METALLICA

The third live album from World Magnetic Tour by legendary American Thrash/Heavy Metal band.
The first album released via Metallica's own label, Blackened Recordings.
After recent DVDs chronicling Metallica shows in Paris and Mexico, here comes another. DVD documenting two shows the band played at the Colisée Pepsi in Quebec, Canada, on October 31 and November 1, 2009, on their World Magnetic Tour.
The result is an uneven blend of songs from 2008’s "Death Magnetic" album and classics from their early and mid-career. By this stage in the game, Metallica can’t play a show without including "Enter Sandman", "Master Of Puppets", "Nothing Else Matters", "Seek And Destroy" and a handful of other expected crowd-pleasers. But they’ve dug a little deeper into the catalogue for “The Shortest Straw” (previously unavailable on film), “Holier Than Thou” (rarely played) and a mesmerizingly powerful blast through "Damage, Inc.", possibly their heaviest song ever. Extras include interviews with the band and the chatter from overexcited fans.
The album sold about 14,000 copies during the first week after its release, charting at number two on the Billboard Top Music Videos chart.
DTS 5.1 | Dolby Digital 5.1 | 2.0 | PCM (uncompressed) | 16:9 | PAL
Vertigo/Mercury Records/Universal Music Argentina S.A., 2012 (3722030). Made in Argentina. First press.


Tracklist:

DVD 1 - Full Concert
1. That Was Just Your Life 8:44
2. The End Of The Line 7:46
3. The Four Horsemen 5:27
4. The Shortest Straw 6:09
5. One 7:54
6. Broken, Beat & Scarred 8:25
7. My Apocalypse 6:45
8. Sad But True 6:00
9. Welcome Home (Sanitarium) 6:10
10. The Judas Kiss 9:48
11. The Day That Never Comes 7:58
12. Master Of Puppets 8:05
13. Battery 7:05
14. Nothing Else Matters 5:47
15. Enter Sandman 8:49
16. Killing Time (Sweet Savage cover) 2:55
17. Whiplash 7:05
18. Seek & Destroy 14:01
Running time: 134:53 min.

DVD 2 - Bonus Tracks & Footage
1. For Whom The Bell Tolls 5:06
2. Holier Than Thou 3:46
3. Cyanide 6:58
4. Turn The Page (Bob Seger cover) 5:18
5. All Nightmare Long 7:52
6. Damage, Inc. 5:19
7. Breadfan (Budgie cover) 4:09
8. Phantom Lord 3:38
9. "Quebec Love Letters" (featuring band and fan interviews)
Running time: 42:06 min.

Total playing time:  176:59 min.

Embroidered bordered woven patch.

85x35mm 

Limited Deluxe Edition remastered re-release of the second full-length album by the legendary American Thrash Metal band.
Album was released on July 27, 1984 through the independent record label Megaforce Records and was re-released on November 19, 1984 by Elektra Records. "Ride the Lightning" is the last Metallica album to credit former member, Dave Mustaine.
"Kill 'Em All" may have revitalized Heavy Metal's Underground, but "Ride The Lightning" was even more stunning, exhibiting staggering musical growth and boldly charting new directions that would affect Heavy Metal for years to come. Incredibly ambitious for a one-year-later sophomore effort, "Ride The Lightning" finds Metallica aggressively expanding their compositional technique and range of expression. Every track tries something new, and every musical experiment succeeds mightily. The lyrics push into new territory as well - more personal, more socially conscious, less Metal posturing. But the true heart of "Ride The Lightning" lies in its rich musical imagination. There are extended, progressive epics; tight, concise groove-rockers; thrashers that blow anything on "Kill 'Em All" out of the water, both in their urgency and the barest hints of melody that have been added to the choruses. “Ride The Lightning” retains the speed of “Kill 'Em All” on songs like "Trapped Under Ice" and "Fight Fire with Fire", but also contains the first of Metallica's longer, more intricate tracks, such as "Fade to Black" and the nearly 9-minute closing instrumental "The Call of Ktulu".
“Ride The Lightning” was certified Gold by the RIAA on November 5, 1987 and was most recently certified 5x Platinum on June 9, 2003. It was listed at number 3 on a list compiled by metal-rules.com of the “Top 100 Metal Albums of All Time” and #5 by IGN Music on the "Top 25 Metal Albums”.
"Ride The Lightning" effectively rewrote the rule book for a generation of Thrashers! If "Kill 'Em All" was the manifesto, "Ride The Lightning" was the revolution itself!!
Limited to 30 000 copies Deluxe numbered Box Set includes 3LPs, 12” Picture EP, 6CDs, DVD, big 72-page book with never-before-seen photos & essays, mini book with handwritten lyrics, 3 posters set, as well as individual download cards included with each vinyl.
Blackened Recordings, 1984/1985/2016 (BLCKND004RD-1). Made in USA. First press.


Tracklist:

"Ride The Lightning" LP (Remastered; Includes a Digital Download Card)

Side 1
1. Fight Fire With Fire 4:44
2. Ride The Lightning 6:36
3. For Whom The Bell Tolls 5:09
4. Fade To Black 6:57

Side 2
1. Trapped Under Ice 4:03
2. Escape 4:23
3. Creeping Death 6:35
4. The Call Of Ktulu 8:52


"Live At The Hollywood Palladium, Los Angeles, CA - March 10th, 1985" 2LP (Previously Unreleased. Includes a Digital Download Card)

Side 1
1. The Ecstasy Of Gold (Live) 1:35
2. Fight Fire With Fire (Live) 4:38
3. Ride The Lightning (Live) 7:08
4. Phantom Lord (Live) 5:04

Side 2
1. (Anesthesia) - Pulling Teeth (Live) 3:34
2. For Whom The Bell Tolls (Live) 4:29
3. No Remorse (Live) 6:23

Side 3
1. Fade To Black (Live)
2. Seek & Destroy (Live)

Side 4
1. Creeeping Death (Live)
2. Am I Evil? (Live)
3. Motorbreath (Live)


"Creeping Death" Picture 12" EP (Includes a Digital Download Card)

