MUSIC

Debut full-length album by Italian Avantgarde/Progressive Doom Metal band.
Band's unique compositions take the freedom of Progressive music and apply it to a dark, obscure sound, with relentless growl vocals over a layer of twisted keyboard melodies, precise guitar riffing, powerful bass lines and funereal drums.
A lead role played by the keyboards, a warm sounding guitar and bass, varied and dynamic drums and a growl voice in contrast with the tuneful music.
Qaanaaq choose not to have solos in its songs, there's more desire to play and experiment with the structure of the songs instead. That's why this project is so different and unique compared to other Metal bands with the same style. This music is as the perfect soundtrack for a horror movie.
For fans of: Opeth, My Dying Bride, early Tiamat, early Paradise Lost, early Moonspell, Misanthrope, Ophthalamia, and early Anathema.
Another Side Records, 2016 (ASR19-131). 
 

Tracklist:
1. Body Walks 07:45
2. Eskimo's Wine Is A Dish Best Served Frozen 07:24
3. Untimely At Funerals 11:47
4. High Hopes 07:21
5. Red Said It Was Green 11:28
Total playing time: 45:55 min.

 

Debut full-length album by Italian Avantgarde/Progressive Doom Metal band.
Band's unique compositions take the freedom of Progressive music and apply it to a dark, obscure sound, with relentless growl vocals over a layer of twisted keyboard melodies, precise guitar riffing, powerful bass lines and funereal drums.
A lead role played by the keyboards, a warm sounding guitar and bass, varied and dynamic drums and a growl voice in contrast with the tuneful music.
Qaanaaq choose not to have solos in its songs, there's more desire to play and experiment with the structure of the songs instead. That's why this project is so different and unique compared to other Metal bands with the same style. This music is as the perfect soundtrack for a horror movie.
For fans of: Opeth, My Dying Bride, early Tiamat, early Paradise Lost, early Moonspell, Misanthrope, Ophthalamia, and early Anathema.
Another Side Records, 2016 (ASR19-131). Made in Ukraine. First press.
 

Tracklist:
1. Body Walks 07:45
2. Eskimo's Wine Is A Dish Best Served Frozen 07:24
3. Untimely At Funerals 11:47
4. High Hopes 07:21
5. Red Said It Was Green 11:28
Total playing time: 45:55 min.

 

The debut full-length studio album by Spanish Hard Rock band.
Three years after their promising self-titled debut EP, here we have the first full-length from Hard Rockers Queen Marsa. From the powerful start with "Gaugamela" to the end of the album with "Outlaw on the Run", where they flirt with classic Heavy Metal, going through catchy tracks like "The Trick Is You Don't Mind" or "Treat Me Like You Do", whose choruses stick to your brain, the album "I Am The Land" proves to be a magnificent first letter of introduction for this band from Mallorca (Balearic Island).
The double-guitar, standalone-vocal eight songs across a tight but groovy 33 minutes that pull from a swath of influences within the Heavy sphere. Crisply produced, "I Am The Land" necessarily gives up some warmth of the EP, but in trade, the record brings a largesse of sound and clarity of intention beyond what one might generally expect from a first full-length. Whatever they do next (or don’t), this is a strong opening statement!
Excellent Hard Rock/Heavy Rock for fans of C.O.C., Pintos, Trouble, Blind Melon and other.
Metalway Records/Discos Macarras, 2023 (METAL2023098 CD | DM-068-CD). Made in Spain. First press.


Tracklist:
1. Gaugamela 2:50
2. Made For Lovers 4:14
3. The Trick Is You Don't Mind 4:40
4. I Am The Land 4:16
5. Stop Dry 4:06
6. Treat Me Like You Do 4:22
7. The Truth (You Don't Want To Know) 5:10
8. Outlaw On The Run 3:29


https://discosmacarras.bandcamp.com/

The debut full-length studio album by Spanish Hard Rock band.
Three years after their promising self-titled debut EP, here we have the first full-length from Hard Rockers Queen Marsa. From the powerful start with "Gaugamela" to the end of the album with "Outlaw on the Run", where they flirt with classic Heavy Metal, going through catchy tracks like "The Trick Is You Don't Mind" or "Treat Me Like You Do", whose choruses stick to your brain, the album "I Am The Land" proves to be a magnificent first letter of introduction for this band from Mallorca (Balearic Island).
The double-guitar, standalone-vocal eight songs across a tight but groovy 33 minutes that pull from a swath of influences within the Heavy sphere. Crisply produced, "I Am The Land" necessarily gives up some warmth of the EP, but in trade, the record brings a largesse of sound and clarity of intention beyond what one might generally expect from a first full-length. Whatever they do next (or don’t), this is a strong opening statement!
Excellent Hard Rock/Heavy Rock for fans of C.O.C., Pintos, Trouble, Blind Melon and other.
Metalway Records/Discos Macarras, 2023 (METAL2023098 | DM-068-LP). Made in Spain. First press.


