featuring the trio's ugly mugs instead of the band's trademark iron monster), this wonderfully raw and honest record is guaranteed to please, especially older fans!
Limited Edition 25th Anniversary re-release on Green Smoke Marbled Semi-Translucent Vinyl.
Belle Vue Sunshine Touring Inc/BMG Rights Management (UK) Ltd., 1996/2021 (BMGCAT364CLP). Made in Poland.


Tracklist:

Side A
1. Civil War 3:01
2. Crazy Like A Fox 4:32
3. I Don't Believe A Word 6:31
4. Eat The Gun 2:13
5. Overnight Sensation 4:10

Side B
1. Love Can't Buy You Money 0:57
2. Broken 4:34
3. Them Not Me 2:47
4. Murder Show 3:03
5. Shake The World 3:29
6. Listen To Your Heart 3:47

Total playing time: 39:04 min.