Side 1
1. Creeping Death 6:35

Side 2
1. Am I Evil? 7:49
2. Blitzkrieg 3:36


"Ride The Lightning" CD (Remastered)

1. Fight Fire With Fire 4:44
2. Ride The Lightning 6:36
3. For Whom The Bell Tolls 5:09
4. Fade To Black 6:57
5. Trapped Under Ice 4:03
6. Escape 4:23
7. Creeping Death 6:35
8. The Call Of Ktulu 8:52

 

"Ride The Lightning Deluxe Edition - Metallica Interviews" CD (Previously Unreleased)

1. Metal Forces Magazine Interview With Lars 31:14 
2. WUSC Cleveland Radio Interview With Cliff & Kirk 11:48 
3. Metal Madness Interview With Lars 20:48


"Ride The Lightning Deluxe Edition - Demos & Rought Mixes From Lars' Vault" CD (Previously Unreleased)

1. Ride The Lightning [Studio Demo] 6:47
2. When Hell Freezes Over [Studio Demo] 8:41
3. Creeping Death [Studio Demo] 7:10
4. Fight Fire With Fire [Studio Demo] 5:01
5. Ride The Lightning [Garage Demo] 7:33
6. When Hell Freezes Over [Garage Demo] 9:21
7. Fight Fire With Fire [Garage Demo] 5:27
8. Ride The Lightning [Boom Box Demo] 7:43
9. Blitzkrieg [Rhythm Track Rough Mix] 3:38
10. Am I Evil? [Rhythm Track Rough Mix] 8:05


"Ride The Lightning Deluxe Edition - Live At Kabuki Theatre, San Francisco, CA - March 15th, 1985" CD (Previously Unreleased on CD)

1. Fight Fire With Fire (Live) 3:44
2. Ride The Lightning (Live) 6:47
3. Phantom Lord (Live) 4:45
4. The Four Horsemen (Live) 6:00
5. (Anesthesia) - Pulling Teeth (Live) 1:39
6. For Whom The Bell Tolls (Live) 4:15
7. No Remorse (Live) 6:14
8. Fade To Black (Live) 6:42
9. Creeping Death (Live) 5:32
10. Guitar Solo (Live) 2:47
11. Am I Evil? (Live) 3:33
12. Motorbreath (Live) 3:02


"Ride The Lightning Deluxe Edition - Live At Luceum Theatre, London, UK - December 20th, 1984" CD (“Phantom Lord,” “The Call Of Ktulu,” “Creeping Death” and “Guitar Solo” Previously Unreleased. All Other Songs Previously Unreleased on CD)

1. Phantom Lord (Live) 4:12
2. The Four Horsemen (Live) 6:28
3. (Anesthesia) - Pulling Teeth (Live) 4:15
4. For Whom The Bell Tolls (Live) 4:31
5. No Remorse (Live) 6:07
6. The Call Of Ktulu (Live) 7:47
7. Seek & Destroy (Live) 7:03
8. Whiplash (Live) 4:35
9. Creeping Death (Live) 5:14
10. Guitar Solo (Live) 1:22
11. Metal Militia (Live) 9:01


"Ride The Lightning Deluxe Edition - Live At Castle Donington, UK - August 17th, 1985" CD (Previously Unreleased on CD)

1. Creeping Death (Live) 5:52
2. Ride The Lightning (Live) 7:07
3. For Whom The Bell Tolls (Live) 4:42
4. The Four Horsemen (Live) 5:57
5. Fade To Black (Live) 7:08
6. Seek & Destroy (Live) 6:59
7. Whiplash (Live) 4:30
8. Motorbreath (Live) 4:03


"Ride The Lightning Deluxe Edition DVD – Live At Metal Hammer Festival / Live At Day Of The Green / Interviews" DVD

"Live At Metal Hammer Festival In St.Goarshausen, Germany - September 14th, 1985" (Previously Unreleased, except “The Four Horsemen,” “Fade to Black” and “Seek & Destroy”)
1. Creeping Death (Live) 5:28
2. Ride The Lightning (Live) 6:49
3. Disposable Heroes (Live) 9:14
4. No Remorse (Live) 7:08
5. (Anesthesia) - Pulling Teeth (Live) 2:10
6. For Whom The Bell Tolls (Live) 4:31
7. The Four Horsemen (Live) 5:42
8. Fade To Black (Live) 7:12
9. Seek & Destroy (Live) 7:04
10. Whiplash (Live) 5:33
11. Fight Fire With Fire (Live) 4:19
12. Guitar Solo (Live) 2:28
13. Am I Evil? (Live) 3:36
14. Motorbreath (Live) 4:29

"Live At Day Of The Green At Oakland Stadium, Oakland, CA - August 31st, 1985" (Previously Unreleased, except “For Whom the Bell Tolls”)
15. Creeping Death (Live) 4:43
16. Ride The Lightning (Live) 7:17
17. For Whom The Bell Tolls (Live) 4:49
18. MTV News Interview With Lars & James 8:5

"Danish TV" (Previously Unreleased)
19. Lars' First Television Interview - Dr TV 1:08
20. Lars Interview Segment - Dr TV 0:58

Total playing time: 544:14 min.

High quality metal pin brooche.
Beautifully cast metal badge with pin.
Just fasten these cool badge to your favourite jacket!

Badge type: shape pin
Metal type: zink alloy
Measures: approx. 40 x 50 mm.

Embroidered bordered woven patch.