Tracklist:

Side A
1. Gaugamela 2:50
2. Made For Lovers 4:14
3. The Trick Is You Don't Mind 4:40
4. I Am The Land 4:16

Side B
5. Stop Dry 4:06
6. Treat Me Like You Do 4:22
7. The Truth (You Don't Want To Know) 5:10
8. Outlaw On The Run 3:29


https://discosmacarras.bandcamp.com/

The twelfth full-length studio album by legendary British Rock band.
Released on 2 June 1986 by EMI Records in the UK and by Capitol Records in the US, "A Kind Of Magic" was Queen's first album to be released since they had received acclaim for their performance at Live Aid in 1985. Based on the soundtrack to the film "Highlander", directed by Russell Mulcahy, it was an immediate hit in the UK, going straight to number one and selling 100,000 copies in its first week. It remained in the UK charts for 63 weeks, selling 600,000 in the UK alone.
The album spawned four hit Singles: the album's title track "A Kind of Magic", "One Vision", "Friends Will Be Friends", and "Who Wants to Live Forever", which features an orchestra conducted by Michael Kamen, while the album's final track, "Princes of the Universe", is the theme song to "Highlander" film.
The album enjoys the status of an unofficial soundtrack for the 1986 film "Highlander", for which no official soundtrack album was released. The title, "A Kind of Magic", derived from one of the lines character Connor MacLeod (Christopher Lambert) says to describe his immortality. Six out of nine songs on the album appeared in the film, although in different versions. The three songs that did not appear in "Highlander" are "Pain Is So Close to Pleasure", "Friends Will Be Friends" and "One Vision", which was featured a year earlier in the film "Iron Eagle". Conversely, a recording of "Theme from New York, New York", made specifically for a scene in "Highlander", does not appear on "A Kind Of Magic", and in fact has never been released in album form to date. Band member Brian May, according to a statement he made on the "Greatest Video Hits" 2DVD (2003), had, at least at that point, the intention to work on a proper "Highlander" soundtrack in the future. In one scene, a snippet of "Hammer to Fall" plays on a radio, a song from the previously released "The Works" album.
Although Queen would release another two albums in Freddie Mercury's lifetime, "A Kind Of Magic" would turn out to be Queen's last album promoted with a concert tour, due to Mercury's diagnosis with AIDS the following year.
In the 1994 edition of "The Guinness All Time Top 1000 Albums", the album was voted No. 171 in the "All-time greatest Rock and Pop albums". In 2006, a national BBC poll saw the album voted the 42nd "Greatest album of all time". In 2007, Classic Rock ranked "A Kind Of Magic" the 28th greatest soundtrack album of all time.
Queen Productions Ltd./Universal International Music B.V., 1986/2011/2023 (0602547202796). Made in Italy. Pressed in France.


Tracklist:

Side One
1. One Vision 5:10
2. A Kind Of Magic 4:25
3. One Year Of Love 4:27
4. Pain Is So Close To Pleasure 4:22
5. Friends Will Be Friends 4:08

Side Two
1. Who Wants To Live Forever 5:14
2. Gimme The Price (Kurgens Theme) 4:33
3. Don't Lose Your Head 4:38
4. Princes Of The Universe 3:32

Total playing time: 40:29 min.