145x120mm 

The fourth single by the legendary American Thrash Metal band.
Taken from the eighth studio album "St. Anger", it was released on July 13, 2004 through Elektra Records.
Metallica intended to sell their 2003 comeback album, "St. Anger", with a series of infomercials by Joe Berlinger and Bruce Sinofsky, directors of the acclaimed documentaries "Brother's Keeper" and "Paradise Lost". Bizarre as that failed plan sounds, what's even more bizarre is that those infomercials morphed into the feature-length film "Some Kind of Monster" (its title taken from an album track on "St. Anger"), which documented the making of "St. Anger", including the group therapy sessions that helped the band pull back from the brink of breakup. All movies need a soundtrack, so one was cobbled together to coincide with the release of the movie.
The name “Some Kind Of Monster” came from vocalist/guitarist James Hetfield describing the lyrics to producer Bob Rock being about a Frankenstein creature or "some kind of monster". Bob Rock Performed bass on "Some Kind of Monster".
The live B-sides are all taken from the previous single release "The Unnamed Feeling" EP. All live tracks recorded at Le Bataclan, Paris, June 11th 2003.
"Some Kind Of Monster" was nominated for Grammy Award for Best Hard Rock Performance in 2005 but lost to Velvet Revolver for the song "Slither".
The enhanced CD also contains the “Some Kind Of Monster” movie trailers.
Metallica/Universal International Music B.V./Vertigo, 2004 (9867810). Made in Germany.


Tracklist:
1. Some Kind Of Monster 8:27
2. The Four Horsemen (Live) 5:21
3. Damage, Inc. (Live) 5:00
4. Leper Messiah (Live) 5:56
5. Motorbreath (Live) 3:20
6. Ride The Lightning (Live) 6:41
7. Hit The Lights (Live) 4:14
8. Some Kind Of Monster (Edit) 4:18
Total playing time: 43:22 min.

The fourth single by the legendary American Thrash Metal band.
Taken from the eighth studio album "St. Anger", it was released on July 13, 2004 through Elektra Records.
Metallica intended to sell their 2003 comeback album, "St. Anger", with a series of infomercials by Joe Berlinger and Bruce Sinofsky, directors of the acclaimed documentaries "Brother's Keeper" and "Paradise Lost". Bizarre as that failed plan sounds, what's even more bizarre is that those infomercials morphed into the feature-length film "Some Kind of Monster" (its title taken from an album track on "St. Anger"), which documented the making of "St. Anger", including the group therapy sessions that helped the band pull back from the brink of breakup. All movies need a soundtrack, so one was cobbled together to coincide with the release of the movie.
The name “Some Kind Of Monster” came from vocalist/guitarist James Hetfield describing the lyrics to producer Bob Rock being about a Frankenstein creature or "some kind of monster". Bob Rock Performed bass on "Some Kind of Monster".
The live B-sides are all taken from the previous single release "The Unnamed Feeling" EP. All live tracks recorded at Le Bataclan, Paris, June 11th 2003.
"Some Kind Of Monster" was nominated for Grammy Award for Best Hard Rock Performance in 2005 but lost to Velvet Revolver for the song "Slither".
The enhanced CD also contains the “Some Kind Of Monster” movie trailers.
Metallica/Universal International Music B.V./Vertigo, 2004 (9867810). Made in UK. First press.


Tracklist:
1. Some Kind Of Monster 8:27
2. The Four Horsemen (Live) 5:21
3. Damage, Inc. (Live) 5:00
4. Leper Messiah (Live) 5:56
5. Motorbreath (Live) 3:20
6. Ride The Lightning (Live) 6:41
7. Hit The Lights (Live) 4:14
8. Some Kind Of Monster (Edit) 4:18
Total playing time: 43:22 min.

The eighth full-length studio album by legendary American Thrash/Heavy Metal band.
Metallica's first new material in over five years arrived after a flurry of non-musical activity that included a much-publicized spat over Internet file sharing, the departure of bassist Jason Newsted, and a lengthy stay in rehab for James Hetfield that suspended the recording of a new album indefinitely. "St. Anger" is often recognized for being a radical musical departure from Metallica's earlier work; it features a Heavy Metal style, raw production, and no guitar solos.
It was the band's last album released through Elektra, thus marking the end of the longest timespan between studio albums from Metallica, with nearly six years between the release of "Reload" and this album. The album marks the final collaboration between Metallica and producer Bob Rock, whose relationship began with the band's fifth studio album, 1991's "Metallica". It's also the first Metallica album since "Master Of Puppets" that does not feature long-time bassist Jason Newsted. Newsted left the band prior to the initial sessions for the album, leaving Rock to temporarily take his place until a permanent replacement could be found. It is also the first album since "...And Justice For All" to have a title track. Recording of the album initially started on April 23, 2001, but was postponed indefinitely when rhythm guitarist and singer James Hetfield entered rehab for "alcoholism and other addictions". Hetfield returned to the fold in late 2001. Still without a bass player, Lars Ulrich, Kirk Hammett, and their newly sober frontman recruited longtime producer Bob Rock to man Newsted's spot, and creation of the album commenced in May 2002.
"St. Anger" arrived a year later as a punishing, unflinching document of internal struggle, taking listeners inside the bruised yet vital body of Metallica, but ultimately revealing the alternately torturous and defiant demons that wrestle inside Hetfield's brain. This album is exactly what Metallica needed to make at this point in its career, after clawing its way to the top of the metal scrap heap, reeducating a generation of bands, and popularizing its genre beyond anyone's expectations. "St. Anger" looks inward with a hard eye, and while it finds some grinning demons in that pit, it unearths some of the sickest grooves of Metallica's 20-plus-year lifespan.
"St. Anger" debuted at the top of sales charts in 30 countries, including the US Billboard 200. Upon its release, it met mixed critical reviews and has since gained less favorable reception. In 2004, the album's lead single, "St. Anger", won a Grammy Award for "Best Metal Performance". The album was certified 2x Platinum by the RIAA and has sold over 6 million copies worldwide.
Virgin Records/Universal International Music B.V., 2003 (0602498653296). Made in EU.


Tracklist:
1. Frantic 5:50
2. St. Anger 7:21
3. Some Kind of Monster 8:26
4. Dirty Window 5:25
5. Invisible Kid 8:30
6. My World 5:46
7. Shoot Me Again 7:10
8. Sweet Amber 5:27
9. The Unnamed Feeling 7:09
10. Purify 5:14
11. All Within My Hands 8:48
Total playing time: 75:06 min.


​​​​​​​

First official re-release of the first EP by legendary American Thrash Metal band.
EP of cover songs to "break-in" new member Jason Newsted, the "Garage Days Re-Revisited" (sub)title is a reference to side B of the "Creeping Death" single. The Extended Play album consists entirely of covers of late-70's and early 80's New Wave of British Heavy Metal bands and Hardcore / Punk music, rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. It is the band's first recording to feature its new bassist Jason Newsted, and also the band's first release following the death of second bassist Cliff Burton.
With Metallica scheduled to play the 1987 Monsters Of Rock Festival at Castle Donington, the band's UK label Vertigo Records suggested them to release an Extended Play album for the situation. Songwriting attempts with new bassist Jason Newsted only resulted in a demo for "Blackened", and frontman James Hetfield broke his arm skateboarding, so the band resorted to recording covers. This is reminiscent to how the European "Creeping Death" single had led to two B-sides that were cover songs, labeled "Garage Days Revisited". Newsted used his construction experience to install soundproofing on Lars Ulrich's garage in El Cerrito, California, where the band would rehearse.
Five-tracks covers EP seemed to confirm that not only was everything back on track after the death of Cliff Burton, but that despite their impending fame, they were still very much in tune with the grubby Metal and Punk scenes that spawned them. You might reasonably argue that the entire NWOBHM nostalgia industry grew from this one record, as these spiky, loose-limbed assaults on songs by Diamond Head, Holocaust and Budgie were most fans’ introduction to those bands’ oeuvres. Of the three, Diamond Head’s "Helpless" remains the highlight, while Newsted’s thunderous intro to Budgie’s "Crash Course In Brain Surgery" is still amongst the most joyous noises you will ever hear. No wonder the fans took to him so readily. Meanwhile, Metallica’s ferocious take on Killing Joke’s "The Wait" (not included on the EP’s originally UK release) is an eerie joy and, most famously, their gleeful decimation of the Misfits’ "Last Caress/Green Hell" proudly muddied the waters between Punk and Metal and, ultimately, must have bought Glenn Danzig at least one new house. After "Last Caress/Green Hell" has ended, there are a few seconds of Metallica covering, deliberately out of key, the intro to Iron Maiden's "Run to the Hills", then it's faded out (Iron Maiden responded to this in 1992 on the B-Side to "Be Quick Or Be Dead").
Yes, the whole thing has been remastered and sounds great, but this was never an exercise in sonic perfection: instead, crank it up and enjoy the sound of one of Metal’s greatest ever bands saluting their heroes and kicking out the jams!!
Blackened Recordings/Universal Music BV., 1987/2018 (BLCKND036R-2). Made in EU.


Tracklist:
1. Helpless (Diamond Head cover) 6:41
2. The Small Hours (Holocaust cover) 6:41
3. The Wait (Killing Joke cover) 4:53
4. Crash Course In Brain Surgery (Budgie cover) 3:11
5. Last Caress/Green Hell (Misfits cover) 3:31
Hidden track: "Run To The Hills" (Opening section / Iron Maiden cover)
Total playing time: 24:57 min.

First official re-release of the first EP by legendary American Thrash Metal band.
EP of cover songs to "break-in" new member Jason Newsted, the "Garage Days Re-Revisited" (sub)title is a reference to side B of the "Creeping Death" single. The Extended Play album consists entirely of covers of late-70's and early 80's New Wave of British Heavy Metal bands and Hardcore / Punk music, rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. It is the band's first recording to feature its new bassist Jason Newsted, and also the band's first release following the death of second bassist Cliff Burton.
With Metallica scheduled to play the 1987 Monsters Of Rock Festival at Castle Donington, the band's UK label Vertigo Records suggested them to release an Extended Play album for the situation. Songwriting attempts with new bassist Jason Newsted only resulted in a demo for "Blackened", and frontman James Hetfield broke his arm skateboarding, so the band resorted to recording covers. This is reminiscent to how the European "Creeping Death" single had led to two B-sides that were cover songs, labeled "Garage Days Revisited". Newsted used his construction experience to install soundproofing on Lars Ulrich's garage in El Cerrito, California, where the band would rehearse.
Five-tracks covers EP seemed to confirm that not only was everything back on track after the death of Cliff Burton, but that despite their impending fame, they were still very much in tune with the grubby Metal and Punk scenes that spawned them. You might reasonably argue that the entire NWOBHM nostalgia industry grew from this one record, as these spiky, loose-limbed assaults on songs by Diamond Head, Holocaust and Budgie were most fans’ introduction to those bands’ oeuvres. Of the three, Diamond Head’s "Helpless" remains the highlight, while Newsted’s thunderous intro to Budgie’s "Crash Course In Brain Surgery" is still amongst the most joyous noises you will ever hear. No wonder the fans took to him so readily. Meanwhile, Metallica’s ferocious take on Killing Joke’s "The Wait" (not included on the EP’s originally UK release) is an eerie joy and, most famously, their gleeful decimation of the Misfits’ "Last Caress/Green Hell" proudly muddied the waters between Punk and Metal and, ultimately, must have bought Glenn Danzig at least one new house. After "Last Caress/Green Hell" has ended, there are a few seconds of Metallica covering, deliberately out of key, the intro to Iron Maiden's "Run to the Hills", then it's faded out (Iron Maiden responded to this in 1992 on the B-Side to "Be Quick Or Be Dead").
Yes, the whole thing has been remastered and sounds great, but this was never an exercise in sonic perfection: instead, crank it up and enjoy the sound of one of Metal’s greatest ever bands saluting their heroes and kicking out the jams!!
Limited Edition remastered black 180g vinyl.
Blackened Recordings/Universal Music BV., 1987/2018 (BLCKND036R-1). Made in Germany.


Tracklist:

Side One
1. Helpless (Diamond Head cover) 6:38
2. The Small Hours (Holocaust cover) 6:39

Side Two
1. The Wait (Killing Joke cover) 4:52
2. Crash Course In Brain Surgery (Budgie cover) 3:08
3. Last Caress/Green Hell (Misfits cover) 3:30
Hidden track: "Run To The Hills" (Opening section / Iron Maiden cover)

Total playing time: 24:48 min.