The fourth full-length studio album by legendary British Rock band.
The album that established Queen as worldwide superstars. The most expensive album ever recorded at the time of its release, named after the Marx Brothers' film of the same name, "A Night At The Opera" was recorded at various studios across a four-month period in 1975. Due to management issues, Queen had received almost none of the money they earned for their previous albums. Subsequently, they ended their contract with Trident Studios and did not use their studios for the album (the sole exception being "God Save the Queen", which had been recorded the previous year). The band employed a complex production that extensively used multitrack recording, and the songs incorporated a wide range of styles, such as ballads, Music Hall, Sea Shanties, Dixieland, Hard Rock and Progressive Rock influences. Aside from their usual equipment, Queen also utilized a diverse range of instruments such as a double bass, harp, ukulele and more.
Upon release, "A Night At The Opera" became Queen's first number-one album in the UK, topping the UK Albums Chart for four non-consecutive weeks. It peaked at number four on the US Billboard Top LPs & Tape chart and became the band's first Platinum-certified album in the US. It also produced the band's most successful Single in the UK, "Bohemian Rhapsody", which became their first number one song in the country. Despite being twice as long as the average length of singles during the 1970s, the song became immensely popular worldwide. At the 19th Grammy Awards, its first Single "Bohemian Rhapsody" received Grammy Award nominations for Best Pop Vocal Performance by a Duo, Group, or Chorus and Best Arrangement for Voices.
"A Night At The Opera" has since been hailed as Queen's best album, and one of the greatest albums of all time. In 2020, Rolling Stone ranked it number 128 on its list of the "500 Greatest Albums of All Time". It was inducted into the Grammy Hall of Fame in 2018.
EMI-Bovema Holland, 1975 (5C 062-97176). Made in Holland. First press. Used (cover/disc): EX+/VG+.


Tracklist:

Side 1
1. Death On Two Legs 3:35
2. Lazing On A Sunday Afternoon 1:05
3. I'm In Love With My Car 2:46
4. You're My Best Friend 2:39
5. '39 3:08
6. Sweet Lady 3:45
7. Seaside Rendezvous 2:05

Side 2
1. The Prophet's Song 7:53
2. Love Of My Life 3:19
3. Good Company 3:08
4. Bohemian Rhapsody 5:32
5. God Save The Queen 1:04

Total playing time: 39:59 min.

The third full-length studio album by legendary British Rock band.
Departing from the Progressive themes featured on their first two albums, the album featured more Pop-centric and conventional Rock tracks and marked a step towards the "classic" Queen sound. The album launched Queen to mainstream popularity in the UK and throughout the world.
The album's first single "Killer Queen" reached number two on the UK singles chart and provided the band with their first top 20 hit in the US, peaking at number 12 on the Billboard Hot 100. "Sheer Heart Attack" was the first Queen album to hit the US top 20, peaking at number 12 on the Billboard Top LPs & Tape Chart in 1975. It has been acknowledged for containing "a wealth of outstanding Hard Rock guitar tracks". Retrospectively, it has been listed by multiple publications as one of the band's best works and has been deemed an essential Glam Rock album.
EMI Electrola GmbH, 1974 (1C 072-96 025). Made in Germany. Used (cover/disc): EX/NM-.


Tracklist:

Seite 1
1. Brighton Rock  5:10
2. Killer Queen  3:00
3. Tenement Funster  2:48
4. Flick Of The Wrist  3:18
5. Lily Of The Valley  1:41
6. Now I'm Here  4:15

Seite 2
7. In The Lap Of The Gods  3:23
8. Stone Cold Crazy  2:14
9. Dear Friends  1:07
10. Misfire  1:48
11. Bring Back That Leroy Brown  2:17
12. She Makes Me (Stormtrooper In Stilettos)  4:10
13. In The Lap Of The Gods. .. Revisited  3:43

Total playing time: 38:54 min.

The ninth re-release of the third full-length studio album by legendary British Rock band.
Departing from the Progressive themes featured on their first two albums, the album featured more Pop-centric and conventional Rock tracks and marked a step towards the "classic" Queen sound. The album launched Queen to mainstream popularity in the UK and throughout the world.
The album's first single "Killer Queen" reached number two on the UK singles chart and provided the band with their first top 20 hit in the US, peaking at number 12 on the Billboard Hot 100. "Sheer Heart Attack" was the first Queen album to hit the US top 20, peaking at number 12 on the Billboard Top LPs & Tape Chart in 1975. It has been acknowledged for containing "a wealth of outstanding Hard Rock guitar tracks". Retrospectively, it has been listed by multiple publications as one of the band's best works and has been deemed an essential Glam Rock album.
Queen Productions Ltd./Universal International Music B.V., 1974/2011/2023 (0602547202680). Made in Italy. Pressed in France.


Tracklist:

Side 1
1. Brighton Rock 5:10
2. Killer Queen 3:00
3. Tenement Funster 2:47
4. Flick Of The Wrist 3:17
5. Lily Of The Valley 1:45
6. Now I'm Here 4:13

Side 2
1. In The Lap Of The Gods 3:23
2. Stone Cold Crazy 2:14
3. Dear Friends 1:08
4. Misfire 1:50
5. Bring Back That Leroy Brown 2:15
6. She Makes Me (Stormtrooper In Stilettos) 4:09
7. In The Lap Of The Gods . . . Revisited 3:47

Total playing time: 39:20 min.

The eighth full-length studio album by legendary British Rock band.
Elektra/Asylum Records, 1980 (5E-513). Made in USA. First press. OIS. Used (cover/disc): NM-/NM-.


Tracklist:

Side One 
1. Play The Game  3:30
2. Dragon Attack  4:18
3. Another One Bites The Dust  3:36
4. Need Your Loving Tonight  2:49
5. Crazy Little Think Called Love  2:45

Side Two
6. Rock It (Prime Jive)  4:31
7. Don't Try Suicide  3:52
8. Sail Away Sweet Sister  3:33
9. Coming Soon  2:51
10. Save Me  3:48

Total playing time: 35:33 min.

The thirteenth full-length studio album by legendary British Rock band.
Following their massive 1986 European stadium tour for the "A Kind Of Magic" album, Queen took an extended break. Rumors swirled about an impending breakup, but it turned out the break was brought on by a painful marital divorce for guitarist Brian May (who subsequently battled depression and contemplated suicide), and Freddie Mercury being diagnosed with AIDS in 1987. Instead of sinking further into misery, the band regrouped, worked on each other's mental state, and recorded one of their most inspired albums, 1989's "The Miracle".
The album was originally going to be called "The Invisible Men", but three weeks before the release, according to Roger Taylor, they changed the name to "The Miracle". Released on 22 May 1989 by Parlophone and Capitol Records, it was the last Queen album with a photo of all four members on the front cover.
Lyrically, the songs tend to reflect on the band's past accomplishments ("Khashoggi's Ship", "Was It All Worth It") as well as the state of the world in the late '80s (the title track, "I Want It All"). Produced by the band and David Richards, "The Miracle" packs quite a sonic punch, recalling the rich sounds of their past classics (1976's "A Day At The Races", etc). Split 50/50 between Pop ("Breakthru", "The Invisible Man", "Rain Must Fall") and Heavy Rock (the aforementioned "I Want It All", "Khashoggi's Ship", "Was It All Worth It"), the album was another global smash, even re-establishing the band Stateside (going Top 30 and attaining Gold status).
The album reached number one in the UK, Austria, Germany, The Netherlands, and Switzerland, and number 24 on the US Billboard Top Pop Albums chart. AllMusic would name "The Miracle" as Queen's best album of the 1980s, along with "The Game".
Santa Records, 1993 (П93 00583/4). Unofficial release. Used (cover/disc): EX+/EX+.


Tracklist:

Side One 
1. Party 2:24
2. Khashoggi's Ship 2:48
3. The Miracle 5:02
4. I Want It All 4:41
5. The Invisible Man 3:57

Side Two
1. Breakthru 4:08
2. Rain Must Fall 4:23
3. Scandal 4:42
4. My Baby Does Me 3:23
5. Was It All Worth It 5:45

Total playing time: 41:13 min.

The sixth re-release of the thirteenth full-length studio album by legendary British Rock band.
Following their massive 1986 European stadium tour for the "A Kind Of Magic" album, Queen took an extended break. Rumors swirled about an impending breakup, but it turned out the break was brought on by a painful marital divorce for guitarist Brian May (who subsequently battled depression and contemplated suicide), and Freddie Mercury being diagnosed with AIDS in 1987. Instead of sinking further into misery, the band regrouped, worked on each other's mental state, and recorded one of their most inspired albums, 1989's "The Miracle".
The album was originally going to be called "The Invisible Men", but three weeks before the release, according to Roger Taylor, they changed the name to "The Miracle". Released on 22 May 1989 by Parlophone and Capitol Records, it was the last Queen album with a photo of all four members on the front cover.
Lyrically, the songs tend to reflect on the band's past accomplishments ("Khashoggi's Ship", "Was It All Worth It") as well as the state of the world in the late '80s (the title track, "I Want It All"). Produced by the band and David Richards, "The Miracle" packs quite a sonic punch, recalling the rich sounds of their past classics (1976's "A Day At The Races", etc). Split 50/50 between Pop ("Breakthru", "The Invisible Man", "Rain Must Fall") and Heavy Rock (the aforementioned "I Want It All", "Khashoggi's Ship", "Was It All Worth It"), the album was another global smash, even re-establishing the band Stateside (going Top 30 and attaining Gold status).
The album reached number one in the UK, Austria, Germany, The Netherlands, and Switzerland, and number 24 on the US Billboard Top Pop Albums chart. AllMusic would name "The Miracle" as Queen's best album of the 1980s, along with "The Game".
Queen Productions Ltd./Universal International Music B.V., 1989/2011/2023 (0602547202802). Made in Italy. Pressed in France.