First official re-release of the first EP by legendary American Thrash Metal band.
EP of cover songs to "break-in" new member Jason Newsted, the "Garage Days Re-Revisited" (sub)title is a reference to side B of the "Creeping Death" single. The Extended Play album consists entirely of covers of late-70's and early 80's New Wave of British Heavy Metal bands and Hardcore / Punk music, rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. It is the band's first recording to feature its new bassist Jason Newsted, and also the band's first release following the death of second bassist Cliff Burton.
With Metallica scheduled to play the 1987 Monsters Of Rock Festival at Castle Donington, the band's UK label Vertigo Records suggested them to release an Extended Play album for the situation. Songwriting attempts with new bassist Jason Newsted only resulted in a demo for "Blackened", and frontman James Hetfield broke his arm skateboarding, so the band resorted to recording covers. This is reminiscent to how the European "Creeping Death" single had led to two B-sides that were cover songs, labeled "Garage Days Revisited". Newsted used his construction experience to install soundproofing on Lars Ulrich's garage in El Cerrito, California, where the band would rehearse.
Five-tracks covers EP seemed to confirm that not only was everything back on track after the death of Cliff Burton, but that despite their impending fame, they were still very much in tune with the grubby Metal and Punk scenes that spawned them. You might reasonably argue that the entire NWOBHM nostalgia industry grew from this one record, as these spiky, loose-limbed assaults on songs by Diamond Head, Holocaust and Budgie were most fans’ introduction to those bands’ oeuvres. Of the three, Diamond Head’s "Helpless" remains the highlight, while Newsted’s thunderous intro to Budgie’s "Crash Course In Brain Surgery" is still amongst the most joyous noises you will ever hear. No wonder the fans took to him so readily. Meanwhile, Metallica’s ferocious take on Killing Joke’s "The Wait" (not included on the EP’s originally UK release) is an eerie joy and, most famously, their gleeful decimation of the Misfits’ "Last Caress/Green Hell" proudly muddied the waters between Punk and Metal and, ultimately, must have bought Glenn Danzig at least one new house. After "Last Caress/Green Hell" has ended, there are a few seconds of Metallica covering, deliberately out of key, the intro to Iron Maiden's "Run to the Hills", then it's faded out (Iron Maiden responded to this in 1992 on the B-Side to "Be Quick Or Be Dead").
Yes, the whole thing has been remastered and sounds great, but this was never an exercise in sonic perfection: instead, crank it up and enjoy the sound of one of Metal’s greatest ever bands saluting their heroes and kicking out the jams!!
Limited Edition remastered Orange Translucent 180g vinyl.
Blackened Recordings/Universal Music BV., 1987/2018 (BLCKND036R-1C). Made in Germany.


Tracklist:

Side One
1. Helpless (Diamond Head cover) 6:38
2. The Small Hours (Holocaust cover) 6:39

Side Two
1. The Wait (Killing Joke cover) 4:52
2. Crash Course In Brain Surgery (Budgie cover) 3:08
3. Last Caress/Green Hell (Misfits cover) 3:30
Hidden track: "Run To The Hills" (Opening section / Iron Maiden cover)

Total playing time: 24:48 min.

The first DVD with all the original videos by legendary American Thrash Metal band. Metallica has never taken itself lightly. From pure Metal on "Kill ‘Em All" to pure meltdown on "Some Kind Of Monster", a strand of crippling tension has always held the quintet together. And even the music video medium, which the band Thrashed its way into in 1989, hasn’t been spared this heaviness. And "The Videos 1989 - 2004" confirms this, whether through the live energy of “Wherever I May Roam” and “Sad But True”, the helplessness of “One”, or the heartache of Bad Company’s “Turn the Page”.
While there aren’t any true surprises here, and few extras for that matter, this collection succeeds as a document of a band, from breaking through to the mainstream to redefining itself in a new century. And while the music has evolved, the attitude hasn’t affirming Metallica as far more powerful than the Bay Area Thrash Metal band that emerged over 20 years ago!
In its first week of release, the DVD sold 28000 copies.
DVD features “2 Of One” VHS video as a bonus.
DVD 9 | 2.0 PCM Stereo | 5.1 Dolby Surround | NTSC | Region 2-6 | English menu | Approx. 141 mins.
Vertigo/Universal International Music B.V., 2006 (1714448). Made in Argentina. First press.


Tracklist:

1. One 7:41
2. Enter Sandman 5:28
3. The Unforgiven 6:21
4. Nothing Else Matters 6:24
5. Wherever I May Roam 6:05
6. Sad But True 5:26
7. Until It Sleeps 4:32
8. Hero Of The Day 4:30
9. Mama Said 4:51
10. King Nothing 5:26
11. The Memory Remains 4:37
12. The Unforgiven II 6:33
13. Fuel 4:35
14. Turn The Page 5:49
15. Whiskey In The Jar 4:43
16. No Leaf Clover 5:33
17. I Disappear 4:28
18. St. Anger 5:50
19. Frantic 4:55
20. The Unnamed Feeling 5:29
21. Some Kind Of Monster 4:28

Bonus feature: “2 Of One”
22. Introduction 5:43
23. One (Jammin' Version) 5:05
24. The Unforgiven (Theatrical Version) 11:29
25. Metallica: Some Kind Of Monster (Trailer) 2:27

Total playing time: 138:28 min.