Tracklist:

Side A
1. Party 2:24
2. Khashoggi's Ship 2:48
3. The Miracle 5:02
4. I Want It All 4:41
5. The Invisible Man 3:57

Side B
1. Breakthru 4:08
2. Rain Must Fall 4:23
3. Scandal 4:42
4. My Baby Does Me 3:23
5. Was It All Worth It 5:45

Total playing time: 41:13 min.

Remastered re-release of the third full-length studio album by the legendary American Progressive Metal band.
Originally issued in 1988, the hard-edged album slowly worked its way up the charts and became the band's first Gold-certified release (an opening slot on Def Leppard's sold-out "Hysteria" tour certainly didn't hurt, either).
The story-line of this concept album-Rock opera centers on a drug addict who falls in love with a former prostitute turned nun. Together, they uncover a dangerous underground movement and try to stop it before it's too late.
In January 1989 album ranked #34 on Kerrang! magazine's "100 Greatest Heavy Metal Albums Of All Time". In the United States, the album was certified Gold a year after its release and was certified Platinum in 1991. The song “I Don't Believe in Love” from the album was nominated for a Grammy Award in 1990 under the "Best Metal Performance, Vocal or Instrumental" category. The Metallica classic "One" won the category.
"Operation: Mindcrime" is the Queensryche's best and most consistent release, one of the '80's best releases and one of the best concept albums ever produced!!!
Re-edition contains two bonus tracks!
EMI Records/Capitol Records, 1988/2003 (72435-81068-2-4). Made in EU.


Tracklist:
1.I Remember Now 01:17
2.Anarchy-X 01:27
3.Revolution Calling 04:42
4.Operation: Mindcrime 04:43
5.Speak 03:42
6.Spreading The Disease 04:07
7.The Mission 05:46
8.Suite Sister Mary 10:41
9.The Needle Lies 03:08
10.Electronic Requiem 01:22
11.Breaking The Silence 04:34
12.I Don't Believe In Love 04:23
13.Waiting For 22 01:05
14.My Empty Room 01:28
15.Eyes Of A Stranger 06:39
Bonus Tracks:
16.The Mission 06:11
17.My Empty Room 02:41
Total playing time: 67:56

Remastered re-release of the second full-length studio album by the legendary American Progressive Heavy Metal band.
Album shows the band musically transitioning to a different direction with more clear influences to Pink Floyd, which is partially. Everything from the songs to the performances is superb, with the production also being particularly great. From the opening salvo of "Walk in the Shadows" to the closing notes of "I Will Remember" is a tour de force in Queensr?che magic. It's a really amazing album that shows the band musically transitioning to a much more unique sound that was makes them famous.
 This album is a mandatory to listen for any fan of progressive music, give this the time it deserves and you'll wonder how you lived without it!!
 Re-edition contains four bonus tracks!
EMI Records/Capitol Records, 1986/2003 (72435-81069-2-3). Made in EU/Pressed in Czech.


Tracklist:
1.Walk In The Shadows 03:34
2.I Dream In Infrared 04:18
3.The Whisper 03:36
4.Gonna Get Close To You 04:37
5.The Killing Words 03:56
6.Surgical Strike 03:20
7.Neue Regel 05:04
8.Chemical Youth (We Are Rebellion) 04:05
9.London 05:05
10.Screaming In Digital 03:38
11.I Will Remember 04:38
Bonus Tracks:
12.Gonna Get Close To You [12" Version] 05:46
13.The Killing Words 04:10
14.I Dream In Infrared [Acoustic Remix] 04:01
15.Walk In The Shadows 03:39
Total playing time: 63:27

The fourteenth full-length studio album by legendary American Progressive Metal band.
It is the second studio album recorded with vocalist Todd La Torre, after Geoff Tate was fired from the band and gave up the rights to the name after a two-year lawsuit regarding the rights to the Queensrÿche brand was amicably settled.
Produced by Zeuss (rob zombie, hatebreed, sanctuary) in the band’s native Washington, "Condition Hüman" is a new mountain towering over many of the peaks and valleys of the Hard Rock landscape. "Condition Hüman" is massive, densely layered, unflinchingly driving & consistently memorable - reverent to the band’s iconic past, while forging fearlessly into the future. 
Cofounders Michael Wilton (guitar), Eddie Jackson (bass) & Scott Rockenfield (drums) with Todd la Torre (vocals) & Parker Lundgren (guitar) draw power from stunning collective synergy, a renewed sense of urgency, and an overall life-affirming optimism. Dark, melodic, dynamic & diverse - the US Progressive Metal legends are in the throes of a jaw-dropping creative resurgence!
The album debuted on Billboard's Top Rock Albums chart at No. 5, selling 14,000 copies in its first week.
Limited Edition Digipak includes bonus track.
Century Media, 2015 (9985478). Made in Germany. First press.


Tracklist:
1. Arrow Of Time 3:59
2. Guardian 4:20
3. Hellfire 5:05
4. Toxic Remedy 4:09
5. Selfish Lives 4:58
6. Eye 9 3:21
7. Bulletproof 4:01
8. Hourglass 5:10
9. Just Us 5:58
10. All There Was 3:44
11. The Aftermath 0:56
12. Condition Hüman 7:48
13. Espiritu Muerto (Bonus Track) 3:40
Total playing time: 57:09 min.


Samples: http://www.queensrycheofficial.com

Remastered re-release of the fourth full-length studio album by legendary American Progressive Metal/Rock band.
After the breakthrough success and worldwide respect that Queensrÿche gained from their conceptual masterpiece "Operation: Mindcrime", it was a fair assumption that they couldn't possibly outdo or perhaps even match themselves. "Empire", released just two years after that watermark, reveals that Queensrÿche reinvented themselves (though certainly not for the last time).
While many fans were clamoring for a conceptual sequel, the band offers a song-oriented approach that is more Art Rock and less Metal (though "Empire" does Rock Hard in places).
Far removed from the fantasy and techno-paranoiac themes of "Operation: Mindcrime", the lyrics tackle social and physical handicaps ("Best I Can") and issues such as poverty and regret ("Della Brown"). Geoff Tate, Chris DeGarmo, and company focused much less on the darker side of love so prevalent in their earlier sound, and looked at romance head on with "Another Rainy Night" and "Hand on Heart."
While Queensrÿche lost some die-hard Metal fans with "Empire", the mature sound and tight production of Peter Collins (Rush) saw the band break into the mainstream and hit number nine on the Billboard singles chart with the Pink Floyd-inspired power ballad "Silent Lucidity", which has remained one of the band's set standbys into the 21st century.
The album stands as Queensrÿche's most commercially successful release, reaching triple-Platinum status and the single extracted, the power ballad "Silent Lucidity", reached No. 1 on the Mainstream Rock Tracks and No. 9 on the Billboard Hot 100. "Silent Lucidity" was also nominated for the Grammy Awards of 1992 in the category Best Rock Song, as well as Best Rock Vocal Performance by a Duo or Group.
Re-edition features three bonus tracks!
EMI Records/Capitol Records, 1990/2003 (72435-81070-2-9). Made in EU.


Tracklist:
1. Best I Can 5:30
2. The Thin Line 5:42
3. Jet City Woman 5:20
4. Della Brown 7:04
5. Another Rainy Night (Without You) 4:44
6. Empire 5:07
7. Resistance 4:47
8. Silent Lucidity 5:45
9. Hand On Heart 5:30
10. One And Only 5:52
11. Anybody Listening? 7:40
Bonus Tracks:
12. Last Time In Paris 3:57
13. Scarborough Fair (cover by Simon & Garfunkel) 3:50
14. Dirty Lil' Secret 4:07
Total playing time: 75:36 min.