Soundtrack album of the legendary American Thrash/Heavy Metal band.
The biggest Metal band in the world returns with its second motion picture, the follow-up to the in-therapy documentary "Some Kind Of Monster". And this is soundtrack album for the film "Through The Never". Album was released on September 24, 2013 via Blackened Recordings, the own label by Metallica. All tracks on the soundtrack are live recordings from the 2012 Canada shows Metallica performed for the "Through The Never" film shoot, with the exception of "Orion" that was recorded live at soundcheck.
When Metallica first planned the ambitious full-length movie project, "Metallica: Through the Never", a lot of people were very curious about what the band would come up with. Many assumed it would just be concert footage edited together, which it was with the twist of having a truly bizarre storyline running intermittently throughout the video. The soundtrack itself are some prime cuts of live tracks which were used in the film. The album consists of 16 tracks lasting over 100 minutes. The album opens with "The Ecstasy of Gold," which is appropriate as this has been their standard opener for years. Next up is a rousing rendition of "Creeping Death" which is only marred by a poorly recorded chorus provided by the audience members. Next up is "For Whom the Bell Tolls," which uses audience participation very briefly. The vocal reverb/delay used on the live version of "For Whom the Bell Tolls" is what really makes the track stand out, and the guitar solo seems to have a "freak out" moment by Kirk. "Fuel" is next, and oddly what is a pyrotechnic going off in the first few seconds of the song provides an odd addition to the percussion. The performance of the song was energetic except for an odd instrumental stumble at about 45 seconds in, but the band did recovery very quickly. "Ride the Lightning" came up next, and went pretty well with the exception of James sounding like he couldn't remember some of the lyrics for a few seconds. "One" starts out using audio clips of explosions, helicopters and gunfire which goes on for almost 2 minute unaccompanied by any music until the opening riff finally comes in. "The Memory Remains" starts out with some "playful banter" with James and the crowd, but quickly builds to a very energetic performance with the most successful audience participation on the album. "Wherever I May Roam" was a pretty straightforward live performance with the audience singing the line "wherever I may roam" along with James. "Cyanide" is most notable for having a very awesome bass tone audible through most of the track and making me wonder what equipment/settings Robert was using. You can also tell that the band is way more used to playing this newer material, as their playing is tighter than on some previous tracks. "...And Justice for All" was next up. "Master of Puppets" was performed with a great surge of energy by the band and the audience's enthusiasm. "Battery" is another track where the pyrotechnics provide some unexpected percussion. "Nothing Else Matters" started out with about two minutes of guitar noodling, that while interesting was also a little confusing. By the time the actual intro to "Nothing Else Matters" came in. "Enter Sandman" was next up and started out with Kirk initially playing around too much with his wah pedal, but quickly turned into a very tight performance, pyrotechnics included. "Hit the Lights" starts out with some general noodling and banter with the audience but grows into another very energetic performance. The album closes out with a rendition of "Orion," managing to be both a very tight performance as well as having good energy - making it the perfect performance to close out the album.
A live album is good for recreating the experience of the concert, probably especially for people actually present at that specific concert. What you want from a live album is to be made to feel a part of the concert; to feel like you are there!
Blackened Recordings /Vertigo/Universal Music International B.V., 2013 (375156-2). Made in Germany. First press. Used (cover/disc 1/disc 2): NM/NM/NM.


Tracklist:

CD 1:
1. The Ecstasy Of Gold 2:02
2. Creeping Death 6:20 
3. For Whom The Bell Tolls 4:40 
4. Fuel 3:58 
5. Ride The Lightning 6:55
6. One 8:25 
7. The Memory Remains 5:43 
8. Wherever I May Roam 6:19
Playing time: 44:19 min.

CD 2:
1. Cyanide 7:02 
2. ...And Justice For All 9:18 
3. Master Of Puppets 8:26 
4. Battery 5:14 
5. Nothing Else Matters 7:22 
6. Enter Sandman 6:22 
7. Hit The Lights 4:40 
8. Orion 8:27
Playing time: 56:50 min.

Total playing time: 101:09 min.

Soundtrack album of the legendary American Thrash/Heavy Metal band.
The biggest Metal band in the world returns with its second motion picture, the follow-up to the in-therapy documentary "Some Kind Of Monster". And this is soundtrack album for the film "Through The Never". Album was released on September 24, 2013 via Blackened Recordings, the own label by Metallica. All tracks on the soundtrack are live recordings from the 2012 Canada shows Metallica performed for the "Through The Never" film shoot, with the exception of "Orion" that was recorded live at soundcheck.
When Metallica first planned the ambitious full-length movie project, "Metallica: Through the Never", a lot of people were very curious about what the band would come up with. Many assumed it would just be concert footage edited together, which it was with the twist of having a truly bizarre storyline running intermittently throughout the video. The soundtrack itself are some prime cuts of live tracks which were used in the film. The album consists of 16 tracks lasting over 100 minutes. The album opens with "The Ecstasy of Gold," which is appropriate as this has been their standard opener for years. Next up is a rousing rendition of "Creeping Death" which is only marred by a poorly recorded chorus provided by the audience members. Next up is "For Whom the Bell Tolls," which uses audience participation very briefly. The vocal reverb/delay used on the live version of "For Whom the Bell Tolls" is what really makes the track stand out, and the guitar solo seems to have a "freak out" moment by Kirk. "Fuel" is next, and oddly what is a pyrotechnic going off in the first few seconds of the song provides an odd addition to the percussion. The performance of the song was energetic except for an odd instrumental stumble at about 45 seconds in, but the band did recovery very quickly. "Ride the Lightning" came up next, and went pretty well with the exception of James sounding like he couldn't remember some of the lyrics for a few seconds. "One" starts out using audio clips of explosions, helicopters and gunfire which goes on for almost 2 minute unaccompanied by any music until the opening riff finally comes in. "The Memory Remains" starts out with some "playful banter" with James and the crowd, but quickly builds to a very energetic performance with the most successful audience participation on the album. "Wherever I May Roam" was a pretty straightforward live performance with the audience singing the line "wherever I may roam" along with James. "Cyanide" is most notable for having a very awesome bass tone audible through most of the track and making me wonder what equipment/settings Robert was using. You can also tell that the band is way more used to playing this newer material, as their playing is tighter than on some previous tracks. "...And Justice for All" was next up. "Master of Puppets" was performed with a great surge of energy by the band and the audience's enthusiasm. "Battery" is another track where the pyrotechnics provide some unexpected percussion. "Nothing Else Matters" started out with about two minutes of guitar noodling, that while interesting was also a little confusing. By the time the actual intro to "Nothing Else Matters" came in. "Enter Sandman" was next up and started out with Kirk initially playing around too much with his wah pedal, but quickly turned into a very tight performance, pyrotechnics included. "Hit the Lights" starts out with some general noodling and banter with the audience but grows into another very energetic performance. The album closes out with a rendition of "Orion," managing to be both a very tight performance as well as having good energy - making it the perfect performance to close out the album.
A live album is good for recreating the experience of the concert, probably especially for people actually present at that specific concert. What you want from a live album is to be made to feel a part of the concert; to feel like you are there!
Blackened Recordings /Vertigo/Universal Music International B.V., 2013 (375144-1). Made in Germany. First press.


Tracklist:

CD 1:
1. The Ecstasy Of Gold 2:02
2. Creeping Death 6:20 
3. For Whom The Bell Tolls 4:40 
4. Fuel 3:58 
5. Ride The Lightning 6:55
6. One 8:25 
7. The Memory Remains 5:43 
8. Wherever I May Roam 6:19

CD 2:
1. Cyanide 7:02 
2. ...And Justice For All 9:18 
3. Master Of Puppets 8:26 
4. Battery 5:14 
5. Nothing Else Matters 7:22 
6. Enter Sandman 6:22 
7. Hit The Lights 4:40 
8. Orion 8:27

Total playing time: 101:13

Embroidered bordered woven patch.

60x60mm 

Remastered re-release of the fourth full-length studio album by legendary American Thrash Metal band.
It is the first full-length Metallica album to feature bassist Jason Newsted, following the death of Cliff Burton in 1986 (Newsted had previously participated on the cover album “The $5.98 E.P.: Garage Days Re-Revisited” EP, which was his first recorded work with Metallica). It's also the last Metallica album with producer Flemming Rasmussen.
Metallica's previous studio album, "Master Of Puppets" (1986), was their last under their contract with the record label Music for Nations. Manager Peter Mensch wanted them to sign with British record distributor Phonogram Records. Phonogram manager Martin Hooker offered them "well over £1 million, which at that time was the biggest deal we'd ever offered anyone". His explanation was that the final figure for combined British and European sales of all three Metallica albums was more than 1.5 million copies.
The album was initially released on one vinyl disc, but soon after re-released as a double-album (without additional tracks).
"...And Justice For All" marked the band's gear-shift from Underground heroes to the major league. Containing the band's first Top 40 Single, the horror-filled "One", the album's hard-hitting lyrics and darkly intense feel delighted their ever-growing fanbase, reaching number six on the Billboard chart.
After years of refusing to release music videos, Metallica released its first for "One". The video was controversial among fans, who had valued the band's apparent opposition to MTV and other forms of mainstream music. Slant Magazine ranked it number 48 on their list of the "100 Greatest Music Videos", saying that Metallica "evoke a revolution of the soul far more devastating than that presented in the original text". The guitar solo was ranked number seven in Guitar World's compilation of the "100 Greatest Guitar Solos" of all time. Additionally, website Noisecreep classed the song ninth among the "10 Best '80s Metal Songs".
The album was acclaimed by music critics for its depth and complexity, although its dry mix and nearly inaudible bass guitar were criticized. It was included in The Village Voice's annual Pazz & Jop critics' poll of the year's best albums, and was nominated for a Grammy Award in 1989, controversially losing out to Jethro Tull in the ill-fated Best Hard Rock/Metal Performance Vocal or Instrumental category. The Single "One" earned Metallica their first Grammy Award in 1990 (and the first ever in the Best Metal Performance category).
Although Metallica's music was considered unappealing for mainstream radio, "...And Justice For All" was highly successful in the US. It became Metallica's best-selling album upon release, peaking at number six on the Billboard 200, where it charted for 83 weeks. More than 8 000 000 copies have been sold in the United States since 1991, when Nielsen SoundScan began tracking sales. It was certified Platinum nine weeks after it was released in stores, and 1.7 million copies were sold in the US by the end of 1988. Since its release, the album has scanned more than 8 million copies in the US. It was certified 8× Platinum by the Recording Industry Association of America (RIAA) in 2003 for shipping eight million copies in the U.S. With this album, Metallica received substantial media exposure, becoming a multi-Platinum act by 1990.
"...And Justice For All" achieved similar chart success outside the United States. It topped the charts in Finland, peaked within the top 5 on the charts in Germany, Sweden, and the United Kingdom, and remained on the UK chart for six weeks. The album managed to peak in the top 10 on the Norwegian and Swiss album charts. "...And Justice For All" received a three times Platinum certification from Music Canada for shipping 300 000 copies, a Platinum certification from IFPI Finland for having a shipment of little over 50 000 copies, and was certified Gold by the Bundesverband Musikindustrie (BVMI) for shipments of 250 000 copies. It was awarded Gold by the British Phonographic Industry in 2013 for shipping 100 000 copies in the UK. "...And Justice For All" was surpassed commercially by the band's following album, "Metallica" (1991).
The album was ranked at number nine on IGN's "Top 25 Metal Albums". Guitar World lists it 12th on the "100 Greatest Guitar Albums" from a 2006 reader poll, and lists all of its tracks on "The 100 Greatest Metallica Songs of All Time". Kerrang! listed the album at number 42 among the "100 Greatest Heavy Metal Albums of All Time". Martin Popoff ranks it at number 19 in his book The Top 500 Heavy Metal Albums of All Time, the fourth highest ranked Metallica album on the list. It is featured in Robert Dimery's 1001 Albums You Must Hear Before You Die. In 2017, it was ranked 21st on Rolling Stone's list of "100 Greatest Metal Albums of All Time".
Double 180g Vinyl includes Download Card.
Blackened Recordings. Inc./Universal International Music B.V., Netherlands, 1988/2018 (BLCKND007R-1 | 00602567690238). Made in Germany.


Tracklist:

I
1.Blackened 06:40
2....And Justice For All 09:44

II
3.Eye Of The Beholder 06:25
4.One 07:24

III
1.The Shortest Straw 06:35
2.Harvester Of Sorrow 05:42
3.The Frayed Ends Of Sanity 07:40

IV
4.To Live Is To Die 09:48
5.Dyers Eve 05:12

Total playing time: 65:10 min.