The fourth full-length album by legendary American Progressive Metal/Rock band.
After the breakthrough success and worldwide respect that Queensrÿche gained from their conceptual masterpiece "Operation: Mindcrime", it was a fair assumption that they couldn't possibly outdo or perhaps even match themselves. "Empire", released just two years after that watermark, reveals that Queensrÿche reinvented themselves (though certainly not for the last time).
While many fans were clamoring for a conceptual sequel, the band offers a song-oriented approach that is more Art Rock and less Metal (though "Empire" does Rock Hard in places).
Far removed from the fantasy and techno-paranoiac themes of "Operation: Mindcrime", the lyrics tackle social and physical handicaps ("Best I Can") and issues such as poverty and regret ("Della Brown"). Geoff Tate, Chris DeGarmo, and company focused much less on the darker side of love so prevalent in their earlier sound, and looked at romance head on with "Another Rainy Night" and "Hand on Heart."
While Queensrÿche lost some die-hard Metal fans with "Empire", the mature sound and tight production of Peter Collins (Rush) saw the band break into the mainstream and hit number nine on the Billboard singles chart with the Pink Floyd-inspired power ballad "Silent Lucidity", which has remained one of the band's set standbys into the 21st century.
The album stands as Queensrÿche's most commercially successful release, reaching triple-Platinum status and the single extracted, the power ballad "Silent Lucidity", reached No. 1 on the Mainstream Rock Tracks and No. 9 on the Billboard Hot 100. "Silent Lucidity" was also nominated for the Grammy Awards of 1992 in the categorie Best Rock Song, as well as Best Rock Vocal Performance by a Duo or Group.
EMI-USA/Capitol Records, Inc., 1990 (CDP-7-92806-2). Made in USA. First press.


Tracklist:
1. Best I Can 5:30 
2. The Thin Line 5:42 
3. Jet City Woman 5:20 
4. Della Brown 7:04 
5. Another Rainy Night (Without You) 4:44 
6. Empire 5:07 
7. Resistance 4:47 
8. Silent Lucidity 5:45 
9. Hand On Heart 5:30 
10. One And Only 5:52 
11. Anybody Listening? 7:40
Total playing time: 63:01

Remastered re-release of the debut EP by legendary American Progressive/Heavy Metal band.
Originally recorded in June 1982 as a demo tape, this release came out in 1982 on Queensrÿche's vanity label 206 Records. It was re-issued in 1983 after the band signed to EMI Records. EP garnered international praise, receiving much airplay and selling an unusual number of copies for a small independent release. To support the EP, the band toured with Quiet Riot through the south and with Twisted Sister to the East Coast and Canada, and played in Seattle opening for Dio. After the tour had ended in November 1983, the band began preparations for their first studio album, "The Warning".
A CD version of the EP was released in 1988. The 1988 reissue by EMI saw the addition of a bonus track, "Prophecy", which was recorded during the "Rage For Order" sessions in 1985–86. This song was performed live by the band circa 1983, and was included on the 1984 "Live In Tokyo" home video.
On the 2003 remastered edition, tracks 5–14 were live recordings of Queensrÿche's second performance in the tour supporting "The Warning", held August 5, 1984 at the Nihon Seinen-kan in Tokyo, Japan. The performance was previously released on VHS in 1984 as "Live In Tokyo".
In 2005, “Queensrÿche” EP was ranked number 336 in Rock Hard Magazine's book of “The 500 Greatest Rock & Metal Albums of All Time”.
Capitol Records/EMI Records, 1983/1988/2003 (72435-80528-2-4). Made in EU. Pressed in Germany.


Tracklist:
1. Queen Of The Reich 4:25
2. Nightrider 3:49
3. Blinded 3:06
4. The Lady Wore Black 6:28
Bonus Tracks:
5. Nightrider (Live) 4:32
6. Prophecy (Live) 3:59
7. Deliverance (Live) 3:40
8. Child Of Fire (Live) 4:36
9. En Force (Live) 5:47
10. Blinded (Live) 3:26
11. The Lady Wore Black (Live) 7:01
12. Warning (Live) 4:56
13. Take Hold Of The Flame (Live) 5:12
14. Queen Of The Reich (Live) 5:19
Total playing time: 66:16 min.

Remastered re-release of the debut full-length studio album by legendary American Progressive Metal band.
"The Warning" proved to be a holding pattern for Seattle's Queensrÿche, offering quality classic Metal with lyrics tending to the mystical and occult. The band wrote the material for "The Warning" during their tour in support of the "Queensrÿche" EP, inspired by world events and the 1949 George Orwell novel "Nineteen Eighty-Four". Elements of Judas Priest, Rush and Iron Maiden are evident in the music, but the band takes inspirations like these and make them, not the base of the music, but add these influences as extra spice in their own style.
The album was recorded in various recording studios in London with Pink Floyd-producer James Guthrie. "The Warning" featured more Progressive elements than the EP. It was a moderate commercial success in the United States, although none of the singles charted domestically. However, "Take Hold of the Flame" was an international hit, particularly in Japan.
In support of the release, Queensrÿche went on a worldwide tour from August 1984 through to July 1985. During the American leg of their tour, they were the opening act for Kiss on their 1984–85 Animalize Tour and Iron Maiden on their 1984–85 World Slavery Tour.
“The Warning” began Queensryche's road to Rock royalty. With its Orwellian themed lyrical content, stunning vocals and sheer musicianship, this conceptual Prog-Metal album helped launch their long tenure in the Rock charts. Thanks in part to amazing tracks like "No Sanctuary" and "The Warning" this album has truly been a fan favorite for years. Intensity, melody and tantalizing guitar work keep the heart of this release pounding after all these years. It will appeal to nearly all lovers of challenging music and if you haven't heard "The Warning" yet, you must check out this Metal milestone!!
Re-edition features three bonus tracks and the booklet, which has a well written introduction by Paul Suter, as well as lyrics for all the songs. For the fan it is definitely worth the purchase!
Capitol Records/EMI Records, 1984/2003 (72435-80527-2-5). Made in EU. Pressed in Germany.