The fourth full-length studio album by legendary American Thrash Metal band.
It is the first full-length Metallica album to feature bassist Jason Newsted, following the death of Cliff Burton in 1986 (Newsted had previously participated on the cover album “The $5.98 E.P.: Garage Days Re-Revisited” EP, which was his first recorded work with Metallica). It's also the last Metallica album with producer Flemming Rasmussen.
Metallica's previous studio album, "Master Of Puppets" (1986), was their last under their contract with the record label Music for Nations. Manager Peter Mensch wanted them to sign with British record distributor Phonogram Records. Phonogram manager Martin Hooker offered them "well over £1 million, which at that time was the biggest deal we'd ever offered anyone". His explanation was that the final figure for combined British and European sales of all three Metallica albums was more than 1.5 million copies.
"...And Justice For All" marked the band's gear-shift from Underground heroes to the major league. Containing the band's first Top 40 Single, the horror-filled "One", the album's hard-hitting lyrics and darkly intense feel delighted their ever-growing fanbase, reaching number six on the Billboard chart.
After years of refusing to release music videos, Metallica released its first for "One". The video was controversial among fans, who had valued the band's apparent opposition to MTV and other forms of mainstream music. Slant Magazine ranked it number 48 on their list of the "100 Greatest Music Videos", saying that Metallica "evoke a revolution of the soul far more devastating than that presented in the original text". The guitar solo was ranked number seven in Guitar World's compilation of the "100 Greatest Guitar Solos" of all time. Additionally, website Noisecreep classed the song ninth among the "10 Best '80s Metal Songs".
The album was acclaimed by music critics for its depth and complexity, although its dry mix and nearly inaudible bass guitar were criticized. It was included in The Village Voice's annual Pazz & Jop critics' poll of the year's best albums, and was nominated for a Grammy Award in 1989, controversially losing out to Jethro Tull in the ill-fated Best Hard Rock/Metal Performance Vocal or Instrumental category. The Single "One" earned Metallica their first Grammy Award in 1990 (and the first ever in the Best Metal Performance category).
Although Metallica's music was considered unappealing for mainstream radio, "...And Justice For All" was highly successful in the US. It became Metallica's best-selling album upon release, peaking at number six on the Billboard 200, where it charted for 83 weeks. More than 8 000 000 copies have been sold in the United States since 1991, when Nielsen SoundScan began tracking sales. It was certified Platinum nine weeks after it was released in stores, and 1.7 million copies were sold in the US by the end of 1988. Since its release, the album has scanned more than 8 million copies in the US. It was certified 8× Platinum by the Recording Industry Association of America (RIAA) in 2003 for shipping eight million copies in the U.S. With this album, Metallica received substantial media exposure, becoming a multi-Platinum act by 1990.
"...And Justice For All" achieved similar chart success outside the United States. It topped the charts in Finland, peaked within the top 5 on the charts in Germany, Sweden, and the United Kingdom, and remained on the UK chart for six weeks. The album managed to peak in the top 10 on the Norwegian and Swiss album charts. "...And Justice For All" received a three times Platinum certification from Music Canada for shipping 300 000 copies, a Platinum certification from IFPI Finland for having a shipment of little over 50 000 copies, and was certified Gold by the Bundesverband Musikindustrie (BVMI) for shipments of 250 000 copies. It was awarded Gold by the British Phonographic Industry in 2013 for shipping 100 000 copies in the UK. "...And Justice For All" was surpassed commercially by the band's following album, "Metallica" (1991).
The album was ranked at number nine on IGN's "Top 25 Metal Albums". Guitar World lists it 12th on the "100 Greatest Guitar Albums" from a 2006 reader poll, and lists all of its tracks on "The 100 Greatest Metallica Songs of All Time". Kerrang! listed the album at number 42 among the "100 Greatest Heavy Metal Albums of All Time". Martin Popoff ranks it at number 19 in his book The Top 500 Heavy Metal Albums of All Time, the fourth highest ranked Metallica album on the list. It is featured in Robert Dimery's 1001 Albums You Must Hear Before You Die. In 2017, it was ranked 21st on Rolling Stone's list of "100 Greatest Metal Albums of All Time".
Phonogram/Vertigo, 1988/2005 (836062-2). Made in Germany.


Tracklist:
1. Blackened 6:40
2. ...And Justice For All 9:44
3. Eye Of The Beholder 6:25
4. One 7:24
5. The Shortest Straw 6:35
6. Harvester Of Sorrow 5:42
7. The Frayed Ends Of Sanity 7:40
8. To Live Is To Die 9:48
9. Dyers Eve 5:12
Total playing time: 65:29 min.

High quality handcrafted miniature guitar with amazing finishing work and attention to detail. This collection of miniature replica guitars is very detail exactly with a real guitar. Created by talented and experienced craftsmen in the field of musical instruments.
Model is inspired by the guitar that has made the history of music.
This is a collection of truly unique and should be owned by the fans and music lovers!!
Music Legends Collection, 2011 (MGT-0222). Made in Indonesia.

Musician: James Hetfield (METALLICA).
Collection 1:4 scale model hand-made and hand-airbrushed.
Miniature size, cm: 27,5H x 9L x 0,5P (approx.)
Miniature box size, cm: 30H x 10L x 3P
Box and miniature weight, g: 150 (approx.)
Miniature material: mahogany wood.
Every miniature comes with his guitar holder.

High quality handcrafted miniature guitar with amazing finishing work and attention to detail. This collection of miniature replica guitars is very detail exactly with a real guitar. Created by talented and experienced craftsmen in the field of musical instruments.
Model is inspired by the guitar that has made the history of music.
This is a collection of truly unique and should be owned by the fans and music lovers!!
Music Legends Collection, 2011 (MGT-0253). Made in Indonesia.

Musician: James Hetfield (METALLICA).
Collection 1:4 scale model hand-made and hand-airbrushed.
Miniature size, cm: 27,5H x 9L x 0,5P (approx.)
Miniature box size, cm: 30H x 10L x 3P
Box and miniature weight, g: 150 (approx.)
Miniature material: mahogany wood.
Every miniature comes with his guitar holder.