Tracklist:
1. Warning 4:45
2. En Force 5:14
3. Deliverance 3:19
4. No Sanctuary 6:04
5. N M 156 4:39
6. Take Hold Of The Flame 4:55
7. Before The Storm 5:12
8. Сhild Of Fire 4:32
9. Roads To Madness 9:54
Bonus Tracks:
10. Prophecy 4:00
11. The Lady Wore Black (live) 5:23
12. Take Hold Of The Flame (live) 5:04
Total playing time: 63:01 min.

The first European re-release of the debut full-length studio album by legendary American Progressive Metal band.
"The Warning" proved to be a holding pattern for Seattle's Queensrÿche, offering quality classic Metal with lyrics tending to the mystical and occult. The band wrote the material for "The Warning" during their tour in support of the "Queensrÿche" EP, inspired by world events and the 1949 George Orwell novel "Nineteen Eighty-Four". Elements of Judas Priest, Rush and Iron Maiden are evident in the music, but the band takes inspirations like these and make them, not the base of the music, but add these influences as extra spice in their own style.
The album was recorded in various recording studios in London with Pink Floyd-producer James Guthrie. "The Warning" featured more Progressive elements than the EP. It was a moderate commercial success in the United States, although none of the singles charted domestically. However, "Take Hold of the Flame" was an international hit, particularly in Japan.
In support of the release, Queensrÿche went on a worldwide tour from August 1984 through to July 1985. During the American leg of their tour, they were the opening act for Kiss on their 1984–85 Animalize Tour and Iron Maiden on their 1984–85 World Slavery Tour.
“The Warning” began Queensryche's road to Rock royalty. With its Orwellian themed lyrical content, stunning vocals and sheer musicianship, this conceptual Prog-Metal album helped launch their long tenure in the Rock charts. Thanks in part to amazing tracks like "No Sanctuary" and "The Warning" this album has truly been a fan favorite for years. Intensity, melody and tantalizing guitar work keep the heart of this release pounding after all these years. It will appeal to nearly all lovers of challenging music and if you haven't heard "The Warning" yet, you must check out this Metal milestone!!
For the fan it is definitely worth the purchase!
Capitol Records, LLC/Universal Music Italia s.r.l./De Agostini Publishing S.p.A., 1984/2022 (DeAgostini 15). Made in Italy. Pressed in France.


Tracklist:

Side One
1. Warning 4:43
2. En Force 5:13
3. Deliverance 3:17
4. No Sanctuary 6:02
5. N M 156 4:35

Side Two
1. Take Hold Of The Flame 4:54
2. Before The Storm 4:27
3. Сhild Of Fire 5:17
4. Roads To Madness 9:38

Total playing time: 48:22 min.

First re-release of the fourth full-length studio album by Brazilian Brutal Death Metal band.
One of the best Death Metal bands from Brazil.
Savage and brutal Death Metal, with a big doze of melodies.
Highly recommended for fans of Morbid Angel, Deicide, Krisiun, Immolation, and old Behemoth!
Murdher Records, 2013/2015 (MURDHER 014). Made in Italy. Pressed in Germany.


Tracklist:
1. Ordo Iconoklastic Rebellis 04:22
2. The Stench ov Sacrifice 04:32
3. Sodomiticvm per Conclave 06:29
4. Divine Serpents Breed 06:30
5. Perversion in Khaoz 05:39
6. Everlast Carnage in Fire 04:59
7. Templvm Perversvm 01:52
8. Slavgther Ministry 05:30
9. Vnder the Mvrderous Conception 04:54
10. Mighty Erection ov Holiness 05:59
Total playing time: 50:48 min.